idk i don't like how this came out but what else is new

anonymous asked:

What's your opinion on this robot harry?For me it's so annoying he can't even pretend to be excited for his own tour, his social media presence is such a turn off

Well I’m sort of digging myself a grave with this one, but since I haven’t seen a post I can fully agree with, here we go. Disclaimer, I actually study this at uni. I was the Social Media Manager for the planning and putting together of a fashion show, on all platforms. I just handed in last month a 6-months marketing plan that was based around social media promo. So I do have a bit of knowledge in this area. I am by no means an expert, but this is my future field of choice, so I like to think I’m at least educated.

The situation isn’t as black and white as people have put it so far. All I’ve seen is “he’s horrible at engaging with fans” and “he doesn’t own you shit so stop complaining”. The answer is a very big grey area in which Harry’s actual social media presence fits perfectly in my opinion. First of all, there’s two main templates we studied for marketing purposes this year, Gaynor Lea Greenwood’s promotion suggestions (2009) and Burcher (2013)’s Paid, Owned and Earned media concept. Long story short, the first one is your traditional marketing campaign and the second one relies more on social media and advertising on it. Now, I think Harry’s team went for the more traditional approach, and let me explain why.

Harry started distancing himself more and more from twitter and Instagram ever since the hiatus started.Even before, during OTRA and MITAM promo, most of his tweets were promo stuff, lyrics I’m not sure we fully understand even now, charity work, promoting friends or tweeting about holidays/important days or events. His fan interaction has been low for quite a while, and I’m honestly baffled people are acting like this is news. Looking through his Twitter in 2015, there are some tweets to fans, yes, but they’re very sparse.I counted about 12 in 5 months, most of them in September, when Perfect came out, and around the release of MITAM.His tweets were mostly thanks to fans for various awards and nominalisation, promoting the songs/album, some lyrics and, without fail, after every concert he tweeted a thank you for coming.

It felt more personal than what we have now (tho in all honesty, his tour hasn’t started yet and if we eliminate the OTRA tweets it’s already a different story), but Robot Harry has been a thing then, and people were riding along with it instead of condemning it to the extent they do now.But, the thing is, Harry didn’t have the entire burden of engaging with the fanbase like he has now.Louis, Niall and Liam always took turns in taking the lead in replying to fans and interacting with them, which allowed Harry to do his part and everyone was mostly happy.

And yet, I personally don’t feel this frustration many people feel. I think it’s quite interesting actually. A bold move that wouldn’t work for other artist whose career relies on people who live and breathe social media (maybe Beyonce or Adele, but they are in another league). I was very intrigued by Harry’s statement in the Behind the album video, in which he said that there was a time in his life when people knew everything about him, and he didn’t like it.He has been overexposed since 2012, his personal life splashed across tabloids, fake relationship or not.And now he disappeared for a year (and has been retreating into himself for at least 2) and he wrote this mysterious™ album, trying to see if people can listen and understand it without knowing much about the current him. In this context, having an album that surrounds itself in mystery and then doing 4 Q&As on twitter and 3 livestreams sends…extremely contradictory messages. I can, and will fault his team for presenting a dual image of Harry that sometimes makes 0 sense, for handling a lot of things so poorly, and for the entire Carolina mess, but I will say that his social media fits this old school mysterious rockstar image they’re showing of him. I also think his actual reason is very personal and very real, and I respect the fact that he didn’t compromise this choice he made for promo purposes.

His promo relied on more traditional channels. TV and radio appearances, print magazines, and most importantly, the secret gigs. Now, I’m sorry, but I felt entirely more connected to Harry running across London at 8AM in my pyjamas than by any twitter spree he’ll ever do. I never did this before. This reminded me of the stories my dad told me, of queuing up for days in front of the box office so he’d get the tickets when they went on sale. It was very old school and it worked for me. It was a phenomenal experience, something I will never forget. And he did this for us. All profits went to charity, he didn’t do this for money. And while I know this was for a few selected cities and a handful of lucky fans, it was intimate and it was special and I think everyone, regardless if they were there, or vicariously living through pics and videos, felt a connection to Harry. We got emotional on his behalf when he sang with his idol on stage 2 weeks later, you don’t do that for someone you have no connection to.

Now, the actual reason I’m happy with what we’ve got is that it is genuine from my POV. Liam is the perfect candidate for a comparison, since he also took a bit of a break from social media (not as heavy as Harry’s, but he definitely wasn’t as active as Louis or Niall) and his promo is as textbook as it gets. He slowly, but surely increased his activity since January, a few more tweets, a few more pics on Instagram.A big turning point was April when he posted 13 pics on Instagram, compared to 8 in March, 4 in February and 3 in January. His Twitter went through a similar process.Now, the moment he started posting more, I knew his music was gonna be out soon. It’s pure marketing. You start your campaign weeks before the actual launch, it’s only natural. Unless you want to drop it as a surprise, but that’s another discussion. Actually Harry did it too, with the TV ad, but that was ruined by the info getting leaked beforehand and everyone getting pissed off by that so whatevs. Now, Liam is going for the approachable celeb route. Streams, Instagram stories, snapchat, tweeting fans, loads of pics, videos with popular Youtubers. It’s nice and about as well handled as it gets (apart from that weird video release earlier than it should have been and Liam just generally being a bit…odd?off?idk how to explain it, but a lot of people feel the same way from what I’ve seen). It fits with the image Liam is going for, it aims at the right target audience. He’s not trying to enter a new market like Harry is. He’s consolidating his place in the current market from what I’ve seen (and I’ll admit I haven’t followed his promo as closely as Harry’s). Trying to imagine Harry doing this sort of promo doesn’t really work for me.

Niall has been present on and off social media ever since he came back from his trip last year. Literally, if I pull up the calendars people have been making each month, he doesn’t get more than a handful of days without doing something, so it’s unfair to compare him to the others, since he’s always around and posting and doing stuff.

Louis deserves a better team and I won’t have anyone uttering anything else in my presence, and yet somehow, despite Niall’s constant presence and Liam’s textbook engagement, I’ll never feel as connected to them as I feel to Louis. Louis’ tweets are the perfect mixture of absolutely adorable fan service (“our year” 😭😭) and some of the things he’s passionate about (tv shows, fashion, footie/sports). His promo for JHO was….I have no words for it and I’m gonna have a rage fit if I start thinking about it, but his overall persona is charming and endearing when he’s posting things himself. He created a real communication channel between us and him and he knows how to use it when he needs to send a message (warning selfies anyone?Only you?). There’s an actual analysis of Instagram stats that shows he’s the number 1 male account in engagement and overall likes and that doesn’t surprise me one bit. Louis is a smart businessman, he has a loyal fanbase who is here for him through thick and thin.

And on top of everything I said so far, none of them owe us anything outside the promo bubble. Apart from shoots, songs/albums/tours info and official announcements, they do not owe us anything. If they chose to share a picture from their home, that’s their personal space, and while it’s good for PR, amazingly good in a society that thrives from the feeling of knowing everything about everyone (like what’s your fave’s breakfast and how’s their cat is doing), it’s still a part they can choose to keep private and no one should be entitled to ask for more.

Have you seen Adele’s Instagram? It gives you this illusion of closeness to her, with make up free selfies, funny poses and landscape shots. Too bad literally everything is from touring and other official appearances right? There’s one picture of her home, and that’s to celebrate the end of the tour. Harry sort of did the same with the booklet pictures. He allowed you into his personal space in a controlled manner, just like Adele did. Only he did it in a different way. His promo is just different and you have to think a bit outside the box to see that he actually did a lot of things other artists do. Just a bit differently. Was it perfect?Fuck, no. Was it as bad as many people make it look like?Personally, I don’t think so. It was just different and people are entirely justified to see it as a good or a bad thing. I see it mostly as a good thing. Mostly.

anonymous asked:

I read several days of this blog and did basic research, but I still don't understand what's going on that led to #Norbury. Why are the Pike fics significant if they're not officially connected? I know ARG, but what does PTB stand for? Why do we have sufficient reason to bring Takei into this? I see the arguments about why /not/, but I don't see anything why /for/. Everyone's acting like these are things everyone already should know, but I can't find simple explanations?

Ok anon, strap in:

  • I believe the Pike fics are officially connected. Though it takes some extrapolation to get there (which I’ll explain in a moment), the content of the fics themselves are such that there would be no purpose or motive in writing them UNLESS you had the knowledge and opinions of a showrunner looking at fandom from the outside in. Read The Players for yourself.
  • “TPTB” means “The powers that be,” referring to the nebulous group of people in charge of Sherlock (in this case) who call the shots.
  • Dale Pike’s legitimacy comes from the assumption that the twitter elements of the ARG are real (imo, likely controlled by Joe Lidster). There’s a large network of these, I haven’t been super tuned in, but essentially, consider them NPCs that exist to wave flags and give us sidequests.
  • Our attention to Dale Pike came from parody twitters for two once-prominent members of the Sherlock fandom. These led to Dale Pike’s twitter, which, in turn, led us to their AO3. The AO3 contains a fic series called “Spoiling Sherlock in Real Time,” and has written and published several fics with info about s4 episodes prior to the episodes airing. Identifying Eurus as an imposter, that Sherlock would not be saying “I love you” to John, and…… jesus christ, just trust me on this? They predicted things they couldn’t possibly have known. Although it is possible for ao3 fics to be backdated, we know from the twitter and tumblr bots that update when new johnlock fic is posted that they were published when Dale claims.
  • These fics intricately express tjlc #moods, often featuring female audience inserts who bemoan about the existence of “The Good Story.” In several cases these inserts can be identified as specific Sherlock fans. Ashleigh @kinklock​, for example, is clearly The Girl from the Bus. (Yes, in the show too! That is why she LITERALLY LOOKS LIKE HER FUCKING CLONE.)
  • On the 29th, when most hope for a special was spiraling, Dale posted a plea that we tweet #norbury, complaining again about ALL. THIS. SHIT. Unfortunately, however, Moffat read his audience incorrectly, as they blew up the theater, and the audience fell into chaos. (READ THE FUCKING PLAYERS.)
  • I believe #norbury is the correct course of action because the emotional climax/resolution, post-bomb blast, is Steven (YES, STEVEN IS NAMED IN THE FIC) begging a lone remaining believer to PLEASE pull him out of the mirror well and to “TELL THE WORLD WHO I REALLY AM!!!!!” Capslock all Dale’s.
  • While I’m also willing to believe the bomb in the theater is about exposing canon johnlock (vs. blowing up the show with TFP), I feel like there’s no other real way to expose canon johnlock than complaining about how canon johnlock didn’t happen, AND with the who you really are thing, like, how else can we throw him the rope? What else is there.
  • Also in The Players, John and S are searching for the bomb, which they INSIST must be on the main stage. It must be (it turns out to be strapped to S(herlock) and John themselves–who, imo, might mean Moffat and TJLC), but as they’re searching John discovers two things: That it’s S who brought this dangerous bomb into the theater, and actually, oops, he doesn’t know how to solve the problem.
  • (This is debatable, because S and John have this whole conversation about whether or not this is a trick and he knows how to land planes, but this post is long enough as it is lmao.)

