idk how to draw couple stuff

anonymous asked:

are you gonna draw any more mp100?

possibly? sorry pal I still love it, it’s just I’m trying to not draw/look at screens too much since *that-thing-that-happened* so I’m likely to be slow on fanart doodles for the next couple of days/weeks (also you gotta remember I’m like, one of those dreadful people who does huge splurges of fanart for a thing for a few months then moves onto yet another obsession like bro were you even here for my Gravity Falls stint that was wild)

4

So a couple of months back, all the mods of @securecontainplsno tried to draw each other in their styles and ah….well I was doing stuff so I didn’t have time until now also i forgot and so I decided to do them today while I had time, Top one is my usual style, but i havent drawn myself in forever so i just did it quick to get it overwith lol

@beheeyem honestly I dont know how you make everything you draw so cute??? like your art style distills everything into its cutest form and idk how to even begin to replicate that??? and how you color looks like colored pencil and anyway????

@caffeinateddecaf I made you a homestuck im so sorry. Your art style is super hard like???? your colors are top notch and i dont even know how you do lineless like its nothin? and making ppl round but also sharp? um?

@parenthesisgrey I LOVE YOU AND I LOVE YOUR ART STYLE BUT IT TOOK LIKE FIVE TRIES LIKE ANGLES??? HOW???? IT LOOKS SO GOOD WHEN YOU DO IT I DONT UNDERSTAND AAAAAAAA YOUR ART IS THE OPPOSITE OF MINE AND I SHOULD STOP YELLING BUT DAMMIT

So

After ruminating on things for the past couple days and after the initial discussions I had with a few extremely kind friends/Tumblr folks I’ve decided that at least for the moment I will try to continue to upload drawings.

I’m unsure how long I’ll keep it up as I had considered giving it up by the end of the year if I’m not somewhere by then after the convention I’m attending in September but idk.

Anywho thank you everyone who tried to help and messaged me or liked my stuff in the meantime, I hope I count on continued support as I really need and appreciate it~

Current projects otherwise are uploading old poetry to my other tumblr and I’m working on a pencil reboot of All Hallows’ Havoc

Thanks again everyone <3

I stoped working a couple of weeks ago and i thought ‘hey that’s nice because i now have more time to draw’, but i got used to not drawing my own stuff for more than a month and a half, and now that i started again i kind forgot how to draw?? Everytime i try is a mess, things that i could do so easily before now takes me ages! I draw way worst, this is not like an art block is like going backwards instead of moving foward and i am bit scared and sad.. i just want to draw like before, i miss it, why can’t i?

wow. so...Josh's inconsistent age means that the crew's work doesn't matter? wooooow.

First of all, I cannot believe there are people who actually believe dialogue is the only thing that really matters on a teleVISION show.

Like wow. Unless you are a younger teenager or a child, that level of ignorance is just sad. It’s pathetic. Why do you even bother watching the show? Just read a transcript and make everything else up in your head. Or listen only to the audio. Why even bother praising the crew? You clearly don’t believe their jobs mean anything or contribute anything meaningful to the story.

If the only important element of how this story’s being told was the words, Girl Meets World would be a damn novel, not a television series. And a damn boring novel at that, with nothing but dialogue. Clunky dialogue too, since they’d have to be constantly describing where they are and what they’re doing.

Second of all: WOW! are there really people who don’t understand how completely aware these writers are of the various continuity issues (particularly in the old show)? Y'all wanna use the discontinuity of BMW to discount the level of visual detail and intricate plotting on GMW (which, like BMW, constantly makes self-deprecating jokes regarding imperfect continuity), but you don’t seem to understand the difference between screwing up the continuity and screwing up the STORY. Y'all sit there acting like they just eff up the continuity without realizing or caring. No. They’re more than aware, most of the time.

