i love comparing characters through different parts of their character development

Summer Anime 2016

This summer we have so many anime with an all-male cast, I was so happy I decided to to a rec/ranking/review/summary. Note: I only watch anime with mostly males I’m sorry it’s just what I like lol so this list may not match yours. (I cannot stand female leads - except maybe Gintama? - because they will escalate into romantic relationships and they annoy me to no end. It’s like the only purpose of females is romance and I hate that.) And a warning is that I’m kind of shallow so I normally look at the guys’ looks and then their character. But good character and relationship developments are definitely essential to me too.

1. Fukigen na Mononokean

I’ve rec it so many times I feel like I’m part of the official publicity comm but it’s really good :) My favourite character is Abeno cause he’s really adorable and tsundere (?) haha. If you like youkai, friendship and touching moments, do try this out!! It’s a little similar to Natsume Yuujinchou too.

2. Servamp

It looks really interesting so I watched it and when I saw the OP I screamed cause all-male cast! Compared to Spring 2016 this season does look more appealing to me. And I’ve ran out of anime with all bromance (other than sports anime) and no romance. So anyway for Servamp, Kuro was a really cute cat, and the setting seems interesting enough for me to chase. I feel like I might not like the main character as much though but we’ll see. 

3. Fudanshi Kokou Seikatsu

Ahh this is really cute I can relate so much to the main character as a Fujoshi myself :D and I can hardly find friends who can fangirl with me. It’s really sad to be embarrassed for liking gay ships ;n; The only bad thing about the series is that it’s too short each episode haha.

4. D.Gray-man Hallow

I’ve read the manga but didn’t understand most of it. Still, it’s likeable and I like Allen and Kanda. I felt like this season they beautified all the characters and Kanda definitely looks better with his new hairstyle/fringe :DD I hope they can animate most of the manga and I hope we can finally understand what is going on with the 14th.

5. Handa-kun

I just watched the 1st episode today and all I can is that it’s really good and hilarious omg. Only it’s too short with the first 9min trying to break the fourth wall and I couldn’t understand the humor at all. Still, the rest of the episode was worth it! Can’t wait for the rest!

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If you’ve never read my initial theory post, please do yourself a favor and check that shit out. It is a foundation for the theory that, regrettably, was missing a lot of information that I wasn’t able to get to until I was able to do a reread of the series, plus I wanted to wait for the series to develop a little further. The original post was made right after “Deku vs Kacchan 2” was released, so we’ve had about 30 chapters of development. You might be wondering how on earth 3k words isn’t enough to make my point the first time, but here I am yet again! 

I might sound crazy, but believe me when I say… I am the MOST serious. 

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Go Go ‘Power Rangers’ (2017 Review)

Is this good? Is this bad? Will my inner-child allow me to judge this appropriately?

“Power Rangers” is a reboot of the classic 1990s action-packed children’s show “Mighty Morphin Power Rangers,” which in turn is based on the Japanese tokusatsu “Super Sentai Series.” It’s directed by Dean Israelite and stars a cast of young actors, as well as Bryan Cranston, Bill Hader and Elizabeth Banks. The film is set in the small, fictional town of Angel Grove, where local high school students Jason Scott, Kimberly Hart and Billy Cranston (Dacre Montgomery, Naomi Scott and RJ Cyler, respectively) are all caught up in detention. Through a series of shenanigans, they come across Trini and Zack (Becky G and Ludi Lin, respectively) as they all discover an ancient, otherworldly construct. It’s there where they meet Zordon (Cranston) and his robot assistant Alpha 5 (voiced by Hader), and attain the responsibility of becoming a powerful team known as the Power Rangers, and to stop the destruction of an ancient, powerful witch known as Rita Repulsa (Banks). 

This is the absolute perfect “what if” movie. The answer to “what if they remade ‘Power Rangers’ for adults” question. This is the film we asked for, albeit cautiously. We really owe it to franchises such as the “Transformers” series, because without them, this film would be seen as an impossible reach.

Being a millennial, I was very much a child when “Power Rangers” had its long television run, and I stayed true through each incarnation, from “Mighty Morphin” to “Lightspeed Rescue,” and considered myself a retired fan after “Dino Thunder” (I was already in middle school at the time). So yes, shameful as it is, I know my shit. As you can see, I want this to be good. But was it?

Yes. Surprisingly, it was pretty good. It’s not shockingly “I thought this was going to be shit but it ended up being amazingly amazing” good. It’s just good.

Here’s one thing that the film does better than the TV show: the acting. In a great departure from the “Saved by the Bell” mood that the 90s actors gave us, we now have grounded, realistic, rebellious teenagers. These new actors fit the “teenagers with attitude” description way better than the 90s actors ever did. You have Montgomery as Jason, playing the rebel who ends up having to deal with the most responsibility. Scott plays Kimberly, the girl who does a good job of not just being the obligatory female casting, or the fighting damsel-in-distress, unlike the original. The dialogue between these two is usually filled with charm, whether its casual banter or a proclamation of their contempt for Angel Grove. 

But they do something different with the rest of the cast, which helps to modernize them. Cyler as Billy provides the humor and keeps the grittiness from ever getting lower and lower. Of the five teenagers, he is the one with the most charisma But he also serves to represent autistic teens everywhere. Yes, unlike the television counterpart, they made the Blue Ranger autistic, which is a pretty bold and commendable step for something based off a children’s property.

To keep the ball rolling, they then make Becky G’s Trini represent lesbians and confused, oppressed teenagers everywhere. Okay, this film had me at shedding light on autism, but encouraging more LGBT representation? Hats off to you, Lionsgate and Saban. Despite this, I found Becky G’s performance to be slightly annoying until about halfway through the movie, when they developed her much more, and gave her a more integral role in the plot. 

While I praised the rest of the cast, I’d have to drop the axe on Ludi Lin as Zack, the Black Ranger.  Compared to all these convincing performances, Lin’s is absolutely haphazard. The way he is introduced is to set up how much of a cocky outsider he is, so naturally he’s by himself. He then starts speaking to himself, which is one of my absolute biggest pet peeves in a movie. I despise movie moments where normal-functioning people start speaking or quipping to themselves, the only sensible reason being that the writers assume the audience is too dumb to know what the character is thinking. I get it if a character has schizophrenia or another mental illness, or if the words are limited to comedic inner-banter, but not in this case. He’s someone with decent social-competence and no reason to quarrel with himself, other than provide exposition to the audience.

But like Trini, I did find him to be much less annoying when he opened up. They gave him a pretty touching backstory with his own troubles, and they make his motivations really apparent. And just to keep the ball rolling, he’s also the most foreign one of the group, being bilingual, unlike the original black ranger. Now that I think about it, many of the Power Ranger series’ casts don’t feature any overtly foreign characters, apart from maybe of an alien race. 

That is precisely why this casting works. Whether or not you find these characters annoying, you can’t doubt that they’re there for a good reason, and you might even warm up to them as the movie progresses. They also help to introduce bouts of political correctness, but they aren’t preachy or condescending about it (which is really the only good way to go about political correctness). They represent people of various colors, mental states and social capabilities, showing (but not telling) that everyone is capable of extraordinary things as long as they have camaraderie.

I can’t say much about Cranston as Zordon. It’s a great homage, seeing as how Cranston has actually been a part of “Power Rangers” since the original television show, where he voiced many of the villains they face. I do love his voice-work here, and while it took some getting used to, I ended up really liking how they presented him. Rather than a chubby, floating head in a tube, they made him manifest into a wall, kind of like one of those pinpression toys. Not to mention they could have easily made him a one-dimensional character. But they went above and beyond to give him his own arc, his own set of feelings and doubts, and a world of lore behind him.

If you thought Alpha 5 was annoying in the television show, then you can rest your worries because Bill Hader fixed him up good. The original’s voice was so high-pitched and screechy; basically in typical 90s fashion (or how the 90s thought Aliens would sound like). This time, he just kind of does the same thing he did as Fear from “Inside Out,” except less screaming. His design had me slightly worried but I got used to it.

Now, Elizabeth Banks as Rita Repulsa has me split down the middle. On the one hand, I do like that at least ONE person in this entire film is trying to recall the absurdity and campiness of the original series. At the same time, I found her to be over-the-top, and incredibly outlandish compared to the rest of the grounded cast. She is guilty of overacting here, which is both a blessing and a curse. The prosthetics on her are amazing though, from both start to finish. She starts out as an outright horror character, which is something I didn’t expect to see even in the gritty version of a children’s property. 

If you kept up with me for this long, you know that a recurring theme here is that this film takes several risks that are rather uncharacteristic of a children’s property. Sure, there are hints of silliness to try and match the youthful appeal of the original, but they also throw in more mature bits of humor, about things such as drug tests and jacking off a cow (no joke). Me personally, I welcome these jokes. If anything, this is much more of a film for the adults who grew up watching “Power Rangers,” rather than children. The maturity really shines through in the form of character development and chemistry.

I must say that if you are bringing a child to watch this, keep in mind there will be mild swearing, and several mature jokes.

A common criticism (ad nauseam, pretty much) is that this film is a forced collision between two different movies. Two thirds of the movie is essentially the origin story, which focuses mainly on character development. At the same time, this is the section that appeals to the audience the most, whether you’re fans of the original or not. No one comes into anything titled “Power Rangers” and expects to feel for the characters. But through one particular scene where all the characters develop a kinship, we develop a peculiar attachment to each of them. It was at this moment that I’m glad these people are the ones I’m spending five more movies with (Yup, that’s right).

