i really do like this movie though

anonymous asked:

2P FACE’s reaction to their S/O switching from speaking English to Spanish when they get really into something like a movie, game, the nasty 😏, or whatever they’re doing and not noticing it, pls. I love you guys and your blog 💕💕💕💕💕

Sooooooo….like maybe 1 person here knows Spanish… just saying that before the answer. -Admin Jay


2p America: “Eh?  tu hablas español? Since when?”
Allen knows a little Spanish. Enough to swear, somewhat get around, and hit on ladies, but that is it. He wouldn’t mind his s/o speaking in Spanish at times, though most of the time he would ask for a translation. Though if they talk dirty in his ear, that is a major plus and would probably get them pinned to a wall…in .5 seconds…

2p Canada: *speaks back to them in French* “Two can play at this game.”
Matt wouldn’t even hesitate. He hears another language, he will respond in French. He wouldn’t be too bothered by them speaking Spanish, though if they do it a lot, then he may get annoyed. Though he would try talking dirty to them in French, if they do it back in Spanish…

2p France: *doesn’t even bat an eye as he replies in French* “Don’t play with me.”
Francois can understand Spanish, he does not speak it, and he never will. If his s/o spoke Spanish to him, he would reply in French or not at all. If they won’t speak to him in a common ground language, then he won’t bother to answer. It’s how he is. 

2p England: “Umm….poppet? I don’t know what you are saying. I hope it’s good.”
Oliver would bite his lip at times and cock his head to the side. He has heard Spanish before…though nothing nice was ever said in it before, especially not to/about him. So he would be very nervous hearing Spanish again…in the end, if he learned that it was only when his s/o got happy, he would be more understanding, but he would prefer they try to stay where he can understand them. Especially, if they are getting intimate. 

Sexuality

So I got slightly tipsy the other night and just decided to say that I was Pansexual, and that’s a big deal to me because I am happy and comfortable with my sexuality. Of course, many people have been criticizing this saying I said it “just to get special snowflake tumblerina points” and “but you’re married?!?!?” 

Alright, let’s talk about this so I can clear some things up. One of the main reasons I’ve always been very cautious about my sexuality is because growing up my father made sure to make any kind of non-straight sexuality bad. He would call my gay friends the F word, ask me about once a month if I was a Lesbian like it was a dirty word, and constantly use slurs, etc. It was hard, I questioned my sexuality a lot. I also suffered verbal and sexual abuse from my mother, so that made things even more confusing for me as you can imagine. 

Growing up there were times I thought I was asexual, times I thought I was bi, times I just stopped caring completely because it was just too complicated for me to even think about. I watched the movie “Kinsey” in high school and realized that sexuality was a spectrum and left it at that until I had a lot of therapy much, much later in life.

Recently though (the past year I guess), I’ve been doing a lot of soul searching on finding a label for what I was. I guess because I felt like it was something I was ready to do, and being Pansexual fit what I was. I didn’t care about gender, I didn’t care about anything really, who I was attracted to was never defined by anything I could put reasoning or black and white labels on. And yes, I have been attracted to men and women but their gender had nothing to do with my level of attraction. 

And yes, I’m happily married and love my husband, but sexuality still exists after you’re married. 

Anyway, thanks for listening everyone. It’s hard for me to share these things because of how awful some of my past is, I genuinely don’t like talking about it but sometimes I feel the need to clarify my feelings and sharing them with you all is important. Especially if some of you have struggled through some of the same issues that I have. 

Stay strong, love you tweethearts! <3 

Just Autistic Things™:

  • “I’m hungry but we don’t have the incredibly specific food that I wanted guess I’m not eating today”
  • Room is messy but I know where everything is so what is the problem???
  • Hearing Bad Noises in public and trying not to visibly freak the fuck out
  • “I wanna do something but I don’t know what I wanna do and also if I figured out what I wanted to do I probably have too much executive dysfunction to make myself do it anyways.”
  • Wanting so badly to read a book/watch a movie/tv show that you force yourself to even though you’re zoning out the entire time.
  • Feeling a thing turning into a special interest and DREADING what that means
  • People making fun of your special interests and that Silent Pain when you have to pretend to laugh it off because it’s “just a joke” but you really can’t hear criticisms about the things you’re deeply invested in.
  • School/work doesn’t matter as much as special interest does???????????
  • Like why should I be stuck here when I could be researching/reading/watching things about my special interests :/ 
  • People saying “Oh I totally understand what you’re going through, I have a cousin who’s autistic” (EVERYONE has a cousin who’s autistic????)
  • People saying “you don’t LOOK autistic” or “oh I never would have guessed but now that you SAY that….”
  • “I want to do something rebellious but what if I get in trouble??”
  • I’m So Tired™

hi its me, the male love interest in the new disney movie. By the way, this isnt the OLD disney - we’re hip now, we dont believe in all that “love at first sight” baloney anymore! instead im just going to be a huge asshole to the female lead even though she’s super nice to me and doing all the work. i just really hate that she has faith in herself and her abilities, and always has a positive attitude, it really makes me wanna shit on her dreams and ambitions for the first 45 minutes of the movie. alarmingly, young women everywhere will claim i ruined their expectations for real men even though i basically just act like one. this aint your fathers disney movie

Quotes from Harry Styles’ Interview

Writing for his album

“I started the album end of Feb last year for about three weeks and then had to stop for about 5 months when I went to do a movie. I came back to it in July and finished writing it in December. For a while before all I thought about it was stressing about what it was going to be. It gave me a chance to completely step away from it for a bit and have a real break. By the end of the movie, because we were swimming so much I just wanted to write songs…I think we wrote about 70 songs - we did 50 songs and ideas in Jamaica and that’s including like little ideas. Well full songs, I say there are 30 songs probably. One of the songs on the album, I wrote a few years ago.”

