i made a gifset like this one once but i like this one better


10 parallels of Emma becoming a hero / Hook becoming a hero

Requested by Anonymous

I got this request following the “journey of having a family” gifset, but when I built this one, I realized that in oppose to the journey of having a family, the journey of becoming a hero is much more dynamic and doesn’t have a fixed chronological order (as you can see in the gifs above).

I think it’s kind of beautiful though, because becoming a hero is something that wasn’t happening in a day for them, especially not the understanding that they are ones. It began by them not seeing themselves as such, but it also continued with it after they already proven their heroism (like Hook saying he’s hardly a hero in 4x12 after he made heroic choices for already a season and a half before that). It continued with someone putting their faith in them (for Emma Henry, for Hook Emma), and so they just gave this new lifestyle a try by sticking around and not running like they always did.

They both helped people along the way, pushed the temptation of the darkness of being the DO away, sacrificed themselves for the sack of others, were acknowledged as heroes by other people, and were even able to acknowledge it about themselves eventually.

But I think the most important thing for both of them, even more than realizing they are in fact heroes, is acknowledging that being heroes is what they truly have wanted all along! After lifetime of convincing themselves that they are better of alone, that they should care only about themselves, they chose to embrace the change that someone offered them because they truly WANTED to be heroes. It wasn’t so they can be happy like Regina (they both know heroism comes with a price, and sometimes the ultimate sacrifice), it was because that’s what they secretly always wanted to be. So at the end of the day, the journey of becoming a hero didn’t end up with doing heroic acts, or even acknowledging that they have a mark on the heroes column, but the deep understanding that this is by their own choice. I think we saw it once more for Emma in the mid season finale, in which she became horrified that the EQ was gonna make her “wish” come true because she knew it was something that was said without truly being meant. The truth is that she wouldn’t trade being the savior at all, in the same way that Hook ended up choosing heroism over and over again after a lifetime (or better say several lifetimes) of darkness.

Send me a parallel/anti-parallel and I will turn it into a 10 parallels gifset

the 10 parallels project  

hear you me (a cinderella story au): chapter one

fandom: riverdale

pairing: jughead jones and archie andrews, betty cooper and veronica lodge

word count: 7k

on ao3


Jughead Jones is antisocial and brooding, invisible to everyone except for his bestfriend Betty Cooper who works on the school newspaper with him. Due to his fathers death, he’s forced to be under the care of his step-mother, Penelope Blossom; doing chores for her and her twins, Cheryl and Jason.
Archie Andrews is Riverdale High’s star quarterback, who is adored by all. But despite his father’s wishes to work for the family business, Archie secretly aspires to be a musician.
Under the name ‘burgerboy’, Jughead confides to 'musicman’, someone he met on an online form for LGBTQ+ teens; which eventually turns into an online relationship. He has no idea that 'musicman’ is Archie Andrews, his ex-bestfriend who doesn’t even remember he exists.

a/n: hey guys! this fic was inspired by this gifset that compared jarchie’s make up scene in 1x02 to a cinderella story, and since i have no self control, i created this. please let me know what you think!

Jughead Jones was seven when his dad died. Back then he wasn’t known as Jughead, but by his birthname, ‘Forsythe Pendleton Jones III’, although Jughead didn’t really think that name was much better. ‘Jughead’ was a teasing name his step-siblings, Cheryl and Jason Blossom called him once their parents had married the year prior to his dad’s death. After his dad died, he let his real name die too- ‘Forsythe’ constantly reminded that his father was gone, as he was named after him. He would never forget what happened that June day, partly due to the nightmares he still had; but also because he was the last one to talk to his dad before he passed.

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anonymous asked:

Can i ask ur thoughts on the scene between len and flash at argus? Where barry was holding onto len as king shark was trying to pull him back into the cell? I loved that scene. They've come so far from 1x04. I loved how len invited himself to the westallen wedding too.

Originally posted by coldsflash

I thought the entire scene at ARGUS was really fascinating, to be honest. I think there’s a lot that we can clean from it, including how fascinating it is that once they made it past the main guards, Len was so good at getting them to the basement that the show didn’t even see fit to actually, well, show the process of getting down there.

It’s possible they used the facial transmorgrifying to get past any guards, because no one internally is gonna question Lyla once she’s past clearance, I imagine, and they can use her retinal and bio scans to get through most parts or turn off half of their issues, and we’ve seen the cold gun take out lasers.

But still, the whole damn thing goes so smooth until they’re down there. And then there’s King Shark, and Barry being ready to kill him, and Len being unimpressed with that. And it’s not like Len’s unwilling to kill, we know he’s more than willing to, but he clearly holds other people to different standards. 

I’ve talked about that before, a bit, why he would maybe hold Barry to a different standard, with the upshot being that the guy who inspired him not to kill and to find better methods isn’t allowed to toss that dedicated out the window now, especially not when he’s asking Len for help.

But anyway, things are going relatively well until the alarm goes off, and then Len gets stuck inside. And it’s neat, he half-expects Barry to ditch him, I think, based on the way he calls Barry’s name as soon as the door closes, separating them.

Originally posted by coldsflash

He switches quick into egging Barry on, reminding him he has to leave in under two minutes, but it’s some reverse-psychology. “This is your chance to show how ruthless you really are” because of course, Barry doesn’t want to be ruthless. Not the Barry that Len knew, at least. Is capable of it? Sure. But doesn’t want it. Doesn’t want to have to be.

And of course, Barry doesn’t disappoint. It’s Barry. No matter the consequences, he has honor, and he’s not about to throw someone under the bus and leave them behind when he’s responsible for them. 

It’s interesting too though. Think back to the first trip to E2, with Jay stuck in another cage. Barry could’ve phased through the glass to get Jay out, but didn’t have the energy left, and Zoom was coming, so he left. There were other lives to protect, his friends, but he left Jay behind with the promise that he’d return. 

Originally posted by minettedylan

He had reason to believe Jay’s life wasn’t in immediate danger, and he didn’t know Jay yet, but still, it bears comparing.

Because if the guards arrive in the next minute, Len’s probably not going to turn into shark food. Him dying here would seriously screw up time considering he’s supposed to die a hero with the Legends, but Barry also has other lives he has to think about here, and getting caught up in ARGUS stuff and losing the power source would devastate his chances for saving Iris.

But even now, at the “ruthless” end of his rope, Barry doesn’t seem to even consider bolting. Maybe he considers it, but dismisses it immediately. He’s not leaving Leonard behind. 

And then the un-hackable door magically becomes hackable (likely because of Len’s tampering with it) and Barry urges Len to get out of there, only for him to get caught by King Shark at the last second. And then we get this.   

(he keeps saying “I got you” it kills me, just the reassurance that he’s not letting Len go no matter what)

Barry doesn’t hesitate to dive for him. In the space of a second, he goes from urging Len on under the door to launching himself forward, grabbing Len’s hand and pulling, definitely not letting him go. 

And you know something neat about this? Other than implied off-screen speed-running-carrying (since Barry had to get Len to 2017 somehow), the last time we saw them physically touch on screen was when Barry had Len pressed up to the mantle in 2x09? Barry has gone from physically pushing Len as a threat to physically pulling him to save him in the space of a single interaction, really.

