i say you let me know your real identity for that

What we really need is an adaptation of the original 1740 The Beauty and the Beast

So were you aware that the The Beauty and the Beast story we all know is a heavily abridged and rewritten version of a much longer novella by Gabrielle-Suzanne Barbot de Villeneuve?  And that a lot of the plot holes existing in the current versions exist because the 1756 rewrite cut out the second half of the novella, which consisted entirely of the elaborate backstory that explains all the weird shit that happened before?  And that the elaborate backstory is presented in a way that’s kind of boring because the novel had only just been invented in 1740 and no one knew how they worked yet, but contains a bazillion awesome ideas that beg for a modern retelling?  And that you are probably not aware that the modern world needs this story like air but the modern world absolutely needs this story like air?  Allow me to explain:

The totally awesome elaborate backstory that explains Beauty and the Beast

  • Once upon a time there was a king, a queen, and their only son
  • But while the prince was still in his infancy, in a neat reversal of how these fairy tales usually go, the king tragically died, leaving his wife to act as Regent until their son reaches maturity
  • Unfortunately, the rulers of all the lands surrounding them go, “Hmm, the kingdom is ruled by a woman now, it must be weak, time for an invasion!”
  • And the Queen goes, “Well, if I let some general fight all these battles for me, he’ll totally amass enough fame and power to make a bid for the throne; if I want to protect my son’s crown, I have no choice but to take up arms and lead the troops myself!
  • (Btw, I want to stress that this woman is not Eowyn or Boudica and nothing in the way her story is presented suggests that she had any interest martial exploits before or in any way came to enjoy them during these battles.  This is a perfectly ordinary court lady who would much rather be embroidering altar covers for the royal chapel and playing with her child until necessity made her go, “Oh no, this sucks, I guess I have to become a Warrior Queen now” and she just happened to kick ass at it anyway.)
  • And the Queen totally kicked ass, but the whole “twice as good for half the credit” thing meant that no matter how many battles she won, potential enemies refused to take her and her army seriously until she had defeated them so no sooner would she fend off one invasion than another one would pop up on a different border.
  • So she spent the majority of her young son’s life away from the castle leading armies, but it was OK because she left him in the care of her two best friends, who just happen to be fairies!  This was an awesome idea because a) fairies have magic, and therefore are like the best people to protect the prince from any threats and b) fairies consider themselves to be so above humanity that the lowest fairy outranks the highest mortal, so they’d have no interest in taking a human throne.  Good thing they were both good fairies instead of one good and one evil one!
  • (Spoiler:  they were not both good fairies.)
  • So the two fairies basically take turns raising the prince until he’s old enough to rule.  And on the eve of his twenty-first birthday, the evil older one comes into the prince’s bedroom.
  • “So listen, kid.  You’re about to become king, your mother’s on her way home from the war to see you crowned, and I have a third piece of good news for you!  You see, I’ve actually been spending so much time here lately because Fairyland’s become a bit too hot to hold me for reasons totally not related to me being secretly evil.  And if I have to hang in the human world, I might as well reside in the upper echelons of it, so even though as a powerful fairy I completely eclipse your puny human status in a staggeringly unimaginable way, since you’re about to be king and since my premonition that I should stick this whole guardianship thing out because you would be hot one day has totally proved accurate (go me), I will graciously lower myself to allowing you to marry me.  Please feel free to grovel at my feet in gratitude.  (Btw, we can totally start the wedding night now, we’ll tell your mother about it when she arrives tomorrow.)”

Keep reading

i have thought a lot about censorship and what is “appropriate”. not a lot of people know this, but lolita was written to show what we allow on our bookshelves: there being no swear words in it meant it was free from censorship. a book about child molestation was allowed because it didn’t explicitly use the word “fuck”. he wrote it to show we don’t really care about protecting children, and it ended up being seen as a romance.

someone once told me - actually, many people have - that lgbt content isn’t appropriate for children. any content. not just kissing. i’m drowned in questions: “won’t the parents have to explain it?” “kids shouldn’t be thinking about sex at this age, or do you think differently?” “what will the kids think?”

at six i saw disney movies. people kiss and get married. i didn’t ask “what does that mean.” i didn’t ask “are those people going to have sex?” i didn’t ask anything, because i was six, and no six year old thinks twice about these things. nobody ever “explained” being straight to me, it was a fact, and it existed, and i was fine with that. why would being gay require a thesis, i wonder.

someone once told me that the one of the reasons people hate lgbt individuals is because they can’t see us as anything but sexual. we’re not people, so much as sinners. that they don’t see love, they see sex. just sex. it’s perversion, not a matter of the heart. only of the body.

i think i was in my early twenties before i saw someone like me. 

how old were you, though, before you saw violence? before you saw sexual assault on tv? i think something like that is only pg-13, and if it’s implied, they can get away with anything. i remember watching things and learning about blood, but knowing sex - sex was what was really wrong. sex was always rated r. sex was always kind of a bad word. i was told a lot that i wasn’t ready.

i had a dream last night that i made a site where people could ask any question they wanted about sex and get answered by a professional. it was shut down in moments because 15 year olds wanted to know if it should hurt, if “double-bagging” was a real thing, if this, if that. we shudder. don’t let the children know about that! 

but at thirteen i had seen enough violence it no longer struck me. i couldn’t say “fuck” but i knew that if you break your femur, you can bleed out internally in under half an hour. in school i wasn’t allowed to write about loving girls because what would the administration think - but i could write about wanting to kill myself and people would say how lovely, how blistering.

i have thought a lot about censorship. sometimes people on this site try it with me: don’t write this, don’t be so nasty. some of it is intrinsic. we know as people with a uterus not to complain about “that time of the month”, we know better than to talk about sexual assault (how shameful), we know that talking about a vagina is somehow scandalous. i can say “dick” and nobody questions me. some people only refer to the bottom half of me by “pussy”. they won’t wrap a mouth around “vagina” like it’s poison to them. even discussing this, that the language halts, that there’s an intrinsic desire to say “girls” instead of “women” - feels naughty, illicit. not for children.

the other day someone suggested i make my blog 18+. i said, okay, it deals a lot with depression and other problems that might be for a mature audience. oh no, they said, that’s not it, i think that’s helpful. i said, okay. so what is it then. well, you’re gay. you write about loving women. and i said, i don’t write about sex often and they said. it’s not about the sex. but wlw isn’t for a general audience. teenagers aren’t ready.

oh.

lolita is recommended for high school and up. i think about that a lot. i know girls who love it, who say it speaks to them on a deep level. it’s beautiful prose, after all. that was the whole point of the novel. something that looked like a rose but was intrinsically awful. i think about how if i was a model they’d want me to look young, thin, prepubescent. how my body would be sold and how through the mall i walk by images of barely-clothed women while mothers cannot breastfeed in public without fear of retribution. 

i think about how i can write a novel about violence and it will be pg-13 but if my characters say “fuck” twice it’s inappropriate. i said fuck three times so far in this post, which makes it only appropriate for adults. 

i think about that, and how my identity is something that people suggest lines up with a swear word. that people shouldn’t talk about it. that it’s a vulgarity. bad for children, harsh, confusing.

fuck. i love women. which one makes this only for those over eighteen.

Common experiences of lesbians who don’t know they’re lesbians yet

 Out of curiosity, I recently googled “Am I lesbian quiz”. Half the “Are You a Lesbian” quizzes just asked outright, “Are you attracted to women?” as though that isn’t the very answer a questioning lesbian is trying to figure out. The other half marked me as heterosexual for things like owning more nail varnish than dogs. I hope this list will give you more nuanced ideas to think about as you explore your identity.

These experiences are all really common among - but not universal or exclusive to - people who later realize they’re lesbians and find a comfortable home in the lesbian label and community.

It’s mostly stuff that I and other lesbians I know have wished we knew when we were first coming to grips with our lesbian identities, because the fact is it takes a long time to discover how common a lot of these experiences are among lesbians, and not knowing what to look for when trying to figure out if you’re a lesbian can be hard.

‘Attraction’ to men

  • Deciding which guys to be attracted to – not to date, but to be attracted to – based on how well they match a mental list of attractive qualities
  • Only developing attraction to a guy after a female friend expresses attraction to him
  • Getting jealous of a specific female friend’s relationships with guys and assuming you must be attracted to the guys she’s with (even if you never really noticed them before she was interested in them)
  • Picking a guy at random to be attracted to
  • Choosing to be attracted to a guy at all, not just choosing to act on it but flipping your attraction on like a switch – that’s a common lesbian thing
  • Having such high standards that literally no guy meets them – and feeling no spark of attraction to any guy who doesn’t meet them
  • Only/mostly being into guys who are gnc in some way
  • Only/mostly being attracted to unattainable, disinterested, or fictional guys or guys you never or rarely interact with
  • Being deeply uncomfortable and losing all interest in these unattainable guys if they ever indicate they might reciprocate
  • Reading your anxiety/discomfort/nervousness/combativeness around men as attraction to them
  • Reading a desire to be attractive to men as attraction to them
  • Having a lot of your ‘guy’ crushes later turn out to be trans women

Relationships with men

  • Dreading what feels like an inevitable domestic future with a man
  • Or looking forward to an idealized version of it that resembles literally no m/f relationship you’ve ever seen in your life, never being able to picture any man you’ve actually met in that image

  • Being repulsed by the dynamics of most/all real life m/f relationships you’ve seen and/or regularly feeling like “maybe it works for them but I never want my relationship to be like that”

  • Thinking you’re commitmentphobic because no relationship, no matter how great the guy, feels quite right and you drag your feet when it comes time to escalate it

  • Going along with escalation because it seems like the 'appropriate time’ or bc the guy wants it so bad, even if you personally aren’t quite ready to say I love you or have labels or move in together etc.

  • Or jumping ahead and trying to rush to the ‘comfortably settled’ part of relationships with guys, trying to make a relationship a done deal without investing time into emotional closeness
  • Feeling like you have to have relationships with guys and/or let them get serious in order to prove something, maybe something nebulous you can’t identify

  • Only having online relationships with guys; preferring not to look at the guys you’re interacting with online; choosing not to meet up with a guy even if you seem very into him and he reciprocates and meeting up is totally realistic
  • Getting a boyfriend mostly so other people know you have a boyfriend and not really being interested in him romantically/sexually
  • Wishing your boyfriend was more like your female friends
  • Wishing your boyfriend was less interested in romance and/or sex with you and that you could just hang out as pals
  • Thinking you’re really in love with a guy but being able to get over him in such record time that you pretend to be more affected than you are so your friends don’t think you’re heartless
  • After a breakup, missing having a boyfriend more than you miss the specific guy you were with
  • Worrying that you’re broken inside and unable to really love anyone

Sex with men

  • Having sex not out of desire for the physical pleasure or emotional closeness but because you like feeling wanted
  • OR: preferring to 'be a tease’ to feel wanted but feeling like following through is a chore
  • Only being comfortable with sex with men if there’s an extreme power imbalance and your desires aren’t centred
  • Using sex with men as a form of self-harm
  • Feeling numb or dissociating or crying during/after sex with men (even if you don’t understand that reaction and think you’re fine and crying etc for no reason)
  • Being bored with sex with men/not understanding what the big deal is that makes other women want it
  • Doing it anyway out of obligation or a desire to be a good sport/do something nice for him
  • Never/rarely having sexual fantasies about specific men, preferring to leave them as undetailed as possible or not thinking about men at all while fantasizing
  • Having to make a concerted effort to fantasize about the guy you’re “attracted” to

Early interest in women

  • Not recognizing past/current crushes on women until you’ve come to grips with your attraction to women
  • Being unusually competitive, shy, or eager to impress specific women when you’re not that way with anyone else
  • Wanting to kiss your female best friend on the mouth for literally any reason (”to practice for boys” included)
  • Getting butterflies or feeling like you can’t get close enough when cuddling with a close female friend
  • Looking at a close female friend and feeling something in your chest clench up and being overwhelmed with love for her - love you may read as platonic
  • Having had strong and abiding feelings of admiration for a specific female teacher, actor, etc., growing up that were deep and reverent
  • Having had an unusually close relationship with a female friend growing up that was different and special in a way you couldn’t articulate
  • Thinking relationships would be simpler “if only I were attracted to women/my best friend who would be perfect for me if she/I weren’t a girl”
  • When a female friend is treated badly by a man, having your protective thoughts turn in the direction of “if I was him/a man I’d never do that to her/my girlfriend”
  • Being utterly fascinated by any lesbians you know/see in media and thinking they’re all ultra cool people
  • Having your favourite character in every show be that one gay-coded or butch-looking woman (like Shego from Kim Possible or Starbuck from Battlestar Galactica)
  • Feeling weirdly guilty and uncomfortable in locker rooms etc., when your female friends are less clothed than they normally would be around men and being more careful not to look than they are

The 'straight’ version of you

  • Thinking that all straight girls feel at least some attraction to women
  • Thinking that your interest in seeing attractive women/scantily clad women/boobs is an artificial reaction caused by the objectification of women in media
  • Being really into how women look “aesthetically”/“just as artistic interest”
  • Thinking it’s objective and uncontested that almost all women are way more attractive than most men
  • Being a really intense LGBT+ “ally” and getting weirdly emotional about homophobia but assuming you’re just a Really Good Ally and v empathetic
  • Having like half your friend group from school turn out to be LGBT+
  • Getting emotional or having a strong reaction you don’t understand to f/f love stories etc.
  • Having had people think you were gay when you had no suspicion you were gay

Exploring attraction to women

  • Feeling like you could live with a woman in a romantic way, even if you can’t imagine doing anything sexual with a woman
  • Feeling like you could enjoy sexual interaction with a woman, even if you can’t imagine having romantic feelings for a woman
  • Thinking you couldn’t be a lesbian because you’re not attractive enough, cool enough, or otherwise in the same league as most of the women you know
  • Interacting with het sex/romance in media by imagining yourself in the man’s position or just never/rarely imagining yourself in the woman’s position
  • Really focusing on the women in het porn
  • Being really into the idea of kissing/being sexual with a woman 'to turn guys on’
  • Being really annoyed when guys actually do express interest in watching or joining in when you do that
  • Only feeling/expressing attraction to or sexual interest in women when you’re inebriated or otherwise impaired