About twitter:

As far as I’m concerned, what’s really important is attempting to get #norbury trending at 7pm London Time/2pm EST/11am Pacific on March 4th and 5th. Whatever methods we want to use to try and get this to happen are up to the people that decide to play.

***WHY NOT TRY TWEETING TOMORROW, MARCH 1ST AS WELL?

George Takei comes from the fact that one of the NPC ARG twitters, I believe @contactWSSH, contacted one of the people organizing #norbury from the get go (I’m sorry idk who you are! pls message me if you want me to edit this and credit you!!!) and suggested that 1) If we can get someone with 50k+ followers to retweet our message, we will be trending within minutes, and that, 2) Why not try good ol’ George, elder of the gay tv community.

I personally feel that there is ABSOLUTELY NOTHING WRONG WITH THIS COURSE OF ACTION. Whether or not you believe contactWSSH to be legit, the advice about retweets is, and there’s nothing wrong with @’ing a celebrity on twitter. This is actually laughable and perplexing to me. I’m not wild about the concept myself, but one of the basic appeals of twitter is the ability to talk to verified celebrities. People are asking George to retweet shit all the time. This man almost certainly has interns fielding this shit. The worst case scenario I can possibly imagine is George seeing the tweets and going “huh.” If you’re down to believe that WSSH is Joe Lidster/TPTB/what have you, then you can further conclude that maybe George (or George’s PR team) has been NOTIFIED about this and is READY AND WILLING to help us try to make sure this happens.

Because in The Players, in its opening lines, the narration acknowledges that things aren’t going as planned. There are far fewer people milling around backstage than expected. Maybe, just maybe, imo, George Takei is a failsafe.

Hope that covered all the bases. 💜!

anonymous asked:

Whats your opinion on the headcanon that bakugou is hard of hearing because of how loud his explosions are? If you dont mind my asking

I think I answered this q on this blog already? Maybe? But anyway, I don’t exactly mind it, but I can’t say I share the headcanon myself - for one, because I’m of the opinion that their bodies are built to withstand a safe use of their quirks (a bit like you can’t break a leg by simply walking, you know), so in general I’m not a fan of headcanons that include damages caused by simply doing what their bodies were born to do? 

But also because generally, even under the assumption that his body isn’t made to hold up with his explosions, isn’t it awfully convenient how only his ears take damage in these scenarios? What about his eyes? How come he can still see with no problems even with the continuous exposure to the explosions’ light? How about his hair? How come he can stand so close to fire without it ever being damaged by it? His palms have thicker skin and we know that thanks to his UA file, but what about the rest of his body? How come he can stand smack in the middle of an Howitzer Impact without getting even slightly burnt? When you say “only his ears aren’t made to withstand his explosions” what you’re telling me is that his whole body is tailord to deal with his quirk but his ears, and that just feels unrealistic to me - by which I mean, when this is the scenario we’re talking about, you can’t give the fault of the damage to Bakugou’s quirk. It’s a problem his body has, not a natural consequence of having that sort of quirk. And imho with those premises you sort of end up with a different kind of story, you’re supposed to write it differently - that’s what I think, at least

Anon said: Maybe the reason Baku raises his voice so often is because he can’t hear very well, which isn’t due to his explosions, rather, he was born with bad hearing to protect him from taking damage by them.. and then his other senses are sharper to even it out, and his body can even subconsciously notice air vibrations, resulting in really fast reflexes.

Ah, this is also another reason why I’m not a huge fan of the headcanon - don’t get me wrong! If you like it then go on, I’m not trying to stop anyone from enjoying ideas and possibilities!! But personally I like Bakugou not having any reason to be loud-mouthed and rude, that’s just his personality and how the environment he grew up in made him, and lately I’ve seen the hc used to justify his behaviour more than I like? Bakugou being an asshole is just who he is, and I love it! I love that his life made him like that and I love that he’s working hard to fix that flaw, giving him an external reason, something he has no control over, to justify his personality changes the core of his character too much, and that’s not something I’d ever want to do tbh

And it’s also cool to think that he was somewhat genetically engineered to be better in a fight to compensate for a lack of earing (though again, why only his ears and not his eyes or his sense of tact too), but that goes to cut on all the hard work he put in becoming as good as he is, right? If that’s what you like than who am I to stop you! But Bakugou’s hardworking nature is one of the things I love about him, I don’t really feel like taking away from him all the effort and work he put through the years in becoming as good as he is now

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tom dating a photographer

okay so i’ve had this head canon thing brewing in my head for a while and i sent a lil snippet to @tbholland​ but idk if meg got it but heRE (ps apologies in advance that it’s so freaking long wow bear with me bc its my first writing thing in a really long time):

warning: fluff and swearing

  • you met tom at a party of one of your mutual friends
  • it was your friends housewarming party
    • you really didn’t wanna go bc you honestly hate parties bc sweaty people, everyones drunk and gross and sticky, and they’re really not that much fun?? canyoutelliveneverbeentoaparty
    • also social settings aren’t really ur thing everythings really awkward especially when you like only know ONE person so u just usually end up standing by the food being awkward
    • but then she freaking convinces you by saying she needs a photographer and she obviously knows that you need some inspiration for your photography class portfolio dang it what a manipulator she is why are we friends with her

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anonymous asked:

Headcanon. Archie is the first person Veronica tells about her feelings for Betty idk I just feel like it would be a thing where she's ranting at him and says something about how it's so fucked up that people like people who don't like them back and he's thinking 'betty isn't even mad at me for not liking her back anymore but you're still mad at me for her' until Veronica gets real sad and says something like I just want her to love me or something and he realizes that she likes Betty but idk

So I took this ask as a prompt and wrote a little one shot based off of it.

I wrote this at 2 am so it’s kinda rough but I still hope you like it.

————–

His day had started off well enough; early morning football practice, which wasn’t really all that great, hadn’t it been for the fact that a great new melody for one of his songs had popped into his head.

Humming the tune as he walked through the halls, he was stopped dead in his tracks at the sight of Veronica Lodge at the end of the hallway; clearly out for blood. Just as he was about to turn the other way to escape her wrath, he heard her shout out to him.

So much for that plan.

As he turned around he saw Veronica walk towards him with a fire in her step that showed that she meant business. And here he had thought this was going to be a good day. Stupid.

“Archie Andrews! Don’t think I didn’t see you.”

He had only hoped.

“I need to talk to you actually, Ronnie, but can we please go somewhere else?” He said defeatedly. Knowing damn well that if Veronica wanted something, she was going to get it.

She glared at him suspiciously but followed him to the music room, which was surprisingly empty for once.

“This better be good because I’m about to go off on you in about two minutes” she said, crossing her arms in defiance.

“Whatever you’re going to say about me and Betty, I know, okay?” He said, sitting down in front of the piano. “I’m a douchebag for stringing her along and hurting her just because I was too blind to see that my best friend has a crush on me.”

“So whatever you have to say, save it.” He looked down at the keys. “I’ve already told her I’m sorry a million times, and she has forgiven me! No hard feelings.” He dared to look up at her but her face was unreadable.

“Are you done?” She said, looking unimpressed.

“Yes.” He was.

“Betty stood at my door crying Archie! No, sobbing actually, because you rejected her for being ‘too perfect for you’.” Veronica said to him accusingly. “Who even uses that lame old ‘it’s not you, it’s me’ excuse anymore?”

He did apparently. “Look Ronnie, I know you’re mad at me and all, but you haven’t talked to me in two weeks and now you suddenly come at me out of nowhere.”

“Betty has moved on, why can’t you?” He asked her gently.

She looked at him for a while before sitting down next to him by the piano. Laying her head on his shoulder and sighing deeply.

He looked at her; careful to not make any sudden movements that would disturb her from her thoughts, seeing not quite anger, but sadness reflected in her eyes.

“I just know how much it sucks when someone you like doesn’t like you back. I don’t wish that feeling on anyone. Especially not Betty.” Veronica finally answered, her voice having lost all the fire it once held.

Archie put his arm around her then, feeling her completely deflate against him. He knew there was something he wasn’t seeing. A piece of the puzzle he was missing; but he couldn’t put his finger on what it was.

“I’m sorry for being angry at you Arch.” She said. “It just seems hardly fair when you love someone so much but they are completely oblivious.” He felt her words vibrating against his chest.

Suddenly, it clicked.

“You’re in love with Betty…” He says hesitantly.

Veronica is silent for a long while then, letting the sentence hang between them, making the air feel thick with unspoken thoughts. Because even though her face showed no sign of discomfort, he felt her heart rapidly thudding against his shoulder.

She looks up at him with a sad smile on her face.

“I’m in love with Betty.” She finally says, sounding so certain that he almost doesn’t believe that she came to that conclusion just a few seconds ago. Just like that, it was as clear as night and day. Veronica was in love with Betty just like the earth revolves around the sun, as sure as the currents of the sea.

“But that doesn’t matter.” She says, looking up at him “Because I’m in love with Betty and she’s in love with you.”

Sooo I had a dream, where S/O is a daemon, but not fully frantic, I can’t piece it together at the moment, but want to get these few scenes out the way to see if I could work something out of it, or just abandon, and why not today as it’s Halloween!  You know Deamons spoopy things, figured it might work… ( ⚆ _ ⚆ )

So set up, Noctis’s girlfriend goes missing, only to be found by the guys a week later, unconscious but as a daemon. Not wanting to just kill her they instead bring her back to the Citadel where they keep her in a dungeon room, yet are attempting to rehabilitate her. Noctis’s daemon girlfriend is unaware of who they are, the first scene is taken about a week after they find her.

~

She ducked down as the small blonde one, she recalled the blue eyes one calling him Prompto?, yes Prompto was sitting on the other side of the bars, he was always flashing his fangless teeth at her when he bought her that yummy water, but still, he might have been a danger.

“Hey, you feeling better today?” He asked, sliding the ‘cup’ as they called it between the bars to her. “Noct’s really worried about you, but don’t worry, we’ll figure out what’s wrong and how to bring you back to normal.”

She slowly reached out, wrapping both her hands around the cup, pulling it to her nose, it didn’t seem poisoned. She took a drink, it tastes the same as yesterday extremely yummy. Quickly tilting it back as she swallowed a large amount of the water turning her eyes to Prompto.

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kansama  asked:

Concept: Chocobro boy band.

Okay picture this the chocobros as a boyband singing big time rush songs (don’t mind me but I was just listening to old songs and boyfriend by btr came on and I couldn’t help but think about the boys😅😅😅)

wow this got buried asf under everything else my bad, SO YEAH, ABOUT HOW THEY ARE BASICALLY A BOY BAND ANYWAY OMG

I kinda picture Prompto as like the lead singer of Yellowcard because idk? Granted I did the same for Zell way back when so I see a pattern for myself, LOL

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Ignis… honestly that one line in “I’m Glad You Came” just sticks out to me as “yes this is what he’d sing”:

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You look well on me. Not “good”. Or “hot”. But well. Cause proper English doesn’t stop just because he’s singing a fucking pop song, LMAO

With so many MCR jokes that the emo prince has gotten in this fandom, there’s nothing stopping King Noct from shaving his beard and getting into way too much fucking black eyeshadow for his new role as emo rock idol

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I can, for whatever reason, only see Gladio as AJ from the Backstreet Boys because if you haven’t noticed, I’m fucking old school and my knowledge of boy bands is very dated LMFAO

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SO QUIT PLAYIN GAMEZ WIF HIS HEAARRTT🎶

I’m sorry fam, I’ll see myself out now
L&co future

So idk why I thought of this cause it made me really sad…

So later on in the future Lockwood, Lucy, and George’s talents are gonna most likely go away…so what’s next after there talents are gone.

