idk i need a way to sort these

trash aus
  • i borrowed ur pen and its been 2 weeks and i still haven’t returned it because every time i talk to u, i am reminded of the massive fucking crush i have on u which always ends up leaving me speechless” au 
  • “u caught me dramatically lip syncing/dancing and instead of laughing u joined in v v badly and we did a fucking duet together” au
  • u sat next to me on the plane and idk if ur nervous or something but wHY DO U NEED THE TOILET SO FUCKING MUCH” au
  • “i’m a bus driver and despite my no-coins policy, u always manage to weasel ur way into giving them to me w/ stories that cannot possibly be true” au 
  • i didn’t realise i was staring at u while daydreaming” au 
  • “i have never met u in my entire life but u keep sarcastically responding to my tweets and i wanted to punch u until i saw ur avi and now i sort of want to kiss u” au
  • i thought u had a crush on our friend and u thought i had a crush on the same friend when in reality, we have a crush on each other” au
  • “we fucked last night and i left before u woke up and ur standing in front of me right now… for a job interview” au 
  • we’ve been married for 2 years now and u just had surgery that left u real fucking dopey and u keep telling me that u wanna take me out and marry me” au
  • “this is my first time at a gay bar and i’m kinda nervous so i got real drunk and now ur listening to me rant on and on about how gay two characters are for each other,” au
  • i drunk texted u thinking u were my ex and in the morning i woke up to a hangover and a long ass text from u telling me i could do better and shit” au
  • “i’m a popular fanfiction writer and u catch me writing the latest chapter in a cafe, and we end up talking and i keep going on and on about this cute commenter who i find out is u when u comment on the next chapter” au 
  • ur my best friend’s older brother and u just caught me singing along to my to best friend’s brother by victoria justice with a bunch of dicks drawn on my face.” au
  • “ur in a band i really like but ur band name is fucking stupid so i made an anonymous twitter account with new band name suggestions except it got really popular and now u wanna meet me” au 
  • ur my daughter’s teacher and u asked to meet me after school so i got real scared and now i’m shouting at u about how u shouldn’t make assumptions about a child’s skills due to their disability” au
  • “u helped me shout at some prick at a bar” au
  • ur the really sassy blind kid in my class who always brightens up my day with ur remarks and one day u confront me abt why i always laugh” au
  • “its a school reunion and woah u got really hot and woah we’re fucking in the bathroom” au 
  • we’ve been binge watching this show for a while and then i found out u didn’t ship my otp so i spent the rest of the day convincing u to ship them together” au

if u write any of these, TAG/MESSAGE ME!!!

humunanunga  asked:

I gave it some thought, and I did come up with just one thing! I think it may help your artistic growth to practice more diversity in head and body shapes. Personally, I've found that observing the Steven Universe style really helps breaking down body types in a way that's easy to adapt into personal artstyles!

ah!! yeah youre right! i guess i have been slacking with that lately ! but ive been trying my best not to ignore diversity!! (idk if its noticable in the art that i post on here cuz i dont really post that often anymore :’v ) but here are a couple examples of my partice with that sort of thing! (the first two are from back in august of last year so bare with me)

~~~~Warning for tiddies ~~~~

i think i need more practice with male body types tbh ive always had trouble with that (especially chubby males). and ive noticed my headshapes tend to be round most of the time. I’ll be sure to work on that!! Thank you!!

anonymous asked:

I JUST REALIZED there's backseat Impala subtext this season!! In episode 1 we see Mary checking out the backseat, thinking about John and her ~doin stuff~ and Dean realized that while Cas was left confused. Idk if Dean ever told Cas what it meant, but now there's more backseat storyline stuff what with Dean choosing to stay in the backseat with Cas in episode 9, and some of us already think there was some sort of hand-holding or longing there. I don't know what to make of this!


I guess what we always make of it: a great big Destiel subtext pie :P

Do we need 3 times to prove the rule? I remember after 12x08 there was some joking about how Cas was in the backseat just on principle that it was suggesting something, in a way, referring back to that moment and Dean’s weird look at Cas :P But really not much on its own. This helps!

