After watching “Welcome To The Madness”,here’s my prediction about Otabek Altin being a future (damn great) coach
Agape’s coreography it’s like is sewn on Yuri’s angelic appearance. Victor, as a friend and also newly-coach knows his skater’s personality very well, and he gives to him the unexpected “On Love” version because he definitely gonna kill it. But at the same time I feel like he didn’t follow Yuri’s heart (maybe because he was actually Yuuri’s coach, and he have to follow him first). I mean ok, Yuri also have a soft side, an “agape” who’s pictured by his beloved grandpa (and later, friends and yep, Beka), but I think that a skater have to make his best and gets some fun into the coregraphy, not demostrate their twisted inner psycology XD What I trying to said is, Otabek could be in future a freaking great coach: he saw what’s in Yuri’s heart from the very first minute, choosed the best song, and actually manage to agree with a so freaking particular personality like Yuri in just one night, finding the best moves together.
Otabek is a future genius coach. XD And here lies my two cents. THIS IS MADNESS! *throws confetti*
some things for henrik’s agency to think about:
• if they want to avoid typecasting, henrik shouldn’t play a high school student in the near future
• gay is not equal to pan/bisexual, a character henrik actually played
• being mentally ill is not a role, just as being queer isn’t either
• even’s story wasn’t about coming out or discovering his sexuality. that was isak’s, a character tarjei played. NOT henrik
• it doesn’t take anything to say ‘we are sorry, we made a mistake in the wording, we do better next time’ when you hurt people
if you say that writing rocket x reader fics is beastiality, even if its smut, you’re taking things way too fucking seriously.
like honestly, rocket is a fictional character who is more human than raccoon, more importantly he’s a /fictional character/. like seriously just because i’m attracted to rocket that doesnt mean im gonna go outside and fuck a real actual dirty ass raccoon please calm down and learn to have fun
Don’t watch it. Do not watch this fucked up mess of a show. Listen, I’ve been working in suicide prevention for almost six years, and I grew up in an area that had epidemics of teen suicides. The area is actually so well known that the show-writers and producers met with leading experts in the area on the ways that the media contributes to youth suicides - and then did almost everything they were warned not to do, even going so far as to actually show the suicide on-screen. Many of the experts that they’ve spoken with are expressing grave disappointment with how the show proceeded despite their advice.
If you’re suicidal, if you’re depressed, if you self-harm, and/or if you have any trauma associated with that, please do not watch this show. It was incredibly irresponsibly handled and puts people in very real danger.
what i love about welcome to the madness it’s that it’s like. yuri finally gets to have fun and skate the way he wants? for his SP he was attributed a song he didn’t feel matched his personality so he could work and improve from there, his FS music was more dynamic but it was still lilia who orchestrated everything with the whole “prima ballerina” thing, and now for his exhibition, he just went, fuck it, fuck all of you, it’s not a competition so i’m gonna skate to a song I actually like, and wear the clothes Iwant, and i’ll have sunglasses and make-up and otabek will be here and you cannot fuckin s t o p m e
it was the summer of 2001, and Joe meets Patrick and he's like "yo, I know about music." then Patrick's like "yo I know more about music!" "that's impossible. so you wanna start a band?" and Patrick's like, "yeah that's cool." and then, he's like "yo this is a book store not a music store." and then they met at Patrick's house. so Patrick's wearing shorts, socks, and a hat. Patrick is playing drums for some fuckin' reason and then Pete's there for some reason. and they start playing music together and they're like "oh, let's play some covers from some other bands." it was like Green Day, and fuckin' Misfits, and fuckin' Ramones. Pete said to Joe, "yo, that's dope, but we need a fuckin' drummer." because Patrick's playing drums and he's a singer. Patrick's like "yo, I got a soul voice," and they're like "wait how do you have a soul voice?" and he's like "yo, watch this: YEEEEEEeeeeeeEEEEEEeeeeeeeeEEEeeeeeeAAAAAAAAaaaaAAaahhh!" and they're like, "oh my god, that sounds like soul!" so they put it in a song, and it was like, "WHERE IS YOUR BOY TONIIIIIIIiiiiiIIIIIIIIIiiiIIIIIIIGHT?!" and they're like "yo that's fuckin perfect, this is Fall Out Boy." and they made records like Evening Out With Your Ex-Girlfriend. Evening Out With Your Ex-Girlfriend, everybody loves it. "it's called Evening Out With Your Girlfriend." with your ex-girlfriend. it's called evening out with your Ex-girlfriend. it's called eating out your girlfriend, and it's real and it doesn't matter. and Pete talked to Patrick and Joe and he's like "you what the fuuuuuuuuuuuuuck. yo, this is gonna be fuckin' doooooooooope!" so they made a record and it was called Take this to Your Grave. they made it without