i really really loved these scenes

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favorite scenes of all time: free people being free || the get down (s01e11; “Only From Exile Can We Come Home”)

new york is my canvas.

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EPISODE 94

percy reassures vex beneath the sun tree

You’ve found yourself at the base of the Sun Tree. As you look up at it, at this point the clouds that kind of gathered yesterday have all subsided and you have the most beautiful clear blue sky ahead of you, the morning sun’s coming down. The tree is beautiful as you watch it slowly blossom now as the months have passed. You start seeing green in the boughs, the occasional pod that might eventually flower as the season allows it. It’s serene. And as occasionally a breeze blows through, you hear the various branches hit, and some of the leaves shake, and… it’s a beautiful sight.

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“I think that… I think that until you’ve fought those battles yourself, until you’ve had the guts to stand up for who you are, you should be really fucking careful talking about and putting yourself above Gay Pride.”

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Did you know? If you catch a falling maple leaf, you’ll fall in love with the person you’re walking with.

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Every time I see the paswg transformation scene I think “what if it was with…” and now here I am

I hope you get a kick out of it?

So I just saw [this post] on my dash and wanted to add on but the post was already super long so. Here are some things I’ve learned from about a decade of martial arts (both practicing, competing, and teaching) that might be useful for writers:

  • If your character practices martial arts at a school, know that every school will teach that particular style a little differently. 
  • If your character doesn’t have flexibility/doesn’t stretch. they. will. hurt. themself. trying. to. kick. Even if it’s just waist-high. People who aren’t used to fighting will pull something.
  • People who have been training for a long time will have stronger hands/feet. 
  • Grappling is dirty work. You’re on the ground, you’re grabbing what you can, it’s not as hot as you might think it is.  
  • Holds/grappling/etc. are ingrained reactions. If someone grabs your wrist, reacting immediately is something that is a trained reaction. Same with throwing someone over your shoulder. The steps are practiced again and again and again until they’re gut reactions. 
  • Building off that: even if you’ve trained with a million of these drills, real life is always a little different. You have to be ready to improvise.
  • For the love of all that is holy, karate is not a universal name for martial arts. There are usually modern/sport and traditional versions of martial arts. In my experience, bits and pieces from others will mix together. (for example, I learned a lot of aikido and judo learning self-defense in taekwondo)
  • The effectiveness of the way your character fights can depend a lot on where and how they learned how to fight.
  • This may not be important for writing fight scenes in general, but just as a side note: martial arts have philosophies. If your character is trained in a particular MA, make sure to do research on that philosophy. It might be important to your characterization. 
  • Getting hit hurts. Unless you’ve been fighting for a while and are used to getting hit, you’re gonna be shocked. 
  • The most strategic person is going to lose at least 80% of their thought-process when fighting. The RDJ Sherlock Holmes fight scenes? Where he thinks everything out? Nah man. A lot of fighting is muscle memory & practiced combos. 
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Ahn Min Hyuk’s hair pushed back (´⌣`ʃƪ)

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-The Secret History