i will get over this someday

eggchjf  asked:

Who would win in a fight, Him or Aku?

It depends on the story. The plot, the theme, the reason they’re fighting; all affect the outcome.

My general opinion is that Him plays mind games on a level that Aku cannot even begin to, like playing chess with someone who only knows checkers. Something like Him, who preys and feeds on negative emotions, would have a serious advantage over Aku in this regard; his hate, rage, fear, and sorrow are beyond mortal comprehension.

On the flip side, Aku is more powerful physically/supernaturally than anything in the Powerpuff Girls’ world — because in that world, the PPG are the strongest, but Aku is the source of Chemical X and more powerful than them. 

So it’s not just a simple “well x could beat y because” answer, there are a lot of different factors to balance.

shrubli replied to your postHaven’t posted much art/animation lately because I…

YO WHAT ABOUT CLAWHAUSEN

I lost the photoshop file when my laptop died!! <:’U Luckily I saved a progress gif in Gdrive so I could just trace over it but still. I lost alot of work (I had it fully inked and was starting colour ;m;)

I’m still trying to get over the loss.

10

I apologize for the humungo post, I wanted all the images together in a master post instead of separate installments.

Remember the Jedi Knight Japanese Dictionary I posted about, with the artists Chifuyu Sasaki and Naoko Kawano? Well, @ciette on tumblr actually purchased the book (so lucky!) and was so kind in letting me see the inside by scanning all the A/P images. I haven’t gotten the book myself yet (I will someday, hopefully) but getting these scans was a major relief as I’m not all over the place wondering what I was missing out on. To top it off, it was right near my birthday; such a great gift! I wanted to post these one the 16th but circumstances made it too difficult. I’m just happy all over. I did my best; ran them through lots of filters, and with some personal touches, I think I just about re-created the look as they are in the book.

For more inside, check out ciette’s post as she also shares images from the Padawan Learners Dictionary. :D

Lots of Love.

hamilton ( cut songs/workshop versions ) sentence starters !!

the reality is not a pretty picture.
tell him to stay home!
you have invented a new kind of stupid.
i begged you to take a break, you refused to.
you’re the only enemy you ever seem to lose to!
i look at you and think ‘god what have we done with our lives, and what did it get us?’
i’m not here for you.
 i will choose her happiness over mine every time. 
she died. she’s gone. ❞
 she changed my life. she made my life worthwhile. 
 sometimes it seems that’s all we do. 
 you and i will build a strong foundation. 
 you’ll blow us all away, someday. 
 just apologize, we have worthier pursuits! 
that’s when i realized this was not a game. 
 i want the world to know what i intended to do. 
 he must have been so scared. 
 i never had his instinct for self preservation. 
 it’s not in his political interest to kill me. 
 god, i can’t wait to see her again. 
 bitch, please! you wouldn’t know what i’m doing! 
 the line’s behind me, i crossed it again. 
 you fat mother f– ! 
 we in the shit now, somebody’s gotta shovel it. 
 if you knock me down i get the fuck back up again. 
 you swing at my family, you better not miss. you better have another punch to throw. 
 you could let it go. 
 people will always be critical. 
 let other people be cynical. 
 you’re smiling because you know i’m right. 
 you didn’t kill him, did you? 
 were you here this whole time? 
 you don’t have to bring a gun to a knife fight. 
 you know you really ought to listen to your wife, right? 
i hope you’re happy. 
 you could have given me a word of warning. 
 shhh. haven’t you talked enough? 
 i need you by my side. 
 i have a plan, but it’s risky. 
 but i couldn’t turn my back on a nation in need. 
 PAY YOUR FUCKING TAXES! 
 teach them how to say goodbye. 
the enemies i’ve made won’t have anything on me now. 

I suddenly realized it. The way to get over you isn’t by hooking up with some random guy or pretending like we didn’t happen. You and I loved each other. And then you broke my heart. I’ve been doing everything possible not to face that fact… I’m gonna kiss somebody someday. And when I do, it’ll be for me.
—  Blair Waldorf
6

“I understand. I suppose you have no choice but to revolutionize the world.

The way before you has been prepared.”    
    

