Okay but you had a diverse childhood, like you said. Its different for people who didn't. People can't normally write what they're not. Sorry you're a freak of nature. Sincerely, the rest of the writers on Tumblr.
“People can’t normally write what they’re not?”
Then I guess that makes Mary Shelley an 18th century mad scientist.
I guess that makes J.R.R. Tolkien an elf.
I guess that makes Stephanie Meyer an incredibly average teenage girl who turns into a vampire.
I guess that makes Gaston Leroux a hideously deformed guy who lives in the basement of an opera house.
I guess that makes J.K. Rowling an eleven-year-old wizard.
I guess that makes Victor Hugo an escaped convict.
I guess that makes Suzanne Collins a winner of the Hunger Games that got sucked into a government conspiracy.
I guess that makes Charles Dickens a greedy old dude who needs to learn the true meaning of Christmas.
I guess that makes Rick Riordan a demigod, a descendant of the pharaohs, and a literal Greek god.
Despite the few hiccups going on, I thought i would spread some love on my fav part of @gibslythe fic! I literally fell in love with these two falling in love, anyways. here’s some gross klance dances <3
In your teenage mecha ninja turtles fic what's all of the main 6 doing with their lives? Are Donnie and April just collecting degrees and being geniuses? Are Leo and Usagi making use of dimensional skype calls? I'm so pumped to hear what you think they're doing.
In this fanfic of mine, the main six have all aged as well as six human/mutant disasters possibly can, and this is what my version of things has them doing:
April and Donnie started a company together once alien/mutant rights were established; the company is O’Neil laboratories and majority of their work is in sciences that no one else for a long time could even comprehend. Very world changing stuff. Donnie is mostly only involved with the scientific portion of things, he remains the top scientist and likely will even after death, while April is a tiny devil in a suit that continues to crush their competitors/saboteurs under her fist. She might be pushing ninety, but she is A) still a kickass kunoichi, and B) the most powerful psychic this side of the galaxy, possible in all the known universe. She’s a scary as hell old battle ax, and Donnie is a grumpy old codger. They live together for convenience and because they’ve remained best friends their whole lives.
Casey and Raph got restless around sixty or so, and ended up becoming travelers. Like, inter-dimensional and universal travelers. When they’re on earth Casey and Raph spend most of their time crashing at April and Donnie’s place, but otherwise make their way through dimensions and galaxies as they feel like it. Traveling with them is typically Casey’s daughter, Shadow (they couldn’t stop him from giving her that name, trust me they tried), who is buff, stubborn, and too much like her uncle and dad. Their time spent on earth is getting longer lately, since they’re really getting up there in years, but they remain the hellraisers they’ve always been.
Leo is a bit of a drifter on earth, moving between his siblings and friends and spending months on his own wherever he ends up next. Occasionally he’ll visit other dimensions, like Usagi’s, which has always felt like a home to him, but he likes earth best of all. He spends the most time in Japan, partially because it’s where his father was from, partially because he just prefers the culture and atmosphere of the country. Once they were really done their wars and battles, he hung up his mantle as a sensei and leader and retired for good. A lot of bad stuff happened to them over the years, and his choices directly led to some of those things. They’ve all got issues like that, even years later, but Leo feels the weight of them the most at times.
Him spending time with Karai and her wife Shinigami helps with that, since Karai’s role as the Godmother of the Foot clan is hardly an easy one. Her popular saying is that her daughter Pimiko will have to cremate her before she lets go control completely. They basically spend a lot of time being meddling meddlers and showing the current generation of crime bosses they still got it.
Mikey is the only one who remained in New York, but sometimes still goes to stay with one of his siblings/friends or goes on a road trip with Raph, Casey, and Shadow (and whoever she’s dating at that moment). Home sweet home is where he’d rather be though, even if Donnie keeps telling him he should at least buy a real house. (Mikey still prefers living off the grid, and this has resulted in Donnie and April putting money into creating a new lair for him. One they admittedly also really love being in, same for everyone else in their family. They’ve come so far from who they were as teens, but sometimes they just gotta go back to where they started.) He ends up semi-adopting his four ‘turtles’ one by one, and eventually becomes the Hamato who follows in Splinter’s steps. He’s pretty proud of himself for that and he loves all his kids down to his old bones.
Family reunions are a huge mess, since the Hamato clan has gotten pretty large over the years, but they make sure to have one every few months regardless. Family is a precious thing, and they’ve all got the lingering feeling that one of them could disappear at any time if they’re not careful. The whole process just gets even more chaotic now that Mikey has kids too, and honestly the idea of them all being wrinkly old hellraising veterans together is an excellent one. Especially now that the next generation is there to learn from them all.