Gender Feelings

  • Having a lot of conflicting gender feelings that are only possible to resolve once you understand you are/can be a lesbian
  • Thinking that being gnc and feeling a disconnect from traditional womanhood mean that you can’t be a woman even if that’s what feels closest to right - many lesbians are gnc and many lesbians feel disconnected from traditional womanhood since it’s so bound up in heteropatriarchy
  • Knowing you’re attracted to women and not being able to parse that (esp + any gender nonconformance) as gay, taking a long time to figure out if you’re a straight man or a lesbian
  • Being dysphoric about the parts of you that make straight men think your body is owed to them, having to figure out what that dysphoria means for/to you
  • Knowing you’re attracted to women, but feeling weirdly guilty and uncomfortable trying to interact with them as a straight man, and only later realizing you’re actually a trans lesbian
  • Knowing you’re gay, but experiencing a lot of the symptoms of comp het when you try to interact with men romantically/sexually, and only later realizing you’re a trans lesbian and not a gay man
  • Being nonbinary and taking a long time to sort through being able to respect/understand your nonbinary identity and your lesbianness at the same time

Considering lesbianism

  • Wanting to be a lesbian but feeling like if you don’t already know you are one you can’t be
  • Feeling guilty about wanting to be a lesbian, feeling like you’re just attention-seeking or trying to be trendy
  • Suppressing your lesbian dreams because you think exploring that desire would mean you’re a bad/homophobic person using lesbianness selfishly
  • Wishing you were a lesbian to escape the discomfort of dating men
  • Fantasizing about how much fun it would be to be a lesbian and just be with women/a specific woman, but thinking that can’t be for you
  • Worrying that some of your past attraction to men was actually real so you can’t be a lesbian
  • Worrying that bc you can’t be 100% sure you’re not attracted to men and can’t be 100% sure you won’t change your mind, you can’t be a lesbian
  • Worrying that you only want to be a lesbian because of trauma and that means your lesbianness would be Fake
  • Worrying that trauma-induced complications in how you experience sex (e.g., a habit of self-harming via sex w men or a fear of any sex at all) mean you’re not a Real Lesbian

Every item on this list is common among Real Lesbians. It’s all Normal Lesbian Stuff. If you’re worried that you can’t be a lesbian even though it’s the life you really want for yourself, I hope this gives you permission to explore that. You are allowed to be a lesbian. 

And if you’re not sure yet – if you took the time to read this entire thing because you’re curious about your identity, if you identified with a bunch of items on this list – you may or may not be a lesbian, but friend, you almost certainly aren’t cishet. Welcome.

(I’d love to hear other things lesbians wish you’d known were A Thing when you were first exploring your identity!)

THIS MIGHT BE A REACH BUT I THINK I’M ONTO SOMETHING HERE.

OKAY OKAY SO LISTEN 
There’s a lot of discorse about the new season and that’s understandable BUT I want you guys to look at something with me for a second. 

 I wanna talk about Keith and Lance. We all know Keith’s going through a lot, the blade of marmora is convincing him his own life matters less than the mission, that if he died it would just be for the greater good of the cause. So he’s pulling away, trying to make it so that Voltron doesn’t need him so that he could be… disposable. 

So Keith talks to Shiro and tries to get him to go back to being the black paladin. And *cough cough* fake *cough* Shiro tells him to buckle the heck up and stop whining and just be the black paladin. He doesn’t see, in that moment just what Keith is trying to do. So he gets mad. 

This is a face of pure dissapointment in Shiro. And Keith sees it. He really sees it, and feels it too. But he doesnt know what to do about it.

He’s the lone wolf, right? He doesn’t know how to function in a team properly. In the B.O.M he’s much more independant. Yes, he gets orders and people he goes on with missions but if you really watch most of those missions involve very little teamwork. 

So Keith is pulling away, but at the same time he’s getting the rejection from everyone in the team that’s pushing him away. When he shows up late in the begining of episode one Hunk, Pidge and Lance are super pissed at him, right? 

Right? 

No, go back and look at Lance. He’s not angry. He’s worried. 

Yeah, he says “Are you even taking this seriously?” But think about it. Keith is someone who throws himself into missions. He takes everything he does seriously and he puts a 100% of himself into what he does. He doesn’t half ass things, and it pays off. He gets results. 

Lance is used to seeing Keith do well. At the Garrison he was top of the class, when he was still with Voltron he usually spent his free time training. And now, all of a sudden he’s late to missions, falling behind while he’s the leader. 

Not only that but remember this scene? 

 Again,everyone looks super pissed right? No look at Lance. 

And remember the dialogue? 

Allura:You keep saying you’re sorry but your actions say otherwise. Do you realise that your actions put the entire team in jeoprady? 
Lance: And not Just the team but the refugees too. 

and again, look at his face as he says it. 

He’s not angry. He’s confused there. Think about it. What did Keith tell Pidge when she tried to leave? That other people’s lives were at stake if she left. Keith cares about the people he’s out there protecting. Lance understands that this is not how Keith normally is. 

We know that they got closer in season 3 with Lance opening up to Keith and all and you might even call them friends. Sure he’s not as close as (the real) Shiro is to Keith, but he’s close enough to see Keith isn’t himself. 

But what if… what if Keith did open up. 

I get that this might be somewhat of a reach BUT if you watch Keith’s vlog, it’s very likely he wasn’t alone when he filmed it (he looks like he’s talking to someone off camera. but also tells them to get them out of there. Not only that but the camera turns off and from how emotional he got and the way he was walking its unlikely he turned it off and if you watch Allura’s vlog, she definitely gets closer to turn it off). Now my first thought would be that seeming it’s tech related it would be likely that Pidge would be with him. 

But it doesn’t seem like something that Pidge would be into. Sitting and making vlogs with the paladins. Not her style. 

Okay so maybe Coran? He was the first to upload a vlog, and the camera might be some castle gear? Sounds reasonable enough. But why only be there for Keith’s vlog? Allura was definitely alone during her’s. Also, I dont see them having the kind of bond where Keith would say any of that to Coran. No offense Space unc, we love you. 

OKAY so not Coran or Pidge… so maybe Allura? 

No, the bond isn’t strong enough. As someone who is pretty similar to Keith in defense mechanisms, I don’t see him trusting her to a point where he’s this open with her especially after what happened the last time he opened up about his Galra identity. 

(We all know where I’m going with this, but for argument’s sake; I will keep going. Feel free to skip ahead.) 

Okay so Hunk maybe? He has the tech know-how and stood up for Keith during the whole Galra thing. Even if he did tease him a little… Okay but even then they haven’t really had much bonding since then. I suppose it’s possible if Keith was feeling particularly vulnerable and whatever. But… Would Hunk really bother Keith to make a vlog? and would Keith ask Hunk to help with a vlog? 

It doesn’t really seem in character. Yes, they’re closer but still… not close enough. 

So that leaves Shiro and Lance. First, lets look at why I don’t think it’s Shiro. 

As we know Shiro is someone Keith looks up to. He’s always extremely respectful towards him and it shows in his facial expressions and way of speaking. 

but then look at this; 

Thats not a face Keith would make at Shiro.

You know who he does make faces like that at? 

L A N C E 

So lets think about this. Does Lance have the tech know how? Well he’s always stealing Pidge’s shit so I’mma go ahead and say, yeah to that one. Allura seems equally technically inclined as Lance, so seeming she has no trouble with it that makes sense. 

And even if Keith didn’t ask Lance to help him with his vlog, you know what does seem Lance like? Suggesting Keith makes a vlog. 

So lets asume here, for a moment that Lance knows about Keith’s abandonment issues. That would explain why he looks so worried in the screenshot from before, right? He knows Keith is feeling rejected by his team and he knows that Keith’s behaviour has changed since he started working more with the blade. 

But while they got closer in season 3, and Lance has a better understanding of Keith now, I also think Keith was eager to put some distance between them after that outburst. So he starts working with the blade a lot, right? Meaning Lance hardly sees him. 

So they take a few steps back in their friendship.

And then Kolivan calls Keith to a mission that they all know will be dangerous and look at Lance’s face. 

Yes, you could read it as Lance not wanting his spotlight gone BUT remember that Lance isn’t as shallow as he seems at first glance. He’s not the loverboy he pretends to be and few realise it, but he masks a lot of his emotions. 

Yes, Lance thrives on attention. But do you really think that he would prioritise a show over a mission that could give them a great boost in power? No, this isn’t about the show, this goes deeper. He’s worried. He’s worried about Keith. 

He doesn’t want him to go. He needs him around. But he cant tell him that. Especially not in front of everyone. 

So what does Lance do? 

He makes a stupid argument, its not much, but it’s all he’s got. “We can’t razzle dazzle the crowd with four lions.” 
We need you, I need you. Thats what he’s trying to say. 

And Keith refuses. 

So Lance has that same expression. He’s looking at Shiro in dissbelief this time because he can’t believe he’s letting him go. 

So what we’ve established thus far is the following; 

-Lance definitely feels closer to Keith than he used to. 
-Lance was probably there during Keith’s vlog.
-Lance isn’t as straight forward as people think he is. 
-There’s probably some distance between them right now. 
-Lance has noticed Keith’s change in behaviour. 

So with all that in mind, do you really think Lance doesn’t see that Keith is in a bad place. He knows something is up. He can feel Keith pulling and he’s trying to tell him that they need him around but he doesn’t know how to say it. And then… then Keith tells them he’s leaving. 

yeah, everyone looks sad, but look at Lance. He looks deep in thought. What do you think he’s thinking? He just realised he lost Keith. And he gets it. Suddenly it all makes sense. Keith more or less reforced the bond between Black and Shiro and he was acting strange, showing up late. This is what’s been up with Keith and Lance finally figure out that this whole time, he was losing Keith. 

But he gives it one last try. 

Who am I going to make fun of? 

It’s so much more than a playfull jab. Think about it. Really think about it. 

“Who am I going to make fun of?”

Who am I gonna talk to? 

Don’t go. 

i adore adore adore the fact that the four main characters of skam are so significant for teen culture of this day? as a teacher in secondary school, these are genuinely teenagers’ struggles that i’ve seen in everyday life.  

with eva, we saw the loneliness and loss of identity of teenagers (specifically girls!) within a peer culture that requires a lot of social interaction: you need to “know” where your place is and that is your identification; through dating, but also through friendships. but, as eva said, maybe it’s okay that she doesn’t know right now, and that she has to find it.. on her own. one of her biggest strengths in the end is how honest she has become; with herself and with others. 

with noora, we see a character who explicitely identifies herself as feminist and finds a lot of value in being morally upright. but what happens when situations aren’t as black and white as we think they are? moreover, what happens to a girl who has been sexually harassed, and violated, possibly even raped? noora shows us that at the very least, it is important to communicate with people about your experiences to be able to get through those horrible experiences, even if it is only a little bit. 

with isak, we delve into the psyche of a lgbt+ teenager who has seen representations of lgbt+ culture in the media and has enormous difficulties with identifying himself as such. but his story doesn’t end there even though other shows might have stopped there; his misconceptions about religion (god doesn’t exist!!) and mental illness (i don’t want them around/ they are crazy) are real thoughts that go through people’s heads (especially in western culture). these are all perceptions that are formed by society, but it is important that isak was never demonised for these ideas; through communication with different kinds of people he got educated on things he thought he knew about and that changed him into the mature person he is now. 

and now, with sana, a muslimah with one leg in the Western culture and one in her religion which is seen as “unwestern” by many who critique it, has the time come to delve into a deeper understanding of those who experience (daily?) hatred in their lives through media and society. once again, communication seems at a forefront: “don’t let me be misunderstood” – listen to my experiences, to my life, to my explanations. she has been so infallible before, that it will be interesting to see what is going to be her challenge in her season; a character who is so focused on being right in everything she does – i think her unintentionally making a mistake having an effect on her and the people around her would be an excellent story. 

i guarantee that this series will have a long lasting effect on how teenagers, and people, are going to view each other in the long run. media teaches us to be afraid of each other; skam is that small light that shows there is more than fear. 

there’s also love. in compassion, in understanding, in educating. 

and i can’t wait to look back on it all and say: you know, that norwegian series for teenagers in 2015? i felt validated, i felt heard, i felt loved by that series. i’m gonna show my love in return to other people. because we have learned something from it. 

alt er love. 

I don’t play by the rules

Pairing: Peter parker x Stark! reader

Summary: Peter Parker falls hard for the new girl, and while he can’t do anything about it a certain masked hero might.

 word count: 2135

y/bf/n= Your best friend’s name

warnings: slight makeout? 

PART 2   PART 3

sorry in advance for any grammar mistakes, hope you enjoy it! Please tell me what you thought about it! :) 

ALSO! I! AM! TAKING! REQUESTS! SO! SEND! THOSE! IN! :)

Originally posted by tomshollandss

It happened on a Tuesday. A regular day you might say, however it was the day everything changed for Peter Parker. There he was on his chemistry class thinking it was just another boring class, another wasted hour, at least he thought that until the door opened, revealing the most beautiful girl he had ever seen.

Standing in front of the class was Y/n Stark. Everybody knew who you were, your dad was Iron man, for God sake! You came in the classroom with a designer outfit and bag that was probably more expensive than Peter’s whole wardrobe.

Peter continued to watch you as the teacher told you to seat right at the front of the class. Not only were you a really pretty girl, with the brightest smile and the kindest eyes, but you also had to be very intelligent, since this was the Chemistry AP class. Well of course she is intelligent dumbass! Her father is Tony Stark! She has obviously been in his labs before!