I mean, though, the back seat has been used a lot as a runner up trophy and Dabb made a huge deal out of who got to be shotgun back in 8x08 which I think is a really quick little thing that actually is a great key to unlocking a lot of interpersonal nonsense… Like, in season 8 context, how Sam feels about Cas, considering it all builds up to that confession from Sam at the end - looking at Sam shoving past Cas for shotgun and Dean getting to determine who is and isn’t shotgun with all that hindsight makes the shotgun joke in 8x08 ridiculously deep.

 And then 9x10, also Dabb, has the scrap over shotgun between Cas and Crowley, which ALSO when it’s all said and done, foreshadows the interpersonal dynamics of Cas vs the entire Drowley arc, especially with I think a sense that Dean sends Cas to sit in the back to watch Crowley because he’s TERRIFIED of Crowley still (there was an earlier moment in season 9 which shows this really well while they’re doing stuff with Crowley in the dungeon - maybe 9x04?) and Dean trusts Cas to look out for him… Cas isn’t being relegated to the back because Dean doesn’t like him, BUT that’s a misunderstanding that can exist (especially as Dean again takes over CAS’S car and starts dictating terms in it) and Cas feeling slighted or unwanted is like, a constant thing. (Ugh, poor Cas :P)… 

So there are a lot of politics there, and we were analysing stuff in 12x01 that Dean had Cas riding up front with him and Mary in the back at the end of the episode, because of how great THAT was for them, but then also in 12x03 we had Mary in the front seat and Sam crammed in the back clearly losing out on shotgun privileges, and I think Cas in 12x08 is also sort of more that when Sam and Dean are in the Impala, unless there’s Reasons, whoever else is riding with them goes in the back. (In 5x13, we have the humorous/tragic image of John driving, Mary in shotgun aka the stereotypical mom seat for families, and Sam and Dean in the back, like the kids on a road trip, and those dynamics mirrored. I swear there’s a “are we nearly there yet” somewhere in that scene :P)

(Actually, thinking of John driving, isn’t is a Thing that Sam never drove the car once in Baby, even if he got to use the backseat for, uh, work out purposes. Considering the episode was all about the car and so many people driving it, I guess that stands out… You know, if I remember that properly. I’m preeeetty tired :P)

Anyway… There’s a few different rules for the backseat and it’s always worth looking at what else is going on…

But yeah, Dean not taking over and driving whenever there’s a car is huge - it’s a sign of him giving up that control that he normally has even when it’s NOT his car (and the fact it’s Mary and her car, I think allows him to do that a bit? Like when he couldn’t argue that John drives the Impala - obviously John didn’t know Sam and Dean were his kids from the future, but symbolically that’s Dean giving up the driver’s seat to the no.1 authority figure in his life… It being Mary is I guess more about respect and deference not coming from having been brought up by  her like a drill sergeant like with John, but there’s still a fair amount of unpacking to do there, though I do think this season is SLOWLY working on it… Mary needs to take a fall in their eyes which I guess is up next for her?) … Where was I? Right. Dean n Cas holding hands in the back seat :P It’s good because more equal footing with Cas, accepting someone else driving and joining him back there, with all that history, is a nice sign of equality there, as well as DEAN giving up his negative behavioural traits to get there instead of making the world bend to him.

And it being Mary’s car, in 12x01 we got this reminder/almost outside eyes that the car HAD been Mary’s as much as anyone else’s - that she was just as fond of it as Dean is, talking to the car the same way. With its history and Dean looking at it with outside eyes, then having the realisation of the backseat’s history… It was something humanising Mary AND making it about her car, so there’s a nice link to what’s going on there, with Dean and Cas, to bring it round to the previous paragraph’s point too, of changing ideas of characters via backseats…

Aaand then there’s always Dean looking at Cas after the revelation and then back to Mary, which is honestly going to make its way up into some sort of personal top ten list for Destiel nonsense the longer I harp on it because it was such a bizarre set of reactions even if Dean might “just” be checking to see if Cas got it, there was a lot of discussion about Dean’s expression, WHY he thought to look at Cas at all, and how weirdly suggestive it was.