I have many ideas of their futures, but this one really hit my feels:

So let’s say that George goes off and falls in love with someone *cough*Flo*cough* and gets married and buys 37 Portland Row (house next door). Holly starts her own healthy restaurant (I really don’t know where that came from). And the Skull starts his own talk show (I know that’s impossible, but it would be great). And Lockwood starts like an agent training camp thingy; teaching how to use supplies, helping them use there talents, rapier training, etc. Lucy helps out for a while, but realizes she wants to do more.

So Lucy is looking for jobs (idk what type of career) and finds one in New York (or something) that’s like really good. And so it’s really sad for everyone when she leaves, but they are happy for her cause this is like her biggest chance to do something great (after doing psychic investigations with L&co)

Anyway she is really happy in New York and loves her job. And she still stays in touch with everyone, but it’s really hard. Meanwhile back in London George is happy, but misses lucy and Holly’s restaurant is doing great….but Lockwood is really missing Lucy and is really aware of his feelings for her.

So then after like 7 years of Lucy being gone and 2 years of not hearing from her Lockwood gets a letter from Lucy. And he’s like really happy but then opens it to find out it’s a wedding invitation… And because he is so heart broken he shuts down his training and politely declines cause he doesn’t have enough money to go to New York.

Then another 4 yeas later Lucy moves back to London…with a family…A husband and a daughter . Lockwood is still single. And he has to face meeting Lucy’s family. And seeing Lucy again. But seeing her actually helped him and he was happy. But that’s the opposite for Lucy. When she sees Lockwood again she remembers and experiences all her old feelings for him.

2 years later Lockwood finds someone else and gets married, but doesn’t really love her. Lucy doesn’t know this and thinks he’s happy. And this time it’s Lucy who is now dead inside.

So in this L&co future neither Lockwood or Lucy end up together and it’s really sad cause they both still like each other but doesn’t know the other loves them back.

emerging-writer  asked:

So a lot of people have been saying some negative things about Discovery (re: the uniforms, the klingons, etc) but honestly for me as long as the show is good I don't care?? Like I'm a real easy to please fan and I legit thought the uniforms look great tbh. I think a lot of it is just we don't have context for it yet and it's too early to make judgments on it (like especially cosmetic stuff like this). As long as it's good, I don't really care what it looks like I guess. Just gotta think +

exactly! this trailer is pretty much the only information we have aside from some interviews.


the problem is that its new. and trekkies are real good at gatekeeping and being pretentious and we don’t like new. honestly, call out post @us, especially the older trekkies. its new, it looks different, but we’ll get used to it. when star wars came out with finn and rey fans had about the same reaction we’re having now, but guess what, its fine now! the movies were great and everythings comin up skywalker. we just have to give it time. The same thing happened with voyager (tbh it was way worse for voyager) and ds9. this is just the standard chain of events.


as long as the tv show is good, people will come around. it may take some people a few seasons but they’ll come around, then it will be known as one of the better star trek shows and everyone will get nostalgic for it and we’ll meet all the cast at conventions 50 years later and have them sign our holographic action figures of them.


as long as it is good! ha! we know nothing about it! and I mean maybe them delaying it was a good thing, if they weren’t ready they weren’t ready. I’d rather wait a few extra months and get something good than have it now and it be messy. they’re trying to do it right, at least I think they are. tbh if it wasn’t for that whole cbs all access thing I wouldn’t have any problems. i’ll admit I don’t like how they don’t have red/gold/blue for the uniforms, but maybe theres a reason for that?? idk?? there might be a reason for the Klingons too, who knows!


we wont know anything else until we get another trailer or the show comes out. the end of the first season is the best time to decide if this is a good show or not. ha and even if it isn’t ill still probably watch it! because trek! if our biggest complaint by the end of this is cosmetic I can live with that! costumes and make up can always change. people will calm down, and ill be wearing my llap foam finger. we gonna be fine guys.

Cutest Shit a Male from each Sign had ever done for Me
  • Aries: He ain't a crush of mine but he had a crush on me, and he's the school's unstoppable valedictorian. I don't study, yep, I know, not very Capricornish, but this Aries guy is such a fucking amazing friend that he never ever fails to help me in my cramming. If I don't understand no shit at classes, he's never ever that person who'd tell me to ask someone else for free lessons. He'd always write down notes and equations as simplified as he can. Tbh, I would have never graduated high school if it wasn't for his huge ass help.
  • Taurus: I had a long-standing crush on this guy back at high school. So one break time, I asked if he can treat and run me water cos I was feeling lazy to go out of the room. Then he said no give me money to buy a bottle, so I went back to the room to rob anyone some coins then when I went back to the door, he's gone. So I asked another guy to buy me water and he said okay cool. Then after some while, boy #2 got my water and he gave it to me, with Taurus boy behind him holding a bottle of water. I saw 'wtf' on his face and I told him "NO NO GIVE ME THAT WATER I WILL DRINK AND EMPTY IT FIRST IM SO SORRY I THOUGHT YOU WONT BUY ME WATER".
  • Gemini: I've an on-and-off crush with this guy, only met him online and we've never seen each other yet. But, some years ago (I screen capped and still treasure this shit cos it's too good), he sent me a late night message telling me how he's appreciative of knowing me. And that I should know that even if he's a total wreck, he'd always listen to me if I need someone to rant to, and he still cares a lot about me and he doesn't wanna lose me and i should take care more of myself.
  • Cancer: We're not close but he's a friend of mine, he's the director of my dance cover group. One night we all had a sleep over with booze and all and he's the first one to crack open. He did a long speech, and parts of his presidential two hour speech are about how I'm a dangerous coral reef that no one should ever cross with because it's gonna be bloody, but on the other hand, I also have a brilliant smile, something like that.
  • Leo: Oh my goodness yesss this guy, younger than me, friend of a friend. Almost all of his friends knew that he has a massive crush on me and I also knew that. My last prom was coming near and after school he walked towards me with a tray of cupcakes with letters on top, so if you put them all together, the cupcake said "Will you be my prom date?" and I jump and said fuck yeah, anyone who's brave enough to ask me for the prom with food will get my yes. Wanna know what happened? First dance of prom didn't happen as the students hoped for but I immediately grabbed him out of his chair and danced with him.
  • Virgo: HAHAHAHA THIS FUCKER okay so around my first week at my new high school (I arrived like third quarter, I know, weird but uninhibited yass), I was walking on a path walk when him and his best friend came up to me with him holding a struggling dragonfly right in front of my face and I was like df are you doing? Then he said you're not afraid of dragonflies? I said nope. He got puzzled lol ahahaha and then after that incident, he started casually calling me Snow White because of my hair and my pale face.
  • Libra: Aw shucks, Librans are the nicest people this known fact makes me cry every time. Anyway. There's this guy, past schoolmate, his house is near the train station near the school. When me and my siblings had to start using public transportation, he'd always offer to tag along with him and basically my other male friends as we all walk to the metro (and him to his house) cos there were so many nasty minded men along that area. I have a younger sister and she really likes this Libran guy. He's also very soft spoken.
  • Scorpio: I have so many fucking broken tales about me falling for Scorpio ALL THE FUCKING TIME. But lemme tell you my fave one: This guy, song of a family friend, I had so much feelings for him and his mom was really rooting for me to be with her Scorpio son even if her son already has a girlfriend. So Anyway, he's generally a nice guy. He made my heart crazy for lots of things. But there was one time that he was at our apartment and we invited him for a game of scrabble but he looked at me saying he doesn't wanna play with me because he knows that I'm a writer and will try getting an English major and that he'll just lose, so he won't play with me. Too bad I never really stood a chance with this guy ayayayay.
  • Sagittarius: OMG OFMG THIS HAS TO ME MY CURRENT FAVE so I've met this guy through an app again (21st century romance man) then we both know we like each other but it was so fucking hard for me because he's Korean with no English and I'm still trying to improve my Korean so anyway, we got to the point where I ask about his height, he said he's 180 or 180+. Then he asked me about mine. I said idk i haven't checked in a long while but i'm small and petite, around 155 cm. And then he went on saying "What? Are you a fairy?" and Ifs2g I broke even with my cheeks so red and my limbs all flailing around like that is the best way to subtly insult slash tease a girl about her lack in height.
  • Capricorn: HAHAHAHAHA okay so I went on two dates with this guy cos I had a delusional crush on him and them after a prom, he started developing a crush on my as well. Basically, things didn't end up so well, but lemme tell you this: he is one very supportive guy. He did lots of cute things like 1. that merge camping at our school (he was my senior) when he made me sushi (but it didn't end up to me cos of misunderstanding) or 2. when he tried learning this Korean song that I like with his guitar. But I guess, the cutest thing he've done was he gathered his friends in a train station to witness him asking me to be his girlfriend. Curious what happened next? I didn't show up.
  • Aquarius: I noticed that the Aquarians I know are not afraid of gore and blood and horror and everything between these things. There's this one guy that I had a short mutual crush with, younger than me, and every time that I can't finish reading web horror mangas, I'd always ask him to finish the manga for me and tell me what happen next so at least I sort of finish the story as well. I always start reading scary shit, already knowing I can't do scary shit, then I run to him on pm for help lol. We'd always talk after midnight with all these scary topics but in the end, I was the sissy chicken.
  • Pisces: My previous and only ex is a Pisces. And in the span of time we were together, he did make a handful of cute shit. But what always come to my mind whenever I think of any good things we had was that, even if we literally live on both ends of the land, he will always travel back and forth just to go to my city. He would always do everything to go and spend as much time as he can with me. He always ended up using so much money to use a taxi to get home cos he'd always miss the train. It's really cute of him that he really showed how much he loved my company that much.<p/></p>
4
John’s Buffy Rewatch Through Music | Season Four

The Scooby Reunion: “Time & Confusion” by Anberlin

"Let's promise to never not talk again."
A Close Second

(ao3)

The Jersey tradition was stupid and archaic and honestly Castiel wanted no part in it.

Sure, Castiel may have thought it was cute when he first heard about it. The morning of every game day during football season, each player put their jersey (whichever one they wouldn’t be wearing for their game that night) on someone’s desk for them to wear in support. Because this was high school, this turned into a kind of courtship thing for the football players. If you got a jersey, it was so on.

Cute, right? Except, actually, no. There had been nothing more dramatic than when linebacker Gordon Walker put his jersey on Jo Harvelle’s desk instead of his then-long-time girlfriend, Bela Talbot. Especially when everyone knew that Jo Harvelle had been flirting heavily with lacrosse player Benny Lafitte. But he hadn’t been able to lay his claim because he didn’t have a football jersey.

Which turned into all of the other sports participating in Jersey Day. And with sports schedules having crazy inconsistencies, what with some sports having some kind of competition every other day, it wasn’t uncommon for someone to have some kind of garment on their desk several times a week.

Everyone except Castiel, whose desk had remained painfully naked for the past three years of high school.

