in inglorious bastards that is

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Simon Says: Nazi Hunter
Inspired by the true story of Holocaust survivor, Simeon Wiesenthal, an artist who lost his family and took justice into his own hands.

The Inspiration

Thank you for visiting our project, Simon Says: Nazi Hunter #1. The comic is inspired by the true story of the famed Nazi Hunter, Simon Wiesenthal. Written by Andre Frattino and Illustrated by Jesse Lee, this comic is intended to be the prototype first issue for a potential graphic novel.

Wiesenthal was an Austrian architect who survived the Holocaust thanks partly to his artistic skills (he was spared from execution when he was employed to paint swastikas on train cars). After the war, he discovered that he and his wife lost over 80 members of their family. Wiesenthal dedicated the rest of his life to hunting down notorious war criminals including Adolf Eichmann (a chief orchestrator of Hitler’s “Final Solution to the Jewish Question”) and Joseph Mengele (a.k.a. “The Angel of Death” who conducted horrifying experiments on his subjects).  

While Simon Says: Nazi Hunter #1 is inspired by Simon Wiesenthal, it is not merely a dramatization of his experiences alone. The story takes from many aspects of various Nazi Hunter stories following the war. The tone of the comic is a mixture of noir and pulp fiction which was prevalent in the 1950s and 60s. Other influences include Ian Fleming’s James Bond Series as well as such films as Schindler’s List, Inglorious Bastards and TV series like Sherlock and Man in the High Castle.

This is pretty astonishingly timely and is close to hitting its goal. However there are still stretch goals. A hard-boiled Nazi Hunting graphic novel seems like a good tribute to Wiesenthal. Support it if you’re interested.

film rec list pt. 2
  • the neon aesthetic: only god forgives, the neon demon, under the skin, drive, heaven knows what, blade runner, suspiria, christine, lost river, maniac, nerve, lost in translation
  • art house horror: babadook, the witch, goodnight mommy, alien, trance, green room, girl walks home alone at night, come and see, the invitation
  • LGBT movies with happy endings: carol, life partners, saving face, radiant sea, jongens (boys), four moons, xenia, the happy sad, the way he looks, kiss me, viva, when the night is falling, the incredibly true adventures of two girls in love, boy meets girl, la vie en rose
  • movies that made me terrified of small children: children of the corn, the shining, the exorcist, eden lake, the others, the uninvited, pet semetary
  • coming of age documentaries: Ömheten, all this panic, they call us monsters, beyond clueless, boyhood, 
  • parisian romance vibes: amelie, la vie en rose, frances ha, les amants du pont-neuf, midnight in paris, hotel chevalier, love, paris je t’aime
  • sex-positive female protagonist: diary of a teenage girl, trainwreck, starlet, easy a
  • movies generally considered The Worst: the room, resident evil, sharknado, rubber, troll 2, suicide squad, sausage party, minions
  • the wes anderson style: submarine, me earl and the dying girl, beginners, little miss sunshine,
  • the boring filmbro™ canon: fight club, pulp fiction, inglorious bastards, shawshank redemption, inception, big lebowski, heat, clockwork orange, 2001 space odyssey
  • sex! a lot of it!: keep the lights on, shame, the dreamers, ‘Få meg på, for faen’ (turn me on, goddammit), shortbus
  • animated movies that will make you cry: the little prince, up, the grave of fireflies, bambi, toy story 3
  • art documentaries: finding vivian maier, iris, the artist is present, eva hesse, man on wire, cutie and the boxer, how to draw and bunny, just like being there

