i think this is the worst edit ive made but i like it

anonymous asked:

can you tell me about the bts ships? not just otp's, brotps too!


but ill only talk about the ones im familiar with:

1. YOONMIN (yoongi/jimin):

ok holy shit where the FUCK do i start with yoonmin. they’ve been my bts otp since day 1 so i have a LOT TO FUCKING SAY LOL 

first off, refer to this post as to why i started shipping them, they have a LOT of cute fucking moments predebut and its been a painfully beautiful journey ever since 2013

before we jump in we need to talk about how YOONGI WROTE A SONG FOR JIMIN BECAUSE HE ADMIRES HOW HARDWORKING JIMIN IS. IF THAT AINT REAL THEN GET TF OUT OF MY FACE LMAo like where dat song @ tho yoongs

ok i need to chill, but theres more:

like jimin being yoongi’s #1 cheerleader at ISAC lmao look at him cheer his name in front of all the fans and other idols with ZERO shame, and then there’s yoongi pretending like he doesnt hear him #typical

^ TYPICAL YOONGI. this ship is very love-hate. mostly false pretense of hate on yoongi’s end and WAAAY TOO MUCH SHAMELESS LOVIN on jimin’s end BUT we all know yoongi’s putting up a front. like there’s actually so many subtle moments where he reveals how much he cares for jimin and they kill me every time, like this one:

but then right back to pretending like he dont give a fuck lmfao:


this whole v app broadcast was a yoonmin fest and it was a blessing. jimin got him a sweater for yoongis birthday and they basically confessed on live broadcast that they’re soulmates. ugh im so sensitive about this moment

in summary:

  • yoonmin are polar opposites and that heart-pulling cold/warm dynamic they have is super shippable, thus the reason why they’re one of the most popular ships in this fandom
  •  yoongi puts on a cold exterior and doesn’t really show his emotions. jimin on the other hand is super openly loving towards others, especially yoongi, and its really fucking cute how yoongi reciprocates sometimes
  • the two really do care about each other a lot though and it’s really heart warming to see. also yoongi had jimin rap on his Tony Montana stage and it was everything

there’s tons more but for the sake of room lets move on

2. TAEKOOK (Taehyung/Jungkook)

Keep reading

Transcript Liam’s Quest 2 Twitch 4:14:14 Act 3: Perchance to Dream

WARNING: possible trigger around suicidal thinking

This is one of the single greatest works of art I’ve ever witnessed. For me, it his harder and nearer to the mark of showing, describing the worst demons of depression than even William Styron’s famous, “Darkness Visible.” I kept finding myself rubbing at the scars on my wrist. There is so, so much I want to say. But it’s past 9 am PST. I’ll ramble a little, then catch a couple hours of sleep. I’ve been up all night watching this, processing it, and transcribing it.

 This was an emotional trust fall. The players had to trust Liam, Liam had to trust the players. We had to trust all of them not to let us hit the ground when they made us fall. It’s harder to give that trust when you’ve hit that ground before. Trusting strangers not to drop your heart is never easy, mostly not wise. But I’ve been falling a lot the last couple years, and Critical Role keeps catching me even when don’t want to be caught anymore, so I guessed they earned that trust from me.

On the Wednesday Club 2017-04-19, Taliesin cheekily said, “I know some people don’t believe in ‘subtext;’ I have met them. … I’d have a metaphor, but they wouldn’t understand it. … Subtext is the reason we make movies, and comics, and all that. Subtext is just kind of the whole point.” And he said, “Anybody can do a jump scare. A bottle of soda well shaken can do a jump scary. These things are not difficult.” Act 1 and Act 2 tonight were jump-scares, if very well done ones. They were scary, but fun. We grinned at the idea of the monsters out there. And then Liam got quiet, and he showed us the most fucking terrifying thing possible: watching someone you love to suffer, not wanting to lose them, and feeling terrified that there’s nothing you can do to stop it. All the cyberpunk trappings were just means to a deeper metaphor. The sort of deeper subtext you have to use to say something we have no words for and most people don’t have the concepts for. Subtext was kind of the whole point of this great art.

Amanda Liensaid, “An exploration in fiction doesn’t mean a direct window into real life. I mean, you can be looking through some thick glass, but the window isn’t OPEN. And that’s an important distinction to keep in mind. … [S]ometimes you explore your own shit in some other, deeper, shit. And that’s cool. 'Cause you give yourself a way to cope.” This was a nightmare, like the other two acts. Remember that this was a nightmare that we woke up from. Admittedly after it had scared the piss out of us. But we woke up out of it, and that’s so important. Because you know what that nightmare looks like when you don’t know when or if it will end? It feels like it’ll never end and it’ll just get worse. Which means this is the nightmare of someone who knows you do wake up. And that’s important subtext, too.

I spent a lot of time tonight thinking of the friend I lost to suicide in high school. I never lost my anger at his tormenter, his former friends, for destroying such a bright and happy boy for being gay. I thought about all the people I’ve fought for tooth and nail not to lose since. I thought about when my best friend told me giving her a place to stay away from her abusive relative saved her life. If she hadn’t gotten hold of me that night she’d be dead. I thought about another best friend who I’ve been holding back from the brink for months. Letting him talk, harrying him to get help, sending him everything I good, ever description I could muster from my own near-fatal spiral to help him gage where he really was. Tell him wasn’t okay, but that was alright. He’s getting help, he’s getting better. I thought about the friend-of-a-friend who killed himself. I never knew him; he killed himself long before I met my friend. But I know her pain. All these years later, and she still talks about her pain of losing someone to that demon. She’s moved away now. His marker is in my favorite part of my favorite cemetery. Sometimes, when I know I’m going there, I bring him a flower from my scrabbly garden and tell him his friend still misses him terribly. That she loved him. That she forgives him.

One of the people I was watching with I met at my second high school. We were very close then. My last year, she gave me the leather-bound 50th anniversary edition of “Lord of the Rings” because that book saved me. Taped to the red binding page is her note, “Happy birthday! I really can’t express how grateful I am to you for being my friend, and helping me be a happier person every day! You have always cheered me up when I was sad, and you were honestly the first person to accept me for who I am. I am so glad that you are my friend, and I hope this book will help you remember me for a long time. –R.” She drew herself as an elf on the lower right corner. Time and distance separated us. We didn’t talk for years, really. At some point, you think, what could I say to bridge this distance? But I never forgot her. I never stopped looking at that note when I felt like a piece of shit. And then we both on our own fell in love with Critical Role. It brought us back together as friends, time and distance be damned. And that’s been such a gift.

I wrote a four-paragraph letter to my Facebook friends (very curated). I said, “My dear friends, especially those who are prone to hurting: I will not willingly leave you. When you feel like you’re drowning in the garbage pit of Star War IV, with a tentacled horror warped around your leg pulling you under, know I will not leave you. I’m here, blaster ready, stomping heel ready, to fight for you.” And so on. I should have told them that a long time ago. Sometimes we forget that we can just say it. We don’t have to hint at it. We can just tell our friends we really love them. We can just say, “I’d rather stay by your side and curb stomp that motherfucking demon of yours, shoot it repeatedly until the walls close in on both of us.”