Undertale AUs as I see them
  • UnderTale: The Original. Not much to say.
  • UnderFell: Red and yellow and pointy all over. Also everyone is an edgelord. Except Flowey who's kind of a weenie for once.
  • UnderSwap: Papyrus is a pot-smoking carrot with a sweet tooth, Sans is a blueberry with a taco obsession, and Chara is Frisk. Happstablook is a sugarlump and no one can tell me otherwise.
  • SwapFell: UnderFell and UnderSwap had a baby. This is the result. This Undyne is my fave.
  • AlterTale: Skelebros and Goatfam switch places. Becuase Soriel. Tiny Tori is very fashionable.
  • UnderLust: Where everyone is a slut except for Mettaton because painfully tragic backstory. Papyton is very wholesome.
  • AfterTale[loverofpiggies]: Two Sanses one Void. Also feels and Chara is a dickface.
  • AfterTale[readaftertale]: The future is dog and pizza. Lots of breaks, but the wait is worth it.
  • UnderNovela: Telenovela. Such ole. Much bueno. Very Spanish.
  • HavenTale: Sugary pastel happiness. Everyone and everything is nice and sweet. Frisk is terrified. Everyone is happy.
  • OuterTale: Space. Blue and gold. idk
  • HorrorTale: Tim Burton eat your heart out. But save a piece for Steven King...
  • GroupTale: Seven children fall. That's literally it.
  • PTA AU: Post Pacifist. Sans is a salty PTA mom. Your lemon squares are shit Linda.
  • UnderSail: Ahoy mateys.
2

Doodles from waiting at the bus stop, using only my sweet keychains as ref

anonymous asked:

(different anon) I'd love to see a tutorial someday too. Specifically, how the heck do you get your pastries and ice creams and bread to look so soft and natural?! I've made a couple simple food pixels myself, but they all seem so stiff in comparison.

hum well personally i think making things look natural starts wi sketching out line work. (i did a comparison of a bread bun, starting with the same blue sketch to show the differences) i always do rough sketches & work over them bc i think it gives me a better idea of the form.

i know sometimes it seems right to have everything perfect & symmetrical but it all depends on what your drawing in the first place - because you mentioned like bread & ice-cream etc those things are rarely perfect anyway, so i guess avoid being too structured

then i think another big thing is the colour choice & the balance of the halftone dots for shading. I feel like too much half tone & its one big ordered gradient & yeah that looks kind of odd. & for the colour.. its tempting to just pick out the darkest tone & just gradually make it paler for the highlighty bits - but in reality when you really look at something there’s usually a lot of different kinds of colours (even if it is just white bread). So yeah id say experiment with that - i usually exaggerate and go for much warmer colours tbh.

the last thing that i think makes a huge difference is how you do the shine (if any). it helps to just think about the actual thing your drawing (goes wi out saying but curved and squishy bread probably has a softer curvy shine) and it’s probably not such sharp stark white

i feel like the picture just explains it all way better haha 

-`mini tutorial about pixel bread bun´-

i think you’re really beautiful

a playlist for someone who i hope will realize someday how beautiful they are

multi-love - unknown mortal orchestra
the only one - the black keys
keep on lying - tame impala
the chase - future islands
i follow you - melody’s echo chamber
derka blues  - the growlers
i think you’re really beautiful - starry cat
pepsi/coke suicide - elvis depressedly
no other heart - mac demarco
sometimes - beach fossils
i wanna be a witch - julia brown
i don’t want to get over you - the magnetic fields
ooo - karen o

♢ listen here ♢

The worst has happened. I allowed myself the pleasure of restrained desire but you have ripped my heart out and hold it tightly in your pocket. So fucking tight that neither of us can get a hold of it. I trusted your words. Your eyes when they laid low and peered into mine like rays of sunlight awakening the distressed out of slumber. I watched you instinctively-carefully for my sake. I once had a childlike desire to be with someone like you but my mind wandered away from useless dreams. Luck connected us again in the way I foolishly wished except we had different motives and time and space dragged us further away from each other. Maybe it’s over. Maybe it never was what I thought. Maybe it’ll someday be.
—  Excerpts of stories @soxcapricious will never finish// #197

“Listen to me,” she said, staring intently into my eyes, as I stared back at her as mine were now filling with tears.

“So what he opened your ‘i miss you’ text that you sent drunk at 3 in the morning and he didn’t respond? So what he stopped giving you that shy smile that he always used to send your way when you walked by each other in the hallways? So what his fingers are now intertwined with the hand of a girl that isn’t you? He is the one with a problem.”

“He clearly fails to see how utterly iridescent and beautiful and magnificent you are. Honestly, I feel bad for him. He’s pretty damn stupid if he can’t recognize the pure light that is bursting from your soul.”

“And I’m not going to lie to you, you’re going to meet plenty of other stupid assholes in your lifetime- they’ll break your heart in more ways than one. The one thing you’ll need to remember though- always, always remember- tattoo it on your forehead if you have to, is this: his opinion does not define you. His inability to see and appreciate the fucking miracle of God that you are is not your fault. So stop putting the blame on you, and most importantly, stop letting the opinion of a boy who won’t matter in 6 months time effect how you see yourself. You are worth so much more than losing yourself over a boy who doesn’t care.”

“What matters is that you put your heart out on the line. Yeah, it was torn to pieces this time. But I absolutely promise you that one day, you’ll give your heart to somebody, and they won’t drop it. Instead, they’ll give theirs right back to you. And something so indescribably wonderful and magical will come out of it that this boy won’t even be a sliver of a thought in your mind. I promise.”