message me for more recs / pt 1 

  • Maxis: So who are your three handsome escorts?
  • Richtofen: I’m afraid neither three speak a word of German. They’re friends of mine from other countries. This is the wonderful Russian stuntman, Nikolai Belinski; a very talented solider, Tank Dempsey; and Tank’s fighting assistant, Takeo Masaki. Gentlemen, this is an old friend, Dr. Ludwig Maxis of the Group 935.
  • Tank: [In German with a terrible accent]: Guten Tag.
  • Maxis: [in flawless German]: Gentlemen, it’s a pleasure; the friends of our cherished star, admired by all of us, this outright jewel of our culture, are naturally going to be under my personal protection for the duration of their stay.
  • Tank: [after a pause]: Danke.
  • Maxis: Dan…ke? Say it for me once please?
  • Nikolai: [mispronouncing the name]: Da-nke.
  • Maxis: I’m sorry, again?
  • Takeo [slightly annoyed]: Danke.
  • Maxis: Once more?
  • Tank: [obviously annoyed, leans forward and whispers]: Danke, you fuckin’ kraut.
3

Gala Croisette French Magazine May 26 and May 28 issues with Robert Pattinson at Cannes 2017

Robert Pattinson is shedding his movie star looks for Cannes drama Good Time. /“I do every movie to try to get into Cannes”/

Gala: In Good Time, you are playing a bank robber and it’s hard to find anything sympathtic about him. Are you the kind of actor that brings your character home?

RP: With this one, kind of, but mainly because I was just shooting for like 16,17 hours and it’s almost impossible to not bring it home, because you are just constantly in it. And the whole point was to put everything on the screen and it kind of helps with the character when you are sort of living in isolation.

Gala: With that movie, you have taken a lot of risks as an actor. Its it important to you when you choose a film?

RP: Yeah, I don’t know. I just want to find projects I am really obssessed with. I like finding. I am not from the film industry, I didn’t really grow up in it, so I would go off to directors who I think people don’t really know how good they are yet. I love the discovery, more than trying to be in the big movie that is coming out or going off and trying to be with the most famous director in the world.

Gala: Can you talk how special it is for you to be in Cannes?

RP: I have always loved Cannes. As I started acting, I went in 2009 and I just had the best trip ever. I went to se Inglorious Bastards here and you have a premiere on a speedboat and stuff, it’s crazy! It’s a very proud festival and it take itself really seriously and to get in competition, it’s very special. So I do every movie to try to get into Cannes.

Gala: Do you still feel uncomfortable with your heart throb image?

RP: I am always way more surprised than everybody that I am considered a heart throb. That kind of reaction really blows my mind. I mean, it’s only because of Twilight. Before Twilight, I never got the good looking parts, ever. I was gangly and whatever, but then you do one movie and people are like “you are so beautiful”… So stupid, I can’t believe I just talked about that.” (laughs)

Le Club By Albane: Robert Pattinson makes himself at Home

It’s become something of a ritual. Whenever he comes to the Corisette, Robert Pattinson always spends at least one evening at the club by Albane. In 2012, the first time he visited Albane, the former Twilight star was in a relationship with Kristen Stewart. Their appearance there made the news worldwide. The day before yesterday. the British actor was on the rooftop of the JW Mariott Cannes for the evening hosted for Good Time (in which he plays the part of a fearsome gangster) organized by Dior on the Terrasse By Albane. Tonight, Albane receives Roman Polanski for the after party of his new film, Based on a True Story, adapted from the novel by Delphine de Vigan.

Blood Brothers You know the Coen Brother? The Wachoskis? Here are the Safdies- Joshua and Ben. They are also American. Revealed at Cannes in 2008, this is their first participation in the official competition after ten years spent building a world- in the independent film mode - of nice guys, bad guy and anti-heroes on the edges of society, revolving around Queens, where they grew up. This approach positions them as the natural heirs to the Scorsese of Mean Streets or James Gray from his Little Odessa period, without for the moment reaching the level of their predecessors who are unrivalled presenters of fatality. Good Time relates the daily life of a bank robber who, when not running away from the cops, needs to look after his mentally disabled little brother. Ben Safdie plays this role alongside a badass, electric although very engaging Robert Pattinson. Yet Good Time does seem rather fragile for the big competition. It would probably be more at home at the next Deauville festival.