And now there’s a thing where, SIGNIFICANTLY, given Dean’s past form and the history of back seats being significant that I’ve briefly and not exhaustively laid out (oh - like Dean’s comment about having Anna and Ruby in the back of the car, or on the complete flip side, Sam stowing demon!Dean in the back of the car in 10x02 and that showing negatively Dean’s loss of control and I STILL haven’t gone over everything, like a step-by-step of 11x04 or something :P), we have Dean and Cas together in the back seat and… I mean, maybe it doesn’t mean much and it is just a nice moment where we have completely free reign to assume Dean grabbed Cas’s hand and gave it a squeeze and Cas rode the whole way to midnight totally confused and terrified but not complaining… Or I guess there is already a little foundation about the back of the seat being something we should look at and analyse this season and ask, really, what is going on here with them :P 

Tl;dr of this why did I even need to go so deep post… Given the circumstances with Dean thinking he’s dying, and the context of this season so far and its various little details about the backseat, Dean voluntarily gives up a position of control that he normally clings to for dear life, to spend his last few minutes sitting with Cas in the back seat - which had attention drawn to it this season I guess once to show Sam being shoved in there for losing out on shotgun to Mary’s assumedly eternal dibs, which does not seem applicable when this time it was Mary’s car already (making a brand new shotgun dynamic Sam apparently won this time?) BUT in the episode Dean seemed to have a very specific plan involving Cas that had nothing to do with their escape and everything to do with the emotional side of choosing to die… That leaves the coding of the backseat as, like, the “loveseat” of the car, which was a scene that had much louder attention drawn to it anyway… So apparently I just used maths to finish this meta?

(I am completely exhausted and probably should not be answering asks right now :P)

       Hunks of rock didn’t fall from the sky upon a whim. Yet on that fateful night in the sky rise of London - nothing in turn could be viewed as less mysterious.

       Joys had been prominent moments before, where ancient spells cast by a Magus were abolished in the unknowingly persuasive way, where beings who had once been shunned and locked away for what seemed would be an eternity- awoke for the first time in over a thousand years. Such tales were left for the fantasy novels, for the dark nightmares of children with wild and vivid imagination. Alas they were as real as the dawn or twinkling twilight where nothing of the haunts and dark souls could be hidden. These were new times - uniquely different in all ways but one.

       For Gargoyles were to live again; now in the afterglow of false light in the modern world.

      Nearly immediately after their awakening; nothing was as it seemed. The entrepreneur who vowed a loyalty between teeth as a serpent was suddenly attacked, leaving the protectors of their ancient home without a choice.

       Gargoyles are a fiercely devoted lot; lead on by a warrior who would showcase the most loyal heart ever to cross the world even now. The old world had given him name, Thorin, in reverence to the God whom gave protection of mankind in an esteemed status. His power was clear by the form of a Herculean; broad in every stance and his skin a deep color to match the night. Ebon hair, fierce eyes. All of these aspects pay little mind in the firm assumption that human kind would only see a monster of old - a dark beast with ravaged hands powerful enough to cut into solid stone. Wings like a demon, haunched legs and a solid state of awareness.

       And so stones fell from the sky, battlements changed drastically since the beginning they may remember, the group of freshly awakened Gargoyles on a match against the modern weapons of their new time.


anonymous asked:

In my story, a young rich CEO catches a homeless teen about to jump off his building and kill himself and stops him. He then takes the kid in asking only that the guy be his friend (not in a creepy way, they are only a few years apart anyway). So far most of the conflict is small just the homeless guy not used to the rich peoples way etc and it's a bit humorous but I want to darken the story some and I also need some ideas for some sort of major conflict. Maybe like kidnapping or something? idk?

Hello! Here’s some ideas:

• The CEO’s business/company is being accused of a horrendous scandal. The teen tries to help the CEO through the rough times, until he realizes the scandal was real.

