i read this in entertainment weekly

6

Garfield creator Jim Davis is drawing a Galactus story for the next issue of Squirrel Girl!

And you can read all about it in that Entertainment Weekly article I just linked to!  I’m super excited for this, and so stoked he was able to come on board.  The issue - #26, out next month - is about Doreen making all her superpowered friends write comics for a zine she’s pulling together.  And Jim Davis is making Galactus’s OWN AUTOBIOGRAPHICAL COMICS come to life.

Here’s an excerpt from the article!

“When you look at the Silver Surfer, he’s 75 percent of the way there anyway with Jon, all we had to do is give him the big eyes. That was a natural. John kind of hangs around Garfield anyway, he’s the straight man to Garfield’s gags and has to get him food. He’s like Garfield’s herald. Galactus was tougher. We were throwing stuff back and forth, and the initial sketches just weren’t working for Galactus. I said okay, we gotta make him fat. The guy eats planets, for god’s sake! Once we do that, it’s a little less Galactus but certainly a lot more Garfield. It looked more natural. Obviously, Galactus has put on a few mega-tons for this strip.”

You can read the whole thing here, and included are some sneak peeks at but some of the GALACTUS COMICS we made, as well as unlettered Kraven art from Michael Cho, Spider-Man comics by @rahzzah, Tippy art by Rico Renzi (our colourist!), and Howard art by @zdarsky, whose story is written by @ericafailsatlife (our artist!)!  It’s going to be a RIDICULOUSLY FUN ISSUE and I can’t wait for y’all to read it.  Thank you Jim for being down for this and thank you all for supporting the book so much that we get to do crazy things like this!!

Kylo Ren vs. Rey: In The Last Jedi, the danger is becoming allies instead of enemies

He hates her. This girl. This garbage picker. This amateur who somehow drew his family lightsaber to her hand, overpowering his own bond with the Force.

And yet, Adam Driver says Kylo Ren can’t help but harbor an admiration for Daisy Ridley’s Rey in The Last Jedi.

“He has been aware of this ability in himself from such a young age, and I don’t think there’s a lot of people around him who are on the same level,” the actor says. “I think that there is something familiar there, as well as something to be feared, or something … that he can’t quite place.”

This burns at him, too. He craves respect, so he has none to spare. It just wells up in him as more corrosive envy.

Rey is unburdened by these distractions. She doesn’t think anything about him at all.

The dynamic between them, the dark and the light, pushing and pulling at each other, is the heart of the Dec. 15 film, and although they are on opposite sides, their fates are still interlocked. That’s why writer-director Rian Johnson paired them on the first of EW’s four covers devoted to the movie.

Rey doesn’t have his will to power over others. All she wants is to understand this ability that appeared within her – and to use it to help others. “She doesn’t really know what she wants,” Ridley tells EW. “She really is trying to do the right thing and morally, her compass is really pointing north.”

But that she could still be led astray.

“The Resistance is really not that much to her,” the actress says. “I mean, she’s been left her whole life, and very quickly is eager to sort of help other people, which is wonderful. She wants to be part of something. I mean, everyone wants to be part of something.”

But when Luke Skywalker displays fear toward her, and rejects her rather than embracing her as a student, Rey feels cast out. After all, Luke banished himself rather than help the Resistance, and has now decided that the order he devoted his life to must end. The Last Jedi will find her adrift.

That’s where Kylo Ren once found himself, too.

The Darkening Son

Both of these main characters know what it’s like to feel abandoned.

Driver says Kylo began turning against his mother and father, Leia Organa and Han Solo, because he felt they cared more about the Rebellion and rebuilding after the fall of the Empire than they cared about him. That created a bitterness that ultimately consumed him.

“I think the idea of someone whose parents are very much devoted to the cause, that’s something a lot of people could relate to, whether it be religion or politics or a business,” Driver says. “Not identifying with [that cause] yourself, I think can give someone a complex.”

Selfish? Sure, a little. Maybe more than a little. But it’s also understandable, even in our world. Ironically, Kylo Ren just rebelled against an actual Rebellion.

“Looking around and not seeing yourself and not identifying with what’s around you, I think, affects how we behave,” Driver says.

After the events of The Force Awakens, and his choice to end one of the most beloved figures in George Lucas’ universe, Kylo is still trying to figure out if he did was the right thing – if only for himself.

“From his perspective, what he’s done is hopeful,” Driver says. “If anything he has justice. I think he’s surprised by how he would feel after Han Solo. He’s hoping for hope. He’s hoping for clarity.”

Is redemption possible?

“There’s a big part of the story yet to be written and not by me,” says Johnson, who will hand the trilogy back to The Force Awakens filmmaker J.J. Abrams for 2019’s Episode IX. “But I don’t think it’s very interesting if the whole story is just ‘Will Kylo get his comeuppance?’ He’s a more complicated character than that and I think he deserves a more complicated story than that. I don’t see the point of trying to get behind his mask and learn more about him if all we’re going to learn is ‘Yeah, he’s just an evil bad guy that needs to be killed.’”

Two Unstoppable Forces

When Rey feels rejected by Luke Skywalker, who also sees parallels between the power in her and the abilities of his estranged nephew, the old Jedi master inadvertently pushes the two toward each other.

