impact digital


Collab with @ashwolfcub!!! They did the awesome linework, and I did the colouring (sorry I changed a couple of things, I hope it’s ok! >.<)

Newt belongs to @omgaflyingpig and Impact belongs to @amazingmewtwo - we thought we’d surprise you! :3

Call For Papers

It should not be surprising that a digital journal takes seriously the question of digital materiality: what does it mean for the digital to be and how does the being of the digital impact the social relations in which it is nested and from which it emerges? Perhaps more urgently, as theorists and radicals in the Marxist tradition, we are tasked with a responsibility to engage with the materiality of the digital. How are we to think through, and alongside, our relationship with digital materialities both as postcolonial and neoliberal subjects (for whom the digital is either inescapable or inaccessible), and as radicals for whom challenging the conditions which gave rise to the predominance of the digital is a paramount task?

In Δ1.2, we are seeking submissions that engage with or open up these questions of the digital. We are interested in a variety of perspectives, from critical inquiry to tactical guides, ontological and metaphysical analyses to critiques of virtual economies. Although we will accept a wide range of topics, our primary focus with this issue is the implication of emerging studies of the materiality of the digital for leftist thought. Submissions should be between 2000 and 15000 words in length and should follow Chicago style manuscript preparation. Submissions should represent original work which interacts with relevant literature. All finished submissions should be sent to by June 1st.

About The Publication: ΔMag is a journal which seeks neither to fear nor hope, but only look for new weapons in spaces outside the walls of the academy.

ART TIP: Keep a balance between digital and traditional art

because there are things traditional art will teach you that digital art won’t, and the same goes the other way

Emotional context could make digital ads 40% more effective, according to Yahoo research

Reaching consumers when they’re in the right mood could increase the impact of digital advertising by as much as 40%, according to new research from Yahoo.

The Receptivity of Emotions study examined consumers’ emotional states and how receptive they are to advertising throughout the day, finding that US and UK consumers are ‘upbeat’ 46% of the time – the most common mood. Crucially, the research found that when these consumers are upbeat they are 24% more receptive to content in general, but 40% more likely to be receptive to digital advertising specifically.

Yahoo’s research represents one of the most comprehensive studies ever conducted into the role that emotions play in consumers’ receptivity to advertising.

Based on a recognised emotional measurement framework, Yahoo gathered over 18,000 mood

data points during a week-long study of consumers in the US and UK, using a specially developed smartphone app. This was supported with additional insights from a dozen in-depth interviews and an online survey of over 4,000 people across the US, UK, Germany, and Canada.

Examining the success of different forms of marketing across these four countries, the Receptivity of Emotions research found that when consumers are upbeat, they are 30% more likely to engage with native video content than in other emotional states. They’re also 28% more likely to engage with content marketing, and 21% more likely to engage with direct marketing.

In fact, a consumer’s mood was found to have almost the same effect on their likelihood to engage with digital ads as what they are doing at the time, meaning emotional context is almost as important for digital marketing as current activity. While 71% of consumers in these four countries would click on or read digital ads if they better reflected what they were doing at the time, two thirds (67%) would do the same if they better reflected how they felt.

Nigel Clarkson, managing director, Yahoo UK says, “Digital marketers all appreciate the importance of reaching the right person, on the right device, at the right time. But the ‘right time’ should be about more than the webpage they’re viewing at that moment. We should be striving to take a consumer’s emotions into account as well.

“The idea of aiming to engage with consumers when they are feeling upbeat may seem obvious

at first, but never before have we been able to appreciate the extent of the impact it can have on a campaign’s success. Nor have we had concrete insight into when during the day this emotional state is most likely, and what types of marketing will benefit most. These new insights reinforce the importance of context in marketing, and take it to a whole new level.”

In the UK and US, the time of day when the most consumers are upbeat was found to be between 11am and 2pm, making these the optimal hours for digital advertising. The study also showed that these hours of the day coincide with when consumers are most likely to be managing their lives, finding answers or looking for inspiration.

The Receptivity of Emotions research is particularly encouraging for mobile marketers: Upbeat UK and US smartphone users are 15% more likely to immediately follow up on digital advertising on their smartphones than those in other emotional states. Upbeat users are also 25% more likely to say that digital advertising on smartphones provides them with inspiring prompts.

- ENDS -


The study used both quantitative and qualitative data. The quantitative research involved gathering over 18,000 data points from 600 people between the ages of 16 and 54 in the US and UK. Respondents used a custom-developed smartphone app to complete a week-long survey.

For the qualitative research 12 in-depth, two-hour interviews were conducted in New York and London and 4,000 people (1000 per market) were interviewed via a 15-minute survey across the UK, US, Germany and Canada.


Our friends at the futbolartistnetwork created these beautiful digital match posters for Heineken Rivalry Week. More info below on each piece:

Portland Timbers vs. Seattle Sounders FC
Artist: John Zylstra
Description: We wanted to capture the larger than life culture of this rivalry but also include the landscape which plays such an important role to the two clubs’ heritage. You can read the image with the sky, mountains and trees as the Cascadia Flag.

San Jose Earthquakes vs. LA Galaxy
Artist: wellsillustrates
Description: We used one of California’s most well known films, Michael Mann’s film “Heat” to tell a story about two elder statesmen, league icons and a longstanding & illustrious rivalry. 

Toronto FC vs. Montreal Impact
Artist: oliverbarrett
Description: Toronto and Montreal are two cities rooted in English and French traditions, respectively, yet are uniquely united. Two parts of a whole. The proximity of Michael Bradley and Ignacio Piatti’s faces suggest a third, central face and the central split is an allusion to the highway connecting both cities.

FC Dallas vs. Houston Dynamo
Artist: nosmallvictories
Description: Like the Spaghetti Western was a novel kind of Western, the Texas Derby also introduces fans to a new kind of derby between the state’s two best teams battling for the El Capitán cannon. The poster frames the three major components of the derby in classic widescreen cinematic panels.


“Retro EVA Pilots”

  • Retro Rei
  • Retro Kaworu
  • Retro Shinji
  • Retro Asuka
  • Retro Mari

I’ve created these retro outfits based on their plug-suits from the film “You can(not) redo”, as part of my personal tribute to Neon Genesis Evangelion as well as part of the exhibition “Neon Genesis Evangelion: Fans Impact” organized by Nipponbashi in Treviso, Italy.

Hope you like this tribute!! :) 

Had this concept stuck in my head for a while, so spent about 2 hours sketching it up in Photoshop. Hoping to turn it into a full-colour piece (haven’t decided on traditional or digital yet) in the future and might be getting a bit more ‘contemporary’ with the brush strokes.

The overall idea conveys a pair of hands holding a decayed fish (particularly from the Anchovy family) and being wrapped and cut by fishing wire and hooks. It’s a representation of the impacts that commercial (and recreational) fishing have on our fish stocks. It also touches on the impact that disposed fishing gear continues to have even long after the fishing is done.

It’s a bit morbid, and not very ambiguous, but I am hoping to explore more environmental and/or scientific themes in my artwork. It’s also been a while since I’ve updated :)