• The CEO’s business/ company falls into debt. There is a particularly powerful person who the company owes money to, and this person is also going bankrupt. They desperately need their money back, but they aren’t getting it. So they hire someone to do their dirty work and go after the CEO himself (perhaps they hired the teen to do this)

• The teen has a terrible secret. Someone tells the CEO, and they say that they’ll reveal the teen’s secret to everyone if the CEO doesn’t do certain things for them. Wanting to protect the teen, the CEO agrees.

• A rival company wants to find out why the CEO’s company is more successful than them. They send the teen boy to gain the CEO’s trust and work as a spy. The teen boy could agree because it’s his family that is making/urging him to do it or he’s getting a money reward that he needs.

• When the CEO’s company was just starting up, he was lent money from some sketchy people. Now, these people want a whole lot of money and other things in return or they’ll expose that the CEO was working with such nefarious people.

• The CEO’s jealous family member kidnaps the teen and demands that the CEO give them a job at the company.

• The CEO’s niece/nephew fears that the CEO will write the teen boy into his will rather than them. They try to make it seem like the teen has betrayed the CEO or make them fight.

I feel like kidnap could be worked into many of these ideas, if that’s an aspect you’re keen on happening.

Hope that could help!

I know the RPC has a lot of issues, especially right now from what I’ve seen, and I’m not trying to create an issue where there isn’t one, but something I don’t see talked about nearly enough is the romanticization and blatant inaccurate ways mental illness is portrayed in the RPC. It seems like the thing that everyone is insisting makes their character ‘unique’ and ‘interesting’ is some sort of representation of mental illness which usually makes no sense and adheres purely to the stereotypes of whatever illness you’re writing. I just hate seeing people use it as a tool like that, when in reality, it really isn’t anything like that.

If you want to make your character mentally ill, great. Good for you. Do whatever you want. But please please please take some time to research whatever illness you’re thinking about. Depression isn’t ‘unending sadness running over you’. Being bipolar isn’t ‘your mood flipping like a switch.’ Schizophrenia isn’t ‘a monster inside of you.’ (And yes, these are all things I have seen people in RPs say about these respective illnesses.) You can still write emotional, beautiful, unique things and characters without making those of us with those mental illnesses feel like shit every time we read them.

q--uileutes  asked:

is it ever formally stated where the treaty line between the cullens and quileutes are?? bc i always thought that Forks was neutral ground and the only place either party couldn't be on was the reservation and the secluded forest area around the cullen home. it seems kinda unfair that none of the pack would be able to go to Forks if they rlly needed to for reasons like restocking on groceries or smth if it was considered Cullen territory. its the only other community even close to La Push...

and often times with small remote communities, they rely on local business to keep their economy going. idk to me it would be unfair that the wolves wouldn’t be allowed in Forks to even just pass by on their way somewhere else, if that’s /technically/ what the treaty rules are.

I’m not entirely sure? I sort of feel like the Guide explains the line but I don’t have access to it at the moment. But they certainly refer to it as a line, so there’s some boundary of “You Shall Not Pass” that at least goes one way (The Cullens may not come here) but it’s not totally clear if it goes the other way. Wasn’t there something when Alice showed up in New Moon where Jake said the Pack wasn’t sure if they’d be able to be able to protect Bella at her house now because of where the lines might fall?

And yeah I really can’t imagine the Cullens would enforce the wolves not coming to Forks at all. They live a bit out of town so Forks could easily be neutral territory. 

But again I don’t think Carlisle gives a crap and as long as the wolves aren’t actively trying to hurt his family he really doesn’t care where they go, and wouldn’t mind them at his house, while expecting his family to honor the line the other way. It’s more about the wolves having their sovereignty and safety in La Push than the Cullens keeping the wolves away, IMHO. 

Rosalie (and maybe Jasper, for “Alice safety” reasons) might prefer that it was a both ways thing, though. 

Let me just say, nothing makes you feel pure emotion quite like this beautiful book.