“This is very much about Rey trying to figure out how she fits into all this, much like any of us as we’re growing up, as we’re transitioning from childhood into adulthood,” Johnson says. “You’re going meet people who you think are going help who don’t. And help is also going come from unexpected places.”

That unexpected place is Kylo Ren, and the situation she finds herself in – alone, unappreciated, is similar to where Ben Solo found himself when broke from his Uncle Luke and followed the Knights of Ren down a darker path.

Supreme Leader Snoke, the enigmatic ruler of the First Order, detected the power in him and saw someone who could be swayed. But the young man’s shaky resolve means he could also be swayed back.

“Anybody that’s committed to anything, at a certain point in their life … you kind of constantly question why you got into it in the first place,” Driver says.

Rey and Kylo Ren are reaching toward each other in combat, but each one could also end up pulling the other to his or her side. (x)

ew.com
'Doctor Who' Star Michelle Gomez: 'What's About to Happen Is Really Kind of Wrong'
Plus: The Missy actress looks back on her favorite moments

Anything else you want to tease about what’s coming up?

“I arrived at the read-through not having read the script, my usual move, so that I can be really present in it. What jumped out of the page on that day, I did not see coming. What’s about to happen is really kind of wrong as well. It’s very strange.”

Don’t miss(y) Michelle’s return to Doctor Who in ‘Extremis’, premiering TOMORROW at 9/8c on @bbcamerica

ew.com
'My Immortal' memoir canceled: Author says she's been 'branded a liar'
Rose Christo was revealed as the apparent author of the infamous fan fiction last month

I don’t want to boost anything from Kiwifarms since I know people who’ve been harassed by them, but here’s the Entertainment Weekly article linked in that Reddit masterpost about the My Immortal book being canceled.

It frames it in a way that’s more sympathetic to Christo, with her giving her account for why she failed their background check (“protecting her family’s identities”), but I assume most of you can read between the lines etc.

anonymous asked:

What??? Psych wants to do five more movies??? IM SO EXCITED

YES! i am LIVING! here’s part of the recent entertainment weekly article:

“If Psych creator Steve Franks gets his wish, Psych: The Movie will be the beginning of a six-movie series.

Yes, you read that correctly. When they decided to wrap up the fake psychic detective show in 2013, Franks deliberately wrote an open-ended finale so he could eventually return to make six films featuring Shawn Spencer (James Roday) and Burton “Gus” Guster (Dulé Hill). And he’s looking to the Fast and the Furious franchise for inspiration on how to expand the show beyond the forthcoming holiday reunion.”

how DOPE is that!! steve franks said he definitely at least wants to do a second movie bc of tim’s stroke (bless his heart) they had to cut a TON of lassiter out of the christmas movie. so they have big plans for lassie’s plot and a lot more santa barbara storylines for the second movie.

i’m on mobile but here’s the link to the article: http://ew.com/tv/2017/07/17/psych-the-movie-creator-interview/

Merry Christmas! It’s #optomstudies here again with another Sunday Study Tip on university life! This will be a multi-part series that hopefully will give a unique insight, since I can go on and on about university, and I love giving advice and helping others :)


PART 5: EXAMS

Because exams are so serious, you can enjoy reading something a little light-hearted :)

Study 3-4 weeks in advance of the finals. I feel like once you actually get down to it, after all the touching up to find out what concepts you need to understand or reclarify with the teacher, then starting revision about 4 weeks advance is enough to get you a very high mark in a course. Of course assignments usually take a lot of the time, but if you can manage to start, then you’ll find that everything else kind of falls into place. And you still manage to finish those assignments before the due date.

Form study groups leading up to the exam. Or not. I usually prefer studying by myself since I’m someone who works at their own pace, despite the fact that the times that I studied with others were quite productive. If it works for you, I say go for it.

Study for open book exams too! Because you can guarantee that they’ll ask you questions that make you wonder whether you’ve even covered that even remotely in class. Radiometry, Photometry and Colorimetry exam I’ll forever remember you ==‘


Arrive at the exam place early to tackle exam stress and anxiety. I find that getting to the exam facility early really helps you acclimatise to the environment and focus on staying calm and collected. When I was in first year a lecturer advised us to arrive an hour early just in case any train delays occur, so now I usually arrive more than 40 minutes before an exam. Also don’t freak out in the exam. Every minute counts!

Try and convince yourself that you don’t care anymore. This totally works for any overachievers or people who stress about doing the best that they can like me. Yep, just repeat to yourself, or listen to the song! “I Don’t Care” :) a little 2NE1 never hurts (my music style is more SM Ent though haha).

Study till the last minute. I’ve tried both relaxing the last day and studying the last day. Personally I’ve had one or two cases where studying on the last day led to an extra mark, and I don’t feel any big difference in stress levels, so I always just try and study until the last minute.