The actual deal is that these writers are willing to toss certain types of continuity out the window if it’s more convenient or if doing so MAKES THE STORY BETTER. And when they do, you can pretty much bet they’ll lampshade it eventually. They know. Cue Morgan: “That was the longest time out of my life!” (And can we talk about how Jacobs wished he could use both Lily & Lindsay interchangeably on GMW, cutting between them as if they were the same actor? 😂)

There is a HUGE DIFFERENCE between not giving two flips about Josh’s exact age and dressing the set or the characters for a particular episode. Characters are dressed with intention and their costuming is chosen carefully to serve the story. Even if the kids get some degree of creative input, they are NOT just waltzing into wardrobe and dressing themselves in whatever. Just about everything you see onscreen is there with some kind of a purpose, even if it’s just to give the actors some movement. But most of what you see is there to INFORM and HELP TELL THE STORY. Right down to the crew taking the time to SWITCH OUT the Matthews’ appliances for something cheaper in the Bay Window flashback to Auggie’s birth. It was even confirmed at the taping last week that Michael Jacobs himself is involved and very hands-on in choosing what goes on the classroom walls and what the bulletin boards look like. Why would the freaking executive producer be involved with that stuff if it didn’t matter?

It’s not an issue of “not knowing” how old Josh is, it’s a matter of NOT CARING. Because Josh’s exact age doesn’t matter. This story is not about Josh Matthews or his exact age. If it serves the current storylines better for him to be three years older than Maya instead of just two, if they WANT him to be 18 today instead of 17 (oh hey, happy birthday Josh!), then he’s 18! Hell, back on BMW he went from being a premature newborn to a toddler in one season flat. And they KNOW this. I guarantee you when they decided to bring him back for GMW, someone in the room said “okay, how old should Josh be? his original birth age or the age he’d be based on how he looked in the series finale?” And what’s more, if they decide in season three that they wanna make him an uber-young college freshman (perhaps so his potential involvement with Maya is less…issue-ridden), they will make him 17 again without batting an eyelash. They don’t care about maintaining perfect continuity, but for the most part they KNOW when they’ve tossed it out the window. Not every time (the whole thing with Lucas’s mom/Crazy Hat seems to have got by them, for example), but most of the time.

I mean jfc, if you think these writers aren’t totally aware of most of the discontinuity, please go watch Topanga tell Riley about her and Cory’s first date(s) again. Or, idk, listen to that bit in Pluto about how history books can be wrong…THEY KNOW.

People are seriously trying to say visual details don’t matter on teleVISION and that they aren’t keeping track of this stuff or deploying it with intention because they “don’t know” Josh’s age, and yet we’ve got stuff like the return of May’s guitar, Maya’s drawing from Boy on the wall in the fake Maya’s room, Beary-Bear repeating in a couples episodes, Farkle’s turtlenecks as a recurring motif (and mentioned in the DIALOGUE, so), NOT TO MENTION the whole thing with Lucas’s boot(s). I PROMISE you the wardrobe and set and prop departments keep track of stuff like that. I GUARANTEE you the writers and the crew are more than aware of symbolic objects and their placement in the show (how many horses and unicorns were there in the Bay Window musical scene again? 😂)

Hell, at the taping I went to last week, there was a guy who basically just rolled and unrolled the rug in Riley’s room in between takes for a while. Literally. Someone earned at least part of their paycheck last week by picking up and putting a rug back down between takes. And that’s not even for any kind of a major story hint, it was just for visual consistency between the shots and to keep the cameras from having to roll over the rug when they pushed in for closer shots of the actors. (Although of course the rug is part of the new decor of Riley’s room, which helps tell the story visually by showing us how she’s matured—a more grown-up room for a more grown-up girl.) For one of the kitchen scenes, they had a guy taking photos of where the food props were and then resetting them just-exactly-so for each new take. And that was pretty much just for a pair of juice glasses Topanga was moving from the table to the counter. They were keeping meticulous track of the relatively mundane objects in those scenes, and I GUARANTEE you similar attention is paid to symbolic elements when it comes to props and set dressing.

GAH! I am just sick to damn death of ignorant buffoons devaluing and dismissing the artistry of this show. Good lord. Pull your head out and APPRECIATE the freaking ART in front of you. Wift your heads already.

idk how many of u guys know him but i recently got back into watching haydunn’s videos–he’s a super chill guy and he does pokemon lets plays and stuff like that. you should check him out!!