i'm not sure if i'm doing it right

  • what she says: i'm fine
  • what she means: so the boys come up to my apartment and i'm wearing a robe. i'm ONLY wearing a robe. and i say "why don't you come into my boudoir and watch me do a monologue?" and they say "where's the bed" and i say "this is the bed right here" and they say "can we sit on the bed?" and i say "sure but these are expensive japanese linen" and they say "but they're not even soft." and i say, "sometimes, things that are expensive...are worse."
10

Don’t forget Gorillaz fans, Jamie Hewlett exist! He made all you’re favorite band members come to life in the music videos, shorts, ect! He continues drawing them countless times and works day and night to give you new content with the band members! So please appreciate him!!! ❤❤❤

Ravenclaw Headcanon

Ravenclaws love and hate ambient noise. It needs to be a specific kind of noise depending on what they’re doing, and if it varies too far from the ambient noise they wanted, they just find it distracting.

  • them: what are you thinking about
  • me, in my head: so the boys come up to my apartment and i'm wearing a robe. i'm ONLY wearing a robe. and i say "why don't you come into my boudoir and watch me do a monologue?" and they say "where's the bed" and i say "this is the bed right here" and they say "can we sit on the bed?" and i say "sure but these are expensive japanese linen" and they say "but they're not even soft." and i say, "sometimes, things that are expensive...are worse."
  • me: nothing

Voltron AU where everything is the same except the Blade of Marmora episode is basically the RING OF FIRE!!! scene from Finding Nemo

Kolivan: Brother Antok, proceed.
Antok: Keith! Newcomer of red and white! You have been called forth to the space between spaces to join us in the fraternal bonds of bladehood!
Keith: … huh?
Thace: We want you in our club, kid.

4

“i don’t have the tears to cry anymore. but…i at least have to keep yu safe” // “i promise you, mika. even if i have to sell out the whole world to do it, i’ll make sure you’re turned back into a human.”