Exam staff are so very difficult. Not kidding, even a tiny blue tint and you can’t bring your water bottle in. You can’t wear a watch, or even put it on the table. You can’t write your name after times up, yup, even just your name so they know who filled out the exam LOL. They’re just doing their job, but they’ll get you to pull out your hair wondering who. the. heck. made. these. rules. Taking bets for the next thing they’ll ban! (my money’s on jumpers and jackets)

Collect the massive bags that they give you before an exam. I was literally so sad when they switched over to those tiny plastic bags. The big ones we used to be given that would fit your laptop were made of such good material and you could use them again for many purposes. I did manage to snag quite a few the first few semesters we had them though ;)

That moment when you manage to sit next to your friend in an exam and wave hiiiiiiiiiii (which translates to *heeeeeeeeelp*). Exam seating is random so you get given a card and you follow the spot to your seat. There was one time though that was such a coincidence I was like whaaaa? I was sitting an exam and went in with my friend. When we were about to get the cards, I turned around to go get my ruler from my bag just in case, and the card that I got was literally the one right next to my friend hahaha. 

Make sure you don’t drink too much water. Some exams really have you racing against the clock! No time for tinkling in the toilet when you have to tinker with the test whilst the time goes tick tock! (did you like that cause I thought that was pretty funny… no…? okay…)

Don’t leave early unless you’ve racked your brains for the answer twice over. Once I finished an exam early and checked my answers once or twice before sitting back and relaxing (which really means uncomfortably shifting around in a chair with no cushioning). I had about 20 minutes left for the exam, and only in the last minute did I flip over and realise I had read one question wrong. Thankfully I was able to change it and get that extra mark ^_^


MY WEEKLY STUDY TIPS

WHAT I WISH I’D KNOWN BEFORE UNIVERSITY STUDY TIPS SERIES

SEE ALSO

POSSIBLE SPOILER: Big A wasn’t planned until the show was dragged out...

We just watched the ET Live with Brendan Robinson where he discusses some things regarding Big A and Uber A. There are some great things to take note of:

- He confirmed that there has been clues dropped along the way, going back to as early as season 2/3. This pretty much confirms that Uber A has been around for WAY longer then since Charlotte was killed. 

- He also talks about how Pretty Little Liars was a show only planned for a four season arc, meaning after Mona being revealed as A there would have been a Big A/Uber A reveal. This would mean the show would have concluded with only two “A”s, not three. 

- There is also confirmation that Charlotte’s story was sorta just thrown in along the ride, building up to the big, final, ultimate reveal of the ultimate villain. This could explain why there are so many plotholes with the Charlotte reveal. 

- Brendan learned the identity of Uber A weeks before the script was given to him by another cast mate. He was thrown off by who it was, and says the identity didn’t make sense at first. 

- The finale is full of flashbacks and a lot of cast return for this episode.

- “All the questions were answered and it made sense once I read the script.”

- SATISFYING is the word used by Brendan to explain the 720 finale. 

ew.com
Darren Criss: From a Warbler on 'Glee' to a Killer in 'The Assassination of Gianni Versace'
‘I am up for the challenge. There’s zero anxiety.’

June 23, 2017

By Tim Stack

Ryan Murphy was adamant that Darren Criss — best known for his five seasons on Murphy’s Glee as sweet, bow-tied Blaine — play the Andrew Cunanan, the twisted serial killer in The Assassination of Gianni Versace. A Talented Mr. Ripley-type character, Cunanan charmed his way into wealthy circles before his violent break; he’s far from a one-note monster.

It’s unquestionably the biggest and most challenging role of Criss’ career so far. “Actors are only as good as the parts they get. You can only be as good as those moments you get,” Criss says. “This is one of those ship-coming-in moments where Ryan has really given me this massive opportunity, and I’d like to think I am up for the challenge. There’s zero anxiety.”

It’s a definite about-face from the squeaky clean Blaine, but Criss says he treats all roles with equal intensity. “I don’t like quantifying one [role is] harder or easier or funner or more significant than other characters,” says the 30-year-old. “Blaine, by comparison, could be put into a cartoonish box. The very patter of Glee exists in a different world than the one we’re dealing with. But all the same, I treat that silly hairdo and the clothes he wore and the way that he spoke and the things he believed in with the same currency that I treat someone like Andrew, who was a real person and had real friends and family/”

To sell his creative team on his vision, Murphy sent Smith and executive producer Brad Simpson to see Criss in the touring production of Hedwig and the Angry Inch. “Once every night he jumps into somebody’s lap and makes out with them,” says Simpson. “In the middle of the show, he jumps in the audience and rips my glasses off and makes out with me. It was very charming and a very Cunanan thing to do, to be a little devilish. Cunanan charmed people and then turned them off. We’re talking about a serial killer people liked.” Criss jokes: “I casting-couched the s— outta that! In my defense, I didn’t know it was Brad Simpson. I’m glad I didn’t know.”


To read more on The Assassination of Gianni Versace: American Crime Story, pick up the new issue of Entertainment Weekly on stands Friday

9 LINE Webtoon Comic Creators Celebrate Women's History Month

9 LINE Webtoon Comic Creators Celebrate Women’s History Month

Comics and Women’s History Month

To celebrate Women’s History Month, EW asked 9 comic creators from LINE Webtoon, a free online digital platform dedicated to comics, about what it means to them to be a woman working in the comics industry. Here’s what they had to say.