But when it sticks to the original, it definitely sticks, and that’s where the last third of the movie comes in. If you’re looking for cool looking suits fighting monsters with martial arts and gymnastics, you will get it. If you’re looking for giant robot dinosaurs battling another giant monster, you will get it. And MOST OF ALL, if you want to, at least once, hear the iconic theme song, you will get it. In all it’s pure, epic goodness.

But this is where I have to defend my appreciation for this movie, because many people will come in accusing me of being “blinded by nostalgia.” Despite having these borrowed features from the original show, there is really nothing nostalgic about it. The action here is far better than most of the show’s episodes. There is no silliness to be had apart from what would be silly by realistic standards (as opposed to having two obligatory bully characters).

Even some elements taken from the show are vastly different. Case in point: Rita, who in this film is actually getting shit done by herself rather than sitting up in some moon tower yelling at everyone.

Even the formula of the show is broken up here. Back then, everything was so fast-paced to where every time a new series was brought in, the new team of Power Rangers would unrealistically form intimate familial connection and extraordinary abilities within 20 minutes. This film actually shows you that the Power Rangers had to train for this, both physically and mentally. They didn’t just have these abilities bestowed upon them as a result of the plot rushing it together. You see them work for it, which is something I really appreciated about it.

I had to bring that up because many of the people who didn’t like this film will be quick to see reactions like mine and guilt me for “nostalgia.” But that “tone difference” that they’re faulting this for is the reason why you can’t pin nostalgia on this. All that means is that everything I liked about this film has been on its own merits, maybe (at most) perpetuated by quick little homages to the original. 

I suppose before I wrap this up I should mention one more thing. Not really a problem, but more like something I wish happened: I wish they played the theme song more. It was wonderful hearing the iconic theme song, perfectly borrowed from the 1995 film, and at the height of its “Power Ranger-ness.” But I felt that if they really were gonna throw it in there, they should have totally owned it and at least left it playing for a bit longer. If not that, then at least make an instrumental cover to play in the background during the climax, rather than GODDAMN KANYE.

This is a film that has fans and critics alike split down the middle, but it’s pretty clear that everyone who hates it is hating it for the same two reasons: (1) It has a massive tone-clash towards the end, and (2) It caters way too much toward product promotion for Krispy Kreme donuts. I do agree with the latter, make no mistake. But when I hear people complain about this tone-clash, it reminds me of people who complained about the “slow parts” of every other superhero film, whether it’s “Captain America: Civil War,” or “Batman v Superman.” Apart from being a “Power Rangers” movie, this is also an origin story film. And for something as ridiculous as “Power Rangers,” it definitely requires a slow initiation process. To get us going on a six-movie deal, the creators will have to help casual viewers acclimate to the premise, because chances are the naysayers are the ones who skipped out on this franchise as children, and therefore missed their window of opportunity. Ironic how a movie based on a children’s property requires a mature level of patience from the audience.

As I said before, if you came into this wanting to see colored suits, martial arts, explosions and giant robots, you will get it. If you’re dragged into this film but appreciate elements like character development and chemistry, you will get that too. As someone who enjoys both, I actually would go so far as to say I loved this movie. I don’t care if I’m alone on this, but I can comfortably say that I loved the “Power Rangers” movie.

Chaol Westfall Post (a.k.a. why the Fandom should stop giving Chaol unnecessary shit)

Let me start off by saying this: It’s cool if Chaol is not your favorite character. If you dislike him, even if it’s for no particular reason at all, it’s fine. Different strokes for different folks and all that. But I do think most of the fandom treats him unfairly, especially since they somehow manage to excuse Aelin and Co.’s shitty actions all the time.

Chaol didn’t accept Aelin, unlike Rowan!

Ya’ll need to stop comparing him with Rowan and going on with that “but he didn’t accept ALL of Aelin!” bullshit. Rowan is Fae. No shit it’d be easier for him to accept Aelin’s Fae side. Seriously, this is such an unfair comparison. Rowan is used to magic. He knows how it works. Also, let’s not forget that Rowan is hundreds of years old so yeah, he’s had time to develop himself, figure out his views and all that.

Chaol is human. He is also young. I mean, didn’t Aelin herself say in HoF that she was nothing but a girl to Rowan? And Chaol is only a couple years older than her. It’s like comparing your grandfather to your boyfriend! (That sounded weird but you get the point, right?)

Anyway, he was taught that magic is this horrible thing. He barely has any experience with it and he doesn’t fully understand it. Dorian has magic and even he doesn’t fully understand it. So of course it was natural for him to struggle with accepting it.

As someone who used to be an incredibly closed-minded, racist, and prejudiced asshole, I understand Chaol. I was raised a Catholic. I live in a predominantly Catholic country. People here are conservative as fuck. Homophobia is common. I’ve seen people make fun of trans folk (saying stuff like “They’re crazy!” or “What a waste of their looks/talent/whatever else!”). And you know, I used to think that way too. Take it from my experience. Changing is HARD in that sort of environment. Hell, one of my best pals during my freshman year of high school was pansexual and still, it wasn’t until college that I was starting to become truly open-minded. Even until now, there are still some things I still struggle accepting completely. But you know what? I try to anyway because I know it’s the right thing to do. It’s why Chaol appeals to me. I’ve been in his shoes. I know his struggles.

Shit like that takes time. The series takes place in a span of what? A year? In which everything was changing so fucking fast for Chaol to keep up with? Give the guy a break.

And did ya’ll forget that bit at the end of QoS where he asks to see her magic? And he says it’s lovely? Does that not count as coming to terms with Aelin’s magic and accepting her or?

But Chaol called her a monster! 

Okay. Consider this for a moment. Remember in CoM, when Chaol had been taken and Celaena went to rescue him? Take a look at this paragraph.

“She was a whirlwind of steel and blood. As he watched her cut through the men as though though they were stalks of wheat in a field, he understood how she had gotten so close to touching Endovier’s wall that day. And at last–after all these months–he saw the lethal predator he’d expected to find in the mines. There was nothing human in her eyes, nothing remotely merciful. It froze his heart.”

Now think. If someone that ruthless had magic. Like a shit ton of power. Wouldn’t you be scared too? I mean, it was difficult enough for people to keep Celaena in check as an assassin. It’d be nearly impossible to do so with Aelin, who apparently is also blessed with powerful magic, being the Heir of Mala or whatever the fuck she is. Chaol had a point. He may not have worded it nicely but he had a point. In EoS, there was literally a line that said “Chaol had warned her about this before” or something like that.

Was he right to call Aelin a monster? Fuck no. I ain’t excusing that. It was a shitty move on his part. But was it understandable? Pretty much.

Also, let’s not forget that unlike us, Chaol had no clue what went down in Wendlyn. He didn’t know what Aelin had gone through and had seen.

But Aelin has had it worse than Chaol! She lost her family and everyone she loved! He has no right to be an ass to her!

Yes, he has no right to be an ass to her. But Aelin has no right to be an ass to him either. Empathizing with Chaol doesn’t mean we’re invalidating Aelin’s hardships. They are two different people. Different backgrounds. Different ways of coping. Different ways of reaction. You can’t expect Chaol to be perfectly okay with losing his best friend and the woman he loved (after she said that whole “I’ll always pick you” speech at the harbor, mind you). He was expecting Celaena to return to him, and when she didn’t, it basically shattered the last shred of hope that he would have something familiar and stable amidst all the change around him.

But Chaol is racist! And prejudiced!

Yo. Your homegirl Aelin was prejudiced against Manon, too. And she had no reason to be? Even Rowan was kinda prejudiced against Manon.

But all Chaol did was blame Aelin for things she couldn’t control!

Well it’s not like she was innocent too. She blamed Chaol for leaving Dorian behind but seriously, what else could he have done? He would have died if he stayed. And then what? Magic wouldn’t be free. Dorian might have died too, since Chaol and Nesryn were the ones who stopped Aelin from killing him. And a whole bunch of other stuff could’ve gone wrong!

Is Chaol perfect? Nope. Like every other character in the series, he has his flaws. He’s done some shitty things. I’m not even going to deny that. But it constantly feels like the fandom puts too much focus on his flaws that they forget about the good things he’s done, too. Like saving Fleetfoot or working with the rebels.

So yeah, again, if Chaol ain’t your fave bro, that’s cool. Perfectly fine. But ya’ll seriously gotta stop those unfair comparisons and double standards. 

My Beauty & The Beast Review (spoilers!)

I know there’s been hundreds of these done before, but I just wanted to share my opinion on the highlights and lowlights of the new 2017 live action film (WHICH I ABSOLUTELY LOVED AND WILL BE SEEING A SECOND TIME), upon looking at all the comments and criticisms I’ve seen either through youtube videos, critics, and scrolling through tumblr. 

