I did a game jam this weekend, with a theme of towers. I’ll be posting
the assets I made in bits. Here are the health and mana potions. My programming partner says he’s about 90%
done with the basic level so it should be playable soon. Excited to see
it. It’s a pseudo randomly generated tactics game. Unfortunately, he
said he’s not interested in working on it afterwards, so I’ll be taking
it on to polish a little more. I don’t really intend to do a lot, mostly
adding my lore/dialogue ideas, some level design, and a little polish
as far as graphics and adding sound. I made a mini design doc, so I’ll
just be following that.
Something that I was thinking about last
night before I passed out delirious, what if I did my own game jam every
2 weeks? Make all the assets in 2 weekend days, then do the programming
over the next 2 weeks and rinse and repeat. That would be 26 games in a
year, I would probably get really good at making games. The main
downside would be I wouldn’t have a partner/team, since programming
isn’t my speciality, and I know C++ not C# for Unity. I could also find
game jams actively and do those as well, so I’d end up with maybe 20 of
my own and 6 in a team. Not sure how that would work out as far as my
physical health goes though. Maybe if I get a year off sometime in the
future I’ll try it.
1. If you’re going to write a smug thunk-piece about the “failure” of “diversity” in comics, maybe don’t use the cover image of a book that’s had 4 collections on the NYT graphic books bestseller list, won a Hugo and cleaned up at Angouleme. Just because you HOPE it’s on the chopping block, oh Riders of the Brohirrim, doesn’t mean it is.
2. I will tell you exactly why Ms Marvel works: it didn’t set out to be Ms Marvel. We were originally going to pitch it as a 10 issue limited series. I had a 3 issue exit strategy because I assumed we were going to get canned. There was no “diversity initiative” anywhere–getting that thing made at all was a struggle. It was a given that any character without AT LEAST a 20-year history would tank. Everybody, myself included, assumed this series was going to work out the same way.
3. That freed us–by “us” I mean the whole creative team–to tell exactly the story we wanted to tell. We had nothing to lose, nothing to overcome but low expectations. That gave us room to break a lot of rules.
STUFF THAT IS DIFFICULT TO REPLICATE AND IMPOSSIBLE TO PLAN:
1. Unexpected audiences. We are at a point in history when the role of religion is at a tremendous inflection point. What I didn’t realize was that the anxieties felt by young Muslims are also felt by young Mormons, evangelicals, orthodox Jews, and others. A h-u-g-e reason Ms Marvel has struck the chord it has is because it deals with the role of traditionalist faith in the context of social justice, and there was–apparently–an untapped audience of people from a wide variety of faith backgrounds who were eager for a story like this. Nobody could have predicted or planned for that. That’s being in the right place at the right time with the right story burning a hole in your pocket. Plenty of other stuff I’ve written and liked has fallen with a huge thud. That’s the norm. Exceptions are great when they happen, but hard to plan.
2. The paradox of low expectations. The bar was set pretty low for Ms Marvel, but because of Ms Marvel’s success, that bar got set much higher for similar books that came later.
STUFF THAT IS ENTIRELY AVOIDABLE:
1. This is a personal opinion, but IMO launching a legacy character by killing off or humiliating the original character sets the legacy character up for failure. Who wants a legacy if the legacy is shitty?
2. Diversity as a form of performative guilt doesn’t work. Let’s scrap the word diversity entirely and replace it with authenticity and realism. This is not a new world. This is *the world.*
3. Never try to be the next whoever. Be the first and only you. People smell BS a mile away.
4. The direct market and the book market have diverged. Never the twain shall meet. We need to accept this and move on, and market accordingly.
5. Not for nothing, but there is a direct correlation between the quote unquote “diverse” Big 2 properties that have done well (Luke Cage, Black Panther, Ms Marvel, Batgirl) and properties that have A STRONG SENSE OF PLACE. It’s not “diversity” that draws those elusive untapped audiences, it’s *particularity.* This is a vital distinction nobody seems to make. This goes back to authenticity and realism.
On a practical level, this is not really a story about “diversity” at all. It’s a story about the rise of YA comics. If you look at it that way, the things that sell and don’t sell (AND THE MARKETS THEY SELL IN VS THE MARKETS THEY DON’T SELL IN) start to make a different kind of sense.
is no one talking about the fact that LWYMMD’s major graphic during the chorus
features a snake eating it’s tail
and is reminiscent of the ancient symbol of Ouroboros
which symbolizes creation out of destruction/life out of death (*cough* the old taylor swift is dead *cough*), the concept of eternity and the eternal return, death and rebirth, and immortality (*cough* i rose up from the dead, i do it all the time *cough*)
not only is she reclaiming the symbol of snake as hers BUT she’s also implying that she’s indestructible and a force to be reckoned with
ANYway this was just your friendly reminder that everything taylor swift does is carefully planned because she’s an artistic genius
The trial, expected to last nine days, has drawn fans of Ms. Swift. Ed Lee, a 50-year-old graphic artist from Seattle, took time from visiting relatives in Colorado to bring his 10-year-old daughter to a trial he said demonstrates lesson he tries to teach her.