Source: Entertainment Weekly

Madeleine Rosca (Rise From Ashes)

“A good comic is like a good movie - it takes you places and puts you in another’s shoes. Being able to present the opinions and actions of female characters in a manner that readers can enjoy regardless of their gender makes comics a very powerful medium for women creators.” Read it now

Source: Entertainment Weekly

Monica Gallagher (Assassin Roommate)

“Being a woman in comics can be a mixed bag - sometimes you feel like a novelty, sometimes you’re asked weird, invasive questions … and sometimes you inspire other women and girls to start doing comics themselves! Just in the last 10 years I’ve seen a lot of growth in comics for women and minorities and LGBTQ, but we still have a long way to go. The more diverse the comics and their creators are, the better the comics are for the creators and readers alike!” (Launching 2017)

Source: Entertainment Weekly

Molly Brooks (Power Ballad)

“As an artist, I try to make comics that feel emotionally real for my readers-especially for female readers and queer readers who see themselves in media less often. I’ve always treasured those rare moments when I’ve felt understood by a work of fiction, and I feel super blessed to have the opportunity now to tell the stories that younger-me was always looking for.” (Launching 2017)

Source: Entertainment Weekly

Megan Stevenson (Shard)

“As a woman, revealing that you’re a comic artist is akin to telling someone you’re a [Insert Predominantly Male Role Here]. You generally get one of two reactions – either a good old-fashioned polite ‘Oh really?’ and a brush to the side, or an actual genuine burst of interest with questions focusing on learning more about you, your interests and the worlds you create. I’m sure you can probably guess which ones are a bit more constructive, and most likely have a decent idea of which demographics they’re coming from. Representation in any industry is so, so important, and having women up front and center paves the way for others looking to break into the business but maybe didn’t think it was possible for them before. Women writing uncensored allows for a conflicting take on life and an influx of commentary on social issues that were never really touched by 'traditional’ comics before, offering validation to readers and their experience. Not everyone can relate to OP men in spandex and, really, they shouldn’t have to try.” Read it now

Source: Entertainment Weekly

Kathleen Meredith a.k.a. Lifelight (My Dear Cold Blooded King)

“Being anyone in comics is just mind-blowing, regardless of gender. I’m simply happy to be here and to be a part of this great big comic world!” Read it here

Source: Entertainment Weekly

Kaitlyn Narvaza a.k.a. instantmiso (Siren’s Lament)

“Being a woman in comics means that we can be our own heroes; that we can properly represent the true strengths and beauty women possess.” Read it here

Source: Entertainment Weekly

Julia Arostegi (Big Jo)

“People like to forget that women are a huge audience! Women are avid readers, moviegoers, videogame players, guys! You know, we are roughly half of the humans, after all, right? And we are slowly but surely conquering our space in yet another field historically dominated by men. And you know what? Maybe being a woman comic artist right now is actually an advantage, because I get to tell this narrative that didn’t get its share of space so far: a woman’s point of view. And there’s so much space out there… for everybody.” Read it here

Source: Entertainment Weekly

Sara Zimmerman (Illusions of Adulting)

“Being a female comic artist has been a great experience! It allows me to relay ideas from a female’s perspective and address and comment on problems, stereotypes and misconceptions faced by women by presenting new, creative solutions with a humorous twist. As a woman, artist, wife, mother, and business owner, I am grateful to have a venue to communicate my ideas to a broad audience and hope to inspire other women to take their own courageous steps towards their dreams.” Read it here

Source: Entertainment Weekly

Stephanie Quimco a.k.a. Quimchee (I Love Yoo )

“I am delighted to be able to create comics, but I honestly don’t think gender really matters in this industry, even though it is dominated by men. Being male or female does not define what kind of artist you are, let alone what kind of person you are. If I am able to inspire more women to create comics, then that’s wonderful!” Read it here

Source: Entertainment Weekly

Once Upon a Time: Lana Parrilla divulges why she's here to stay

Source
Once Upon a Time is undergoing a major overhaul heading into season 7, which means new characters, new locales, and even a new curse. To keep track of all the big changes, EW will bring you interviews with the cast — new and old — along with executive producers Adam Horowitz and Edward Kitsis over the next two weeks until the ABC fairy tale drama’s return.

Following the exits of six castmembers, Lana Parrilla is one of three stars returning full-time for Once Upon a Time‘s rebooted seventh season — and now we know why.

When OUAT returns, viewers will discover that Regina, formerly the Evil Queen, is now a denim-clad bar owner named Roni, who lives in the Seattle neighborhood of Hyperion Heights. No, Parrilla is not playing a brand new character; this is her cursed alter ego.

Here’s what’s happening: When Henry looks to his family for help, Regina is among those who answer the call, which ultimately gets her trapped in Hyperion Heights. But it’s this new version of her character that actually made Parrilla want to return to the world of OUAT as the show undergoes an ambitious reboot. Read our full interview with the actress below to get scoop on Roni. [Editor’s note: This interview was conducted before the news that Rebecca Mader would be returning.]