I’m not sure what more you want me to say, except that it seems that every time these two work together, one of them gets the other into a pinch but ends up saving them (happens in 1x22, 2x03, and now here in 3x22). Their tally sheet must look like a messy with all the “you helped me, I saved your life, you saved my life, I helped you” back and forth they do. No wonder they seem to have simply thrown out their attempts to keep score.



So, I have many ways of cutting out characters, and I pick which way to use depending on the scene. In this tutorial I will show you 3 ways to cut out characters for gifs. Let’s get started!

  • Program: Photoshop CS6 Portable
  • Difficulty: Easy (it’s just time consuming) 
  • Previous Knowledge: Basic knowledge on how to make gifs (any PS resource blog will have tutorials on how to make them)

put under a read more because it got quite long

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LEGION Recap: 1x01

Last spring when I was getting mildly sloshed off cheap French rosés and falling in love with the X-Men, I did not know it was because my compass heart had swung unerringly to the superhero franchise that, in its infinite batshit whimsy, would see fit to produce an eight-episode kaleidoscopic mutant concept piece less than one year later, as if the surrealist inventive fuckery inherent in the X-Men universe had just been waiting for me, DTF.

And then Legion had to wait for me a bit more, as historically I’ve only ever managed to watch one TV show at a time. Why? BECAUSE I DO NOTHING BY HALVES, SON. And presently I am still lost in space with my beloved golden-hearts on Star Trek: Deep Space Nine.

But then I saw a gifset of what looked like Jemaine Clement in a pale suit on some sort of Mylar-draped soundstage, and that was fucking it. I could feel a give in my ribs as I was pulled toward my true north, to Legion, to the show seemingly made out of scraps and spangles fished out of my own head.

So let’s do it. Let’s do two shows at once. Let’s see what my capacity for sustained enthusiasm actually is. Let’s open up all the valves, let’s set fire to tears, LET’S GO.

Legion - Season 1, ‘Chapter 1’

Wooouuuld you like this show to begin with a deeply stylized growing-up montage set to “Happy Jack” by The Who, hyper-slo-mo snapshots all centered in frame, quaint and retro until our boy hits age of onset and begins screaming it into a distorted symmetrical Wes Anderson nightmare? Hohoho, would I.


Troubled kid grows into troubled man, until his big haunted eyes see no more hope, and he tries to hang himself with an electrical cord, which sparks like synapses (!!! guys) into a sparkling candle on a cupcake — his birthday. Thirty-odd complete revolutions around the sun for David, the last five spent inside this mental institution, which outfits its patients in burnt orange track jackets with yellow stripes, because THE SIXTIES, groovy.

Dan Stevens does a pretty passable American accent, it turns out. His most amazing transformation is still when he left his second chin in Downton Abbey and suddenly looked like his own hot evil twin, but this is good too.

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“A Rose By Any Other Name Would Smell As Sweet” - On Dissociation, Duality and Identity on Supernatural

“The mind is its own place, and in itself can make a heaven of hell, a hell of heaven…”
- John Milton / “Paradise Lost” 

After reading an interesting article on the 350th anniversary of Milton’s “Paradise Lost” I found myself pondering one of the themes prevalent in the poem and how it translates to one of the themes I love so much on Supernatural and how it has been especially explored during Carver Era: The Topic of Duality and Identity.

One of the key aspects of Lucifer as a character in Milton’s poem is how the archangel sheds his original name and by that also crafts a new “life” for himself along with it. He no longer calls himself or is addressed as Lucifer but as “Satan” or “the Devil” (interestingly enough that is something Supernatural’s longest standing villain rejects completely, and despises these names which is an interesting aspect to keep in mind and one I’ll come back to later). This re-invention and the power of names is an intricate part of shaping one’s own identity and reality. It’s something we have seen countless pop culture figures go through for very similar reasons.

The pattern can be traced all the way back to fairytales like Rumpelstiltsken, but it can be found in a multitude of modern pieces of literature, art or television too. Think of Tom Riddle vs. Lord Voldemort, Dr. Jekyll vs. Mr Hyde or Walter White vs. Heisenberg. They all create alter egos for themselves in a fashion comparable to the renaming process that happens to demons in Milton’s work, because once they lost their positive identity, they also lost their names. It’s very much in line with what we see happening on Supernatural as all the more “run of the mill”-demons we have met thus far have been addressed by the name of the person they inhabited, Meg is probably the most memorable example for that. And it’s also of course a transformation the King of Hell himself underwent when he died as Fergus McLeod and emerged as Crowley.

Much like his mother, who always tried to escape her past and shape a new world for herself in which she possesses the power she lacked before when being rejected, so Crowley tried his best to forget about his past altogether and shape a new world and identity for himself. And all that went well and good until, well, the Winchesters came along. Until then Crowley was able to craft his new self and by shaping himself shaping also his own reality, how he perceives and thinks of himself (unintruded) and by that trying to infer how people perceive him. In the end however the dilemma comes down to what Kurt Vonnegut once described as: “Be careful what you pretend to be because you are what we pretend to be.” Because sometimes that - or rather the way we think about ourselves - can turn into your Achille’s heel or something like a self fulfilling prophecy. And on Supernatural, I suppose no one fights that battle with himself harder than Dean Winchester. That battle of how he thinks about himself and how/who he really is (and that aspect is drawn attention to again with Mr. Ketch insinuating that Dean and he are alike or that Dean is merely an unhinged killer (see meta and gifset here) - something Dean may think of himself at the worst of times, but which hardly can be counted as a realistic picture of who he truly is).

And in this regard I feel it’s important to remember that Dean went to Hell, was well on his way to becoming a demon, but got rescued before his soul may have been twisted too far to dip back. That doesn’t change anything about the fact however that Dean remembers that time, remembers what happened to him, what he did and what he became. It left a taint, some darkness within him and one he is deeply ashamed of. Now, question is how far along the transformation or dissociation went when he was in hell. Was Dean close to forgetting his own name, his own positive identity? And is that possibly the reason why Dean’s struggles in terms of identity and perception of self has gotten all the much worse post Hell too (while also of course taking into account the trauma he faced there)? Because Dean thinking about himself merely as a killer definitely stems from his experiences in and post Hell.

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pedestrianfootbridge  asked:

Any thoughts/theories on who Savitar might be, in light of the "Once and Future Flash" episode? I'm hearing people suspect it might be Eddie, which could be cool. And that fits in with the whole "Barry ruined my life" thing and also 2024 Killer Frost's comments that Barry would be "so surprised" when he found out. But I also feel like if that was the case Caitlin would have been more confused/suspicious towards him instead of just immediately giving in like she did at the end of the episode?

I’ve talked a lot about my theories and the various ones I’ve heard, weighing the possibilities, but maybe I should have it all in one place, so here we go.

Who Savitar might be (in descending order of likelihood).

1. Barry Allen

This is my favorite theory. 

Maybe it’s a Barry who becomes so twisted by the death of Iris that he makes a time remnant who becomes Savitar somehow. Maybe it’s the version of Barry that was destroyed by Barry changing the timeline so many times, and he’s been caught in the speedforce going mad all this time, re-witnessing his mother’s death. 

Who knows? Not me. But I can see it from how this season has gone, with it being about consequences to Barry’s time travel. And Caitlin knows enough about time travel and time remnants to put that together quick, upon seeing Savitar’s identity. Like I mentioned somewhere else, her reaction could’ve been a “this version of you is as twisted as I am as Killer Frost” - a mutual understanding of what they’ve both become.