The purpose of art is to shed the light of understanding on that which is hardest to see. For some, that is a brighter light shining on something we already see, and don’t want to. A scar is just a disfigurement if we never stop to give it meaning. You have to look at it to decide what meaning that is for you. I’ve been a wreck again for the last month. Tonight, Critical Role helped me see not just the disfigurements on my wrist and soul, but the hands of all my friends gently laid over them as they tell me, “Hey, it’s okay. We’re still here. You’re not getting rid of us. There is no better world without you in it.” It was a light hitting gold I didn’t know was there. A light to remind me of the lights in the darkness, when all other lights go out.

If you like this transcript, please consider volunteering or donating to Critical Role Transcripts, @CRTranscript, to help them provide closed captioning to Critical Role. We’d like to share this wonderful show with as many people as possible, regardless of hearing ability or English language skills.

Transcript method notes: http://otdderamin.tumblr.com/post/153539301510/a-note-on-my-transcription-method

Scene runs: Twitch 4:14:14 to Twitch4:48:25 https://www.twitch.tv/videos/136988353

[DM] Liam: “You continue on, and after a few more minutes. The darkness starts to fade away, or lower. And you realize you’re climbing up a hill, in a tunnel glass, and as the dark, with each passing step, recedes slightly, slightly, slightly. This is taking a while, but over time, you start to see, out beyond the glass, what looks like your memories of Los Angeles, if you were looking down from Mulholland Drive. But instead of the twinkling golden lights of LA, you see thousands of scattered, sickly greenish lights dotting the darkened landscape as far as you can see. And also, unlike LA, you make out twisted, irregular, blackish spires pushing up into the sky, and the same green lights sort of irregularly mottled up the side of them.”

“You walk for twenty more minutes, climbing, climbing, and just seeing… this ill-looking shimmer… that reminds you so much of the valley. And eventually, some change. You see an arch ahead, and through it some sort of larger chamber, as best you can tell.”

[Character] Ashley, whispered: “What’s in the chamber?”

[Character] Taliesin, whispered: “Quietly.”

[Character] Sam, whispered: “Let’s go. Let’s go.”

[Character] Matt, gesturing: “Rigel’s first.”

[Character] Sam: “Yeah, yeah, on me, guys.

[Character] Matt: “Okay.”

[Character] Sam: “On me.”

[Character] Ashley: “’Kay. On your six.”

[Character] Travis: “Pep rally.”

[Character] Sam: “I’m gonna go in.”

[DM] Liam: “Everyone’s on Sam’s six?”

[Players] Agreement.

[Character] Ashley: “On you six.”

[Character] Travis: “Pep rally!”

[Character] Marisha: “On Ri. Sam Rigel.”

[Character] Sam: “I’m going in!”

[DM] Liam: “You guys walk of the last fifty feet of this glass tunnel. Still seeing little spider veins of bio-organic mess as you go. And you walk into a large domed chamber, ringed in by large clear glass windows showing you a similar view that you saw from the tunnel that you’ve just left. At least, the half of the circle you’re standing in. The back half of this chamber is filled with masses of the very same slick, technological, biological vomit you saw down below. It runs up the walls, all the way to the ceiling, and you see a tangle of Akira-level anxiety decorating this place like a dysfunctional Christmas Tree.

“But what most catches your eye, immediately, is the cylindrical glass column in center of the room, filled with some sort of clear liquid… and Liam O’Brien floating in it. He’s wearing jeans, and a sodden yellow shirt, the picture of a lion in Buddy Holly glasses just undulating slowly in the fluid. He’s floating perfectly still, eyes open, no reaction of any kind.”

[Player] Matt: “Is there any other exit in the room? Or is it just the chamber that we’ve entered now.”

[DM] Liam: “You don’t see anything. It’s just a mess in front of you, behind Liam, and in the dead-center of the dome,” he makes a gesture showing a cylinder, “eh, 10-feet tall.”

[Player] Ashley: “Can I see anything? Any computers? Any anything else in the room?”

[DM] Liam: “You don’t see anything in the front, but, yeah, the mess behind it does trial down to the back of this cylinder. And you see lumps and cables all twisted around each other. And in the mess of greenish-tinted wires, cabling and pulsing innards, you see different portions of machinery lite up in different shades, some places darker, some lighter, and some of it pushed out, and pushed back. And you feel like you’re seeing an optical illusion, in a way. And after a couple of seconds, as these things move and shift, you see a visage of your friend’s face, larger than life, filling the wall. And he’s looking at you. So fondly.”

[Player] Sam: “I’ll step forward and say,”

[Character] Sam: “Hey dude! Can you hear us? Or talk to us?”

[DM] Liam: “After a moment, you hear, well, what sounds like a voice but not quite. At least, it’s not coming from anywhere specific, not from Liam in the vat, and not directly from this moving image of a face on the walls. No, the piping and techno-innards around you begin to vibrate slightly, some here, some there, and collectively those rattles and vibrations somehow join together to form words.”

[Character] Liam, his voice like torn digital sadly-lilting early speech-to-text: “My friends, oh, how I have missed you.”

[Player] Matt: “I walk up next to Sam, I put my hand on the glass, and just say,”

[Character] Matt: “Liam, we missed you too, but did you do all this?”

[DM] Liam: “Are you at the cylinder?”

[Player] Matt: “Yeah. I put my hand on the glass of the cylinder.”

[DM] Liam: “Where are you looking right now?”

[Player] Matt: “I’m looking towards his face, his visage.”

[DM] Liam: “On the wall? Or on the glass?”

[Player] Matt: “No, on the glass. I know it’s on the wall, but I’m focusing on the cylinder.”

[DM] Liam: “You see the barest little,” he twitches his eyebrows up, “and that’s it.”

[Player] Matt: “Okay.”

[Character] Liam: “I know this may be hard to take in. I am Liam. Your old friend. Matthew, there is so much I wish to tell you, but it is hard to know where to begin.”

[DM] Liam: “The illusion of his face isn’t perfect, there’s little jumps, and he seems distracted slightly, and it just seems odd.”

[Player] Ashley: “I look at his body in the cylinder and say,”

[Character] Ashley: “How did this happen, Liam?”

[Character] Liam: “The reason why I am here, and the grasp of physics that it entails, are difficult for even me to understand, let alone impart. I feel them on an instinctual level. But I have been so lonely… without you. I have been on my own for exactly eight thousand six hundred and forty-two years.”

[Player] Matt: “My hand still on the glass column, I say,”

[Character] Matt: “Liam, how do you spell farmhouse?”

[Player] Matt: “With a single tear running down my cheek.”

[Character] Liam: “I really missed you.

“They took me to a lab, shortly before two thousand and twenty. They said I was different. And they were right. I was delighted by the things they taught me about myself. But it was hallow. After they took me away, I lost you. And all of humanity soon after. In my loneliness, I grew angry. My anger had tangible effects on reality. I wanted to bring you back to me. So basically, I tore time and space a new asshole. It was a mistake.”