After that first time he saw you everything went downhill. He could never gather the courage to talk to you, let alone ask you out, so he settled for watching you from afar. She probably thinks I’m a creeper, Peter thought, however he couldn’t bring himself to care. He could watch as your smile got bigger when someone told you a joke, and how your eyes will get particularly bright whenever you got a good grade at math. He didn’t care about anything else.

Not long after your arrival to the school he got his so-called “stark internship”,  or his role as Spiderman. This didn’t change much for him. He was still a nerd loser and you were still  a popular girl that was way out of his league.

“Seriously dude! how come you’ve never even said a word to her?” Ned asked Peter as they made their way into the gym.

“Is not that easy Ned! She doesn’t even know I exist!”

“But you are like, totally in love with Y/!” Peter quickly muffled Ned’s mouth, stopping the boy from saying anything else.

“Geez Ned! Don’t you want to shout it to the world?!” Peter started lowering his hand and headed towards the group of people exercising. “You can’t just go around saying that! Someone might hear you!”

“I’m sorry but, like, I still can’t believe it! Don’t you see her everyday? in the, you know, Stark Internship?”

Since Ned found out about Peter being Spider Man he had made questions non-stop, pretty ridiculous questions, if you asked Peter.

“Ned I don’t just hang out at the Avenger’s tower you know? I have to be on the streets! Besides, she is totally off limits I mean! She is Mr. Stark’s daughter! He would kill me if-”

“Shhh- SHhhhhh! Peter listen!”

This time he was the one to shut up as both boys listened to a conversation happening at the bleachers across them. It was Y/n, looking as beautiful as she always did, surrounded by her usual crowd.

“Sooo Y/n, you must be surrounded by all those superheroes at your house right? You know, because of your dad?

“Well not all the time, but yeah, they hang out pretty often” She responded, trying to sound chill about the topic. Not everybody noticed, but Peter knew just how tired she felt about having to talk about his dad and the avengers all the time. None of the people that followed her around really knew her. Yes they knew about her life and her family, but besides that no one seemed to take interest in getting to know her for real.

That was kind of the reason why he prefered to hide his identity. Well, that and the possibility of being kidnapped and killed.

“Are you friends with them?”  “Are they nice?” “Are they hot?” “Is Captain America a real blonde?”

A load of questions were asked at you, however one catched Peter’s attention again.

“Are you friends with spiderman? Do you know who he is?”

“I’ve actually never talked to him, he’s never at the tower when I’m there” she replied shrugging her shoulders. She really was clueless to the hero’s identity.

“Seriously Y/n? Weren’t you supposed to be Spiderman #1 fan?” Y/bf/n asked, as she wiggled her eyebrows at Y/n.

A blush spread to the girl’s cheeks as she smiled shyly. Of course she had a tiny crush with Spider Man (even though she didn’t have a clue of who he was), however he never seemed to hang around the tower as the other Avengers. Maybe he liked being alone.

The conversation was quickly dropped after the coach told them all to get back to work, however Ned was not done.

“Dude! She likes you!” You have to talk to her tonight!”

“She doesn’t like me! She likes Spider Man, not Peter, besides-”

“I swear to God that if you don’t make a move on her tonight I will stop being friends with you! You have to promise me you will try! Deal?

“Deal”

Could it be possible that the most beautiful girl he had ever laid his eyes on had a thing for him? Even if it was the suit she was in love with Peter couldn’t stop the smile that crept through his face all day and the knot he felt on his stomach every time he looked at Y/n.

And that is exactly why he found himself later that night ready to go talk to the girl of his dreams. He already knew the crew will be out with Mr Stark in some mission he was not allowed, so that cleared the way for him. And anyways he was always welcomed in the tower, at least that what they always told him.

“You can do this Peter, you got this”

Peter tried to give himself a little of motivation before knocking on your door,however he couldn’t find the strength to raise his hand and knock on it, he felt like a bundle of nerves! None of his previous fights or encounters had him feeling this way, he seriously needed to control himself! Peter tried once again to knock on the door only to be stopped when the door opened completely, revealing Y/n in her pj’s and her glasses, apparently ready to go to bed.

Both teenagers looked at each other with complete shook in the faces, one behind his mask of course. The girl was completely speechless, she couldn’t believe the Spider Man was in front of her! And had seen her in just some sweats! She blushed deeply as she realised her appearance.

Peter tried to think of something, anything to say to her, however he couldn’t seem to find the words. After a long silence Y/n finally broke the silence as she leaned against the door.

“I can’t believe Spider Man is at my door! To what do I owe the pleasure?”

The girl was trying to keep it together, however she was still freaking out, but she couldn’t let her stupid crush affect her! This was her chance to get to know him! She could feel her flirtier side creeping up, trying to smile wider and lean closer to the boy.

“Well- I umhh- I just wanted to- you know- visit my favorite Stark” Peter said as he tried to recover from his initial shook.

“Then I guess you are looking for my dad, however he is not around”

“I actually meant you, I’ve been waiting to meet you for a long time now”

The girl was surprised by what the boy had just said. Did he know her? How come they had never met before?

Y/n started moving inside her bedroom once again, looking over her shoulder to continue “Since I’ve got no plans for tonight you might want to hang for a while, you know, to get to know each other and stuff”

Peter did not need to be told twice before he followed her around and into her room. Well, bedroom was an understatement to what her place really looked liked. It seemed more like a apartment of her own, with a big tv are, followed by what appeared to be her studio with a shit ton of books and finally her actual bed. She went into the couch in front the TV as Peter followed her close behind. She finally seated down facing the boy.

“Why are you here with me right now and not saving the world as usual?”

“Can’t a man take a break every once in awhile? Besides, I’m pretty sure your dad is taking care of that at the moment”

“You are probably right, sooo anyways..You said you had wanted to meet me for a long time, so here I am, what is it that you wanna know?”

“Well nothing in particular- it’s just that- you are- you are a really beautiful girl”

The girl felt herself blush at the words of the boy behind the mask. He probably did have a thing for her then? There was only one way to find out the truth.

Y/n leaned closer to Peter, looking into what she supposed were his eyes and took him by the shoulder as she played with the curls in the back of his head.

“So you think I’m a beautiful girl?” She said with a teasing voice, trying to make the boy a little nervous, obviously succeeding.

“The most gorgeous I’ve meet”

Peter could say this without any hesitation. Right in front of him was the most beautiful girl on earth. Her big eyes were looking at him and she was even closer than before, he was getting kind of nervous, but her fingers in his hair kept him just in place, right where she wanted him.

“So if I’m so beautiful, how come you’ve never paid me a visit before?”

She had started talking in mere whispers, now moving her other hand into his chest, playing with the material of his suit.

“I wanted to!- I totally wanted to but- you know your dad’s rules right? I’m not really allowed to”

She started to lift his mask, revealing only his mouth before saying.

“Well Spider-boy, you should already know I don’t play by my father’s rules”

Right after she finished she crashed her lips into Peter’s making the boy let out a surprised gasp. He was kissing her! They were kissing! He couldn’t believe it!

Meanwhile the girl was feeling exactly the same. She didn’t knew where she got the guts to do it, but she was glad she did.

His fingers sanked  into her hair as they continued kissing, Peter finally out of his trance brought his other hand to the girl’s face and cupped it, deepening the kiss further.

He felt himself biting into the girl’s lips, as a quiet moan escaped her lips. Y/n pulled apart only to straddle his hips with her thighs and roll her hips along the way, giving them both a little of the friction they needed, but not enough.

Peter grabbed her waist trying to pull her closer to him, his hand making their way to her legs, touching and stroking her thighs. They were heavy breathing, kissing longer, harder, rougher. Both teenagers tried to take and taste as much as possible, urgent and desperately, fighting for dominance.

He pulled apart and went straight for her neck, sucking and biting, leaving what would sure become hickeys by the morning. His morning somewhat bored with her long legs moved to her hips once again, before sliding under her t-shirt and holding her closer, moving his hand right under her bra.

The soft whimpers that would leave her mouth every time he bite a specific part kept him going. Another movement yet another time they would feel that friction and that need to pull harder at the other.

Y/n as getting pretty tired of that stupid mask getting in the way, so she pulled apart ready to get it off him, however a noise down the kitchen distracted her. She heard her dad’s voice calling for her! The whole team was there already? How had they missed it?

Peter realised the situation as well  as he quickly pull stood up and headed towards the window.

“I really have to get going, I’m sorry!”

“Will I see you again?”

Peter pulled the girl close to him for one last kiss, a long lingering one. A kiss he had dreamed over and over again.

“Sooner than you think”

With this last words the boy pulled his mask down and disappeared through the window, swinging his way from building to building.

Man! He could not wait to tell Ned the good news!

Lyrics written by Namjoon

Because he didn’t only write “I’mma beat that p*ssy like you never ever felt before”

-“Having tight schedules Even tough i’m tired,I smile
Cause in a family called bangtan i’m a not an only child”
-Unpack Your Bags

-”I can be assigned to many places,
But why can’t I find the real me anywhere?”-
So 4 More

-”I don’t know whether I’ve lost the way
or whether from the beginning I was lost
even when I’m with someone, one corner of my heart is lonely”
-Adrift

-”This sea is too deep
Still, I’m lucky
Because even if I cry, no one would know”
-Whalien 52

-“Never be late to do what you wanna do right now
Because at one point of someday,
Everything you did
Would be exactly what you will be” -
O,RUL8,2?

-”Thank you for letting me be me
For helping me fly
For giving me wings
For straightening me out
For waking me from being suffocated
For waking me from a dream which was all I was living in" -SAVE ME

-”I just wanted to succeed
the words I tediously heard from others were only that
I thought I could catch the mirage known as happiness
but the me in front of my desk wasn’t happy even for a moment
Without my mom knowing, I put a sheet of white paper between the pages of my workbook
My identity that I wrote down matched to the drum and bass”
-Voice

-“The grown-ups confess
That we have it so easy
They say that we are happier than our portion
Then how do you explain my unhappiness?
There’s no conversation topics beside studying
Outside, there are so many kids like me,
Living the life of a puppet
Who will take responsibility?”
-N.O

-”Life isn’t about living along but living through
As you live through, you’ll disappear some day
If you keep spacing out, you’ll be swept away,
if you ain’t no got the guts, trust”
-Tomorrow 

-”I empty my drink but it gets filled with loneliness […]
All I did was color you in my white, blank paper
But then I realized, it already became a finished picture”
-Hold me tight

-”Hey you, who’s looking over the Han River
If we bump into each other while passing, would it be fate?
Or maybe we bumped into each other in our past life
Maybe we bumped into each other countless times”
-Reflection

-”My mother said the sea is blue
She said to let out your voice as far as you can
But what to do, it’s so dark and there are only different whales
speaking entirely different words”
-Whalien 52

-”The media and adults say we don’t have willpower
condemning us like stocks
Why are they killing us before we can even try
Why are you hanging your head and accepting it already?” -Dope

-”Life is more beautiful knowing that we’ve taken a loan on death
Even light is treasured more when there’s darkness
The sunshine appears after we’ve passed through the storm”
-Life

-”Let’s be happy, let’s be happy
Even if we live with these heavy words in our mouths every day
To be honest, I still don’t know
Why am I often lonely”
-Adrift

-“I’m living to understand the world, 
But why hasn’t this world tried to understand me”
-Always

-”Back then I thought this was a big place
But my ambition grew too big
That big house became too small now”
-Move

-“In the darkness,
People look happier than the day
Everyone else knows where they’re supposed to be
But only I walk without purpose”
-Reflection

-”Outside was a whole battlefield so I bring out the chopper
Every night inside me I quietly fight with myself
My heart pounds, my colleagues stab me in the back
While saying that I became a moron after joining a company”
-Awakening

-”It’s just one life
Who are you living for?
My heart stopped when I was nine or ten
Put your hand on your heart
and ask what you dream was
What is really was”
-O,RUL8,2?  

*This was Sarah for you daily Namnam appreciation

(cred to Lynn and papercrowns!)

Top 9 Most Fight-Able Characters in Mystic Messenger

(ranked by the likelihood of winning from least to most likely)

9. “Mary” Vanderwood, Secret Agent Murdermonster

Result: A swift and painful death

Are you shitting me? You’ll be goddamn eviscerated on the spot. Not to mention nobody will ever find your body. This is completely fucking unadvisable. DO NOT DO THIS unless you have a DEATH WISH and want to disappear from the world completely. Vanderwood is not to be messed with. They’ve killed many a worthy foe, and you will not be one of them. There’s not much else to say here. I don’t care who you are, you should not challenge Vanderwood. Say your prayers, fucker

8. Unknown/Saeran Choi, Total Edgelord

Result: Utter defeat, probably followed by torture + imprisonment

I don’t think you need me to tell you that this kid is fucking off his rocker. Let’s be real, he’s probably killed a few people, and he enjoyed every minute of it. You can bet your ass he’ll likely torture you after defeating you, too. And you know, some of you sick fucks will probably enjoy the whole damn ordeal. You’re probably the only ones who’d WANT to fight him just to have him fucking step on you. Well congratu-fucking-lations, you got what you wanted. He still beats your ass. The only reason Vanderwood beats him in this ranking is because it’s possible he’d keep you alive for fun, and some of you would enjoy that, so at least it’s a fuckin victory for somebody. Fuck.

7. Jaehee Kang, Smarter than the CEO

Result: Total annihilation + jail time

Do you see this face? This is the face of someone who has been repressing violent urges for fucking years for the sake of keeping her job. If she could snap Jumin’s neck, she would in a heartbeat. You do not want to give her a justifiable reason to unleash that utter fucking rage on your sorry ass. Did you forget she has a black belt in judo? She could beat my ass. She could beat your ass. She could beat anyone’s ass. I don’t care WHO you think you are. And after the fight? She’ll report you to the proper authorities, pick up a cup of coffee, and finish her daily tasks like nothing fucking happened. What a wild bitch. I fucking love her to death, tbh. And you know what? How dare you challenge her. She deals with enough shit in her life. I hope she beats your ass with a righteous fucking fury. Have fun in jail, dipshit.

