“I’m going to start studying right after I’ve ______”…you won’t.
“Oooh, I’m going to highlight my notes with 49930 different colours to help me retain information” Highlight key words!!
“Everyone else has these amazing, expensive notebooks, pens and Macbooks. Maybe I need them too to be a good student.” Hint: You don’t
“There more I manage to cover during this hour, the more I’ll learn” Remember: Quality NOT quantity
“Revision is so unnecessary. I have a good memory and I know I’m going to remember this on the test I have in 2 months”… sorry to break this to you but you probably won’t remember a lot. Go through everything you’ve covered during the last week on the weekend.
“Oh boy, I’m so tired. I think I’ll just read this chapter in bed.” Hint: You’ll fall asleep
“Okay so I need to study this and this much to get a better grade than _____“ wth nonono. Study for yourself??
“Omg, I didn’t study today. I’m such a failure” You don’t have to study every day. You shouldn’t study every day!! Have at least one day a week when you do nothing school related, your brain needs the rest!
“I didn’t get a ____ in the test. I must be dumb idiot and a complete failure who won’t accomplish anything in life” One grade doesn’t affect your life one bit.
“I must study law, medicine or any other STEM subject to be considered a real hardworking student” Hint: Humanities and other subjects are just as hard, okay?
“My teacher is bad and that’s why I won’t ever learn this” Take your computer, open google, google the stuff you don’t get. Was it so hard? Don’t blame your teacher for not understanding something. They’re humans and not perfect. Be ambitious and try to teach yourself with the help of your friends, the internet, youtube, library books etc.
Am I the only one upset with YNWA comeback? It's been barely 4 months since WINGS came out, and they've been busy with concert preparations and now comeback preparations... Sigh, and this rate, I wouldn't be surprised if they were to part ways with Big Hit in future :-/
I’m sorry that this turned into an extremely long answer, but I felt the need to do this.
Hm, I don’t know, I can’t say I agree with you. I mean, I wouldn’t say that they aren’t overworked or anything, but how come no one has ever considered that maybe it’s the members who want this, and it isn’t the company that is forcing it unto them?
I’ve mentioned this before, but BTS was formed for their musicality in the first place, they have a different purpose in comparison to other idols. Most if not all the members focus a lot on the music part of their career, so I find that it’s only normal that they would want to constantly come out with new music, which explains all the active comebacks they have despite the short breaks between comebacks. Same goes for concerts/tours that they do; if you’re someone who wants to make music, you want to connect with people through music, naturally you’d want to be able to perform and showcase this music, no?
And regarding BigHit, I think people don’t give them enough credit, honestly. Yeah, they lack in certain areas, but which entertainment company out there can you call perfect? If anything, BigHit has done swell when it comes to the management of the boys.
Before I talk about the good in BigHit, I am aware about their problems as a company. They constantly come up with new content to sell to the fans for extra profit, and they never really give fans much time to prepare themselves for a new comeback/release of new content. When it comes to the members themselves, I’m sure they have their own complains towards the company. Take Suga, the one who has been the most vocal about his complaints, as an example. At the start of BTS’ career, he talked about how he was conned into learning how to dance and becoming an idol, when all along he thought and was promised that all he needed to do was write music and rap. He was expecting to become a group like 1TYM, not a group known for their knife-like choreography. Watch the evidence here, it starts at 19:00. But over the years, I think Yoongi doesn’t feel against it anymore, because BTS is recognized for their dance and has been rewarded a ton of awards for best dance. Then fast forward after countless of comebacks with multiple hair colours, Yoongi has seriously damaged scalp and over bleached hair. He said he was going to sue BigHit for hair loss, and even though most took it as a joke, he didn’t only talk about it once, he said it twice. If anything, Yoongi isn’t really someone to say things he doesn’t mean. He’s a straightforward type guy, and he probably really feels dissatisfied towards the company for constantly bleaching his hair. The first time he talked about it was here (5:19 mark), and the second time, here (2:22 mark). He also talked about how people who dye their hair constantly suffer at the Gaon Charts Yinyuetai interview earlier this year. The era where they were most overworked was probably during their RUN days, and Yoongi talked about this too. It’s in this video, at the 5:09 mark as well as the 10:59 mark onwards. They haven’t slept more than 3 hours, they have back to back schedules, etc.
