how does harry manage to update his fashion sense with each of his eras?
2012 - sweet dorky kid who might offer to pay for your ice cream and will want to “take it slow, yeah?”
2013 - some bratty frat boy who always gets what he wants but you would still let him fuck up your life
2014 - the matured ex frat boy who left the frat when he got educated on “no means no” and “rape culture” & switched his major to art or some bullshit like that
2015 - that one guy who spends WAY too much time at record stores flipping through queen and the rolling stones commenting about how he “listened to this shit wayyy before it was fucking hipster” even tho he was born in the ‘90s
2016 - the cute new dude who your boss just hired and all the girls (and some guys) in the office have a crush on and so you try to find him on social media but he has absolutely none
2017 - intimidating as fuck guy who gets iced coffee every single morning at 7 am with some weird ass bell bottoms on but when you actually have a convo he just starts crying about how much he loves the bees and “we need to save them at all costs”
to summarize (sorry for repetition from other post but i wanted everything in one post):
1. everyone keeps pointing out how similar archie and jason looked and were. they had more in common than sports; they were both tutored by ms grundy (pause for vom), they were both at the river. they both had red hair. archie was the intended target, and the killer is grundy’s husband.
why? like i’ve said, i hated that plot to high hell but grundy did seem to be really genuinely afraid of him (assuming that was the truth), afraid that he’d do something terrible to her. if it was the truth and that’s why she changed her identity, then ostensibly he’s real dangerous.
2. edit: it would be a huge realization for archie that he was a victim. he really assumed he was safe with grundy. that was actually something he reiterated many times—he knew what he was doing, he was safe, it was all his choice. but it wasn’t, right? he was manipulated by her, and completely preyed upon.
i think it would help archie realize that he was a victim and come to terms with the way she abused him emotionally as well as physically.
the original point didn’t come off right, so i edited it here to clarify.
it also makes sense because the only other people with motives to torture a kid for a week seemed to acquit themselves in the recent episode
polly has an alibi, the coopers genuinely seem like they didn’t do it (plus it’d be way too obvious), and the blossoms wouldn’t torture jason
3. we’re halfway through the season; if we haven’t met the killer yet i’d be surprised. if i’ve learned anything by doing meta and theories is how to structure pacing. the killer has to strike again, and it has to be someone we’ve seen; someone who’s a recurring character. all of the main characters seem innocent.
so back to my first point, who’s the only lone character with those connections to grundy and archie, re: music?
professor oscar castillo.
4. remember in 1x05 where he stiffened at the name “grundy” ? he said “the music teacher who left?” remember when he turned away and said something weird about the connection she clearly had with archie? how he clearly hated archie on sight? he’s grundy’s husband.
the actor has been booked for a recurring role [x], and i’ll bet he was at the river that day, he thought jason was archie, but after he’d realized it wasn’t archie he couldn’t let jason leave. so he tortured him for information on grundy and archie and eventually shot jason, but now has to wait for the right time to strike again.
He was born March 8 1922 and passed away November 30 2015 at age 93.
Mizuki-san was a manga-ka and historian, most famous for his Kitaro manga, Which he started publishing in 1960.
I could give a textbook account of him and everything he’s done and his influence on Japanese culture and revival of the interest in Yokai in Japan as a whole, but I just want to point out some very small things about him;
The first is, unlike a lot of Manga-ka of the 60s, Mizuki did not learn to draw Manga from Tezuka’s school…. or any school at all. He was one of those weird ‘natural talents’ you always hear about but actual examples of are hard to find. Mizuki was one such person. He just inately knew how to draw. And as a result, despite influences from other manga at the time, his characters generally don’t resemble what we think of when we think of ‘60s manga’
Not to mention that, despite his preferred art style, he was diverse in what he could do with how he drew, easily going from his more cartoony drawings to a more realistic style, sometimes doing both at once.
Mizuki-san was drafted into the Japanese Imperial Army during WWII, and during the war contracted malaria and lost his left arm during an explosion.
He was left-handed.
However, despite disease, losing his drawing-hand, being the only surviving member of his unit and literally being ‘ordered to die’ by his superiors, Mizuki survived the war and taught himself to draw with his right hand and just kept going.
His manga that he’s famous for were all done after he lost his dominant arm.
All his manga have a personal autobiographical touch to them. Whether it’s “Showa” which is literally a historical account of what Japan was like from the 20s to the 80s, to Kitaro, which is about the stories of Yokai told to him by his elderly neighbour, all his manga have something personal about them.
He is a cultural icon in Japan for keeping traditional ghost stories and creatures alive in the modern consciousness, as well as his contributions to Japanese history regarding WWII. He traveled the world, gathering ghost stories and traditional folklore from other countries as well.
He’s been awarded a string of awards I’m not even gonna attempt to list, although personally I feel most noteworthy is the ‘Personal of Cultural Merit’ award in 2010 and the ‘Order of the Rising Sun’ Award.
But again, that is his importance historically and culturally, whereas I find his personal struggles regarding the loss of his arm and just relearning how to draw something more personal to know as an artist.
With this in mind, He is also noteworthy for never really following the idea that most manga-ka of the time had that ‘you only need 3 hours sleep a night’ or to keep working without rest. Mizuki never really followed that belief. He got a full night’s sleep every night, and fully believed in actually LIVING life, and not just spending your entire life behind a desk, drawing.
He later joked offhandedly that at age 90 he was still around whereas everyone else of the same time period making manga had long since died.
I feel this is incredibly important to remember. Tezuka believed in working non-stop and barely sleeping. And he is undoubtedly the most important contributor to what we think of as manga today. But Mizuki-san, who is just as important to Japanese culture, believed in sleeping well, living life, and being happy. And he was ALSO important, created amazing work, and is recognized as a master.
You don’t need to work yourself to death to be an artist.
Mizuki-san had a list of ‘7 rules to happiness’, which I honestly feel is worth remembering. It may be things we’ve heard before, but this coming from a man, who went through active war, lost limbs, nearly died,retaught himself how to draw because he wasn’t able to give up, made an impact on Japanese culture, believed in living life, refused to overwork himself and lived to the age of 93, it feels like you can trust his advice. because he’s someone who’s seen some serious shit, but he was happy, and he’d learned how to be happy. And from what I’ve heard remained happy and content until he died of natural causes.
‘Don’t try to win – Success is not the measure of life. Just do what you enjoy. Be happy.’
‘Follow your curiosity – Do what you feel drawn towards, almost like a compulsion. What you would do without money or reward.’
‘Pursue what you enjoy – Don’t worry if other people find you
foolish. Look at all the people in the world who are eccentric—they are
so happy! Follow your own path.’
‘Believe in the power of love – Doing what you love, being with people you love. Nothing is more important.’
‘Talent and income are unrelated – Money is not the reward of talent
and hard work. Self-satisfaction is the goal. Your efforts are worthy if
you do what you love.’
‘Take it easy – Of course you need to work, but don’t overdo it! Without rest, you’ll burn yourself out.’
‘Believe in what you cannot see – The things that mean the most are things you cannot hold in your hand.’