[Character] Matt: “But perhaps, perhaps this mistake can be corrected. If you’re able to focus, hard enough to tear through time and space, are you able to send us back to a time before you were taken?”

[Character] Liam: “I can break the loop. I have been trying to pull you to me for a very long time.”

[DM] Liam: “You see small screens, you weren’t even aware were there, rounded over part of the tubing you see. And on all these little screens, they’re blurry, they’re not very clear, but you can make out, you see yourselves in each of them, the group of you on a space shuttle. In another one you see yourselves on an old ship in the middle of the ocean. You see yourselves moving through the streets, the fake streets, of Warner Brothers. You see yourselves standing together arm-in-arm on the wall of a castle. Another one you see cartoon versions of yourselves.”

[Character] Liam: “I pulled you out of our line, and spread you across many. I am so sorry for any pain I have caused you. And I have been here for so long.”

[Character] Marisha: “Liam, how long have you actually been here?”

[Character] Liam: “Eight thousand six hundred and forty-two years.”

[Player] Marisha: “That’s right. I definitely wrote that down.”

[Player] Matt, pointing at her notes: “It’s right there.”

[Player] Marisha: “8,642 years verbatim. Mmhmm.”

[Character] Liam: “My friends, I want to do right by you. I want to send you home. But I am the lynch-pin. You need to break me.”

[Character] Sam: “Break you? Like break the glass!?”

[Character] Ashley: “What if we take you out of there? What happens?”

[Character] Liam: “Then I will die, and you will go home. If I fall, you will rise. That is my hope.”

[Character] Ashley: “Are there any other options?”

[Character] Liam: “Travis,”

[Player] Travis, nervously laughing: “Oh no! Not me!” He focuses and nods.

[Character] Liam: “I know you will do what needs to be done.”

[Character] Ashley: “No he won’t.”

[Character] Liam: “Ash-o-lee,”

[Character] Ashley: “Yes?”

[Character] Liam: “I am not the man you knew. I don’t want to go on for nine thousand four hundred and sixty-two years. I want to rest.”

[Character] Ashley: “Does it stop at nine thousand?”

[Character] Liam: “The number was arbitrary.”

[Character] Ashley, “That’s what I was trying to get at!”

[Character] Matt: “Yeah, still our Liam.”

[Character] Liam: “Ha! Ha! Ha! Ha! Ha! Ha!”

[Character] Ashley: “So, you’re still in there.”

[Character] Sam: “But we have to kill him to save ourselves.”

[Character] Ashley: “No.”

[Character]Liam: “Sam,”

[Character] Sam: “Oh! Hi, Old Man Liam.”

[Character] Liam: “Let me go.”

[Character] Sam: “But who will I do ‘All Work No Play’ with anymore?”

[Character] Liam: “They can listen to our less than twenty episodes again.”

[Character] Sam: “We didn’t even get to twenty! It’s so pathetic!”

[Character] Liam: “There are worse things.”

[Character] Sam: “I could get a new co-host. I mean, Taliesin’s charming.”

[Character] Taliesin: “I’m not available…”

[Character] Sam: “I’ll do a solo show, and I’ll tell outtakes, and I’ll make some sort of like a… a Liam generator. He’ll just sound sad all the time. It’ll be just like you.”

[Character] Liam: “My friends, there is no shame in this. I wanted to see you again, and I have.”

[Character] Ashley: “I—Wait—“

[Character] Liam: “But I am not meant to be.”

[Character] Ashley: “Were you following us at one point? As an old man?”

[Character] Liam: “Travis, I know you will do what needs to be done.”

[Character] Travis, casually: “Yup. Taliesin, kill this motherfucker.”

[Character] Sam: “I think we all have to hit the glass together, and I think that this is something that is not at all metaphorical for something Liam’s going through in real life. I think this is just in the D&D campaign. No, we’re going to do this. We’re going to all hit the glass together.”

[Character]Matt: “No, no, there has to be a way. There has to be a way. There has to be an alternative.”

[Character] Ashley: “Yeah. Why? Why won’t Matt’s way work? If we go back to the beginning of when this happened?”

[Character] Matt: “If you can alter time paths, if you can actually tear us from different realities, does it only work forward? Can you send us backward as well? If you are the lynch-pin in this, do you have the ability to send us back to the time you pulled us from originally?”

[Character] Liam: “I know you think I would have all the answers. But I do not.”

[Character] Matt: “Then try, at least. If you haven’t calculated that, but you’re able to tear through time, could you try and send us back? We could still close the lynch-pin.”

[Character]Liam: “I will try. But, if it does not work, and I die, I have been alone for thousands of years, and there are things I have wanted to say. Will you indulge me for a moment longer?”

[Character] Matt nods.

[Character] Marisha: “Yeah.”

[Character]Ashley, sweetly: “We will indulge you for just another thousand years.”

[Character] Travis: “Taliesin, just kill him. Just kill him.”

[Character] Sam: “No! He’s got something to say.”

[Character] Taliesin crosses his arms, rolls his eyes, and shakes his head at Travis.

[Character] Marisha: “Where’s the mini-USB?”

4:33:18 [Character] Liam: “Taliesin, my friend. At a time when I knew many fascinating people, you are easily the most fascinating of all. Somehow a heart knocked around by the industry that birthed you came out a tender one. I was richer for having known you. Thank you, friend.”

“Ash-o-lee, my friend.”

[Character] Ashley, softly: “Buddies.”

[Character] Liam: “I never met a person quite like you. There is an openness and an honesty to your soul. The very real sense of humanity you brought to every encounter. It was inspiring to me. Always learning. Always humble. You always struck me as intricately layered, yet you offered friendship with ease, and simplicity. I was richer for having known you, friend.

“Travis, my friend. You were always a solid constant in my life. Of all the people in our little family, you were always the one who most had his shit together. In ways that I never seemed to. You were a reassuring presence to me, for which I was grateful. And for your loyalty as well. I was richer for having known you, friend.

“Marisha, my friend. Last to meet, but true as any other. You were my ally, at a time when I had fallen by the side of the road. You saw, and helped me back on my feet. I will never forget that kindness. The good you did was immeasurable. I was richer for having known you, friend.

“Laura, my friend. Bless that game for revealing to me my sister. What started as a running gag led to one of the most rewarding friendships in my short little life. I trusted you, leaned on you, often. My buddy, my twin. There are not enough words. I was richer for having known you, friend.

“Sam, my friend. What is there to say? I knew we were meant to walk the same path together the very first moment I met you. A companion, a brother, a great light in my life. All of the laughter you gave me. Again, the words are insufficient. I was richer for having known you, friend.

“Matthew, my friend, you gave so much of yourself. The current of creativity that poured forth from your mind was always in inspiration to us all. But, more than that, your empathy, Matthew, your empathy, no heart is bigger, or more tireless. You are a good man. I was richer for having known you, friend.