anonymous asked:

hey hun! i need some advice on how to handle something. awhile ago i found out my man was cheating on me, but we sorted that out and he told me it'd never happen again. but now he's always goin out with his boys, but his snapchat is with all these girls dancing up on him? idk what to do because i really love him and want this to work but him cheating and acting that way makes me feel so bad about myself. thank u for listening xx

if i was in your position i’d check him on it & tell him he can either get his shit together or he’ll be single & lonely. cheating in itself is an offense worth breaking up over; but to continue to disrespect you & do shit he has no business doing? shittt. couldn’t be me. don’t allow anybody to disrespect you, especially someone you’re giving your love & time to. your man is supposed to make you feel good & secure, not make you doubt yourself and feel insecure.


Answers About Ukuleles

pagerunner replied to your post “Tonight in Sam Plays The Ukulele”

easy strap solution: Take a ribbon, make a loop at one end and hook it over the pegs, and just tape the other side to the end of the uke with packing tape. idk how people wrangle it without a strap of some sort

I feel like I would constantly be worrying about the tape coming off. :D I think probably I just need to sit up properly when I practice instead of being half-reclined while crosslegged on the couch. 

yamwood replied to your post “Tonight in Sam Plays The Ukulele”

Until you get a strap sorted, you could try looking up alternate ways to play chords! There’s a bar version of G7 that should set you up to transition into Em more easily

The thing is that for 99% of the chords I can currently play, the weight is shifted one way, and for E minor it’s shifted differently – so there’s no getting around the weight shift, whether it happens with the G7 before the E minor or not – I’d have the same problem transitioning, just into G7 instead of E minor. It’s not a question of getting the fingers from one place to another, it’s getting the weight from the thumb side of the hand to the pinky side of the hand. That’s gotta happen sometime, regardless of fingering. 

quinfirefrorefiddle replied to your post “Tonight in Sam Plays The Ukulele”

I finally gave up and got a strap that doesn’t require a button.

I’m wondering, someone else recommended a strap that attaches to the soundboard. It’s so strange to me that so many ukes don’t even seem to have the OPTION for a strap. Which makes me wonder if I’m handling it wrong. 

Things I want/don't want in season 5 of OITNB


- Lolly to get out of psych, she did not deserve that at all ;(

- Low key don’t want Deya to shoot/do?? Idk, it’s just she has a daughter and everything and there’s no way she’ll be getting out any time soon if she murders a CO. On the contrary, I hate this CO…

- Piper and Alex to sort their shit out. I mean c'mon. They’re on and off all the time it’s getting boring. Anyone could easily predict they’ll probably split up then get back together again in season 5.

- Okay so, the CO who raped Doggett. He needs to go. Nothing more to say about this.

- Enough with Healy’s backstory already. I get we’re supposed to feel sorry for him, and I do. I just don’t understand where we stand with his character? His story has dragged for so long and nothing ever positive really happens for him? It’s getting to the point where I really sympathise with him but I just don’t really care for his character, if you get me? I feel bad for saying it but..

- I don’t want Soso to be depressed ;( I really don’t. Something mega positive better happen for her this season.

- On a side note, I want something mega positive to happen for Taystee this season too.

- All the old COs to come back and sort this shit out. I don’t know how, just make it happen. I never realised how much I’d miss those guys…

- You all know what I’m gonna say about Piscatella.

- Okay, Stella can come back but I don’t want her to intervene with any close relationships at all. By that I mean Piper/Alex and Nicky/Lorna. I don’t how and for what good reason she could come back, I know she probably will but what I’m saying is I appreciate Ruby Rose and would not mind at all seeing her on the screen, I just don’t want ANOTHER reason to hate this character…

- I don’t care about Linda and Caputo’s relationship, I’m sorry I just don’t.

- Side note from that, it’s getting obvious to me that Linda is one of the bad guys. I suspect she’ll do something to fuck the prison over.

- Lorna to get help for her mental instability, y'know, actual help that’s gonna be useful, aside from all the comfort and that.