Now, with all that aside, I am aware of the vices of BigHit, but back to my point -
BigHit has done swell when it comes to the management of the boys.
There are a few aspects when it comes to this. We can talk about the efforts BigHit makes in ensuring that they are able to keep their artistes satisfied. One classic example would be Yoongi. I just talked about how he’s complained throughout the RUN era about his hair and scalp, and what did BigHit do for the Blood, Sweat and Tears era?
The fact that BigHit gave Jin and V the opportunity to sing bangtan’s first ever OST instead of the other members would be another classic example. BigHit could’ve given the duet to Jungkook and Jimin easily, considering they are the main and lead vocals respectively, but they gave it to Seokjin and Taehyung instead. Okay, you can argue and say it’s natural that Taehyung got it since he’s the one acting in the show, but how about Jin? Watch this, from the 28:00 mark. You can tell Seokjin really wanted a chance to sing an OST, and BigHit indeed gave him one, which he’s so grateful for.
Back to Yoongi again (he seems to be surfacing a lot today), as well as Rap Monster this time, and in due time, J-Hope. The former two have always been extremely passionate in their music, and there’s a lot of areas they cannot explore as rappers/musicians when it comes to working as a team, because they have to ensure that the song fits 7 members, that the song is something worth putting on an album, etc. It limits them a lot, so what did BigHit do? BigHit opened a SoundCloud account for them where they can freely post up their own tracks and random raps and even song covers when it comes to vocal line, and they’ve never limited what bangtan do/post on the SoundCloud account. In fact, BigHit even fully funded Yoongi and Namjoon’s mixtapes despite not being able to make any profit from doing so. They provided a set, cameras, make up and stylists, everything necessary to produce an MV, just so that they are able to come up with their own mixtapes for them to showcase the stories that they were unable to tell through BTS.
Even when it comes to schedules, BigHit never makes the members do things they don’t want to. Remember in Yoongi’s track, ‘The Last’?
Show me the money, it’s not that I couldn’t but I didn’t shit
Also, realize that Yoongi is the only member that has never tried emceeing yet? Yoongi is the only member who has yet to have his own solo appearance in any one variety show/schedule, and if you ask me, I really think it’s because Yoongi never intended to live the idol life in the first place. He just wants to make music, not go on shows for more exposure or anything. But BigHit never once forced him to doing any, doesn’t that say a lot?
Enough with keeping their artistes satisfied, let’s move on to the care factor the company has. In any other company, their idols are all overworked to the point of fainting/working despite injuries or health issues, etc. But what has BigHit done every time any one member is injured? Here’s a compact list of the more prominent occurrences.
28th Dec 2013 - Yoongi was diagnosed with appendicitis, BigHit withdrew him from year end schedules.
27th Dec 2015 - BigHit cancelled 2 concerts in Japan for the sake of Yoongi and Taehyung.
30thDec 2015 - Namjoon was withdrawn from year end schedules because of his leg injury.
24th July 2016 - BigHit chose to let Namjoon rest despite the hospital giving him the green light to resume schedules because there was nothing seriously wrong with his health.
30th Sept 2016 - BigHit withdrew Namjoon from
the 2016 K-Pop World Festival
performance as well as
the Busan One Asia Festival
performance so that his leg will not result in injury. It was a preventive measure on their end.
22nd Dec 2016 - BigHit withdrew Yoongi from all further activities so that he can rest, when it was a ear injury which technically isn’t a very big deal.
BigHit could’ve easily made the members continue to promote and perform, because in most cases, it wasn’t really anything serious, but yet, they chose to make them rest instead. Other companies wouldn’t have done that unless the member has a leg injury or is bed ridden.
BigHit has also been very protective of their artistes. It’s very important that a company addresses issues early in order to protect their artistes, and it’s even more important that the company is willing to come to the rescue of their artistes when the need arises. There’s this, and there’s this too. There was also this too.
Another thing would be how BigHit doesn’t limit the boys in any way at all. Even as trainees, the boys were given handphones and allowed to communicate with the outside world through logs and Twitter, unlike every other idol trainee out there who practically lives in a dungeon. There was never dating bans in their contracts (evidence here) and they were never told to behave a certain way nor were they put under extremely strict diets. When they dieted, it was mostly out of their own will rather than their company wanting them to be slim or whatever.