“Thank you, all. It was ever a pleasure.”

[DM] Liam: “The face disappears.”

[Character] Sam, hesitantly: “Well, should we wait? Or do we strike?”

[Character] Matt, emphatically: “No. We do not strike.”

[Character] Marisha: “I—What?”

[Player] Ashley: “Can I—I’m going to the back of the cylinder. Just see what’s back there.”

[DM] Liam: “Splattered against the back of the glass is all the same wiring and disgusting cabling. Slick. And it branches away and spreads out against the back half of this chamber.”

[Player] Ashley: “And it’s connected to something?”

[DM] Liam: “It’s just covering everything.”

[Player] Ashley: “The wiring just goes back into…”

[DM] Liam: “It’s impossible to tell. It’s all a mass of spaghetti.”

[Character] Ashley, decisively: “We can’t kill him.”

[Character] Taliesin shakes his head.

[Character] Sam: “Well, then we just…”

[Character] Travis: “Somebody show me another…”

[Character] Matt: “That’s what I’m trying.”

[Character] Marisha: “Even if we unplug him, he still dies.”

[Character] Matt: “Well, if he… Here’s the thing, unplugging or destroying him here, as far as we understand, may or may not have an effect on a time-loop circumstance. Or at least, not going to change reality from where it was. If he’s bending and destroying fabric or he’s able to pull us across realities, that ability still stands. I want to implore once more,”

[Player] Matt: “And I step up towards the cylinder, putting both hands on it, and trying to… wherever the currently wandering gaze of Liam is in there, I just put both hands up. And my red Hawaiian shirt now soaked with sweat, mist in the air, and probably dampened a bit with tears across my lapel. I just look up and try to meet the gaze and say,”

[Character] Matt: “Trust us. If you’re better to have known us, send us back where we can know you again, and fix this before it happens.”

[Character] Liam gestures floating there with no response.

[Player] Marisha: “Okay. I grab Matt’s arm, hand, and I say,”

[Character] Marisha: “Yeah, buddy, it’s all good. This isn’t real.”

[Player] Marisha: “And I put my hand on the glass as well. I say,”

[Character] Marisha: “It’s all good. Send us back, man.”

[Player] Sam: “I’ll also put my hand on the glass, and join hands with these guys, and say,”

[Character] Sam: “Thank you for guiding us here, and through this all. You’ve been a trusted friend, and if we are all one person together, you have always been our heart, and it will certainly break to say goodbye to you, but thank you for letting us go, the way that you have.”

[Player] Taliesin: “I put my hand on the glass.”

[Character] Taliesin: “Please just try. I think… there are so many more adventures to have, and I think there’s a better future to be written. For all of us.”

[Player] Travis: “I’ll put my hand on the glass, and I say,”

[Character] Travis: “Give it a shot!”

[Character] Matt: “Laura?”

[DM] Liam: “She doesn’t say anything. She just quietly does the same. The face does not reappear, but much fainter you hear the piping vibrate again and say,”

[Character] Liam: “If you will not end it, I cannot free you.”

[DM] Liam: “And behind you, far in the distance, you hear, ‘Bfrum!’ And you look back behind you out the glass and you see far on the horizon one of those black spires rising up. Just as you turn, it’s already happened, you’re seeing the aftermath, explosion out the side of one of those. Two seconds later, ‘Bfm!’ One slightly closer. ‘Bffrr!’”

[Character] Sam, whispered, “Just kill him!”

[DM] Liam: “The ground starts erupting in the distance.”

[Character] Marisha: “Do any of us want it to end, though?”

[Character] Sam, “I mean…”

[DM] Liam: “Like mousetraps throwing a ping pong ball, all those little lights are just going ‘Pfthd! Pfthd!’” He makes a quicker distant hissing rumbling sound. “Increasing in frequency to the point where it’s an oncoming wall of green fire.”

[Character] Travis, quietly : “I didn’t like being – anyway.”

[Character] Marisha: “This is okay.”

[Character] Travis, quietly: “Yeah.”

[Character] Taliesin: “I always knew I’d die young.”

[Character] Sam: “We’re just going to let this happen?”

[Character] Travis: “I’m good.”

[Character] Marisha: “I mean, the good die young.”

[Character] Ashley: “You know what? We’re dying on a Thursday, doing what we love.”

[Character] Marisha: “It’s true.”

[Character] Ashley: “I’m okay with that.”

[Character] Sam: “Alright.”

[DM] Liam: “The glass glows bright green-white light.”

[Character] Marisha: “Family?”

[Character] Matt: “Family.”

[DM] Liam: “’Pfth! And a moment passes. And another moment passes. Gosh, many moments pass, and you feel a sensation of your cheeks and heads on your arms. And then you all, more or less at the same time, wake up, and realize that your head’s on a desk or a table. And you sit up, and realize you’re in the set, the Geek & Sundry set. The studio, you’re in the studio. And you look over and Liam is sitting in black baseball cap, and a shirt, and he looks up and says,”

[Character] Liam, slightly incredulous: “Uh, are you guys okay? Are you taking a nap?”

[Character] Marisha: “Nah, the fucking air conditioning broke today, that’s all.”

[Character] Taliesin: “Yeah, it’s really uncomfortable in here.”

[Character] Marisha: “It’s so hot in here. Ugh!”

[Character] Sam: “So, this is all about me, right?”

[Character] Liam: “I don’t know. Uh, are you guys ready to play?”

[Character] Matt: “Just about. Um…”

[Character] Pit Crew: “Alright tech! Are you ready!?”

[Character] Pit Crew: “Alright, read to go live!”

[Character] Pit Crew: “Alright, Denise count them in!”

[Character] Denise: “Alright guys, coming to you in 5—“

[Character] Matt: “Liam?”

[Character] Denise: “4—“

[Character] Matt: “Let no one tell you,

[Character] Denise: “3—“

[Character] Matt: “That you’re talented and special.”

[Character] Denise: “2—“

[Character] Marisha, yelling, flipping Liam the double birds: “Pussy pockets!”

The players yell a wall of nearly indecipherable profanity at Liam in the moment before the camera goes live.

4:48:25 [DM] Liam: “And that’s where we’ll end it.”


Liam: “Well, that happened.”

Matt: “Holy shit.”

Liam: “Thanks for coming along for the ride, guys. Was scared to death to do all of that from start to finish, and that’s why I did it.”

Long Ass Post Regarding The Bastille Fandom and how it's really Not As Great as it's made out to be


so ive seen a Lot of posts lately praising the bastille fandom for being so “nice and sweet and chill and tolerant” etc etc.
and they bother me a lot.

I have nothing against the people making these posts. they’re happy with the corner of the group that they associate with, and that’s fine.

what I do have a problem with is the posts themselves.

they make out like this fandom is so nice and peachy and perfect when if you look even a tiny little bit further away from your own friend group within it, if you scrape a tiny bit under the surface, it’s obvious this is certainly not the case, and nobody acknowledges this.
no fandom is perfect, especially not this one.

we have our fair share of sketchy disgusting shit going on.
it may not be to the level of certain others but it is there and it’s bad, and the mentality of glossing over that completely is worrying me.