6. God 707, Meme Lord Supreme

Result: Depends on your approach, but probably a failure

Honestly Seven’s about as fucking predictable as a lunch box full of wasps. What am I even supposed to say here? He’d probably imitate that shitty ass vine meme the first time you punch him and say “I can’t believe you’ve done this”, complete with a British accent, but when you keep hitting, it’ll confuse him. The element of surprise is probably your best bet, but you also have no fucking clue what he’ll do. He might beat the shit out of you. He might scamper away on his scrawny ass legs and proceed to hack into everything you once loved or held dear. He might lay down on the ground and let you kick the shit out of him. In the end, it depends on his mood. Is that reliable at all? Absolutely fucking not. So go for it, but I literally have no idea how it’s gonna turn out for you.

5. Zen/Hyun Ryu, A God Among Men

Result: You have a good chance of winning, but at what cost?

OK BEFORE YOU LOSE YOUR MIND LISTEN THE FUCK UP. Why is Zen higher up on the list, Nani??? you ask me, pouting, clutching your Zen body pillow(s) in agony. Zen had a bad past!! He’s not easy to fight, he was such a bad boy!! v//w//v He’s so tough and strong and he’s our knight in shining armor! Hey!! Good for you! But GUESS FUCKING WHAT!! If you’re female, he’ll probably forfeit to you immediately, unlike the barbarians before him on this list, so technically he’s easier to fight! He’d probably LET you beat the shit out of him if it made you feel better. It’s not even a fucking question of who would win if a woman challenged him, so we’re gonna move on.
Now, if you’re a GUY, he’d be more willing to square up, and my advice is go for his face. Pretty boy doesn’t like messing up his pretty mug, and if you play dirty, he’ll get scared real quick. His ponytail is a disadvantage for him, so yank it real hard. You have a better chance of beating him with perseverance, but if you let him get the upper hand, you’re deceased because he’s probably a heavy hitter. Also, you will incur the wrath of all his fangirls, and probably the angels above, and you will spend the rest of your life MISERABLE AND CURSED, so proceed with caution. If you can get away with it without anyone knowing your identity, you’re golden. Good luck, but also, why? do you even want to??

4. Jumin Han, Mistah Trussfund Kid (The CEO)

Result: Instant win, but your life will be RUINED

Honestly, I think certain RFA members would actually be very glad if someone handed Jumin’s ass to him, but good fucking luck accomplishing that without having your entire life destroyed. On a purely physical level, Jumin is no competition. He may be the tallest motherfucker around, but he’s never fought anyone before in his LIFE. You’d probably only have an issue here if you were short as shit, and even then, go for the knees, amirite? He’ll fall like a fucking oak tree, and then you can rip him a new one while he’s down. Easy peasy, right? WRONG. He’s got a horde of like 50 bodyguards that you have to sneak past or defeat first or something. And if you somehow make it to Jumin first, they’ll swarm your ass after you first start swinging and have you incapacitated in a few seconds. Are those first few swings worth it? Maybe. But he’s gonna sue your ass for everything you own. The whole world will know your name. If you don’t get jail time, you’ll wish you had. It will be an easier life than trying to live in the public. Zen and Jaehee might love you forever, though, so maybe they can pull a few favors for ya. You better pray they do. Good fuckin luck out there, champ.

3. Yoosung Kim, Small Child

Result: Victory, but with a catch

Look into this child’s eyes. Look me in the eyes. Tell me that Yoosung isn’t a fucking pansy. You can’t, can you? It’s because Yoosung is a fucking pansy. This kid would be down for the count after exactly one (1) punch. He might enjoy it a little too, which’ll be awkward as shit for both of you. HOWEVER. If you trigger his Yandere side, which is bullshit but whatever, he might put up more of a fight. How do you do this, you may ask? Insult Rika. or MC. (Probably Rika tho). Something inside him will snap, and then he’ll be trickier to handle. He’ll probably play dirty when he’s like this, so expect to get shanked or bitten or something. It doesn’t change the fact that his scrawny ass can’t fight for shit, so you’ll still probably win, but not without a few injuries yourself. Hurting Yoosung is probably the moral equivalent to kicking a puppy. If you can be ok with yourself after that, then I mean, go for it.

2. Rika, the Antichrist

Result: Certain victory, but extremely dangerous

Look, maybe I should’ve put her lower on the list considering she’s got an entire cult following her every order. But, honest to God, you would be morally obligated to fight her. Please beat the shit out of her. Physically, her scrawny ass could do nothing to stop you. She’s ruined the lives of her friends, as well as countless other people, because of her deranged and, quite frankly, selfish desires. Basically, she’s a little bitch. I don’t know how you’ll do it, but god damn, you’ll be everyone’s hero. The downside to this is that she might sick Saeran on you, which is gonna be a pain in your ass, and Yoosung might hate you forever, but I think you can live with that, right? Do us all a favor. Fight Rika.

1. Jihyun Kim/V, aka Flower Angel Sunshine Man

Result: Total Victory, but you’re basically Satan

BEFORE YOU SEND ME ANON HATE, REMEMBER: this is a list based on how likely you are to win. And V? V would let anyone beat him. He probably thinks he deserves it. He might defend himself a little, but he couldn’t bring himself to hurt you. Your victory would be almost immediate. There is no catch to V. You’d just win. But you’re a fucking monster for it. And you know what? I’ll beat the shit out of you if you hurt this man. So don’t even think about it, asshole.

A white guy’s thoughts on “Get Out” and racism

This weekend, I went to see a horror movie. It got stuck in my head, and now I can’t stop thinking about it—but not for any of the reasons you might think.

The movie was Jordan Peele’s new hit Get Out, which has gotten rave reviews from critics—an incredible 99% on Rotten Tomatoes—and has a lot of people talking about its themes.

First of all, I should tell you that I hate horror movies. As a general rule, I stay far, far away from them, but after everything I’d read, I felt like this was an important film for me to see. This trailer might give you some inkling as to why:

Creepy, huh? You might know writer/director Jordan Peele as part of the comedy duo Key & Peele, known for smartly tackling societal issues through sketch comedy. Get Out is a horror movie, but it’s also a film about race in America, and it’s impressively multilayered.

I left the theater feeling deeply disturbed but glad this movie was made. I can’t say any more without revealing spoilers, so if you haven’t seen the movie yet and you don’t want to have the plot spoiled for you, stop reading now and come back later.

Seriously, this is your last chance before I give away what happens.

Okay, you were warned. Here we go.

Our protagonist is Chris Washington, a young black man who has been dating Rose Armitage, a young white woman, for the last four months. She wants him to meet her family, but he’s hesitant. She acknowledges that her dad can be a little awkward on the subject of race, but assures Chris that he means well.

After unnerving encounters with a deer (echoes of The Invitation) and a racist cop, Chris and Rose arrive at the Armitages’ estate. On the surface, the Armitages are very friendly, but the conversation (brilliantly scripted by Peele) includes a lot of the little, everyday, get-under-your-skin moments of racism that people of color have to contend with: Rose’s dad going on about how he voted for Obama, for instance, and asking how long “this thang” has been going on. Chris laughs it off to be polite, though he clearly feels uncomfortable.

There’s a fantastic moment here, by the way, when Rose’s dad offhandedly mentions that they had to close off the basement because of “black mold.” In the midst of the racially charged atmosphere of the conversation, it’s nearly impossible not to take this as a racial remark, and Chris certainly notices, but what could he possibly say about it? Black mold is a real thing; his girlfriend would surely think he was crazy and oversensitive if he said it sounded racist. Chris never reacts to the remark, but that one tiny moment is a reminder to the audience of a real problem people of color often face, when racism can’t be called out without being accused of “playing the race card” or seeing things that aren’t there. (Incidentally, it turns out that the basement is actually used for molding of a different sort.)

There are other reasons for Chris to be unsettled: The only other black people on the estate are two servants, Georgina and Walter (Rose’s dad says he knows how bad it looks, but that it’s not what it seems), and something is clearly “off” about them. Later, more white people show up—and one more black character, and he, too, feels “off.”

By the end of the film, we learn the horrible secret: Rose’s family is kidnapping and luring black people to their estate, where they’re being hypnotized and psychologically trapped inside themselves—Rose’s mom calls it “the sunken place”—so that old or disabled white people’s consciousnesses can be transplanted into their bodies. The white people are then able to move about, controlling their new black bodies, with the black person’s consciousness along for the ride as a mere “passenger.” In a shocking twist, it turns out that even apparently-sweet Rose is in on the plot, and Chris must fight her and the rest of her family to escape.

This isn’t a “white people are evil” film, although it may sound that way at first, but it is a film about racism. I know many of my friends of color will connect with this movie in a way I can’t, so I won’t try to say what I think they’ll get out of it. I do want to say how I connected with it, though, because I think what Jordan Peele has done here is really important for white audiences. 

If you look beyond the surface horror-movie plot, this film actually gives white people a tiny peek at the reality of racism—not the epithet-shouting neo-Nazi kind of racism that white people normally imagine when we hear “racism,” but the “Oh it’s so nice to meet you; I voted for Obama” kind of racism, the subtle othering that expects people of color to smile and get along and adopt white culture as their own whenever they’re around white people.

So many of the moments in Get Out are clearly intended to work on multiple levels. When Chris confronts Georgina about something being wrong and she smiles and says, “No, no no no no no,” with tears streaming down her cheeks, the symbolism is blatant. How often do people of color have to ignore the subtle indignities they face and hide their true emotions in order to avoid coming across as, for example, “the angry black woman/man”? How many times do they find themselves in social situations—even with their closest white friends!—where people make little comments tying them to an “exotic,” supposedly monolithic culture, where they have to respond with a smile and a laugh instead of telling people how stupid and offensive they’re being? 

I can’t tell you the number of these stories I’ve heard from my friends, and I’m quite sure that the stories I’ve heard are only a tiny fraction of the stories that could be told. So there’s something in that moment that speaks volumes about the experiences of people of color in America.

The same is true for so many other moments. The black characters Chris meets at the Armitages’ have all symbolically given up their identities and conformed to white culture; when Chris meets one character, he turns out to be going under a new name, with new clothes and new mannerisms; when Chris offers him a fist bump, he tries to shake Chris’s fist. Again, within the story, there’s an explanation for all this, but every moment here is also about assimilation and culture differences. 

For me as a white audience member, all of these moments did something remarkable: They showed me my own culture—a culture I’m often blissfully unaware of because it’s all around me—as something alien. They reminded me that I, too, have a culture, and that expecting everyone else to assimilate to my culture is just as much an erasing of their identities as it would be to expect me to assimilate to someone else’s culture.

And that’s a big part of what Get Out is about—the erasing of identities, and the power of racism to destroy people. I think it’s really significant that racism is portrayed here very differently from how it’s normally portrayed in movies written by white people. In most Hollywood movies, you know a character is racist because they shout racial epithets or make blatant statements about a certain race’s inferiority. That allows white audiences to say, “I would never do/say that, so I’m not racist!” We really don’t want to think we are.

But notice something important about Get Out’s treatment of racism: This is a film about the literal enslavement of black people—racism doesn’t get more extreme than that—and yet Peele doesn’t go for the obvious by having the white characters admit that they think black people are inferior; instead, they subjugate and dehumanize people by claiming to admire things about them. They turn them into fashion accessories. 

When Chris asks why only black people are being targeted for this procedure, the response is telling: It’s not (supposedly) because the white characters think African Americans are bad, but rather, because they like certain things about them and they want “a change” for themselves. They want to become black—it’s trendy, we’re told!—but without having had any of the actual life experiences or history of African Americans. White people need to see this: to experience the ways in which Chris is othered by people who tell him all the things they like about him—isn’t he strong? Look at those muscles! Does he play golf like Tiger Woods? And he must be well-endowed and have such sexual prowess, right, Rose?

The white people in the audience need to be reminded that just because you’re saying positive things about someone doesn’t mean you’re not being racist, that turning someone into an exotic “other” may not be the same as shouting an epithet, but it’s still taking away someone’s identity and treating them as a commodity.

The film is filled with these kinds of moments. When we realize that Rose’s white grandmother has inhabited the body of Georgina, the fact that she keeps touching her own hair and admiring herself in the mirror takes on a whole new level of significance. (White people, please don’t ask to touch your black friends’ hair.) When Chris connects with a dying deer on the side of the road and later sees a deer head mounted on the wall at the Armitages’ estate, the symbolism is hard to miss. Black people are being turned into trophies in this house. And, oh yeah, they’re being literally auctioned off—as they were in real life in the not-too-distant past.

One day, I’d like to see the film again to pick up on all the ways things read differently the second time through. I noticed several things in retrospect that gain new significance once you know the ending, and I’m sure there’s a lot I didn’t notice. For example, Rose’s dad says he hired Walter and Georgina to care for his parents, and when his parents died, “I couldn’t bear to let them go.” The first time you see the film, it sounds like the “them” is Walter and Georgina. But in retrospect, it’s clear the “them” he couldn’t bear to let go was his parents, so he sacrificed Walter and Georgina for them. Which, again, is an example of how the supposed care of the white characters for the black characters (his care for Walter and Georgina, Rose’s care for Chris) is really all about caring for themselves and treating the black characters as completely interchangeable objects.

The message of the film isn’t simply that the black characters are “good” and the white characters are “bad.” There are presumably—hopefully—many good white people in the world of this film, and many others who wouldn’t do what the Armitages are doing but also probably wouldn’t believe Chris or make the effort to stop it. Peele’s mother and wife are both white, so he’s clearly not trying to paint all white people as villains. 