Person: Why on earth do you fall in love with fictional characters rather that real boys?
  • Jem Carstairs: I can offer you my life, but it is a short life; I can offer you my heart, though I have no idea how many more beats it shall sustain. But I love you enough to hope that you wil not care that I am being selfish in trying to make the rest of my life - whatever length - happy, by spending it with you. I want to be married to you, Tessa. I want it more than I have ever wanted anything else in my life.
  • Augustus Waters: I’m in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we’re all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we’ll ever have, and I am in love with you.
  • Maxon Schreave: I want everything with you, America. I want the holidays and the birthdays, the busy seasons and lazy weekends. I want peanut butter fingerprints on my desk. I want inside jokes and fights and everything. I want a life with you.
  • Will Herondale: Marry me. Marry me, Tess. Marry me and be Tessa Herondale. Or be Tessa Gray, or be whatever you wish to call yourself, but marry me and stay with me and never leave me, for I cannot bear another day of my life to go by that does not have you in it.
  • Dimitri Belikov: I love you, Roza. I'll always be here for you. I'm not going to let anything happen to you.
  • Ian O'Shea: I held you in my hands, Wanderer, and you were beautiful.
  • Percy Jackson: The world was collapsing, and the only thing that mattered to me was that she was alive.
  • Patch Capriano: I missed you, Angel. Not one day went by that I didn't feel you missing from my life.
  • Ethan Wate: I never loved you any more than I do, right this second. And I'll never love you any less than I do, right this second.
  • Tobias Eaton: I might be in love with you, but I'm waiting until I'm sure to tell you.
  • Jace Herondale: I love you, and I will love you until I die and if there’s a life after that, I’ll love you then.
  • Peeta Mellark: My nightmares are usually about losing you.
  • Real boys: ...
  • Real boys: ...
  • Real boys: ...
  • Real boys: ... nice butt
  • Pete: Hi
  • Brendon: it was the summer of 2001, and Joe meets Patrick and he's like "yo, I know about music." then Patrick's like "yo I know more about music!" "that's impossible. so you wanna start a band?" and Patrick's like, "yeah that's cool." and then, he's like "yo this is a book store not a music store." and then they met at Patrick's house. so Patrick's wearing shorts, socks, and a hat. Patrick is playing drums for some fuckin' reason and then Pete's there for some reason. and they start playing music together and they're like "oh, let's play some covers from some other bands." it was like Green Day, and fuckin' Misfits, and fuckin' Ramones. Pete said to Joe, "yo, that's dope, but we need a fuckin' drummer." because Patrick's playing drums and he's a singer. Patrick's like "yo, I got a soul voice," and they're like "wait how do you have a soul voice?" and he's like "yo, watch this: YEEEEEEeeeeeeEEEEEEeeeeeeeeEEEeeeeeeAAAAAAAAaaaaAAaahhh!" and they're like, "oh my god, that sounds like soul!" so they put it in a song, and it was like, "WHERE IS YOUR BOY TONIIIIIIIiiiiiIIIIIIIIIiiiIIIIIIIGHT?!" and they're like "yo that's fuckin perfect, this is Fall Out Boy." and they made records like Evening Out With Your Ex-Girlfriend. Evening Out With Your Ex-Girlfriend, everybody loves it. "it's called Evening Out With Your Girlfriend." with your ex-girlfriend. it's called evening out with your Ex-girlfriend. it's called eating out your girlfriend, and it's real and it doesn't matter. and Pete talked to Patrick and Joe and he's like "you what the fuuuuuuuuuuuuuck. yo, this is gonna be fuckin' doooooooooope!" so they made a record and it was called Take this to Your Grave. they made it without a drummer, and they had like 3—4 drummers come in. The four drummers they had come in were like Josh Freese, Neil Pert, the dude from Toto, the fourth one was like the guy from Papa Roach or something, and they're like "you, we need Andy Hurley. Andy Hurley. Take This to Your Grave. Fuckin' record it." and he did, and he killed it, and he was like "bigidalililililillillilila, PSHHH!" killin' the skin, tapping the skins, tapping the rim, playin' the shit, killing these bitches, rapping it out. you're getting a fucking tattoo right now?! what the fuck is going on?! We should get signed to Fueled By Ramen, 'cause thee guys know what the fuck is going on. and they were like "yo, if you can make our scene any bigger than it is, which is not fuckin' hard, we will sign you guys." and Pete was like "yo, we got this record that's fuckin' dooooooope, dude, it's called Take This to Your Grave, it's called From Under the Cork Tree it's gonna be fucking huge." and then Patrick's like "I gotta keep it real, I gotta keep it artistic, these are three songs that are gonna make the album and it's called-BURP-Thnks Fr th Mmrs, 20 Dollar Nose Bleed, and Sugar, Were Goin' Down. and they made this record that was fuckin' dope, and it fucking hit on the charts like one two three, three two one, three four five six seven eight nine ten. ten to one. From Under the Cork Tree sold like four million records. ten million records. fifteen million records. and Brendon Urie had nothing to do with the entire record. and Patrick was like "that's gooooOOOOoooooOOOOOOOOd." Pete was like, "yo, fuck you I can do whatever I want." and Joe was like, "yeah it's cool man whatever I don't give a shit." and then Andy was like "eh, cool." and Pete was like "Make up is fuckin' great for a guy. because it makes a guy look beautiful, which a lot of times, a guy is not beautiful. and I wanna change that. I wanna make sure everyone thinks that guys are beautiful." I'm good so far yeah. yeah I do. SHUT THE FUCK. oh fuck, alright alright. Pete was like "oh my god, I'm so embarrassed about this dick pic." and then I saw the dick pic and was like "ah it's not bad." it's not a bad dick. let's be real. we made Rollins Stones one issue before Fall Out Boy. and Fall Out Boy made the issue right after us and they were so pissed they were like "yo, fuck you guys!" they're like "yo! Panic! has the fuckin' cover for Rolling Stones, yo, fuck these dudes, we're gonna fucking go miles above. we're gonna hit every fuckin' continent there is known to man." but they didn't because they missed a second of time. apparently they were like "oh shit, we got every continent." and they didn't actually hit it. dude, and Pete was like, "WHAT THE FUCK?! 'oh you didn't fuckin' make the continent' it's like FUCK YOU!" so From Under the Cork Tree happens, we fuckin' have three-four years of awesomeness. like, people are coming in themselves 'cause it's so big. Alright so Fall Out Boy was like-- so Patrick's like "yo, we are going to name these records from under the Cork tree and from Innity-- from infinity on high." Pete was like "yo folie à deux means the theatric of two." "The madness of two." oh sorry I'm sorry. follow boy was like "yo we got to take a break." Meaning Pete was like "yo we got to take a break bro." and Patrick's like "I need time for my music. UHUhUhUHuhUUUh." and joes like "yo I need time to find the fucking art dude I got to find some fucking me-- metal" and andys like "i'm just gonna play with some fucking metal bands." and they're like "all right this breaks been like three years long two years long three years long 3 1/2? we gotta fucking come back man we gotta come back strong." you took my beer away what the fuck? "no you poured it all over yourself." "yeah you poured it on yourself man here." "we got to make this shit legit it's gonna be fucking dope it's going to go fucking sky high. we're going to make a fucking record that sails the skies. we're going to call this record save rock 'n' roll." so they made alone together light 'em up alone together Phoenix. and everybody's like "what the fuck? you're working with this guy who fuckin' recorded Avril Lavigne and P!nk." is this pu-- what the fuck is this on my shirt, did I puke on myself? oh god. Pete was like "yo were gonna end up on a tour with Panic! At The Disco and twenty pilots. and that's all and that's all that matters. and that's just how the fuckin' story goes."
2

