if any of these are by you you should probably be ashamed

5 Reason’s Why Supernatural is the Gayest Show on Television (That’s Still Stuck in the Closet)

To start with, I’m not delusional.  I’m fully aware that the studio and execs have settled into a comfortable pattern with Supernatural, and especially considering it’s heavily mixed demographic (interestingly, it was ranked a favorite among republicans and democrats in 2016) they’re unlikely to rock the ship with a canonically queer relationship between two of it’s main characters.  

However, it’s important to understand exactly how much queerness is bubbling beneath the thick surface layer of “no homo:”  from the orgies of male-on-male eyesex to the inspiration for most of its main characters, Supernatural is queer to its very core. 

Here are five (blaring but stubbornly unacknowledged) reasons why:


1.  Dean’s gratuitously bisexual inspiration. 

Whenever someone claims a queer interpretation of Dean is baseless, I’m always happy to direct them straight to his flamingly bisexual source:  Dean Moriarty, his namesake and direct inspiration, a la the novel On the Road.  

Admittedly, I read On the Road and didn’t particularly enjoy it, as I found it to be a somewhat masturbatory reassertion of masculinity for its narrator, Sal Paradise.  Sal idolizes and fixates the charismatic Dean and his promiscuous lifestyle, openly having sex with and impregnating multiple women, and is all around a heterosexual power figure…right up until the point at which Dean propositions a male prostitute.  

Though he’s never shown doing anything gratuitous with male characters (since the book was published in the 1960s, it wouldn’t have been legal to) it’s clear that Dean is very much bisexual, not ashamed of it, and in terms of personality, very similar to Dean.  There are a few key differences (Dean Moriarty, for example, legitimately gives zero fucks about anything, whereas Dean Winchester is secretly a little ball of anxiety with the weight of the world on his shoulders) but it’s clear where Eric Kripke got his inspiration from.

Moreover, Dean Moriarty was in turn based off of the real life bisexual counterculturist Neal Cassady, who among other things had a twenty-year sexual relationship with a male poet.  Here, he is pictured in a Denver mugshot: 

So next time someone tells you the homoerotic subtext of Supernatural exists only in the imagination of rabid fangirls, remember that Dean is the direct descendant of two ragingly bisexual icons.

2.  Castiel (or at least his wardrobe) was also based off of a bisexual character.

For a show so aggressively devoted to a “no homo” interpretation, it has a real propensity to drawing inspiration from queer characters:  everyone’s favorite baby in a trench coat, for example, was modeled after the demon-busting John Constantine from the Hellblazer comics.  Yup, another bisexual.   

Though in true assbutt fashion, his love of men is censored in movie and TV adaptions, Constantine unabashedly swings both ways in paper form – a.k.a. where Kripke found inspiration for Castiel’s look.  Here, we see him platonically receiving a man-hug from one of his bros:

So I’m not saying the fact that two out of three main characters are modeled after canonically queer figures could have anything to do with Supernatural’s gratuitous queer subtext, but y’know.  It might.

3.  Cas himself is sexually complex (and literally cannot be straight.) 

Dean has made reference to the fact that he “doesn’t swing that way” (ironically, both of which times he was literally in the midst of blatantly flirting with men.)  

Cas, however, has no such reservations:  he’s never indicated, vocally or otherwise, a preference towards either gender, so much as outright declaring that he doesn’t give a damn.  

He reacts to male and female flirtation much the same way:  just try and tell me his suspicious glower and Mick wasn’t similar to Mandy the waitress (and try and tell me they both weren’t acting like they’d like to eat him for dinner.)

Moreover, the only time we’ve seen him ever achieve some kind of intimacy with female characters is when they’re literally throwing themselves at him.  Hey, he’s an aesthetically pleasing fellow – or rather, an aesthetically pleasing something.  

Which brings me to my next point that he isn’t really a fellow at all:  Cas not only gives zero fucks about sexual orientation, he also gives zero fucks about gender.  Sure, he’ll spend seven years in the same ill-fitting trench coat, but he’ll also rock a petticoat like nobody’s business.

I’ve discovered that the writer for “Lily Sunder Has Some Regrets,” Steve Yockey, is a gay man, which honestly makes it all the more perfect:  not only does it establish the Orlando-esque flexibility (or nonexistence) of Cas’s gender, but it eliminates the possibility of his straightness.  

And I want Destiel to be canon as much as anybody, but am I opposed to Cas being a genderfluid lesbian?  No.  No, I am not.    

4.  Dean can textually be interpreted as bisexual (and probably should be.)

For anyone who questions whether Dean not being straight as an arrow, I’m happy to point out some very canon things that happened on the show:

(Examples courtesy of @some-people-call-it-tragic!)

And yes, when feeling threatened, he’s professed not to swing that way.  But you know how many queer people I know who have at one point felt compelled to lie about our sexual orientation?  Every single one.  And I live in the bluest of blue states – Dean was raised in Bible Belt America and spends most of his time in the Southwest.  Not to mention the fact that he was raised during the heat of the AIDS academic.

In other words, he has every logical reason to be wary at the prospect of coming out of the closet, or even acknowledging same sex attraction at all.

Moreover it’s been canonically established that Dean has a habit of lying about himself to protect his image of masculinity:  according to Dean, he doesn’t do shorts, chick flicks, cucumber water, skinny jeans and sunglasses, and Taylor Swift music.  You know how many of those things he loves?  All of them

Finally, not every member of the cast or crew might agree (though I know for a fact that some of them do) but their interpretations do not effect textuality.  And Dean can textually be interpreted as bisexual.  

5.  Dean and Cas make a better couple than any of their love interests.

I’m going to state something I feel is obvious:  Cas and Dean have more buildup, tension, chemistry, emotional connection, and romantic history than literally any of their other interests.  

Take Lisa, for example:  she’s Dean’s longest lasting introduced as female partner, and she’s introduced as the “bendiest weekend of his life.”  

Furthermore, I’d argue that sexual attraction notwithstanding, Dean was never romantically in love with Lisa.  To him, she epitomizes his desire for a mother figure, a home, and his lost childhood, as is best demonstrated in his fantasy from “Dream a Little Dream of Me:”  Lisa isn’t a seductive or romantic figure here – she’s a maternal one. 

Though since Dean has never had a long lasting relationship (or, to my belief, been completely in love with a girl) it’s easy to see how he’d misinterpret these feelings as romantic love. 

Then we have Cas, who’s introduced by pulling Dean from the depths of hell, who makes most one-on-one scenes with Dean look like a soft core porno, and who recently (canonically!) declared his love for Dean.  

I don’t dislike Lisa, but it’s easy to see which of the two relationships is more three-dimensional, more original, and more worthy of screentime.

{PART 25} I Won’t Stop You // Jeon Jungkook, Vampire!AU

Originally posted by jengkook

Pairing: Jungkook x Reader

Genre: Vampire!AU, Fantasy, Angst, Smut

Summary; Jungkook dreams of having the future with you that he always envied human’s of having. But as soon as he arrives home, his entire world - and everything in it gets turned upside down. He must make a choice in the face of evil; while evil holds you in its grasp.

“And he found strength in the only thing that he was powerless to; it had always, from the very beginning; been her.”

I update this series every Tuesday evening, 9pm-10pm (UK Time) 

{Part 1} //{Part 24} {Part 25} {Part 26}

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→ nudes, not flowers (pt. 2)

Originally posted by bangtannoonas

☆ pairing → Hoseok x Reader x Jungkook

genre → smut, fuckboi!au

warnings  → … voyeurism + exhibitionism, dom!junghope, power play?, dirty talk!!!, jealousy, demeaning names during sex, the threesome, & probably other warnings byE 

word count   → 10.4k 

☆ summary   →  you’re not supposed to fall for Jung Hoseok and his repertoire of awful pick-up lines – but you do. the problem is: he’s afraid of commitment, and bolts at the idea of settling down. you decide to stay far away from fuckboys, but his friend decides to test your new found resolutions

or : Jungkook wants to see how far he can push Hoseok until he snaps

→  pt i | pt ii (final) 

☆ a/n   → okay…so… this is just porn, but if you squint, there’s kind of a plot. you should probably start with pt 1 if you haven’t already!! 
+ shout out to the mutuals who encouraged the filth fest in this part esp @gxtsmxt @itsrainingmin !! we can have a prayer circle later to cleanse our souls
+ also tomorrow is my one month anniversary on tumblr :’)) thank you so much for all the love i’ve received this past month  ♡

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Your Character’s Personality

Personality is the most important thing about your character.