—  Excerpt from a book i’ll never write #20
it’s not so bad, you think, as you touch your palms to your cheekbones, drag your fingers down your cheeks, open your wet eyes, feeling like if i get through this, i can get through anything. and maybe it was hard, and maybe it is hard, and maybe it will still be hard years from now, but you know, you will not die from this. you will get over this someday because you have no choice not to. and isn’t it amazing to think that someone who has been through so much is still standing? you know, that’s the kind of person who makes other people realize they can get through anything.
—  you are doing fine, trust me
Emotion and Pacing in comics

One of the reasons that I love comics so much is that there are many valid ways to approach the medium. When I make comics, the parts I’m most concerned with are character and story. Everything I draw on the comic page is in service to character and story. Because of my focus on those two elements over, say, experimenting with my art and page structure, I will sometimes get criticism that my work is safe or boring. This is probably fair criticism! I don’t do a lot of experimenting with paneling or challenging storytelling or explicitly challenging artwork in my comics, because right now that’s not what I’m interested in. Maybe I will be more experimental someday, but not right now, with the kind of stories I want to tell. :)

When I make a comic, my goal is for my readers to be engaged with the story I’m telling, and the characters in that story. That’s also what I look for when I want to read a good comic. I want characters to love, I want a story to be engaged with.

For the most part, I struggle with drawing comics (most artists do, if we’re honest ;)), but there are some parts of comics I think I have a good handle on. I feel like I’m strongest when portraying emotion on the page, and I’m good at drawing those scenes out and making the reader feel what my characters are going through. Some of the techniques I use to convey emotion came from being obsessed with movies when I was a teenager, and some techniques are stolen from my holy trinity of influences: Jeff Smith (Bone), Hiromu Arakawa (Fullmetal Alchemist) and Naoki Urasawa (Monster, Pluto, 20th Century Boys). 

Of the three artists I’ve mentioned, I consider Urasawa especially to be a master of emotion and pacing. When I first started reading his comics, it was like light struck my brain; finally I saw what I’d been trying to do for years right there on the comic page in front of me! I like the way he lays out his emotional scenes a lot. Here’s an example (read right to left): 

Urasawa uses repeating panels and decompression to draw out the emotions of a scene. In this single page there isn’t a lot of movement. It’s literally just two characters staring at each other, but the tension rises going from panel 1 to panel five. Gesicht (the man)’s expression doesn’t change between panels two and five, but we literally feel his anger rising off-panel, concluding in the close up in panel 5.

There’s an excellent You Tube channel called Every Frame a Painting (I’m sure you’ve heard of it, but if you haven’t, please go watch all the videos! There aren’t many, and they’re all really informative). My favourite video is this one, about editing:

This video hit on something that I strive for in my comics: emotion takes time. When I draw a scene that is emotional, when characters are struggling with something, or celebrating something, or being challenged, I want my readers to feel what the character is feeling, and one of the best ways to do that, for me, is to take my time. To give that emotion time to breathe on the page. 

I’m going to use some scenes in my graphic novel The Nameless City to illustrate how I use decompression and pacing to underscore the emotion in my comics. To avoid spoilers and because this is getting a little long, I’m going to put it under a cut. Please read on! :)  

Keep reading

8

Did you have a nightmare? I have nightmares, too. Someday I’ll explain it to you, why they came, why they won’t ever go away, but I’ll tell you how I survive it. I make a list in my head… of all the good things I’ve seen someone do. Every little thing I can remember. It’s like a game. I do it over and over. Gets a little tedious after all these years, but… there are much worse games to play.

something that really makes me sad is - I wish I still got excited for SU? and like  with the most recent steven bomb I shouldve been shaking in my seat but honestly nothing. I got excited for whats the use of feeling blue but thats about it? 

I remember actually crying tears over jailbreak, joy ride, keeping it together and a bunch of other episodes, feeling genuine really strong emotions with the show .. I wish I can get the same effect from the show someday

Ivlis: I’m tired of being an edgy and abused bitch, so I’ll do everything to changed that because obviously it’s not good for me
Ivlis: but I must do stuff, like… Keep the people who cares about me and care about them.

Ivlis: [Value myself and think that I’m cool just how I am]
 I’m cool just how I am
Ivlis: [Don’t stick my nose on stuff that doesn’t concern me]
Control yourself, Ivlis. Don’t be gossipy.

Ivlis: [Get over old traumas, life goes on.]
Ivlis: [Demand respect]
Look motherfucker, If you ever touch me buttock without permission
I ‘ L L  R O A S T  Y O U
Satanick: Mmm~ you turn me on when you pretend being dominant ^q^

Ivlis: [Accept my mistakes committed and apologize] 
Sorry, I was an idiot
Kcalb: But Eti!!
Etihw: Chill out

Ivlis: I hope that someday I’ll be happy