Not that he particularly cared.

Actually, the one time he did have something waiting on his desk, Castiel thought he would collapse out of sheer embarrassment. The swim teams, both men’s and women’s, also wanted to participate in Jersey Day but, instead of defaulting to Letterman jackets like most other sports, the swim team got creative.

This resulted in Castiel coming into homeroom one day sophomore year to find a string bikini laying on his desk, a note attached telling him it was from Meg Masters.

So no, Castiel did not appreciate the Jersey tradition. He didn’t appreciate anything that had his gut twisted with anxiety every morning until he saw his desk, blessedly free of women’s swim things.

Today, however, Castiel felt he was in the clear. He knew, thanks to the unmanly shriek of Sam Winchester the day before, that yesterday had been the final swim match of the week and therefore he did not have to worry about clothing on his desk today.

Castiel smiled a bit as he made his way down the hall. Poor Sam. He was only a freshman, Castiel knew, and having finding Gabriel Odinson’s backup speedo on his desk must have been a shock. Sam seemed to be taking it in stride, though, as Castiel glimpsed him coming in from the parking lot, trailing his older brother Dean.
Castiel looked hastily away, turning into the nearest hallway that would take him to his locker.

Castiel supposed the Jersey tradition wasn’t as archaic as it could have been. As it used to be. Castiel vaguely remembered the scandal from his freshman year in regards to Jersey day: the JV kicker had just come out of the closet and, in an effort to head off any complaints from the school board, had been told he couldn’t give his jersey to anyone. In response to that, Aaron walked into homeroom on game day with the entire varsity team’s jerseys neatly folded on his desk, the ones that didn’t fit spilling over into a stack on his chair.

After that show of support, and the addition of other sports on the tradition, the rules for the event had gotten lax. Yes, there were always implications in getting a jersey, but there were also understood platonic forms of support. Instead of giving it to Benny Lafitte, Jo Harvelle’s Jo loved her mother and the jersey wouldn’t have fit Benny anyway. Everyone understood.
Similarly, Dean Winchester, captain of the wrestling team after having made varsity his very first year, always left his wrestling Letterman jacket on the desk of Charlie Bradbury. Charlie Bradbury was Dean’s best friend, and though people had had their suspicions about their relationship, it was clear to everyone that Charlie and Dean couldn’t have been more platonic as Charlie was gay as the fourth of July. Castiel suspected Dean always chose Charlie as a way of keeping the peace: Dean was what one would call the school’s “Wonder Boy”. Loved by everyone. Made friends easily. Dated easier. He had that uniquely universal charm and genuine kindness that made everyone feel as if they were his best friend. A sort of magnetism that made everyone want to be made special by him. But even when Dean was seeing someone – even when he was seeing Lisa Braedan for the better part of last year – Dean had always given his jacket to Charlie. By Dean giving Charlie his jacket every match day, it was a way for Dean to announce that yes, Charlie was his favorite, but Charlie had always been his favorite. And everyone else was a very close second.

Or, at least, that’s how it’d been for the first three years. When Dean’s younger brother Sam had started high school this year, Dean had attempted to give Sam the jacket. Sam, of course, didn’t want it.

“He thinks I want to wear his sweaty jacket all day?” Castiel had overheard Sam telling his friend Kevin Tran one morning, when the three of them were seated in their advanced mythology class. “I live with Dean, I know he never cleans the damn thing.”

Castiel was sure that wasn’t the whole of it. While he believed Sam objected to the jacket’s smell (Charlie did always seem to walk around with her nose scrunched when she wore it), being a younger brother himself, Castiel suspected Sam’s reluctance had more to do with not wanting to live in his brother’s shadow. Literally swadled in Dean’s importance. Castiel understood that and respected it.

It came to the same thing, though: Sam wouldn’t accept the jacket. So, while Charlie continued to wear it, this caused a bit of a stir. When Charlie was the concrete recipient, no one could complain, but if Dean was willing to leave Charlie bare for his brother, who’s to say someone else couldn’t change his mind?

The school was shook. The draw to be Dean’s new favorite was pulling at everyone.

It was a draw Castiel was willing himself to be immune to.

Dean and Castiel weren’t friends. They barely associated, only speaking in their shared free period where they’d both volunteered to build sets.

Castiel chided himself, now with his appropriate books from his locker and once again making his way down the hall: Dean had been very clear. Sam was Dean’s favorite and, seeing as Sam didn’t want the jacket, Charlie got it because she was his second favorite. And everyone else, including Castiel, were tied for a very close third!

Castiel raised his voice inside his head to drown out the recent memories of shared smiles across a work bench. Tied for a very close third! Memories of Dean’s rumbling laugh in response to a comment Castiel had made about the wood clamp. Tied for a very close third! The memory of Dean’s hand on his waist when he’d helped him off the ladder after Castiel measured the awning. Tied for a very close third! The gleam in Dean’s eye when he offered Castiel a ride home from set building. Tied for a very close third!

Castiel made his way down the hallway, taking notice of the spots of purple and white that were the chosen few wearing their bequested wrestling jackets. Invariably, people who knew they were getting jerseys went to fetch their jerseys (or jackets, whatever) from their homeroom desks before going back out into the halls to visit their lockers or talk with their friends. This was to notify the rest of the congregation of their importance. The chosen versus the rest.

Castiel made his way to homeroom in a snit, getting through the door to the classroom and over to his desk without his eyes ever leaving his shoes. He may have been able to make it through the entirety of the fifteen minute homeroom period without looking up if not for the absence of the customary thump that was usually the various books in Castiel’s bag landing on his wooden desk. There was a thump when Castiel slammed his bag down, but it was muffled. The bag didn’t hit desk because it hit–

There was a jacket on Castiel’s desk.

There was a jacket on Castiel’s desk?

It was definitely a sports jacket: purple and white in their school colors and made of that same leather and wool combo of varsity jackets around the world. So it was a sports jacket. On Jersey Day. On Castiel’s desk?

It was just the wrestlers today, wasn’t it? Wasn’t it just the wrestlers that had a match today? So wouldn’t this have to be a wrestler’s jacket?

Castiel wasn’t sure of the wrestlers’ numbers, as he didn’t follow any of the school sports, but he was very afraid to ask any of his classmates as they were already glaring at him with envy and confusion.

Castiel tried to think of the wrestlers he even knew. There was Michael, who he knew from church, but they hadn’t spoken since they’d both been confirmed four years ago. There was Becky from the girl’s team that always loved to titter away at him when they shared a table in biology but this jacket seemed too large for her. There was Balthazar from French, there was Raphael from P.E. there was Alistair, there was Crowley, and there was–

There’s Dean.

Tied for a very close third!

Not knowing who this jacket belonged to and very much not feeling welcome to ask, Castiel put the jacket on, and hunched into it, not meeting anyone’s eyes as the morning announcements began.

Unfortunately for Castiel, he had no way of finding out whose jacket he was wearing before he saw Dean in his free period. Castiel had volunteered for set building as a college resume booster and to spend more time painting, a passion which he had been continually neglecting due to his scramble to apply to universities. Dean had volunteered to spend more time with Sam, who had auditioned for the play and was cast in the ensemble. And also because Dean liked woodworking and ‘working with his hands,’ a statement that did not make Castiel blush when Dean had told it to him with a wink.

Dean would probably ask about the jacket. They were friendly, even if they weren’t friends, and the jacket belonged to one of Dean’s fellow wrestlers so he probably knew them. It would be really awkward for Castiel to admit he didn’t know which of Dean’s friend’s jacked he was wearing.

Castiel firmly believed this was not Dean’s jacket. He was certain. Sam had said Dean’s jacket was sweaty and smelly and Castiel could not catch any unpleasant scents when he inhaled the collar deeply.

He wasn’t being creepy and sniffing the jacket. He wasn’t! Castiel just had a smaller build than the wrestlers - wiry from biking while they were broad and muscled - so he was very much enveloped in the varsity jacket he was wearing. It was very warm. And smelled nice. Not nice like cologne or laundry detergent but not bad like B.O. and sweaty gym mats. That’s what Castiel would have expected from Dean’s jacket based on what Sam had said. This jacket smelled nice like boy. And woodshavings. And apple pie filling.

Castiel subtly took another sniff just to commit it to memory.

Because surely, whoever’s jacket this was didn’t really mean to leave it on Castiel’s desk. Surely not! This was all a mistake, or some kind of prank, and after the incident had been corrected or laughed about, Castiel would never get to wear the warm and homey-smelling jacket again.

Castiel supposed that if this were some kind of prank – which seemed more and more likely the longer the day went – he would probably do better to not be wearing the jacket when its owner came to call.

And not just that: fellow students were looking at him. In every way imaginable. There were unfriendly glares and cautious confusion and angry surprise and, maybe in the most confusing place, excited happiness? Maybe that was so confusing because that reaction came from three people: Meg, Sam Winchester, and Charlie.

Castiel had not expected Meg to be excited because he had so adamantly rejected her jersey-like offering. But she just grinned, laughed loudly, and clapped him on the shoulder in congratulations. Castiel suspected the good humor was due less to him receiving a jacket and had more to do with who the jacket belonged to. She was gone so quickly he did not get the opportunity to ask.

Sam Winchester was perhaps easier to understand as he, Kevin, and Castiel had become something like work partners in their shared mythology class and it would make sense that Sam would be happy for him. The sheer joy in Sam’s face, however, was confusing to Castiel as friends they may be, surely they weren’t close enough to warrant that level of enthusiasm?

It only began to come together when the third jubilant cry met him followed by a flying tackle hug from behind. Castiel was stunned momentarily at the contact, not used to being touched, so it took him several more moments to react than it probably should have. By the time he turned around, Charlie had pulled away and run back up the hall, her red hair flying wildly behind her and her shoulders bare but for a long-sleeved t-shirt.

Charlie wasn’t wearing a jacket today.

Castiel was wearing a jacket today.

Castiel could see the conclusion but it didn’t make sense.

And then it was his free period. Time to go work on sets in the auditorium. With Dean.

He had a logical answer to the puzzle of the jacket’s owner. And worse, he had hope. He wanted to delay confirming or denying his hopes and suspicions for as long as possible.

Castiel figured he had some time as Dean always showed up right as the late bell was sounding, smiling winningly at the teacher and taking his seat across the table from Castiel before they were cleared to start working. This being the case, Castiel figured he would get to the room early and get himself settled before he had to face Dean.

Unfortunately, on this day, Dean was there even earlier than Castiel. Earlier than everyone as the room was completely empty, excepting him, sitting at a desk and sketching prop pieces.

Castiel toyed with the idea of going to the bathroom or back to his locker, anything to delay having to talk to Dean. Just as he was reaching a decision however, Dean looked up and saw him standing there, and the usual smile he greeted Castiel with froze on his face.

Castiel stilled, staring back at Dean.

Neither of them moved until a loud locker slam jolted them back to reality, Dean blushing and quickly looking back to his sketches and Castiel taking several deep breaths as he finally completed his walk to the table.

“Hello Dean,” Castiel greeted as he sat, hoping to ease the tension. Dean relaxed his shoulders but blushed even harder.

“H-hey, Cas.” Dean cleared his throat. “What’s up?”