This theory also makes the most sense from Savitar’s “it’s me or you” thing with Iris. Maybe Barry needs to become so twisted and broken to become Savitar, and Iris has to die in order for that to happen.

2. Eddie Thawne 

This would warrant some surprise from Killer Frost, given that Eddie was pretty dead last we checked. She wasn’t quite confused enough for this, maybe?

But note that Eddie died within a time loop, right? The only reason he killed himself is because Eobard time travelled. No Eddie procreating, no Eobard to travel back in time and cause Eddie to ultimately kill himself. The speedforce shelters that timeline (Eobard’s original timeline) to prevent a world-collapsing paradoxical time loop, but we don’t really know if that means Eddie just stays dead, or if he’s maybe been stuck in the speedforce or caught in a time loop going mad?

It also plays into the “you’ll never guess” thing they’ve got going, but fit with it being someone who knows the team / has been watching them, has a personal connection to Iris. Idk, this gifset had some interesting points/parallels for it.

3. Cobalt Blue / Malcolm Thawne / Barry’s evil twin

This one is out of the comics but I’m a fan of this theory. Separated twins at birth, a twin who thinks Barry took “everything” from him by having the life that he was supposed to have but never got to, raised by the Thawnes and not the Allens. It seems unlikely to me that they’d actually play it out this way, but some Cobalt Blue reference or tie-in wouldn’t really surprise me.

Anyway, @ladyofpride and @prouvairablehulk have made an interesting case for this.

4. Ronnie Raymond

So people are suggesting this one I think because of the Killer Frost tie-in? And maybe because it’s sort of unclear what the heck happened to Ronnie’s body when he was sucked into the singularity. Maybe he wasn’t crushed by gravity and maybe he didn’t get chucked out as a corpse onto Earth 2. Maybe he just got lost in the speedforce, sucked in like Roscoe (Turbine) in the New 52.

I kind of dig this theory on a few fronts, including that it would be a genuine twist, fit with the comics in that weird way, and sort of have a strange tie-in with how Julian was Savitar’s avatar and was falling for Caitlin all season. But, I do believe if this were true, Killer Frost’s reaction to seeing him would’ve included more shock and awe and joy?

5. Iris West

This is a new theory I’ve seen floating around. It’s neat, placing the “it’s you or me, Iris” thing in an entirely new light. Iris doesn’t die, she becomes Savitar. Or I mean, she does die, and thus becomes Savitar.

I feel that Killer Frost’s reaction at the end of 3x19 would actually fit with it being Iris, to be totally honest, but I still think it’s ultimately a little unlikely. That being said, the seasonal big bad being a woman? Into it. And it would be an unexpected twist. What better to ruin Barry than the woman he loves becoming the one who ruins him? 

6. Another speedster: Jay Garrick, Wally West, Jesse Quick, Eliza Harmon

Mostly Wally and Jay, but I think these are all at least a little plausible, right? Jay is stuck in the speedforce right now though, so it would have to be a Jay from a different time. Wally is an interesting theory to me… Savitar took a shining to Wally and used him, got close to him, imprisoned him and the speedforce didn’t want to let Wally go.

Also, it would but a neat spin on 2024!Wally. Wally goes after Savitar, Savitar breaks his back and does something to him, and Wally becomes permanently catatonic? Maybe he’s catatonic due to becoming Savitar? I know it’s convoluted and silly and unlikely, but hell, this show handwaves a lot.

Jesse seems unlikely but she’s a speedster so? Same with Trajectory – she was destroyed by the speedforce after all. Maybe Velocity made her one with the speedforce. It’s silly and I doubt it, but hey, I’m being thorough.

7. Leonard Snart

I don’t think this is likely, but some people think Occulus!Len might’ve become the God of Speed. @literallyflashtrash suggested it as a crack theory but it’s taken off since then, and others have thought it up independently as well. I think we all just miss Snart. It’s okay guys, I miss him too.

8. Humanized!Grodd

“I am the future, Flash…” - Grodd, New 52. Enough Said.

9. Patty Spivot

@terrie01‘s joke but hell, at this point, I won’t even be surprised. Throw us all for a loop, writers.

10. A random hot dude because KF is thirsty

Someone joked about this and I 100% approve. “you’re gonna be sooo suprised… that Savitar is someone you haven’t even met!”

11. Edward Clarriss / The Rival

The dude had a big enough ego, right? Was created by Flashpoint. Maybe Savitar is somehow a remnant of him, and that’s part of why he killed Clarriss when he was done with him? It’s not like Zoom didn’t pull the same move with killing his remnant, and this show loves its parallels.

12. (Grown up) Sara Diggle

Barry erased her existence from the timeline. If I were her, I would want revenge too. Obviously not likely, but damn does he deserve this coming back to bite him.

Review - 13x24

Hey guys, @jordan202 here. This is going to be a quicker one. Since it’s the last installment of the season, let’s wrap it up assessing the entire episode, but keeping the focus on Omelia of course.

I have to say that, compared to 13x23, this episode didn’t excite me as much. Sure, we got amazing moments, especially for Omelia, but I think this whole thing probably would have worked out better as a two hour season finale. In all honesty, I thought 13x23 was a bit more exciting. I could be biased by the fact that we had a huge Omelia turning point from ep 22 to 23 and a much smoother transition to 24, but I think the pace of last week’s episode was more intense.

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Do Dis: List all the things you’re currently working on in as much or little detail as you’d like, then tag some friends to see what they’re working on. This can be writing, art, vids, gifsets, whatever.

I was tagged by both @granpappy-winchester and @vulcanplomeeksoup, thanks guys, this is fun! I’m going to follow along with those who’ve been including excerpts from the fics I’m currently working on–there are a lot of others I’ve outlined or are in the queue, but these are the ones that actively have my attention!

1. Invisible!Will (or I Do Wander Everywhere) Chapter 9:

He would have thought it maddening, not being able to see Will while touching him. Hannibal has imagined Will’s beauty laid bare to him, the flush of his skin, eyes luminescent in the low light, lips kissed red. But oh, this is somehow all the more thrilling. Putting Will together by touch alone, defining the empty space he can see by the sighs Hannibal’s touch coaxes forth, the slide of Will’s thigh, solid and strong between his legs, the jut of Will’s pelvic bone pressing into the softness of Hannibal’s lower stomach, the elegant line of Will’s spine twisting away, even as his grip on Hannibal’s collar tightens and pulls him nearer.

2. His Soul to Keep (Kuroshitsuji AU) Part 4:

Behind them, Will was aware of Reba ushering a stunned Jimmy and Brian from the room, and he closed his eyes briefly in dismay, hands clenched at his sides. Another rash, impulsive action, and it was all Hannibal’s fault. The door swung closed, and Will opened his eyes again, gaze drawn to the mark on Hannibal’s cheek, already a vivid red in the shape of Will’s hand.

Hannibal observed Will from under the fall of his silky hair, eyes unmistakably red. They flared with barely restrained power, as Hannibal’s fingers came up to prod gingerly at the edges of the mark. He could have healed it, but he did not, and Will’s stomach dropped at the realisation. There was that uncomfortable, all-encompassing heat, as relentless as August in New Orleans. It swept through Will’s veins, setting him alight from within.

