i will always cry with this scene

anonymous asked:

YESSS i almost feel a little bad because i can't quite bring myself to be too upset for sana because i legitimately LOVE this conflict? guys this storyline is gonna be SO GOOD and it opens up so many opportunities for yousef/sana one on one scenes where they work through their differences in faith. i'm here for this and i can't wait (and yes i 100% believe in yousef/sana endgame).

halla anon! 

kinda same, although i did tear up at the end of the clip because i am always emo and cry about everything always, haha. so i am sad but also excited to see where this is headed! i really like this conflict a lot, and i think it’s the conflict that lets the show explore sana’s relationship with religion the most! i like it a lot more than yousef being interested in noora or something else like that (i still dont at all believe noora was asking about yousef last week because she was interested, i think she sensed that yousef or sana were interested in each other and was trying to get sana to talk! like.. its just like my mom would kinda ask me if i was into a guy before and noora is the mom friend sooo it makes sense)

about sana and yousef being endgame, i kinda already changed my mind?! haha. i do think he is going to be the love interest all season, and i do think we’ll have a happy ending (skam has always had happy endings and it would be very weird for them to not have that for the last season especially) but i could also see a happy ending where they don’t end up together! but that would have to be after a lot of development happening, where we feel like this is what makes sana the happiest! like eva broke up with jonas in the last clip of her season, and even though that is a sad scene, it’s still a happy ending because we know that she has made the right choice for herself. so i could maybe see something similar happening this season, although a larger part of me thinks they’ll end up together. julie andem loves angsty love stories and this is looking a lot like that so far imo

Trailer for episode 35

So… Iris is going to cry, she always have been positive and now she is crying. Sorry not sorry, but this guy is either going for whole eternity to prison or I will fucking kill him. 

The next scene is like taken from horror movie or something. I know meeting a dangerous guy is a scary thing, but as a 17/19 year old girl I would call the police and not going there alone, but it is Chino after all…

AAANNNDDD someone is going to bully us again… or our boyfriend is going to be jealous of us being with Armin so often… or the guy who is cyber bullying Iris is going to bully us too. Idk, but I think we will get a lesson at the end of this arc anyways.

What do you guys think?

10

“About a week before we all got on the plane, I got to talking with this man in a bar in Sydney. He was American, too. Doctor. I’ve been on some benders in my time, but this guy — he was going for an all time record. Turns out this guy has a son. His son’s a doctor, too. They had some kind of big time falling out. The guy knew it was his fault even though his son was back in the States thinking the same damn thing.”

  • how i always hope writing goes: crafting a solid outline, starting at chapter one, and flawlessly writing all the scenes i had planned until i get to the end of the story, feeling confident in my abilities
  • how writing actually goes: having a vague idea of what's going to happen written in shorthand in notepad, writing a bunch of random scenes and hoping i can magically connect them at some point, all while crying

anonymous asked:

top 5 noya and tanaka brotp moments plsss

I LOVE THEIR FRIENDSHIP! They’re brotp goals, prepare for trouble and make it double, everything they do together is my favorite thing they do but let’s see:

1. Tanaka crying over Nishinoya’s bruises. This is always the first scene that comes to my mind when I think about them, mostly because I relate to Tanaka on a spiritual level. Nishinoya actually makes Tanaka cry over how badass and selfless that he is. Plus notice that here Tanaka calls him Noya-san, despite being not only from the same year, but being his best friend too. He respects him…so much. I cry too every time

Originally posted by odd-ballduo

2. Every time Tanaka lifts Nishinoya up. I adore the fact that they’re so physical and affectionate with each other. Out of all the boys, they’re the two that hug, touch and lean on the most. Plus this thing where Noya let’s Tanaka do all kind of things with his body gives me life. And the lifting thing is for sure my favorite one. 