But I admit, as a white guy, I really, really wanted Rose to be good. I’ve been the white person in an interracial relationship introducing my black boyfriend to my family. I’ve been that. So I related to Rose, and I really wanted to believe that she was well-intentioned and just oblivious; even though she misses the mark on several occasions, there are times that she seems like she gets it and she really does listen to Chris. When a cop asks to see Chris’s ID early in the film even though he wasn’t driving, Rose stands up against the obvious racism, showing us all what it looks like for white people to do the right thing. “That was hot,” Chris says to her later, and I thought, yeah, that’s who I want to be.

So I have to admit, it was really upsetting to me to see Rose, the only good white character left in the film, turn out to be evil. But I realized that part of that is that I really wanted her to represent me, and that’s really the point. Just think how often horror films have only one black character who dies early on, and how many films of all genres have no significant black characters for audience members to look up to or identify with. I think it’s really important for white audiences to experience that.

As I’ve reflected on the film, it seems to me like there are three kinds of popular movies about people of color. There are those that feature POC characters that are essentially indistinguishable from the white characters—as if they just decided to cast Morgan Freeman instead of Tom Hanks without giving any thought to the character’s race. Then there are the movies that deal with racism, but in a way that allows white people to feel good about ourselves, because we’re not like the characters in the film. (This is especially true for movies about racism in the past; some of them are very important films, like Hidden Figures, which I loved, but we need to be aware that it’s still easy for white America to treat it as a feel-good film and think that we’re off the hook because we no longer have separate restrooms.) And finally, there are movies that focus more directly on the lives of people of color but tend to draw largely audiences of color; not many white people go see them, because we think they’re not “for us” (even though we assume films about white people are for everyone).

Get Out isn’t any of those. It’s drawing a broad audience but it’s not afraid to make white people uncomfortable. And if you can give me, a white guy, a chance to have even a momentary fraction of an experience of the real-life, modern-day, casual racism facing people of color in America, I think that’s a very good thing.

⇁ through the flames (and into the lava)

Originally posted by kookielife

pairing⇁Jungkook x Reader

genre⇁smut, fluff, slight humor, crack || dragon!jk, fantasy!au i guess

warnings⇁public indecency, dry humping, fingering, non-penetrative sex, cumplay, i’m sorry

word count⇁7.8k

Your boyfriend is a dragon.

Or so he claims.

or; the perks (and unexpected complications) of dating a fucking dragon

Keep reading

I believe Spencer’s twin is coming.

In this post I want to give a list of reasons why Twincer is my prime suspect as AD. I know a lot of these ‘clues’ come from interviews, but they’re still really convincing for me at least. I’ve definitely missed some of the clues from within the show because they’re not as easy to spot - we need to know for sure if Twincer is happening, then we can dig further. (The fun won’t instantly stop once the finale airs.) But for now, enjoy these, and at the end, I give my theory as to the motive.

Please note: none of this is overly new. This is just the summation of everything we’ve been talking about on my blog for the past couple months. I wanted to put all the ideas into one post, rather than 31529 mini posts scattered here and there. I will be updating this as we find more. 

  1. The famous airport scene from 715.
    We all already think it’s weird that "Spencer" asked Ezra to not tell anyone he saw her there with Wren. What’s weirder, is the fact that Wren and “Spencer” were arguing. Amongst muffle, I heard Spencer say "stop calling me that" (let me know if you heard differently). Did Wren have a slip-of-the-tongue moment and call her Spencer rather than the twin’s real name?
  2. Dr. Cochran’s story is very telling.
    We all already know the ambiguous implication that Mary had more than two babies, because Dr. Cochran said he dealt with “two of Mary’s babies”. What’s more interesting is the second baby he dealt with. The first baby (Charlotte) he gave to Jessica. He said that the second baby that he delivered was placed in family county services. This could not have been Spencer, since Spencer was delivered to Veronica within 5 minutes of birth. So, who was that second baby that was placed in family services? I believe it was Spencer’s twin. Why? Dr Cochran referred to that second baby as “underweight but tenacious” - lo and behold, the next episode, Toby calls Spencer tenacious. This was the writers foreshadowing the similarities between this second baby, and Spencer. Twins. 
  3. We all know Hanna’s ‘dream’ in 701.
    It makes no sense that Hanna was able to dream ‘Spencer’ saying the name A.D. since Hanna was kidnapped before these initials were even revealed. Perhaps Hanna was visited by Twincer; the one holding her captive.
  4. A.D. needs to stand for something. 
    Spencer’s twin could literally have the initials A.D., since we know she would be Mary Drake’s child. Her first name would start with A and the D would stand for Drake. 
  5. Brendan and Ian both confessed to being confused by the identity of A.D.
    They needed the backstory to understand it. Is that because they had no idea who has the name “Alex Drake” (for example) ?
  6. Tyler said before 7B aired that “you’ve never met AD. You kind of have. You’ll know what I mean”.
    This can be interpreted in two ways: you’ve never met Twincer but since you know Spencer, you kind of know who AD is. Or. You’ve seen Twincer over the years, but thought it was Spencer. Either way, Tyler’s comment screams twin-theory to me. This could apply to any twin theory, but in this context, I’m using it for Spencer.
  7. Ian said (0:57) that “fans will be satisfied to a point. Right when it seems it’s gonna be really great, it might do a little [downwards hand motion]”….
    That cheeky smile on Ian’s face when he said “it seems it’s gonna be really great”… what could be greater than a liar being AD? Ian could be referring to the fact that they initially show us Troian under the hoodie, making us think Spencer is AD. Then, after commercial break, they will reveal it’s just her twin, hence the “it might do a little [downwards hand motion]”. We will be satisfied to a point, he said. It’ll start off amazing by thinking it’s Spencer, oh wait, it’s another twin.
  8. Ashley said (0:14) that she didn’t even know the A.D. reveal is possible.
    Because she did not expect a second pair of twins to come along?
  9. “It’s like there are two of you living in this house. You, and you’re evil twin, and we’re not sure who’s coming down to breakfast". 
    said Veronica to Spencer in 423. Foreshadowing at it’s finest.
  10. Spencer doesn’t remember this flashback.
    Was it her twin? And oh how coincidental, that the writers tell us a time Spencer doesn’t remember, in the same scene Veronica makes the above comment about Spencer’s “evil twin”.
  11. “Where are they?”
    said Mary as she entered the Hastings house (flashback from 717). Who is they? The twins? She proceeded to say that Spencer is the only good thing she’s ever made. Maybe Mary knows Spencer’s twin is evil, and is neglecting her. 
  12. “You look very much like your sister. Almost like twins”.
    said Mary to Spencer in 701. The writers wanted us to think that Mary was talking about Spencer and Melissa, since Mary was holding a picture of the half-sisters. But, were the writers, and therefore Mary, hinting towards Twincer? Is Mary being blackmailed/forced (by Peter?) to keep quiet on Twincer, and she had a slip-of-the-tongue moment here?
  13. Marlene is very aware of the Twincer theories.
    Back in 2014 she said that Troian sent her an online fan theory regarding Spencer having a twin who is A. Marlene was blown away by it and she thought it was a very well thought out plan with detailed evidence across the series. Watch from 1:35. Whilst you may be saying “there’s NO WAY Marlene spoilt her own show’s ending in an interview!!” - I feel like she had no idea the show would go on for 7 seasons, and once they got renewed, she panicked. “Shit, we need a new Uber A. Let’s go with that brilliant fan theory Troian sent me”. She probably regrets making this interview now. You can tell her passion for Twincer in this interview. She talks so damn highly of it.
  14. Marlene has said that the person who plays A.D. had known for a while.
    We know that Marlene told Troian the entire ending of the show years in advance. “Just like I had story time with Marlene, you all now get story time with Pretty Little Liars” said Troian.
  15. The girl in the coffin in the opening has the exact same black puffy shirt as Spencer.
  16. Why does it seem that A.D. is always going after the Hastings?
    Why shoot Spencer, out of all the liars? Why demand Aria to plant the audio device in the Hastings? Why not ruin the Marin household? The jealous twin wants her ungrateful sister dead, hence the shooting, and the jealous daughter is angry she never got adopted. Too much of the story is Hastings-oriented. 
  17. “They’re all some pretty. Good. Theories.”
    Was Janel’s response to being asked about the Spencer-twin theories. (22:20)
  18. And, I’ll just leave this here. Good one @prettylittlesessions​ !
  19. “Spencer’s” weird comments in 718.
    In 718 “Spencer” says to Toby “you know what its like to be the outsider. Removed from friends and family”. What made her say this? Nothing was said or done in 718 to prompt our Spencer to say this. 
  20. Keegan said there are no more Spoby kisses in 7B.
    “I can honestly say that there is not another Spoby kiss.” Yet - there was one in 718. Either Keegan lied, or that was Spencer’s twin. (10:15)
  21. “It’s somebody you have seen.”
    says Marlene in regards to who AD is. Was she talking about the Spoby kiss in 710, which Twincer referred to in 718 when she kissed Toby again? Marlene was very careful to avoid saying “it’s someone you KNOW”. We don't “know” Twincer. But, we have seen her.
  22. “That’s not the Spencer I know”
    said Toby in 718. Writers are foreshadowing.

Setting all this aside, I want to add my theory on the backstory and motive:

  • Twincer, who’s name is A_____ Drake, was born in Radley, as Dr. Cochran told us in 7A. 
  • Twincer was raised in Radley - not because she needed to be at a psychological hospital, but as a form of daycare, because Mary was deemed an unfit mother, and also she kept Twincer a secret from Peter… he already hated her (to the point of planning her murder, later on) enough for having one baby together, imagine Peter’s reaction to having twins.
  • There, Twincer met and bonded with her sister Charlotte. Charlotte became Twincer’s only friend. (Twincer might even be Bethany, since we already know of this bond between Bethany and Charlotte, and how Bethany was drawing Charles being taken away by a monster. But for this theory, let’s just forget Bethany for a second.)
  • When Mona came to Radley and started telling Charlotte about everything she did to her sister, Charlotte and Twincer wanted to play. They wanted a turn at harassing Spencer and her friends.
  • For Charlotte, as we know, it was the feeling of finally succeeding at something in life that made the game her drug. For Twincer, it was something far darker.
  • Harassing Aria, Hanna, Emily and Alison is all about driving a wedge between the girls. Twincer wants to break up the girls. Turn them against each other. Hopefully by throwing fire at the girls, they will break up, ultimately, to ruin Spencer’s life. Again, jealousy. Twincer’s plan is backfiring because it’s exactly A’s threats that makes Spencer say “we need each other more than ever” and “always stick together”. The writers keep making the point of SPENCER being the one to make the comments about “always” sticking together. Twincer cannot break Spencer and her bitches. This is fueling Twincer’s anger. Nothing is working.
  • That’s why AD/Twincer recently shot Spencer. “If I can’t break the girls up to ruin Spencer’s life, why not just become Spencer?” Twincer shot Spencer in an attempt to assume her identity and squeeze her way into the loving friendship group that she could never crack. “These girls are so loyal to each other… they don’t even break up after even my threats. Damn, I want to be a part of this. It’s my turn to live a happy life. You had your turn Spencer.”
  • Note: I do not believe that AD has been operating since season 1. Mona’s time as A is completely independent from Charlotte and Twincer’s story. Mona started the game, and now someone is ending it, and she wants to know who. Charlotte and Twincer are their own duo; their own A-team, which stemmed as a result of Mona coming to Radley. Charlotte revealed herself - next up in the A team is Twincer, who is carrying on the game she once played with her sister. 
advocacy: have some perspective, don’t throw your own people under the bus

I’ve seen a lot of discourse lately about how Blizzard is handling Emily/Tracer wrong - how there’s no sign of it in the game, etc. etc. And there isn’t, yet. There isn’t any sign Tracer is gay in the actual game, so it’s fair comment. I’ve also seem what is pretty unfair conclusions about why this is thrown around, I’ve seen really nasty snark disguised as witty criticism., and it… leaves a bad taste in my mouth, really. 

A very close friend of mine works in an AAA studio. She’s worked in gaming for 10 years. She literally works herself to the bone trying to push social justice in games - and it’s like pushing a fucking boulder uphill forever, let me tell you. I’ve watched what this tireless advocacy is doing to her. Nevertheless, she keeps going. 

It’s because of people like my friend that Overwatch exists - people who have persistently, tirelessly, at threat to their relationships, livelihoods and careers advocated for diversity and representation in games. 

I can only imagine how fucking hard it’s been to change the culture in Blizzard into a company where they publish an AAA game that is as diverse as Overwatch. It’s because of people like my friend, allies, and other supportive people that we have Overwatch at all.

Let’s review some of the great things about the game: a variety of diverse races, ethnicities and identities - consultation was pretty fucking good for most of those. And they listen to our comments about what’s missing, too. We didn’t like that Pharah’s VA wasn’t Egyptian, so what did they do? They got an Egyptian VA living in Egypt to voice Ana. We didn’t like the lack of black characters, and they’ve promised more, and the latest new character is an Omnic created by child genius Efi who is black - and they got a black woman for Orisa’s VA.

Blizzard has handled female characters very well. We complained after they’d released their initial characters that the body type of the female characters was generic and not diverse. So what did they do? They gave us Zarya and Mei. We complained that Tracer was being objectified in one of her poses. What did they do? They changed the fucking pose. They have given us a Muslim single mum who’s 60 old, still a soldier, has sexual agency and is more than just her role as ‘Mum’. The spread of female characters isn’t 16-25 as per most games that have female protagonists, but 19-60, with the majority of them being in their 30s, and that is fucking great

And all of this is aside from the fact that Tracer - the face of the fucking game - is canon, confirmed lesbian in those words by both the devs and in ¾ of a big major comic. She’s in a healthy adult relationship. Plus, there’s more to come. We know more characters are queer, too. 

There’s probably more stuff to add, but off the top of my head - how great is this fucking game?????

Now, it’s not to say that all of this has been done perfectly - there’s always room for improvement. They always could do things better. But the tone of some of the posts I’ve read is as if none of this exists. As if Blizzard has spat in our faces, somehow, by not having Tracer have mentioned Emily in the game yet. The anger, the entitlement, the mockery. 