Cons/scenes that confused me:

- The opening number was not as magical as it could have been. I can’t describe exactly what–it just wasn’t as impactful as a number as the original
- The library scene was not as much as a big reveal. It felt so casual and rushed into–but I really liked how it was such a surprise in the original version
- I feel like Emma Watson could have put more emotion into her singing. I mean of course she can’t top Paige O’Hara but still, I feel like sometimes her soul wasn’t as into it (probably tho because she’s not a musical actress)
- Why the townspeople ganged up on Belle to ruin her laundry–is teaching a girl to read considered that big of a sin??? seems like a bit of a stretch
- I really wanted the proposal scene to happen where Gaston gets rejected, maybe not entirely the same, but just simply something that would outrage Belle more than the conversation she had in this version
- “Gaston, you are positively primeval” was not included
- “No one says no to Gaston!” was not included
- “Every last inch of me’s covered in hair” was not included
- The way Emma Thompson sang BATB wasn’t as great as it should’ve been. A lot of times she sang it slower than the actual tempo to the point where I felt like she had to catch up on the song and it sounded off. I appreciate her trying to sound different from the original but it was getting a bit excessive
- No one questioning why Belle was wearing a ballgown upon being missing for days and being held captive by a beast
- Why Belle called Gaston a monster??? I mean, we as an audience know why, but Belle had no previous knowledge of the monstrous things Gaston had done and the only thing he’d done to her is act like a bigot and vain
- Was I the only one who thought Beast didn’t look hot?? i mean, i liked the gentle vibe he kinda had in the original, but in this version, he’s too much of a hybrid amongst human and beast which kinda creeped me out at times
- Mrs. Potts’ & Chip’s animation was a bit odd to me–despite the Prince wanting the most extravagant of items–their design wasn’t that beautiful or appealing to me
- Belle keeping the rattle that her mom kissed when she had the plague is dangerous, isn’t it?
- The castle crumbling when the last few petals fell from the rose made no sense–like it’s not like the castle totally fell apart when the last petal fell
- Though the transformation scene was wonderful, I had wished Adam or Belle had said something to make the silence less awkward and make the moment more romantic
- The ending scene was nice with the finale song, but I feel like they should’ve done something that tied up the film, I was looking forward to a finale kiss between Belle and Prince Adam but they just danced and it just kinda ended??? there was no impact there


- The close-up shots of Belle when she sings her solo part in ‘Belle’ was done beautifully
- Belle’s reprise and the infamous ‘Sound of Music’ scene was some great cinematography 
- The deeper father-daughter dynamic between Belle and Maurice. They added a lot more depth to this character (kevin kline made him funnier and more endearing :”) )
- Belle’s voice sounding more normal throughout the film compared to the autotuned versions released in trailers & online (i was really going in with low expectations of her singing due to what was previously shown but it sounded fine in the movie???)
- Belle’s “Ugh!!!” after the thought of being Gaston’s wife
- Belle’s costume changes; giving her boots vs. flats, hitching up the side of her skirt so she could run more freely and ride horses, adding pockets to store her books, etc.
- ALL THE PLOT HOLE FIX-UPS (every time they explained something new i was like OHHH THAT MAKES SENSE NOW)
- Having more scenes showing the Beast’s character as well as seeing more of the chemistry with him and Belle
- All the new original songs blew me away. Once again, Alan Menken is a true legend.
- Evermore was so essential and I’m so glad they decided to give Beast a solo song (i always wanted to hear one from him, and it gave me Phantom vibes which was BONUS)
- Character development with LeFou
- All of LeFou’s lines (i cracked up every single time)
- Golden cast. 
- Dan Stevens and his facial expressions, acting through his eyes, how he poured his heart and soul in evermore.
- Luke Evans was literally Gaston brought to life. The voice, the looks, the charm. I also liked how he was a bit darker in this version.
- Josh Gad brilliant once again, I lost it at “It’s never gonna happen ladies”

- Ewan McGregor gave a refreshing retake on Lumiere and his singing was great!
- “The East Wing, or as I like to call it, the ONLY wing” 
- Maurice admiring Lumiere and Cogsworth as the two argued who he was referring to once he left
- Interracial couples.
- The song ‘Gaston’ blew me away. It was better than the original.
- Visually stunning scenes throughout.
- Beast saying they should run away together (my heart melted when he said that)
- BE OUR GUEST GAVE ME GOOSEBUMPS. DID NOT DISAPPOINT. (i was really nervous about them messing it up but it gave me the thrills just as the original)
- How this movie really tugged on my heartstrings and I cried 6 times throughout the whole 2 hours.
- Belle singing ‘How Does a Moment Last Forever’ was beautiful
- “Too touristy?” - Beast
- Beast trying to protect his masculinity when he was caught reading a romance
- All the passionate stares between Belle and Beast throughout the film
- The ballroom scene was breathtaking. The ballroom set itself was–dhlsdkfhdsk
- Beast/Prince Adam’s mother being his sun (insert sobbing)
- The mob song was also done better than the original. (OMG BUT LEFOU’S LINE THO–)
- The way the beast screamed “BELLE!” was heart-wrenching
- The transformation scene was powerful, Dan Stevens was beautiful. That kiss tho–right in the feels.
- “Turn back into a clock. Back into a clock.”
- The Finale ver of Beauty and the Beast was lovely, the new lyrics added in were just the perfect finishing touch as well
- “How would you feel about growing a beard?” *GROWLS* (me: dies)
- Everyone dancing together (instead of everyone just awkwardly watching Belle & Adam dance)

The Appeal Of Kyoto Animation

I have seen many people saying how K-On is a cheap anime with no creativity and effort put behind this anime. In this blog I want to try to explain what makes Kyoto Animation so appealing and why this statement is not true.

Kyoto Animation is a popular studio which is known for great animation and their slice of life stories, with their unique character designs and very relaxing atmosphere. The funny thing is that what I just said is something you normally shouldn’t. Let me explain this.

I think we have all seen statements like “The animation from Studio Madhouse is amazing” or “Toei Animation always suck”. The reason why it’s not really fair to say that is because the staff for the most studios are usually changing. You don’t have the same team working on every Madhouse production. You don’t have the same director working on every Toei Animation production. Many animators are freelancer who have their own style and way of drawing. So if you see a scene which is really badly animated, it could be the result of just one or two animators screwing up. So blaming the whole studio is kinda unfair. The same can be said about great animated scenes.

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Depictions of romance and attraction in Yuri on Ice

Valentine’s Day has come and gone, and with it so has Chris’ birthday. To celebrate, Kubo has posted the following image on instagram (+ a cropped version on twitter):

No comment is made about the hand he is holding. Couple that with the very soft, fond smile on Chris’s face, directed specifically at whomever he is holding hands with, and we can say that this picture holds romantic implications.

Romance in Yuri on Ice and its depiction has always been a hot topic. Particularly about Victor and Yuuri and, lately, particularly about how its portrayal felt lacking to many people upon the conclusion of the series and how the staff seems to be downgrading their relationship into subtext territory instead of having it stand on firm, canonical ground. Count me in as one of the people who found it lacking and who is disappointed with the staff, particularly Kubo, since the finale aired.

Arguments in favor of the staff’s treatment of Victuuri and its portrayal in the finale tend to be extremely similar. Three points that usually come up are 

  • That the depiction of romantic relationships in Japan is always subtle and ambiguous because “cultural differences” (covered by @soobaki here)
  • Censorship
  • That what we have with Victuuri is already “enough”, usually followed by the baseless (and honestly offensive) accusation that people like me want to see them make out or have sex on screen to be satisfied

Plenty of comparisons between Yuri on Ice and other anime have been made to explain our side of the argument but today I want to look at the way Yuri on Ice depicts romance outside of Victuuri; from ambiguous to explicit, from one-sided to unquestionably engaged. I will do this to show exactly what I mean when I say I want a non-ambiguous confirmation of the nature of Victor and Yuuri’s relationship outside of coach/athlete and to underline that, within the same series, not all relationships are equal in how they are treated.

Note that I will not cover any married (or divorced) couple.

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Don’t you think he looks tired?

Originally posted by just-a-crazy-nerd

(or, why anna is super fucking excited that chris chibnall is the new show runner of doctor who)

Preemptive warning that this is a huge fandom switch, guys. I know, I know, I’m a Star Trek blog, but Anna was a Doctor fan first, and the Whovian blood runs deep. Point being, if you’re here for McCoy, skip this one. If you’re a fan of Anna’s Overanalyzing, Doctor Who, Chris Chibnall, RTD, or even The Moff, stick around, because this is the post for you. 

Below the cut, Anna discusses the merits of the Russel T. Davies era, the strengths and shortcomings of Steven Moffat’s vision of the Doctor, the many shining qualities of BBC’s Broadchurch, and her hype for Chris Chibnall as the new Doctor Who show runner.

(holy hot damn, I’ve outdone myself this time)

I am getting really fucking sick of the Doctor, guys.

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Type-Moon MC Guide 2015 (Part 3)

Last time we had the special titles, now we have the most awaited MCs of Type-Moon’s most popular franchise: Fate!

Meet the main contenders of the Holy Grail War in all the different Nasuverse universes:

Updated and edited

Fate/Stay Night (All 3 Routes):

Protagonist: Shirou Emiya

Deuteragonist: Rin Tohsaka (relegated to a tritagonist in the other routes outside hers, but overall, she’s this)

Heroines: Saber (Fate), Rin Tohsaka (Unlimited Blade Works) and Sakura Matou (Heaven’s Feel)

The bulk of Fate Stay Night’s plot relies heavily on protagonist Shirou’s conflict with his ideals, his relationships with the three main heroines, and his dream of one day becoming a hero of justice or an ideal hero to everyone. While you have the power to influence Shirou’s decisions, namely which route to pick among the three and which girl he should pursue, or better yet, how not to land in a Bad End (unless you want to see all those wacky Tiger Dojo antics, which you can only watch if you deliberately get Bad Ends - we all know you do -), most of the decisions in the VN are heavily reliant on you acting like Shirou and not as yourself, which is proof that Shirou is not your average run in the mill vanilla self-insert MCs in VNs nowadays (trust me, some of the “rational” choices there in the game are guaranteed to net you Bad Ends). Regardless of what anyone thinks of him as a character, it’s generally agreed that Shirou is one of the, if not the most complex MC in VN history.