Will swallowed hard and fought the urge to take a step back. <i>He</i> was the master here. Hannibal moved slowly and smoothly as a shadow, coming around the island and crowding into Will’s space. He raised a hand, and Will flinched, half-expecting a slap in return, but Hannibal’s palm came to rest gently against his cheek. His gloved thumb traced the dip beneath Will’s lip. “And what, my Lord, is my transgression?”

“Don’t play stupid with me,” Will said, and was secretly pleased with how even his voice remained, how he managed to rein in the full-body shudder that Hannibal’s touch provoked.

3. How Pale and Wanton Thrillful (My Radiance offering, so you won’t be seeing any more of this for a while :D):

In the evenings, his tiny shack seems to shrink down to the beams of lamplight cast across the floor. Will’s no stranger to living in small spaces, and he finds it comforting–grounding, really, to have everything he needs to survive close at hand. Just a kitchen and the pullout sofa, and a row of dog beds. Will can fling open the windows and leave the door open to the screen. The breeze comes in off the water, and it’s enough to cool down the whole house.

It’s been a couple of weeks and looking back he’ll realise it happened too gradually for him to see outright, but he should have known. First it’s in the lazy turn of the ceiling fan, click click clicking away. Stripes of shadow and illumination flickering over the page of the book before him–light then dark, light then dark.

Will finds himself studying the shadow rather than the words, and everything else slips away. The gentle chorus of insects and the crash of the waves, Daisy’s chew-toy squeaking, even the sound of the pull-chain clinking. Nothing but the whir of the fan blades slicing through the air. Air that is suddenly denser, pressing in against his skin, dragging through his lungs. How sharp the blades must be–as sharp as the one he’d wielded on the cliffside…

4. Orphan!Hannibal part 2:

Will’s mind could resist all he wanted, but his body made its interest known. His heart would race, caught in his throat when he first saw Hannibal’s face, the lines growing more angular, though there remained a roundness in his cheeks. His palms were constantly sweaty, no matter how often he rubbed them against his jeans, when Hannibal sat too close beside him. Hannibal would crowd close in the kitchen, hips and shoulders and arms bumping as they worked together to prepare dinner, and a fire caught low in his stomach and he was flustered and disoriented and fucking miserable.

5. Make No Mistake Spacedogs a/b/o WIP:

It doesn’t take a whole fuckin’ lot of effort to figure out there’s a lot more going on there. Given the proximity to places like Vegas and LA where the sextrade is alive and well, it’s no surprise that The Golden Rest serves as an underground railroad of sorts for Omegas fleeing their owners–whether that’s an abusive Alpha or a domineering Madame.

No Alphas or Betas get anywhere near the place. There’s a perimeter wall patrolled by Betas a good couple of miles from the actual resort. Nigel knows the simplest way to gain access, but he isn’t ready to go to those lengths for this job. Instead he sets up camp at a local bar, and it isn’t long before some of the staff begin to trickle in.

Gaby once told Nigel he was sinisterly charming, and to be honest, he hadn’t even had to try very hard to win her over in the beginning. When he puts his mind to it, he can have the most intransigent asshole eating out of the palm of his hand. But these people, they’re eager to talk to an outsider, and a Beta is all the better–different from their fellow Omegas they’re surrounded by day in and day out, good conversation and flirtation with the potential for something more, and without the underlying threat that comes part and parcel with an Alpha.


Red Light, Green Light.

A/N: There was a tie in the voting! Cavill will come next, but being as I’ve never posted for Chris Pine this one goes to him. Hope you like this one. The gifset is not mine, but it seems fitting

Summary: Chris gets jealous when his girlfriend decides to flirt with his co-star once he leaves her alone at a party

Words: 1978

Why is it red lights always seem to take the longest to pass?

You find this question running through your mind as you reach down to slip out of your heels for the evening. You are too lazy to shift in your seat to properly dispose of them. Your exhaustion from a full day of work, followed by an elaborate dinner party, prompts you to drop them over the back of your seat not caring where they land.

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Alpha Insanity (Part One)

Based off THIS Sterek AU

AN: You guys were requesting I write some parts to this so here’s part one :) I’m sorry it’s not as good as the AU gifset sounded.

“When did you get a tattoo?” Scott asked as Stiles tugged of his Lacrosse Jersey.

“What, are you kidding me!” Stiles growled and stomped over to the mirror to look at himself and found his ribs dusted with tiny triskelion patterns. He almost thought it was cool but then quickly remembered the last places the mark had shown up and decided he was really getting sick of it.

“You should have said and I’d have come with you.” Scott muttered as he grabbed his bags and frowned when Stiles started checking all over. “You didn’t get drunk and tattoo yourself, did you?”

“Scott I can barely draw a straight line, I don’t do art, I do brain stuff.” He mumbled and Scot flinched when Stiles turned his back to his friend and pulled the front of his shorts out. “Well better than last time I guess.”

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GoT: Gendry: Season 7 & 8 Hopes n Dreams

k but Gendry and Orys Baratheon parallels because like… if he is gonna be a big thing in season 7 like everyone is rumoring and that he’s been seen in Belfast (Winterfell and the general North) AND Spain (Kingslanding and the general south) i wanna take a minute to talk about what he’s got.

He’s the last of the Baratheon bloodline. We all know that. But he’s also prolly the only living blood relative of Danaerys. Dont forget that Robert Baratheon’s Grandmother was Princess Rhaella Targaryen AND Orys Baratheon was a Targaryen bastard as well, making Gendry her only blood family (either than Jon of course, but we all know Jon’s gonna do shit.)

If he lives through the war of the dawn I can see him getting rewarded as Lord Gendry Baratheon of Storm’s End and reviving House Baratheon.

Now how will this come about I wonder. Gendry wouldn’t come up with that himself. I dont think Danaerys would come up with it herself because she would have to have someone explain everything to her. Now, who has an interest in bettering the realm? Ohh! Tyrion and Varys. I think one of the two or BOTH will tell Gendry that he has a shot at Lordship and of course Gendry will be all like “No I hate the nobility. I dont want to be one of them.” and then the answer to that will be. “Your distaste of the nobility is exactly why you should become a Lord. You have a duty.” 

“And duty? Why? Because the king fucked my mother in a brothel, now I have a duty to his house?”

“No, your claim to House Baratheon is merely an opportunity. Your duty lies with your young self, a bastard boy with no family wondering around flea bottom hungry. Any other highborn lord will sit in the golden stag dining room at Storm’s End and eat their supper while his people starve… I say, you would sell all those golden stags, wouldn’t you? You’d be content to eat at a simple wooden table knowing it wasnt on the backs of the lowborns. The last thing this realm needs is another castle full of pampered brats that don’t know a damn thing about the people they rule. If you live through this war I know I can easily convince our Queen to make you Lord Baratheon of Storm’s End. After all you are her cousin…”


I want the Acorn Hall scene to take place still even tho we’re way past it in the books. Maisie Williams is older now and Arya has completed most of her solo self-finding soul-searching mission and is now back in Westeros completing more of her list and then probably going home to Winterfell where Sansa is.

We saw Arya in some nice feminine clothes in Braavos. Personally, I think she’s pulling a “tomboy grows up and begins to appreciate femininity in her own unique way.”  thing that happens all the time. as much as people wanna say Arya will always be this dress and bath hating child forever, realistically it’s not likely.