- She states to Nicky “He’s gonna leave me cause of it, then what’ll it do?” I’m saying this now, if any of these fucked up COs throw her into psych I’LL BAWL MY FUCKING EYES OUT.

- Nicky needs help with her drug problem. I love Nicky, she’s my favourite character but in season 4 she was really out of character. As much as it’s great to have her back, it looks like she’s falling into a spiral of depression and self-hatred ;( she deserves something/someone that’ll make her happy.

- If she overdoses and dies I will scream and cry as much as I did when Poussay died.

- More scenes of Nicky and Lorna, not arguing, just happy as their usual selves pretty please ;/

- Those white supremacy racist bitches. I hate them. The only way I’ll get back to truly liking Piper again is if she finds the courage to break it up before it expands. We know Piper did not initially intent to create a group of white racists, but it’s her responsibility, at the end of the day…


- Please, no more inmate deaths this season.. Unless it’s like, a character we’re supposed to hate then by all means, go ahead. But otherwise, my heart can’t take it.

- A little less of Judy King this season please.


(This is all I thought of so far, I’ll probably think of more when I rewatch the season and update this. I really enjoyed season 4 and I hate faith season 5 will be great. There’s just a few things I don’t want to see in that season…)

i took a small nap before leaving for my flight and i feel like having a little rant uh

you know like the whole rp experience on tumblr for me is usually way more fun when i have a rly close rp partner to do things with (or a bunch of close rp partners) and i feel like lately it’s been really hard for me to actually get close to people (either out of lack of interest/attempt on my end or theirs or just… idk weird indifferent sort of feeling??) and i just….

ok this is a self-criticizing post i guess so like, ignore this shopping list:

i think i’m too criticizing and too quick to judge/assume things about people which is actually pretty bad :\ i need to pay more attention to this cuz honestly it’s only really harming me when it comes down to it

i also think i don’t really give people a chance? like… idk why, i think it’s always been this way, but if there isn’t an immediate click/mutual interest i just… don’t really try .-. tho i think in the past i used to force it a little bit til it worked (and it did until it didn’t), so idk what’s better? maybe something in between 

and while i have no problem approaching people ooc, idr try to make it anything but a vague sort of thing ? tho like… this actually depends on the reactions i get (and i’ll admit that sometimes i’m the one not putting effort into my reactions oTL which… i dont think is anything to do with the people i talk to? idk it’s just me stuff i guess)


in general like… as much as i like the fandom and writing tony, this community (not just marvel but comics rp comm in general) isn’t… the most welcoming? and uh… idk i’m just a bit antsy around a lot of people or… less ‘excited’ to approach people about things because of that :\ like…. idk, there’s a lot of hostility and even when it isn’t really directed at me it just…. bleh. idk. i dont like being a part of a place like this but i do wanna keep writing my character? idk. 


ive had some bleh experiences in this comm and ive seen some other ppl have shittier ones and just bleh

anyway that isn’t the point

i think i’m just sleep deprived and mopey ill probs get over it bluh bluh

How to avoid total evaporation of dynamic?

Does anyone ever get in the position that you know your significant other so well and are so comfortable with them that you sort of feel like the d/s dynamic is like missing? You hang out almost completely platonicly to some capacity, Is that a sucky way to explain that? Like…I feel no need to be bratty because there are no orders to be bratty against…and there are no tasks and like @creepyrapeghost (tagging because I’m not trying to be slick about this post) anyone have advice or explanation or like idk…

blue ain’t your color

idk I saw this post and have been listening to this song and I thought about Kent and Alexei meeting in a bar and this came out oops

Kent’s got a talent. He can always tell when something’s off. He felt the need to learn around the time he was drafted to the Aces. He cared about his team, and couldn’t let what happened before happen again to someone he cared about. Kent’s become sort of fine-tuned to the emotions and reactions of others. The small way their mouths tighten when something makes them uncomfortable, the way their eyes narrow and dart away for a fraction of a second. Dead giveaways that not enough people catch up on. 

