in which maggie is actually quite happy with a thing she has done

anonymous asked:

Happy prompt: war is over, mon el is yeeted back to wherever the fuck, sanvers go on vacation

After weeks of rebuilding National City, of burying the rubble of the past year while picking up their pieces of their home and defending their decisions all the way up to the Oval Office, Maggie and Alex were both forced to take some overdue leave by their superiors. And, as it turns out, Maggie was right, during that thing with Malvern. They did disagree on their first vacation. Maggie wanted snow, the one thing she actually missed from bumfuck, Nebraska. Where they were going to find snow this time of year on the combined budgets of a cop and a fed were anyone’s guess, a fact which Alex, who hated snow, was quick to point out.

Maggie was only half kidding when she asked about the Fortress of Solitude, because snow and alien tech?

“There’s no central heating, Mags,” Alex says, and that is the end to that, because honestly, who wants to go on vacation with their smoking hot girlfriend where no one can take their clothes off without losing a tit to frostbite?

Hawaii is Alex’s suggestion. Or really, they could save money and stick close to home, get a rental near Midvale and mooch food off her mother. She wants the sun, and the sand, and the waves. She wants to face down her fear of water in a place with no walls, no pipes, and no drains.

Maggie, quite frankly, cannot handle the thought of Alex panicking in the waves, out where Maggie isn’t a strong enough swimmer to reach her. It’s hard enough every morning, watching Alex struggle with the fastest showers known to man, the giant puddles from the shower door they removed the day she came home.

They compromise. Disney World, because at least it’s a ten minute trip for the overprotective Space Dad and alien sister rather than the thirty-five seconds it would take them to get to Disneyland because Alex screamed too loud.

Alex blushes hard when Maggie uses that argument. But she relents, letting Maggie plan their vacation on the condition that they spring for business class because Maggie might be short but Alex has legs, thank you.

Maggie may have forgotten to mention that she planned their trip to coincide with Orlando’s Gay Days. That she splurged on tickets for all the Disney parks but not Sea World, because between the glass walls of the attractions and a now distant rant about the ratio of pool to orca, she felt that might be pushing it.

Instead, she leaves the first day open for an exploration of the city and the events. She watches Alex’s wonder at the Gay Days Expo, her eyes taking in all of the facets of the culture she was still, slowly, immersing herself in.

(Maggie sees Alex’s eyes linger on the Leather/Fetish expo and makes a note to bring her back when they’re done exploring the more family friendly events of the week.)

They splurge even more on Fast Passes for every day they visit the Holy House of Mouse, riding every ride and buying the photos of them on Space Mountain even though Alex complained the entire time that her legs were jammed up against the seat in front of her.

They send photos to Kara and the Space Fam them with Stitch and Mickey and every other character they can find. Alex fights Gaston for Maggie’s honor with a foam sword for a 30 second video that Maggie plans to save for their wedding reception. There’s a photo of them in matching mouse ears that’s going straight for the fridge when they get home.

At night, Maggie laughs at the realization that, as much as she felt bad in the moment for calling her out, Alex really was a hopeless lesbian. Every number she got while Maggie was off at the bar getting more drinks was either a new “friend” offering to “teach her” or some professional wanting to “network” with an FBI agent.

Maggie may have collected all the napkins and business cards and trashed them at the end of the night. Alex may have noticed, but she didn’t say anything, preferring to show Maggie how much she loved her and how grateful she was they survived.

They may have woken up later than intended every day because of it.

When they finally returned to National City, it was with a bag full of souvenirs (not all of them appropriate for the family dinner), photos, and stories of their adventures.

Kara and Winn make them promise to take them next time.

They walk through the door of Alex’s apartment before she remembers to make Maggie promise not to book it for Gay Days, because that fetish expo is one thing she refuses to explain to her alien sister.

The Irish World: interview with Rob and Allen

By David Hennessy

Internationally phenomenally successful Downton Abbey is back and The Irish World was there at the recent launch to chat with the cast. Here’s out chat with Rob James-Collier who plays Thomas Barrow.

Risking life for high quality drama

“He was coming at me with an axe,” fame is supposed to have its price but not quite like the dramatic/humorous story Rob James-Collier who plays underbutler Thomas Barrow.

When asked where the most unusual place he has been recognised is, Rob answers without hesitation: “Homebase. I was buying a bit of 4 x 2 plywood, geezer’s come over, skinhead. I thought: ‘Here we go, it’s going off’. He’s got an axe in his hand. I didn’t know at the time Homebase sold axes, I thought he was coming at me with an axe. It turns out he was a huge fan of the show and he was buying the axe because it was reduced. He had a wood-burning stove and he was simply buying the axe to chop his wood and he wanted to come over to say he liked the job I did on the show.

“I’ve misread the situation, gone into karate stance. Well lets it this way, one way or another: I took the axe off him.”

Laughing beside the actor previously known for playing Liam Connor in Coronation Street is Dublin actor Allen Leech whose answer to the same question, which includes a taxi driver jumping out his car to say hello outside Jakarta Airport, can’t compete.

Rob asks Allen: “Did he have an axe?”

“No,” Allen answers.