In lyrics, they were never told to not talk about a certain topic, and in fact, they are now known for always attacking real world topics and issues. They aren’t the first group to do so, but it still definitely sets them apart from boring old romance lyrics in present day kpop.
And the most important thing of all…
And then there was Jin who talked about missing the managers,
I mean, if you don’t enjoy the time you spend with the company I don’t think you’d talk about missing them. You can tell they are grateful to these people who care for them no matter what. Remember how they all hugged their managers (not one, all) when they won the daesang?
Look at the managers looking so happy for them. The one in green striped shirt was hugging Jungkook and there’s Namjoon hugging the other manager on the right.
I don’t know about you, and although I wouldn’t say that they have a family bond with the staff, but you can tell they all really love each other and there’s definitely some form of a bond between them. Not just with the managers, but even with the producers who have worked hard behind the scenes for the boys. Look at this video, Mr Son and the staff who were with him were literally so elated for BTS’ first win. And then there was this, where Slow Rabbit (Big Hit producer) cried when bangtan got Artist of the Year at MAMA. Then there’s Pdogg (Big Hit producer, aka the man behind BTS’ title tracks) who was constantly supportive of the boys in his tweets here and here.
I can understand the heart of those ARMYs who are constantly upset with BigHit because they are worried about the members’ health in general, but sometimes we have to look at things from different perspectives. In my opinion, bangtan is happy under their management, and when they have complaints, Bang PD is willing to talk it out with them. I mean, he’s clearly close to the boys, to the point where he’s alright with joking around with them all the time. If he wasn’t we wouldn’t be blessed with things like this:
Even when renewal of contracts becomes an issue, I feel like he’d try to meet the needs of the members and he’d want to continue housing all 7 of them. BTS is the first group he’s ever produced. GLAM and 8Eight were collaborations with Source Music, HOMME, 2AM, and everyone else were transferred under him, so BTS would mean more to him than anything else. He single-handedly made them, so I don’t know. I don’t feel you on this.
I have a lot of feelings about this headcanon and I really need to
talk to you about this. Okay? Okay, good.
We all know that the metamorphmagus gene is in the Black
bloodline, right? I mean after all Tonks was a metamorphmagus and her
dad was a muggle, therefore she had to inherit the gene from
Andromeda, who’s a Black.
Now, what if DRACO had inherited the gene?
THERE IS A LONG ASS MOTHERFUCKING POST UDNERNEATH THE CUT.
Do you still go on iscribble? I think i've watched every speed paint you have up there and they're so mesmerizing. I love how they go from just blobs of colour and value into these epic compositions. I envy your storytelling and would love to know what would be best in terms of giving art more "umph" or feeling? The comic you did with Orianna and Blitz or the one with Kindred and Soraka, they're FULL of emotion and always make me feel something. Love you art to death :)
Hiya! I pop on iS every now and then, but I don’t use it for sketching anymore.. the new HTML shift kinda changed the feel of its response, and I’m just more comfortable working in Photoshop. Glad you like the replays though, it’s a great feature for sure.
There are multiple things that contribute to storytelling in an illustration/comic: Frame composition, shapes within the frame, camera lens, camera position, lighting, colour, props/background. And then there’s the characters themselves with body language, gesture and expression(acting). Alot of this study is closely tied to cinema!
Pushing for emotional impact often rely on camera placement and framing/shot size to ‘put you in the moment’ or ‘in someone’s shoes’. Colour and value(and every other element/principle of art) helps direct your eye and can enhance the emotions even more.
Framed Ink : Drawing and Composition for Visual Storytellers, Marcos Mateu-Mestre
The Visual Story: Creating the Visual Structure of Film, TV and Digital Media, Bruce Block
Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must Know, Jennifer Van Sijill
What I like to first do when working on a scene is to decide what part of the story/moment appeals to me the most, then work toward selling that scene. It’s a highly subjective process and everyone has their personal way of composing from the same idea, the challenge comes in leaving a strongest impression.
The Blitz/Ori comic was really bare- simple render/lighting, no backgrounds, alot of close-ups. But its simplicity helped immerse you in the scene more, since the characters and their emotion(or lack of) are the focus of the story. (but this doesn’t work all the time, context is very important). The frames lead the viewer’s eye, and you have to be conscious of what visual information you’re putting in(or leaving out).