( insp. ) monsters are most dangerous when they’re afraid. 
   @vaveyard

8

it’s always sunny in philadelphia character tropes charlie kelly; would it be weird if you survived an abortion? would it be weird if, like, you shared a bed with a man who may or may not be your father? would it be weird if you eat cat food to go to sleep and you have such a fascination with cats that maybe you glue cat hair on the back of your neck every now and then?

Small dump of random ideas I have on improving Fates’ plot in general

Because I’ve had these ideas for quite a while now, and it’s extremely unlikely that I get around to doing anything with them any time soon.

  • An explanation of what Valla actually is: My idea is that it was originally an entire country between Hoshido and Nohr, at the place where during the main story the Bottomless Canyon is. When Anankos went mad and rampaged, the magic energy involved created a rift between Hoshido and Nohr in the form of the canyon, while transporting Valla into this “floating island dimension”.
  • Explaining how the royal families of Hoshido and Nohr came to be/got their “dragon blood”: The divine dragons of Hoshido and Nohr (y’know, the ones depicted in the statues) could for example have chosen to permanently assume a mortal human form instead of risking to go insane like Anankos. They could have founded the royal families.
  • Replace the curse on Valla with something else: Instead of causing everybody who talks about Valla to “disappear” for vague reasons, they curse could cause everybody not from Valla simply constantly forget about it whenever they mention it (unless they’re IN Valla). For the main story, this’d mean that Azura and the avatar are the only characters capable of remembering the place because of their heritage.
    • In the backstory, this curse could be justified by the people of Valla starting the curse to prevent Hoshido and Nohr from attacking them - ‘cause let’s face it, having Anankos do that kind of rampage would mean that Hoshido and Nohr would damn well want to kill him.
  • Give Mikoto a bigger role by having her actually live past the prologue chapters: If those first couple of chapters are really kept the same, she could just fall into a ~~magical coma~~ from which she’d wake up either halfway or towards the end of the game, so that she only sees what the avatar decided on a while after it happened.
  • Give Garon a better role: Namely, don’t make him an undead slime monster, and let him act like an actual person instead of a generic villain. He could for example be still alive and well in theory, but at the same time be corrupted/possessed by Anankos.
    • On that note, the entire dynamic between Garon and Iago could be like that Theoden and Grima in Lord of the Rings, in that Iago is a servant of Anankos who’s making sure that Garon is under his control.
    • And related to the above, Yukimura could be repurposed into a villain another servant of Anankos on the side of Hoshido with Kotaro as his lackey. That could also help Hoshido being less of a “~~uwu sweet cinnamon peace nation~~* and be more morally even with Nohr.
      • On a rewritten Conquest, Yukimura could also basically lead Hoshido into war under the guise of acting on Mikoto’s orders.
  • Give the sisters legendary weapons.
    • Seriously, just do it.
    • I don’t give a shit if that means that the Yato’d have to have eight traffic lights on it for being powered up by each individual one, just do it.
    • Camilla wouldn’t even have to get an original one, she could just inherit Bölverk from Garon with the story noting that Xander originally was supposed to get it, but Garon saw that he was shit with axes while Camilla was great with them, so she got it instead.

I went through a few looks, but liked this one the best. 

“The Dish Is Mine”

“Paul I think told you… I’m a washer not a dryer”

Michael Jackson and Paul McCartney washing the dishes 1983.

Do👏not👏sleep👏on👏Still👏Star-Crossed!!

This got everything you need.

  • Period drama.
  • The classic that was Romeo & Juliet.
  • POC, plenty of them, multiple leads are POC. And you have a female lead who’s a WOC*
  • This was given to us by Shonda Rhimes, who gave us Grey’s, Scandal and HTGAWM

This doesn’t disappoint.

*Edit: Mistake made. It should say “And you have a female lead who’s a Black woman.”

Original gif created by Bagginshield

So I saw the original gif on my dash and @cas-you-assbutt-dean-needs-you had requested in their tags that someone add wings to it. I was bored and have a lot of time on my hands now that school is over (until July….) so I thought I would give it a try.