Writing Romantic Subplots
Anonymous asked: “I have a problem with the romance subplot. How can I make the characters act like they are in love, not just saying that they are in love?”
Romantic subplots can be the most difficult thing to pull off, or the only easy thing that seems to come together naturally. I know readers can be highly critical of some romantic subplots (rightfully so, sometimes). Most often, when I see there’s an issue, it’s because the reader hasn’t gotten to see any kind of development in this relationship. There isn’t necessarily an expressed fondness, or in some cases a reason to be so fond of someone that they can say they’re in love. Or the last thing is that not enough time has passed to believe that these characters could have made that jump that fast.