ENTERTAINMENT WEEKLY: Was there something the OUAT bosses said that was instrumental for you in sticking with the show?
LANA PARRILLA: Yeah, one thing I think we’ve seen over the years is Regina has had love, she’s lost it, she’s gone through so much tragedy, and changes, and challenges, and I actually started thinking, okay, well, are there more stories to tell, especially with last season with the Evil Queen and Regina, and getting to this place of accepting oneself, and accepting both sides, and really experiencing inner peace, which ultimately is, in my opinion, a great happy ending. However, there’s still more of her story that’s unknown. I know they want to see her happy with someone, and that’s something I want for her as well, and so they said, “We don’t feel like Regina’s story is over yet.” She’s such a beloved character, I love her to bits, I love playing her, I’ve always enjoyed playing her, both sides, all eight different versions, or whatever it is [laughs], and they said, “We still want to tell her story,” and then they pitched the whole idea behind Roni, and how she was going to be the voice for the people. She was going to have a Norma Rae kind of quality to her, which is something that I feel I have anyhow. I’m always defending and standing up for the underdog and the little guy, and so that really resonated with me, and it’s also such a powerful, strong message as a woman to be that kind of leader in a community.

So I thought, “You know what, I like this.” I had no idea that Roni was going to look the way she looks, and I’m still discovering who she is, but it got me really inspired and intrigued, and I felt like I want to do this again, I want to come back, and I want to tell another story, a different side of Regina, but I also want to be able to see if she can find love again, and maybe, hopefully, it won’t be tragically ripped apart from her. So however she finds love, wherever it is, what we notice in the first couple episodes that there’s moments for her, everyone has a partner, everyone’s having babies, everyone’s doing great, and Regina is just enjoying her family and stuff, but there’s something missing.

Keep reading

How can the stars of Game of Thrones get more screen time in season 7 when there are fewer episodes (seven instead of 10)?

Even Emilia Clarke (Daenerys Targaryen) was initially a tad perplexed when she received her scripts.

“When I first read this season I thought: ‘Damn, I gotta learn some lines!’” Clarke marveled. “We’re actually filming longer now. I don’t know how that’s happening.”

Peter Dinklage (Tyrion Lannister) was similarly struck by his character’s increased visibility this year. “I’ve worked more days this season than I have in quite some time,” he told EW.

— 

Entertainment Weekly

Originally posted by imagine-gameofthrones

The Vampire Diaries Series Finale Predictions

Guys, tomorrow is the day we´ve been dreading. I guess I can answer this question for all of us; Are we ready for the finale?:

!!Obviously do not read if you don´t watch Season 8!!

Keep reading

Domhnall Gleeson on playing Winnie the Pooh's 'complicated' creator

To read more from EW’s Fall Movie Preview, pick up the new issue of Entertainment Weekly on stands Friday, or buy it here now. Don’t forget to subscribe for more exclusive interviews and photos, only in EW.

He’s played a Weasley in Harry Potter, a tech wiz in over his head in Ex Machina, and an evil general in Star Wars — but with Goodbye Christopher Robin, Domhnall Gleeson is stepping into a role that’s a little more familiar to whole generations: Winnie-the-Pooh author A.A. Milne.

However, though we know all about the beloved Hundred Acre Wood characters he created — from Pooh and Piglet to Tigger and Eeyore — Milne’s own life, and his relationship with his son Christopher Robin, is more of a mystery. And it’s one that Gleeson and director Simon Curtis seek to illuminate in the forthcoming film. Goodbye Christopher Robin will explore Milne’s experience in World War I, which traumatized him (along with the rest of England), and how his relationship with his young son helped him heal.

Recently, Gleeson hopped on the phone with EW to discuss the challenges of his role, and how he hopes the film will be fascinating for viewers even if it didn’t have such a nostalgia-friendly hook.

ENTERTAINMENT WEEKLY: How did this role come about?
DOMHNALL GLEESON: I was working on some other stuff at the time. I don’t like reading other scripts while I’m working on a job. I just like to kind of do one thing at a time. But [my agents] said, “Look, this one will go away if you don’t get back to them quick.”

I didn’t know if I’d done something like that before. But actually, the more I read it, [I realized] there’s a very important backdrop of a version of post-traumatic stress disorder, or something like that, in Milne, and what he saw [during the war], that I found really interesting. And I had done the father-son thing before, but not so much where I was the father, so I really enjoyed taking that on. Then once I’d talked to Simon about it, he knew what he wanted it to be, and we kind of came at it from slightly different angles, which made it really interesting as well.

What about his angle was different from yours?
Well, I think we’re different people with different sensibilities. His responsibility is to the story and my responsibility is just purely to the character, you know? I think he felt the same way about this, but I didn’t want it to be the Winnie the Pooh story alone. I wanted it to be about a very complicated man and his very complicated relationship [with wife Daphne de Selincourt (Margot Robbie)], even before their son arrives, his complicated relationship with war and what that had done to him, and where he sought solace and brought solace to so many other people, and how that came about.

My feeling was, if this was about, say, Walter the Pig instead of Winnie the Pooh — some character that no one has ever heard of — it should be just as interesting. And I hope that that’s what we achieved, you know?

How did you prepare for the part?
Ah, man. I’m actually in the hotel at the moment where we stayed while we were shooting some of it, so I’m getting these weird flashbacks. I did a lot of reading on post-traumatic stress disorder. Obviously I read everything I could about A.A. Milne. Ann Thwaite’s book was great, but I also read his autobiography, and I read the Winnie the Pooh stuff again, and I read Christopher Robin’s books that he wrote. Something Christopher Robin talks about is [Milne] was very stern in lots of ways, and yet could be very funny in a room. Could be quite warm, but could also kind of cut you with a glance. He did not suffer fools gladly, and all that sort of stuff. So it was about trying to fill up the character that I hadn’t played before, and trying to remain true to the man.