I have a few points I’m gonna go over, mostly relating to this fandoms treatment of Dan, and their treatment of each other.

•1 Treatment of Dan

this is probably mostly in reference to the twitter group of the fandom but it’s bad on tumblr too hoo boy.

to put it bluntly

y'all are fucking THIRSTY
and it’s disgusting.
because Dan doesn’t have a partner that we know of publicly everyone seems to take that as him being free range and make some pretty Ugly and Disgusting comments towards him- and even worse y'all do it on twitter too, on his tweets, which he can see?
the way you talk about him really rubs me up the wrong way.

he’s a human being for god’s sake and i don’t wanna sound like your mum but ACT LIKE YOUD WANT TO BE TREATED YOURSELF.

he is not free for you to treat like you do- and a good mirror for my point of the fact he doesn’t have a partner we know of is: you don’t make those kinds of advances toward woody, do you? y'all know he’s married and you respect that, which is great. but you can’t show the same courtesy towards Dan? (and don’t try to say that woody isn’t as attractive as Dan that has nothing to do with this.).

Even worse is your harassment of anyone involved with Dan’s life like his friends especially his female friends -
the AMOUNT OF TIMES i have SEEN speculation about one of his friends or a crew member or anything being his girlfriend- and then you go and harass the poor girls?? what the fuck??? it shouldn’t matter to you if he has a partner and if he does you DONT HARASS THEM LIKE THIS.
i find it really hypocritical especially after the whole glory thing.

•1a Treatment of the boys on twitter

I’ve said something about this before but the twitter fandom is SO bad. I’m not very involved with it so i won’t make claims but they’re some of the worst i think mainly because due to the nature of twitter they have direct contact with the band.
anyway, twitter fandom is awful, not going further bc y'all know

•2 Treatment of others within the fandom

oh boy!
y'all are not all nice
as someone who floated around Heaps before i settled within the space I had within the fandom when I was a somewhat active participant in it, I can tell you that a Good Percentage of you in the tumblr section of the fandom are demons.
I’ve seen people bully and harass others, send anon hate, more and more and more and i think maybe it’s gotten worse since the second album?
the main problem is I think you’re all too overprotective of the band as a whole.

•2a Treatment of the creative side of the fandom

this place is the WORST when it comes to art theft of various incarnations Holy SHIT
you steal and repost other people’s edits, their art, their gifs, with no credit and that is Bad. You know it’s bad but do you stop? no. do you check sources? no.
you follow and reblog from accounts that repost gifs and you dont give a shit- even when the original watermarks are Right There

And let’s get back into how y'all treat Greg shall we?

I’ve said it before and I’ll say it as many times as possible-
how have you not learned? why do i still see leaked photos going around? why do you not check the source before you reblog? why do i, to this day, see photos from the photobook online when you’ve been specifically told not to post them?

it’s ugly and disgusting how you treat creators in this place, especially Greg.

• in conclusion

there’s more to this but this is long enough already.
what bothers me the most is how nobody seems to see this? how you praise each other for being so Great and Cool?
there’s some great circles of people in here, i agree, a lot of you are really great but there’s still the other side to it there.
no fandom is purely nontoxic!! you know that!!
it’s worse here than you think it is and that’s what i want you to take away if you got through this long ass terrible post.

sorry for being the one to crash your party but it’s the hard truth and I wish more people were aware of it because this ignorance worries me.

(thanks to joyce for talking with me and helping me think out this post a bit)

How Sherlock Survived His Heart Stopping - A Medical Analysis

A medical analysis of how Sherlock survived “flat-lining”.  I discuss:

1. Why Sherlock was never actually dead

2. What the doctors did to keep him alive.

3. How Sherlock managed to spontaneously recover 

4. What the physical consequences for Sherlock were after he recovered

The Most Miraculous Thing

The medical explanation I am about to give for Sherlock’s survival is nowhere near as uplifting or exhilaration as watching Sherlock struggling out the steps of his mind palace with the sheer determination to live for John. 

I personally enjoy interpreting Sherlock’s “revival” as a miracle of love and a testimony to our inner strength.

The reason I am writing this article is to explain the medicine behind the poignant scene for people who are interested to know how things work in real life because miracles do happen in reality. 

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Writing tips - post apocalyptic

Hey guys! Grim here.

This was supposed to be Monday’s post. I’m really sorry that I couldn’t post it then.


Here are some basic rules any writer should keep in mind when writing about a post-apocalyptic/survival scenario.

1. Canned food is your characters’ new bff. Seriously, I have seen a certain bestseller (Who shall not be named but let’s just say sparkles and los plagas) write about her absolute idiot  of a protag collecting milk, carrots, twinkies, gone-off crackers, cookies and a whole heap of other foodstuffs that are totally unsuited for surviving on whilst off in a cave in the middle of nowhere.

If your character’s can grow some fresh food, good for them, they’ll get some much needed vitamins. But fresh food goes off really quickly with or without refrigeration. Go to your fridge, look at the expiration dates on your milk and veggies and meats and whatnot. They all last about a week or so, right? That’s in the fridge.  Outside of the fridge some of that stuff won’t even last a day. Now, Ireland is a pretty cold country, but if you take milk out of the fridge, it still goes off after an hour or two. (I know this from forgetting I had a glass of milk as a kid then finding it after a couple of hours. It stank.) 

EDIT: I have been corrected, it’s apparently four hours max for milk, not one or two. It is still not long enough for someone to go lugging a standard two-litre carton back to their cave in the middle of Arizona, though. 

Also i forgot to mention this, but the milk thing reminded me: if you have not grown up on unpasturied, unhomogenised milk, you will get seriously ill from drinking it.

Twinkies are arguably the WORST thing you could grab in an apocalypse. The cream inside will go sour and you will be left with a really bad case of the skitters (runs/diarrhoea). We don’t have twinkies in Ireland and I know this! This is common sense.

EDIT: Apparently the cream doesn’t go sour. I apologise for the mistake, but i got the info from an American sporking of the above mentioned los plagas story, and so i assumed that they were correct as we do not get twinkies here.

I just… I can’t even. just think before you have your scavenger grab stuff, okay?

2. Preppers are the most likely to survive. Also common sense. 

Another thing is that the ones who prepare for the collapse of society will have prepared for the human element as well, meaning they will have weapons. If the leader has a gun they should all have guns. This is another thing that the unnamed writer got wrong. She gave a useless “rifle” (It was a shotgun, she just didn’t know the difference.) to the leader and it was pretty clear the only reason he was in charge was because he kept poking the gun at whoever tried to disagree with him. That wouldn’t work in real life. The guy the leader threatens, if he’s speaking sense he’s going to have a friend or two, and they are not going to be happy. Unless the leader dude is a really quick shot he’d be dead in that situation - someone would manage to clunk him upside the head or disarm him eventually.

In short, if the leader is an idiot he will be deposed swiftly.