On the other hand, while we all know that Shirou is the overall narrator and main character of the popular VN Fate/Stay Night, since it centers on his growth in different ways in all three routes (UBW being my favorite overall), Rin is the second most important character in the whole VN and I’m saying this not because I’m biased towards her, but because compared to Sakura and Saber, whose roles may be minimal outside their routes, Rin’s importance in all three routes never diminishes, regardless of her not being the main heroine of Fate and HF. There’s also the fact that her development heavily mirrors and runs parallel to Shirou’s in the entire VN, developing alongside him even outside UBW, and that she’s the narrator and MC in both the Prologue and the Epilogue of the game. She gets to narrate several times in UBW too. Love interest in the route or not, she’s definitely the main heroine here, even if Saber’s the poster girl for the series (Dang you Takeuuuuchiiiii!!!). 

By the way, they’re also the selectable main characters in the FHA mini-game Capsule Servant, so there.

Them aside, Saber gets the bulk of the focus in the Fate route, relegating Shirou’s MC status to that of a supporting protagonist (he’s still the main POV, but doesn’t quite have the hand on the plot compared to the next two routes), while Sakura is the main love interest in Heaven’s Feel, as the “princess” Shirou has to rescue amid the gray morality he faces there and the dark machinations behind the HGW.

In Fate/ Unlimited Codes, literally everyone in FSN (except Kuzuki for some reason tbh) is the protagonist, unlike Melty Blood since FUC is an alternate retelling of FSN in each of the characters’ POV.

Fate/Prototype and Fragments of Silver and Blue (prequel):

Protagonist: Ayaka Sajyou (Fate/Prototype) and Manaka Sajyou (Fragments of Silver and Blue prequel series)

Before Shirou, Rin and gender-flipped King Arthur existed, there was the shy but strong-willed Ayaka Sajyou and her Servant, the actual male King Arthur, Saber. Being Rin, Shirou, and Sakura’s prototype (being the main character with a penchant for attracting people of the opposite gender without really trying, she’s Shirou. Backstory, magical potential, relationship with her Servant, and personality-wise, she’s a fusion between Rin and Sakura), it would’ve been interesting to see if Nasu actually went through with this project before FSN. Would’ve been fun, I guess.

Then there was her crazy older sister, Manaka Sajyou, who is the main villain of the main series and the villain protagonist of Prototype’s prequel novel, Fragments of Silver and Blue, who serves as Ayaka’s Saber’s original Master there. If you gotta ask who she was prototype of in FSN, I’d say she’s a mix between FSN!Illya (inability to grow, plus her sweet childishness and sociopathic personality but without her heroic and sympathetic traits), Dark Sakura (her scary, psychopathic personality, insanity, and her connection to the Greater Grail. Unlike D!Sakura though, Manaka was already purposely and intentionally evil from the start whereas prior to darkening and after a series of breaking, Sakura was corrupted whereas Manaka didn’t need to be). If the novel’s anything, Manaka, powerlevel-wise, is, according to Nasu, omnipotence in human form. Poor Ayaka has a lot of problems in store for her.

Fate/Kaleid Liner Prisma Illya:

Protagonist: Illyasviel von Einzbern

Deuteragonist: Miyu Edelfelt

It’s a world where Illya gets to finally live a happy, normal (well, not for long) life in contrast to her FSN counterpart whose life was anything but unicorns and rainbows, what more could you ask for? 

Because their backgrounds are staunchly different from one another, the Illya in this verse is much more relaxed (well, if you don’t count her exasperation sometimes to her friends’ hijinks), is happier (yay!), is actually a regular (by a certain definition) kid instead of the experimented homunculus we all love, and is much, much more genuinely heroic than FSN!Illya, who is more than happy to give you one horrific Bad End to the next (she is heroic though, but is much more sociopathic than Prisma!Illya). She’s also a Magical Girl here, so yay!.

As for Miyu, she makes an awesome foil to this verse’s Illya and their relationship as friends is really sweet. Without spoiling much of the plot, let’s just say that Miyu here is the Fate! equivalent to PMMM’s Homura Akemi with a dash of Fate from Nanoha mixed into her. In the Fate ‘verse? She’s basically Sakura backstory-wise while she has bits of Alice’s (from Mahoyo) personality down.


Protagonist: Kiritsugu Emiya

Deuteragonist: Kirei Kotomine

Tritagonist: Waver Velvet

(All three are at the center)

In this story, we get to see how big of a contrast Kiritsugu was to Shirou back before the events of FSN happened as an ally of justice despite having nearly the same dreams and ideals with each other, and wow, what a difference it is (if you don’t count the Mind of Steel Bad End in HF and his other, possible future self that is *wink wink*)! Fate Zero shows us the inevitable tragic outcome of events that led to Kiritsugu’s ideals betraying him and ultimately destroying him by the end of Zero’s HGW and before the very start of FSN’s story.

Kirei gets to be the main antagonist and deut as well for being in direct opposition to Kiritsugu and the role his growth plays in the story (oh, you get to see how Team Yuetsu’s formed too). From passive foe with deep-seated issues he himself can’t even comprehend, to ironically a conscientious, sociopathic villain who takes glee in seeing people suffer before him, Kirei’s actions and machinations throughout the entire plot move the story along while building up a climactic climax and destined clash between him and Kiritsugu.

And finally, Waver’s character development here serves to give us the more traditional and heroic coming of age story in contrast to his fellow MCs above who followed a more nominally heroic, and in Kirei’s case, descent into villainy route. The story puts in a lot of focus on his relationship with his Rider too, and I’m glad they did ‘cause they delivered their development well. Oh, and he pops up in the epilogue of the 2015 UBW anime too as a special cameo.

Fate/Extra and Fate/Extra CCC

Protagonist: Hakuno(M)/ Hakunon(F) Kishinami

Deuteragonist: The Servant of the player’s choice: Saber (Nero), Archer (EMIYA), Caster (Tamamo no Mae) and in CCC, Gilgamesh

Compared to most silent MCs in their position, the Kishinamis of your choice have an actual personality and you don’t have to fill in the blanks yourself to imagine what they’re like, even though you don’t get to hear or see them speak in the entirety of your playthrough (you do get to see what goes on in their heads at least). 

As for the Servants, well, let’s just say that their backgrounds and relationships with Hakunon/ Hakuno are of equal importance to the game’s plot.

Fate/Hollow Ataraxia:

Protagonist: Bazett Fraga Mcremitz and Servant Avenger (Angra Mainyu)

Heroine: Caren Ortensia

Putting aside the SOL scenarios in FHA which focus more on the FSN crew having fun, we have the main plot of Bazett, an Enforcer from Mage’s Association who wakes up under strange circumstances with no recollection of the events that happened to her prior to the events of the 5th HGW whatsoever. Discovering a mysterious entity known as the Avenger-class Servant, or simply Avenger, who happens to look exactly like a darker version of a certain MC, Bazett finds out that every time she and Avenger die, time would always rewind itself to the first day of the events of FHA, creating a time loop with some deviations in the events that occur each time. In the midst of it all is Caren Ortensia, a mysterious nun who appears in Fuyuki to serve as Kirei’s replacement as both local priest and overseer. Just what is her connection to that fake priest? To find out, play the game, or, watch Carnival Phantasm.

Fate/School Life:

Protagonists: Kane HimuroYukika Saegusa and Kaede Makidera

This comedic 4-koma series follows the lives of the track trio, and tells us what they did while the 5th HGW was taking place in FSN. Hilarity ensues.

Fate/Strange Fake:

Protagonist: Literally all the contenders present, but Gilgamesh and Enkidu get emphasized focus here

Both the novel and the manga have no real set main protagonist in this Fate entry since literally everyone gets the limelight and their own personal chapters with them as the main character, but Gilgamesh and Enkidu’s stories are given the bigger spotlight here, at least in the earliest chapters.


Protagonists: Ruler (Jeanne d’ Arc) and Homunculus (eventually, Sieg)

The events of Apocrypha revolve around the battle between the Red and Black factions, and while the moral alignments between each side would vary, it’d be a bad idea to make any of the members of either team as a central protagonist without any biases on the side they’re on whatsoever. So the best choice for central protagonist/s would be someone from a neutral faction. This is why the Ruler faction, consisting of Ruler herself and the homunculus Sieg, are the main POVs and the main contenders of Apocrypha’s take on the HGW. Seeing the events of a War they’re not supposed to have direct participation in (Ruler’s job as an overseer of the War prohibits her from directly interfering in it unless the Grail is endangered) through their POV is a breath of fresh air.

Fate/Grand Order:

Protagonist/s: Shirouko and Rin-kun, I mean, Gudako and Gudao (Ritsuka Fujimaru for the male protagonist in the First Order anime)

Heroine/Deuteragonist: Mashu Kyrielite

Okay, those aren’t their official names, but that’s what the official 4koma and promotional materials called them so we’re sticking to them alright?

So the mobile game follows their exploits as the new members of the organization Chaldea, and they’re tasked to save the future from its foreseen inevitable end by competing in many different HGWs throughout different timelines. They also have the ability to summon more than one Servant too (that is if Kirei doesn’t spook you, otherwise…). Always faithfully by their side is FGO’s main heroine Mashu Kyrielite, their beloved kouhai who is fused with an unnamed Servant who wields a large and powerful shield in combat, using that Servant’s skills to fight and to protect the protagonist/s in battle.

Welp. That’s everyone folks! Tell me if I’m missing some people or otherwise. Toodles!

ya’ll... we gotta talk about this.