Originally posted by kagehinaperf

3. When they almost killed Tsukishima after his insane block. They have a thing for harassing him in general, but here they were just the most proud. Noya and Tanaka were the first of the team to go cheer on him after he did what’s probably the most iconic block of the Haikyuu history. And this shows that they do are the greatest dork that the world has ever seen, but they are the most supportive teammates ever too, always there and ready to acknowledge every single good thing and picking them up when they’re down. They just…show their affection in their own way, sometimes hitting, sometimes eating people alive too

Originally posted by geenozah

4. Their special cheering dance. Precious both in anime and in real life 

Originally posted by fudanshidaily

Originally posted by akatsuki-shin

5. Being extra: a compilation

Originally posted by deathrayofgay

Originally posted by godinatracksuit

Originally posted by seoulreapers

Originally posted by okita-senpai

٩(♡ε♡)۶

Thank you for your message!

Ask me my top 5 things!

The 1 Thing Your Scenes MUST HAVE

Sully is a good representation of how I want people to react when enthralled by a story I’ve written:

But more often than not, I get a reaction more like this:

Or at least, I did. I couldn’t understand why my writing produced these less-than-stellar responses. I had meticulously worded every sentence. I’d made sure there were exciting parts. I had parceled out backstory, setting, and exposition so the reader could understand what the heck was going on. So why did eyes glaze over while reading my book? Why did MY eyes glaze over while reading my own work? 

The problem, I finally found out, was that my scenes didn’t turn. 

I was cramming all that exposition in right out of the gate, so the reader knew absolutely everything … which meant there wasn’t anything to find out. The scenes were just tiny chronicles where the main character set out to do something and accomplished it with flying colors. Nothing ever happened that surprised him. And consequently, nothing ever happened to surprise the reader.  

I wasn’t withholding information, and revealing it methodically. 

I wasn’t letting the story spin in new directions. It was always chugging along the straightforward track where I’d dropped my reader.

I wasn’t letting my scenes TURN.

To illustrate what I mean, here’s an example of a great scene with a great turn from a wonderful movie: Beauty and the Beast

*Opening music that makes me want to cry from how beautiful it is*

Beat 1:

“Once upon a time, in a faraway land a young prince lived in a shining castle…” (Action: Apparently the world takes action to make sure this prince lives a cushy existence.)

“Although he had everything his heart desired, the prince was spoiled, selfish, and unkind.” (Reaction: And he acts like a brat anyway.)

Beat 2:

“But then, one winter’s night, and old beggar woman came to the castle and offered a single rose in return for shelter from the bitter cold.” (Action)

“Repulsed by her haggard appearance, the prince sneered at the gift, and turned the old woman away.” (Reaction)

Beat 3:

“But she warned him, not to be deceived by appearances, for beauty is found within.” (Action)

“And when he dismissed her again …” (Reaction)

Beat 4:

“The old woman’s ugliness melted away to reveal a beautiful enchantress.” (Action)

“The prince tried to apologize …” (Reaction) 


Beat 5:

“But it was too late, for she had seen that there was no love in his heart. And as punishment, she transformed him into a hideous beast and placed a powerful spell on the castle, and all who lived there.” (Action)

“Ashamed of his monstrous form, the beast concealed himself inside his castle, with a magic mirror as his only window to the outside world.” (Reaction)

Beat 6:

“The rose she had offered was truly an enchanted rose, that would bloom until his 21st year. If he could learn to love another, and earn their love in return, by the time the last petal fell, then the spell would be broken. If not, he would be doomed to remain a beast for all time.” (Action)

“As the years passed, he fell into despair, and lost all hope.”  (Reaction)

“For who could ever learn to love a beast?”

Turn: The 6th beat is the turn. The story has spun in a new direction, the direction the WHOLE STORY will motor towards. 

Revelation: There’s the big one of the scene turn, but I love how every action and reaction in this prologue feels like a revelation. Each one feels like it could be a scene on it’s own, but it’s told in a just few words, with beautiful imagery. There’s no fluff in this, nothing unnecessary, everything is perfectly needed. (Sorry, I just really love this opening. I can remember sitting in my little wicker rocking chair when I was four watching this in awe. This movie is one of the reasons I’m story obsessed.)

NOW let’s remove all curiosity and surprise from this scene. 