On his album

“I was with the guys who I was writing it with and we just wanted to make what we wanted to listen to and that has been the most fun part for me about making the whole album. In the least weird way possible, it’s my favourite album to listen to at the moment… I hope we did a good job but I really like the album so I hope people like it. I think if you put out something that you don’t stand behind and really love, then if it doesn’t go well then you could regret not doing what you wanted to do. Whereas if nothing happens with it, I love it you know so I think that’s what you should do. I think that’s been my favourite part to the overall thing is listening to the album and making all the changes – it has been fun to watch over it all.”

Writing in Jamaica

“I just wanted to not be somewhere that I’d get distracted. It was 360 of writing, you’d go home for dinner, write at the house then go back to the studio. I liked being away from everything and doing it like that.”

About his debut single

“It’s a bit weird, I feel like I’ve been hibernating for so long now and you hear it in the safety of the studio and now it’s time to give birth … it’s the song (debut single) I’m most proud of writing.”

About making it on his own

“I’ve been hibernating trying to get it all ready, that’s been fun, but I like this bit as well. I think it’s gonna be fun, it’s gonna be good. It’s not like I’m travelling on my own now, I have a band and everything and they’re amazing.”

Ed Sheeran

“I played him (Sheeran) a few songs after the album was finished. He didn’t say that he didn’t like any, but he did like one song that isn’t on the album. So I did have a bit of a minute of like hmmm no but…”

On Adele

“I’ve spoken to her a little bit, she knows one of the guys that I wrote it with (his music) a lot. But I don’t think so much advice, I just like how she does stuff. I think she leads by example, she’s the biggest, she’s amazing, she’s the best so she should be the biggest. The thing with her is she’s a different thing, she’s just good at it, I like how she does everything, it looks very nice. For my 21st she gave me one of her albums 21 and said, ‘I did some pretty cool stuff when I was 21, good luck’ and I was like, 'geez’.”

On Dating

“I haven’t dated in a long time really because I went away to do the movie then did the album so I haven’t in a while. I have a couple of candles left still though. 

Whether dating when famous is hard

“I don’t know, maybe. I feel like with all of the stuff how people date now, with all online stuff, I feel like you can do that (Google) with anyone really if you’re looking at someone’s profile before seeing them. It’s kinda the same… No, I used to (research dates), then I said I’m not going to do that anymore, it’s impossible to go in without a perception of someone and you’ve never met them and I started feeling like that was wrong and weird. I think I snore, and also I quite like routine, so I don’t know if I’m ­incredibly spontaneous.”

Cutting his hair for Dunkirk

“I felt very naked for a while. I was like yeah, I’ve gotta shave my hair off. It wasn’t a hard decision, it got made into a wig.”

Why he rarely tweets

“I don’t like saying something for the sake of it.”

Life at home and work

“The first time I went home not wearing trainers, I was in a pair of boots. Someone said, ‘What the bloody hell are they?’ I like to separate working and being at home with family.”

Staying grounded

“It’s easier in the way that I like to separate stuff from working and being at home with family and stuff. When you separate it it’s easier to see it for what it is. When you let it become everything and that’s your whole life, then it’s easy to get a bit lost in it. I’m lucky, I have amazing friends and my family’s amazing so I think they make it easier to keep the separation between the two which makes it easier for me.”

Being nervous about playing his music to others

“I think it’s nerve-racking in that I’ve only played it to like 10 people in a room. I try and not be there if I’m playing it…”

His mother and step-father’s reactions to the album

“I played the album to them the first time and there’s one song that’s got a vocal effect on it, the whole album finished then my stepdad said: ‘I’ve one question, where did you get the duck from, how did you get a duck in the studio?’ I was like: ‘That was me, thanks’. My Mum liked it which was handy. She cried a couple of times which was good, I think that was good.”

Musical Influences

“I think it’s hard to not have influencers from what you grew up listening on. I think everyone reacts differently to different types of music. I had a good range between my mum and dad… my dad listened to Fleetwood, The Beatles, Rolling Stones, Pink Floyd and Queen. My mum was like Norah Jones and Savage Garden. There are a lot of melodies there.”

Being starstruck by other celebrities

“I remember the first time we went to an awards show in the US, we met Will Smith. It was a brief meeting – he was nice and very tall.”

Addressing the rumour about getting a sheep placenta facial

“No I’ve never had a sheep placenta facial.”

Rumours about Hobama

“I’m not allowed to talk about that.”

Rumour on taking his dates on helicopter rides

“No I’ve never done that,” Harry says, with Grimmy responding: “Not even with Barack?”

“No,“ Harry says. “It was his helicopter, haha.”

Talking about Chris Martin

“He’s lovely isn’t he? He is good at telling you to take care of yourself. I think he makes sure you are alright and is very zen. I think he is a pretty wonderful man.”

On Ronnie Wood

“Big fan, I love Ronnie Wood – I think I met him at a dinner party a few years ago and went to a couple of Stones shows…I think he is the nicest.”

Interviewing Paul McCartney for his Another Man issue

“It was amazing – his voice sounds like a song.”

Loving scented candles

“I mean I think everyone loves scented candles. But I usually take one from home if I’m travelling.”

About sprouts being the new kale

“I went two days ago. I got some spinach, eggs, OJ, milk, turkey and some brussels sprouts. Hmm what else did I buy…oh some Crème Eggs. I like putting sprouts in a curry and I like sauteing them. I think they are going to be the new kale. I met [someone] and I asked her what she did and she said ‘I’m the PR lady for Kale’ and I was like ‘good job then.”

Talking about his four nipples

“Still got them, managed to keep them. Maybe I just hide them in limited edition albums, like golden tickets. I’ll hold onto them.”

Best trait

“Best trait I don’t know, it’s weird to pick your best, shall we go with the nipples thing.”

On where not to ask him for a selfie

“I think in toilets is the weirdest one. It’s happened a couple of times… When someone tries to shake your hand right after having a wee, ‘I might wash my hands first’.”

About Liam’s son and being a potential godfather

“I spoke to Liam and he’s loving it. He said it’s going really well and everyone’s great. So I’m very happy for him. I think it’s a roll of the dice, there are a lot of people Liam has in mind. I’m not going to add any extra pressure. If it came my way I would be honoured.”

“...pizza does NOT look like that.”