The party traveling to Winterfell from Kingslanding is large so Sansa is planning a feast for everyone as a welcome back/to. I can see a nice sisterly moment where Sansa asks Arya if she’d like something nice to wear to the feast and when Arya isnt disgusted by the question and actually smirks a bit and maybe makes a joke about how pretty her brown old tunic is.. Sansa takes her hand and they go away together to pick out dresses and do their hair nice and we get to see them have this really innocent happiness again even just for a bit. then of course the only dress at Winterfell that will fit Arya is this acorn dress. then of course you know the whole Acorn Hall scene with Gendry. and I want Ser Bronn of the Blackwater to be the one that sings Featherbed and teases them because I love Bronn and I think that laughing and teasing them is totally something he would do, as well we have already seen him drunkenly singing The Rains of Castamere before the Battle of Blackwater, so why not sing My Featherbed?


Arya will wake up a day after the war of the dawn has ended and she’s all bandaged up but is not that bad and capable of walking. Sansa is by her side. She asks about a few people and finally asks about Gendry. By most everyone’s knowledge of yesterday they all thought Gendry was too badly hurt and wasnt going to make it. Arya runs to his room and takes his head in her hand and talks sweetly to him thinking that this is the last time she’s ever going to have with him. Then she gives him a soft kiss. Gendry then opens his eyes a bit and whispers, “Arya…”


“I’m… alright..”

and there’s a moment there she’s processing what’s been said. then the Maester of whoever is caring for people comes into the room not having heard the whispers, “Isn’t it great My Lady? I was just spreading a bit of a word to everyone about him. Most people, including myself, thought he was a goner, but then I started tending to his wounds and they werent even half as bad as we all thought. Cleaned and bound him up right as rain and knocked him out with milk of the poppy.” By this time now Arya is horrified. She let’s go of him and stands up, embarrassed. Gendry tries to console her, “Come on, Arya, don’t be embarrassed. It was sweet.” Arya immediately leaves because she has to, though she doesnt actually want to stay away. She goes to the kitchens and gets breakfast for them both and returns.  


“…but what’s west of Westeros? I’d like to see that.” I cant see Gendry wanting to adventure around the world with Arya and as much as I’d like to fantasize about Arya and Gendry being the Lord and Lady of Storm’s End and having lil Baratheon babies… i dont know…. I feel like after the war of the dawn and Arya has taken her vengeance and maybe ditched her list all together after having her blood warmed again by Jon, Sansa, and Gendry that Arya won’t want to stay in one place being a lady and wife and mother. it just seems weird for her to end up the lady of Storm’s End after saying she wants to see what’s West of Westeros.

UPDATE: I am just remembering Gendry’s talk with Davos. Davos was born in fleabottom as well. King Stannis gave him a lordship and made him the hand of the king. Davos almost didnt accept the Lordship but he did because he wanted his son to have a better life. But then his son died young anyways! And Davos may be clean and have soft bed but he’s no more safe or happy because of his Lordship. What if Gendry likes the picturesque ideas Tyrion and/or Varys tells him about how the realm doesnt need another pampered bitch ass lord? And that he can do the realm some good? He can help people? He was once one of them therefore he knows what they need? Well… what if Gendry doesnt really give a crap about the people???? Maybe Gendry is only seriously considering accepting a Lordship because it might mean getting to fucking relax and be safe and clean and fed… but then, wait, no, if he’s learned 1 thing during this wild ride it’s that castles and armies and nobility and money aint actually shit. it doesnt matter that Gendry would be a good and noble lord. sure the smol folk would love him but that doesnt mean he’d be safe and not create enemies just by existing. Ned Stark was kind and honest and noble and well liked and he still had enemies that wanted and got his head.

Here’s what I see and hope for: Gendry seriously considers accepting the offer of being Lord of the Stormlands. But then Arya comes to him after the war of the dawn and asks him what he thinks he’ll do next and where he’ll go. She’s asking him this because she wants him to come with her.. to see what’s West of Westeros. He tells her that he’s been offered a lordship. Arya’s taken aback by that, and asks, “So that’s it then? You’re going to be a Lord.” Gendry nods, “No.”

Does anyone remember that shot after him and Arya first met and they were first leaving King’s Landing? Gendry put his helmet on the cart and pulls himself up, and then he gives Arya a hand and pulls her up and they sit next to each other on the way to the wall.

what i am seeing is a mirror of that but on the boat sailing for a new world in the west of whatever. maybe they climb somewhere high on the boat. Gendry puts his stuff up on the sit and pulls himself up and then gives Arya a hand a pulls her up and they sit next to each other has they’re leaving King’s Landing for the last time just as they sat next to each other the first time. can you imagine the gifsets?

Someone commented on my Liara/Javik gifset to say they feel Javik is probably the biggest disappointment in Liara’s life.
And I had ideas for a meta post about them, because it seems to me like it’s a bit more complicated than that. I’ll argue that Liara is Liara’s biggest disappointment, and those feelings are temporary and won’t last because Liara will come to terms with some things. Same with Javik. It’s just their meeting that makes them both aware of things they don’t like about themselves.

First, I’m thinking about this note from Liara:

“Childish/Romanticize/Dazzled/Dedicate my life to studying”

I can only imagine what it’s like for her because that level of disappointment is so high. She expected someone completely different, instead she gets a soldier who:
1. has only known the Reapers so he has never seen what the protheans are like in a time of peace
2. is a soldier

I mention all this, especially the soldier part, because Javik himself is focused on that:

(The dialogue here is my own transcription)
JAVIK: The strong grow stronger by dominating the weak. It is for the greater good of all. Though I do not think your asari approves of my beliefs.
SHEPARD: Liara? I think she just had a different idea of what protheans were like.
JAVIK: We are all a product of our time. Had I been born in this cycle, perhaps I would be the noble scholar she wishes me to be.
SHEPARD: You think you’d like that? It’s a whole different line of work.
JAVIK: I wouldn’t know. Living a life of constant war, taking life in every battle…
SHEPARD: I see how it could be tough to see outside the box.
JAVIK: It is the only box I have known. It shapes me, as stone is shaped by the one who causes it. This stone has no choice in the form it would take. You and I, Commander… War is our sculptor. And we are prisoners to its design.

I find this conversation so enlightening, first because Javik is greatly aware of how he came to think like he does, but he also doesn’t know anything else than war, so he doesn’t know if he could enjoy being a scholar. He has no idea.

The words he chose are also significant: “No choice/Prisoners”
And the look on his face:

I honestly see regret, or at least this is the look of someone who knows it’s too late to change, too late to go back. This is what he keeps telling Shepard when he warns them about war. War changes you, and this is the person he has become. And this is the person Liara finds disappointing.
It’s a very vicious cycle, that both will eventually break. 

Because Liara realizes she did romanticize the Protheans, which is why she’s disappointed with herself. But once she understands Javik is not going to become the “scholar she wishes him to be”, maybe she’ll get the truth out of him, and they could both write a book that shows the good and bad parts of the prothean empire. 