I left the general palette muted and dull to synergize with the mood, and let the colour blue be the contrast colour of the light(life). I’m not always aware of what I’m doing, but the more you understand what you need, the more you can design your work to be successful.
I can’t tell you how to UMPH a piece of art in the best way- there are only multiple variations with different focuses. Build your own visual library of artwork like illustrations or screenshots from film/comics that you find interesting. Learn the conventions that artists use by breaking down an image to its elements. You’ll start seeing patterns everywhere. And if that’s difficult, just look around online for blogs/tutorials/studies where smart people explain the thing for you.
Good luck! Practice alot! And constantly ask friends/people for feedback. They don’t have to offer fullblown critique- they’re just as valuable for telling you that ‘they don’t understand what something is’ or ‘something feels off’ or if their response is opposite of what you hoped to achieve.
how do you still find the motivation to keep drawing even though your art isnt that good? i just cant seem to keep on drawing bc i focus on the bad too much
hello there anon! To put it simply, I don’t really wait for motivation to come. To me, motivation is a feeling and like all feelings they’re fickle. They change easily at the drop of a hat. If we rely on motivation and wait for it to come, we wouldn’t get anywhere at all.
We also tend to beat ourselves when we’re not ‘motivated’ to draw, which sends us further into a negative spiral. (I used to be like this but now i’ve changed! i’m gonna explain what I did down below)
First thing you need to do, is to change how you see and feel about your art : I think this is the hardest step ever. Changing how you feel about your art takes time and that’s understandable. The first thing you need to do is take a step back and look at the bigger picture. Re-evaluate. Ask yourself questions that would help you remember the reasons why you began in the first place. (if its something like ‘for the notes and followers’ I suggest you change and pick another thing because if you make art for the satisfaction of others, you won’t be very happy in the long run)
Also take into consideration where you are in life in the present moment. If you have other priorities (like school, work, family etc) its understandable that you won’t have the time to practice and that’s ok (but i’ll explain how to get around that). Life gets in the way of things sometimes and that’s ok.
Also don’t beat yourself up if you’re not improving as fast as you want to and don’t compare yourself to other artists either. It’s not a competition. Other artists started earlier than you and so they’ve had more time to practice and learn. Think of your art as a tiny seed. Each seed is unique and wonderful and it takes time and effort to grow. It’s silly to compare a sprout with a flower that already bloomed, because they’re at different stages in their growth. That’s the same with art.
Second thing you need to do, is set down goals: This is my favourite thing to do! Now that you’re feeling positive and happy about your art (it’s ok if you’re not! that’s fine too it takes time), set down goals on what you want to achieve with your art and break them down further into smaller bits on how you’re going to achieve them and when. For example, this is my art goal for 2017:
(looks like i gotta add improve handwriting to huhuhu ;w;)
And then you can break those down to minigoals that you can do every week, (draw poses on the train, sketch out scenery etc)
Figure out what you want to do with your art, why you want to do it and you’ll figure our how to get there. For example: I’m a self taught hobbyist artist, so I know my rate of learning will be slower than other people (i’m doing Bachelor of Aviation in university ;w;) I can only concentrate on one thing at a time so i picked to learn mostly anatomy while still practising what I worked on last year (colours).
And then get to it! Discipline yourself to draw. Over time, drawing will become a habit and a ‘need to do’ (discipline) rather than a ‘want to do’ (motivation). Set time to practise to achieve your goals. Keep all of your art so you can see progress over time (it’s a good pick me up too)!
Whoa!! So much improvement in four years!! YEEEE
Now go draw!
(tl;dr focus on things that you’re weak in, set goals and discipline yourself to achieve those goals)
I watched Zootopia again yesterday evening to relax and It always amazes me how good Disney is with their siluhettes, colouring and animation. It really is a feast for the eyes. I wanted to just do some simple character sketches to try and understand the different siluhettes. Because siluhettes are extremely important but I’m not very good at utilising them, so I need to learn! And what better way than to learn from the masters?
Hello friends!! So to celebrate 6k+
followers, I promised you all that I would finally get onto doing a bullet
journal system post- and a mini-tour of my own bullet journal.
What is the bullet journal system?