Carl the Animator: “Sure it does. Just like ham hocks… 

…look like wooden stumps.”

Ted the Animator: “We’ve been over the pizza thing before, Carl. In, like, every single series and movie.”

Carl the Animator: “Ehhh.”

Ted the Animator: “I mean, granted, ‘vaguely-orange’ over every inch looks a tiny bit more like cheese…”

Ted the Animator: “…than your previous ‘sorta magenta-pink’ style.”

Carl the Animator: “Hey now, Mr. Pizza Expert, I had deep-dish in Chicago once, and that has the sauce on top. Pink all over!”

Ted the Animator: “Do these pizzas look like deep-dish, though?”

Carl the Animator: “Well… they’re sorta thick….”

Ted the Animator: “And also look like slices of cardboard with red paint on top.”

Carl the Animator: “Is this really the top priority of the show, Ted? Throwaway gags’ intricate food accuracy?”

Ted the Animator: “No, but it’s fun to pick on you for pizza problems.”

Carl the Animator: “Well, can you stop?

Ted the Animator: “Er… make ‘em look 20% less like they’re made out of Play-Doh, and you have a deal.”

You need to understand this. The sound of her voice alone was enough to send me flying off the edge. I had spent years of my life wondering whether love was anything like the movies; consuming, restless, boundary-less. It is. And it doesn’t happen forcefully or when it’s expected. It happens in a single, in-between moment. Like when you’re pouring milk into your coffee at the counter of your favourite shop, or when you’re busy doing something else. Anything other than searching, really. And in this single, in-between moment, you encounter her, or him, or whomever, and it feels as though your atoms are colliding at 100 miles per hour. And deep down somewhere, you feel a kind of certainty that you must’ve known each other in a different realm. And your insides go silent. Your heart stays so still you become afraid it has stopped beating altogether, and for once, the voices within your head stop dead in their tracks. It exists. And maybe it happens once and never again, but it happens. And when it does, even though your entirety is telling you to run as fast as you can, straight toward the hills, stay. Stay and feel every inch of it. Every up and down, every whirlwind of emotion it evokes out of you. Because romantic love isn’t everything, but it is definitely something. There are 7 billion people leaving footprints on this earth and you, by chance, have stumbled upon one who is capable of sending chills down your spine simply by the touch of their hand. And if that isn’t magical, then I’m not sure what is.

anonymous asked:

Please please share your thoughts on Wonder Woman? Thank you! :)

ANYONE WHO WATCHED WONDER WOMAN (2017) DIR. PATTY JENKINS AND WASN’T COMPLETELY IN LOVE IS NOT TO BE TRUSTED

Some thoughts:

  • So we all knew it was going to be emotional to FINALLY have a female superhero movie, but the movie exceeded those expectations. The fight scenes were incredible and so focused on Diana and what she was capable of – the men basically weren’t even there. The fuckin no man’s land scene SAVED MY LIFE. Superhero movies are known for being heavy handed and this one didn’t escape that for sure (the love speech at the end was….a lot), but that scene was so well done…they didn’t have to stoop to some Éowyn knock off line of “I am no man,” we were allowed to just see her do what real women do - step up and do it. Even though that wasn’t the first time we’ve seen her in full Wonder Woman costume on screen, it felt like it was, like it was the first time I’d EVER seen ANY hero before and it took my breath away. By far the best Superhero Reveal Moment I’ve ever seen. My girl taking out bullets right and left, drawing fire from the entire German army!! Fuck me up!!!
  • You can’t talk about this film without talking about gender role reversals. Chris Pine was So Perfect and I think they really couldn’t have pulled the movie off if they’d cast any other white boy in the role. He was funny but genuine, capable but never arrogant, charming but not entitled about it. He learned quickly what Diana was capable of and respected her for it, always moving to the sideline during the fight scenes (the shield moment with the bell tower comes to mind - who needs a sniper when you can fuckin launch a god at the shooter??), knowing that these were her fights and never trying to mansplain her out of them. He wanted to protect her, but didn’t underestimate her - all the things that a typical female romantic interest does in these kind of movies. It was amazingly well balanced, so much so that I didn’t even mind the romantic sub plot. Plus he was almost entirely naked there, way to play to the audience my dudes!!!!
  • The historical context did the movie such a great service. The outward displays of sexism became so ridiculous when faced with Diana, who genuinely had never had to deal with the patriarchy’s bullshit before. It didn’t just make the men in London look pathetic and mean, it cast a large shadow over the way that women are treated today. 
  • The Dark DC Gradient™ on all the shots isn’t my favorite but it did Chris Pine’s fuckin bright blue eyes a huge favor
  • Gal Gadot was so fuckin good??? Not only was she beautiful, like really really distractingly beautiful, like I kept having to force myself to pay attention to the dialogue cause I, like Steve Trevor, could not stop looking at her (and she’s standing next to Genuine Stud Chris Pine and still?? SHE’S SO BEAUTIFUL). But she was way more then that, her performance was spot on. Diana was naive, commanding, strong, compassionate - while never being reduced down to just a one note version of these things. She felt so real to me, in a genre that spends very little time on character development. Even in the sappiest parts of the script, she sold it. She absolutely sparkled. 
  • Some of the best dialogue was the back and forth between Diana and Steve when she’s asking questions about mankind/London - it was cute and funny without being too overdone or obvious, which it easily could have been
  • The villains weren’t much to write home about, but they didn’t need to be. The movie was so laser focused on Diana and Steve that they really didn’t matter, you could self insert whatever you wanted to there
  • Themyscira is the ideal for I too want to hang out on the beach and never see a man again
  • Also that lesbian line, and how stupid male reviewers blindly did not understand it!!! Fuckin drag em
  • But also the fight scenes on Themyscira were INCREDIBLE. I wish that first section had been a bit longer just because I was enjoying it so much, but it was so refreshing to see all women on screen - women who fought and loved and supported each other. Incredible. 