So, whenever I see character sheets, most people just put a little paragraph for that section. If you’re struggling and don’t know what your character should say or do, what decisions they should make, I guarantee you that this is the problem.

You know your character’s name, age, race, sexuality, height, weight, eye color, hair color, their parents’ and siblings’ names. But these are not the things that truly matter about them.

Traits: 

  • pick traits that don’t necessarily go together. For example, someone who is controlling, aggressive and vain can also be generous, sensitive and soft-spoken. Characters need to have at least one flaw that really impacts how they interact with others. Positive traits can work as flaws, too. It is advised that you pick at least ten traits
  • people are complex, full of contradictions, and please forgive me if this makes anyone uncomfortable, but even bullies can be “nice” people. Anyone can be a “bad” person, even someone who is polite, kind, helpful or timid can also be narcissistic, annoying, inconsiderate and a liar. People are not just “evil” or “good”

Beliefs:

  • ideas or thoughts that your character has or thinks about the world, society, others or themselves, even without proof or evidence, or which may or may not be true. Beliefs can contradict their values, motives, self-image, etc. For example, the belief that they are an awesome and responsible person when their traits are lazy, irresponsible and shallow. Their self-image and any beliefs they have about themselves may or may not be similar/the same. They might have a poor self-image, but still believe they’re better than everybody else

Values:

  • what your character thinks is important. Usually influenced by beliefs, their self-image, their history, etc. Some values may contradict their beliefs, wants, traits, or even other values. For example, your character may value being respect, but one of their traits is disrespectful. It is advised you list at least two values, and know which one they value more. For example, your character values justice and family. Their sister tells them she just stole $200 from her teacher’s wallet. Do they tell on her, or do they let her keep the money: justice, or family? Either way, your character probably has some negative feelings, guilt, anger, etc., over betraying their other value

Motives:

  • what your character wants. It can be abstract or something tangible. For example, wanting to be adored or wanting that job to pay for their father’s medication. Motives can contradict their beliefs, traits, values, behavior, or even other motives. For example, your character may want to be a good person, but their traits are selfish, manipulative, and narcissistic. Motives can be long term or short term. Everyone has wants, whether they realize it or not. You can write “they don’t know what they want,” but you should know. It is advised that you list at least one abstract want

Recurring Feelings:

  • feelings that they have throughout most of their life. If you put them down as a trait, it is likely they are also recurring feelings. For example, depressed, lonely, happy, etc.

Self Image:

  • what the character thinks of themselves: their self-esteem. Some character are proud of themselves, others are ashamed of themselves, etc. They may think they are not good enough, or think they are the smartest person in the world. Their self-image can contradict their beliefs, traits, values, behavior, motives, etc. For example, if their self-image is poor, they can still be a cheerful or optimistic person. If they have a positive self-image, they can still be a depressed or negative person. How they picture themselves may or may not be true: maybe they think they’re a horrible person, when they are, in fact, very considerate, helpful, kind, generous, patient, etc. They still have flaws, but flaws don’t necessarily make you a terrible person

Behavior:

  • how the character’s traits, values, beliefs, self-image, etc., are outwardly displayed: how they act. For example, two characters may have the trait “angry” but they all probably express it differently. One character may be quiet and want to be left alone when they are angry, the other could become verbally aggressive. If your character is a liar, do they pause before lying, or do they suddenly speak very carefully when they normally don’t? Someone who is inconsiderate may have issues with boundaries or eat the last piece of pizza in the fridge when they knew it wasn’t theirs. Behavior is extremely important and it is advised you think long and hard about your character’s actions and what exactly it shows about them

Demeanor:

  • their general mood and disposition. Maybe they’re usually quiet, cheerful, moody, or irritable, etc.

Posture:

  • a secondary part of your character’s personality: not as important as everything else. It is advised you fill this out after. Posture is how the character carries themselves. For example, perhaps they swing their arms and keep their shoulders back while they walk, which seems to be the posture of a confident person, so when they sit, their legs are probably open. Another character may slump and have their arms folded when they’re sitting, and when they’re walking, perhaps they drag their feet and look at the ground

Speech Pattern:

  • a secondary part of your character’s personality: not as important as everything else. It is advised you fill this out after. Speech patterns can be words that your character uses frequently, if they speak clearly, what sort of grammar they use, if they have a wide vocabulary, a small vocabulary, if it’s sophisticated, crude, stammering, repeating themselves, etc. I personally don’t have a very wide vocabulary, if you could tell

Hobbies:

  • a secondary part of your character’s personality: not as important as everything else. It is advised you fill this out after. Hobbies can include things like drawing, writing, playing an instrument, collecting rocks, collecting tea cups, etc.

Quirks:

  • a secondary part of your character’s personality, not as important as everything else. It is advised you fill this out after. Quirks are behaviors that are unique to your character. For example, I personally always put my socks on inside out and check the ceiling for spiders a few times a day

Likes:

  • a secondary part of your character’s personality, not as important as everything else. It is advised you fill this out after. Likes and dislikes are usually connected to the rest of their personality, but not necessarily. For example, if your character likes to do other people’s homework, maybe it’s because they want to be appreciated

Dislikes:

  • a secondary part of your character’s personality, not as important as everything else. It is advised you fill this out after. Likes and dislikes can also contradict the rest of their personality. For example, maybe one of your character’s traits is dishonest, but they dislike liars

History:

  • your character’s past that has key events that influence and shape their beliefs, values, behavior, wants, self-image, etc. Events written down should imply or explain why they are the way they are. For example, if your character is distrustful, maybe they were lied to a lot by their parents when they were a child. Maybe they were in a relationship for twenty years and found out their partner was cheating on them the whole time. If their motive/want is to have positive attention, maybe their parents just didn’t praise them enough and focused too much on the negative

On Mental and Physical Disabilities or Illnesses

  • if your character experienced a trauma, it needs to have an affect on your character. Maybe they became more angry or impatient or critical of others. Maybe their beliefs on people changed to become “even bullies can be ‘nice’ people: anyone can be a ‘bad’ person”
  • people are not their illness or disability: it should not be their defining trait. I have health anxiety, but I’m still idealistic, lazy, considerate, impatient and occasionally spiteful; I still want to become an author; I still believe that people are generally good; I still value doing what make me feel comfortable; I still have a positive self-image; I’m still a person. You should fill out your character’s personality at least half-way before you even touch on the possibility of your character having a disability or illness

Generally everything about your character should connect, but hey, even twins that grew up in the same exact household have different personalities; they value different things, have different beliefs. Maybe one of them watched a movie that had a huge impact on them.

Not everything needs to be explained. Someone can be picky or fussy ever since they were little for no reason at all. Someone can be a negative person even if they grew up in a happy home.

I believe this is a thought out layout for making well-rounded OCs, antagonists and protagonists, whether they’re being created for a roleplay or for a book. This layout is also helpful for studying Canon Characters if you’re looking to accurately roleplay as them or write them in fanfiction or whatever.

I’m really excited to post this, so hopefully I didn’t miss anything important…

If you have any questions, feel free to send a message.

- Chick

Suga Daddy: Part 7

Suga Daddy: Part 7

Pairing: Yoongi x Reader

Words: 9.6k

Genre: Smut, angst, dirty talk, dom!Yoongi

There is another gif in the story that describes the moment I was portraying. Ignore Namjoon’s name on it, lol. Anyway, enjoy :) 

Parts:  one | two | three | four | five | six 

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Mistake

Vegas | Tease | Oops | D | Game | Mistake

Series: Vegas

Note: The moment you all have been waiting for… Hold onto your caps, people, because this one is a roller coaster.