Wtf no need to be rude. I was gonna follow you because of baby doll but what's the point in following a blog that doesn't write smut.. Your blog won't survive along side all the smut blogs like @jeonjagiya, @avveh and @elliejade if you don't write smut.. Like who just writes fluff its boring and stupid, like I tried reading well tailored and it is so boring and sucked. Sorry but maybe you just shouldn't write
Firstly, thank you for reading Babydoll, that fic made me super nervous posting and I am happy you enjoyed it.
Secondly, It is okay to have an opinion on smut vs fluff I understand that you like smut and prefer it, but I just don’t feel comfortable writing it, therefore, I don’t.
I really don’t care if my blog “SURVIVES” That isn’t the goal of my blog, I write because I like to write. This isn’t about who has more followers or who writes better. I can bet you anything all three of the writers you listed feel the same way.
Lastly, I don’t think they would be very happy with you going around harassing other people’s blogs like this, it’s really childish.
Writers have the RIGHT to refuse to do any request they don’t feel comfortable or just don’t want to do.
You don’t own us, nor should you try to start drama between us either. I love all three or those writers blogs and respect them a lot.
Please, If you don’t like my blog, then don’t follow me. Simple as that. No need to come onto my blog and be mean.
I hope you have a nice evening and I hope you find someone who is willing to write that smut for you. I am sorry that I am not able to.
I hate you, but I still have that little piece in me that loves you. It’s a small piece really, but when I stumble across it I remember the man I fell in love with, not the one I fell out of love with. I remember the smirks and giggles, the tickle fights, the forehead kisses, the late night conversations about nothing, and the train station where it all began. It’s really bittersweet because that was the best part of us, even if it only was 20% of us. I have to remember that I chose to hate you because of the 80% of us - the part where you completely changed.
Some thoughts on wlw in mainstream media and fandom
I’ve noticed a trend going on in certain tv shows and fandoms that is bothering me a bit. So let’s talk Clexa, Sanvers, Cophine and WayHaught.
I have to say that I really like being a part of these fandoms and communities that are so active and produce so much content like fanart, fanfiction and super detailed text posts deconstructing the relationships/characters/motivations. I love you guys and I like enjoying that content but I’ve noticed something that is a bit worrisome.
Fandoms are expanding weakly written characters (or characters that barely get any screentime) and the writers are taking all the credit. .
I’m not gonna say much about Clexa, but I remember the time of the hiatus between seasons 2 and 3 where I read so many things about Lexa and how amazing she is.. things that weren’t in the show .. where I started liking her a lot more because I got to know her because of the fandom expanding her character with theories and backstories. We took a couple of lines about Costia and created this whole story about who she was and who they were together and all we knew about her was that Lexa loved her, she got killed in a political powerplay that failed and that Lexa has avoided getting close to someone because of all of that. But in the show that Costia conversation was a minute long. And then we know the shitshow that happened in the latter half of season 3. The first half was pretty dope in developing Lexa and grounder society and political climate. And they we all know what happened. And this might be odd to say, but the fact that she died doesn’t bother me that much. How she died and how we were lied to, and baited by the shitty PR people is the unforgivable part. How the writers pat themselves on the back for creating those characters and being progressive and then just fucking it up in a way that’s so incredibly idiotic that the backlash came to a total surprise. And then having Clarke hook up with another chick because it’s close enough is so insulting and again idiotic that i can’t even. But what do I know, I stopped watching that shitshow after 3x07.
The same thing almost happened in OB with Cosima being with Shay (because they didn’t book the actress as a regular .. Hmm why does that seem familiar). Delphine is another character who we spent not a lot of time with and that was fine because they wanted to make us wonder if she’s working for the clones or for Dyad. And they did the fake-out death thing (and I’m sure that they didn’t kill her off and dropped the Shay story line because of the backlash). I think that they truly are less moronic than the people behind the loo and they payed a bit more attention to the fandom. And at the moment of me writing this, the day that 5.06 airs, they are trying to fix some of the issues. Delphine being isolated and not trusted by the main characters and her whereabout and general actions. They’re also expanding her character by having her interact with other characters like Mrs. S and PT and Aysha, etc which both furthers the plot and also gives us some information about the type of person she is. (A woman who’s willing to take a lot of shit to get what she wants). As with Lexa, I won’t have minded that much if she was actually going to die (because the universe of those shows is ruthless and dangerous and not everyone survives it and killing a fan favorite is a good way to hammer that shit down) but the framing of it is problematic. If we think about how Paul’s demise was framed (Paul who was in a very similar position to Delphines) how we was framed as a self sacrificing hero whose shitty actions were forgiven and understood completely, as opposed to Delphine who would have died in a garage alone..) But she didn’t die yet, and while I don’t think she will, I know not everyone will survive this season and I’m ready (nope… I’m not) for the heartbreak.