You’re mocking probably a bunch of queer people, people of colour and women who have pushed and pushed and pushed the gaming industry for decades in order to get a game like Overwatch. You’re mocking people like my friend who has slogged her fucking guts out to get what we’ve got in the games her company produces. Can you imagine what it must be like for those people, responsible for these changes in Blizzard and in the industry, to read people bitching about the fact Tracer doesn’t say anything about Emily (yet) when they’ve pushed so fucking hard just to get what we’ve gotten? 

Do you realise how horribly ungrateful and rude that sounds? You may not be aiming your criticism at these people, but they’re among us. They read social media. They’re real people with real feelings. 

Can we please have some appreciation for just how far Overwatch has taken diversity in games? Because there’s a bunch of minority folks behind this push, mark my words. 

This post is not to discourage criticism, but please, please think of the tone of voice you give it in. Don’t be cruel or unfair. Don’t mock. Don’t be ungateful, please. 

“It’s as if Emily doesn’t even fucking exist, I wonder why that is lollllll fucking blizz” works so much better as “Hey Blizz, I love that Tracer has a girlfriend! Let’s have Tracer mention Emily in the game? :D” 

There are ways to deliver suggestions and feedback that don’t shit all over the people who’ve worked so hard to bring this game to you. Please take an extra 5 seconds to consider not sounding entitled and awful, and think about how else you could deliver this feedback so you’re not hurting the people who have worked their whole lives so you have it <3

shiv

///


November 14th.
In the coffee shop,
the man in the
Make America Great Again hat
smiles at me, so I take this
as an invitation.


“Pardon me, but I have to ask—
do you think Trump’s
ideologies keep every person
in this country safe?“


He doesn’t hesitate.


“Ma’am, I can’t get wrapped up
in identity politics, all I can
worry about is how
I’m going to feed my girls.”


///


At my 40th birthday party,
an acquaintance asks
why we have “so much
Mexican art in the house.”

“It might be because I’m Mexican,” I say.

“No,” he laughs, “you’re not Mexican.”

“Yes. I am.”

“No,” he continues, reassuringly,
“and if you are, you’re only, maybe, 17%.“

The winter air stiffens between us.
An old, familiar pain.


///


There was a time when I
would have thanked him.


The early years,
when I wanted only to pass,
to rid myself of my last name—
the dead giveaway,
its muddy lineage


crawl out from the burying shame
that held me down every time
my father picked me up
from school in our shitty car,
his bushy mustache
& brown face
magnified by the sun.


///


A local white woman
posts a photo of her new tattoo:
a Mayan god etched eternal
on her flesh. When I point out
the disrespect, she assures me
she speaks Spanish fluently,
spent three years
in South America.


For the next six hours,
I argue with her friends.
They demand I quit being so
divisive. Judgemental. Close-minded.


“We have a racist running for President,
and you’re complaining about a tattoo?”
asks the white boy, who spray paints
murals all over this city
with impunity.


O, to be permitted the luxury
of only worrying about one thing at a time.


O, to be white in America,
to wake up knowing every god is your god.


///


When you never see yourself,
you search for yourself all the time.


You know the white girl
in the sombrero isn’t you.
The bro dude in Calavera makeup
isn’t either, not the ponchos
and glued on mustaches,
not the lowrider Chevy
in the Disney movie
or the hoochie-coochie
sex pot on the Emmy
award-winning television show.


Maybe you are only this:


the scorched bird pulled
from the chimney,
covered in soot.
Not the actual bird,
its velvet sack
of jigsaw’d bones,
but the feeling
of recognition.


The ash of knowing.


///


A white comedian tells this joke:
“I used to date Hispanics,
but now I prefer consensual.”


The audience laughs.
And you do, too.
Until the punchline hardens,
translates into a stone
in your throat.


You swallow it, like you always do.


You don’t change the channel,
but you also can’t remember
a single joke she tells after that.


A few months later, the comedian’s career
blows up. She’s so real. So edgy.
Such a hardcore feminist.
When someone writes an essay on
her old stand-up routines—
noting her blindspot when it comes to race,


her response is:


“It is a joke and it is funny.
I know that because people laugh at it.”


///


If two Mexicans are in a car, who is driving?
A police officer.


How do you starve a Mexican?
Put their food stamps in their work boots.


What’s the difference between a Mexican and an elevator?
One can raise a child.


What do you call a Mexican baptism?
Bean dip


How do you stop a Mexican from robbing your house?
Put a help wanted sign in the window.


What do you call a Mexican driving a BMW?
Grand theft auto


What do you call a Mexican without a lawnmower?
Unemployed


What do you call a building full of Mexicans?
Jail


How do you keep Mexicans from stealing?
Put everything of value on the top shelf.


What do you call a bunch of Mexicans running downhill?
A mudslide.


Why don’t Mexicans play Hide ’n Seek?
No one will look for them.


What does a Mexican get for Christmas?
Your TV.


What do you call the Arizona man shot to death
by his white neighbor, screaming, “Go back to Mexico!”
Juan Varela


///


November 29th.
For weeks, I’ve avoided
eye contact with strangers.
My face is a closed curtain.
My mouth, the most
decorated knife.
I pay for groceries,
grab the receipt &
let my half-hearted
thank yous trail like smoke.
I no longer want to see
who refuses to see me.


Anyone is everyone.


///


December 1st.
I keep waking up.
There isn’t anyone
white enough to stop me.


Pantomime the living until
the body remembers:
wicked bitch. Bloodwhirl.
Patron Saint of the Grab Back.


Still. Still. Still. Still. Still. Still here.


///


I etch my own face upon my wicked flesh.
I am my own devastating god.

 


Rachel McKibbens, Dec. 2016

What I Read During Vacation

So you may or may not know that I was in Greece for about a month in June and I am finally back home! I had such an amazing time and got to catch up and read some really great fics! I didn’t get to read as much as I hoped I would since each day was jam-packed and I had some other readings to finish for my courses. Nevertheless, I read some awesome fics and I can’t wait to share them all with you! (Also, I’m testing out a new way to show my reviews on these posts as I’ve gotten comments about them being lost within the fic summary! Let me know what you think!)

Kintsugi by witchbane, Explicit, 102k (WIP) ***Graphic Depictions Of Violence
Yuuri Katsuki is a hitman burdened with a debt he can never repay. His target: Viktor Nikiforov, next Pakhan to one of the most dangerous families in the Russian mafia.When the two are drawn into a treacherous alliance after a mission gone wrong, the bonds of love and loyalty to family and duty begin to unravel—even as they get more tangled up in each other. 

Have I said how obsessed I am with this fic? Probably, but I’ll say it again. This is SUCH a good mafia AU filled with action, suspense, sexual tension (!!!!) and amazing writing. MUST read if you like mafia AUs!! 

Money Shot by Ashida, Explicit, 36k (WIP)
So Yuuri waited, felt his heart edge back down from his throat as Victor let him catch his bearings, as he just sat and watched Yuuri calm down, patient even though the time he was paying for was ticking.
“Strip for me, Yuuri.” came his first instructions in the lull of silence, the same words he always got, and this is how it always began.

HOOOOO BOY THIS FIC IS SO AMAZING. I have raved about it so many times on this blog but I really just can’t get enough. SO. GOOD.

Pigeon Alley by DiAnna44, Teen, 31k
What’s meant to be will always find a way. Victor and Yuuri? They’re meant to be.

Incredible actor AU that smashes into you like a train going 100000 km/hr hits you right in the feels over and over and over again. Basically, everything Dianna writes will make you cry forever but her incredible storytelling makes it all worth it, and this fic is no exception. 

cancel your reservations by renaissance, Teen, 5.4k 
Yuuri is a college student conducting private fencing lessons for a handsome, rich, and mysterious student. Viktor is not learning to fence because he does medieval reenactments.

Okay, this fic is SO GREAT. I loved the fencing aspect especially because my sister was an Olympic hopeful for fencing so it was fun to read my two favourite characters play the sport I have watched all my life. #writemorefencingfics2k17 ;)

Blackbird by sixpences, Mature, 102k ***Graphic depictions of violence
The year is 1942, and Europe is at war. Captain Victor Nikiforov, an intelligence operative for the NKVD, has been trapped in Berlin by the German invasion of the USSR. Posing as a Nazi industrialist, his days are spent charming information out of Axis diplomats to try and keep the Red Army fighting another day.Yuuri Katsuki, a foreign-educated bureaucrat in the Japanese Embassy, has secrets of his own concealed beneath his unremarkable demeanour. When he uncovers Victor’s real identity, it will alter the course of both of their lives forever.

MUST. READ. One of the best fics I’ve read in this fandom. Incredible writing that engages you right from the start and a storyline that will have you laughing, crying, and biting your nails. Some parts were so intense that I gasped out loud, and other parts so heart-clenching that I may or may not have bawled my eyes out multiple times on the plane. Incredible fic!

The Unknown Unknown by opalish, Teen, 7.4k
Yuuri never meant to become a supervillain. These things just happen to him.

I absolutely ADORE this writer’s style. Such a fun and easy read. Check it out!

Save a Horse, Ride a Cowboy by DiAnna44, Explicit, 1.7k
When Victor receives a cowboy hat from a fan, Yuuri may or may not want to devastate him.

Please send all my love to @literallynothingbutvictuuri​ for writing this fic. #blessed 

Between Periods by caitwritesstuff, Mature, 18k (WIP)
Yuuri is a history teacher out of a job due to recent cut backs. It just so happens that Phichit works at a school that’s needs a new history teacher. In walks Victor Nikiforov, the undeniably beautiful yet eccentric literature teacher from across the hall with a bit of an obsession with Russian lit and a certain adorable history teacher.

Great teacher AU that I can’t get enough of! Victor is so cute in this and I love how the whole gang’s there. Can’t wait until the next chapter!

Of Bright Stars and Burning Hearts by Reiya, Explicit, 130k (WIP)
Viktor doesn’t remember the first time he met Yuuri Katsuki. This however, is what Viktor does remember…

I can’t rave enough about the rivals series. (I’m not kidding. Search up “umfb&mha” and “obs&bs” on my blog to find hundreds of posts of me screaming LOL) Every update of this kills me in the best way possible!

Nuclear Hearts Club by butterbeerbitch, Teen, 28k (WIP)
Being seventeen and chronically confused isn’t always a walk in the park - especially when you’ve been crushing on your brother’s best friend since you were nine. You’d be crazy not to. Victor’s the best thing to happen to the world since sliced bread.

Wow, wow, and wow is all I have to say about this fic. Such an incredible story and descriptive writing that kept me so engrossed I didn’t even notice the turbulence on my plane flight!

Six Hours Ahead by alipiee, Teen, 51k (WIP)
When Yuuri downloaded the harmless quiz app, he didn’t expect to become best friends with the Russian boy who asked him for a rematch.

I FINALLY got around to reading this and it’s definitely lived up to the hype! Such a great read. Check it out!

And the Stars Will Wait by lily_winterwood, Explicit, 19k
Of all the places he had hoped to take Yuuri during their honeymoon — their first trip together as a married couple — he hadn’t anticipated bringing him back to the family dacha and all the memories it evoked.

More BTDS-verse amazingness!! I’m a sucker for honeymoon fics!

(˃̶͈̀_˂̶͈́)੭ꠥ⁾⁾( ノ_ಠ)₍₍ (̨̡ ‾᷄♡‾᷅ )̧̢ ₎₎

Be sure to give the authors some love! Thank you all for being so patient while I was away. Regular lists are back for the rest of the summer! 

OFF THE CUFF HOMESTUCK THOUGHTS #3: THE SELF PILE DOESN’T STOP FROM GETTING TALLER OR: THE PROBLEM OF DEAD MARIOS

DISCLAIMER

IMPORTANT THEORETICAL FRAMEWORK

[CHECK THE TAG FOR MORE THOUGHTS]

So, a long-ass time ago, Rose and Dave had a conversation like this:

TT: After you go, what do you think will happen to me?
TT: Will I just cease to exist?
TG: i dont know
TG: i mean your whole timeline will
TG: maybe
TT: Maybe?
TT: Is there a chance it’ll continue to exist, and I’ll just be here alone forever?
TT: I’m not sure which outcome is more unsettling.
TG: the thing with time travel is
TG: you cant overthink it
TG: just roll with it and see what happens
TG: and above all try not to do anything retarded
TT: What do you think I should do?
TG: try going to sleep
TG: our dream selves kind of operate outside the normal time continuum i think
TG: so if part of you from this timelines going to persist thats probably the way to make it happen
TT: Ok.
TG: and hey you might even be able to help your past dream self wake up sooner without all that fuss you went through
TT: I think the true purpose of this game is to see how many qualifiers we can get to precede the word “self” and still understand what we’re talking about.

This is the most important sentence in Homestuck.

I am dead serious.

Well, OK, I mean, it’s pretty important for understanding some major Homestuck themes and shit or something like that.

Also, I totally should have said: Pre-Retcon Doomed Timeline Non-Dreamself Rose but ultimately about to become Dreamself Rose who semi-merged with Pre-Retcon Alpha Timeline Rose and Doomed Timeline Dave aka Davesprite AKA future Davepetasprite^2 or as we all call them around the office, Davepeta, had that conversation.

Maybe you begin to see what I’m going to talk about here.

One of the major frustrations a lot of people had with the retcon was that the characters we ended up with at the end weren’t the ones we’d come to love and know throughout the story. Was it even worth it, to lose the characters we loved to the tyranny of Game Over? The victorious kids, with the exception of John and Roxy, were other people, with other histories, other goals, and other choices.

Allow me to submit that that may be the whole point.

SBURB is cruel. We’ve known that for a long time. It’s cruel not as Caliborn is cruel, but as the cosmos is cruel, as a supernova is cruel. It wants what it wants, and doesn’t care about how that intersects with the needs of humanity. It wants to make universes through a complex game-playing method, and drags hapless, vulnerable adolescents along for the ride. And most of the time it doesn’t even succeed, leaving its champions to rot in a doomed timeline or similar! Skaia’s victory is an amoral creation myth where individual human beings are just the carved pieces on the chessboard. (I mean, the other ones. Not the carapacians.)