If Javik doesn’t touch his shard, he tells Shepard at the end of ME3: “Since my birth, life’s only pursuit has been war. I look forward to seeing what peace looks like.”
and “Perhaps I will write a book with the asar- with Dr T'Soni. She suggest "Journeys with the Prothean.”
This is so important because:
-I will/With/Dr T'Soni: this is no longer Liara just writing about him on her own, and he respects her scientific abilities enough to call her by her title now.
-Journeys with the Prothean: how fitting is that title? Because they both went on a journey, Liara had to understand she had misjudged the protheans, she had to understand that as a scientist, she needed to do better. And Javik had to realize he’s “looking forward” to see “what peace looks like”, that there is more to life than just war.
Javik, in his goodbye, will thank Shepard "for letting the last voice of the Protheans speak.”
Last voice. It cannot be a romanticized version. It has to be a truthful, accurate one. 

So yeah. I think that initially, they were both incredibly disappointed, maybe a bit by each other, but mostly by themselves. And it’s only when they accepted the truth, and accepted to move on with a more accurate one, that they stopped being so disappointed (and bitter). Basically, they were forced by their meeting to examine their own feelings, and realize that something in their past was plain wrong. I love the character development there, made possible by their relationship.

anonymous asked:

Couldn't the changes in Len's character in Legends be due to how he fell for Sara? With the one deleted scene they released it looked like it was almost love at first sight. He was kinder and more honest and open with her than anyone else including Lisa and Mick. No one saw through and understood him like she did ever before. His getting rid of Mick was more about him trying to hurt Sara than the team. And she was the one who got him to make up with Mick. It never would have happened without her

Anon, there is so much wrong here that I very strongly considered not answering because the only things I can say are to disagree with you and that’ll probably make you angry.

But, well, I was a little angry too, particularly at the line “His getting rid of Mick was more about him trying to hurt Sara than the team” but I decided not to let anger rule my thoughts. Nonetheless, I’m gonna answer because I feel it’s worth a discussion for why I think differently, and why your post struck a bit of a nerve. Sorry if this isn’t what you want to hear, but I really do feel it warrants a meta/commentary response.

First, no I don’t think all the changes in him are due to Sara and I’d say that’s an oversimplification of how and why a person changes. It strips Len of those changes being about him at all really, taking away some of his autonomy in making the changes. If you change solely for someone else and not for yourself, that’s not sustainable. Len changed for himself and through the influence of a host of different factors, and to reduce it to largely one thing misses so much of the complexity of how and why people change in reality. And I’m not saying that falling in love can’t change a person (through the different viewpoints they take on and through the trust they develop), but I also don’t read Len as having been in love with Sara. People, a single person, can help catalyze change in us even without being in love, of course, but it’s still missing some of the point to make it all about that other person. Change happens internally.  

And there are a lot of the factors that could plausibly, canonically, go into him changing. I mean, I maintain that many of the changes that bothered me (the very subtle characterization ones that tilt him more to a slytherin-hufflepuff than a slytherin-ravenclaw) are ones that came in from the writers wanting to have him work with a team and taking over his character from a different team, losing a bit in translation. But in canon, if we try to explain those changes, I really would not ever want to attribute them to solely one character.

I feel that if we explain the canonical changes in Len, we can point to a couple of major factors, and his budding friendship with Sara is one of those (because it shows him letting people in and believing that change and overcoming one’s past is actually possible, because it’s something she is doing and demonstrating). A few others are Barry’s staunch belief in Len’s goodness and his willingness to help Len, working with Lisa and Mick again and the effect that has on him, being free of his father in a final way, and working with a team of people who’s wellbeing he feels responsible for (especially Jax). I’ve made posts that talk about most of those factors in one way or another though, so I won’t delve into them here.

More specific to the points you raise, I disagree that he demonstrates anything approaching love at first sight in the deleted scene.

Honestly the only thing I read into that is that he a) is trying to get a feel for people on the team and doesn’t quite know what to make of Sara yet, except that she might be the only one aside from Mick he has anything in common with (she shuts that down with the reincarnated point), and b) that he’s a bit intrigued at her willingness to bite back, but maybe a little annoyed at how barbed she is with him. (For the record we literally never see him even glance in the direction of her ass so I don’t get where that line is from.)

I also strongly disagree that he’s “kinder and more honest and open with her than anyone else including Lisa and Mick”. I don’t even know where you get that idea, to be frank. Len loves his sister to death and would do anything for her. He would never raise a weapon to her like he does to Sara in 1x15 and there’s zero reason to suspect he’d be less honest with her than with Sara (or anyone else). If you try to raise the point that he didn’t tell her his dad kidnapped him, I’d counter by saying he didn’t really have a chance and wanted to protect her. He also happened to lie to Sara (alongside the rest of the team) about having killed Mick. 

If you want to talk about Len opening up about his past to people like his heart-to-heart with Sara while they were freezing to death, he’s even similarly expository with Ray (who I maintain he ultimately dislikes) without much prompting.

Originally posted by coldsflash

Len also lies to Sara’s face at least once or twice, particularly about Mick. “Everyone okay between you two?” “Peachy.” Even if it’s unbarbed and obvious, he’s not really being honest (with himself or with her, and they both know it). He’s not opening up to her.

With Mick, Len is admittedly not always honest, or fair. 

But that’s in part because he takes a high degree of responsibility for Mick, maybe more than Mick wants him to. He doesn’t always expect Mick to make decisions in his own best interest, and Len has a very high need for control and believes he’ll make the best decision for his friend. 

Is it okay? Not necessarily. But I don’t think he means that he’s largely dishonest with Mick or that there isn’t a huge amount of trust and understanding between them. 

Mick’s the one who knows Len’s intentions for going in the trip, knows where Len’s head is at, is the one at Len’s side who can literally finish his sentences and move in sync with him. They have one-word codes like ‘Alexa’ and ‘like that time in Chicago’ that tell them everything they need to know about a situation. 30+ years of history will do that with someone. 

Actually, the whole ‘pulling the cold gun out’ thing is neat with respect that. He pulls it on Mick, Mick pulls the heat gun out, they have a stand off for a minute. Len appears to think about it and calm down and come up with the next step for what to do, or else it gives him space to remember to be the reasonable one. Mick gets this too because he doesn’t ever pull his trigger, just waits for Len to decide to end the stand off, every time we’ve seen them have one. But with Sara, she called his bluff. She didn’t understand why he’s doing this and what he gets out of pulling out his gun and having a stand off with someone so she calls him on it (which is fair, I’m not saying she’s in the wrong). And maybe it’s all dysfunctional as hell of him, but I think it demonstrates how Mick understands Len better than Sara does. He moves along to the beats Len is playing in a way that Sara won’t (which is fine because no one needs to, but you can’t tell me that Mick doesn’t understand Len inside and out, up and down).

Which is why I so strongly shirk at the idea that Len ‘got rid of Mick’ (just that in the first place, he didn’t get rid of him), more for Sara than for anyone else. Len marooned Mick for the stated reason of worrying what would happen to his sister if Mick went back to 2016. He knows Mick has impulse control problems and anger issues. He knows that he himself acts like a check/balance on Mick, so dropping him off in 2016 could have some high-damage consequences. So it was about protecting the team, and protecting their loved ones in 2016 (particularly Lisa, the person Mick is most likely to go after because it’s more Len he wants revenge on than any of the other team members). Beyond that canonically-stated reason for marooning Mick, it could also have come down to a lot of personal shit between Len and him. 

To the extent that once he chose not to kill him, Len always planned to return for Mick (till death got in the way), he probably intended for the marooning to be a very short cool-down period for Mick before Len picked up back up and brought him home. A “okay you betrayed us you jackass and it fucking hurt and I’m pissed but I’ve had time to think about it and you’ve been stuck here to think about it for a day, so now let’s go home alright?”.