I didn’t realize that PTSD was such a part of his life.
Well this is the thing. He fought in the first World War. But in his autobiography, he glosses over it. The autobiography is only about his childhood, for the most part. And then he very briefly talks about working at [literary magazine] Punch and being in the war. The war takes up like half a chapter in the book. He just goes through it very [quickly] but also mentions seeing somebody die — mentions it just in a very offhand way.

He became staunchly anti-war. Once he saw it, he thought it was the most stupid and awful thing that men could do to other men. It really changed him. And so whether you call it post-traumatic stress disorder… they certainly didn’t call it [that] then. He didn’t have the shell-shock that we know from films and stuff, but it certainly affected his life. Christopher Robin described it as, he had his dark sides to him where he would go into himself. He could be quite a loner. Christopher Robin suggests that he basically bundled all those bad feelings up and kind of gave them to the world in the form of Eeyore. Turned them into this really downbeat character who you can love.

Can you explain a little about what the “Goodbye” means? It’s such a melancholy title for what seems like a sweet story from the trailers.
It’ll mean a lot more when you see it, but there’s a side of this where… he adored his son. And his wife loved her son. But his wife had a very strange relationship with their boy. But he wrote this book for his boy, about his boy. He named him Christopher Robin and then he gave that to the world.

At that time, fame was a very different thing. I don’t think we knew how toxic it was in the way that we do now. But Christopher Robin became an absolutely huge celebrity at a very young age. I mean like, the only other people who would have been comparatively as famous in terms of children would have maybe been the royals. He was in newspapers. People knew what he must have looked like, and they dressed him up a little bit. He became a symbol of these books which were wildly successful.

But as a result, he was bullied hugely at school. He really came to resent what his father had done. And then ended up going to war himself, which was the very last thing, I’m sure, that his father ever could have wanted. He actually went missing in action in war for a while as well.

They had a fractious relationship as he got older, or complicated at least. And so the “Goodbye Christopher Robin” has to do with that. Also, they called him Billy in real life. He was named Billy Moon rather than Christopher Robin, so I guess they kind of felt like Christopher Robin was for the whole world… but Christopher Robin ended up paying that price, you know?

Did you do any family bonding with Will Tilston, who plays Christopher Robin, and Margot, or did you specifically avoid that because the relationships are tough?
That’s an interesting question. With Margot, I had worked with her before — I adore her as a person and as an actress. I just think she’s kind of a wonder. And the same with Kelly Macdonald. We’ve all done it before, so then you can really stick the knife in when you need to and kind of push each other around on camera, work each other a little bit.

I’m interested to see how people will respond to it in America. It was a very different time. Like, people didn’t hug each other. They saw their kids maybe half an hour a day in the evening. The rest of the time, it was the nanny bringing up the kid. And people were not scared of their fathers, but they were certainly an authoritative. And Milne was that.

So we had to kind of lay down some pretty strong things at the beginning, and say to Will [Tilston, who plays Christopher Robin]: “Look, it’s going to feel like we’re not friends sometimes during the day… At the end of every day, we’ll be friends again. But sometimes, it’s going to be hard.” Like, I’ve got to shout at him, and scare him. And he was great, because he was able to do the same thing. We would give each other time and space before getting ready for scenes. But we played all the time. He’s a really funny kid. We made each other laugh a lot. I’ve probably got the sense of humor of a 10-year-old, so that works out well! Lots of fart jokes.

Did your opinion of Winnie the Pooh change at all after going through all this?
No. My opinion of what the stories were did not change at all, because I always knew that they were amazing, that they were filled with real life and real skill as a writer. I mean, [Milne] came to resent the fact that he was only known for Winnie the Pooh. He had a hard time dealing with the fact that he was a very celebrated writer who then became uncool because he wrote these books, which a lot of people made fun of. They weren’t seen as being serious things, you know?

But my opinion of the man — I didn’t even have an opinion of the man other than he was a great writer. Now I just have such empathy for him. I spent a long time thinking about him, walking around where he was born, where he lived and everything. My idea of where these books came from has changed a huge amount. But the books themselves remain all they were to me before, which is just something full of wonder.

Goodbye Christopher Robin hits theaters Oct. 13.

Natalie Portman dives into the mouth of an alligator in Annihilation first look

In the science fiction film Annihilation, Natalie Portman plays a scientist named Lena, who is part of an expedition tasked with exploring an area which has been taken over by a mysterious force. “[She] finds a very strange, dream-like, surrealist landscape, and goes deeper and deeper into that world, and also into that mindset,” says writer-director Alex Garland (Ex Machina).

Jennifer Jason Leigh, Tuva Novotny, Gina Rodriguez, and Tessa Thompson costar as her fellow team members, while Oscar Isaac plays Portman’s husband.

One other character of note featured in the film? An alligator, as is revealed in EW’s exclusive first look photo, above. “It is their first tangible encounter with something strange,” says Garland. “The alligator has physical elements to it that should not belong on an alligator. They’re starting to get their heads around how weird the place is.”