Castiel shrugged as if to say there was nothing particularly noteworthy about the day. The movement of his shoulders, however, jostled the jacket and made it slip slightly on his frame, compelling Castiel to reach up and correct it. Dean noticed and his eyes tracked Castiel’s hands handle the jacket.

Dean cleared his throat again.

“I, uh, I wasn’t sure if you’d wear it.”

Castiel tilted his head in confusion, looking back down at the jacket.

There are several reasons Dean could be acting so nervously and be so considering of whether or not he’d be wearing this jacket. He could be asking in favor of a friend and be uncomfortable being involved in romantic matters. He could be knowledgeable of Castiel’s past reception of Jersey Day gifts and surprised Castiel had received this one well. He could be making a note about how impractical heavy jackets are when working with tools. He could be commenting on the temperature in the school.

He could be happy you’re wearing his jacket.

Tied for a very… close…. third?

“I wasn’t sure if it was meant to be on my desk,“ Castiel admitted. "Far more likely it was an accident. Or a prank.”

Dean’s mouth dropped open for a moment before he shut it again with a clenched-jawed frown. “Why do you think it would be a prank?”

Castiel shrugged again, hugging the jacket on his frame so it wouldn’t fall. “Why would a wrestler want me to wear their jacket? I don’t follow the sport. I’m not particularly close with any of the team members. I thought it far more likely that someone would think it’s particularly funny if I made a fool of myself thinking someone liked me only for them to snatch the jacket back and laugh about it later.” Castiel picked at the sleeve of the jacket, looking at it instead of Dean. “I’m not popular, Dean. Not particularly well known or well liked. Some of the only wrestlers I know personally are assholes I went to bible study with. They’d certainly find this an entertaining prank.”

Castiel still wasn’t looking at Dean so he wasn’t expecting the angry coolness that inflicted his words when he spoke. “You think I’d prank you?”

Castiel looked back at him, sadly. “No, Dean. I don’t think you’d be so cruel.” Dean deflated some, looking confused and Castiel sighed. “I admit, however, that I don’t know any of the wrestler’s player numbers so I have no idea whose jacket this is. For all I know, it could still be a prank and I shouldn’t be wearing it when the prank is revealed.”

Dean looked surprised again. Even more confused. “Why are you, then?”

Castiel flushed. Choosing to be brave, he admitted, “It smells heavenly.”

Dean grinned and punched out a startled laugh. Then a longer and louder one.

“Cas, man, that’s my jacket. I picked you for Jersey Day.” And Dean continued laughing even as he blushed. “I didn’t even think about you not knowing it was mine. I was so caught up in building up the courage to even give it to you I didn’t–”

Castiel smiled, small and happy, before he reached over for Dean’s hand, cutting him off. “I guessed it might have been your jacket when Charlie came at me in a flying hug and she wasn’t wearing it. I didn’t dare dream, though. Didn’t dare hope.”

Dean smiled shyly and Castiel’s smile broadened, his hand still grasping the top of Dean’s even as fellow crew workers finally started filtering into the room.

Dean started to pull away, ready to get to work, but Castiel held fast to his hand, needing to know–

“Why me?” he asked, desperately. “You’re notorious for jacket hoarding, only offering it to your very best friend in the world or your brother. Why do I get it today? I’m just tied with the rest of the school for your third favorite.”

Dean swore under his breath, laughing and shaking his head. “I knew saving the jacket would just build everything up.” His laugh trailed off and he looked Castiel dead in the eye, a smile still at the corner of his lips. “This isn’t, like, a marriage proposal or anything. It’s just like every other guy or girl on Jersey Day: I like you. I want you to come to the match and see me wrestle and then after maybe we can get some dinner and pie.” Castiel’s mouth twitched, understanding now why the jacket smelled like apple filling. “I wanna take you on a date and Jersey Day is the best and easiest and,” Dean grinned sheepishly. “the most public way for me to ask.”

Castiel didn’t smile, determined as he was. “But you never gave your jacket to Lisa. Or Cassie or Donnie or–”

“Yes, Cas, thank you.” Dean rolled his eyes, embarassed, turning a frown to Cas’s hand still clutching his. “Yeah, I dated them, but not seriously.” Dean paused, picking at Castiel’s thumb with his other hand and not looking up. “Not like how I wanna date you.”

Castiel let out a shuddering breath, watching Dean play with his fingers. “You don’t even know me.”

“I know enough.” He looked up at Cas, eyes soft. “And I’m serious about being serious if you are.” He tried for a smile. “I mean you’re wearing the jacket so I’m pretty sure that means you’re contractually obligated–”

“Yes, I’m serious, of course.” Dean’ smile spread slowly and Castiel was helpless not to follow him into a grin. “Now tell me how to get to that place where you wrestle or whatever and I’ll be glad to come.”

Dean beamed and brought Castiel’s hand up to his lips to kiss it, making Castiel laugh softly and blush pinkly.

They spent the rest of the free period actually working but not without small touches and soft glances and shy smiles. Castiel also mentioned how he wasn’t sure it was Dean’s jacket because Sam said it would smell bad because Dean never washed it.

“Oh, well I haven’t.” He smiled. “Sammy and Charlie can’t stand it but when I knew I was gonna give it to you, I tried to let it air out or whatever. Google says to stick it in the freezer because cold gets rid of smells but my mom yelled at me when I tried to do that so I just let it hang outside my window.”

“Well it didn’t kill all the smells.” Castiel said, subtly turning his head to sniff at the collar. “It still smells like woodshavings, apple pie filling and–” in a daring move, Castiel pulled Dean where Dean was measuring a 2 by 4 and buried his face in Dean’s neck, inhaling deeply. He let out a loud sigh when he pulled back, grinning at Dean’s embarrassment that didn’t entirely eclipse his pleasure. “Yup, just like a suspected: you.”

Dean coughed, smiling slightly. “Well, you said, you liked the smell, so I’m gonna take that as a good thing.”

“The best thing.” Castiel stood back again as Dean returned to the footstool where he was measuring the archway, his back-side deliciously on view. “Well… a close second.”

anonymous asked:

What do you think about D&D's misogyny? I saw that post about Sansa's storyline, and I think they just don't care about the women. Have you read their interviews addressing this? They come off like jerks. There's sexual assaults that didn't happen in the books and them objectifying women's bodies and all that, plus not including Arianne. I know some ppe think the show has great female characters, and in the trailer the whole "who said anything about HE" ... but idk it doesn't feel right.

I hesitate to call any real person I have never met a misogynist just because the show they are deeply involved in has disturbing trends like what you said. Misogynist is not a term I use lightly, and I worry sometimes that overusing certain terms on tumblr makes them lose their meaning. Keep in mind I haven’t read that many of their interviews, but even then I know reporters twist things. So I wouldn’t call them misogynistic. 

I would, however, say that there are patterns that exist in the show that illustrate a misunderstanding and under appreciation of female characters at the same as we see a nauseating increase of aspects like sexualized violence. 

I think I don’t really need to hash out the increase of sexualized violence. Sansa speculation aside, characters like Meera Reed have added scenes that are really unnecessary. However, I should point out that Gendry has the same issue- but that could also easily be construed as D&D wanting more female nudity from Carice Van Houten. Then there’s the distortion of the alter sex scene between Jaime/Cersei, and subsequent attempts (can’t remember if that was D&D or Nikolaj) to say it was okay because she eventually wanted it (???)

There are other issues. Take the more action-oriented female characters of Asha, Brienne, and Arya. In the books, they are all pretty pro-women. 

“Cunt again? It was odd how men like Suggs used that word to demean women when it was the only part of a woman they valued.” ADWD

Cue Asha in the show using the term cunt to insult people numerous times. 

“The woman is important too!” AGoT

And yet Arya declares for no reason in season 2 that “most girls are idiots”?

“Brienne, I have taken many wellborn ladies into my service over the years, but never one like you. I am no battle commander.”
“No, but you have courage. Not battle courage perhaps but… I don’t know… a kind of woman’s courage.” Catelyn, ACoK

But then Brienne insults Jaime by likening him to a woman (instead of a coward, which was used in the book equivalent scene.)

The female character who really isn’t is of course Cersei but whatever. But the point is this is creating this ridiculous ~not like the other girls~ mentality that is rooted in internalized mysogyny and not in the ASoIaF books for Asha/Arya/Brienne. They want to prove themselves, yes, but they’re not anti-women.

Then there are things like the nonsensical pettiness between Osha and Meera in season 3. Yes, because that totally makes sense, women are naturally fighting against each other and must be pitted against one another to prove their worth (for the man) or whatever. 

So with the new and out of character anti-women sentiments (specifically using women/parts of women as insults) from Asha, Brienne, Arya as well as played up and contrived female drama like with Meera/Osha, there is a distinct feeling I get that whoever came up with this doesn’t understand women beyond some caricature of cattiness, pettiness, jealousy or whatever. 

Some of these are small details, but they do paint a bigger picture.  

The exclusion of Lady Stoneheart and Arianne could be conceived as a desperate attempt to keep the show simpler and cut down on characters. To be fair, the show has always attempted to do that and has acted this way with out characters and plots that came up but were male. The Greyjoys are a great example as Aeron, Euron, and Victarion have yet to be introduced (and Balon’s still alive?) in the show.

Things that can’t be explained are how the Martell/Dornish succession was cut out for no discernible reason. Even if Arianne and the queensmaker plot was cut because D&D worried about juggling too many plots, which I do think is true since most viewers have a hard time keeping up with additions and they even cut Bran’s plot, then that still doesn’t explain why Tyrion/Oberyn’s conversation in the cell last year had Oberyn talking about his father, not his mother, as the one who took him to Casterly Rock. With the exclusion of Arianne as well as this, it seems the show just decided to showcase Dorne as having the same succession laws as the rest of Westeros. That is completely ridiculous and unnecessary and serves no point but to make the Dornish like everyone else. 

Also about the massive changes to Sansa’s arc, it makes it clear that D&D don’t find it valuable or worthwhile- and the question then becomes why is that? They don’t care about the Iron islands (which deal more heavily with men) either. It’s hard to extrapolate with certainty when so much has been cut and taken away from the show. If there is a common denominator, you’d be hard pressed to find it considering the massive differences in the arcs they cut and shortchanged (queenmaker plot, queensmoot, Bran’s training, Sansa in the Vale, the Brotherhood Without Banners and Lady Stoneheart, Jaime in the Riverlands, ect.)

And then there are the treatments of female characters that make me uneasy but are pretty subtle. I have spoken a lot about how Arya, Dany, and to some extent Sansa are a lot colder in the show than they are in the books. From Dany’s banishment scene with Jorah to Arya’s post-Red Wedding response, the show consistently likes to avoid having them get at all emotional- even when it’d make perfect sense. Trauma and emotion aren’t cool though, it’s more badass if they are cold and above it all or something.

Here’s the thing, I don’t want to throw labels out when I can’t say for certain what’s going on, and even who’s behind it. There’s a tendency to always place blame on D&D for everything, but you never know about network involvement or other aspects. For example, I wouldn’t be surprised if HBO actually did encourage more female nudity and sex scenes in the show in a bid they thought would draw viewers.

All that being said, there are some upsetting trends to be seen in GoT with misogynistic connotations. 