I mean, you can read a lot more into it than that with respect to their relationship, but I don’t think it’s valuable to bring anyone else into that. It was about Len and Mick, and to a lesser extent about Lisa, and then about the team as a unit. There’s no evidence it was about anyone else, and certainly no evidence that Len was worried Mick would hurt Sara if he stuck around.

As for her being the reason they made up, I agree she had a part in that, but I also think it would have happened eventually in the same way regardless. She was a catalyst though, and showed empathy and deep understanding in that situation. I think that’s highly to her credit, actually, and I’m not sure why you’d make that about Len’s character changes when it really shows her own development and insight. 

But Len and Mick have been at serious odds before, were apart for a few years even, and still manage to find their way back to one another. They always do, with or without anyone’s help, and being confined on a ship together was going to press the issue sooner rather than later. Sara didn’t convince Len to lay down his life for Mick and die if that’s what Mick wanted from him. Len’s love for Mick did that, full stop.

tl;dr - Mick and Lisa understand Len better than Sara does as per canon, and he canonically demonstrates more honesty with his sister and more mutual understanding with Mick than he does with her. There’s nothing to suggest love at first sight (intrigue, at most) and there’s nothing at all to suggest that him marooning Mick had anything to do with Sara herself. The implication Len changed solely/mostly because of her is just a large oversimplification that strips him of personal autonomy in making those changes.

So after i made a list of differences between movie jd and musical jd here, some people asked me to do one for veronica too so here it is! :)

-One difference that she shares with JD is, again, their relationship. I’ve written a ton about the differences in their relationship in the musical vs the movie, the primary one being that they were in love in the musical. I’ve already pointed out some of the ways musical JD expresses his love, but Veronica does too!

-Seventeen basically speaks for itself. The whole song is literally Veronica telling JD how much she loves him and wants to be with him. The way she reaches her hand out to him fuckin KILLS me 😭

-Where movie Veronica basically gave up on him pretty quick (understandably, bc movie JD was a creepo) musical Veronica tried several times to save him (theres actually a gifset here if you wanna check it out lmao) she wanted to save him because she loved him!

-Her personality in general is just extremely different, she’s honestly the polar opposite of movie Veronica. Where movie Veronica is cool, sarcastic, and apathetic, musical Veronica is an adorable, socially awkward dork who is so kind and strong and just aaaahh. I love her so much omg

-not a huge difference but movie Veronica is really rich and musical Veronica seems to be more middle class? (Heather saying her house looked poor and the fact that her parents had liverwurst instead of pate) idk just something I noticed

-in the musical she cried and was so sad when Kurt and Ram spread the three way rumor about her, in the movie she was just pissed

-DEAD GIRL WALKING. Even though she’s more innocent in the musical, that doesn’t stop her from literally BREAKING JD’S WINDOW LOCK and telling him she’s gonna ride him til she breaks him?? And then in the middle she sings him this mini love ballad before pushing him down and slapping him and just being very very intense in general ?? damn Veronica get it girl

-when she pretended to hang herself in the movie and her mom found her she literally just hung there for a minute and let her mom think she was dead, and then when she got herself down was just like “lol why so tense” but in the musical the second her mom walked in she was like “IM SORRY IM SORRY DONT FREAK OUT IM ALIVE” because she’s a much more compassionate person!

-also the fact that she brought a croquet mallet instead of a gun to stop JD is something that goes unnoticed but I think it’s huge. It shows that A. She didn’t have/didn’t want to use a gun bc they’re violent as fuck and B. She wasn’t planning on really hurting JD.

-speaking of shooting JD in the movie she intentionally shoots him SEVERAL times and every time she’s like “take that haha” but in the musical she accidentally shoots him once and then freaks out, and tries to wake him up and when she can’t you can see how much pain or causes her, like she just slumps over with her hand over her mouth trying to to stop herself from crying.

-another biiiig difference is that she tries to really kill herself with the bomb in the musical. In the movie she’s like “whatever glad that’s over lmao!” and just leaves casually, but in the musical she’s so broken and guilty over everything that’s happened and JD’s death was like the final straw that made her feel like she didn’t deserve to live. :(

-the fact that she tried to stop JD from killing himself is also super important! In the movie she was legit smirking while he blew up, in the musical she was like “no stop not like this wait!” And it broke my goddamn heart!

-when she went after JD in the musical she basically expected one of two things to happen: they both live or they both die. She clearly wanted him to live because when she confronted him she told him how she wished they met before he started hating the world, and she begged him to come with her. And in DGW reprise she sang “cheek to cheek in hell with a dead girl walking!” Implying that they were both “bad” people who would die together, and when he died, she felt like she had to die to pay for the things she did as well. The only thing stopping her was JD telling her to stay and live and make the world a better place.

-and the very end, when she goes back to school and basically tells everyone “listen we’re all going to be good people now even though we’re scared and damaged we’re gonna be okay because we’re all beautiful” and in the movie she’s just super casual about it like “alright i guess im the head bitch now hah”

Long story short Musical Veronica Sawyer is the love of my life and I would die for her also she is the polar opposite of Movie Veronica Sawyer! Thanks for your time this was so long I’m sorry omg

wait guys if Andrew is pretty much a confirmed Space Nerd™ then it is pretty safe to assume that he’s a big Star Wars fan right???? (I’m listening to Yoda and The Force okay sue me) because we know he knows the media classics and Star Wars is a media/galactic classic and I am 6385274% here for this 

  • little Andrew identified so hard with Han and Luke because he was alone and angry and so not going to deal with your shit ((he shipped them so hard I stg OTP)) ((also helped him figure out that maybe Leia in her slave attire didn’t really affect him as much as a sweaty Luke training with Yoda))
  • he watched most of the series with Cass though, and moving past the heartache of never being able to be with her and watch marathon after marathon of their favorite movies together was really hard for Andrew
  • but then his cousin ((and the foxes)) happened
  • this is one of the things that helped Andrew bond with Nicky bc Nicky is the only person willing to sit through a whole marathon of sci-fi family drama ((lbr he just wants to see Andrew happy))
  • Andrew makes SW references all the time to annoy Aaron and the first time Matt witnessed one he choked on his coffee and immediately ran to the girls who dO NOT BELIVE YOU MATT I NEED TO SEE THIS FOR MYSELF 

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So, earlier when I was writing my post about Eggsy and Tilde, I realized that I need a whole separate post about how Eggsy loves and respects women.

So here, have a gifset of Eggsy loving and respecting the women in his life.  And also, have me telling you why every gif here is a good example (as well as discussing a few scenes that aren’t pictured). The wall of text under this read more is akin to the Great Wall of China.  Beware.

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anonymous asked:

Ok your TL5Y comments have made me curious :) If you haven't already and wouldn't mind doing so, I'd love to hear more about specifically what Cathy did that you feel put her at fault (partly). I've seen the stage show and heard from others before and I'm not really one-sided, but I'd like to hear your perspective, especially because I feel like the movie tipped me even further in Cathy's favor, seeing more of her at Jamie's events along with feeling neglected and misunderstood and worse off?

I would like to point out before I write all of this, because there’s going to be a lot, that I don’t entirely blame Cathy. Jamie also did horrible things. I just think it’s very easy to see Jamie’s faults. So, now that my discretion has been put up, shall we?