I haven’t enjoyed, really enjoyed, to the point of not having to think about the message or the structure or how much fuckin time I’ve wasted listening to some male superhero talk about honor or some equally boring garbage, since The Avengers came out in 2012. Even then, Wonder Woman felt like something else entirely. It leaned on many of the same tropes and sequences, but there was enough reinvention in between (particularly the characters, who I felt were much more fleshed out then any superhero movie I’ve seen before) to make it feel fresh and exciting. This so easily could have been a throw away movie, a chance for movie execs to point and say, hey we tried with women that one time!! But Patty Jenkins, and Gal Gadot, and all the other women who worked on this incredible production, knew what was at stake, and weren’t going to let that happen. Every time I see a little girl dressed up as Diana Prince, on her way to the theater, my heart fills more and more. During the film, I found myself on the verge of tears five or six times - sometimes because it was so beautiful, to see a woman who felt so real being strong and vulnerable and saving the damn world, but other times because the plot itself genuinely moved me. Wonder Woman is revolutionary for the industry, sure, but more importantly, it’s just a damn good movie. 

Death Note (2017) and the Comparative Lens

I’ll be honest. When I found out that Death Note was getting an Americanized live action adaptation, I wasn’t too thrilled. In fact, I was terrified that something I loved was going to be straight up murdered before my eyes  — and I wasn’t ready to give it a shot. In fact, I was really unwilling to budge on this until recently.

However, about three hours ago, the movie came out on Netflix. Sitting there with my housemates, I decided to give the movie a shot and check it out. for those of you who would like to avoid spoilers, this is the cutoff point for spoilers. There are an awful lot of them beyond this point.

Death Note is not a particularly new thing to many of us. If you’ve spent an hour talking about anime or reading manga, you know that Death Note exists. Finding out about the series or the source material that preceded this movie is not particularly hard; the hard part comes in discarding the source material to give the movie a fair shake.

When you look at something like this, you have to discard your comparative lens at the start of the movie to suspend your disbelief. When you sit down to watch something like, say, Game of Thrones, you are undertaking that viewing with the understanding that it’s not going to be exactly like it was in A Song of Ice and Fire.

The same thing must be done for Death Note (2017). When you sit down to watch this movie, you have to decide if you want to give it a fair shake. If not, that’s fine, but that’s what I set out to do.

Starting from the top, the movie itself isn’t bad. If you hadn’t seen the anime before watching it, it holds up to a 6/10 or a 7/10, but likely doesn’t pass an 8 on most scales. Let me explain by starting with some discussion on the main cast before getting into the actual synopsis and response.

The casting of Lakeith Stanfield as L is great, and he dramatically outperforms the rest of the cast; his take on L is both familiar to those who want similarities to what they know and slightly more emotive and human to appeal to the audience. His grasp of the character is magnificent, and I’m sure he studied for this role. I’d highly recommend watching this movie just to watch his performance if nothing else.

There’s only one problem with this: his performance feels slightly hollow when put next to Nat Wolff and Willem Dafoe. Willem Dafoe is a great man and a talented actor… but this is by no means his best showing. 

Nat Wolff, comparatively fresh to the silver screen (or technically not, since it’s closer to a direct to DVD release), paints a picture of a very fragmented Light. At times too comedic, too frustrated, and too unbelievable, his portrayal of his character comes across as transparent. It surprised me to find that his version of Light didn’t hold up to the “judge and jury” that the film tries to make him.

Light is at times frustrating and all said, a little annoying. My favorite moment of his in the film comes three minutes in, when a bully punches him in the face and knocks him out.

The funny thing about the casting, though, is that it gives Margaret Qualley, playing Mia Sutton (analogous to Misa, from the series) the chance to shine in a dark way.

Since we’ve now discussed the cast, it’s important to note that the casting for this movie is not to blame or to praise in its success or failure. Whether or not this movie is good does not depend entirely on the choices made in its casting.

The movie itself revolves around Light Turner (an Americanization of Light Yagami), the son of a “hippy” and a police chief. Light, after passing off some homework for money to one of his fellow students, finds the eponymous Death Note when it falls from the sky in the middle of a storm. Light, after meeting Ryuk, is forced to come to terms with the power he now holds… and the consequences that accompany that power.

One of his first confidantes is his fellow student, Mia Sutton; Mia is initially skeptical, but after Light kills a criminal on a live stream, she comes around to his side and the two quickly enter into a strange love affair based on his ability to kill these criminals. Light takes the name “Kira” in order to make law enforcement suspect that he’s actually based in Japan, as “Kira” is a true cognate for the English word “killer.”

Hot on Kira’s heels are his father, who doesn’t know his son is involved, and L, a young detective with a murky past. L quickly deduces that Light is based in Seattle based on the mysterious circumstances surrounding the death of a hostage taker, whose name was only released in the Seattle area.

Correctly linking Kira to Light’s father, L begins the investigation in earnest, accidentally pushing the inexperienced boy and his new powers too far. After quick, dazzling victories over the danger known as Kira, L confronts Light in a coffee shop one night, convinced of his foe’s identity.

It’s at this point that things take a sharp turn. Light, in the films, is just a schoolboy in over his head, eager to impress his girlfriend with his “wicked cool” murder powers. He is not the character most loved in the manga or the anime, and this is why the adaptation must be viewed differently. Light’s identity is discovered after the death of several task force members and the public revelation of his father’s name and face on TV. Unbeknownst to Light, Mia murdered those men with a page from the note, attributing it to Ryuk.

When Mr. Turner isn’t killed, L confronts Light in a cafe at night, revealing to him that he’s aware of the high schooler’s alter ego. After Light tries to explain that he didn’t kill the task force members, his pleas fall on deaf ears, and L tersely informs him that he’ll be brought to justice.

After this, things take a steep, steep increase in pace. Light and Mia manage to take control over Watari using the Death Note, with the rule in place (via the notebook) that a person can be controlled for two days before their death. Light, in order to circumvent Watari’s death, intends to burn the page containing Watari’s name before he dies, sparing him.

Unbeknownst to him, Mia takes the page from his notebook… throwing a spanner in the works.

After the death of Watari, Mia reveals that she’s been planning to take the Death Note for herself. Light is then forced to flee by a vengeance driven L, given the ultimatum that if she doesn’t get the notebook by midnight, that he will die (as she’s written his name on her page).

