Last year, I made my first video top ten (which you can see here), and while that was fun, as it so happens I’m a bit too busy right now to go through all the trouble of making a video at the moment. So here we are, back to the old way of doing things.
On an interesting side note, I found an unintentional theme in my list this year. Many of my films are in some way about the creation of art, as well as the price paid to be a great artist. Also, many of these movies could be seen as “coming-of-age” films. Once again I find myself astonished at how many great films came out in a single year (and I haven even seen all of them yet). So as usual, you can find my long list of “honorable mentions” at the end.
Like always, this is just my personal top ten films of the year. Even if we share the same tastes, I guarantee you that my list would be different than yours. It’s just too subjective.
So starting at number ten and counting down… here we go!
10. Mr. Turner
As far as pure craftsmanship goes, “Mr. Turner” is perhaps the most well made film of the year. Mick Leigh is a master, and every shot is purposeful and completely stunning. The film itself looks like an old beautiful painting. Timothy Spall sinks deep into his role as J.M.W. Turner, and it’s probably his best performance to date. The deliberate pacing and lack of traditional structure might turn away some viewers, but “Mr. Turner” is nevertheless a great work of art, and a portrait of a fascinating man.
I knew very little about this film before seeing it, and I think that’s a good thing. From the opening scene, I instantly fell in love with this darkly funny film. At it’s core, there’s some rather deep subject mater, and yet “Frank” cleverly offsets this with some truly hilarious moments that keep the film entertaining throughout. Domhnall Gleeson is outstanding here, but of course, the real star of the show is Michael Fassbender, who gives an incredibly expressive performance despite the fact that we can’t see his face. I enjoyed nearly every moment of this picture, and it’s definitely one that you need to see.
Some films just belong in the Critrion Collection. Ida is one such film. It’s haunting and artful and features the best black and white photography I’ve seen in years. The sharpness and contrast of every shot is remarkable. The narrative is beautifully simplistic. In fact, the minimalistic nature of the film as a whole is part of what makes it so special. “Ida” is sparse, gorgeous, and masterful. Certainly one of the best foreign films of the year.
7. Only Lovers Left Alive
Vampires are cool, but Tom Hiddleston and Tida Swinton bring it to a whole new level. These old lovers have seen it all, and while they still appreciate art, science, and philosophy, they’ve grown tired and indifferent while mankind continues to make the same mistakes. Jim Jarmusch’s film is a special kind of vampire story, because it may be the first one to really capture just how lonely, dangerous, and exhausting being immortal really is (or would be). "Only Lovers Left Alive" has a deliberate pacing that glides slowly along with it’s characters. Along the way, we learn how they live and what they’ve grown to appreciate, and it’s all quiet fascinating. It’s my opinion that “Only Lovers Left Alive” ranks as one of the very best vampire films ever made.
6. The Grand Budapest Hotel
A Wes Anderson film can always put a smile on my face. His last few films have been some of his best, and “The Grand Budapest Hotel” is certainly no exception. This film is so beautifully stylized, and so hilariously funny, I find it hard to believe that there’s anyone who wouldn’t enjoy this film. The cast is fantastically entertaining (especially Ralph Fiennes), the colors are vibrant, the humor is clever, and the filmmaking is flawless. When I saw “Moonrise Kingdom”, I said it might be Wes Anderson’s best film yet…. when I saw “The Grand Budapest Hotel”, I said the same thing.
5. The Duke of Burgundy
Captivating and visually arresting, Peter Strickland’s “The Duke of Burgundy” is one of the most compelling films I saw all year. It’s beautifully shot, colored, and textured with elegant pacing and precise direction - I really can’t say enough positive things about this film. It’s surreal and challenging while retaining a soft and gentle nuance of love and tenderness. “The Duke of Burgundy” certainly won’t be everyone’s cup of tea, but I found it extraordinary and deeply inspiring.
I know many cinephiles will probably place “Boyhood” as their number one film of the year, and I wouldn’t fault them for that. Richard Linklater’s “Boyhood” is one of the most innovative and uniquely profound films ever made. Shot over the course of 12 years, we literally watch Mason grow up before our eyes. It’s a remarkable experience unparalleled by any comparisons I could make. We owe it to Linklater for having the guts to push our medium forward in such a beautiful way. This will probably win Best Picture at the Oscars, and it’s easy to see why.
3. Birdman: (or The Unexpected Virtue of Ignorance)
Simply one of my favorite cinematic experiences in a very long time. In the first scene, I made a mental note that we were in a long take, but to my wonder and astonishment, that long take never ended. There are, of course, cuts and interludes (this isn’t a “Russain Ark” situation) but the effect is very much thatAlejandro Iñárritu’s film is one singular shot. It’s remarkable, but could be called nothing more than an impressive gimmick if the film itself wasn’t so strong.
This is the best cast ensemble of the year, and the cinematography is gorgeous (made more impressive again by the long takes). But “Birdman” also has some interesting things to say about the creation of art, as well as the criticism that always accompanies it. It’s an intriguing film, and one with something to say. I loved every minute of it.
2. Vi är Bäst!
Every year, there are films that just seem to come out of nowhere and surprise me. Before it was released, I knew nothing of “We Are the Best”, nor was I familiar with Lukas Moodysson’s previous work. However, this film was perhaps the most enjoyable film I saw all year.
