in order to source it

queerbaiting isnt just heavily hinting that two characters might get together it’s also using the one canon gay couple you have as a small subplot with minimal airtime even though you use them as a primary source of promo in order to string gay fans along and keep a fan base for your incredibly shitty and unoriginal show

A witch is, actually, a successful (in the sense of surviving) deviant. You have a cultural, ideological, social, what-not pattern which is, for that society in question, normal (and, importantly, this is understood as a synonym for natural). Most people survive because they conform to these patterns, because they behave normally. […] But then suddenly you get a deviant which survives, and since it does not draw its support from the normal pattern, […] that deviant is understood as drawing its support from “unknown,” “supernatural” sources. […] If we cannot survive without our order, how can she [the witch] survive in solitude? Hers must be indeed a very powerful order to exist so independently, without all the inter cooperation and individual compromise which we have to go through to survive. And if it is so powerful, then it could destroy us. We must try to destroy it first.
—  Maya Deren, “From the Notebook of Maya Deren”, c.October 1947, vol. 14: pages 21–45.

Hidden Pavilion in Madrid

In central Spain, Penelas Architects has designed a small dwelling as a secluded place for meditation. assembled on the outskirts of Madrid, the ‘Hidden Pavilion’ is situated amid a forest and interacts directly with the surrounding trees. the entire property has been built using three materials: rusted steel for the structural frame, glass for its façades, and cherry-tree wood for the interiors. 

Fully embedded within the forest, Penelas Architects has sited the home to engage with the neighboring landscape. Suspended over a small waterfall, the pavilion lets trees pass through its terraces, and cantilevers above voids that have been strategically positioned to allow for future growth. The upper level is inclined to provide room for a 200 year-old oak tree, while lightwells have been deliberately raised in order to illuminate the scheme’s interior.

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  • Nymphadora: And you know what else? I quit!
  • Moody: No you don't.
  • Nymphadora: Well, I'm leaving early today!
  • Moody: No you're not. You're coming back to my office to do busy work.
  • Nymphadora: Fine, but I'm getting a Gillywater first!
  • Moody: Whatever.