We’ll take away the atmosphere of “all is not as it seems”, the “seeking and learning significant information” feeling, the sense that we’re climbing to something significant. Instead of withholding and revealing snippets of information, after gradual beat-by-beat escalation of curiosity, we’ll dump all information right away. We’ll take this beautiful scene, and make it distinctly not a scene by removing all traces of a turn.

So! The purpose of this “section” of story is to communicate necessary information. What info? The guy used to be a terrible prince. Someone cursed him to be a beast. His castle and the people who live there are also cursed. He’s got a rose that will bloom until he’s 21. He’s supposed to fall in love with someone and get that person to love him back.  Or he’s going to be a beast forevermore. So, let’s give it a whirl.

Let’s say it opens up on Lumiere and the Beast. They’re just hanging out in the West Wing, the Beast watching the rose sparkle, Lumiere extinguishing and reigniting his left candle/hand for something to do.

LUMIERE: “So Master, it’s been years since you were turned into a beast and the castle staff was turned into objects.”

BEAST: “Yup.”

L: “I wish you hadn’t have upset that enchantress, and been a bit kinder.”

B: “Me too. Don’t know how.”

L: “Now our only hope to return to our human forms, is if you fall in love and get that person to fall in love with you.”

B: *Noncommittal grunt*

L: “Better happen soon, before that last petal on the magical rose falls. When you turn 21, it’s going to fall. And if you haven’t learned to love by then, well, we’re stuck.”

B: “I’m aware." 

L: "Yup.”

B: “Yup.”

Well, that was extraordinarily awful. 

So what about these scenes is different? (Besides one being a work of art and the other being agony in text form.) 

– One withholds information and reveals it slowly, turning the story at the end. 

– One is just an info dump. 

So how can a turn be accomplished?  There are four types of turns: 

– Surprise

– Amplified Curiosity 

– New Insight

– Spin in New Direction

A SURPRISE turn is the difference between what the character expects and what actually happens, surprising them, surprising the reader/audience that is enthralled by your story. A CURIOSITY turn is when a new mystery is presented to the reader, increasing their drive to find out what happens next. An INSIGHT one is when a scene ends by solving a mystery, answering a question that the audience has been wondering about. And a SPIN is just that, a turn that jolts the story into a new unexpected direction.

And how do they work in a scene? 

The turn happens at the end. It’s the point of the scene. Everything’s leading to it. Think of it as the period punctuation mark on the end of the sentence that is your scene. But really your reader is anticipating that turn throughout the scene.
It’s this anticipation and “gradual illumination” that’s crucial to a story turn. This is the wonderful curious feeling that keeps us turning pages. That sense that “all is not as it seems, and if I keep reading I’ll find out the truth.” which is so intoxicating. And this is accomplished with beats, the exchanges of action and reaction, each acting like a escalation on a roller coaster, each increasing anticipation for the drop. 

Turns and revelation anticipation are rather magical when you think about it. They really are (as Robert McKee says) the substance of story. (Or they’re magical to me. I said I was obsessed. Blame this movie!) 

Now I’m going to go watch Beauty and the Beast again.

some things i hate abt each sign :^)
  • aries: if things don't go their way they'll throw a hissy fit & would prolly fight someone for looking @ them the wrong way
  • taurus: S T U B B O R N
  • gemini: always doing THE FUCKING MOST. u literally can't take them in public or they'll find a way to cause a ~scene~
  • cancer: bitches can hold a fucking GRUDGE. most likely to bring up something someone said at 2:46pm october 12 2004 & cry about it
  • leo: there's a 100% chance they will have a full-fledged breakdown if they don't get their required daily dose of attention™
  • virgo: fussy about the most unnecessary shit. most likely to judge someone on their ability to fold towels
  • libra: superficial & airheaded as hell. prolly has taylor swift lyrics in their instagram bio.
  • scorpio: manipulative ass bitches who regularly toy with ppl's emotions for fun
  • sagittarius: literally the most disloyal hoes out there. they enjoy taking people for granted & treating their friends like shit
  • capricorn: condescending bitches who blatantly criticize ppl's life decisions & disguise it as ~friendly advice~
  • aquarius: too aloof & detached to realize what the fuck is ever going on????????
  • pisces: passive aggressive as FUCK. the type of bitch to post cryptic blank snapchat stories with sad face emojis at least four times a week
BTS as dads

Seokjin - The PREPARED dad
Jin visits all the seminars and courses for parents-to-be with you.
He is always fully prepared, no matter where you are, 24/7.
You think you forgot the bottle? Jin’s got your back.
Spending time with your kid is the most amazing thing for him.