But Kent does. 

And he is picking up some serious vibes from the man across the bar.

Keep reading

I feel like the trolls even having a sense of gender is fairly nonsensical. Not only is gender a social construct of Earth (and there is plenty of evidence that troll and human social constructs are different) but the way in which troll reproduction works leaves no need for any sort of distinction. In the troll’s world, they literally have no need for gender, they’ve already said they don’t understand different sexualities (basically they don’t “see gender”) and their sexual anatomy is the same.
Idk, maybe this is explained later, and I’m definitely overthinking, I just think it would have been interesting if troll gender wasn’t a Thing

I keep seeing a lot of posts mentioning a certain lack of emotional depth in Steve and Bucky’s interactions in Civil War.

I think we need to remember that this is a movie that just came out and that we’ve only seen a few times at the theatre so far. We’ve spent 2 years talking about The Winter Soldier (and even longer if you joined the fandom after TFA), reading meta and overanalyzing every scene and breaking it down into a million gifs and studying every reaction.

We’ve been subjected to 2 years of fan art and fiction and speculation (and sometimes fanon and canon are hard to separate), and inevitably built up the movie in our heads.

I’m not saying Civil War necessarily meets the level of emotion in The Winter Soldier, because that’s hard to top and there was a certain angst to it, with them being on opposite sides and having to face each others as enemies, that we’re just not going to feel in this one, simply for the fact that they are fighting together this time (and angst always makes everything more emotional, because in the end this is what this fandom thrives on).

What I’m saying is that, personally, as much as I loved The Winter Soldier right away, my love for it is even stronger now. What I’m saying is we need time to fully process Civil War, to write meta and scrutinize their reactions, and create fan content and let ourselves realize that even if they don’t share so many lines, their actions speak volumes.

Also, their story hasn’t ended, we don’t have to take this as an ending to their arc that didn’t bring us the closure we wanted. Bucky and Steve tried to talk about everything at certain points of the movie, and couldn’t, and where there should’ve been intense lines between them we were left with just stares and jaw-clenching and them not being able to face their emotions, but that is understandable. After everything Bucky’s gone through he of course isn’t going to be the most cuddly and open person, and Steve himself has been keeping everything bottled up inside for years. They didn’t really have time to pause for a while and have a meaningful conversation, they were fighting a war. As much as the shipper in our hearts would love them to be throwing themselves into each other’s arms, it makes perfect sense that they didn’t. Yet.

And of course this is just my opinion, I’m not trying to start a fight and you are more than allowed to disagree with me. I just think that we need some time and multiple rewatchs to fully appreciate Civil War, and that the fact that TWS has been heavily fandomized for over two years might’ve given us somewhat unrealistic expectations for it.

anonymous asked:

hey Anthony, to be honest I'd really love to see you draw Erik (the Phantom) from The Phantom of the Opera because I think the style you use with Glatten would look amazing on him and I especially think the way you draw eyes would look stunning. Tho idk if you like that sort of thing and I'm also thinking of commissioning him from you anyway lol :^)

Oh, you should commission me! Not because of money, I just don’t know nothing about it and I need explanation! So I would love to talk to you about it and draw you something! :“) you still have few days to use st. valentines discount btw!

This upd8 could not have been better timed. Two days ago, we watched Vriska tear her other self to pieces because she couldn’t deal with how different they were. Before that, we watched Dirk try to sort out his differences from his other splinters. Over the past few weeks we’ve watched Calliope and Terezi and Rose all struggle in their own unique ways to figure out what existing alongside other versions of themselves mean to them, and it’s been a fascinating and wild ride but now we get to see a counterpoint.

Nannasprite doesn’t have a problem being around Jane—she comforts her instead. And she doesn’t have a problem with Nannaspritex2 either—she considers her a partner in crime. For once, we have not two but three versions of the same person meeting each other, and the result isn’t pain and cruelty and tears, it’s positivity and laughter.

God bless Jane Crocker, because she just proved that it is possible to have a good relationship with your alternate selves.