Nameless ~The One Thing You Must Recall~


So, I just finished playing through every good ending for every route in Nameless. I accomplished this in a matter of three days. Three. Days. That’s how phenomenal this game is. I never thought anything would ever come close to my love for Mystic Messenger. Nameless blew me away. Everything about this game is beautiful. Beautiful art, beautiful soundtrack, beautiful voice acting, beautiful characters. I didn’t expect anything less from Cheritz. For those who aren’t familar with Nameless, it is a fully voiced visual novel-style game from Cheritz, the developers of the extremely popular mobile game Mystic Messenger. With Christmas basically here, I REALLY WANT EVERY ONE TO PURCHASE THIS GAME AND PLAY IT. YOU WILL NOT REGRET IT. I PINKY SWEAR. I’M GOING TO TRY AND CONVINCE YOU. 

The game description as found on Steam is:  “Eri (the name is replaceable) is a high school student and everything about her seems ordinary except she has a special hobby. Eri is into collecting ball-jointed dolls made from the doll company, Crobidoll. Although she treats her dolls like her real family, she cannot talk about them to even her "normal” best friends. With her parents living overseas, she was left all alone after her grandpa’s death. She started to rely on her dolls to escape from her loneliness. Then, one day, she had a dream about feathers coming out of her diary and when she woke up, she heard strange sounds coming from her kitchen…”

Now, let me just tell you. This game was full of emotions, just like Mystic Messenger. To be corny, it’s a literal roller-coaster of emotions. This game has made me feel really happy, this game has made me literally laugh out loud, and I have shed actual tears due to this game on multiple occasions. The characters are so precious and dear to me, and they all have their own individual problems. They are not perfect, they are flawed. Just like in reality, no one is perfect. I absolutely love games, ESPECIALLY otome games, that embrace that. And Cheritz is extremely good at this, as much in Nameless as in Mystic Messenger. I’ll tell you my opinions on the characters, of course with no spoilers, to further convince you to buy this game. I hate comparing characters, but for Mystic Messenger fans (AKA all of my followers), I will compare since I saw a lot of similarities.

Nameless’s MC, Eri | You can change the name to whatever name you wish in the beginning of the game. She is a freshman at her school, and she lives by herself in her grandfather’s house. Her parents are extremely busy and work overseas, so she lived with her grandfather from an early age. I really, really like this MC. I found her extremely relatable. She has such a gentle heart, but she has pessimistic tendencies and is mature for her age.

Lance | I really enjoyed Lance. He was Eri’s first ball-jointed doll, and the only one that was around when Eri’s grandpa was alive. He’s very smart, but he can be pretty cold at times. He is in the same freshman class as Eri, and is popular against his wishes. He doesn’t really express himself well in front of others. He acts like he doesn’t care about you, but actually cares a lot. He’s a classic tsundere. I couldn’t really compare him to anyone in MysMe personality wise, he’s his own person. I cried during his route.

Yeonho | Yeonho was Eri’s second doll. He had an owner before Eri, but he was sold at auction, with Eri as the winning bid. I absolutely LOVE Yeonho. He is so so so so so sweet. I want to love and protect him forever, the precious angel. I would definitely call him the Yoosung of Nameless. His voice even sounds similar to Yoosung. He is also in the same freshman class with Eri and Lance. He REALLY loves Eri, and is really attached to her. He’s 100% a yandere. He is also really popular at school and he is known as the Yellow Chick. I can’t really get to much into his character without spoiling anything.

Yuri | I like to call Yuri a Jumin-Zen hybrid, with some differences. He is very narcissistic and flirtatious, ESPECIALLY towards Eri. He is very fashion forward, and spends a lot of money on clothes and material items. Out of all the dolls, he appears the most mature physically. He enjoys music, and plays the drums really well. He teaches music at Eri’s school. He appears frivolous, but is actually pretty serious when is alone with Eri. Again, I can’t go into detail without spoiling. I cried during his route.

Tei | I think Tei is probably my favorite route, for many reasons that I can’t disclose without spoiling. I would compare him most to Jumin. He acts like the “mother/father” of the group, but he is actually very complicated. He is the most popular of the group at school, a sophomore, and works in a cafe part-time. I think that he has such a kind heart. I would say that he loves Eri the most out of everyone. Also a yandere. I definitely cried during his route.

Red | And lastly, we have darling Red, warrior of justice! Yes, I said “warrior of justice.” That wasn’t an error. Sounds like our dear defender of justice, Seven Zero Seven, doesn’t it? He reminds me SO MUCH of Seven sometimes, even his voice acting. He’s definitely his own person though. He’s innocent, kind of naive, and very slow at times. That just adds to his cuteness. He is full of energy and is bright like the sun. He loves online games and watching action shows about justice warriors. He believes that he will one day gain special powers. However, is his smile just a mask to hide how he really feels? His route… gosh. So many feels I felt like I was drowning. I definitely cried during his route. A lot. His route is also easily tied as my favorite with Tei’s.


Please consider purchasing this beautiful masterpiece. It would make me so happy if you did. And Cheritz, 정말 고맙습니다. 사랑해.

anonymous asked:

Hi, I'm in love with your blog! Question: I spend a lot of time planning my story, however I'm stuck because I don't know if I should narrate it by third-person omniscient or first-person. What are the pros and cons of each type of narrator? I would like to have three people as the protagonists, but it's also my first novel so...

Thank you!

Now this is a struggle that I know particularly well. It’s a debate I often have with my own stories. There’s always one that will work with your particular story the best, but sometimes it’s a really close call. 

Let’s compare the two.

First Person:


  • It’s natural: For a lot of writers, using the first person is the easiest way to tell a story, just because it’s what we do in our daily lives. We don’t say “The anonymous asker- who is myself- sent a question the other day,” we say “I sent a question on anon the other day.”
  • Your narrating character has a unique voice: Most well-developed characters will often have their own way of talking that is different from the voices of your other characters or from your own voice. Using first person means that you can play around a lot more with the language. 
  • VIP Tropes: Like with the other perspectives, there are special tropes or tricks that you can only do with this perspective, such as the Unreliable Narrator and more. 
  • Front Row Seats to the Angst: One of my favorite parts about using first person is the ability to really tap into the main character’s emotions. Characters can directly state how they are feeling and why, which actually very much helps readers relate to or understand them.
  • Empathy and Understanding: Basically like the point above, but more specifically, it can help the reader understand decisions that might otherwise seem strange, immoral, etc


  • Limitations: The most obvious downside is that the story is now limited to only the scenes in which your character is present, which can limit things such as your additional character arcs, etc.
  • Tinted Glasses: Because things are only seen through your character’s perspective, the details they provide are therefore tinted by their thoughts and opinions.
  • Lack of outside perspective: You don’t always know what the other characters think of the main character, because the main character is only perceiving the details of their interactions based off of what they think of themselves. Again, a colored perspective, but this time involving interactions. 
  • Poetry sounds a little weird: Most people don’t really talk like that. You say “the wind was like, biting cold today”, not “the wind bit like a sharpened blade grazing the skin.” If your character says the latter, I am a little concerned and befuddled by them. 

Third Person Omniscient: 


  • You don’t have to use their voice: If you don’t like to use your characters’ voice, congrats, you don’t have to. You can now write with your own Special Writer Voice.
  • Details: Because third person is no longer limited to that which your character can sense, you can bring a bunch of random details that people tend not to actually notice, which means all that poetic stuff can now be included. That means you can now say the thing about the wind.
  • In fact, all the descriptions get a lot more posh. One of the other problems with first person is that your main character probably won’t be very well described unless they have a cheesy Mirror Scene or something, and as I also mentioned, you have little idea about what the other characters think of MC. In third person, that all opens up.
  • You can play around behind closed doors: Once again, since you are no longer reliant upon what your character can sense, you can now track other characters and their goings-on. That means the reader now gets to be privy to all the secrets, betrayals, and other private interactions between the other characters. This is particularly good if you have multiple character arcs to keep track of. 
  • Mindreading: You can now dive a little bit into everyone’s minds to see how they think or feel. Granted, you don’t get to know anyone as especially well as you come to know the first person MC, but now everyone has the same level of empathy, and bonus, without the “tinted glasses” of the MC.


Basically, everything you gained in first person is lost in third person.

  • Mindreading 2: You know everybody, but only kind of. 
  • Empathy gaps: It becomes a lot harder to establish an emotional connection from reader to character. When you cannot relate directly to the character’s feelings, it takes a lot more work on the writer’s part to make them care. 
  • Confusion: True, you now have more opportunity for moving around settings and perspectives, but sometimes, with so much to keep track of, it can be disorienting if you don’t balance all of your scene changes and movements. 

It may seem like there are a lot less disadvantages, but the whole-emotional disconnect thing is a lot more significant than it seems.

How do we know which one to use? Well, it’s hard to say sometimes. One way that modern writers have developed these days to get around a few of the disadvantages of the first person is to have multiple main characters, and alternate between their perspectives. In that way, you get multiple views, opinions, etc.

Of course, that presents its own problems as well. For one, if a reader doesn’t like a particular perspective, they’ll be tempted to skip their chapters, and for another, it can sometimes be difficult determining which scenes should be narrated by whom, just as examples.

Upon looking at the advantages and disadvantages, think of what best serves your particular story. As I frequently advise, when in doubt, try it out. Sometimes I start in third but then find that the characters are begging to tell it themselves. Other times, they are incredibly grudging and unwilling to speak.

With consideration, you might be able to figure out just by the obvious pros and cons which option is best suited for your story. If not, that’s okay. Try a chapter either way and see what conveys the correct flow.

It’s a rather important decision to make, and sometimes it takes a lot of writing it one way and then changing your mind thousands and thousands of words in, but ultimately, finding the right way is imperative.