“I’ve had many conversations with her as I walk her to school,” Mr. Lee said. “I tell her: ‘You’re an alpha. I want you to know how to pull the claws out when you need them. Because you’re going to need them.
If you have the time and if you don't mind, what are some books you really recommend? Doesn't have to be all time faves, but anything that pops into mind that you want more ppl to read and love, Extra points if lgbt+ , i got the whole summer with little to do and i wanna spend it reading some good quality writing and honestly so far your recs have introduced me to so many faves its unbelievable
[blushes profusely] oh wow, thank you!!! i’m so glad you’ve trusted me enough to check out some of the stuff i reblog; that is like the ultimate compliment, i can’t even??? i don’t mind at all(!), fair warning though: i only started recording what i read partway through last year and my mind is like a sieve so i’ll do my absolute best to remember what’s sang to me in the recent past. warning number two: i’m in an open relationship with absolutely every genre out there so i’ll try to note which belongs where so you can avoid those that hold no interest for you.
i’ll give you the sun. i loved this book, the writing is fucking transformative and all the characters are so damn likable, while still being realistically flawed human beings.
the raven cycle (tetralogy). definitely my favorite series since harry potter. the writing, the world-building, the characters, it’s all on top-form. i wrote a little, mini non-spoilery review of it: here, back when i was better (worse?) wordly-wise and my feels were brand new.
more happy than not. i’m still not sure how i feel about this book. it was hard, but it felt very true to the characters and the lingo and style matched the ages of the players and i have a lot of respect for that.
the watchmaker of filigree street. woooow i loved this book. i admit ‘historical fiction’ kind of makes me cringe. it never precludes me from reading a book but it does knock it down the list by a book or five because they’re often very dense and very clunky and end up taking me ages to get through. but this one was gorgeous. i loved the plot, the attention lovingly placed on every character and the historical elements. the surprise gay in an already brilliant book felt like winning the lottery honestly.
captive prince (trilogy). okay, truthfully, i’m only putting this on here because the second book is such a high point for me. it was never bad at any point but it had unfortunately been hyped far too much for it to live up to my, admittedly, very high expectations. hopefully it’ll fare better with you?
everything i never told you. i go back and forth on this one. i like the writing a lot, i like the LGBT aspect a lot, and i like the mystery aspect a lot but there are definitely characters i would cut out entirely for sheer predictability if i could and that killed a lot of my enjoyment at the time (but i think much more highly of it in retrospect?). so, take that as you like.
the diviners. (also has a minor LGBT character, who may play a bigger role in the sequel?) fair warning, i have not read the sequel, lair of dreams, because it is somehow still not out in paperback (yes, i read physical books, yes, i pretty exclusively read paperbacks so i can lug them everywhere with me, YES, I PRE-ORDERED THIS ALMOST TWO YEARS AGO AND IT’S STILL NOT OUT, NOT THAT I’M BITTER ABOUT THAT OR ANYTHING) so i can’t speak to that one finishing on a high note as i don’t know. but this was the first historical novel i managed to like in a long while. it does such a good job of fusing in 1920s lingo and dress and aspects that i couldn’t help but love it. add in the fantasy elements and i can admit i’m the perfect sucker for it.
the scorpio races. i’m not sure why but it took me a long-ass time to get into this book, i wasn’t flipping pages with gusto until well towards the end but - especially as i was reading so much YA at the time - i really appreciated coming across a romance that lets both people come into it as themselves and stay themselves, neither puck nor sean were ever smashed or crumpled or shaved away to fit into their relationship, which was so refreshing. plus the water horses were fucking cool.
the night circus. the writing, the atmosphere, the circus. just… it is all very whoa.
i’ll meet you there. there was something about this and i just… ended up liking it way more than i expected to. i might’ve just read it at exactly the right time, i’m not sure, but i really enjoyed it.
the invoice. this is honestly just hella cute and so freaking surreal. swedes, man.
why not me? i like mindy kaling a lot. i make no apologies for that. plus you can read both her books in about five seconds, haha.