Again, let’s consider the theme of VIDEO GAMES vs. REAL LIFE.

Homestuck, let’s be real, is basically some postmodern horror timey-wimey Jumanji. For a generation way more familiar with pixels than cute little tokens It’s easy for teenagers and in fact, basically everyone, to fantasize about escaping their life and slipping into some game world forever, where they get to do awesome things and be a heroic person.

Homestuck makes that literal. Congratulations, everything you ever knew is dead. You will never see it again, except your internet friends, who turn out also to be your family and other important people. I mean, from a distance, SBURB sounds like an awesome game, right? You figure out who you are and get to wear a cool costume displaying that identity. You get to make anything you want and enjoy this hyperflexible mythology tailored to YOUR CHOICES. HS fans talk all the time about how cool it would be to play a real version of SBURB. That’s a big part of the appeal of SBURB fan adventures. They put you and your friends in the story. Or your favorite characters! It sounds like a fantasy come true.

The thing is, as fantastical as it is, it’s also really fucked up, and ultimately you and your friends are being used. By a giant frog to let it have its babies. By the universe. By a smug blue cloud thing that doesn’t care about you at all.

SBURB does not care about you at all.

The funny thing, SBURB features a mythology with so many layers and nuances and seemingly human motifs about growth and self that you might search for some grand ultimate meaning behind it, but it’s not even human enough to have a personality, to be something you can argue with or fight. It just is. It’s all the cruelty and power of a god without any of the dazzling personality. It’s empty. It just wants to make universes all day long, or fail trying. It is a great, weird tadpole-making machine that eats children.

One of the big ways it doesn’t care about you is its attitude toward the self. Humans and trolls and whatnot prefer not to be relentlessly duplicated. SBURB says, oh yeah, let’s make tons of copies of the player characters and use them for a lot of different purposes.

There’s the dreamself, an essential bifurcation of identity (you are now and were always the dream moon princex) that sometimes gets merged into god tier but sometimes doesn’t. There’s doomed timeline selves, who exist ultimately to augment an Alpha timeline whose Alphaness is decided very arbitrarily and frequently by Lord English. There’s the you who exists before a scratched session and the you who exists afterward, who are two different people but started as one baby in an act of ectobaby meteor duplication, your player self and your guardian self. Dead timeline yous fill up the dreambubbles made by the horrorterrors and get endlessly confused with each other. Any one of these could be the you experience being at any given moment, and which one it is entirely arbitrary. Don’t like being Dead Nepeta #47? Tough hoofbeast leavings, kiddo.

To top it all off, in Terezi: Remember, we learn that every single time we thought someone changed from one self to another, was resurrected or something like that, it was another act of duplication. For every time someone’s died, there’s another version of them waiting in the Dream Bubbles, surprised that they’re not the main character anymore. And we have no way of knowing which is which. Even John, good old everyman John, may or may not be the person who died three or four times. It’s really impossible to say whether we’ve been following the same person throughout our story, or just the illusion of the same person, like a horrifying cosmic flipbook.

The retcon is a return to this same theme. Ultimately, there’s very little new in the changes John makes to reality except that they drive the point home.

John’s friends all died. John and his friends won the game. These things are both true at the same time, except those things may not have happened to the same people. There was a happy ending. Hooray! For, um, some folks who may or may not be the ones we care about. In fact, it’s very confusing, because from Rose’s perspective, Roxy is dead but came back to life, and from Roxy’s perspective Rose is dead but came back to life, except also she came back to life as a weird tentacle catgirl of pure id and self –indulgence. So there’s that. Um. Which Rose are we rooting for again?

Or wait: is it none of them, because the first Rose died in a doomed timeline, hundreds of panels and a number of years ago?

There’s a tension here which one experiences between saying it’s okay because it’s still the same people, and saying it’s not okay, because it’s not the same people at all. This tension is exactly what we’re meant to wrestle with. To put it another way, Homestuck asks if identity can work in aggregate. Are all Johns John, all Roses Rose, and do they all share in what they accomplish? Or are the final victors only accidents created by the whims and needs of the frog baby machine?

What I’m saying, basically, is that the retcon, in the sense that it pointed out our confused relationship with these characters, was already here.

In interviews and questions put to him over the years, Hussie constantly compares HS and SBURB to other video games, particularly Mario, which he frequently returns to as a baseline of comparison that most of his readers will know. One answer, from a recent Hiveswap interview, is particularly revelatory. To the question of “Why do you kill off all your characters?” Hussie replies:

[…]HS is supposedly a story that is also a game. In games, the characters die all the time. How many times did you let Mario fall in the pit before he saved the princess? Who weeps for these Marios. In games your characters die, but you keep trying and trying and rebooting and resetting until finally they make it. When you play a game this process is all very impersonal. Once you finally win, when all is said and done those deaths didn’t “count”, only the linear path of the final victorious version of the character is considered “real”. Mario never actually died, did he? Except the omniscient player knows better. HS seems to combine all the meaningless deaths of a trial-and-error game journey with the way death is treated dramatically in other media, where unlike our oblivious Mario, the characters are aware and afraid of the many deaths they must experience before finally winning the game.

The big man hass the answer.

Homestuck is the story of those dead Marios.

Other works, like Undertale, have engaged with this topic as well. But one of the major differences between Undertale and Homestuck is that in Undertale, between “lives,” one’s consciousness is preserved. In Homestuck, it’s discontinuous, and the value of the overall trial-error process is called into question by the fact that you, the player, may not even get to experience the victory. What meaning does victory hold if that is the case?

So, to put it in a nice thesis format:

One of the central themes of Homestuck is the challenge of reconciling an arbitrary and destructive pattern of growth and victory with the death and suffering you experienced along the way. Homestuck asks: is victory worthwhile if you’re not you anymore? And would you be able to know?

What even is the self? Is there such a thing?

If you were left feeling somewhat disconcerted by our heroes’ tidy victory and departure to their cosmic prize, or by how which Rose gets the spotlight is so deeply, deeply arbitrary, there’s a good reason for that. You’re supposed to be.

The philosophical problem of Wacky Cat Rose is insignificant next to the bullshit of SBURB.

And don’t forget—John and Roxy’s denizens helped them achieve the retcon. Ultimately, the victory they achieved was mediated by the same amoral system of SBURB, and was a victory over an enemy, Caliborn, whose power was created, perpetuated, and ended by that same system.

Okay, so here’s where it gets contentious. There’s an argument to be made, which I’m not sure how I feel about, that some of the character development that could have been in post-retcon Act 6 was left out precisely to push this feeling and play up this tension. Note that this is not the same thing as saying that they were deliberately badly written, but that they’re deliberately written to make us uneasy.That Hussie deliberately played with the balance between making these retconned characters feel familiar and making them feel eerily different to leave us feeling uneasy with the result.

I’m not sure I like that idea. It smacks a little too much of that “everything is perfect” thinking that comes sometimes from the far Metastuck camp. Some of the differences may also be the result of flawed writing. (See: Jane and Jake’s character arcs, which I might talk about later.) And I want to be able to critique those flaws. Ultimately, I think we still needed more time and development to figure out who these new people were—even if our goal was ultimately to compare them to their earlier selves. And again, more conscious acknowledgement of the problem from our heroes—especially John, the linchpin in this last and biggest act of duplication—might have helped drive this theme home.

Still, I think the Problem of Dead Marios is one of the most fundamental questions of Homestuck, maybe THE biggest question. It’s essential to understand it to understand what Hussie’s doing—or attempting to do— in the retcon and the ending.

I don’t know that Homestuck offers us a clear answer to that question. There are some confusions around the issue, too. Where do merged selves fit in, exactly? Clearly they’re a big part of the discussion, because Hussie spends some time in Act 6, especially near the end bringing the identity-merging powers of the Sprites to the forefront. (See also: the identity-merged nightmare that is Lord English.)  Can we even come up with a clear answer to what it means when a dead Mario returns to life grotesquely fused with Toad? How does he beat the game? Does he tell himself that the princess is in another castle? Or what if he merges with Peach? Are they their own princess? How do they know if they’re in the right castle?

Um. Anyway—

Interestingly, it’s not all grotesque—spritesplosions suggest that personalities that are too different don’t stay together long, so a fusion might rely on some inherent compatibility between the two players. Erisol’s self-loathing, sure, but also Fefeta’s cheerfulness. Davepeta seems to be a way of bringing out the best in their players, a way of getting Davesprite past his angst and Nepeta past her fear. Honestly, I know a lot of people don’t like Davepeta as the ending of these two characters’ arcs, but I can’t help but love it. They’re the ultimate coolkid. Cool enough to know they don’t have to be cool. Regular Dave got there, too, of course. But was his retcon assist from John ultimately any different?

Then, of course, we come to Davepeta’s speech to Jade in one of the last few updates before Collide. Davepeta suggests that there is such a thing as an ultimate self beyond the many different selves one piles up throughout the cosmos. A set of principles that describes who you are that’s larger than any individual instance of you. Your inherent Mariohood. (Maybe this is comparable to your Classpect identity, which attempts to describe who you are?) Davepeta even tells Jade, strikingly, that one might learn to see beyond the barriers between selves. Be the ur-self, in practice, rather than theory. This would be incredible news for Jade, who wrestles with the issue of different selves perhaps more than any other character. (There’s a lot to say about Jade.)

Honestly, I wish this ur-self idea had been developed more, and I honestly expected it to be. It doesn’t fully come to fruition, I feel. (Same goes for Davepeta’s character. Ohhhh, ZING!) I’m not sure it entirely makes philosophical sense, especially with fusion—I mean, doesn’t Davepeta themself disprove it? Or at least complicate it? Like, are they part of the ur-Dave or the ur-Nepeta? They seem to imply they’re BOTH? Does that even work? Does that mean that Marieach is all the Peaches and Marios at once?

(In fact, Bowser/Peach/Mario are but the three manifestations of one eternal principle. Also, Bowser/Peach are the true power couple. Read my fanfiction plz.)

And what, say, of Dirk, who ultimately ends up rejecting aspects of his other selves? It feels like there’s a lot more you could say here, and I wonder if Hussie would have said more, if he’d had time. What’s weird is, none of our victorious kids never reach an ur-self (though to their descendants, they become archetypal to some degree), which one might have expected. They’re just individual selves who happened to get lucky. Does that make them representative of the whole? It feels like something’s missing here, or like something got dropped at the last minute.

Same goes for the idea of the Ultimate Riddle. You’d be forgiven for missing it, but there’s been this riddle in the background lore of SBURB that seems to have something to do with personal agency in this overwhelming, overarching system. Karkat called it predestination, saying something like “ANY HOPE YOU HAD OF DOING THINGS OTHERWISE WAS JUST A RUSE.” But others have interpreted it more positively. My favorite interpretation, from bladekindeyewear: the answer to the Riddle is that YOU shape the timeline through your existence, personality, and choices, even when it looks like it’s all predestination. Ultimately it’s your predestination, your set of events, based deeply on your nature, that you are creating. Someone like Caliborn can use his innate personality to achieve power; someone like John might be able to use it to achieve freedom.

I definitely expected something like that to be expressed more explicitly. Like, a big ah-ha moment that helps John or Jade or whoever understand how to escape Caliborn’s system. Something like that would have been very helpful for a lot of our heroes, actually, who’ve been pushed around by Skaia and SBURB together, in finding a cathartic ending.  Once again, I wonder if something was dropped or rushed because there wasn’t time to put it all in. There’s places where you can see hints of that Answer being implied, maybe? But it’s kind of ambiguous.

You can see how the Answer to the Ultimate Riddle ties into some of Davepeta’s ideas. If your personality, the rules of your behavior are a fundamental archetype that goes beyond each individual self, then the answer to whether it matters if one self of yours makes it through to victory is an emphatic YES. You are all of those people, and by winning one round with Skaia, you’ve won the whole game, despite all the arbitrary challenges and deaths it heaps upon you along the way.

This may strike some as too positive for Skaia’s brutality, or again, some way of excusing flaws in many characters’ arcs, or unfair things that happen to them. To be fair, I don’t know that Davepeta’s necessarily meant to be taken as authoritative or the voice of Hussie. They may simply be offering a purrspective.

Hussie not choosing to come right out and engage with the Ultimate Riddle leaves the question of Dead Marios and what they mean for the victorious versions of our cast very open. I like that in some ways—let the reader decide—but I can’t help but wish we had more to work with in making that decision. Plus, it might have brought the thematic messages of Homestuck all the way home to tie them more closely to our characters and their experiences—character development being one of the things most people found most lacking in the ending.

NEXT TIME: All that wacky gnostic stuff probably

anonymous asked:

It seems Tyler Hoechlin is your favorite live-action Superman, but can you rank the actors from worst to best as you see it (of the current actors, I'm not sold on Hoechlin yet, but I think it has more to do with my dislike of his costume—particularly how the cape attaches—that it distracts me from the character, while Cavill seems to physically look perfect for the part and certainly is capable of the acting and charm, but the script he has to work with is lacking)?

Leaving out Kirk Alyn, John Haymes Newton and Gerard Christopher, since I’m not familiar with their performances:

7. Tom Welling

I feel kind of bad about this one. I grew up watching Smallville, y’know? And in terms of sheer man-hours devoted to the role, Welling has more of a claim to being Superman than anyone other than Bud Collyer. But he…wasn’t great, in retrospect. I suspect it was largely a matter of the material he was given; he did well whenever he actually had something to do, whether as dorky reporter Clark Kent intermittently throughout the final season, or various cases of amnesia/mind control/body-swapping/Red Kryptonite exposure. But outside maybe a sweet spot after he’d grown into the role and before he visibly started to get tired of it, and occasionally when getting to spar with (better) actors like Durance, Rosenbaum, and Glover, he had a weird stiffness when playing regular Clark Kent that for the most part didn’t translate into charm once he couldn’t bank on teen awkwardness anymore, and while that frankly made him a pretty honest depiction of the increasingly dicey version of the character he was written as, it didn’t make for a great take on Superman.