L catches up to Light in the back of an alley as Light tries to meet Mia at the spot of their last date to hand over the notebook. He tries to explain what happened, but L doesn’t listen… and despite having Light at gunpoint, is knocked out from behind by a nearby citizen who overheard Light admit to being Kira. Grateful for what Kira has done, he lets Light go.

Light makes it to Mia atop a ferris wheel at the pier… and tells her not to take the book, as he’s written her name in it, putting them at a stalemate. Only one page of the book can be burned by its holder (Light), and unbeknownst to Mia, Light has made her death conditional. If she takes the book, she will die.

She takes the book and dies.

Light, having written his plan out in advance before fleeing L earlier, is saved when he falls into the water below the pier and is rescued by an old man, whose name he wrote in the book earlier. At the same time, another old man (both criminals) takes the Death Note for two days while Light recovers, filling out pages for him to give him an alibi.

This is explained to Light’s father while Light recovers in the hospital. The movie comes to an end as L realizes the meaning of a clue Light left him during the movie’s main chase scene; finding a stray page of the Death Note, L contemplates writing Light’s name… and Ryuk comments on the interesting nature of mankind.

Back to the review, though. The narrative pacing of the movie is rushed in the front half, for obvious reasons. The pacing that ensues around the climax of the movie, though, is great. The reveal that Mia is actually the antagonist of the movie makes sense and was well thought out. It’s not blatant, but it is foreseeable if you pay attention to her character throughout.

The cinematography is… amateur. It’s not very refined, and most shots make up for in color what they lack in substance. The camera work, for the most part, resembles a college student’s final short film.

Characters often abandon the rules established for them by their characterization in the first half of the movie in ways I’m unsure of. L turns into an action star in the last thirty minutes, and Light is… well, he’s annoying all the way through, but he never really gets a solid definition. The only way to sum up his character in the film is “inept,” but it does bring you to mentally treat him like a villain, which is good.

Its ending is vastly different from its source material (as L is alive), but ultimately more satisfying. The problems that plague the movie throughout, though, never really go away.

Despite this, most cast members put on a strong performance at least once in the film, and the movie follows a nice, neat arc. Reveals are carefully done and at multiple points, I was on the edge of my seat. Gorey action scenes (usually gratuitous deaths) aren’t cheap; they reinforce the notion that what Light is doing is wrong, even if he’s doing it for the right reasons. At no point do I sympathize with the character, which is a little frustrating, but also familiar.

The soundtrack… I don’t like it. It’s too “eighties” for me. It tries too hard to sound like Miami Vice, for unknown reasons. The music is too heavy handed, and often too easily applied to each scene. At no point am I left to wonder the nonexistent subtleties of its soundtrack.

This movie is a solid thriller, with a satisfying ending, a decent cast and a good narrative arc. Despite this, Death Note (2017) does not follow well with its source material, which it uses primarily as a guideline. If you’re expecting to see familiar faces from the manga (or even the anime), you will be disappointed.

Lakeith Stanfield kills it, though. 

Fun comp het things

“Um I’m definitely not gay I’m looking at that other girl’s boobs because I want my boobs to look like that haha”

“I’m not gay I love guys!! Just because I’ve never met a guy in real life that I have ever wanted to come into physical contact with ever doesn’t mean I’m not A MegaHet!!! I love Chris Evans”

“I’m just not in a position in my life where I want to date any guys right now… nor have I ever been in a position where I want to date guys but I’m Straight I Promise”

“Thinking about having sex with other girls? That’s just things all straight girls do haha… Because I’m thinking about stuff that guys would find hot, obviously”

“Theoretically I could see myself with a faceless and featureless man who has no discernible human characteristics in the future! Haha my dream man, you ask? Uh, we’ll he’s got hair, a face, eyes probably…”

“No I Don’t Only Get Crushes On Unattainable Guys Who Will Never Like Me Back Cara Shut Your Mouth”

“Girls are just prettier than boys, you know? Because like, girls can wear makeup and stuff. Even though girls without makeup are still prettier than boys. This Is Heterosexual And Science Trust Me”

“Um haha yeah I like him but I don’t want to be around him or talk to him or touch him ever haha what do you mean that IS normal haha”

“Listen,, me having 18 girl crushes is Normal and Heterosexual who doesn’t wanna fuck Kristen Stewart”

“Um straight girls can also like Hayley Kiyoko”

“I don’t really think I wanna get married because I don’t want to be tied down?? I definitely wanna live with my lady best friend when I’m older though we can have sleepovers every night and cook together and cuddle while we watch movies haha she’s the best and I love her and never want to be without her ever. But ew I definitely don’t want to get married I’m scared of commitment haha”

I have an idea for the next Disney movie. It’s about a young Chinese princess who falls in love with an enchanted talking suit of armor.  Are all of the supporting characters talking cats and a tiny, sassy panda? Why yes, yes they are.  Do the talking cats have multiple musical numbers? Um…duh. Is the villain a dark sorcerer who uses his wicked alchemic arts to disguise himself as a tall, handsome prince to trick the young princess into thinking she might really be in love with him, even though he’s actually a two-foot-tall blond gremlin? Seems likely.  In the end, does the princess find a way to break the spell and turn the armor back into a real boy? Well, it is a Disney movie.