The bullet journal system is a planning
system designed for rapid logging tasks using ‘bullets’ and 'collections’ to
organise your day to day life. It can be used by anyone, for students, for
professionals and even for the everyday person. It was designed by Ryder
Carroll. I suggest watching the original bulletjournal videos before
proceeding with your system to get down to basics.
It can be customized as minimally or as
decoratively as you would like- it’s your adaption of the system that
matters. Ryder Carroll even stated that “If you look forward to coming
back to your book and feel like it’s your ally, then you’re doing it
right.” and praised both simple journals and embellished ones too. Each
bullet journal system is unique from one another. As long as you are following
the skeleton of the original system and enjoying your own journal and achieving
your goals- you’re doing everything
right. There is no set rules of aesthetics- so whether your bujo is simple or not, as long as
you’re enjoying yourself then you’re a-okay!
Do I need x or y skills/stationery to have
a successful bullet journal?
No not at all. You don’t need a
Leuchtturm1917, a Moleskine, a Rhodia, a Hobonichi or a fancy notebook. A
simple notebook would work too. You don’t need fancy pens, fine liners,
markers, coloured pencils to pretty up your system too. You only need a pen. One of my close friends
uses her bullet journal with just her pen and a small A6 notebook she found
from the local book store. There are no specifications of what size, style or
paper you have to have with a bullet journal! You don’t need washi tape to
decorate your journal, but if you want to- go for it!
You don’t need to have the most perfect
handwriting or fancy lettering skills or drawing skills. Your journal doesn’t
need to be artistic if that doesn’t fit into your lifestyle. Some people prefer
to have distinguished headers so they can easily scan through a page and find
what they need. Some people don’t have
the time to make their pages pretty- to fit into the “studyblr
aesthetic”. Some people can’t afford buy fancy stationery and notebooks:
and that’s totally fine.
Why the bullet journal system?
It’s not for everyone! And that’s alright.
But the reason why the bullet journal system is so popular is because it’s so
customizable and can be personalized. People use this for journaling, for
tracking every day habits and for writing notes and many other reasons. It’s
such a simple system and can be started right now in any notebook you have.
You don’t need fancy notebooks or special
supplies to start your bullet journal. You only need a pen and a notebook so
you can get started. However, some people don’t like having to create titles
for their pages and that’s fine- you can also bullet journal in a planner
system too! But you can discontinue it any time you want and go back to regular
planning if you wish.
What’s in a bullet journal?
Every bullet journal needs the basics. Every bullet journal should follow at least some elements of this skeleton.
An Index - A compiled list of your pages
for future reference.
A Key - A compilation of your bullets for
your system. Bullet points distinguish the difference between a task, it being completed or moved. They also distinguish whether or not it’s an event too.
Future Log - A list of future events for
the upcoming months; usually for the next three months or for next year.
Monthly Log - Where you transfer events
from your future log, an overview of the current month’s tasks, events and
Daily Log - Daily tasks which are rapidly
listed through the day. Notes are usually written under the current day. If a
task isn’t finished in one day, it can be easily transferred to the next page
using a 'moved task’ bullet.
Collections - Collections are lists of
whatever you wrote down in your 'notes’ during a week. Books you have read,
shows you watched, things you want to collect? Put it in a collection.
There are so many different adaptions of
the bullet journal system!
My bullet journal has been altered slightly
from Ryder Carroll’s and embellished for my personal enjoyment. It’s been
tweaked and changed many times and designed for what I need to track! I like to
theme my weeks and pages to one colour to keep things simple – sans the colour
coding I have for specifics like Work or Uni. It’s simple yet decorative at the
same time and it’s perfect for me. I use a Leuchtturm1917 grid notebook, for
This is how I shaped my bullet journal to
as an english lit student i understand how difficult it can be to learn quotes and to effectively take notes whilst annotating a book, so here’s a little guide on how i structure my a level english literature notes.
1. before you start make sure you have the right stationary, you definitely need a light coloured highlighter ( i personally use yellow ) and a sharp pencil or a biro pen ( inkier pens will probably smudge ) and you can also use some small post it notes ( find ones which fit within the pages of your book so they don’t all stick out ).
2. as you go through the book - either at home or in class - highlight any interesting or relevant quotes. if you are reading a large book ( e.g. Wuthering Heights ) try to highlight at least 2-3 quotes per page, ( obviously some pages won’t hold any relevance ) however if you’re reading a short story or a play ( e.g othello ) try and highlight as much as you can on the page so that it is filled with highlighter.