Daryl Needs a Shower

They’ve been there two days and one of the first things everyone did was shower. Like they could wash off everything they’d gone through these last few months (or even years) that easy. 

Daryl knows different. He knows they can’t. He knows the grime on his skin is like a protection, like a shield against the stares of all the people in this damn place. He sticks out like a sore thumb but it was never gonna be any different. He ain’t made for places like this. He can’t slip back into the past like Rick in his uniform, or Carol in that ugly ass cardigan of hers or even Carl, already making friends. He’s not like them.

Neither is Beth. But Beth has always been different in her own way. She doesn’t try to sink back into her old skin, she finds ways to make her new one work. Just as she had been ever since she came back to him with that round scar on her forehead to match the slashed scars on her cheek and brow. Beth is already making this new place work and he’s pretty sure she’s got everyone here wrapped around her finger now with her sweet smiles and her big blue eyes.

He knows she’s got him wrapped even tighter.

Keep reading

anonymous asked:

Ok I know people don't like Messer for the things she says in interviews but is there a deeper reason that I just haven't been around long enough to pick up on? She seems kinda... hated (?) for just some poorly thought-out sound bites.

okay, a little history.

though erica has been with cm since the beginning, she didn’t become co-showrunner until 2010. you know what else started in 2010? season six. now, to be clear, no one blames her for all the shit that went down re: the ladies, that is 110% on cbs execs and pretty much everything that has gone wrong since 2010 can be traced back to their ~grand~ idea that was criminal minds: suspect behavior in some way or another.

she became a co-runner, presumably because ed bernero, the showrunner from the beginning of the series, was full timing for suspect behavior. chris mundy was also taken over to suspect behavior. they were argueably two of the best writers on the team (the fisher king 1&2, aftermath, sex birth death, profiler profiled, the big game/revelations, gideon’s exit episodes, legacy, penelope, lo fi, the instincts, masterpiece, demonology, to hell, and back, nameless faceless…to name a few lol) and from what i saw of ed during s6 (which is when i came into the fandom, lucky me), he was a good showrunner, in terms of talking to the press, though idk how much actual control he had over the show. considering seasons 1-5 compared with 6, i assume he had very little control. iirc, erica did not speak with the press or had very little contact with them.

when suspect behavior got canceled in 2011, ed and chris were fired. yes, instead of moving two of their best writers back to the main show - which, reminder, was suffering - they fired them. again, 110% on cbs execs and their ~grand~ idea for a spin-off that inevitably didn’t work bc they didn’t understand why cm was so popular.

BUT during most of this, i feel like fandom was somewhat comforted by the fact that they passed the torch to someone who had been there since the beginning (esp since they hired a handful of new writers for s6 who, btw, were not required to watch the prior seasons and the characters have obviously suffered for it) and who had, arguably, written a decent number of okay-to-good episodes as well. i remember a few of us looking up her eps during the summer between s6 and s7 and being like “okay, maybe it won’t be too bad.”

now. a quick reminder. a showrunner holds the “ultimate management and creative authority” for a tv show (thx wikipedia).

so. when a show takes a creative dive that appears to mostly be due to execs trying to ~stir shit up~ for shits and giggles instead of leaving a very profitable show in the capable hands of its original showrunner, reasonable people tend to put the blame on the execs. as such, i don’t blame her for a lot of the missteps that happened in season 6. even some of the stuff that was clearly the showrunners’ decisions is forgivable because it makes sense within the bts context. for instance, barely giving any characterization to seaver makes sense because they needed to focus on characters we already knew/loved who were leaving and they thought they could develop her character in s7.

but when the network execs stop mucking around where they don’t belong and the show doesn’t really turn it around, the blame starts falling rather squarely on the showrunner’s shoulders because they are in charge of the direction the show goes. it’s like when people talk about shonda in relation to grey’s or scandal. yes, she doesn’t write every episode, but she sure as hell is the one who plots out where the show is heading and she has final say. that’s erica’s role on cm. she plots. she has final say.

so when you get poorly plotted episodes (what the actual fuck was season 9’s openner and finale episodes???), episodes that don’t fit the tone or message of the show (THIRTEENTH STEP GE T OUT), poorly placed episodes (a ~fake rape~ case after morgan’s final confrontation with buford, route 66 being 2-3 seasons too late), characterization that doesn’t make sense…yes, a lot of that is on the writers, but ultimately, erica could veto that stuff. erica knows what good finale cliffhangers look like because she was there for all of the really good finales…and yet we keep getting shitty ones.

so. there’s that.

and i think “some poorly thought-out soundbites” is…an understatement, especially the…“some”…portion. three and a half seasons as full time showrunner = plenty of soundbites that could go horribly wrong. you have to remember too…all of the things she says to the media are things that are ultimately under her control, so it’s not just her missteps in wording. when she announces, for instance, that we won’t find out how prentiss feels about having to fake dead until episode TWELVE…that’s generally more about the content of said announcement (content that, again, she has control over), regardless of how she words it. when she says reid/maeve ~will be a relationship like nothing we’ve ever seen~ and then they fridge maeve…well, that’s a double punch (triple punch?) in the gut.

other issues:

  • drops just about every spoiler that the cbs promo’s don’t or drops them in tandem. not cool.
  • girl shipbaits like no one’s business. thing is…rule has been from s1…no on the team is hooking up with anyone else on the team. literally a show rule. so her shipbaiting takes on an extra level of aggravation because she riles people up (many of whom do not know about this rule) only to have them be let down time and time again. not cool. also, the actors end up getting practically harassed by it as well. pretty much every interview, shemar has to say that morgan and garcia are like siblings. extra not cool.
  • similarly, fanservice. my stance? i want the show to make me happy because the characters are in character, they are engaging, and the story is engaging. if that means i start squealing like a tiny child because morgan is teaching reid to hit a ball? COOL. if i’m seeing morgan half-naked in a towel for some ill-conceived and ooc drama (with a dose of shipbaiting on the side)? NOT COOL.

finally, a more direct explanation of reasons i was not okay with the latest announcement:

  • i’m still aggravated as hell about last season’s “jj doesn’t have ptsd bc she’s a strong woman” and “that story is over with” (very) poorly worded soundbites
  • which makes this feel like she’s only doing it because fans complained
  • which i could maybe be okay with
  • (because, really, the idea that someone could be waterboarded, beaten severely, and sexually assaulted and then be 100% fine is so incredibly unrealistic and is totally lazy writing)
  • except between the things she AND aj said last year, i’m severely worried that things are gonna fall flat and just feel fake
  • so i’m already not looking forward to this because i have very little faith in it being done well
  • then you’ve also got erica saying jj and reid are gonna hash it out
  • and saying she “loves” jj and reid’s relationship
  • personally, in recent seasons, i haven’t seen that supposed love she has for their relationship from the way they’ve been written
  • because reid doesn’t seem close to her at all
  • and because jj’s reactions to reid come off as antagonistic and passive aggressive
  • and i like the idea that their relationship never fully recovered from jj keeping the secrets she kept
  • that’s interesting character development to me
  • i think it’d be much more interesting to have her hash it out with hotch whose ptsd is more recent
  • (since apparently reid’s near death experiences have happened so often that he is no longer affected by it!!!)
  • and whom she used to have a closer relationship with before she was a profiler
  • as it stands, it currently feels more like shipbaiting/fanservice than actual storytelling
  • especially because 200’s massive plot holes make it feel like fanservice and basing fanservice on fanservice just seems like a downward spiral
  • which is really disappointing
  • so far, i’ve been pretty satisfied with this season and the idea that this is could crash and burn for even more reasons than before is disheartening
  • so yeah

TL;DR - if you’re new-ish to the fandom or at least new-ish to the behind the scenes stuff, then yeah, i feel like there’s some stuff you’ve missed. clearly.

lucas looking @ riley pt. 1

alright so y’all wanting this, so i’m giving it to you. i have a folder on my computer that has 179 caps in it, so this will probably be split into like 3 posts so they aren’t too long. they’re gonna be in order, so this post will be s1 and the first half of s2. i’m gonna put it under a cut so it doesn’t clog up anyone’s dash, so have fun, enjoy the suffering !!!