Best of luck to you, and I hope this helps you sort it out a little easier :)


the question of queerbaiting in thick as thieves is a complicated one, most notably because a lot of the tactics creators usually use to avoid committing to the inclusion of gay characters, i.e., subtext and ambiguity, waffling on word of god, and keeping people hooked on the potential for payoff somewhere far in the future, are things megan whalen turner happens to already do all the time, about everything. mwt loves subtlety, withheld information, and unreliable narrators, and that’s part of what makes the series so great, but it also makes it difficult to evaluate what exactly is happening re: costis/kamet in tat and whether gay readers are being strung along.

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anonymous asked:

Being the biggest garnet fan I've ever met here... Are you satisfied about how her character has been shown in recent seasons? (Don't get me wrong, I love ruby and sapphire and I always will but I feel the personality of garnet is disappearing and it is nothing compared to what she was in the first season And now she only dedicates talk about "fusion this" "fusion that" Is something sad for me because she was my favorite characters and was one of the reasons I endure hiatus after hiatus :(

This got long as shit because I ADORE Garnet of course and have actually a lot to talk about in regards to this!

Keep reading

‘It’s Always Sunny’: Charlie Day goes behind the scenes of season 12

The gang just lost a member: In It’s Always Sunny in Philadelphia‘s 12th season finale, Dennis claims he’s had enough of everyone and is off to raise his young son in North Dakota, where he’s been living a double life.

“The bar is done,” he says as he turns off the lights at Paddy’s Pub. With that, he’s gone — for now.

“It opens up a lot of options for us,” Charlie Day, who created the FXX series with costars Glenn Howerton and Rob McElhenney, teases to EW. As does his own character’s story line with the Waitress (Mary Elizabeth Ellis), who Charlie has unprotected sex with after years of pining. While Day won’t reveal whether the Waitress is pregnant, he will talk about his lack of confidence in Charlie’s parenting skills.

“He would be a mess of a dad,” he laughs. “But he could certainly teach you a lot about how to cook strange foods and where to forage for the most coins.”

Between these developments and a few others from the season, some would say the gang is growing up. That’s far from true, though. “There’s just something about these people that is so hardwired that I can’t imagine them ever actually growing up,” Day says. “Look at Frank Reynolds. I mean, if that’s your father figure, then how are you ever expected to grow up?”

He’s got a point — plus, the characters’ inability to mature is part of what keeps fans coming back to the show over a decade in. “It’s really amazing to have some kid come up to me and say, ‘Hey, I started watching your show when I was 7 or 8 years old,‘” Day says. “It brings me so much joy. And I couldn’t be more proud of the show.”

Here, Day takes us through the biggest and best moments from the season — the finale and risky season premiere included.

The gang tries out a different race for a day in “The Gang Turns Black”

Day knew they were taking a big risk when they opened the season with an episode — a musical one, no less — where the white main characters wake up as black versions of themselves (played by black actors). The half-hour sees the fivesome experiencing life as a different race, and ends with Charlie, who turns into a young black boy, getting shot by a police officer.

“It’s a tragic moment in the episode, and then it’s even more tragic that the characters don’t learn their lesson at the end,” Day explains, “which is the frustration of society, that we keep repeating these mistakes and we don’t seem to be able to figure out how to learn our lessons.”

“I’m always proud of an episode where we’re able to say something that’s a little bit difficult to say, to have some humor, but to also have some point of view,” he continues. “In such a politically charged time in our country, I’m glad that we’re still able to have a show where we’re able to take a look at issues and point our fingers at injustices and that people get it — not everyone gets it, but I’m happy when they do.”

Sunny becomes a murder doc in “Making Dennis Reynolds a Murderer”

Mac and Charlie compare murder documentaries to chips in this episode, which parodies both Netflix’s Making a Murderer and HBO’s The Jinx by investigating whether Dennis killed Maureen (Catherine Reitman). “You want more chips,” Charlie says, referring to feeling unsatisfied even after finishing a bag of Lays. “Murder is chips!”

They outlined the episode around this same time last year, right when Making a Murderer was at the height of its popularity after a December 2015 release. And although Day sometimes watches those kinds of movies and television, he said they wanted the episode to call out the weirdness of it. “We’re basically saying, we’re so obsessed in our culture with murder and violence that there’s a macabre okayness with all this,” he explains. “We’re making episodic entertainment out of the fact that someone’s been murdered, and there’s sort of no sensitivity to the family of the victims sometimes with these documentaries. I’m the same as everyone — I will get sucked up in them. But it’s a crazy thing in this society that we’re into.”

Mac comes out in “Hero or Hate Crime?”

The gang has been calling Mac gay for years, and he officially came out in this episode, where Frank saves his life by shouting “Look out, f—-t!” right before he’s almost crushed by a piano. Frank immediately deems himself a hero, while everyone maintains he’s a villain for using a slur — no matter the outcome. They all go on to have a conversation — with a lawyer present — about whether Frank committed a hate crime and who’s entitled to the lottery card Mac was picking up as the piano was falling. In the process, Mac explicitly says, “I’ve been gay forever, everybody knows it. I’m out!”

This reveal came to be after Mac briefly came out last season and then quickly went back on it. “I think there was a bit of fan disappointment with that,” Day admits. “There was a little social responsibility to say, hey, we’ve dragged on this joke of this guy being in the closet, and perhaps it does better societal good to actually have him come out. There was an awareness that it sends a better message to the world — for the people who pick up on the fact that 99 percent of our show is satire.”

Dee, Charlie, Frank, and Dennis tell Mac he’s gay, and then bring out a fitness bicycle to prove it. Not just any fitness bicycle, though: This one has a dildo topped with a fist attached so that each time the biker pedals, he also gets a nice, well… let’s just say Mac calls it the Ass Pounder 4000.

“There was a story going around about a man in Ireland or Scotland, I believe, who was found dead on one of those,” Day laughs. “And we were having a lot of conversations about it. And we didn’t want to say something horrible like, ‘This is what all gay people are doing,’ but we thought, ‘This is what the crazy, insane Ronald ‘Mac’ McDonald is doing.'”

Cricket finds puppy love in “A Cricket’s Tale”

Cricket (played by David Hornsby, who wrote this episode and also co-produces the series) has his moment in this episode — it just doesn’t last too long: He falls in love with a woman and then realizes the woman is actually a golden retriever (don’t smoke PCP, kids!). And he realizes this after making out with her. “We thought it was time to give Cricket an episode, and we were breaking the story where he fell in love and the story wasn’t quite working,” Day recalls. “We couldn’t put our finger on why it wasn’t working, and I kind of half-jokingly, half-serious — I believe it was me — said, ‘What if she’s just a dog this whole time?'”

After initially thinking “we can’t do that,” they realized that, oh yeah, they could totally do that. All Hornsby had to do was pick out his canine kissing partner. “If he was going to have to make out with a dog, the golden retriever was the least offensive one,” Day laughs.

Dennis ditches Paddy’s Pub in “Dennis’ Double Life”

Out of all the main characters, it was Dennis who’s been living a double life. So why him? “There’s usually so much mystery with Dennis and what’s going on with him and we allude at times to sort of a psychotic other life that he has,” Day explains. “There was something interesting about giving him a moral Sophie’s choice.”

At firsts, he goes the predictable route, trying multiple times to get out of parenting — he pretends to be in a partnership with Mac and then acts like he’s been shot dead. Then after saying goodbye to his son and her mom, he has a change of heart watching the gang dance it out in the bar. “I think you could point to several choices or reasons over the history of the whole show that might lead him to making this choice,” Day says.

Then there’s Charlie’s long-awaited hookup with the Waitress, which Day says they made happen simply because they “decided it was time.” “It was time for something to give. For it to either end or to work — or for at least sex to happen,” he adds with a laugh.

Mon-El’s arc-Breaking Good Meta

So I recently wrote a meta about Kara’s arc and I asked you if you wanted my two cents on Mon-el. A good number of you wanted it, so I was inspired to break it down. This is a really long one! If there’s something people love more than a good guy breaking bad, is a a breaking good story! Haha.. A well written redemption arc is one of the most satisfying things to watch on TV and it gives writers the opportunity to tell a character driven story with rich possibility of character growth. What people love even more, is to witness the birth of a hero, something we only get as flashbacks with established superheroes. Because one thing we’ve learnt from these stories is that superpowers don’t make a hero, it’s a calling, a very personal choice, often rooted in grief or the lingering psychological impact of being helpless in a traumatic situation. 

If you’ve watched Jessica Jones, I highly recommend it if you haven’t! I absolutely love it, because it’s too real. Jessica is someone who has super strength, she has all the means to be a superhero but she finds the idea of having a costume and nickname ridiculous. She works as a PI or muscle for hire sometimes and often drowns her PTSD, from her backstory, in alcohol. It takes a lot of inspiration, love & a huge threat against the public which she feels responsible for, for her to embrace being a hero. Which is a very human and relatable thing, if I got superpowers, I would definitely not buy a costume and start fighting thugs in my city, especially if I’m going through something hard. It doesn’t make me a bad person, it’s just what logical humans do no matter how strong they are, they put their needs before others and steer clear of trouble. I really needed this on DC TV and that was the first reason why I fell in love with Mon-El. 


When Chris Wood was interviewed about his role on Supergirl, he mentioned that “That was their intention, to have someone go through the hero journey, something they can’t do with supergirl, well because she’s supergirl” *fanboy voice* It wasn’t much of a struggle for Kara, she was sent to this planet with a purpose, witnessed a great tragedy, met superman who grew into a hero all by himself and she grew up a normal human watching him change the world. Being Supergirl was something she always wanted, season one was about her becoming her own hero, whose accomplishments aren’t shadowed by Superman’s. A lot of people feel like Mon-El’s character was pulled out of no where but it’s very clear that he was chosen to be the third alien in Kara & Jonn’s team and Kara’s love interest, because they were very clever with choosing a character that hasn’t been used a lot before and they get enough creative freedom with. 