a drummer, and they had like 3—4 drummers come in. The four drummers they had come in were like Josh Freese, Neil Pert, the dude from Toto, the fourth one was like the guy from Papa Roach or something, and they're like "you, we need Andy Hurley. Andy Hurley. Take This to Your Grave. Fuckin' record it." and he did, and he killed it, and he was like "bigidalililililillillilila, PSHHH!" killin' the skin, tapping the skins, tapping the rim, playin' the shit, killing these bitches, rapping it out. you're getting a fucking tattoo right now?! what the fuck is going on?! We should get signed to Fueled By Ramen, 'cause thee guys know what the fuck is going on. and they were like "yo, if you can make our scene any bigger than it is, which is not fuckin' hard, we will sign you guys." and Pete was like "yo, we got this record that's fuckin' dooooooope, dude, it's called Take This to Your Grave, it's called From Under the Cork Tree it's gonna be fucking huge." and then Patrick's like "I gotta keep it real, I gotta keep it artistic, these are three songs that are gonna make the album and it's called-BURP-Thnks Fr th Mmrs, 20 Dollar Nose Bleed, and Sugar, Were Goin' Down. and they made this record that was fuckin' dope, and it fucking hit on the charts like one two three, three two one, three four five six seven eight nine ten. ten to one. From Under the Cork Tree sold like four million records. ten million records. fifteen million records. and Brendon Urie had nothing to do with the entire record. and Patrick was like "that's gooooOOOOoooooOOOOOOOOd." Pete was like, "yo, fuck you I can do whatever I want." and Joe was like, "yeah it's cool man whatever I don't give a shit." and then Andy was like "eh, cool." and Pete was like "Make up is fuckin' great for a guy. because it makes a guy look beautiful, which a lot of times, a guy is not beautiful. and I wanna change that. I wanna make sure everyone thinks that guys are beautiful." I'm good so far yeah. yeah I do. SHUT THE FUCK. oh fuck, alright alright. Pete was like "oh my god, I'm so embarrassed about this dick pic." and then I saw the dick pic and was like "ah it's not bad." it's not a bad dick. let's be real. we made Rollins Stones one issue before Fall Out Boy. and Fall Out Boy made the issue right after us and they were so pissed they were like "yo, fuck you guys!" they're like "yo! Panic! has the fuckin' cover for Rolling Stones, yo, fuck these dudes, we're gonna fucking go miles above. we're gonna hit every fuckin' continent there is known to man." but they didn't because they missed a second of time. apparently they were like "oh shit, we got every continent." and they didn't actually hit it. dude, and Pete was like, "WHAT THE FUCK?! 'oh you didn't fuckin' make the continent' it's like FUCK YOU!" so From Under the Cork Tree happens, we fuckin' have three-four years of awesomeness. like, people are coming in themselves 'cause it's so big. Alright so Fall Out Boy was like-- so Patrick's like "yo, we are going to name these records from under the Cork tree and from Innity-- from infinity on high." Pete was like "yo folie à deux means the theatric of two." "The madness of two." oh sorry I'm sorry. follow boy was like "yo we got to take a break." Meaning Pete was like "yo we got to take a break bro." and Patrick's like "I need time for my music. UHUhUhUHuhUUUh." and joes like "yo I need time to find the fucking art dude I got to find some fucking me-- metal" and andys like "i'm just gonna play with some fucking metal bands." and they're like "all right this breaks been like three years long two years long three years long 3 1/2? we gotta fucking come back man we gotta come back strong." you took my beer away what the fuck? "no you poured it all over yourself." "yeah you poured it on yourself man here." "we got to make this shit legit it's gonna be fucking dope it's going to go fucking sky high. we're going to make a fucking record that sails the skies. we're going to call this record save rock 'n' roll." so they made alone together light 'em up alone together Phoenix. and everybody's like "what the fuck? you're working with this guy who fuckin' recorded Avril Lavigne and P!nk." is this pu-- what the fuck is this on my shirt, did I puke on myself? oh god. Pete was like "yo were gonna end up on a tour with Panic! At The Disco and twenty pilots. and that's all and that's all that matters. and that's just how the fuckin' story goes."
and you know what? sana was right all along about sara! that girl really went behind her back in the most unscrupulous way! and sana actually doubted her instincts! and let herself think that “oh maybe i was wrong about this, maybe sara is a good person and i should give her the benefit of the doubt”! because that’s who sana is! she saw a glimpse of hope and held onto that! because she wants to believe that people are good or are able to be good! only to be disappointed in the end! once again!
Imagine if Michael was your math teacher.
“TEN, YOU GOT FUCKING TEN? HOW THE FUCK DID YOU GET TEN! THIS IS FUCKING ALGEBRA YOU SICK LITTLE SHIT, WHO THE FUCK COULD MESS THIS UP! FUCK YOU KID! FUCK YOU! GET THE FUCK OUT OF MY CLASSROOM BEFORE I KICK YOUR ASS. RRUUAHHH” *throws a chair across room*