Keep reading

The signs when they fart
  • Aries
  • The Ram. Their farts are "Built Ram Tough". They may feel like Curly-Qs coming out of their asses because their farts mimic the curves of a ram's horns. They, the farts, sometimes like to butt heads with other farts. Since people born under the sign of Aries show strong leadership and like to get things started, they are always the first ones to fart while around other people. Their farts tend to be loud since they are energetic. Do you like to hear robust farts? Too shy to be the first one to fart? Get with an Aries.
  • Taurus
  • The Bull. Their farts can be very stubborn, and once released, they can stink up a space with power for very long periods of time-longer than average. Their farts just don't want to go away. Their farts can even be kinda sharp and hurt their *******s when they come out, because they are big and mimic the sharp horns of the bull. Since Taurus people love sensual pleasures, they must take care not to over-indulge and get greedy, or it shows in their farts. Their farts will smell very, very rank and heavy....just too overboard. The kind of fart that can peel paint off the wall and kill someone. If you enjoy fart-sniffing, hang around a Taurus. Their farts can be very rich in odor and can be exotic. Just hope they favor you with mercy and blast with some moderation, but if you like your fart play on the excessive side, consider a Taurus to play with.
  • Gemini
  • The Twins. These people cut the very best "Double Dog Delights", which is a fart that is cut, then stops, then it is quickly followed by a twin fart... one that sounds just like it. Since Geminis are great communicators, they can poot out farts in a remarkable range of pitch, tones, and intensities, as if they are creating a new language made entirely of farts. Amazing
  • Cancer
  • The Crab. Cancers tend to be very family-oriented. Although they can be a little crabby, (who ISN'T?!) they tend to be gentle at heart and love to protect their loved ones. They have the remarkable ability to mimic the farts of their other family members. A father and husband who is a Cancer, for example, can very closely replicate, with his ****, the sounds and smells of his child's farts, his wife's farts, his parents' farts, his grandparents' farts, and his in-laws' farts. Being so very protective, he may not want his family to fart in public places as to shield them from guffaws and ridicules from strangers, which is what might happen if they were to let them rip in public. Cancers make very devoted partners, and if you are into fart-sniffing, you can make your Cancer partner promise that only you will get to smell his or her farts. There's a good chance the Cancer will keep the promise. A Cancer will come to your defense if somebody else hurts your feelings by making fun of your farts.
  • Leo
  • The Lion. A fart from a Leo can come out with a great ROAAAAR! If you like 'em loud and proud, hook up with a farting Leo. Their farts have powerful strength and stamina-they will hang around for a long time-even on windy days outside. They love to be the center of attention, and may fart simply to get a reaction out of people. The smell of their farts can range from being flamboyant to shocking. They will REVEL greatly if one of their farts can get a rise out of somebody....ANY sort of reaction, whether good or bad, is what they're hoping for. Because of their ego and pride, they want their farts to be the MOST and winner in any farting contest, be it worst fart, sweetest fart, loudest fart, longest fart-whatever-it doesn't matter-a LEO will be bent on winning the contest. Leos do have a generous side, though, so if you want to sniff a fart from them, ask nicely, and they'll probably let you have a blast in the face. They also love dares. Dare them to fart in a public place and see what they do. They like their farts to say, "Remember me!"
  • Virgo
  • The Virgin. You may have a tough time getting to smell a sweet little fart from a Virgo. They tend to be modest. If you can convince a Virgo to let a fart out in front of you, that is a big feat you'd accomplish, and you should be proud. Since Virgos tend to be shy and nervous, expect a Virgo woman to blush very deeply and clap her hand over her mouth if you ever catch her farting. A Virgo is so elusive in farting, you may have a better chance at catching a Leprechaun than a fart from a Virgo. Treat the fart like a rare treasure if you ever do. Since Virgos are neat, precise, and absolute perfectionists, they will apologize profusely if their fart doesn't smell and sound perfect. You can bet their next fart will. With their analytical nature and skills, they can identify exactly what you ate by the scents of your farts. Also, if you fart in front of Virgos and try to trick them into thinking it wasn't you, like "the dog did it" or whatever, it probably won't work. Virgos don't fall for tricks easily at all
  • Libra
  • The Scales. A Libra's farts have an impressive range, just like the tip of the scales. Their farts can go from one extreme to the other, and you never know what they'll blast or poot out next. Something heavy or something light-they can do it all. Loud and stinky to soft and unscented. Silent but deadly, to an odorless EXPLOSION. They are the masters of fart varieties, and their butts let out a very entertaining show because of this. They are open-minded and love to please people, so there is a good chance that if you have a Libra mate, he or she would fart for you if it makes you happy. They love to get approval from others, so make sure you give all their farts high praise. Never take advantage of their kind-hearted nature. Don't make them over-exert themselves by asking for too many farts from them, as much as you may want more and more. A Libra person may hurt themselves while trying to please you and your appetite for farts. Make sure you let them rest and return all the pampering they give so abundantly to you. Remember, they enjoy harmony, balance, and are happy when everyone else around them is happy.
  • Scorpio
  • The Scorpion. Ah, a sexy Scorpio fart-there's nothing quite like it. A fart with a sting. A Scorpio may not fart on demand just because you want it. A Scorpio may only fart when they feel like it, so enjoy it when it happens....you never know when they might let one out. Their sense of self-confidence leads them to believe that no matter what type of fart they made, it was a damn good one. Like Leos, they also enjoy challenges and are very determined. It would be interesting to see just who would win in a farting contest-a Leo or a Scorpio....it would be a bloody-****ed battle to the death.
  • Saggitarius
  • The Centaur Archer. Sagitarians make good teachers and philosophers, as they are known to love learning about things. They will sniff a fart, remember the odor, and research all about it at the library or through other means. They will be interested in what exactly made the fart smell a certain way and why it sounded the way it did. Because of their love of knowledge and outgoing nature, you may find a Sagittarius asking a total stranger whom they heard fart, what he ate and if it hurt his **** or not when it came out. They may go on to ask the farting person how frequently he farts and if he has wet farts. Sagitarians hate false information and lies (but who doesn't?) so go ahead and tell them the truth about the details of your farts and diet if they ask. If you want to find someone who would express a curiosity and interest in your farts, go for a
  • Sagittarius.
  • Capricorn
  • The Sea Goat. A Capricorn's farts can slip out of their asses feeling like a smooth, slippery, wiggling fish's tail, or a bumpy sensation followed by a tickling one, like a goat's horns and little beard. Capricorns tend to believe that one must work to succeed. If they feel their farts are of a substandard nature in any way, they will work until the fart is up to the absolute highest in standards. Depending on what you or they want, they can shape and mold their farts to their liking because they have the discipline to keep going until the goal is accomplished. For example, if they are determined to produce a fart that is of a certain fragrance, sound, and intensity, they will keep trying to make it until they reach their goal. Capricorns are GREAT to have as lovers if you have a special fart-request in mind. Tell them exactly what you want to experience and you will be amazed at the results they can deliver.
  • Aquarius
  • The Water Bearer. Yep-you guessed it. They cut a lot of those wet farts that leave stains in their underwear. Some people like wet farts better than dry ones, too. Known for bringing fresh , new ideas to the world and having great creativity, you may find smells and sounds coming out of the bottom of your Aquarius mate that are things you have never quite smelled or heard in your life-unique and different from other people. When everybody else is farting vanilla, chocolate, or strawberry, they will fart pistachio with a lime twist. If you're looking for farts that will peak your interest because there will be something different about them, hook up with an Aquarius...they are full of surprises
  • Pisces
  • The Two Fishes. Pisces may cut the most mind-blowing farts of all. Pisces tend to be spiritual, mysterious dreamers. Their farts have been known to have hallucinogenic agents in them, and sniffing a fart cut by a Pisces could take you on a trip similar to one brought on by LSD!! Labeled as being "Magic 'Shroom Asses", Pisces delight in letting people smell their farts and having a trip. Some report seeing swirling splashes of bright colors, vibrating shapes, and a strange, floaty feeling after sniffing a fart made by a Pisces. It seems like it would be tempting for the Pisces to charge large sums of money to the ones who want to sniff their gasses, but Pisces tend to be so sweet and charitable, they will usually throw a blaster out for free. There are no reports on anyone ever experiencing a "bad trip" from a Pisces fart, either. All reports suggest that the recipients enjoyed "going with the flow", which is the usual nature of the Pisces themselves- to just go with the flow.
  • Credits 👇🏻
  • http: //www.jokeindex.com/joke.asp?Joke=3346

anonymous asked:

you don't have to answer this but.. do you have, any.. writing.. tips??

1. first lines on empty pages are deadly, but there are few better ways of starting a thing than with a joke, and if you don’t have a joke or other suitable funny/engaging line, don’t start at the beginning (if you’ve ever had an english teacher tell you to start with a hook, this is the same principal)

2. start with a very specific thing you want to write (by which i mean a scene/interaction) rather than a vague idea of ‘i want to do ~something~’

for me, i have a whole system that basically consists of throwing ideas at my muse and asking ‘would this happen? would this happen? would this happen?’ until muse says yes to something i like, especially for au prompts

maybe that’ll work for someone else? /shrugs

3. words are words are words and words are bullshit. especially english. to take the wise words of @siderealsandman: ‘english is a fire garbage language’

do not expect it to not be a fire garbage language, because you will be severely disappointed. (not sure about other languages but english is like twenty languages piloting a grammar system so who the fuck knows)

ANYWAY be prepared to fight if you need to, and compromise, too. leave notes to yourself in places where you can’t come up with a perfect word or piece of phrasing, leave entire paragraphs for last if you must. if you get to the end and still can’t write them, consider what your fic will look like without them. it may still make sense, in which case it’s good enough

if you have seven years in which to write and rewrite the same thing in a madcap pursuit of perfection, then be my guest, but for most of us, this is the point at which you post/hand it over to your beta/get it out of your sight however you must

4. figure out what works for you. does hard rap help you write romantic scenes? can you only write at all when listening to canon in D on loop? does music make you want to rip your hair out when you’re trying to think? do you write better in certain word processors? when you can’t see the screen at all? do you like plain text or rich text editors? writing online or offline? in your room under 15 blankets in the dead of night or on sunny mornings in your favorite coffee shop?

the answers to these questions are gonna be different for everyone, so test a bunch of stuff and find what works for you

5. know your limits. how much can you write in how long? how long can you keep focused on one thing? take these things into account, and start small. start with character studies or conversations or worldbuilding or whatever, but start with something short. 100 or 300 or 500 words, 1k or 2k, just make sure you know how to write something to completion.

once you’ve proven you can do that, move up.

if you run in the opposite direction, where swathes of words are easy to create, then i envy you deeply and covet your prowess. this is more for those who are untried and enthusiastic ;;;

enthusiasm is good, but make sure you can make it to 30 chapters before you plan something that will take 50, and make sure you can write something that’s 10 chapters before you plan something that’s 30

i’ve noticed that a lot of the beginning stories that have spiraled out of control and into fame have been little, short, complete stories that the authors then decided to continue because they were inspired (two of the most famous longrunners in the ml fandom started out like that, i know, among a few others i’ve seen in other fandoms)

basically, figure out what you can and can’t do before jumping headfirst into a huge project you’re unprepared for ;;;

6. have fun with it. even if you think no one will like it, even if you know no one will like it. you came here to tell a story, and, sure, you’re probably here selling your soul for your reader(s), but if you don’t enjoy what you’re creating with all your heart, it’s bullshit.

don’t do that to yourself, seriously.

you’re telling a story for your reader, it’s true, but it’s a two-way street, and if you’re not satisfied, happy, enjoying what you’re creating, then it’s time to stop, time to switch tracks and try something new. you’ll just be killing your joy in your craft, otherwise

KEEP IN MIND that i’m talking about themes. i’m talking about plot direction and characterization and the ideas behind your words. what ships, what tropes, what kinks, what content you’re filling your story with, not the wording. remember that english is a fire garbage language that will only work with you sometimes, and don’t give up in despair if you can’t find the perfect word or conjunction

but MY POINT IS if you really love the ‘forced to share a bed’ trope or vampires or gay space aliens or the down and dirty of making parachute pants or, idk, cum inflation, then write it

and give the middle finger to anyone who tries to stop you*

(*from writing. i do not endorse committing actual crimes. whether or not your country has obscenity laws and how strict they are is probably something worth looking into if your loves run in that direction)

basically, if you aren’t convinced that your ideas are just the coolest shit out there, then it is possibly time to do some soul-searching

if you do think your shit is The Coolest Shit, then that’s going to come through. your knowledge and love of your content is going to come through. don’t worry so much about english’s fire-garbage tendencies, and just. love what you do. it’s the best reward to have even more cool shit you adore out there, anyway.

//coughs THAT WAS LONG BUT YES get out there, love what you do, AND HAVE FUN WITH OUR FIRE GARBAGE LANGUAGE ♥

anonymous asked:

Hello fandom guru! With the recent news that Tumblr has failed to meet Yahoo's expectations and has just been devalued by nearly $250million, should fandom be worried? The WSJ article on it has Yahoo stating about there are gonna be changes to try to make it profitable. Is it possible it means making it less fandom friendly, since fandom and business profits don't usually go well? Having gone through the LJ and delicious drama, I'm nervous. Should I be?

(The news in question, which you should all be aware of: Yahoo Writes Down the Value of Tumblr by $230 million)

Hi, anon! I was gonna make a post about this anyway, so I appreciate the question! But even more, I appreciate you thinking about these issues, because as a culture, we need to be thinking about these issues, as you well know. My answer basically falls along two lines of thought, so here they are.

1. Owning what we build

I keep thinking about this idea of ownership and profit in terms of fandom creating its own infrastructure. To me, fandom as a whole has suffered a bit because we’re currently relying largely on for-profit structures with WYSIWYG interfaces to build our communities. (I say as I type this directly into Tumblr’s wysiwyg interface.) I’m not saying that we should return to the dark ages of mailing lists and internet forums, but I think culturally and communally we lose something by not having to go in and physically build the spaces we inhabit. We’re looking at a generation of fans who have mostly grown up on Tumblr and Wattpad and expect these pre-made hosting spaces to just kind of be here forever—and to be cool about hosting fanworks and fan communities.