20 Autobot Leaders Rated by How Much I Want to Punch Them

Starting with the big guy, the granddaddy of them all, G1 Optimus Prime. He’s like a father to me. I can’t in good conscience punch him, even if he sometimes deserves it for bad puns. 1/10 punchability I just can’t do it 

Rodimus Prime ranks high in the punchability for some because when Optimus died in the original movie, it traumatized kids so much that all their negative feelings got channeled into unbridled rage towards the guy who replaced him. However, I hate those guys because they became insufferable as adults, so that really just lowers Roddy’s punchability for me personally. 4/10 punchability he still kind of deserves it though 

Grimlock led the Autobots for a length of time I can’t remember after Optimus died in the Marvel comics. His was a reign of terror. I can’t decide if his jughead crown is kickin or if i want to kick it off him. 7/10 punchability he gets some lenience for his childlike innocence

Another Marvel comics leader was Fortress Maximus, who was also Cerebros. He was also the leader in the Headmasters anime after Rodimus flew off into space forever but I don’t think he actually had a personality in that. He’s a matryoshka of Autobot leaders with each getting smaller and more punchable than the last, ending in Moody College Student Spike Witwicky, who is thankfully the first one on this list who I don’t have to climb something to punch in the face. 9/10 punchability I’m a very short person so I might have to climb something anyways but that isn’t going to stop me

Last Marvel comics character, I swear. Captain Picard Hi-Q binary bonded with Optimus for a while, then Optimus died (this was about the third time), and Hi-Q eventually turned into Optimus so we just considered Optimus alive again. Don’t think too hard about it. 3/10 punchability I really like Star Trek TNG so I probably wouldn’t punch him

Ginrai’s robot self looks exactly like Optimus Prime, but he isn’t. Why he looks like him is sort of hand-waved away in the anime. The real-life reason, of course, is because he was just the Japanese release of Powermaster Optimus Prime. Ginrai is really good because he talks like an American teenager even when his robot form separated from his human self to become the Autobot commander at the end of Super-God Masterforce. 0/10 punchability I just can’t really punch a guy wearing converse, skinny jeans, and suspenders

Star Saber makes me forget that the Autobots were ever good guys. I don’t think he even has a personality outside of “noble and heroic leader.” He adopted a human son and tried to send him to a Catholic school but he doesn’t even buy him a uniform. The kid barely even goes to school in the end. 9/10 punchability don’t adopt a human if you’re not prepared to care for him

Optimus Primal is a good Autobot leader because he never even set out to be anything more than a captain on one ship but ended up sacrificing himself to bring life back to the planet, probably sparking a religious following. He won the “Power of the Primes” vote so he’s got to have a pretty low punchability, but he also looks like his malleble gorilla face would feel nice on my powerful fist. 5/10 punchability when POTP stuff starts coming will his name change to “optimus primal prime”?

Lio Convoy being a cat makes me not want to punch him so much. However, he isn’t a good father. Don’t worry about the kid not really being his son in any sense of the term. Why is ineptitude at fatherhood a recurring theme for Autobot leaders? 8/10 punchability Lio Junior deserved better

I’ll admit that Beast Wars Neo is the only thing on this list that I haven’t seen or read any of, so Big Convoy is mostly here for completion’s sake. Hence I’m rating him entirely on his appearance. Mostly I wouldn’t want to punch a mammoth, because they’re extinct, but I think he could take it. It would be a good workout for both of us. 10/10 punchability no hard feelings, we’re just two dudes lovingly punching each other

In Japan, he’s known as Fire Convoy, continuing their tradition of Autobot leader names, but in the west he’s the first-ever reboot of Optimus Prime. I don’t have a lot of opinions on him as a person or leader, but his existence opened the floodgates of Optimus Primes to come, which I have mixed feelings on. 5/10 punchability I can’t think of a reason to punch him, but I also can’t think of a reason not to

Armada Optimus Prime suffers from being Armada Optimus Prime. I think this was when they really managed to distill “Optimus Prime” down into its truest form. No longer was Optimus Prime a character, but a concept that extended beyond fiction and into our world. Optimus Prime means something. Optimus Prime is a figure for justice, honor, and liberty. 8/10 punchability I still can’t forget Energon though

Do I have to say anything. I’m not even somebody who vehemently dislikes Hot Shot, but for the love of god, why did he ever get to be a leader. 6/10 punchability I’d punch him but I wouldn’t put a lot of force into it, he’s not even worth it

Movie Optimus Prime is. uh. something else, all right. I can admire the movie taking the idea of Optimus Prime and going “okay, but what if he was also a murderbeast?” because I think that’s something we all really wanted to see play out. In practice it kind of scares me. 2/10 punchability I’m worried if I went for his face I’d no longer have mine

Animated Optimus Prime is a good boy. A baby boy. He’s trying his best in a world that seems against him. We all love him. 0/10 punchability I simply can’t bring myself to mar those luscious lips

I’m sure Animated Ultra Magnus did some great things during the war, but, yunno, seeing how Cybertron under him during peacetime is sort of a Stratocracy, I question his fitness to be the leader of a planet. They really gonna let the government run experiments on civilians? Okay. Alright. 4/10 I don’t want to punch him per se but I do sort of want to lead an armed rebellion against him

Hhh. HHHH. HOOGH. HHHAAAHH. HEH. HHhhhHHH. Just seeing Sentinel Prime’s face fills me with anger. If let loose, this rage could level mountains, sink continents, and incinerate entire solar systems. If there is any good in the cosmos, Sentinel Prime will not go unpunched. His face will be shattered into pieces with the sheer power of my unbridled fury. 10,000/10 punchability I have already punched him, spiritually, and I will do it again

I mean, alright. Prime Optimus Prime is kind of the distilled essence of Optimus Prime. If you took all the other Optimus Primes, and took all the things they had in common, and then took out a little bit of the anger because let’s be real here all the other Optimus Primes are quite a bit angrier than this one, you’d get Aligned Optimus Prime. Which is kind of how the Aligned continuity as a whole works. So, yeah, That Sure Is Optimus Prime. 3/10 punchability his soft-spoken words of wisdom would calm me down before I ever even raised my fist

Heatwave is the quintessential non-Optimus Autobot leader. He’s noble and courageous with a good sense of justice, but he was thrust into leadership without being the best and it and is a bit of a hothead. You can use that exact sentence to describe so many of the bots on this list. 4/10 punchability I don’t want to use violent methods when it comes to Rescue Bots but sometimes Heatwave’s personality warrants it 

I honestly can’t believe it took 30 years for a Bumblebee to be leader for reals. It happened so gradually that nobody was surprised when it happened, and yet it also feels like nobody can really accept it. I know I can’t. He doesn’t even look like any Bumblebee. Is this how longtime G1 fans felt when the Unicron trilogy started reusing names for different-but-not-wholly-different characters to keep the trademarks? 8/10 punchability we know you stole your schtick from Hot Rod via Hot Shot so stop trying to act like you’re so special 

Maggie Stiefvater talks 'All the Crooked Saints,' and here's a first look at the cover

Maggie Stiefvater may have concluded the Raven Cycle just last year, but the author already has a new stand-alone YA novel hitting shelves later this year.