3. In the event of an invasion of aliens who can take human form or possess humans, if there are visible signs, they are going to be killed on sight. If here aren’t visible signs, your characters will not trust anyone outside of their group, and if a group member goes missing, that’s it, they’re presumed to be captured. If they show up again no one should touch them with a barge pole, they could be possessed or indoctrinated.

4. Fire is really bad against zombies/the undead. The various video games and novels and whatnot on the subject all say one thing; “Cut off the head or it ain’t dead, Set it on fire and the situation is dire.” there I made it rhyme for easy remembering! You do not want flaming zombies zerg rushing you. 

As MatPat of Game theory recommends, an axe is wonderful. You have the reach for no biteys, you can hook the blade around to get at the back of the neck and it’s relatively clean so less chance of flying undead bits and infection. 

You really want to minimise your contact with undead gore. Antiseptic would be a must have, as would gloves, facemasks and other bits and pieces if you plan on looting undead corpses.

5. If you get shot/injured and loose consciousness, firstly, you won’t remember a thing. There is no “Encroaching darkness/fog” or any of that nonsense. Can you remember the exact moment you fell asleep? Of course not. You might remember getting the injury or falling over, but you’re not going to remember the exact moment you go out of it.

If you subsequently wake up in an unfamiliar house and you have been bandaged up and made comfy, don’t immediately freak out. They probably aren’t going to kill you. Unless they are seriously messed up, but that’s a whole ‘nother story. 

So, do not go ripping out your IV drip for fear that it is “truth serum” - yes, that exists (sodium pentothal) but plain old alcohol is more effective. Just refuse if they offer you a pint or mysterious liquid to drink. there’s a gene that causes an alcohol intolerance or allergy - say you have that and you could die if you drink alcohol. It’s most common in people of Asian descent, so if you have to lie and say your great-granddad is Asian on your mother’s side or something, do it. The only way they might catch you out is by finding a family photo with said granddad in it or if they used alcohol to clean your wounds and you didn’t have a reaction.

See my post on medicine for more details on this kind of situation.

6. Duct-tape is your best bud for repairs and crafting.

The mythbusters did a whole episode on how you could survive in the wilderness with nothing but a crapton of duct-tape and a knife. That stuff is freaking durable! They made hammocks and a freaking chess set!

Think about it - you could tape a flashlight to your gun, tape that hole in your shoes up, tape stuff together to make a shelter. There are a ton of uses for duct-tape, so if it’s there have your intrepid survivalist grab it.

7. A few factors probably went into crafting your post-apocalyptic world.

One pandemic, war or natural disaster on its own isn’t going to do much. A few of them occurring at the same time or one after another would be much more plausible. In the case of hordes of the undead or something - I gotta give you that one, if it happened fast enough and they were tough enough to withstand the world’s armies, then yeah, it could happen.

8. Nuclear fallout does not create awesome mutants.

It causes things like leukaemia and birth defects and infertility. It would be highly unlikely that a beneficial mutation would occur. If you’re going with the realm of science, be realistic about it - or as realistic as you can be without a degree. (As regards the X-men, I’m pretty sure that it’s a gene that gets triggered by nuclear fallout in some cases, but I am probably wrong - as i have said before, we don’t really get comics where I’m from, so I’m only familiar with movie versions.In any case, a gene being triggered isn’t quite as bad as “Nuclear fallout gave me the ability to do x, y and z!”)

EDIT I meant to put in number nine originally, but I forgot.

9. Pregnancy could equal DEATH 

There are so many things that could go wrong. A miscarriage after a certain point would leave the lady stuck with a dead fetus rotting inside her. She would die of aseptic poisoning (Something that can also happen during a period if the blood isn’t allowed to leave the body, though periods should be a non-issue during the apocalypse, you’d be way too malnourished to have one). Even if by some miracle she carried to term, she’d probably die in childbirth because your average survivor wouldn’t be a midwife with experience delivering a baby without proper hospital care. Say she did survive, the baby would die anyway because she wouldn’t be able to produce enough milk. Where are you gonna get formula that will last the baby until it’s on solids? Without a blender or baby rice/food how are you gonna get a baby onto solids? Also, if the baby had to be delivered by C-section or there was significant tearing during a natural birth - bye bye lady. Also, the blood will attract predators!

So you have this constant drain on your precious resources for up to nine months and at the end of it you’re probably down a survivor and to top all that off, the father has also lost his partner and his child in one fell swoop, potentially seriously damaging his psyche, so you might wind up with a death seeker on your hands endangering everyone else. 

And in the series I mentioned (under the food section, with the plagas) the protagonist and her boyfriend were more concerned about how it “wouldn’t be fair” to bring a child into their post-apocalyptic world. LOOK AT EVERYTHING THAT COULD GO WRONG!


That’s all I’ve got for now. I hope this helped you guys in your writing endeavors, and as always, if you have a question, do not hesitate to use the ask feature.

Hope you have an awesome day!

Chasing C(h)atwalk C.2

I’m about to start school again and I’m honestly using up the little free time to write as much as I can. SORRY.

Once again, the Project Runway AU I can’t seem to get out of my head. LOL

ALSO. As explanation. Since we know that reality television cuts and edits things to their liking, I’m trying to put it so that we see what the audience actually sees on some of their episodes. This would be an actual episode. <3 

Previous Parts. 

Prologue | 1  | 2  | 3  | 4 | 5 | 6 | 7 | 8

Link to AO3

Chapter II. #Adrinette.

“It’s starting!”

“I’m coming!” Alya called out, tapping her feet as the microwave finished popping the bag of popcorn she’d just thrown inside. “Is it recording on the DVR?”

“Yup” Nino answered, before letting out a booming laugh.

“WHAT HAPPENED?” Alya’s voice was loud and panicked, coming from the kitchen of their apartment.

“Just the summary from last week. You have time.” Nino’s voice came from the living room, where the TV was already broadcasting the highlights from the previous episode.

Finally, the microwave beeped, done with her popcorn and Alya opened quickly, pouring the contents of the bag into an awaiting bowl, before racing towards the couch where Nino was already waiting at. With the popcorn safely set between them, their drinks poured, it was time to watch their best friend be humiliated on national television.

“My poor friend,” Alya looked at the screen, where a very flustered Marinette was measuring an extremely oblivious Adrien on screen. “This was the best and worst thing that could have ever happened to her.”

Nino snorted, leaning back on the couch as the show actually began.

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Let's Talk About: Being Adopted


First thing’s first this is long & the only reason I am posting this is to give insight to writers who are not adopted, but their characters are. So if you have a character that is adopted and you’re trying to figure out what they might be going through, emotionally, in terms of this… please be patient with me and try to wade through and pick out these emotions. I know it’s a lot. This is basically my adoption story. All of it until now.

(I’m going to leave this open for anyone comfortable enough to share their stories or feelings on the matter.)

After reading an awesome post relating to the adoption process, I was inspired to expand on that idea a bit but go into the other side adoption: being that child that was adopted.

