In this issue of Ibraaz, Arsanios and Kabra touch upon several projects and connect points of view on feminism, Al-Hilal magazine publications in the 50s–60s, performance, and destroyed bodies and architectures that mark the remnants of violence induced on the human body by modernization.
Above: Marwa Arsanios, OLGA’s NOTES, the library (installation view), 2013. Books and display. Courtesy the artist and Art in General. Photo: Charles Benton.