The book, titled All the Crooked Saints, takes place in the 1960s in Bicho Raro, Colorado and follows the lives of three members of the Soria family-each of whom is searching for their own miracle. There’s Beatriz, who appears to lack feelings but wants to study her mind; Daniel, the “Saint” of Bicho Raro, a miracle worker for everyone but himself; and Joaquin (a.k.a. Diablo Diablo), who runs a pirate radio station at night.

Adding to the mystery (and magic) of the book is the book’s intriguing cover-which EW is pleased to reveal exclusively below.

“There are owls in the book because owls are a very scientific creature that gets credited with a lot of magical superstitions,” Stiefvater tells EW. “There are roses in the book because roses are a very magical flower that take a lot of science to truly understand. Put that together and well - as the kids say, that’s it. That’s the book.”

With Stiefvater’s latest novel set to hit stores on Oct. 10, EW caught up with the bestselling author to find out more about what’s in store for readers, her process, and of course, her upcoming Ronan Lynch trilogy.

ENTERTAINMENT WEEKLY: All three of your characters are looking for a miracle. What do miracles, or the idea of miracles mean to them?
MAGGIE STIEFVATER: Miracles! Miracles! Miracles! This book is full of them. I was taught by nuns for the first dozen years of my life, and so I was raised with a pantheon of peculiar saints: decapitated saints who carried their own severed head through the streets of cities, saints who exorcised demons from the bottoms of milk pails, saints who flew unexpectedly.

The Soria family are saints as well, and the miracle they perform for pilgrims to Bicho Raro is as strange as most miracles are: They can make the darkness inside you visible. Once the pilgrims see their inner darkness face to face, it’s up to them to perform another miracle on themselves: banishing the darkness for good. It can be a tricky business to vanquish your inner demons, even once you know what they are, but the Sorias are forbidden to help with this part. They’ve all been told that if a Soria interferes with the second miracle, it will bring out their own darkness, and a saint’s darkness, so the story goes, is a most potent and dangerous thing.

The three cousins in the story all have their own relationship with the family miracles: Daniel, the current acting Saint of Bicho Raro, wants to help the pilgrims overcome their darkness through holiness and empathy. Beatriz, on the other hand, would prefer if the Sorias approached the miracle from a more logical and scientific place. And Joaquin is less interested in miracles and more interested in broadcasting rock & roll from a pirate radio station in the back of a battered box truck.

How did you come up with the name “Bicho Raro”?
I’d just finished writing the rather heavy final installment of the Raven Cycle, and I thought it would be nice to switch things up with something playful and - dare I say it? “Feel good”? Does that sound like a Stiefvater novel to you?

So I tried to be as playful in my language as I could. I figured if my words were frolicking, readers might too. “Bicho raro” (“rare bug”) is just a little way to speak fondly about odd people, like “strange bird” or “odd duck.” It’s less about the Soria family themselves and more about the varied pilgrims who come to Bicho Raro.

What inspired the novel’s setting?
Three years ago, I convinced Scholastic that instead of flying to all of my tour events for Sinner, the companion book to the Shiver trilogy, I would instead drive my 1973 Camaro to them. Seven thousand miles, coast to coast, just an American girl in a muscle car, seeing the breadbasket of our fine country while hawking a novel about burned-out werewolves - nothing could go wrong.

Spoiler: Everything went wrong. I spent my time evenly divided between meeting readers and repairing the Camaro by the side of the road.

At one point, the brakes went out (for the second time), and I coasted into an auto repair shop in Del Norte, Colorado. The sun was white, the air was dust, and the mountains were sharp as hell all around. While I waited for the mechanic to take a look at my brake lines, the receptionist told me tall tales and ghost stories about straight-arrow desert roads and demons dancing in the dust and strangers appearing in the night.

I thought to myself: This is where my next novel takes place.

What made you decide to set All the Crooked Saints in the 60s? Is there something in the history of Colorado at that time that speaks to you?
Music! Music! Music! When I was growing up in the 80s, my father always had the radio set to the Golden Oldies - I didn’t realize, in fact, that it wasn’t contemporary music. I thought Del Shannon and Patsy Cline and the Byrds were everyone’s current groove. Even after I discovered differently, it didn’t matter; that music had become the sound of my childhood. There’s something about 60s music and the 60s in general that I think pairs perfectly with a novel about the teen experience - 60s America was going through an adolescence in a lot of ways, and it was a time of mystical joy, innocence lost, increasingly uncomfortable self-awareness of the limitations of tradition, and colorful agitation for change, all of it emotional and urgent. If that’s not a description of being a teen, I don’t know what is.

I’ve been dying to write a novel steeped with the music of that time for about five years now, and for this one, it made sense. I had an incredibly grand and self-indulgent time listening to the music Joaquin and Beatriz spin in their covert broadcasts.

Your work has always been infused with aspects of magical realism. What would you say are some of your influences?
Magic! Magic! Magic! For this book in particular, Isabel Allende, Gabriel Garca Mrquez, Erick Setiawan, Ali Shaw, and maybe even John Irving - I have read a lot of wonderful magic realism and wry, intimate family stories over the last decade, and Saints is my affectionate nod to them. It was also informed by movies, though - I really wanted to capture the mood of films like Big Fish, Chocolat, and Amlie. That whimsy and magic and nostalgia. These are strange, hard times that we’re living in, and I wanted to write about magic - I always do - but I also felt like I wanted to leave readers with something that made them happy, hopeful, and excited about all the odd miracles that exist in the world and in themselves.

Of course, I have to ask one question about the upcoming Ronan trilogy. Is there anything you could tease about it?
Insert, Stiefvater said, an enigmatic smile here.