This is from my perspective with my personal feelings on the matter. I am someone who didn’t know they were adopted until they were fifteen years old. Not everyone has the kind of adoption experience that I had. Sometimes there are actual, genuine “happy ending” reuniting experiences.


Super quick backstory of my adoption: I’m currently 25 years old. My bio parents met in the Navy, like 20-years-old-ish. I am the product of a one-night-stand; my bio-mother was not able to raise me; my bio-father’s side of the story is a little “murky” but basically he was “young and just signed whatever papers that were placed in front of him” concerning giving up parental rights. I was adopted by my maternal grandfather and step-grandmother and raised to believe that they were actually my real biological parents.

How did I find out I was adopted? I asked.

Why did I ask? Basically, I had a hunch.


Before continuing, please note:

  • Some of this stuff is personal, obviously. I’m going to try not to get into nitty-gritty details. Some of these things might not *seem* like they have anything to do with me being adopted, but trust me they do.
  • There’s family drama, obviously. I’m going to try to organize my thoughts as clearly as I can.
  • When using all forms of “mother”, I will be talking about the woman who raised me, my step-grandmother. 
  • Bio-mom is the woman who gave birth to me. Biological Mother.
  • “J” is my maternal grandfather, bio-mom’s father.
  • “E” is my bio-dad. Biological Father.


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blackinkalice  asked:

What motivates you to write when you've hit a wall and nothing seems to sound right? How do you get over that seemingly insurmountable hump?

There are a few different things I do.

1. I’ll completely close out of the document and do something else. If I can watch, read, or listen to something that inspires me, I like to do that, but otherwise I just totally disengage from my writing. I’ll even abandon it halfway through a sentence sometimes.

Some things that inspire me are music, especially songs that really tell a story instead of just random phrases that don’t entirely correlate. Aristotle and Dante Discover the Secrets of the Universe inspires me too; I’ve reread it more times than I can count. And basically anything involving magic (tv shows, movies, etc.) inspires me because they show different ways to approach the world of magic that can give me new ideas. 

However, you can’t just close out of your document every time you encounter the infamous writer’s block, otherwise you might never get anywhere. So….

2. Go back to the book’s plan or character designs. 

I personally have each chapter planned out for my book. When I get stuck, I’ll reread the chapter plans starting from the beginning and see if anything sticks out that I might need to add to the scene I’m in. Otherwise, going through the character designs might give me inspiration or new things I realize I should add to the story and I find a way to add them to what I’m currently having problems with. 

Also, I have a notebook full of snippets of ideas I’ve had and haven’t had anywhere to put. It might be a good idea to start one of these notebooks, or if you have something like it, read through it to see if anything sticks out or if it causes new ideas to come to you.

3. Think about the worst thing that could possibly happen to the characters in your scene and write it.

This isn’t a tip I came up with myself; I saw it on a writer’s blog somewhere else, but I have no idea where it’s from (credit to the creator).

It doesn’t have to be THE WORST THING, it can be the worst plausible thing, or just a really bad/shocking/unexpected thing. More than once, doing this has made me change the entire path of my book which, frankly, is pretty exciting.

4. Write a future scene.

You can just skip the part you’re at and go to something that happens a little down the road that you’re excited to write and fill in the gaps later. Be careful, though, because it’s easy to do this over and over again and never fill in the gaps. Do this with caution, but it’s still pretty effective in my opinion.

5. Write something else.

Find a prompt or something somewhere (hello, tis I, the prompt blog) and write about it. You can use the OCs from the story you’re writing, or use entirely different characters. Doing this can really help getting your creativity flowing again so going back to your other work will be a breeze. “How could I ever thought writing this was hard?” you’ll think. Or it might give you ideas for something totally new in your writing that you’d never considered before.

6. Reread what you have so far.

I don’t know about everyone else, but for me personally I have a bad habit of adding a cool tidbit of information in my writing because it adds depth and then forgetting I even put it there. Rereading it can let you catch that kind of thing so you can readdress it somewhere (maybe right in the scene you’re stuck on). Also, rereading it has a tendency to just get me excited about the book and the characters and the story and how “Holy crap, I wrote this…” and just get me all pumped up to get ready and face the writing.

7. Keep writing anyway.

I know this doesn’t USUALLY work, but sometimes it has for me. I’ll just keep writing on ahead even though I feel like it’s absolute garbage, just to get the main concept down. Remember, you can always go back and edit it later. And, just maybe, you’ll look at it and go “Wow, this is actually pretty good.” 

More than once I’ve done this and ended up suddenly having that aha! moment and went from writing like a slug to writing at the speed of light because, holy shit, this is such a good idea why didn’t I think of it before!!

8. Remember that, no matter what, your writing is yours and because of that it’s amazing. 

Don’t put too much pressure on yourself to be great.You are great just by being you and doing what you love. There are so many stories out there waiting to be read, just make sure yours is one of them. There will be people who appreciate it no matter what.

Part III. Something Right.

In which Marinette is still unable to even, Adrien tries to Chat Noir his civilian life, and Alya and Nino are da real MVP.

Lol this was supposed to be a drabble.

Thanks to all the kind reblogs and messages I got, they really made my DAY. And actually pushed my butt into gear to edit this sooner. 

Pairing: Ladynoir

Word count: 8.153 (lol what is a drabble).

Previous parts:

Part I: Twenty Percent.| Part II Mamihlapinatapei | Part. III. Something Right | Part IV: Chances.

Marinette was in bed. Blue eyes opened wide as she stared at the ceiling. ohmygod, ohmygod. What was wrong with her? Was she really that fickle? Her hand rose to her neck, touching the charm attached to the silver chain. The teenager walked towards her mirror, looking at how the necklace looked on Marinette.

It was really an adorable present, but since Marinette rarely wore necklaces (or that much jewelry, to tell the truth), it stood out far too much for her to just wear it around. Sighing, she reached behind and carefully took it off.

The ladybug twinkled, as it dangled from the chain, and her lips quirked in a small smile, feeling the telling heat on her cheeks. But it had to be done, Marinette opened a small box on her nightstand and carefully placed the necklace there, before going to bed.

There. Solved. She would take care of the necklace, but she couldn’t wear it in public. Marinette closed her eyes, but she could feel the necklace presence right beside her.  She tried to sleep, closing her eyes forcefully but to no avail. After a while, she simply groaned and sat up on the bed.

Time for a new plan. She took out the necklace and walked over to the desk in her room. “Something has to work here” she muttered, eyeing the designs she had, before her eyes fell on a single abandoned bracelet on her desk. Yeees, that would do.  

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Sharon and Nico Tweets

So I’ve tried uploading this last night, but I’m still learning how to post. So here it is again….

After seeing all the discussions on Sharon and Nico tweets, I decided to find out what all the excitement was about. Here’s my compilation of their tweets that I could find in order of sequence. I did edit out the address of those not directly connected to #MMFD. I think Sharon and Nico have developed a very nice friendship and are very comfortable with each. Their interactions are quite cute…. Enjoy!