Whereas those of us who’ve been around forever know from experience that listservs can vanish overnight, web hosts and server owners can kick you off and delete your website, corporations can and will attempt to delete your communities because they think you write and draw illegal material, businesses can fold and collapse and leave you with years of fandom infrastructure completely demolished. 

I think that it’s dangerous to be fully disconnected from the backend, from the code. The main reason I even learned more than basic code way back when is that LJ’s early codebase sucked and was tinkerable with, and you couldn’t really participate effectively in the community unless you also learned how to physically build the community, whether it was by creating your own LJ style, making your own icons or theme, making your own LJ comms, or whatever. Like, I learned how to use Photoshop because I had to use it to make perfectly square 100x100 icons with a 1 pixel border. And I learned the value of tagging and curating because Delicious allowed us to basically build an entire fandom community around self-curated fic recs. And then there’s the AO3, which has essentially been hand-coded from the ground up by female-dominated fandom out of the principle that we need to own the damn servers because owning them ourselves is the only way to guarantee longevity. 

That can’t be said enough: owning and yes, even building, our own community spaces is the only way to guarantee longevity. If anyone who actually lived through Strikethrough and Boldthrough and LJ in general, much less the nightmare of Delicious shutting down, actually came to Tumblr with the idea that it would be our shiny new forever fandom home, I would be very surprised. But we’ve all been really content to just be here without seriously looking for alternatives and backups. And meanwhile, ask any Tumblr user under, idk, 16 or so, what the next fandom blogging and discussion platform will be after Tumblr, and I’m not sure they’d have any more of an answer than I do. 

2. Valuing female-dominated fandom spaces

It’s not like Reddit hasn’t been going through this same question of how to monetize its huge userbase, but the huge difference is that Reddit essentially already owns itself. Its community members chip in to help it keep running both infrastructure-wise and financially. Its male-dominated spaces are vastly more likely to have adults who want to hop in and get their hands dirty keeping the ship running, rather than jumping ship to go somewhere else. There were plenty of doomsday predictions about Reddit last year that came to nothing because at the end of the day, the community a) is willing to fight for its survival and b) has a major stake in the direction of the website by virtue of having built the Reddit community on a model of volunteerism, hand in hand with its management.

Tumblr’s userbase, on the other hand, essentially joined a ready-made platform that was already operating under a start-up model. The goal of Tumblr has always been to be a profitable business, so instead of viewing its users as the reason it exists, Tumblr sees its userbase as a byproduct of its existence. And I think we see that reflected in the lack of respect Tumblr users get (especially compared to Reddit’s users, who are typically revered in new media as some kind of pinnacle community of the Internet). Even though Tumblr’s userbase is the wealthiest demographic of any social media platform, it’s been repeatedly derided by industry experts as a site for tweens and dumb memes and not a source of revenue potential. In part, Tumblr’s business problems are due to the social devaluation of female-dominated communities and activities—which is literally translating to an economic devaluation. 

But half the problem, IMO, is that the businesses who understand Tumblr culture are smart enough to know that they can successfully engage Tumblr users without spending a bunch of money because the whole site is free, and the things Tumblr users value about the site are things smart and savvy businesses & people (like Mic, Dennys, Buzzfeed, Grimes, etc) can tap into without spending any ad dollars. Whereas the advertisers who spend a lot of money trying to reach Tumblr through traditional banner ads are out of touch and don’t seem to have a clue what Tumblr users value. And why should they? Outside of Tumblr, things like an amazing reblog chain or gorgeous fanart or discussions about diversity aren’t seen as cultural capital. As a community and a culture, we can’t expect our work to be viewed as “profitable” work. 

The takeaway:

For me, the takeaway is that if we want to maintain social media communities around fandom in the future, we either have to figure out ways to build our own communities ourselves, or ways to talk about fandom that increases the visibility of fandom culture and increases respect for it among the mainstream, so that investors of potential social media platforms realize the value of what they’re investing in. This is something that so far Wattpad has been able to do really well, so it’s definitely something that’s possible. But Wattpad also evolved its business policies by building its services around its userbase, which Tumblr has never really done.

Does that make sense? Sorry for the long reply, but obviously this is kind of a big deal. :)

anonymous asked:

1) The thing is I don't think it's a coincidence that queer theory has been appropriated and "distorted" like that. It happens to a certain degree with all forms of social analysis (see how intersectionality was bastardized...), but what's particular to queer theory is that it kinda ALLOWS for people to make endless theorizations (some being really ridiculous), without getting outside the frame of queer theory if you see what i mean. Even the name like... it's a slur. Women's studies aren't

2) called “Bitch studies” for a reason. I think there’s a problem because queer theory finds most of its limits in concrete, material situations. Because honestly, a lot of it is good for the books but not so much for the streets, even less for dismantling harmful social structures. I guess something can come out of confronting theory to reality, but atm we pretty much get deeper and deeper in “the discourse” which is a total mess. Idk if any of what I said made sense lol but what do you think

Thanks for sending this! I think a lot of things and I agree in some places and disagree with others.


First, I think it is important to situate queer theory. I would argue that queer theory has a beginning and end an is pretty strongly temporally bound. I would also say that queer theory “happens” or begins during and immediately after the HIV/AIDS crisis and so that is an important background that is worth not just noting but foregrounding. Setting is important, and it properly includes time. So queer theory as a discipline arises largely as a response to the AIDS crisis imo. That is a very particular historical moment with a very particular material reality, and that reality includes massive shock waves of death making their way through LGBTQ communities. I for one don’t think it would make sense to call anyone publishing today (even someone publishing about monosexual privilege or another poorly-built framework) a queer theorist.


Secondly, I think we should try to define as much as possible the goals of queer theory. Often I think LGBTQ people who are opposed to queer theory on principle believe that it is about stripping away meaning, about removing history, etc. But those are all misconceptions and bad readings I think. Queer theory was an emancipatory project, the end goal of which was total and complete liberation. Within the body of work we now call queer theory we find a lot of truly radical writing about the particular toll capitalism takes on LGBTQ people, about the importance of the unpaid labor women perform on a daily basis, about the destruction of a socioeconomic order which is stacked in every way against us.


Thirdly, I think it is important to note that -queer theory- has influenced other fields and existed in dialogue with them.  I don’t want to spend too much time on this point but the gist is this: a literary critic who is fond of queer theory will infuse it with their literary criticism in explicit and implicit ways and expose lit critics to the framework without their knowledge, and I’d argue this is one of the two ways queer theory became so distorted. The second is that the field was popularized a lot through word of mouth, and from the academy (not the birthplace of queer theory, but certainly a home for it at the time) to the street the game of telephone made what people now call queer theory something that’d probably unrecognizable to the authors themselves. This is even true within the academy itself, as ideas get watered down by spreading from one field to another (see here how “intersectionality” gets tossed about as a term for an example). In fact, the line between queer theory and third wave feminist work is really thin and that’s important. bell hooks? Feminist critic imo. Audre Lorde? I think a lot of her work falls under the umbrella of queer theory.


Fourthly, I want to sort of circle around to queer theory’s relationship to the HIV/AIDS crisis and tie these to its goals, which we can do through just examining the name of the field to start. Queer theorists were not the first to write about LGBTQ people, and many wrote about the relationship between these new studies and what had previously been called gay and lesbian studies. Not only did queer theory aim to include bisexual and transgender people, but it aimed to put into question all of its biases, all of its histories, all of its whitewashing, all of its presumptions about the way the world worked and who LGBTQ people are.


NOW, to get to what is basically my point, what queer theory sought to do, was answer the question: Who are we and what do we want? Gay and lesbian studies, a field quite welcoming to biases of all kinds from white racist lesbians to transphobic gay men, had given a fairly solid answer to the first question of who we are, but in the aftermath of the HIV/AIDS crisis I would argue that (in the eyes of queer theorists) the definition wasn’t expansive, meaningful, or useful enough. What queer theorists were attempting to do was create an entire ontology of queerness, an entirely new way of thinking about who we were and where we came from and where we were headed. This is why so much of queer theory exists more on the page than anywhere else and transfers off of it poorly- a lot of queer theory was an ontological exercise, an exercise in trying to find frameworks which could connect that DO exist between poor black people and gay people of almost any class status.


They articulated it poorly in many cases, in my opinion. But the question was: Who are we and how did they let us die and know we were dying? How could we be so bad, so fundamentally wrong in this world, that we could be allowed to languish while those who could offer us help laughed in our faces? This is the fundamental question I think we need to keep in mind when we talk about queer theory. There is a very particular and visceral reality that queer theory came from- lists of dead friends, former lovers languishing, landlords laughing that AIDS would clear poor gays out of slums for them to gentrify- that I honestly don’t think any of us will ever be able to understand who haven’t lived through it or something similar, and that setting is intricately tied to queer theory as a field. QUEER theory was explicitly about the figure left to die, a president who turned his head and laughed at the gay disease, families disowning their outed and sick children- the queer, the useless, the absolutely unnameable disgusting monster left to rot in the street whose funeral was a few other friends who may also have been sick. QUEER theory was about how bad a people must be considered to be laughed at as they died in mass numbers. Who do you laugh at while they die? Queers. Who do you make fun of until they kill themselves? Queers. Who do you deprive of any resources? Queers. And of course if you’re asking who’s being hurt and killed, you include a lot of groups- including the poor, black heterosexuals, straight women who’ve kissed other women and feel embarrassed about it- that need to be excluded. But for the purpose of asking, who do we need to liberate immediately????, the answer is complex and broad and includes a lot of people. I’d say that is at the heart of queer theory’s use of the term “queer.” If women in the US suddenly began to die of one disease and the public did nothing about it and in fact celebrated their deaths (I know this happens with lots of things but I mean in a way closely tied to how the HIV/AIDS crisis was seen and happened) I don’t think it would be difficult for me to imagine “bitch studies” popping up to talk about the “bitch” as a hated and publicly humiliated figure.


To wrap this up (it got longer than intended) I’d like to say I’m neither 100% YO QUEER THEORY IS GREAT or 100% QUEER THEORY IS SOOOOOO AWFUL AND USELESS. I like it a lot though. A lot of it looks like nonsense because it sort of is and doesn’t have too much useful application to the everyday lives of LGBTQ people. And I don’t think it is even a little bit useful to include the people some queer theorists might have under “queer,” even as an academic exercise. But I also recognize that queer theory came out of something really horrifying and attempted to make sense of that. So do I like or even find useful José Esteban Muñoz‘s concept of queer temporality? No, and I think it’s nonsense and defeatist to be perfectly honest. BUT I also think it should be understood as trying to talk about moments in which LGBTQ people can be allowed to exist and growing those moments into something beautiful and I respect that, even if I don’t like how he articulated it. A lot of the mess we are in with queer culture is less about queer theory and more about the infusion of it with other elements that have gone unchecked in the culture: racism, lesbophobia, misogyny, transphobia, etc etc. Left unaddressed, those issues combined with something as pomo as queer theory gets very bad very quickly.


TLDR/shortened for accessibility: Queer theory is neither 100% good nor bad, and attempted to study the figure and image of the “queer” as a particularly rejected, hated, and mocked image. In doing so, it included people under the term that I think many of us now understand as inappropriate to put there. Queer theory also attempted to wrestle with the question of how the “queer” could be left to die, and just who we must have been and where we must have come from to be labelled and treated this way.