Word Count: 3586

Warnings: Language, angst…no smut in this one, guys. 😳

Tagging:  @gwash4prez @jazy2015 @alexanderhamllton @this-ally-loves-you @duckoffury @hamrevolution @curiositykilledthecompanion @thegirlonhamilton @shinymarbles @legattoassassino @nadialinett14 @an-abundance-of-hannahs @someonesblogger @the-ashy-phoenix @hamiltrashinn @texasprincess3 @patchesthed00t @teenage-band-loser @hetafairyaot @hmltntrsh51 @kkoolaid1 @londonbridgefalling @ashthewinchestergirl @aquamarrineee @pearltheartist @bluesnowyangel @sitdownjohn-youfatmotherfucker @edge-oftonight @vishuddhakid @kink-george @loopietoopie @hamil-scribbles @iamgrayfox @zaire-is-worth-it @hamiltonwasbienough @butter-times @lilybutterworthstuff @velvetsirius @fandom-nerdness7 @snoozing-hippogriffs-23 @agent-fangirl @traash-canz @meand-mybrain @jadee-ee @oshlow @me—lancholy @ridiculousn3ssfangirl @pearltheartist @bluesnowyangel @finnydraws @secretary-thomas-jefferson @completehamiltrash @clamilton @for-god-sake-john-sit-down @manateegrl @meavenel @hamilsquadsrighthandman @seungcheoljpg @hell-yes-puns-and-ships @i-am-trash1828 @helplessly-hamiltrash @haletotheking24 @bootybiersack @thoughtfulbearpanda @5vibesofsummer @completehamiltrash @canadianfruitpunch @faatlouie @accidentally-impeccable @ask-sherlock-221b @missgallaxy @nonxstop @emilysyrup @erinlikestrains @basheverythingyesterday @yukiyoru @duckslier3 @sweetestjensener @pearltheartist

You knew you’d fucked up.

The second those words flew out of your mouth, your eyes shot open and your breath caught in your throat. You were quickly shaken from the spell Daveed had placed you under, and as reality settled in, you began to panic.

Without delay, you pushed Daveed off you and clambered off the bed. He was silent and you didn’t know if it was because he was in shock or because he was still coming down from his high, but either way, you knew you had to get out of there before he started speaking.

You were pulling your jeans on hastily when you finally spoke up. “I uh…I-I gotta go.” You said, trying to hide the fact that you were on the verge of tears. “It’s really late and I think I forgot to do something back home.”

“Y/N…” Daveed breathed softly, pushing himself up on his elbows to look at you.

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10 Common Misconceptions of Baby Witches

1. There is no “correct” sigil. If you find two completely different sigils that are supposed to mean the same exact thing, neither one is stronger or more effective or more valid than the other until an intent is put behind them. 

 2. Divination readings are not set in stone. You have as many futures as there are stars in the night sky. Imagine a giant wave is crashing over you, or a strong wind is pushing against you. You can either fight it or let it take you on its course, but you always have a choice. Use divination as a tool to see the wave coming and to even fight the wave, but do not use divination as an excuse to simply give up in an unfavorable situation.

 3. Yes, herbs are real medicine. However, this does not mean you should simply abandon your medication for the sake of a seeming more “witchy” or “natural”. For instance, herbs can ease my depression, but they will never cure it. Herbs can soften some symptoms of my depression, but they will never be able to ease my pain as effectively as certain medication can. During the apocalypse or whatever, sure, take all the herbal alternatives you need. But for now, we live in a modern world and not all modern tools should be shunned. (You’re on tumblr right now, aren’t you?) Do not be ashamed if you need more mental care than just a handful of leaves to live comfortably. You are not any less valid as a witch. 

4. You are magick, your tools are… well, tools. Don’t let anyone bully you for substituting your tools with something more creative if you can’t afford expensive or excessive witchcraft supplies. Quartz can act as a substitute for any other crystal in spell work. Rosemary can substitute any herb. Simple table salt can substitute sea salt. White candles can replace any color candles. Grimoires don’t need to be ancient-looking or leather-bound, plenty of beautiful Grimoires are made from three-ring binders. Sacrifices don’t need to be expensive either, you can make some simple cookies, draw a picture, or even write a poem. Just be creative. 

5. Consent is a big deal and should not be overlooked. You can easily turn a spell or blessing into a hex or a curse if you choose to cast it over someone without their consent. For instance, in my opinion, love spells walk the very fine line between white spellwork and black spellwork. If you wish to walk on the lighter path, you may wish to cast a spell on YOURSELF for attraction, confidence, or beauty. Glamours would work perfectly for this situation. But on the other hand, without consent, you might meet with some resistance. If you do choose to cast a spell over someone else without their consent, they may try to battle it, which can be stressful situation having a spell come back at you. You may find that the outcome is not what you intended (like the old saying “be careful what you wish for”) and you might have a difficult time reversing it. You may even jeopardize the person’s lifestyle. 

6. On that note, cursing is a topic of hot debate here on tumblr. It is up to each individual witch if they want to curse or not, and you should not let anyone else dictate what you can and cannot do in your practice. Just know that nothing in this world is without sacrifice. Be mindful of your craft, protect yourself, and be prepared to pay the piper when the time comes.

7. It’s easy to get overwhelmed in a sea of knowledge that’s offered on the internet, but be sure do do research before you put any practice into motion. Pay attention to closed religions. Does your spell or tool appropriate a culture that isn’t yours? It’s one thing to research and admire another culture’s practice, it’s another to cherry pick the “cool” parts of a culture that isn’t yours. Be thoughtful of the terms you use. Chances are, when referring to your own practice, you probably shouldn’t be saying “smudging”, you should be saying “smoke cleansing” or “censing” or even “saining”. You probably shouldn’t be saying “voodoo dolls”, you should be saying “poppets”. You probably shouldn’t be saying “rosary”, you should be saying “prayer beads”. This isn’t simply “to-may-to, to-mah-to”, this is respect for other human beings and their journeys. 

8. You do not have to speak in order for a spell to be effective. Many witches actually prefer not to say anything at all. Some can write it down, some can focus enough that they only need thought and their will.

9. Don’t get in a rush to find out what “type” of witch you are. Lots of witches don’t like to limit themselves to labels, while others may take pride in certain specialties. But those titles came with a lot of work and chances are those witches experimented in a lot of branches of witchcraft until they found their “place”. Be patient, enjoy the journey. And don’t forget that it takes both time and effort to be good at anything, including witchcraft.

10. Take everything with a grain of salt. Even this post. Not everything you read is true. Not everything that’s true is applicable for your situation. Your craft is exactly that, your craft. And no one can take that away from you.

His || Jungkook || 0.5

Member: Jungkook x Reader

Type: Angst, Fluff, Smut.

Teaser | 0.1 | 0.2 | 0.3 | 0.4 | 0.5

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Pen Pals

Pairing: Dean Winchester x Reader

Summary: The Reader takes up a Pen Pals writing program at her school, and soon finds herself falling for the military man who’s been sending her letters. What happens when she graduates? Will the letters still come after, or is she just a random person who was strung along just to blow off some steam via words? 

Word Count: 1.7kish

Warnings: AU, Fluff, Light Cursing

Author’s Note: Heyy my loves! This is my entry for @revwinchester‘s Birthday Challenge. I got the prompt “Soldier” with Dean (obviously). This was meant to be a one shot, but then I thought, why not make the other half in Dean’s POV? It’s only fair, right? Second part will come next weekend. And the third the following weekend. I really hope you guys like this! Feedback is definitely welcomed!!

*Part Two*



Chapter One: First Letters

Pen Pal - a person with whom one becomes friendly by exchanging letters, especially someone in a foreign country whom one has never met.


I never thought I’d be the one to do these kinds of things. When I signed up for it at the beginning of freshman year in high school, people thought I was insane. They didn’t think I was going to go through with it, you see.

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Good Girl

Anonymous said:
Can you write a daddy kink one with Calum or Michael with a lot of teasing and spanking and overstimulation and being called Kitten and Princess omg pls that would be some lit quality shit

fuck ya girly i gotchu 

~

Pillows surrounded us as the movie played softly in the background. His finger tips ran along my spin coming up to play with the ends of my hair. “How was class today, princess?” Calum whispered. “It wasn’t the best, but you’re here and that’s all that matters.” I smiled. Calum took my chin in-between his fingers, looking at my lips, then right back at me.