Annihilation is based on Jeff VanderMeer’s 2014 novel, the first book in the Southern Reach trilogy, which the author continued with Authority and then wrapped up with Acceptance. “I was in post-production on Ex Machina, and one of the producers of that film, Scott Rudin, called up and said, ‘I just acquired this book, I think it’s interesting and, would you take a look,‘” says Garland, whose screenwriting credits also include Dredd and 28 Days Later

“I don’t finish books, or films, or anything, really, if it isn’t grabbing me for one reason. Well, I read it in a sitting. I found the atmosphere incredibly strong and I liked the kind of dream state that it created and put me in. It had all sorts of qualities that I found really interesting. I thought immediately, Yes, I’d like to try this.”

Keep reading

anonymous asked:

also by the way Sarah is publishing them in this order: book, novella, book, novella. each of the books are going to be independent stories. she didn't say who they'd be about, but she hinted at each of them being about a different couple. she also said she has issues writing actual novellas (typical novellas are 20-30k words and the Chaol story is currently as long as Empire of Storms) so the "novellas" will probably also be long because she can't help but keep writing and writing.

I’M SO EXCITED ABOUT THIS!!

But like it’s so strange, because I read all her interviews, watch them if they’re available, and I could’ve sworn that all together there would be 5 more stories. Like it said in the newsletter (which unfortunately I no longer have for that month) and even in the Entertainment Weekly announcement, which you can see here: http://ew.com/article/2016/07/12/sarah-j-maas-court-thorns-roses-throne-glass-sdcc/

Does this mean she has changed her mind? And it’s so strange that it’s not going to be a novella bind up book like the Assassin’s Blade. And that we would have standalones rather than a series. Because really, if they’re standalone books that can’t be understood within themselves, are they not just big novellas? I feel like I’m rambling and this makes no sense, but I’m super confused. She said she was going to make an announcement on the 4th, but that never happened. 

@sparkleywonderful @propshophannah what do you think? You’re guess is probably better than mine. (Bloomsbury being weird again?) 