All the Crooked Saints will be available for purchase on Oct. 10.

This article was originally published on ew.com

Attack Of The Clones

Request:

Hey request are open. Can we get where the reader can duplicate and but she starts duplicating in her sleep. So it freaks the whole team out so they confront the reader about it.            


Bucky has created a chatroom.

Bucky has added Bruce, Thor, Clint.

Bucky: BANNER

Clint: BRUCE

Thor: SIR OF SCIENCE

Bruce: Yes, what can I, Sir of Science, do for either of you?

Bucky: Can you explain Y/N’s powers, but without the science?

Bruce: Y/N can duplicate them-self, or objects. That’s all I can say without getting into the science.

Bucky: Can I have more details please? Especially about the clones.

Bruce: Any duplicate of Y/N is an independent, self thinking version of Y/N, and usually contains one trait of Y/N that defines their whole personality. Sometimes they have no traits of Y/N, and take on their own.

Bucky: Now… how do you get rid of the clone?

Bruce: Any other way you’d get rid of someone, or have Y/N dissipate them.

Clint: So, we’re stuck with them until Y/N wakes up?

Bruce: Clarify.

Thor: Y/N HAS BEEN SUMMONING THEIR DOPPLEGANGERS AS THEY SLUMBER.

Thor: WE ARE GRAVELY OUTNUMBERED.

Thor: THE DOPPLEGANGERS HAVE TAKEN OVER.

Thor: WE MUST RETREAT TO SOME PLACE SAFE.

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so I’m reading the Scary Clown book (I like doing that before watching book-to-movie stuff) and it’s somewhat funny how the girl characters react to fear & discomfort by hardening their nipples?

though to be fair, the guy response to fear is ‘his balls turned to jelly’, and if Stephen King pursued true equality by writing about jellified labias I’d be like HEY HEY HEY, NO. no thank you mister king 

Natural - Bill Skarsgard x Reader

Title: Natural

Pairing: Bill Skarsgard x Reader

Warnings: None

Summary: Imagine Bill seeing you interact with little Jackson on set and realizing he wants to have kids with you.

A/N: (Y/s/n) = Your Superhero Name, Y’all little Georgie is everything! And I’m not the one to easily find kids adorable or say I’d want a kid like that but oh dear!

“Are you sure you’ll be alright?” Bill asked with an adorable frown as he looked down at you and you chuckled, rolling your eyes.

“Bill you don’t have to worry about me, I already have an amazing company!” you grinned, turning to look at Jackson who was barely able to hold all of the comics in his small hands.

“You two will get along perfectly fine.” he breathed out with a small chuckle and you giggled after looking at your small fan and then back at your boyfriend.

“We already are.” you winked “Come on now, go be a big scary clown and don’t get all messy with the blood, children are not like eating chicken and you know it. Bones are bigger and there usually is a whole lot more blood, cause you practically eat them alive and yeah.” you leaned in and pecked his lips as he laughed at you.

“You’re so weird.” he made a funny face but still looked at you with adoration.

“But that’s why you love me.” you breathed out, your hands resting on his chest “And if you need any tips on red lipstick I am always here, baby.” you winked with a giggle and he chuckled.

“You are… amazing.” he breathed out, cupping your face before fully kissing you on the lips.

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2

Unanswered questions have been nagging at me. Kim is like so many other women, it seems to me, who have grown up with trauma. And yet there is no talk of the long-term effects. I decide to put the question of sexual abuse to her plainly. She tells me that yes, something did happen in the home of a relative when she was a girl, but she doesn’t want to get into the details. She has never talked about this before. She doesn’t want to dwell on the pain. I am saddened by her admission, and the fact that so many years later, she is still so clearly devastated.

And I am saddened that even here, in a place for relaxation and nurturing, she is unable to divest herself, even for a few hours, of the blue contact lenses and blond wig.

“Think about it,” she confesses when I ask her to talk about her experience of skin color. “The girls that [men] dated when I was younger were light-skinned and tall. I’m short and brown-skinned. And I always wondered … how do I fit in?”

Did she ever overcome the feeling of being ugly?

“I really haven’t,” she admits. “Honestly, though, I think being Lil’ Kim the rapper helped me deal with it better. Because I got to dress up in expensive clothes, and I got to look like a movie star or whatever. I think doing photo shoots and seeing all the people respond to me has helped. [But] I still don’t see what they see.”


excerpt from the mask of lil’ kim (the washington post, sept. 2000).

Good Girl (Smut)

MASTERLIST

Request: Can you do something like Keep It Down but with Aaliyah being in the room.

Word count: 3,512

I was lying between each of Shawn’s thighs on the couch, my back resting against his broad chest and his arms wrapped tightly around me.

We were cuddled up and tangled together under a warm blanket, watching some random movie on the TV that Aaliyah really wanted us to see with her. Aaliyah was lying under another blanket in the beanbag in front of us, resting her head on the edge of the grey sofa.

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You need to understand this. The sound of her voice alone was enough to send me flying off the edge. I had spent years of my life wondering whether love was anything like the movies; consuming, restless, boundary-less. It is. And it doesn’t happen forcefully or when it’s expected. It happens in a single, in-between moment. Like when you’re pouring milk into your coffee at the counter of your favourite shop, or when you’re busy doing something else. Anything other than searching, really. And in this single, in-between moment, you encounter her, or him, or whomever, and it feels as though your atoms are colliding at 100 miles per hour. And deep down somewhere, you feel a kind of certainty that you must’ve known each other in a different realm. And your insides go silent. Your heart stays so still you become afraid it has stopped beating altogether, and for once, the voices within your head stop dead in their tracks. It exists. And maybe it happens once and never again, but it happens. And when it does, even though your entirety is telling you to run as fast as you can, straight toward the hills, stay. Stay and feel every inch of it. Every up and down, every whirlwind of emotion it evokes out of you. Because romantic love isn’t everything, but it is definitely something. There are 7 billion people leaving footprints on this earth and you, by chance, have stumbled upon one who is capable of sending chills down your spine simply by the touch of their hand. And if that isn’t magical, then I’m not sure what is.