“Mm, you look so fucking good right now,” Calum bites his lip. I rolled my eyes smiling, when his hand comes down to my hips squeezing it. “Don’t roll you eyes at me again, kitten.” His eyes stared me down. “Yes, daddy,” I nodded, leaning into his touch. “C’mon princess, I have a surprise for you.” Calum said. “Oh, but I don’t wanna move.” I pouted.

Calum raised an eyebrow, “You’ll want to move when you see what you have in store with the way your acting.” I sat up quickly, following him up the stairs and into our bedroom. Calum and I have never really tried kinks, but we’ve talked about them. Anytime things become intimate, they are not rough, I could tell it was love, not something meaningless, nevertheless Cal would ever treat me like that. “Tonight, we’re trying something different kitten.” He said while grabbing my hips. I nodded, and sat on the bed.

He went to the closet, pulling out a box from the top shelf, and set it on the side table. He pulled out a blindfold, a few ties, and left the room again. I knew not to get up and follow him because if I did, that would not make Calum happy. He came back with a cup of ice, no water, just ice. “Um, why do you have ice?” I questioned. “Don’t speak unless I give you permission, princess.” Calum said.

Calum walked over to me, removed my shirt while kissing my neck “Now, you know I barley punish you nor do I like too, but that’s going to change kitten,” Calum said. “Calum, what-” I was cut off by being flipped around. “I’m sorry, what did I say?” Calum said. “Not to speak unless you give me permission.” I answered. “That’s right, princess, and what did you do?” He asked. “I spoke without permission.” I could tell he was pleased by this.

“Good girl, but, you still defied the rules, you know what that means right?” I nodded as he spoke. “Now, lay across my thighs,” He motioned. I whined quietly, knowing that this night was not going to be anything like I thought. “I want you to count okay, baby girl?” Calum said. I nodded, as I suck in a breath preparing for whatever was going to happen.

Calum landed a slap upon my right cheek, a whimper falling from my lips as I let myself clutch onto Calum’s leg, my body immediately relaxing into the sensation that is going to be driving me up the wall soon. “One,” I whispered, barley enough for him to hear. Another slap on my left cheek, making my nails dig into the rough material of Calum’s jeans. “Two,” I whimpered. “Good girl,” Calum whispered kissing my spine. The slaps continued until tears filled my vision, “Ten,” I sniffed.

Calum let me sit up, as he wiped my tears away, “See it wasn’t so bad now was it, princess?” He cooed. “No, daddy.” I said. “Good, lay back,” Calum instructed. I laid back, letting the cool sheeting sooth my red bum. “Hands up, we are not quite done yet,” Calum said while taking my hands and tied them together to the head board.

Calum only ever tied me up once, and god did I love it. I bit my lip in anticipation, waiting for whatever was next to happen. “To make things interesting, I’m going to blindfold you okay, kitten?” Calum said, grabbing the purple fabric from before. My eyes were covered, seeing nothing, I mean what did you expect? His fingertips slid down my body making goosebumps arise to my skin.

“God, you’re going to be the death of me,” Calum breathed, kissing every part of my skin. I felt something cold being dragged down my skin and rested on my stomach. His lips touched mine for a passionate kiss as his hand snaked down in-between my legs. At the first flick of my clit, I cried out into Calum’s mouth, my hips grinding into his hand. He slipped a finger into me, pumping slowly. The pace of his finger was driving me mad, making me squirm underneath him.

“Stay still, princess,” Calum ordered. It was one of Calum’s rules; I couldn’t move or he’d stop touching me, even if it was during one of my treats. I tried my hardest not to move, but I accidentally bucked into his hand when he pressed against my g-spot. He immediately took his hand away from me, sucking  his finger between his lips.

I could tell Calum was smirking by the way he kept pacing around the bed. “Wanna tell daddy what you want, baby girl?” Calum said. “I want your tongue, I want your cock, fuck daddy I want it all,” I was not ashamed. “Such a dirty mouth for a pretty little girl,” Calum chuckled. “You want my tongue huh, kitten?” Calum daunted, removing the blindfold. I nodded, blinking trying to adjust to the light.

I felt his lip wrap around my clit, lightly flicking it a few times. I inhaled deeply only to exhale with a moan as he continued his actions. He released me from his mouth, looking me right in the eyes as he entered his finger in, again. A long whimper came out of my mouth as Calum moved his fingers again. “God, you look so fucking sexy withering under my fingers,” He smirked placing his lips on my clit again. He pushed another finger in, making my orgasm come into play. “Daddy, please can I cum?” I moaned.

“Go ahead princess, be as loud as you want,” Calum mumbled. “Look at me,” he orders. Already used to taking orders from Calum, I immediately look at him. “Mm, daddy,” I whimpered. My legs shook around Calum as he held them open, making me ten times for sensitive. “Fuck, you taste so good,” Calum moaned. My chest rose and fell as I caught my breath, but I sucked in another breath when Calum rubbed his tip against my entrance.

“You want it, baby? Tell daddy how much you want it,” Calum said. “Daddy please, fuck me I want your cock, please.” I begged. He grinned slamming into me. My wrists pulled at the restraints, sure to give me some type of burn. Calum held my hips as he fucked me into oblivion “Princess, I can tell you’re ready to cum any minute,” Calum moaned. “Daddy, I am,” I said.

“Oh Caluum, yes daddy fuuuuck” I yelled, unable to control my body anymore, my gaze on his as he watched my face contract at the same time my walls did around his cock. When I finally came down, breathing heavily, I found myself more tired than I’ve probably ever been after such an experience. Forcing my body not to move and having to absorb pure pleasure was actually much more exhausting than I’d have thought. Calum must’ve noticed too as he gently stroked my cheek, before kissing his way down my stomach, then back up again to my ear. “I’m impressed, you’ve done so good baby girl” he whispered, “but we are not over.”

I shook my head, not able to take anymore pleasure. “Kitten, if daddy says more, you know what it means,” Calum smirked. “Daddy, I-i can’t,” I couldn’t even talk. “Yes you can, and you will baby,” Calum said. I saw Calum pull out the white toy, which intimidated me more than it should have. “You remember this one princess?” Calum said showing me the toy, “I know this is your favorite, so tonight, we’re going to play with it.”

“Daddy, please don’t I can’t handle it.” I whined. “Sounds like you wanna make the rules, is that how it goes princess?” He asked. “Sorry, daddy,” I said. Calum turned on the vibrator to a low setting and dragged it all over my body, making me shiver. “Baby girl, this is suppose to relax you, not tense you up.” Calum chuckled, feeling my reaction.

My legs immediately closed around the vibrator when Calum set it on my clit. “Keep ‘em open for my princess,” Calum pushed my thighs apart. My back arched off the bed as my orgasm hit me like a bucket of bricks. “There you go baby, just like that.” Calum cooed. My body caved in, my feet dragged on the bed while Calum put the vibrator on a higher speed.

“Oh daddy!” I yelled, my whole body shook in euphoria as I came around the toy. “That’s my good girl, cum for daddy.” Calum groaned. My toes dragged against the bed, as I came around the vibrator and profanities left my mouth. “Daddy, daddy fuck,” I moaned. Calum took the vibrator off only to lick my clit again. I was already in a state of sensitivity.

“God, you’ve done so well kitten,” Calum said, beginning to untie my hands. “But now, I want you to suck me off like the good girl I know you are,” He growled. I was already out of energy when Calum pulled me up. I stared in awe at Calum’s cock, probably drooling. “Stop staring princess,” Calum chuckled. I bit my lip, taking his cock in my hand, slowly pumping it.

Calum groaned, “C’mon princess, you know I don’t like waiting.” I smiled up at him, kissing the tip. With my tongue broad and flat, I licked the whole length of him, making eye contact. I alternated between sucking, swirling my tongue one way and then another, and flicking it lightly. I wrapped one hand around the base of his shaft, and move it up and down in time with the movements of my mouth. I ran my nails on the inside of his thighs, making Calum whimper. “Fuck princess.” He grabbed my hair.

“Princess, s-stop I wanna cum in that pretty little pussy of yours.” Calum groaned, unable to hold his moans in. I took him out of my mouth, “Daddy, I have a question.” I trailed. “What is it, baby girl?” Calum asked. “Can I ride you, daddy?” I asked shyly. “You wanna ride daddy? Well, I suppose that’s fine.” He chuckled. Calum laid on the bed, cock in hand as I walked over to him.