3. next to each quote you highlight use your pen or sharp pencil to write a short explanation as to why you highlighted the quote, you only need to write a couple of words such as ‘status’ or ‘patriarchal control’ but make sure you write enough so that you can understand it when you look back.
4. this is a tip i don’t personally use but can be very useful. for any points regarding context use your small post it notes to write a short note on the relevance of context to the quote you highlighted. by using post it notes this will really stand out in the book as well as separating itself from your other notes.
5. now this is the part where people often get stuck with english revision and tend to just read through their notes in the book however merely re-reading isn’t the best method of revision. instead, when it comes to revision i make a word document and add heading of each of the major characters, relationships and themes throughout the novel. then as a re read through the text i add each of my highlighted quotes under the relevant headings with a little note afterwards explaining it perhaps in more detail than my original note. this method allows for all your quotes to be categorised and split into topics and themes at the same time as making you re read the text with precision.
6. i then also add to this document any context, critical material or other relevant information to the text and to your exam criteria.
i hope this was useful, if you have any questions feel free to ask or if you want to see my notes just send me a message xx
I have been meaning to do this post for an awfully long time, and have had numerous messages asking me about how I revise, so it is about time I got down to it. I think the main reason why I haven’t done this post until now is because I myself have actually also been figuring out exactly how to revise. Last year, I feel that I didn’t really nail a set revision technique, and although I did fine with my prelims, I didn’t feel like I was prepared at all, and vowed to find a revision technique to make me feel satisfied this year.
I’ve found that using different methods for different papers is currently working for me, so I will try to give you an overview of what I am currently doing. I’m not saying that these methods are going to be 100% successful for myself or for anyone else, but if you are interested in what I am doing right now, then read on.
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
I’m currently splitting 3 of my 4 papers into a revision technique with 3 stages: STAGE 1: collating quotes on post-it notes, collating notes from previous lectures, essays and supervisions; defining topics or ‘themes’ to gather them into. STAGE 2: creating a series of colourful mind-maps on these topics, using my quotes on post-it notes to stick on the paper in relevant places/move about the page. On the paper, I will arrange my notes and thoughts into logical trains of thought which flow into a mini ‘argument’ that includes these quotes. I will then do the same kind of mindmaps on past paper questions, creating mini essay plans that include my portable quotes. STAGE 3: PAST PAPER TIMED ESSAYS. There’s no real explanation needed here, only that I will probably first allow myself to look at my texts/notes during a timed essay, before then removing them from my sight/grasp at the final hurdle. I hope these stages make sense to people, and I will try to post pictures on here as I go. As you can see from the top image, I am currently only at Stage 1, but I will move to Stage 2 next week.
In my Medieval Paper, we have to complete translations, so, additional to the above method, I have written out the passages we need to work on for translation (see the image with my two copies of ‘Sir Gawain’). Here, I have found that translating gradually with the help of both the Middle English version & the translated version has helped. I haven’t looked at the translated version yet, and have instead written out the Middle English in black pen, before going over the text, referring to the Middle English glossary, picking out any words I found difficult individually before writing them in light green alongside the Middle English. I will next go over the translated version I own, and come to a conclusive translation in dark green at the bottom of each page.
For my fourth and final paper, Practical Criticism, I have found that the use of flashcards is probably the most helpful for all the critical terms that we need to know (see third image). After creating a set of flashcards and learning the terms, I will go through my past notes on different critical/theoretical schools of thought, creating more colourful mindmaps on each set topic. And then again, its PAST PAPER time.
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That’s it! I hope it makes sense. I am awful at knowing how to revise, possibly the worst person to ask if I’m honest, as nobody really tells you how to revise at university, which can mean that you waste time flailing around (that’s what I did last year). So now, I’ve just thought of various ways to change-up my revision technique and make it really dynamic. We’ll see if it works in the long-run, but it is working at the minute!
This term, there are also revision lectures, classes and supervisions on in the English department; I have attended these so far, and I have felt that they have really helped me to identify what I need to get done in my own revision time, so I will definitely carry on attending. Ultimately, so far this term, I have been keeping myself busy with revision, and I am really starting to feel like I am making progress. I’m actually quite enjoying it, so hopefully this feeling will last.