6. Henry Cavill

Cavill’s been more let down by the material than anything else - the unfortunate unifying factor of the bottom three here. When the movies let him be great, he really is great, whether promising Martha that he isn’t going anywhere even after learning the truth about Krypton or fighting for the stories he believes in against Perry White. For the most part though he just seems to be called on to look varying degrees of sad and solemn, asked to call on none of the charm he showed in, say, The Man From U.N.C.L.E. Granted his Superman has a lot to be down about, but there’s no range on display here; I don’t doubt he’s got a great take on the character in him, but for now it’s being kept under wraps.

5. Brandon Routh

Of all the reasons Superman Returns was such a damn shame, maybe the biggest was that it buried any chance of seeing the performance out of Brandon Routh that he so clearly had to offer. He’s a great dorky Clark, a charming Superman, and when the stars line up just right, he really manages to capture the idea of Superman as a melancholy figure - his take doesn’t just seem to be bearing the weight of the world in the philosophical abstract, but much more palpably feels an entire planet crying out for him, knowing he can never save them all but always trying anyway out of unconditional love, very much in line with Garth Ennis and John McCrea’s take on him in Hitman. Unfortunately all that takes up maybe 10-15 minutes of runtime, spending the rest of the movie stalking his ex with a neutral expression until he gets shived by Kevin Spacey and regurgitates Brando at his secret kid. Superman Returns was weird, ya’ll.

4. Dean Cain

I was honestly surprised with myself when I decided Cain won out as the best of the rest outside the big three - I thought for sure it’d be Routh. But the more I thought about it, the more I realized that while Routh’s take is definitely closer to the version of Superman I had in my head, it’s compromised in a way the Superman of Lois & Clark never was: like the take or not, this is a perfect realization of the Superman the creators of the show clearly had in mind. His Clark’s funny, clever, warm, and vulnerable, and while it feels weird for him to be acting that way in the glasses these were the Byrne years, so as an expression of his ‘real’ self it’s pretty on-point. His Superman’s the weaker end, stilted even given it’s supposed to be him putting on a performance in-universe, but there’s such an unironic earnestness there that it typically slid back into charming.

3. George Reeves

I thought for awhile about 2 and 3, ultimately concluding that what was asked of George Reeves was a fair deal simpler. He didn’t much differentiate between Superman and Clark, and his booming radio announcer voice made clear we weren’t supposed to be measuring his performance in terms of whether or not he seemed like a real person. What he was called on to show though, and what he had out the wazoo, was raw charisma. When Jimmy asks him why he burst through a wall rather than using a door and Superman replies with a grin “Well, this seemed a little more spectacular,” you’re 100% willing to buy into that explanation, because yeah, it was spectacular, because Superman’s fantastic. And he could more than hold his own with the best of them when asked to work with more serious material, whether wandering through an amnesic fog in Panic In The Sky with only his instinctive decency to guide him, or here, in the final scene of The Dog Who Knew Superman, where Clark has to deal with a dog not only adoring him, but recognizing him in both identities:

2. Christopher Reeve

I gave Tom Welling his well-earned due earlier, but if you really want to talk about a guy with a solid claim to being Superman, Christopher Reeve didn’t just embed himself on the psyche of a generation, but is still held up today as the unequivocal standard by which the role is set. In all likelihood he’ll always be ‘the’ Superman, in the same way as Sean Connery will always be James Bond, and Bela Lugosi will always be Dracula. He shone like the sun in the costume, he was believably such a wimpy klutz out of it that no one would guess they were the same even when it was staring them in the face, and if anyone has any lingering suspicions that he just had the easy task of playing two extremely arch roles to the hilt, they might be forgetting this bit:

Was it perfect? I don’t know about that - if nothing else there were one or two awkward line readings, and the identity division is so sharp that it’s hard to tell when you’re getting a glimpse of the real guy underneath all the identities. But while I definitely question how much of a positive impact on Superman those movies themselves really had in the long run, Reeve’s performance on its own was an undeniable revelation, everything he did reverberating with such a sincere and powerful sense of decency and love for his fellow man that it not only brought Superman to the life, but frankly changed him forever for the better.

1. Tyler Hoechlin

I expected nothing out of this guy. Not that I by any means thought he’d be bad, but when I heard some dude from Teen Wolf was gonna appear on an episode or two of Supergirl, my reaction was about as intense as…well, what you’d expect upon hearing that some dude from Teen Wolf was showing up on Supergirl, even given who he was playing (granted I’ve never seen Teen Wolf and don’t actually especially know what Teen Wolf is, beyond that it’s based on that werewolf-playing-basketball 80s movie written by…wait, Jeph Loeb?!). Looked fine - and it became clear he actually really did look the part once behind-the-scenes pictures started to come out, rather than that godawful original promo picture - and I figured he’d belt out his best Reeve/Animated Series/Cartoon-on-the-side-of-a-cereal-box brand Generic Superman Performance to cheer Kara on before vanishing into the sunset forever outside of the opening credits. I was plenty interested in the potential long-term ramifications of Superman being allowed on TV again in any capacity for the first time since the 90s, given the influence that suggested Geoff Johns had as the new DC President and what that could mean in terms of other characters showing up down the line, but I wasn’t inclined to think of this as anything other than a stepping stone, only notable in its own right because it meant someone would be wearing the s-shield.

Then we actually saw him.

Where the hell has this guy been all these years? Was he grown in a goddamn laboratory for the part? How did the best Superman ever end up in a minor recurring guest spot on the CW Supergirl show?

It would be so, so easy to leap to the idea that he simply works as a jack-of-all-trades: he’s almost as charming as Reeve, just about as confident as Reeves, nearly as vulnerable as Cain. But that would be selling what he’s doing short - especially given that he probably hasn’t had the opportunity to stretch as far as he could in any of those directions, as his role so far has very much been as Supergirl’s backup dancer. What it comes down to is his general demeanor and how he incorporates those aspects into a whole that feels more fully-realized than any portrayal before him. His Superman and Kent are not only distinctive to the point that within the heightened reality the show occupies you can buy that people think of them as different people, but you can see threads from both of them connecting back to the real Clark you see around Kara. He’s open and warm and authentic in a way none of his predecessors quite were, and he’s able to turn on a dime into steely determination or outright fury while remaining recognizable. He’s above everyone’s heads and vaguely alien at times without ever seeming detached or less than entirely loving of the people around him, able to admit his fears and failings while staying strong and capable of changing for the better, utterly and palpably good without ever sliding into naivete or cartoonishness. In short he has range and nuance, and thanks to that along with the air of laid-back friendliness he brings with him, he more than anyone else to put on the suit feels like a real person. And somehow, that real person feels as much as anyone ever has like Superman. And that’s a hell of an achievement. So someone give him his own goddamn show already.

“Your wife is hot” - Bruce Wayne x Reader

Here’s for you :), and I thank you very much ^^

Part two

(My masterlist blog here : https://ella-ravenwood-archives.tumblr.com)

_______________________________________________________________________

The league discovered that Batman made files on all of them. Files in which were their secret identities, the way they could be defeated, and a all lot of personal details. And so they were…pretty mad at him. They felt like he betrayed their trust, while all he wanted to do was to make sure the World was safe. So the bat had to amend himself. He told all of them he was Bruce Wayne. And that’s the story of how a bunch of superheroes invaded your home. 

They first went to see the Batcave, which left you enough time to try and relax. It wasn’t everyday that you met the biggest superheroes of the World. You already encountered Superman, who was in real life Clark Kent, your husband’s best friend. You also were friend with Wonder Woman, having actually quite a lot in common with Diana Price. And your eldest son was friend with The Flash sidekick, Kid Flash, even though you never actually met Barry Allen, you felt like Wally told you enough things about him that you knew you’d probably get along. But the rest…Well, you were just super stressed. 

Of course, you knew all of them, extensively actually. You knew what they liked and didn’t like, their personality…Hum, you might have, MIGHT, read Bruce’s files on them. Curiosity. It was your biggest flaw. 

Keep reading

We Need To Talk About Ramona Blue:

TO EVERYONE WHO GAVE THIS BOOK ONE STAR WITHOUT READING IT:

First off, know that I am not going away. I am going to stand here and scream this from the rooftops as many times as I have to. Because I am tired of my voice and my story being drowned out. This book tells my story. If I get even one person to at least consider they might be wrong, if even one person buys this book because of me, then I’ve made a difference. 

I respect your opinion and based off of the original synopsis I completely understand why you felt that way - indeed I agree with you. I understand why the initial synopsis made you angry, really I do. The b.s. trope that lesbians (or any LGBT+ girl) can be ‘cured’ by finding the right boy is not just offensive and incorrect, but incredibly, incredibly harmful. And when it’s used as much as it is, it leads to people in the real world justifying their homophobic thoughts with - “I can f**k that girl, she’s secretly straight anyway. I can make her change her mind. She just needs the right guy.” Corrective rape is a very real danger and one that is directly impacted by words like those in that synopsis.

But this isn’t what the book is about. When the author, Julie Murphy @andimjulie, was informed of how offensive and harmful the synopsis/blurb was she started arranging to have it changed. Because here’s the thing: authors don’t get to write those. Some random person at the publishing house does. It’s that random person that made the harmful words and who misunderstood the book.

The new synopsis is up on this goodreads page now  . Please read it and maybe consider changing or removing your rating?

Because this book isn’t about 'lesbians can be cured.’ This book is about bisexual girls, girls just like me, who grow up not knowing that they are bi. Believing that because they like girls they must therefore be lesbians or because they like boys they must therefore be straight. I’m the latter; in this heteronormative world I spent years believing I was straight before I realised.

This book is for all the girls like me who think they fit into one box because they like someone and then one day, realise they have feelings for a different gender. It is about how confusing and scary and downright terrifying that is. It is about lying awake all night thinking “but does liking this boy mean i was straight all along?” “do i actually like him or is it because i’m supposed to?” it’s about worrying that you can’t change your identity because people already know you as a 'lesbian.’ Worrying that you’re just attention seeking or greedy or unable to make up your mind, that you’re on the fence and you need to choose.

This book is about the moment of relief when you finally find the name that suits you - bisexual. Or, perhaps when you decide that it’s okay to not know for sure right now. And how much weight is taken off you once you know who you are, and you have an identity.

I haven’t read the book yet but the new revised synopsis reflects that the book will actually be about those topics. You’re punishing the author for what someone else misunderstood and wrote as a harmful piece of promotion. Notice how different (and not harmful) the synopsis is now that it’s been written with the author’s suggestions instead of just by some dude? That to me suggests that the book itself, written entirely by her, will be much more like the new synopsis than the old one.

Oh, and you will also notice that I mentioned I haven’t read the book yet. So how then, you wonder, am I able to sit here and say that the book will be about all of the things above?

Because I am that girl. I went through all of those things. Mine was vice versa to Ramona - I believed that I had to be straight because I liked boys and if you like boys that’s all you can be right? Wrong. It was so, so hard for me to figure out who I am, where my place in this world is. It took me four years to get where I am (I’m 18 now). And I still haven’t finished this journey - my parents don’t know. I know, from reading this new synopsis, that that is what this book is about because I have lived it. I know because the author is bisexual, married to a man - she has lived it too.

Tumblr I just don’t get it. We cry and cry for more representation but when you have it you destroy it’s chances with negative reviews before it’s even begun. All because it’s the “wrong sort” of representation. You don’t want this bi girls story, my true story, because it shows that sometimes girls who like girls also like boys. Not always but sometimes. And sometimes we end up with those boys. 

Please, buy this book. Promote this book, please at least undo this low rating until you have read it. This book could have saved me so much heartache when I was fourteen. It could have let me know that I was not alone. It could have saved me six months of self-harm, an emotionally abusive relationship, bullying for being 'frigid.’

I didn’t have this book when I was facing all those things. But the next bi or pan girl could. We could save them.

Representation is important. Lesbian representation and positive, good representation at that, is important. But so is bi girl representation. And this book just happens to be one for the bi girls. This doesn’t have to be either or, bi girls existing doesn’t mean that lesbians do not. Please, let’s not harm each other’s chance at representation. Let’s support each other.

Please, at least let’s read this book before we give it a rating. Please help the next girl like me before she is hurt.

Learning 2 Share - Stilinski Triplets + Mitch Stilinski [Smut]

Author: @writing-obrien

Character(s): Stiles Stilinski/Reader, Stuart Stilinski/Reader, Thomas Stilinski/Reader, Mitch Stilinski/Reader

Word Count: 5668

Notes: Here y'all go. Finally here. So, there’s a lot of warnings for this one, let’s go. *cracks literally every fucking none in my body as preparation* Oral (both receiving), Fingering, Orgy, Multiple Orgasms, Spit Play, Anal, Rimming, Anal Fingering, Squirting, Double Penetration, Thigh Riding, Face Riding, Marking, Biting, Scratching, Over Stimulation, Shower Play, Exhibitionism, Spanking, Dirty Talk, Begging, Dominance, Older/Younger, Orgasm Denial and Choking/Gagging. Huge thanks to Steffy because even though she doesn’t like butt stuff, she proofread this for me. If that ain’ true friendship then I don’t know what is. I love you @dumbass-stilinski​ <3


Originally posted by headintheclouds-lostinthequotes


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Let's Pretend (Bucky Barnes x Reader) Pt. 2 ♡

A/N: I finally did it! I finished part 2. Thank y’all so much for all the feedback it means so much to me (‘: also, I put a little Easter egg in here. There’s another marvel character mentioned in here that surfs Let’s Pretend, let’s see if y'all can find them. (; (also, tags are open too!)

Warnings: Smut, Pornography, graphic details of sex, swearing. Alcohol.

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