Yoongi - The IN-CONTROL dad
He takes care of your child without breaking a sweat. The kid will always stop crying whenever he picks them up.
No one knows how he does it. Probably magic…
Yoongi enjoys taking care of your child so much, you can always rely on him.

Namjoon - The “PLEASE DON’T TELL Y/N” dad
He claims that he’s in control but has no idea what he is doing 24/7.
He actually breaks more stuff than the child but he tries his best and it’s very endearing. Also makes sure that his kid gets proper education.
Sometimes you come home and find him crying and the kid idly playing.
“What happened, Namjoon?”
“I dropped a book on my toe.”
“I swear I am raising two children.”

Hoseok - The MESEMRISED dad
Reenacts the lion king scene at least once a day.
“HAVE YOU MET MY BABY? I MADE THEM!”
Has 20.000+ pictures of your child on his phone and is very eager to show them off.
He likes to dance around the house with your baby in his arms and sings for them every night.

Jimin - The SOFT dad
Jimin became a full time dad when he first layed eyes on his child. He spends a lot of time playing and caring for them and he likes to be the one to carry the around.
He tends to falls asleep with the kid on his chest because of that and it’s the cutest thing ever. He is also very excited for them to get older, so he can teach them all kinds of cool stuff.

Taehyung - The BORN DAD
Has three kids strapped onto him at all times. Only two of them are yours.
Tae’s like a magnet, every child loves him.
He somehow gets never tired and loves spending time with them.
They are also all clothed in Gucci
He spoils them way too much, sometimes you have to stop him from ordering even more expensive clothes (because you’re running out of space).

Jungkook - The OVERWHELMED dad
Starts tearing up randomly. “They are so FRAGILE, we have to PROTECT them.”
Loves the kid so much but is also afraid he will drop it and hurt them somehow.
Looks to you whenever he’s having trouble being a dad. you have to show him the ropes at first but once he get’s the hang of things he will spend a lot of time with your kid. He is also extremely proud of your kid.

Originally posted by hihobii

-Admin Kruemmel

6

You are not alone, my son. We are always with you here. Here, in your heart… The place we will make our stand against this evil.

But I was not there for you.

Nonsense. Aku’s victories are not your failures. The struggle against Aku is arduous and none have fought more bravely than you, my son. You have won many victories, rekindling hope in the hearts of those you have protected. Each sends their blessing. Each blessing, a stone to fortify this land. Your castle is strong, my son. Your allies are many. Wield what lies within and reclaim what is yours. Break the siege of darkness.

Oh my god I am actually crying. EVERYTHING HAPPENED SO FUCKING FAST. I NEED TO PROCESS THIS OMG. OKAY SO FIRST LET’S TALK ABOUT EMMA IN NEVERLAND. SHE NEARLY FELL OVER BUT SHE’S LIKE “NOPE MY HUSBAND NEEDS ME” AND EVERYONE’S LIKE “WTF” AND SHE’S JUST SAYS “KILLIAN?!” AND THEN SHE FUCKING SHOVES THAT LOST BOY

LIKE NO ONE’S KEEPING HER FROM HER TRUE LOVE AND IN THE BACKGROUND KILLIAN AND TIGER LILY AND FIGHTING THE OTHER BOYS. I MEAN WHO NEEDS SWORDS WHEN YOU’VE GOT HANDS RIGHT?!?! AND THEN THEY OVERPOWER THE LOST BOYS (APPARENTLY 3 VS 20 AND THE 3 WIN) AND THEY COME BACK TO STORYBROOKE IN LIKE TWO MINUTES. IT’S LITERALLY IN-AND-OUT.