In my opinion, I think the movie really did make Jamie out to be the enemy. For example, every stage production I’ve seen has never had more than one girl with him in bed at the end, and viewing him as a serial cheater in the movie really makes it seem much worse. I also personally think they pushed A Miracle Would Happen a lot farther than it needed to go, especially with the alcohol. I think that Jamie has always been a very big story teller, he’s got a very creative mind so sometimes, as writers do, he exaggerates things. But the movie does things that the stage production never does: shows him eyeing SEVERAL girls at the bar, going to strip clubs with his friends, and imagining other girls in their underwear. We would never see these things in the stage production, and we usually laugh a lot during this song, just like we do during A Summer in Ohio. I also don’t personally agree with JerJor’s choices in If I Didn’t Believe in You to get as angry as he did, because once again, it makes Jamie seem very condescending. Usually when I listen to that song, I can barely hear it over my heart breaking for how much Jamie really loves Cathy.

Now, anyways, on to Cathy. Or rather, comparing Jamie and Cathy.

“Here’s a headshot guy and a new Backstage, where you’re right for something on every page.” -Jamie
“Isn’t he wonderful, just 28? The saviour of writing.” -Cathy (sarcastically)
“I am so proud of you, baby, you’re doing what you never got to do before” -Jamie
“Jamie needs his space to write since I’m obviously such a horrible, annoying distraction to him.” -Cathy
“If I didn’t believe in you, and all of the ten thousand women you are.” -Jamie

Jamie was always very supportive of Cathy in her career, or rather, her lack of it. Even when things weren’t going well, Jamie wanted nothing but to see her succeed in what she loved doing. Cathy, on the other hand, resented Jamie’s success. And I think Jamie’s line in Moving Too Fast, “Some people can’t get success with their art, some people never feel love in their heart, some people can’t tell the two things apart, but I keep rollin’ on” really portrays Cathy in that moment. I know you’ve all seen the gifsets of him singing this line and how it pertains to Cathy. Jamie found success in his art, and Cathy didn’t. Jamie very much loved Cathy, although I do think that Cathy very much loved Jamie too. The difference was, though, that Cathy couldn’t tell those things apart in him. She thought all he loved was his work, and not her. “I’m a part of that, aren’t I?” And her resentment of his success was a huge fault.

“I will not be the girl who gets asked how it feels to be trotting along at the genius’ heels” (Climbing Uphill) / “I tend to follow in his stride, instead of side by side, I take his cue.” (A Part of That)
“I want you, and you, and nothing but you.” (I Can Do Better Than That) / “You can’t spend a single day that’s not about you, and you, and nothing but you.” (See I’m Smiling)

We all know Cathy was very contradictory. We’ve seen gifset after gifset of her saying one thing at the start of the show, and something very different at the end. I think it was hard for her to know what she wanted, because she swore to wanting something only to hate it afterwards. Although I didn’t quote it, the one that made me personally very upset, is in See I’m Smiling, she has a very unsuspecting personality. She starts off saying that she’s happy that Jamie could come and they could work on their relationship. But, once Jamie says he can’t stay, she gets upset with him. Jamie attempts to comfort her, but she pushes him away, and then at the end sings “And see I’m crying, and not do anything at all.” because I don’t know about you guys, but if a girl is pushing me away when I try to physically comfort her, I will not continue to do so. I think it was unfair of Cathy to be upset that Jamie wasn’t doing anything when she had already shown signs of not being wanted to be comforted. Now, I know a lot of you point out that it was awful of Jamie to leave her on her birthday, but this is one thing that I will fully support Jamie on. I don’t think he wanted to abandon her on her birthday. No one wants to leave their s/o alone on their birthday, that’s just a shitty thing for both of you. Plus, as a pilot’s kid, I can tell you that sometimes flying can be tricky, and if Jamie couldn’t make it back to New York the next day, what else was he supposed to do? If he had missed that party, I’m sure it would have looked pretty bad on him.

“Jamie is probably feeling just fine, and I’m still hurting.” -Cathy
“I’m not the only one who’s hurting here.” -Jamie
“Once the foundation’s cracked.” -Cathy
“You never saw how far the crack had opened.” -Jamie
“Maybe I’d see how you could be so certain that we had no chance at all.” -Cathy
“It’s not about another shrink, it’s not about another compromise” / “Some people analyze every detail, some people stall when they can’t see the trail, some people freeze out of fear that they’ll fail, but I keep rollin’ on” / “So we could fight, or I could wait, or I could go” / “You never saw I’d run out of rope.” -Jamie
(Just all of Still Hurting) -Cathy
“I made a promise and I took a vow. We wrote a story and I changed the ending, Cathy just look at me now.” -Jamie

I basically made these quotes in two. I gave Jamie a lot on the third one for a reason, but I’ll get to that as I go through these. First one I think is important. Jamie knew that this was going to hurt both of them, he was more than aware that this divorce would shatter Cathy’s heart. And of course, he was also breaking his own heart as he did it. I always say that I believe Cathy was very selfish, and I think that this is a prime example of it, in that she couldn’t see past her own hurt and pain to think for a moment that Jamie once loved her for five entire years, and that getting a divorce wouldn’t kill him. Alright, second one. I think this one just speaks for itself, that maybe Cathy wasn’t quite aware of just how broken everything was. She thought everything was going fine, that the foundation had just been cracked, but Jamie points out that the crack was open pretty far. Of course, they could be talking about different times, but remembering that Still Hurting and I Could Never Rescue You happen within 24 hours of each other, I think it’s important that these are the distinctions that are made. The third one, Cathy constantly believed that things could be fixed. She was a very hopeful girl when it came to the relationship, thinking that things could be fixed, but I gave Jamie all these quotes on this last one for a reason. The first quote states that it’s not like they’d never tried to fix things, they’d tried compromising and seeing shrinks, but as the last one says, Jamie just ran out of rope, and could no longer keep trying. The middle two sort of go hand in hand, although one might feel a little out of context seeing as it’s from Moving Too Fast, I think it’s important. Jamie couldn’t stick in a rut. He hated being caught standing still, and that’s probably how he felt at the end of the relationship. They could keep fighting and keep compromising and seeing more shrinks, but to him, they were standing still and running in circles, and he needed to move on in his life. In the end, I do think it was very mature of Jamie to leave Cathy, although I fully would agree in saying that it was awful of him to have to wait until AFTER he cheated on her to divorce her, I think it was smart of him to do so. Cathy would have never done that, because she kept wanting to try to fix something that never should have happened in the first place, to quote Jason Robert Brown here. Finally, with our last two, I think Cathy was very selfish. During all of Still Hurting, the entirety of the song is made up of “Jamie is ______”, constantly putting the focus on him and blaming him. He’s decided it’s time to move on, he thinks it was Cathy’s fault, when in reality, looking at the second quote, we might think different. Jamie also sings, “Facts are facts.” When he’s cheated on her, and he knows what he’s done is wrong, and he can tell that he’s done something awful by doing this. He made a vow to Cathy to always love her, and he changed it, and he lied.

I’m happy to write out other things, I guess. I will very much admit that it wasn’t all Cathy’s fault. Jamie was also a very faulted person. They were both faulted people who should have never been together. They ruined each other’s lives.