He cupped my breasts in his hands, groping and tugging roughly. “Yes, daddy,” I moan, burying my face into the crook of his neck. “Oh, God, yes.” “You going to cum for me, baby girl?” “Mmmhmm.” “Come on, baby, cum for me.” My orgasm rockets through my body, sending me into a state of frenzy. Moans and curse words slip out of my mouth. I continue to rock my hips against Calum as I come down from my high, milking my orgasm for as long as possible.  “There you go, baby.” Calum coos.

“Fuck, I’m gonna cum,” Calum moaned, his hands moving to my hips. “Cum for me daddy,” I bit his neck, making sure to leave my mark. I felt Calum release inside of me, making me fall on top of him. “God, that was-” “Amazing.” I finished for him. “I love you, princess,” Calum kissed my forehead. “I love you too, daddy.” I said.

Sex Worker's Guide: Red Flags & Translation (especially for Newbies)

This guide is more useful for Sugar babies but other branches of the industry should still be aware of these lines. I’ve compiled a list of common things I’ve heard/read on POT’s profiles or have had clients/SD’s message me, and I’ve taken the liberty of sharing “the translation” and footnotes attached.

•"No hookers, prostitutes, whores, etc"
-You need to run as fast as your pretty heels can you carry you away from this guy. The word “hooker” was intentionally chosen to discourage SB’s to ask for allowance.
-This is the oldest trick in the book by old pervy men. He hopes that he’ll tap into your insecurity of being seen as a whore so you’ll feel ashamed when you bring up HIS side of the MUTUALLY beneficial arrangement.

•"You wouldn’t buy a car without test driving it, would you?“
GURRRRRL, you’re not a car. You’re a human being. He’s gotten his “test drive” to check out his “merchandise” when you granted him the privilege of a meet and greet. Don’t fall for this. He’s gonna ghost on you after sleeping with you as many times as he can. You get to view a house before buying, not live in it.

•"I don’t believe in allowances but I’m generous. I want to show you fine dining, and experiences you wouldn’t be able to experience otherwise.“
-Roughly translates to “I’m gonna spend just a few bucks more than I would on normal courtship habits I would for women twice your age. You should feel so honored to be able to eat a steak meal now that it should be enough to get you on both your knees.”
-Ladies, the money he spends on a 5 star dinner isn’t for YOU. It’s expenses he’s spending on HIMSELF because HE gets to show off a hot woman like yourself at said restaurant. You’re not getting paid. You’re simply giving your service away for free.

•"I’m young, unlike the other guys on here. I don’t need to pay for sex.“
Group A: Young millennial men deluded into thinking they offer something so spectacular that women in need of money will drop their financial needs to cater to the ego of a kid.
Group B: (ages 29+): I’m not that young but I don’t want to admit it. I probably spend way too much money on hair dyes or gym regimens in an attempt to fool myself that I’m just as good looking as the women I’m messaging on here.

•"I will send/bring your allowance next week (some other time), I promise.”
-It really means “I promise you ain’t seeing a penny out of me but I’m gonna say the most genuine sounding lines so I can bring you to my hotel room.”.
-Any wealthy man should be able to access his OWN money before the designated date of intimacy. Always remember, no money, no honey.

•"I’m generous in other ways… ;)“
-"I’ve had the fortune of having exceptionally skilled sex partners in the past who’ve convinced me my dick is God’s gift to women. Unfortunately, I failed to realize women fake it much more often than I’d like to admit.”

•He just requests your photos without even so much as an introduction.
-He’s 9/10 a photo collector. Ignore him.
-If he’s the 1/10 that isn’t a photo collector, he’s gonna be an asshole. Can you imagine if a man in real life just went up to you and pulled down your shirt without saying anything? Ignore him too.

•"I thought part of our arrangement was that you’re at my beck and call. Why do you take so long to respond to my messages?“
-Unless you agreed to have an EXCLUSIVE arrangement, he’s trying to squeeze as much out of you as he can.
-Remember ladies, he’s buying a SERVICE. A service that is limited to the set days you BOTH agreed to. That’s it. He is buying you as a service, not a girlfriend. Gently remind him of that.

•"Cmon, I’ve been paying you/seeing you for awhile now. You can at least trust me with your real name, school, work, etc.”
-Any variation of that is a SERIOUS red flag. I’ve had clients of years try to guilt me. I’ve always either smiled then tell them I don’t feel comfortable or I flat out lie about facts.
-There’s a chance he just wants to connect with you but there’s a much higher chance of him blackmailing you in the future. These are powerful men who got to where they are by being cunning and having upper hands. Don’t think you’ll be spared if you ever accidentally upset him.
-The biggest thing I must say is: YOU DON’T OWE YOUR CLIENTS/SD’S JACKSHIT except the service they paid for. Your own personal life is NOT inclusive in your service. Keep it separate.

•If on a meet and greet he asks or tells you to go to his hotel room or somewhere private.
-Never go until the arrangement has been made. By made, I mean the cash or funds have already been paid to you.
-Semi-common for them to lure young girls and rape them.

I’m sure there are many more that I can’t remember now. I might make a part two depending on if people find this useful. Feel free to comment more red flags you’ve experience. Make that money. 💸💸💸 Stay safe, ladies. 👍🏻

anonymous asked:

What are your HCs if someone were to find Victor and Yuuri's very raunchy homemade sex tape? Would they be able to look at Yuuri Katsuki the same way again

It takes Yuuri a moment to reconcile the number of alert bubbles on his lock screen with a reason to panic, but when he unlocks his phone and spies the little red bubble with "529″ above the messages icon, a cold hand has gripped him by the diaphragm and begun squeezing a frigid reality into his chest.

With shaking hands, he opens his missed calls—658, what the hell—and skips right to the voice mails that have stuffed his inbox completely full. Beside him, Victor mumbles something about grass into his pillow.

Everybody he’s seemingly ever met has tried to reach him at some point during the night, and their messages are all variations of the same theme.

Keep reading

Park Chanyeol//The Rhythm of Hate - Part 1

Originally posted by softadulthood

Summary: You hate each other, even though you’re soulmates. You try and stay away from each other, but a shared course and a project is determined to keep you two facing off. (Part 1/Part 2)
Scenario: Soulmate!AU, college!AU
Word Count: 5,924

Keep reading

anonymous asked:

I just came across one of your posts on love where you mention pride and prejudice in the tags- do you have any more explicit thoughts on what makes it good as a love story? I love p&p and I'd love to hear what you think if you have time!

I don’t have time at all but I can’t resist an invitation to talk about Pride & Prejudice.

P&P has tropes & plot structures that have occured plenty of times in romance before and since–the “misogynist with a heart of gold” that is Fitzwilliam Darcy, the general woman-rejects-man-then-later-accepts-him arc–but I think that it succeeds where a lot of other things with similar narrative structures fail.

the thing about this setup is that provides ample opportunity to showcase love as a transformative force. and fiction with this setup succeeds or fails, imo, on the strength of its success or its failure to do that. a lot of things written in this vein, including modernized or AU-style adaptations of P&P or things that were probably heavily inspired by P&P, fail because there’s no character growth and no transformation. the woman realises that she was silly to reject the man for her silly reasons (which were actually probably very sound) but doesn’t really change in any material way–the man is there to graciously accept her change of heart, but doesn’t change in any material way either. this, incidentally, is why I can’t get behind North & South in the way that I can Pride & Prejudice.

the appeal of Pride & Prejudice for me–and, presumably, the appeal of P&P to a lot of women who are into men, lmao–is that Darcy actually changes throughout the course of the book due to Elizabeth’s influence. we see this, of course, during the scene at Pemberley with the Gardiners, when he behaves w/ actual civility (in ways that are probably familiar to you and don’t need to be dwelled on), and Elizabeth is all,

Why is he so altered? From what can it proceed? It cannot be for me—it cannot be for my sake that his manners are thus softened. My reproofs at Hunsford could not work such a change as this. It is impossible that he should still love me.

but. okay. so what. anyone can change their behaviour for another person, anyone can act the way that they think they have to act to get the girl, so what? the real crux of this imo, and what makes it really compelling to me, is that I don’t think he changed for Elizabeth. because of her, yes, by his own admission, but from the time between her rejection and her arrival at Pemberley, I don’t think he ever thought that he was going to see her again. or at any rate I don’t think he planned to reform (or appear to reform) for the sole purpose of getting her to say yes to him. after she rejected him, he spent a lot of time, on his own, thinking about what she had said and looking back over his own behaviour:

The recollection of what I then said, of my conduct, my manners, my expressions during the whole of it, is now, and has been many months, inexpressibly painful to me. Your reproof, so well applied, I shall never forget: ‘had you behaved in a more gentlemanlike manner.’ Those were your words. You know not, you can scarcely conceive, how they have tortured me;—though it was some time, I confess, before I was reasonable enough to allow their justice.

so he realises, over a long stretch of time, that he was disrespecting Elizabeth, failing to pay attention to her actual feelings (during the proposal scene and before), and expecting his status to be sufficient in securing her acceptance. he realises this by reflecting on himself, at his own impetus, at some distance from Elizabeth, not expecting her to guide him through the process of becoming a better person, not expecting her to automatically love him at the end of this process. he examines himself, not because he’s being guided every step of the way by a Selfless Female Figure, and not because he expects reward, but because it’s the right thing to do. and I think that his behaviour and mindset would have changed even if he never saw Elizabeth again, even if she had said no to him again when he proposed for the second time. (which was a greatly improved proposal, btw–“one word from you will silence me on this subject for ever”? a vast improvement over launching into a proposal without noting the “cold civility” of Elizabeth’s manner. “you are too generous to trifle with me”? a far superior knowledge of her character to thinking that her refuseal was solely due to her “pride [being] hurt by my honest confession of the scruples that had long prevented my forming any serious design”.)

I can’t resist quoting this entire speech as an illustration of my point:

Painful recollections will intrude which cannot, which ought not, to be repelled. I have been a selfish being all my life, in practice, though not in principle. As a child I was taught what was right, but I was not taught to correct my temper. I was given good principles, but left to follow them in pride and conceit. Unfortunately an only son (for many years an only child), I was spoilt by my parents, who, though good themselves (my father, particularly, all that was benevolent and amiable), allowed, encouraged, almost taught me to be selfish and overbearing; to care for none beyond my own family circle; to think meanly of all the rest of the world; to wish at least to think meanly of their sense and worth compared with my own. Such I was, from eight to eight and twenty; and such I might still have been but for you, dearest, loveliest Elizabeth! What do I not owe you! You taught me a lesson, hard indeed at first, but most advantageous. By you, I was properly humbled. I came to you without a doubt of my reception. You showed me how insufficient were all my pretensions to please a woman worthy of being pleased. (emphasis mine)

my only quibble with this is that I would have wished this apology to occur before Elizabeth’s acceptance, but oh well.

of course, Elizabeth changes as a result of all of this too, and that’s part of the point of the book (Darcy’s is the Pride, but hers is the Prejudice). after she realises that she was wrong about Wickham:

She grew absolutely ashamed of herself. Of neither Darcy nor Wickham could she think without feeling she had been blind, partial, prejudiced, absurd.

“How despicably I have acted!” she cried; “I, who have prided myself on my discernment! I, who have valued myself on my abilities! who have often disdained the generous candour of my sister, and gratified my vanity in useless or blameable mistrust! How humiliating is this discovery! Yet, how just a humiliation! Had I been in love, I could not have been more wretchedly blind! But vanity, not love, has been my folly. Pleased with the preference of one, and offended by the neglect of the other, on the very beginning of our acquaintance, I have courted prepossession and ignorance, and driven reason away, where either were concerned. Till this moment I never knew myself.”

similarly, she attends to her shortcomings without outside guidance, and she doesn’t change for anyone in particular. this is important to talk about when discussing how P&P showcases the possibility of transformation, and the transformative power of love. of course, she doesn’t love Darcy at this point, and I’d argue that Darcy didn’t love her at the time of his first proposal either (he was perhaps passionate or infatuated, but real love involves respect for someone and a knowledge of them, and Darcy had neither). what’s really compelling about this for me, what really makes me care, god help me, about this straight white British couple, is that they don’t just go on loving each other w/o changing, they don’t even change because of their love for each other, but they arrive at loving each other through the ways in which they change because of their experiences with each other. and I think that this novel gets at, in a way that a lot of fiction based in the same general premise fails to get at, the concept of love as action, love as respect and mutuality, love as process, and love as transformation.

Reylo and why it’s a problem beyond any shipper war….

I’ve been part of many shipper wars over the years. Absolutely crazy and disgusting ones that left me wondering why I had ever joined the fandom in the first place. I have seen people call each other retarded and freaks over a ship and bully people, stalk their social media accounts… I have seen people insult actors and writers on social media over shipping - even sending them death threats (!!!!), I have seen people insult the significant others of actors because their ship wasn’t happening in real life as well… You name it, I’ve probably seen it. Some of these things also take place in the Star Wars fandom and I find them just as appalling and disgusting as I do in any other fandom. However I have become used to this insanity to a certain point and so there is a level of shipping-craziness I can ignore. Is this good? Probably not, but that’s simply what happens when you are confronted with bullshit for years and years, you become immune to it to a degree.

What I have seen in the Star Wars fandom recently though has crossed my line…and sometimes it has not just crossed it, it jumped past the line and blew itself into the freaking stratosphere of unacceptable behaviour.

Look, Reylo started out as somewhat of a crack ship, something that exists in almost any fandom. The villain + the hero… people writing fanfics about it, enjoying the idea. No problem so far because what you imagine in fics and have as a head canon can be problematic and unrealistic. As long as you are aware of it and don’t take it too seriously, everything’s cool.

The thing started to blow out of proportion when people suddenly became convinced that it will be canon. And that it’s the only acceptable, interesting canon, and that the entire Star Wars crew is playing some giant goose chase game with the fandom and only the Reylos get it. Shipping Reylo became some sort of detective game that only the truly smart people can figure out. Hidden clues, fairytale motives… Half of it seemed like we had suddenly entered a real life conspiracy theory scenario.

All of this is weird and insulting the intelligence of non-shippers but it can still be overlooked with an eyeroll. The real problems began when people started to justify why Reylo is better than any other ship and entirely unproblematic. They did not stop at plot points and hidden clues…no! In the course of defending their ship as a realistic option for the future of Star Wars, huge issues arose that made Reylo even MORE problematic instead of making it more acceptable.

Issue 1: The treatment of Finn

Some of the biggest treats of any ship are obviously other ships that involve one of the characters. In case of Reylo the biggest treat is Finnrey, ie. the ship between Rey and the character she spent the majority of time with during TFA. This ship somehow had to be discredited. Looking at the dynamic between Finn and Rey in the movie, making this ship not just unrealistic but downright horrible should be quite a challenge. Yet it was shockingly easy for the Reylo fandom. Not by using any valid plot points, but by stepping over lines that should never be crossed, not only in fandoms but in society in general: racism, homophobia and toxic masculinity!

Finn is, for many reasons, an absolutely groundbreaking and incredibly important character in the Star Wars franchise. Played by John Boyega, a man of colour, he is one of the few POC lead characters in any major franchises, cinema and TV alike. But not only that, the character himself is representing an incredibly important arc: A person brainwashed by an ideology for most of his life questioning this ideology and breaking free from it, breaking out of a facist organisation, refusing to follow their blind ideals and joining the fight against them. Finn becomes a hero in TFA for many reasons. He saves Rey, the other lead of the movie, several times and it is obvious she adores him. So the version of Finn we are presented with in TFA is that of a hero who becomes best friends with the heroine.