If you know nothing of this film, it’s the director’s adaptation of his wife’s graphic novel “Never Goodnight” (by Coco Moodysson). It centers around three young teenage girls living in 1980s Stockholm who start a punk band - despite two of them not knowing how to play an instrument. While the band plays an important role in the film, some of the most interesting scenes are when the girls are simply hanging out. The performances from these three young ladies are perhaps the most natural I’ve ever witnessed from anyone their age. At times, it seems that they’re not even acting at all, as if the cameras just happened to be there to catch these authentic moments. These girls are so funny, enduring, and most importantly, real. This film understands what it really means to be a hardcore punk. And that is a rare thing. I really can’t say enough good things about “We are the Best”. You just need to see it.
And my number one film of the year is…
This is not the most ambitious film of 2014. It’s not a space epic. It wasn’t shot over twelve years. It doesn’t give the illusion of being one continuous shot. It’s not even by a famous director. Yet, “Whiplash” was the single most thrilling piece of cinematic art I saw all year.
“Whiplash” tells the story of a young ambitious drummer who dreams of being one of the great jazz musicians of our time. He soon finds himself under the mentorship of a cutthroat teacher who is willing to do whatever it takes to push his students to the limit. The film shows painful abuse and heartache, but then just when you think the film will find contentment in an obvious solution, it aggressively charges forward into the single most intense, passionate, raw, violent, and beautiful final scene of the year. A scene that made my heart race until it finally cut to black, and the credits rolled. Then, and only then, did I finally catch my breath. This film bleeds with a passion that’s visible in every aspect, from its photography, to its editing, to the stellar performances. Enough can’t be said about Miles Teller and J.K. Simmons. They both give 100% to their roles, and it’s both beautiful and heartbreaking to watch.
I found “Whiplash” to be painfully relatable at times… and I’m sure that contributed to my fondness for the film itself. Nevertheless, I think everyone should see this amazing work of art. Damien Chazelle has crafted a challanging look at what it truly means to be a young artist with high ambitions. The road to greatness is filled with suffering, pain, loss, frustration, blood, sweat, and tears… and it seems the filmmakers here understand the price that is paid.
So there you have it - My top ten films of 2014. Please let me know what your favorite films were! Now, some of you may have noticed that a certain favorite director of mine not on this list…. so please see my honorable mentions below.
Inherent Vice - I know! I know! I can’t believe it either. P.T. Anderson is my favorite director, and I do love this film…. it just didn’t move me like his other work as done in the past. “Inherent Vice” is great. I just like 10 other films more.
Gone Girl - Yet another one of my favorite directors. David Fincher is to the point where he really doesn’t make bad films anymore. The craftsmanship is just too good.
Calvary - This is a touching and somewhat heartbreaking portrait of a priest genuinely trying to live a good life. A thankless job to be sure. It’s bleak but Brandon Glesson gives a wonderfully tender performance.
The Babadook - Rich with metaphor, this is easily one of the best horror films in years. Love it so much, and you really need to see it.
Under the Skin - Who could forget this surreal work of art from Jonathan Glazer? Scarlett Johansson does wonderful work here.
Jeune & Jolie - “Young & Beautiful” was an underrated French film from François Ozon. I really loved it a lot, though I might be in the minority.
Snowpiercer - Joon-ho Bong is a crazy good director, and “Snowpiercer” is a thrilling sci-fi action movie far more worthy of your time than most summer blockbusters.
Top Five - Chris Rock made an excellent film with a deep Woody Allen influence. I really hope he will continue this style into future projects.
Foxcatcher - A remarkable film. Bennett Miller is on a roll. There’s really nothing to complain about with this film. See it.
The One I Love - A fantastic little gem from Charlie McDowell. Mark Duplass and Elisabeth Moss are great.
The Imitation Game - A very sharp screenplay, and a brilliant performance from Benedict Cumberbatch.
A Most Wanted Man - The last leading performance from my favorite actor.
Guardians of the Galaxy - Finally, Marvel made their finest MCU film yet. It’s fun and fast and a really great watch.
Unfortunately I did not get the chance to see “A Most Violent Year”, “Winter Sleep”, “Goodbye to Language 3D”, “Leviathan” and serval other foreign films. I’m sure they all could have made my list if I had seen them.
The Ida B. Wells’ quote about lynching relates to America today. The new form of lynching is the police brutality. Consider how lynch mobs would stand watching a victim’s body die by burning or hanging. Once the victim of police brutality is shot dead, police just leave the body for a long time before calling for medical assistance. The rate of lynching during the Jim Crow period is the same as deaths from police brutality.
Some say that the reason that many blacks are getting shot by police is black crime. The thing that they leave out is that the crime comes from poverty which is an effect of the War on Drugs. The war was set up by President Nixon and J. Edgar Hoover to destroy the confidence that the Black Panthers brought to black communities and neighborhoods. The police brutality is costing the lives of the blacks. Just like Wells stated, there have been no efforts by moral forces or leaders to put an end this “wholesale slaughter.” This shows that the blacks must unite together just like they did during the Civil Rights Movement to put an end to the new lynching.
❝Patti and I without the kids ― we’re sort of still learning. The kids have gone from the nest, but they’re only around the corner; most of the time they’re all up at the house anyway. We have a lot family, especially Patti, an enormous family. Ours is a tribe, not a family!❞ ― Keith Richards.