They wanted his hero journey to be a lot juicer than Jonn’s so they gave him a very different starting point from Jonn who was already a hero in some capacity but was afraid to come out as an alien.. Deciding where to start is very crucial for a writer because the worst thing you can do is, make a character that people just don’t care about. You want them to feel something extreme towards him even if it’s bad but you don’t want to go as far as give your character an evil or sinister start as a villain for the contrast to the hero side. It’s much easier to create someone who lacks conviction, who doesn’t have a cause, plenty of weaknesses, faults and vices but a few redeeming qualities and the flexibility to change. 


The best writing tip I’ve received is, never willingly give too many flashbacks, build upto it and make the audience or the character who wants to uncover the truth, work hard for the back story. Why?

  • Because it distances the audience from a time when he developed his weaknesses & faults, a time before the desire to change.
  • It makes him mysterious & interesting and causes people to speculate.
  • It’s more fun when secrets are revealed when the stakes are high.

His backstory is really cool because of a couple of reasons that they keep hinting towards and it left a good impact on his personality: 

1. Politics: He was an influential political figure as Prince of Daxam and not just a helpless bystander in a world that Kara, our POV has so many prejudices against. As someone who grew up in a corrupt country, this is very interesting because even people in power have a hard time getting a lid on complicated issues. Most of us usually do butt heads with our elders when it comes to being progressive politically & disagreeing with the status-quo but the struggle is so good for Mon-El because he was so close to power, his parents, but had no real control, which explains a lot about why he said his father is a bad man. 

I even liked when they brought up the issue of slavery, because most TV shows usually pretend that it never existed, which it still does in many parts of the world. If there are things that bad in the society you live in, that you don’t believe in and wish to change, being so close to people who could make a difference and being unheard is frustrating.If they do not care about your opinions and you are groomed to one day take their place and adopt their political stance, that pushes a person to resign from those responsibilities and politics. I would compare this to how most people in third world countries have a nihilistic or hedonistic  ‘What’s the point in hoping or trying’ attitude. Which explains why Daxam is party obsessed & hedonistic, it seems like a coping mechanism.

Thus having the sterotypes just thrown at you in a “What else can you expect from a Daxamite” really pisses people off! They’ve used it so well until now because the prejudice really makes him tick. 

2. Childhood issues: This is something they’ve hinted at and used so well and I find it relatable because I had a rough childhood/daddy issues. I’ve mentioned the impact a rough childhood leaves on you before and I’ll mention it again: ‘We try to do our best, push to be better, go to great lengths to make our loved ones proud, but we love nothing more than someone to just tell us that we are lovable just the way we are because all that effort is rooted in the belief that no one could possibly love us unless we change or put in real effort or have something solid to offer. Unearned love is something people with rough childhoods never get and it’s the greatest gift’

You see that discomfort in Mon-El, now that he’s not a prince, has nothing to offer like he did before and he’s dating a very independent and strong superhero who can take care of herself. It doesn’t help that she has so much prejudice against him thus he constantly feels like he doesn’t deserve her or she wouldn’t want to be with him, something she even vocalised once. Which is why you see him putting in a real effort into the relationship and struggling to change to be the man she wants him to be. When Winn told him to stop trying so hard & all Kara needed was his presence, it surprised him because that’s how childhood issues work! Like really? Just my presence? That’s enough?

3. Prince privileges: Because he grew up to be an adult there, he does have a lot of intel about creatures that they come across (Mxy or the fight club monster, slaver’s moon) which will be a good contribution to the team once he becomes a hero. When he first woke up, he found out a way to find a signal to Daxam very quickly, stayed silent when imprisoned & made up a lie when asked about his backstory.. It’s a very realistic depiction of someone who was royalty, shows the training. And him being a prince is something that explains his cynicism, self preservation, survival instincts and not wanting to be a hero, because political kids are raised to put their safety above everything else. They have bodyguards to protect them. Soldiers and field agents are trained to run towards trouble, ‘Survive, protect yourself, run away from trouble’ is what’s drilled into royalty’s heads. Thus not only does the idea of having a job seem outlandish to him but so does running into trouble and that’s something that has good potential for growth. 

4. Frat Boy : This is that rich kid trait that was meant to piss the audience off. It’s a very feminist show so this was an incredible contrast. That’s how you change public perception as a writer, not just by giving people characters that are already feminists and who educate you on it through dialogue but by also showing them a character’s transition from the opposite end of the spectrum. Not all feminists I know started out that way and they definitely didn’t change their minds because I threw words at them. People these days are pretty socially challenged in terms of talking to others who disagree with them and tagging people with harsh words at the first sign of disagreement is a very common practice these days. I mean look at the fandom, he’s been nothing but a puppy to Kara and people just can’t seem to move past the frat boy stamp that was just mentioned, we haven’t seen any proof but even if he breathes, people complain. 

It’s something he moved past in the first few episodes, which was step one for his hero journey. 

There is a lot of backstory potential to be milked here for the future, because he spent his entire adult life there, as royalty. So there’s a lot for the writers to keep going back and expanding. I’m so looking forward to this! 


INSPIRATION: Chris mentioned in his interview, that in the beginning Kara tries to bring him into her job & DEO world but Mon-El will end up finding his own path which is why most of the heroic moments he has are when Kara is not looking or around. Him agreeing to train or be her partner, is not picking up very fast because Kara is his inspiration but she will not be the reason why he becomes a hero, but their love & everything he loves and admires about her will serve as a moral compass. He wants to be better for her but he still doesn’t believe in her cause. 

MOMENT OF TRUTH: It’s going to be a tragedy that he feels personally responsible for, which is why they brought in his parents as the big bads. Because feeling personally responsible for something horrible or saving someone you love are the only reasons a normal person would want to run into trouble. He needs that birth of the hero moment, where he decides to do something selfless because he personally feels responsible and he believes that he needs to do the right thing. That will be pretty awesome! 

SUPER POWERS & TRAINING: I feel like his superpowers will start manifesting next season when he actually starts training in the field, because what they are doing right now is just stalling. Plus his costume includes a cape & capes are used because they are aerodynamic & help in flight. And he can’t fly right now! 

SUIT & NAME: This one will take time because Valor is a heavy name and would be followed by a very heroic moment. It means “ great courage in the face of danger, especially in battle.” It’s obviously not going to be something Winn assigns to him. But he will need something that’s bullet proof & a cure for his lead allergy. 

MODUS OPERANDI: I think his code of conduct and style will deviate from Supergirl’s. Right now she needs someone who listens to her and follows orders but that’s not partnership, that’s not what Jonn does. Even though Mon-El is a noob, he does have his moments when he tells her not to run into trouble without a plan, with just hope. He follows her, but he complains about it. It makes sense for him too, because he’s not as strong and definitely not bullet proof like her (lead allergy). Barry and Oliver had this fight at a very large scale, but that ship is another story :D 

So they’ll always disagree in some ways, but that’s good, I don’t just want an assistant for Supergirl, I want a team member who brings something new to the table: His alien intel & caution.

MORAL CODE: Even Supergirl is not at that stage, where she has a solid code of conduct in place but I think he will just adopt hers when she does.


Depending on where he started “Label: Fratboy of the Universe” and his endgame: “Valor”, this is going to be a long arc, he’s here to stay for a really long time! This is going to be multiple season Hero’s journey. I mean, maybe not as long as Jon Snow (that guy took his time from going to a bastard child with no conviction & power or desire to be a hero to the King of the North) but it’s usually pretty standard. It starts out with a someone with no courage or ambition, someone who clearly doesn’t seem like a hero to anyone, but faces challenging situations, finds a moral compass, a friend, a mentor, maybe love and all of it end ups shaping him/her into someone people end up believing in. I got the romance quickly so I’ll take the superhero slow burn! 

Chris already asked about Legion of heroes, because he loved the comics & they shut him down because they told him he’s a supergirl character and they’ll be deviating from the comics too, plus DCTV already has LoT as a teamup.

Speculations of him leaving with parents or going to the phantom zone are wishful thinking. Comic books did that a lot in those days everytime they decided to clean house with characters during their generational reboots, it’s just a comic book trope that no one takes very seriously when it comes to considering what’s canon. Barry Allen ran in the speedforce for decades after Crisis of Infinite earths but it was just a way to bring his character back after it was killed off, sending people off to places for years is just a reboot strategy that a TV show only needs to introduce people when they pull them from these zones.  Plus you don’t play a long game involving a hero’s journey like this for a single season character. This is the one character they really get to play around with and writers don’t let go of those unless they completely exhaust all avenues.