❛ SCREAM 2 SENTENCE STARTERS

tw for violence, murder, weapons, all that good stuff

“I hate scary movies.”
“It’s good to be scared. It’s primal.”
“Listen, I read my Entertainment Weekly, okay? I know my shit.”
“I got my money, I asked for your money.”
“You know, I don’t even know you and I dislike you already.”
“I don’t like being scared. I don’t like that.”
“Scary movies are great foreplay.”
“Hey, move your ass! You’re late.”
“You know me and organized religions.”
“Lower the walls for the next few days, okay?”
“This self-induced isolation you got going is not healthy.”
“You can’t blame real-life violence on entertainment.”
“It’s a classic case of life, imitating art, imitating life.”
“I lived through this. Life is life. Doesn’t imitate anything.”
“Are you suggesting that someone is trying to make a real-life sequel?”
“Many sequels have surpassed their originals.”
“Well, there’s no accounting for taste.”
“I’d let the geek get the girl.”
“It’s starting again.”
“Multiplexes are just a dangerous place to be these days.”
“You’re in extreme denial.”
“This has nothing to do with us.”
“Can’t we just go back to our psuedo-quasi-happy existence?”
“I skipped. I couldn’t take all the ‘That’s Her!’ looks.”
“You’re playing with the big boys now, got it?”
“Your flattering remarks are both desperate and obvious.”
“Be kind. She saved our lives.”
“She had calf implants!”
“I’m gonna get closer.”
“This must be flat-out hell for you.”
“How are you holding up?”
“It’s really weird, isn’t it? To think this fuss is all because of you!”
“What are you doing here?”
“I was worried about you.”
“Things were okay, until now.”
“I’m seeing someone. Nice guy, pre-med, no apparent psychotic tendencies.”
“I just want you to be careful.”
“What am I supposed to do? Cut everybody off? Crawl under a rock?”
“I want to make sure you’re safe, if that’s alright with you.”
“Nothing like a funeral to bring the family together.”
“What the hell are you doing?”
“I forgive and forget. Just like you, I’d like to get back on with my own life.”
“You bitch!”
“Did you get that on film?”
“You need to check your conscience at the door, sweetie. I’m not here to be loved.”
“I don’t condone violence, but maybe you deserved it.”
“Don’t you think your overreacting, just a little bit?”
“How do you know that my dim-witted inexperience isn’t merely a subtle form of manipulation used to lower peoples’ expectations, thereby enhancing my ability to effectively maneuver within any given situation?”
“I’m sorry. I don’t know what else to say.”
“Now if you’ll excuse me, I have some oozing to do.”
“I think you’re taking your psych major a little too seriously.”
“ ‘I’m fine,’ yeah—fucked up, insecure, neurotic and emotional.”
“HI! No, I really mean that—hi!”
“That shit only calls you when he’s drunk. Don’t go over there.”
“You sound loaded. What’s up?”
“Drink with your brain, that’s our motto.”
“Do you want to die tonight?”
“I’m outta here!”
“Did anyone call for me?”
“It’s your ill-conceived boyfriend.”
“Everyone thinks that sororities are just about blow-jobs, but it’s not true!”
“It’s happening again, isn’t it?”
“Better hurry. Might get scooped.”
“Get your jacket. Let’s get you home.”
“Why don’t you show your face, you fucking coward?”
“You know, I knew this was coming. I knew this wasn’t over.”
“You are not alone, okay? We are all here for you.”
“He needs to realize the nineties is no time to play hero.”
“Why would anyone go back in that house anyway?”
“You’re lucky he didn’t kill you.”
“I think we have a copycat on our hands.”
“Do these guys have to follow you around everywhere?”
“How am I ever going to get you alone?”
“To be honest, I think it would probably be in your best interest to stay as far away from me as possible.”
“I hope that was an off-the-cuff remark that holds no subtext whatsoever.”
“I’ll take my chances.”
“I don’t want to see you get hurt.”
“Come on, smile. Just once. Please?”
“I’ll smile when I catch the killer.”
“I’m not here to do your job.”
“He is a gemini, single, but I think he’s gay.”
“Penny for your thoughts?”
“I think I love you!”
“Why won’t you let me touch you?”
“I think you just need to deal with that and move on.”
“How do we find the killer? That’s what I want to know.”
“Let’s not move on. Maybe you are a suspect.”
“Well, if I’m a suspect, you’re a suspect.”
“That’s what reporters do! They stage the news!”
“If she’s not a killer, she’s a target.”
“I’m gonna do what any rational human being would do, and get the fuck out of here.”
“I wanna report the news, I don’t wanna be the news!”
“I need you. I cannot do this without you.”
“Let’s go get killed!”
“I’m a fighter.”
“None of us can avoid our fate, but as an artist, you can honestly face it, and fight it.”
“How long have you been here?”
“I need to be alone right now, okay?”
“Do I get a say in this?”
“The killer’s trying to finish what was started.”
“I’ll be back when you start talking about something a little more Saved By the Bell-ish.”
“What do you wanna do, bonehead?”
“Want to wait here and see who drops next?”
“I’m not interrupting anything, am I?”
“Have you ever felt a knife cut through human flesh and scrape the bone beneath?”
“No matter how hard you try, you’ll never be the hero and you’ll never, ever get the girl.”
“Where’s your innovation? Why copycat two high school loser-ass dickheads?”
“This isn’t a good time.”
“Come on, you sent me to prison. You can give me two minutes.”
“There’s been enough exposure. Why would you want anymore?”
“Yeah, I bet you’re real sorry.”
“There was no attack. We were talking, very heatedly.”
“I don’t know about homicide but you’ve definitely got me for raising my voice in a public library.”
“It should’ve been me.”
“Stop treating me like glass. I’m not going to break.”
“Until you find me standing over a body with a knife in my hand, I think you’d better treat me with the rights and privileges afforded to every innocent citizen in this country.”
“Enjoying the show?”
“I just wanna find this fucker!”
“Now we’re getting somewhere.”
“I never meant to hurt you.”
“Stay here!”
“There’s no one there.”
“When this is all over, I’ll still be here.”
“I wanna know who it is.”
“I’m going back.”
“Stupid people go back. Smart people run.”
“We’re smart people, so we should just get the fuck out of here.”
“I’m sick of running!”
“If we know who it is, it’ll be over.”
“Get away from me!”
“This isn’t what it looks like!”
“Shit, who tied these? We gotta get out of here!”
“The killer, he’s here!”
“I wouldn’t do that if I were you.”
“You really wanna trust your boyfriend?”
“Don’t you know history repeats itself?”
“Surprise, [name].”
“Thanks a lot, partner.”
“He’s crazy! You know me better than that!”
“What do you think? Experiencing some déjà vu?”
“I AM GOING TO FUCKING KILL YOU!”
“YOU ARE DEAD!”
“I never would’ve hurt you.”
“You should really deal with your trust issues.”
“Oh! So vulgar!”
“Did he let you talk to him this way?”
“He was a sick fuck, just like you.”
“No. He was a sick fuck who tried to get away with it. I’m a sick fuck who wants to get caught.”
“I’ve got my whole defense planned out.”
“I’m gonna blame the movies.”
“I’m an innocent victim.”
“You’re a psychotic.”
“That’ll be our little secret.”
“See? It’s all about execution.”
“You’re forgetting one thing: I fucking killed him.”
“You piece of shit!”
“You got a Linda Hamilton thing going on. It’s nice. I like it.”
“Nice twist, huh? Didn’t see it coming, did ya?”
“It’s called a makeover; you should try it.”
“I’m very sane.”
“You’re never gonna get away with this.”
“Not wise to patronize me with a gun.”
“Don’t you FUCKING MOVE.”
“I have had a very, VERY bad day, and I would like to know exactly what the FUCK is going on here.”
“I can still help you.”
“Let me kill her!”
“Personally, I think it’s rather poetic.”
“No, don’t you listen to her!”
“Quite a predicament you’re in.”
“Give me the gun.”
“I want you to know I would never, ever do anything to hurt you.”
“We should probably talk about what exactly happened here, you know? Get our stories straight.”
“I’ve been shot!”
“Jesus, you scared the crap out of me!”
“You’ve got more lives than a cat.”
“They always come back.”
“How’s it feel to be a hero?”
“I’m back.”
“I’m coming with you!”
“I can’t believe you’re alive!”
“It’ll make a helluva movie.”

Congratulations Entertainment Weekly, you’ve managed to write an entire article celebrating the life and work of comic book creator Jack Kirby without mentioning his Jewish heritage even once. 

Well done.