SHE’S ALL WORRIED FOR KILLIAN’S WELLBEING AND GIVES BACK THE HOOK AND EVERYTHING AND I’M STILL REELING FROM HOW QUICKLY THAT HAPPENED LIKE IT FEELS LIKE A FUCKING DREAM I CAN’T

AND THEN HE APOLOGISES FOR EVERYTHING AND IS ALL “I SHOULD HAVE NEVER EVEN CONSIDERED RUNNING AWAY” THAT SPEECH OMG IT WAS WHAT I WANTED FOR AGES AND EMMA’S REACTION LIKE “IT’S FINE I FORGIVE YOU I DIDN’T REALLY GIVE YOU TIME TO TALK” AND I WAS LIKE YASS

AND THEN SHE’S LIKE WE GOTTA PATCH YOU UP AND HE’S LIKE “W8 I NEED TO TELL YOU SOMETHING” AND YOU SEE HER APPREHENSION LIKE “WHAT’S GOING ON WITH THIS GUY HE’S HURT AND HE’S PUTTING OFF GETTING BETTER KILLIAN R U OK”

AND THEN

AND FUCKING THEN

HE PULLS OUT THE FUCKING GODDAMN RING, MAKING ME SCREAM LIKE A FUCKING PTERADACTYL AND REGINA AND HENRY ARE MY SPIRIT ANIMALS IN THIS SCENE, NOT WANTING TO BE A THIRD WHEEL

AND THEN THE FUCKING SPEECH THAT WE WERE ALL CHEATED OUT OF IN THE FIRST ENGAGEMENT HAPPENS. YOU KNOW WHAT I’M TALKING ABOUT. THE ROMANTIC SPEECH THAT HAPPENS BEFORE EVERY FUCKING ENGAGEMENT THAT NEEDS TO BE PLANNED AND BEAUTIFUL AND I WAS SCREAMING AND CRYING JUST LIKE EMMA

LOOK AT HOW SHE LOOKS AT HIM THIS IS THE LOOK OF TRUE LOVE PEOPLE PASS IT ON. THIS IS THE LOOK OF HAPPINESS AND I CAN’T EVEN. AND KILLIAN IS LIKE “I WILL ALWAYS BE BY YOUR SIDE NO MATTER WHAT” AND I WAS FUCKING BAWLING AT THIS POINT BECAUSE THIS RIGHT HERE IS MY OTP 

AND THEN HE GETS DOWN ON ONE KNEE AND IS LIKE “WILL YOU MARRY ME” AND AT THIS POINT I’M BASICALLY A HOT MESS

AND THEN THE YES HAPPENS

AND YOU SEE THE LITTLE LAUGH OF RELIEF/PURE HAPPINESS THAT HE DOES WHEN SHE SAYS YES AND HER SMILE IS SO WIDE AND BEAUTIFUL AND OML THIS SCENE IS LITERALLY EVERYTHING I EVER WANTED.

I DIDN’T EVEN KNOW I NEEDED THIS EXACT SCENE UNTIL IT HAPPENED. AND I DIDN’T KNOW I NEEDED IT TO HAPPEN IN THIS WAY. THE ANGST IS OVER; THE TRUE LOVE IS BACK; AND CAPTAIN SWAN IS FUCKING ENGAGED WITH TRULY NO WALLS, NO SECRETS THIS TIME AND I CAN’T I’M GOING TO PASS OUT FROM THIS

THIS IS MY OTP. MY FUCKING OTP OVERCOMING THE ODDS AGAIN AND AGAIN. MY OTP GETTING A FUCKING WEDDING AT THE END OF THE SEASON AND MY OTP BEING FUCKING BRILLIANT IN GENERAL IT PAINS ME HOW MUCH I LOVE THEM GUYS I CAN’T.

I need to lie down for a while. 

8

Can I be honest with you? Man to man? You know, your mom and me, we always try to treat you kids the same. Always have. Hasn’t always worked, because, well, you’re not all the same.