“Thank God for that,” Rob concludes.

Although there was no axe involved, Rob says he put himself in serious danger in the filming of the first episode of the forthcoming series where it is his character Tom that rescues Lady Edith from a fire in her room. Although Allen laughs while he tells another dramatic story: “There was one take where I wasn’t allowed to go over it when it was at full height for insurance, which he (Allen) is alluding to, but there were times when it was at a candle’s height and I stepped over those flames, yes me, and then I stepped back over them with Laura Carmichael who plays Lady Edith. It was exhilarating. It was close, the closest to death I’ve ever been to. My ankle got singed on one take but I just thought I’ll carry on. Why? Because we’re making high quality drama.”

It is obvious from the moment you meet them that Rob and Allen are very much the jokers in the pack. No laughing matter is the situation of Rob’s character Thomas is homosexual which rules out any possibility of his happiness as he is forced to deny himself: “I think what we see is him finally confronting the fact that he’s been outed. He was actively trying to pursue the life of a homosexual male, more power to him, very modernistic. But society is gradually wearing him down and this year we see him reflect on himself and think: ‘Can I ever truly be happy? I can’t do this anymore so what am I going to do?’ It’s quite a sad story, hopefully well played.”

Conniving and vindictive, it is this inner conflict that goes a long way to explaining why Thomas is like he is: “Society has condemned him. Society has said he is twisted and a freak of nature so he’s not going to have a nice attitude towards society because he’s done nothing wrong and yet he’s condemned. He projects society’s hatred back towards society and that’s why he’s alienated and that’s why he’s an outsider and that’s why he is the way he is. Quite rightly, I think. I can’t blame him for it anyway. I can empathise, I hope people will this year.

Rob James-Collier in character

“He openly told him (footman Jimmy Kent) he loved him and Jimmy said, ‘I can never be what you want me to be’, and we have a lovely scene where Tommy says: ‘I accept that, can we at least be friends?’ So he’s already exposed himself. When someone tells you to your face that they could never love you, you know you’ve got to give up the ghost. What we see (in this series) is Thomas’s nice side in that he is willing to forego his feelings and help Jimmy get into bed with Lady Anstruther, and there’s just that moment when Jimmy goes, that you see Thomas wishing it was him Jimmy was coming to. What a lovely thing for him to do.”

Rob’s character was originally only meant to survive one series. Could he have ever foreseen that it would still be going strong? “We would have been pretty big headed if we had actually thought this was going to happen. We’re still talking about his show five years later, new regions like China are watching it now. Of course we are massively surprised.

“We have to go to America in December to promote it. They love our history, they’re fascinated with that anyway. Hollywood royalty is in it. Dame Maggie Smith has not been on any British telly for thirty years yet she chose this show to come back. They (Americans) want to know why Dame Maggie Smith is in this show, it must be good. Julian Fellowes, Oscar-winning writer: Why has he written this? That’s what tuned them in because of the subject matter as well.

“If there’s one thing Julian does well, it’s class, that’s his bag. The Americans are obsessed with it, ergo it has a chance even with the significant drag factor of both mine and Allen’s performances dragging the show down, it still had enough buoyancy to get up there. I’m fishing for a compliment there for both of us, don’t leave me hanging.”

When it is raised, Rob takes the opportunity to clear up an earlier misquotation. A publication quoted Rob, who never attended drama school and worked as a labourer before finding fame, as saying it was harder for working class actors to get a break: “I was misquoted, that was taken out of context, taken to the press complaints commission and all subsequent articles pulled off. Never happened. It’s really unusual for the press to take someone out of context and misquote, isn’t it? Those things were never said. I’m sorry to disappoint.”

But Rob doesn’t appear to be one bit wary of the press despite the experience: “No, have you seen me going around here? We’ve been giving nothing but love to the tables, made you laugh, I proposed at the last table. That’s anything but wary, that’s needy if you ask me. I came across needy.

“Not at all, why blame the rest of the press for one person’s misdemeanours? That’s the way I look at it.”

A joking Rob later reveals what it really takes to get ahead in the business when high profile actors who have failed to land Downton parts are mentioned: “You know what their problem was? They didn’t sleep with the right people. I did. Thanks for getting me in the show.”

Rob lifts his hand for Allen Leech to give him a high five. “Thanks for sleeping with me,” says Allen.

There has been a lot of press about the new child actors playing including the one playing Allen Leech’s screen daughter Sybil who he has described entertaining. Asked if Rob also helps keep the kids amused, Allen answers: “He’s useless.”

Rob retorts with mock indignance: “They’re not my kids. They’re not my on screen kids, nothing to do with me.”

Allen reveals: “Sometimes I see them lovingly come up, tug on his coat tails and he’ll literally flick them off, send them careering across the room.”

Rob concludes: “You’re not in my character’s storyline ergo, do one.”

Rob is immensely proud of his Irish connections: “My mother’s Irish, she’s from Donegal right at the top Buncrana-way to be specific. I used to go over every year as kids and I still go over every couple of years, see some of the family and hang out there. I love it, it’s beautiful over there.”

Downton Abbey returns to ITV at 9pm on September 21.