Somehow many members of the Reylo fandom considered it necessary to reinterpret this version of Finn to the point he became unrecognizable to justify why he is wrong for Rey. The fact that he broke out from the First Order suddenly became an act of cowardness because he was not strong enough to kill for them. His fear when he ran away from the facist organisation that turned him into nothing more but a number was interpreted as weakness. Him pretending to be a member of the Resistance was not seen as the act of someone ashamed of where he came from or someone who thought no one would trust him if they knew the truth – it was seen as a character flaw. His lie to personally get to save Rey from the First Order was interpreted as a sign of him being a pathologic liar instead of someone who would do everything for his friend. Even his motives were questioned…wondering if he REALLY left the First Order or might just be a double agent, trying to infiltrate the Resistance, even though there is absolutely no evidence for it in TFA! The fact that a man of colour is villainized, ridiculed, made out as weak and essentially a loser, who did everything just because of fear and because he is a liar, when all of his character’s storyline does originally make him look like a hero, is wrong on so many levels that I don’t even know where to start - and all of this seemingly to justify why he is not a suitable love interest for Rey! The fact that people did this with ease can’t help but make you wonder if they could do so because of their internalized racism. In this scenario a black man is made unworthy of a white heroine, even though his character was meant to be a hero just like she is. Turning a black man into a pathetic loser, even though his storyline contradicts it completely, falls right into racist behaviour patterns… especially if you do so to justify why a white character, who was constructed as a villain, is a better choice for the heroine than the black character who was constructed as a hero.

This is however just one kind of mistreatment Finn receives. Other scenarios involve Finn being gay to get him out of the way as a love interest for Rey. This way of thinking does not interpret Finn as gay for the sake of equality and representation but mainly to make him unsuitable as a love interest for the heroine. To use the sexuality of a character only to make room for a ship is obviously a totally wrong way of approaching homosexuality in fiction. Connected to this is people’s reception of some of Finn’s characteristics: for whatever reason many see Finn as unmanly, because he shows fear and seeks for support in dangerous, scary moments. This apparent unmanliness of his made some come to the conclusion that he is gay. So a man who does not fit into stereotypical ideas of how a man should be like… of course has to be gay, implying that a gay man is unmanly due to his sexuality? URGHS! If this is not the conclusion drawn by people, another popular one is that the “unmanly” Finn is not strong enough for Rey. Yet many of the people who express these ideas have no problem with Finn potentially being with a WOC who will be introduced in the Last Jedi. So he is too weak for Rey but not for an Asian woman they know nothing about? Does this scream racism? It obviously does…

Another tactic is….ignoring Finn. Removing him from all discourse, from all fan art and fan fics, erase him in pictures and switch him for Kylo Ren. Not only does this make no sense looking at the actual movie, but it removes the movie’s black lead from his rightful position. You can’t tell me it doesn’t leave a sour taste in people’s mouths if TFA’s black hero is switched for the white villain? In the end it’s the erasure of a black person, no matter how you look at it. And that is just WRONG.

Let’s summarize: If your tactics to convince people of your ship involve sidelining and demonizing a POC character or discrediting a man because he doesn’t fit into stereotypical masculine characteristics… you got a problem.

Issue 2: The racist attacks towards other fans and John Boyega

People love to pretend this is a tiny issue and does not reflect the fandom but… Something like this can never be a tiny issue! I am not saying that no vile, wrong actions took place outside of the Reylo fandom (check out the very beginning of this post…I acknowledge the usual shipper war insanity, which did take place from all sides, not denying this for a second) – however there is a difference between people insulting each other for a ship, and people sending anonymous messages full of racist slurs to people of colour in this fandom because they are against Reylo or adore Finn. That is, to put it mildly, an absolute catastrophe and the fact alone that this sort of behaviour was inspired by a ship is shocking. If you then remember that one character of this ship is in fact a facist… It has “abort mission” written all over itself. Yet people did not even manage to keep their trash inside of the fandom… it made its way into the comments section of the actors’ social media accounts. One much cited incident took place on Daisy Ridley’s instagram page, where people threw around racist insults towards John Boyega. If anyone has followed her, they will know she took down her instagram. I can only assume that this incident did not do anything positive for her view of social media. Since apparently this is still not enough, some racists feel the need to spread lies about John Boyega, turning him into a sexual predator even… I don’t think I have to explain that this is absolutely, utterly unacceptable!! From slight, internalized racism to open, inexcusable racism - we have now seen it all. This has to stop! And it will not stop by the Reylo fandom insisting it’s not all of them. Of course it isn’t. But that doesn’t make it any less of a giant problem! I could as well now draw the conclusion that Reylo fans are okay with shipping Rey with a facist because they are okay with facism…. and racism. It would be unfair to many of them, sure… but let’s be serious…can anybody be blamed if they come to this conclusion at this point? And is it such a crazy idea to assume that this ships draws in racists and facists??

Issue 3: The reinterpretation of Kylo Ren as a misunderstood anti-hero

One preferred way to make the villain Kylo Ren worthy of Rey is to try and explain why he is the way he is. This goes beyond a serious psychological analysis of why he turned into a facist murderer. It is used to turn him into a guy who is not responsible for his actions and actually kinda nice. “Poor Ben Solo was targeted by Snoke in the womb, in the WOOOOMB!! He couldn’t do anything about it. His childhood was traumatizing (why exactly we do not know), he had nobody and so of course he fell into Snoke’s hands, the poor boy! He is so lonely and misunderstood!” I can’t even count how often I have read these kinds of things. Yet in TFA itself we have examples of people who were brought up by the First Order (Finn) and abandoned by their parents on desert planets (Rey), but neither of them follows Kylo Ren’s path at this point. Neither of them is drowning in self pity and going around killing and torturing people. So resistance is possible, even IF you are related to facists and even IF some dark force is targeting you. Portraying Kylo Ren as the victim of this storyline is doing injustice to all the people who suffered from his actions. He is not a brainless puppet. He made a decision. Maybe he will realise himself that it was the wrong one… but never in Star Wars has it seemed like those who join the Dark Side did so because they were brainwashed and had no other choice. Mostly they did it for selfish reasons and from everything we can see at this point, so did Kylo Ren. Does his background story make it understandable why he became evil? It seems so. It is meant to. But it is not meant to excuse his behaviour or make him a victim. Anakin, even before he became Darth Vader, always had the potential to be evil because of his character traits. It is the same for Kylo Ren and also Luke. Luke chose to become a Jedi and Kylo Ren chose the Dark Side. So no, he is not innocent, he isn’t a victim, he isn’t an anti-hero… He is a murderer, plain and simple. So turning him into some emo Disney-Prince is nothing but disturbing. It alters the story and changes what he truly is. Many do this to make him worthy of Rey and so that they can keep the illusion alive that he can be completely redeemed and fall into her arms. This is however not logical and should not happen under any circumstances if the Star Wars writers take their own writing and the legacy of the saga seriously. A facist and murderer is no misunderstood puppy. He is evil. If people romanticise him, they have issues. But then there’s also a serial killer fandom, right? And tbh I see clear similarities between that and some of the Kylo Ren fandom…

Btw: Diagnosing Kyle Ren with all sorts of mental illnesses does not make him a better person either. Nowhere among the symptoms of depression, PTSD etc. will you find “turns person into a facist killer”. The idea alone that blaming his acts on what could be a mental illness is insulting every single person who struggles with mental illnesses! It makes it seem like they are all potential murderers! This is HORRIBLE!

Issue 4: The acceptance and downright glorification of a facist regime

If only all members of the Reylo fandom tried to make it a possibility by redeeming Kylo Ren. This is of course also problematic to the moon and back, yet it is still preferable to the other option, which is to say that he has the right to do what he does. I have seen people say that the Republic is evil and someone had to do something against it, so what if they take drastic measures? (like killing everyone??) I have seen fanfics were people wrote about Nazi experiments like it’s some kind of kink. I have seen people call Kylo Ren and Hux “extra”, as if they were some fun drama queens and not members of a facist regime. I have seen people who hope Rey becomes evil, so that she and Kylo Ren become some evil super couple. What is this meant to say about the people who do and say these things? Some of them seem to see all of this as some joke, pointing out again and again that it is not real. Sure, supporting this in real life is a huge step further than squeeing over murderers in fiction… however if you see your views as unproblematic and hope they will find support in canon… God, I don’t even want to think about this… it’s just NUTS.