Sanvers is.. ergh.. I like them they’re cute. The later in life storyline rings so true to me as a closeted 25 year old that’s not even funny, but Maggie is barely in it. She is Alex’s GF and we know little else about her. She had a bad coming out story (that was traumatic so of course she might have issues with Valentines day, but Alex is a romantic so she’ll do the bullshit Valentines day thing for Alex). Which is dumb. Love is strong but even with love you still need time to process and get over things. As nice as the scene with them going to a Valentines/prom thinggie is, I’d rather have had them talk about it. A simple “ok, I really to like you a lot, and I know you are a romantic at heart and I know this is important for you, but I can’t do this now. Maybe in the future, but right now, doing the Valentines thing still hurts too much” . How great would that have been? And then we get the thing with her girlfriend that she cheated on, but we didn’t talk about it. Why did she do it? Who was that Maggie that would cheat? Why was she scared? Like I could answer this, I’m sure that I would find nice reasons, but I would have loved if the writers would have given those answers themselves. And they get really intense scenes and short cute scenes, but there’s not a lot of screentime there. And now they’re getting married because why the hell not? Gay people can do that now right? But we won’t have the actress as a regular. Because wlw want representation and a married couple is that right? Why develop Maggie when we can do other things? And the behind the scenes pictures of the premiere is giving me season 3 finale “leaked” photos vibes that it’s seriously making me consider if i want to continue watching the show. I loved Kara but she was treated like shit in season 2 by the writers and I don’t like seeing that in characters I like. So if Kara is poorly written and the wlw relationship underdeveloped and has 2 minutes of screen time why watch it?
HayHaught was similar to Sanvers with the (not so) slow burn and Nicole was a bit isolated but they’re doing a good job in season 2 developing her. And I like the show, but it’’s also campy and while I like that OB and the even the loo had more interesting premises ( I like sci fi so I’m biased). I also like the supernatural demon fighting thing but sci fi is my jam. Anyways I actually like the show, but it’s not really something that I would recommend to my straight friends. OB is obviously the best of the shows that I mentioned ( and I literally sat one of my friends down and made him watch all of season 1 a few wars ago.. it’s fine already made me watch all 3 LotR director cuts in one sitting so.. we’re even). I am really exited about Wynonna Earp though, and I do love it, but I think it’s more of an aquired taste.
Anyways this long and rambly post was supposed to reflect the fact that we are so starved for representation as a community that we praise shows and writers that might not completely deserve it and the frustrating thing about it is that they get to pat themselves on the back for being so progressive and get all this attention that isn’t completely earned. Except Emily Andras she’s pretty awesome ( this season, Nicole is getting developed, the POCs were added to the cast and the te fact that they included the Melanie’s pregnancy into the show is actually pretty progressive and awesome. I’m not a big fan of those stories and I’m still pretty conflicted about Wynonna being pregnant. Mostly because I think that she might have chosen a different way to deal with this. But I’ll give them the benefit of the doubt).
Anyways thanks for reading this rambly post and I hope it made some sense?
“Star Trek: Enterprise” is the show that taught me that there were more important things than strict continuity. I learned to love those characters more than whether or not the writers adhered to one throw-away line written 40 years earlier for a show that wasn’t expected to last half a season. Fiction grows.
O man so he did. How could we not read into things like this??? I just looked up the lyrics it's literally destiel in a song
Oh, my daisy DAYS, I know, right? How the hell could we not just go apeshit when they go, oh, here, we’re just going to leave this out in the open and see if ANYONE trips over it. WE ARE GOING TO TRIP AND STUMBLE AND PICK IT UP AND EXAMINE AND DETERMINE EXACTLY WHAT IS TRYING TO TRIP US UP AND THEN WE WILL FALL WILLINGLY AND HAPPILY, YOU FUCKERS, AND YOU KNOW THIS!!!! They know this! They do it all on purpose!
I LOVE YOU SPN WRITERS!!
Those lyrics are taking the piss. They are taking the piss. And I do so adore them for it because GET THIS:
The album was released in 1973 - THAT IS THE YEAR JOHN AND MARY MET!
That’s right. That is right. And what else have we had that’s been a reference to that year? Oh, A FUCKING MIXTAPE OF ROMANCE AND UNSTATED EMOTION, that’s what we’ve had that’s also been a reference to that year.
My head. My poor head. WHERE THE FUCK IS ALL THE WINE??