station eleven. i loved this book. the way the narrative is woven is so refreshing and i wish the comic book miranda was writing in this book was a real thing more than anything else in the woooorld.
illuminae. hot DAMN this book was cool. the plot was rock solid, the characters were hilarious and badass and the graphics made out of text and spiraling words and just the way this thing is put together? shit, it’s worth your money and then some.
a robot in the garden. okay this is just cute as hell. i can’t even with tang, he’s the most adorable robot to ever adorable.
annihilation (southern reach trilogy). (LGBT minor characters.) okay, honestly? i don’t know. this was freaking zany but i was invested as fuck in all the kookiness for reasons i can’t articulately elaborate on.
the martian. hilarious, engaging, SPACE. what more do you want?
things we lost in the fire. this is more atmospheric than anything but, damn, could this get me wishing i wasn’t reading this in the dark or looking over my shoulder to make absolutely sure no one was standing behind me. it’s a book of short stories (by the way, i love books of short stories and i definitely realize that is not true for everyone) and each one is so well-delivered and stylized. i really enjoyed reading this.
let the right one in. okay, this is legit horror so definitely stay away if you’re easily squicked out but it is harrrrrd to find good horror (at least in my opinion) and this definitely, definitely qualifies.
horrorstör. i honestly had such low expectations for this, a horror story set in a wannabe-ikea, but it ended up being so ridiculous and strange and funny that i was won over by the finish.
the bigness of the world. there were definitely ones here that hit better than others but the ones i liked, i really liked!
GRAPHIC NOVELS (i read a lot of these so, um, prepare yourself)
saga. (LGBT minor characters as well.) this is world-building to a degree that i’m convinced did not exist before. just, i can’t say enough amazing things about this series and the staggering amount of imagination that regularly goes into it.
ms. marvel. heart-warming as fuck. it’s definitely really easy to lose faith in the world these days, luckily kamala is there to remind you that people are primarily and genuinely good.
black science. this is another one that took just an insane amount of imagination to cook up. i got off to kind of a rocky start with this one but the gray-ness of all the characters really speaks to me, and that doesn’t really blossom until later in the series.
spider-man/deadpool. this was very satisfying for my super duper spideypool-shipping mind. joe and ed did us so good, and joe basically said in his sign-off: i made it absolutely as gay as they would let me, haha.
the wicked + the divine. (LGBT minor characters that you’re going to get way too attached to, and retroactively. it’s awful [sobs].) the concept for this, gods reincarnating into teenagers before they burn up their hosts after a predetermined set of time, is so fucking cool. the humor and the characters and the plot is all just aces.
iceman (LGBT MAIN CHARACTER). okay, so this just started. like issue #2 was only released days ago but 1) i am liking it so far and 2) marvel did it so dirty and barely advertised bobby - an openly homosexual superhero - was getting his own series, like, i found out about it the day before it went on sale and i keep my ear fairly close to the ground (not as close as some BY A LOT, but closer than the lay person i’d say) so if you can support it, please do! pre-orders mean a lot in terms of numbers. :))))
descender. admittedly, this starts out rooough. because the main character, TIM-21 (and his little dog too), are annoying as hell. he’s an android so there’s no dimension to him so he’s booooring as all get out but i am so glad i stuck with it through to the next trade because, probably picking up on the unsustainability of him as a main character, he gets shuffled off and the side characters get the stage and they rock so hard.
paper girls. (LGBT main characters.) i’m kind of just convinced that brian k. vaughan can do no wrong at this point. his plots are so tight and mind-blowing and badass.
monstress. here’s a little tid-bit about me: female comic book writers are 100% more likely to get my money and my time because they are so damn rare and this series is unique, badass, and eye-opening.
black monday murders. i’m a little premature with this since there’s only one volume and i usually try to wait until there are at least two but i check up on a volume two a lot so that definitely means something intrigued me!
nailbiter. okay, i haven’t read the final volume yet ‘cause i’m reluctant to let it go but, so far, a series about multiple serial killers all being from the same town has me VERY HOOKED.
i wish i could remember more but this is honestly way better than i expected to do, haha. they’re definitely not all my all-time faves but they’re ones that have stuck with me for one reason or another and that i didn’t feel i wasted my time on, so that’s something, right? i hope this helps get you started and that you don’t think too awfully of me when you inevitably run across ones that aren’t your cup of tea!
So my original peach was fun to make, but I feel like a few people got left out, and that wasnt the reason why I made it. I dont want anyone to feel left out or uncomfy because I know how it feels and EVERYONE deserves a peach graphic. SO I MADE MORE ;V; I hope you like them!
Theyre also transparent, so feel free to use them however you like!