Issue 5: The interpretation of abusive behaviour as sexy and romantic

To make the scenes Kylo Ren and Rey share in TFA romantic, they require a certain interpretation. Take the torture scene. People say things like “He was sitting by her side, waiting until she wakes up herself because he didn’t want to wake her” So we have a villain that ties up a heroine to get information out of her. He sits down and watches his prisoner for a certain time, waiting until the prisoner wakes up. The idea that he admires her looks in this scene is something I have often seen as an argument why this scene is romantic. However people seem to ignore that this is not, let’s say, a friend who is staying in the same place with someone and watches them sleep. This is a villain who knocked out a woman, tied her up and now waits for her to wake up to get information out of her. Is this really a romantic situation or a creepy one? Another argument as to why this scene is romantic is that he apparently holds her captive in his private rooms. I have no idea if there is any evidence for this, but is it really romantic that a villain keeps a woman imprisoned in his private rooms to read her mind? Or is it an abusive action by a kidnapper who clearly has disturbing ideas? I mean imagine you get knocked out and kidnapped by someone and then wake up in a dark room, with the person who kidnapped you watching you in silence? Would you find this creepy or cute?

Even if we take a look at the kidnapping scene itself people can’t seem to get over the fact that Kylo Ren carries an unconscious Rey. Could this be a romantic moment in another context? It surely could be. IF he had not been the one to knock her out in the first place, and IF he was not carrying her into his spaceship to get information out of her (by torturing her with his powers)! We are not watching a man carrying his unconscious love to safety. We are watching a villain carry the unconscious heroine into the enemy’s headquarters. This is a scary situation, NOT a romantic one!

Obviously we have to end this with their final fight. Arguments I’ve heard mainly talk about how he did not kill her because he has a soft spot for her. Not only does this ignore the fact that he was quite severely injured during this scene but also the obvious reason why he is so interested in her. He wants her power. He wants to train her, wants her to join HIS side of the force because she is crazily powerful. Is her unique power enough of a reason not to kill her at this point? Of course it is! People who are strong with the force are rare and special. You do not just chop their heads off if they don’t directly do what you want. So no, this is again not a romantic scene. It is a scene between the villain of the movie and the heroine where he is trying to bring her to his side. Something else I keep hearing is that they apparently exchanged romantic looks when she escapes and he lies in the snow. He was just defeated by a scavenger from a desert planet! He, the mighty Kylo Ren! He knows that there probably won’t be a way around her on his way to power! And she knows that the head of the First Order wants to get his hand on her because of her power, because of something she never wanted to be part of. This is a “Holy Shit, this is our future” – moment. This is the start of an epic fight. Not two lovers staring longingly at each other!

To summarize: All scenes between Rey and Kylo Ren get reinterpreted as romantic, even if they are creepy, abusive and potentially lethal. Dare I claim that they would not be seen as such if they would not take place between a young woman and a young man? The fact though that these two people could theoretically put together their sexual organs should not make these scenes romantic or nice or hot. That people interpret them this way is more than problematic and makes it look like they find abuse, kidnapping and trashing each other with light sabers cute, when it would honest to God not be in any other context.

Issue 6: The sidelining of Rey in favour of Kylo Ren’s character development

Sadly most arguments for Reylo seem to centre around Kylo Ren and the redemption this relationship could bring to him. No words about why it is a great idea for Rey or why it should further her character development to fall for the villain. Kylo Ren often suddenly takes the position of the hero, it becomes his storyline and she, the actual heroine, becomes an asset that is being used to make him a better person. She is supposed to save the lonely, misunderstood man from his misery. Why she should do this mostly seems obscure. Most of these scenarios are combined with Issue 3. Kylo Ren’s crimes are downplayed, so that Rey can fall in love with him and “save” him. So again… canon Kylo Ren’s actions have to be reinterpreted and canon Rey’s storyline shoved aside in favour of his.

These six issues are my main reasons to stay away from the Reylo fandom. I have mostly experienced it as a toxic space for reasons that go beyond the usual shipper war problems. Even though I have read some of the theories and tried to stay open-minded… it was simply not possible looking at all the problematic and sometimes downright disgusting things that were happening all around. I only hope for the sake of Star Wars that Reylo stays nothing but a fanon ship and that this will somewhat calm down the situation. Canon Reylo could give power to people who clearly should not have any. 

anonymous asked:

random but always relevant: you know how a lot of people go on about how viktor speaking russian in bed with yuuri would make him blush and be such a kink (which yes, same, and very important lol), but what about yuuri speaking japanese, either if it just slips out or if viktor asks him to, i just can't at yuuri whining 'kimochii' ('that feels good') or 'hayaku!' ('faster!') etc, as viktor tries not to come just from hearing yuuri's whimpering voice *eyes emoji*

On that first plane ride to Hasetsu, Victor split his time between telling the lovely old woman sitting across the aisle from him about how he was on his way to find the love of his life and tripping over his own tongue while he sounded out the words in the Russian-to-Japanese dictionary he’d picked up at the airport. The pages were crammed with chaos: alphabets broken and bent into new shapes, words that had fifty different characters with one meaning, L’s rolling into unfamiliar R’s that barely found purchase in his mouth. When he finally saw Yuuri, the declaration the kind woman on his flight had helped him prepare—Iしてるの君—had turned tail and fled, leaving him to take the coward’s way out by switching to English and rattling off something about being Yuuri’s coach. That night, ensconced in his little room, he read his dictionary from cover to cover by the light of his phone, whispering every word aloud until the first rays of Japanese morning crept in to goad him into getting off his ass and trying again.

His trusty dictionary has seen some things; its pages are crinkled and ripped, dogeared into deformity, and the cover threatens to just up and disintegrate if he so much as looks at it wrong. It’s been his only line of defense the past year, a wrecking ball wielded in the face of countless cultural barriers, and he knows it so well that he could probably recite every single word by page number and line. Except one.

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Writers: Break the Rules

The entire reason we want to have writing “rules” is so that we can break them

Between my annoyed ranting and my personal opinions, it slipped my mind that many people haven’t been told this, and it’s only been brought to my attention recently that my own posts (and many others) don’t emphasize this point nearly enough.

Please take every writing guideline with a grain of salt. 

If someone says don’t do this it should never mean don’t ever do this but rather do this sparingly in order to get the effect you want out of it.

If you use stammers and ellipses to show pacing throughout your story, those things become the pacing itself. But if you use the sentence structure and action tags to show pacing, you can use stammers and ellipses to show anxiety, or create a unique speech pattern for a particular character, or a multitude of other cool things.

If you constantly use epithets to describe every character in your story, they become a long, often annoying alternate to a pronoun or name. But if you cut out most epithets, and just use a specific one to refer to a particular person or group of people, you can show something about your pov character’s view of the world, whether prejudice or admiration or adoration; the possibilities are endless. 

The same idea can be applied to most things pertaining to writing. Remember that almost anything you use frequently throughout your writing will loose its point. That’s why said is such a good dialogue tag. Once you use it enough times, most readers don’t notice it anymore. 

So when you read a writing guideline, one of your first thought should not be that’s a foolish rule or wow my writing must be terrible, but rather in what ways could this rule be broken in order to achieve a certain effect? 

Once you know that, it’s much easier to tell if the rule itself (and the breaking of it) is something you think would benefit your writing, or if you’d be better off ignoring it entirely.

(If we could pass this around the writeblr community that would be wonderful!) 

Disclaimer, sarcasm, and more info below the cut:

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Opportunities

Anon: College Klance, where Keith’s sick but he has a really important test in one of his classes so he goes to class anyway. Keith and Lance happen to have that class together, and normally Lance just tries to ignore the other boy, but the Keith waddles in wearing a big coat, scarf and a wool beanie. It’s like 80 degrees out, so he knows somethings off. Bonus: For Keith being light headed and having to be carried back to his dorm room. (PS Thank you for writing awesome fics)

A/N: So I heard you guys liked pining Lance. Cashing in the bonus, someone should draw Keith in winter gear with the scarf covering his face up to his bright-red nose.


Lance hadn’t noticed the boy before. He hadn’t noticed that mullet hair, or that red jacket, or that little glance they shared when the boy would walk in a minute before class started-

Okay, maybe he’d noticed. But that’s just because the guy sat in front of him in the lecture hall! How could he not look at the way his stupid hair turned up at the ends or the stupid way he twirled his stupid pencil with his stupid nice fingers-

Okay. Maybe he’d done more than notice. Maybe he’d put in some extra effort into trying to see the boy’s name on his test. Maybe he’d lost track of class while watching the boy lazily doodle on his notes. Maybe he’d seen ‘Keith Kogane’ on the list of packages at the front desk of his dorm hall and almost choked. Just maybe, though. Probably not. Definitely not.

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