Lucas Levitan, a Brazilian illustrator based in London, has a wild imagination that seems to invent alternative stories for everything he sees. In an image series that he calls “Photo Invasion,” Levitan invades other Instagram users’ photos with silly, inventive and sometimes awkward illustrations.
Euler’s Identity is an Equation about constants π and e. Both are “Transcendental” quantities; in decimal form, their digits unspool into Infinity. And both are ubiquitous in scientific laws. But they seem to come from different realms: π (3.14159 …) governs the perfect Symmetry and closure of the Circle; it’s in Planetary Orbits, the endless up and down of light waves. e (2.71828 …) is the foundation of exponential growth, that accelerating trajectory of escape inherent to compound interest, nuclear fission, Moore’s law. It’s used to model everything that grows.
What Euler showed is that π and e are deeply related, connected in a dimension perpendicular to the world of real things - a place measured in units of i, the square root of -1, which of course doesn’t … exist. Mathematicians call it an imaginary number. These diagrams are visual metaphors. Imagine a graph with real numbers on the horizontal axis and imaginary ones on the vertical. Exponential function, f(x) = ex, ordinarily it graphs as an upward swooping curve - the very paradigm of progress. But put i in there, Euler showed, and eix instead traces a circle around the origin - an endless wheel of Samsara intercepting Reality at –1 and +1. Add another axis for Time and it’s a helix winding into the Future; viewed from the side, that helix is an oscillating sine wave.The rest is easy: Take that function f(x) = eix, set x = π, and you get eiπ = -1. Rearrange terms and you have the famous identity: eiπ + 1 = 0.
That’s the essence of Euler’s alchemy: By venturing off the real number line into this empyrean dimension, he showed that disruptive, exponential change (the land of e) reduces to infinite repetition (π). These diagrams combine the five most fundamental numbers in math - 0, 1, e, i, and π - in a relation of irreducible simplicity. e and π are infinitely long decimals with seemingly nothing in common, et they fit together perfectly - not to a few places, or a hundred, or a million, but all the way to forever.
You can take this farther, too. If you write that function above in a more general but still simple form as f(x) = e(zx), where z = (a + bi), what you get is no longer a circle but a logarithmic spiral, combining rotation and growth - now both at the same time- These graceful spirals are also found everywhere in Nature, from the whorls in a nautilus shell to the sweeping arms of Galaxies. And they’re related, in turn, to the Golden Ratio (yet another infinite decimal, 1.61803 …) and the Fibonacci Sequence of Numbers (0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, …).
But the weirdest thing about Euler’s formula - given that it relies on imaginary numbers - is that it’s so immensely useful in the real world. By translating one type of motion into another, it lets engineers convert messy trig problems into more tractable algebra - like a wormhole between separate branches of math. It’s the secret sauce in Fourier transforms used to digitize music, and it tames all manner of wavy things in quantum mechanics, electronics, and signal processing; without it, computers would not exist.
More sketches for the “project, maybe” which looks more and more likely to actually happen the way things are going rn. If you want to see me do a short graphic novel you should maybe consider donating some money to @peowstudio who have a Kickstarter going on over here. If you are out of money just send me positive thoughts or some such.
Korean artist Jee Young Lee creates beautiful dreamscapes in her Seoul studio space. Constructing every last detail by hand, she perfectly composes everything for a photograph, a self portrait of sorts that gives us insight into his vibrant imagination.