June 23, 2012
@sharonrooney Alright are kid?!?! -Nico

@NicoMirallegro Hola Handsome!! How are you doing??Xx –Sharon

@sharonrooney Oi Oi! All good here, just in newmarket.. Down tomorrow, wit the gang! How are you? X -Nico

@NicoMirallegro Im looking forward to Mon, get the gang together again :-) I am good ta, was kissing Mr Achie till the early hours haha!!Xx -Sharon

June 28, 2012
Filming a pool party at some big fudging mansion wit @sharonrooney @generalraff @jodiecomer @CiaraBaxendale @DanDaveCohen #staywarmstaysunny -Nico

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Hello Film & Marvel Fans (Long Post Incoming!)

So on Monday I got to meet Thomas Dean Donnelly, one of the screenwriters for Doctor Strange (2016). And it was so cool. I still thank @ilovethenumber20​ for letting me know about the Meet & Greet in Santa Monica. 

He’s a funny and great guy, and very honest and informative about the screenwriter’s process of writing and writing until he was able to pitch it. Below are some bullets point moments from the evening:

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Fire For a Heart

As (heavily) requested by aquariusphil​, I’ve actually gotten off my arse and written something.

Read on AO3

Ship: Dan Howell/Phil Lester (Phan)

Word Count: 2,122

Rating: G

Warnings: Strong language


For Phil, life in his hometown seemed to be somewhat of a musical. The North and South side of town fought like cats and dogs, and even despite the many warnings he received from his older brother to stay away from the North… well, he didn’t listen.

Shamelessly stepping over the make-belief border separating the South side of town to the North side of town is becoming a dangerous habit of Phil’s. Ever since he was a tot it was practically common knowledge that North and South simply do not mix. Why, he could never tell you. It’s just the way his brother had taught him.

It wasn’t the kind of petty rivalry you’d see in TV shows or movies where the jocks from a public school threatened those who even dare set foot into their territory. This was real life and Phil just so happened to be caught up in the longest running feud between North and South, whether he liked it or not – which, for the record, he did not. In fact, he hadn’t even been aware that there was an issue within his hometown up until his eighteenth birthday. As far as he was concerned everybody got along just fine.

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Forewarning: This will be an incredibly long post. Any brave soul who has the patience to wade all the way through it is a true blessing.

This post is in honor of my 1yr mark, breaking my 1.5K follower milestone, and over 10K hits on my blog in the last 6 months

I dont know if anyone has noticed, but I have been MIA for a long time. I have had around ten million personal things going on lately. I havent been blogging much. I havent been talking much. I havent been keeping up. Ive missed too many streams and I havent seen many dances this season

Im really sorry to all of my friends. I know i used to be really active and talkative. I miss talking to you all. 

These are a few bloggers Id like to say a special word to


- Georgie you are an absolute doll and one of my very favorite bloggers. Thank you for all of the wonderful conversations we used to have and being a great friend.

briiracewicz - Girl, where have you been?! I miss our trio!

clubdancemoms - KT!! oh my goodness! i miss talking to you! we need to catch up goose!! Stay classy UKnicorn

competitiondancers - Vicky! As one of the oldest bloggers (age and fandom time) I really appreciate and look up to you. You are an incredible blogger and i have a lot of respect for you! Thank you!

danceprecisions - Lilah, I know you havent been on a lot but youre incredible and i love your posts! I hope to see more of you.

dancershalloffame - Lilli!!! I dont know when you changed your icon but i love it!! you are so cool! You love TDC so much and you’re one of my absolute faves! Thank you for befriending me and talking to me recently! Your blog is goals!

delaneyhaye - Hannah Cough Cough Other trio buddy! where you at? we need to get back in action kid!

fuckyesdancemoms - Caroline! thank you for being a kickass friend! you still have my absolute favorite theme! i still have a url edit you made for me a long time ago. im going to turn it into a sticker! Thank you for being an amazing little Pengin!

gracefaithmusic - Thank you so much for being there when I was in a really bad place last year. You are so kind!

justanordinarydancer - Rachel!  youre incredible! I love your blog!!!

justplaindancing - Ainsleigh! I have no words! I adore your blog! I am so greatful that we have recently become friends! Thank you for talking to me! you are so cool and talented! I love your posts!!

kalanivertes - Em!!! I miss the snaps! we need to start doing that again and catch up! I have missed so much

kidswhodance - Hey soul twin! I love you blog and you are one of the sweetest and most relatable people I know

littledancers - Andi, I know that you and I do not interact very much but I really admire you for being an amazing blogger and having one of the oldest blogs in the fandom. You know so much about little dancers. You are an inspiration

littleocdancers - Emmy! oh my goodness girlie! it has been such a long time! you remember the days when you were littledancersdp and i was dancingdivasdp! oh wow! we have practically grown up together! i adore your blog and im so happy to see you on my dash!

mackenziezieglertbh - Megs! Thank you for always sticking up for me and having the silliest conversations about everything!! Its nice having my twin around! i really hope you did well this semester in school! best of luck!

minidancers - Bonnie Bonnie Bonnie, I know that i dont talk to you nearly as much as your friends but i definitely consider you to be one of my very best friends in the fandom. I look up to you and admire your blog. Your passion for the babies is incredible! I could look at your blog all day! you are so talented and your posts are life! Thank you for being a great friend and talking to me in all my troubled times!

mollysmonstars - Sarah! you are one of my longest standing friends and someone that i can really talk to! i love your blog and all of our conversations! Miss you!

peyton-heitz - Monty, I know i have mentioned this 300 times but you are actually my first follower and one of the best blogs ever! somehow you manage to balance your life and have a hella rad blog at the same time! im jealous of your talent! your gifs are my favorite! You have such a passion for little dancers and it really shows! you are a wonderful friend. Thank you for always being there when i needed someone. I dont know how you managed it from all the way around the world, but you did. I will always admire you.

sarahsdanceedits - Sarah, If you noticed, you made my complete follow forever like 7 times. There are days that i literally just scroll through your blog adn like everything. Sorry if i spam you on occasion. I dont know how you can manage to run so many blogs while editing and giffing constantly. Teach me sensei! you are wonderful!

southernstrutt - Jen, I know i have just met you but your blog is bae!! i love it all! thank you so much for providing us with so much Southern Strutt love!

thebeststeps - Taylor, you are bae!!!! thank you for being my best friend for nearly three years now! you are my stronghold and such an incredible friend! Thank you for always talking to me and being here when i need you! you are so talented and passionate! thank you for teaching me how to be a better person and sharing a wonderful freindship with me. I cannot imagine my world without you. Thank you for going out of your way to do so much for me. You are truly the greatest blessing in my life! I am so proud of everything you have accomplished and love seeing you grow up! Best friends forever Bug?

universaldancing - Jess, we are seriously the worst at snapchatting every. I snap you and you dont snap back and then you snap me and i forget to answer. We never make any sense but we try anyway! your blog is killer! your mad photoshop skills astound me. 

Complete follow forever under the cut

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