As far as Karamel is concerned, if it’s an endgame couple, which it seems like because they are bringing in the big guns in terms of the romantic scenes, they will end up having on and offs like they usually do on DC TV shows or CW shows in general. But I don’t know, I usually don’t worry much if the actors have chemistry, were introduced to be a romance and the writers pulled off fanfiction level fluff. That being said, I want to see his character grow outside of the relationship too, talk to people other than Kara and Winn, which I’m pretty sure he will do next season.

 cometss ,  tearfulgoodbyekissperson  @secretlycasualninja, @starcrossed-comets, @emarasmoak , @itcouldhavegonethatway , @karamel-club-soda , @thoughtsfromaclutteredbrain , @taurusclh, @olivertryst, @anaveragegirl15 

anonymous asked:

Do you think Bughead is only a plot device for Archie to realize he has feelings for Betty because I really hope not. I think as time goes by Jughead is going to fall for Betty and vice versa so I can't just see them getting over it just because Archie suddenly has a change of heart?

i worry about that, definitely. the ‘boyfriend’ clip from episode 8 especially made me nervous that bughead was just a plot device, and maybe even fake dating, but other than that one leak, it doesn’t seem fake. when i saw the pictures of them kissing at the baby shower, i thought maybe they were kissing in front of archie, but they couldn’t be. the kiss at the cupcake stand has to be before the serpent bomb is dropped, and so archie isn’t at the party yet. if they were fake dating, why would they kiss with who betty was trying to make jealous not around? 

then there’s the fact that it spans (seemingly) for so long. if we assume they have their first real romantic moment in episode 6 and they’re still together in episode 13, that’s 8 episodes of them as a couple. if their relationship was for the soul purpose of building up betty x archie, they would be taking their sweet ass time to do it. plus, look at this

they look so happy. and, tbh, i think they’re building up archie and veronica this season 

i was really worried that they’d have archie declare feelings for betty in the finale (still am a little), but lili has helped calm my nerves a little. for starters, her interview~

There’s also a bit of a murder mystery going on in Riverdale with Jason Blossom’s apparent murder. As the editor of the student paper, Betty has teamed up with her ace reporter Jughead to try to crack the case. How does that relationship develop?

Reinhart: Betty is best friends with Archie, which means she grew up with Jughead. They know each other, and they’re friends. Jughead is more outwardly dark and brooding, and Betty wishes she could be more like that. On the outside, they couldn’t be more different, but a lot of what Betty feels on the inside is what Jughead presents to the world — and that’s something that she hasn’t been able to do, out of pressure from her parents. She can’t present weakness to the world, and that’s what attracts her to Jughead. She’s attracted to his darkness because she relates to it. She feels like an outsider at the end of the day, which is why they make such a great pair. They’re both outsiders.

For all of the ‘shipping this show has inspired online, it doesn’t feel like romance is necessarily a priority. I think a lot of people went into this thinking, I’m Team Betty or I’m Team Veronica, but that’s really not the point. Archie can barely deal with his own problems! He doesn’t deserve Betty or Veronica yet.

Reinhart: It’s more about the relationships between the characters. A lot of people go into this show thinking that this guy has to choose between these two girls, and that’s the plot of the show. But that’s very much not our show. These characters are working through real issues. The main plot point of Season 1 is Jason’s murder. It’s definitely not the love triangle. I don’t think there’s even that much of a love triangle. Betty has already accepted the fact that Archie doesn’t love her that way, and she knows you can’t force someone to think differently about you. She needs to move on. 

Archie’s a mess! You don’t want to get with him. He doesn’t know what he wants.

Reinhart: Archie is such a mess! They’re just two people who are so much better off as friends, but she doesn’t realize it just yet. That’s OK. She’s young. She’ll realize it eventually. 

when you looks at how she talks about jughead and betty compared to betty and archie, it definitely sounds like jughead is her love interest. and then there’s the line It’s definitely not the love triangle. I don’t think there’s even that much of a love triangle.” yes, i know the question is referring to the betty/archie/veronica triangle, but the second part of the answer makes it sound like there isn’t really a love triangle in season 1 at all. with anybody. 

actors typically tend to hype up the ships they’re involved in in interviews (regardless if they actually like them together or not), so, if we were going to get a love confession from archie at any point this season, i don’t think she’d be talking about how they’re better as friends 

also, this is more far fetched, but lili has liked a number of bughead posts on tumblr. i feel like she wouldn’t like them as much if they had a bad break up or were involved in a love triangle 

zee-the-nerd  asked:

Hello! I absolutely love all your characters and how real they feel. What advice do you have for developing realistic characters, especially when some feel underdeveloped compared to others?

Dear zee-the-nerd,

I think it’s about salient noise.

I got this ask a few days ago, and I’ve been thinking about it on and off ever since, because even though I’ve talked a lot about my writing process and how I build characters from real-life people, I’ve never really talked about how my writing, art, and music are all the same in my head. There is an overlying filter/ principle/ law that directs the way I write characters and the way I compose songs and the way I decide what to put in the background of an art piece, and I knew that if I could explain that, I could explain why building a character doesn’t feel like a different skillset than building a world for a new novel or deciding what color blue to use in a portrait of a horse or whether to put hand-claps in the background of a piece of music. The issue is that I’ve never really figured out how to practically describe it. And I’ve never been sure it would be useful to anyone else even if I did.

But today I was sitting down to work and I looked out of my office to where the morning light was illuminating a piece of furniture in the entry, and a way to lay out my thought process hit me. The jury’s out on whether or not it’ll be useful to anyone else. But I’m going to give it a go.

I’m sorry, this is gonna be abstract.

Here’s a picture of what I just saw:

Let this image serve as an extended visual metaphor. I very much like the view from my office. I think it’s interesting and attractive. If you don’t, this might not make sense.

Ok, let’s make a metaphor.

All of my creative pursuits begin with a real-life thing that piques my interest. The crudest form of my art will involve me directly copying this object. I’m not an artist at this stage. I’m a forger. I’m merely trying to objectively copy a simple, truthful likeness.

This part is difficult: fraught with technical skill. I spent years teaching myself how to draw things exactly as I saw them:

Years teaching myself to write a person exactly as I thought they were. To copy the precise style another musician achieved with their harp or bagpipes or whatever I was playing at the time. Because of subjectivity, it’s a tricky thing, this artless forgery. Everything I saw, heard, and experienced came through the corrupting lens of my mind. I’d forge a new verse of a traditional song for our band, but the style would be affected by my modern understanding of scale. I’d draw glass, but I’d get it wrong because my brain kept shouting that it was supposed to be invisible even though my eyes knew better. I’d steal siblings for my characters and get them wrong because I’d misunderstand and simplify motivations. 

Teaching myself objectivity — basic forgery, the elimination of bias, the non-negotiable skill of using pigments and words — that involved learning the technical tools of each trade.

Back to the bench outside my office.

Once I became a forger of all sorts, I had the skills to recreate the bench in whatever media I was working in. Thievery. Technically impressive. Technically correct. Technically objective. 

This is not art: this is fact.  

Now, we all remember that we’re in MetaphorLand, right? Do I need to explain that the bench does not really mean “a bench”? It is the subject of whatever I’m creating. 

This is where salient noise comes in. 

From that objective seed, that tiny bit of forged reality, I start to complicate. Every time I add something to my creation that is not exactly like real life, I’m making an intentional subjective decision: that’s the art of it. Every time I choose a color that the original subject didn’t feature (a blue horse), or a hobby the person didn’t have (hunting for Welsh kings), an instrument that wasn’t available at the time of a traditional tune’s original composition, I’m building a new and subjective thing.

Artful forgery means not merely copying but creating something that seems like it could be real, even though it’s not. That means adding in as much detail as you need to convince your viewer that the thing they’re looking at could exist somewhere else. Adding in salient noise. The right amount of backstory and surface detail to suggest reality. 

Here’s that photo again.

A technical copy of that bench would be a skillful wonder. But that’s not what makes the view out of my office appealing to me. The bench is clearly the center stage, but the noise around it is what makes the photo interesting. The light across the bench is a complicating factor — an aspect of reality that suggests a sunny world outside the room. The violin case beneath the bench holds the promise of a backstory. The painting above it sets the mood and tells you what sort of person might sit on that bench. In the corner of the photo we see a hint of a complicated life: is that a music room? Maybe so — look, there’s a piano, a guitar rack. A set of bagpipes in a case behind the piano, but out of focus, not the point of the photograph. Photos on the wall, telling us that there is more to this life than we can easily see in one glimpse. All of those things are interesting on their own, but they are put off to the edge, put out of focus, so that they don’t overwhelm the bench’s role. So we don’t forget who the story is about.

Here’s that painting I did this weekend:

The people are the focus. But there’s all kinds of noise in this picture. Hanging flowers, a crock by a fireplace, two people sitting in the background, stairs, Rustic Architecture™. Even the light across the table is noise, an artful forgery.

This isn’t really as immersive:

I need the noise to make it feel real. I don’t want someone’s first gut impression to be wow, that looks like it must have been hard. I want their first impression to be an emotion. Noise. 

That’s how I make characters. I start with a very tiny seed of a real person, carefully and artlessly forged, and then I begin to complicate it until I’ve made someone as noisy as a real person. But unlike a real person, I select every element to manipulate how the reader feels about the character. A slash of light across the bench to immediately ground it in our real world and show that it follows our physical rules. A violin beneath to provoke interest. A complicated and cohesive backstory that is barely visible at first glance. 

Salient noise. Forgery plus. Rustic Architecture™.

Does this make sense? In my head it does. But things are sort of cluttered up there. Heck of a lot of benches.



anonymous asked:

I love Jaune tho ;n; He's an adorable dork who is going through some heartbreak, and they're probably showing him more because they want to develop his character and show he's growing. Just like how they're giving back stories for Wren and Nora and such. Plus a lot of people love Jaune, myself included ^w^

Well it’s good that you like him, but from a personal storytelling perspective, his overwhelming presence in the RWBY franchise bothers me. You can keep liking the character, but I have several reasons why I don’t like him at all. (I’m going to get riled up about this, but not at you! It’s good that you have your own opinion, I’m just more riled up at the show itself and the writers.)

My main beef with Jaune, is that RWBY is supposed to be a show about team RWBY. Four strong girls with different personalities and who must face the cynical reality of the world. But their own story arcs are literally rushed through or aren’t paced or thought out as much as JAUNE’S. They basically made Jaune the #1 priority character.

Jaune, the male side character, is the first one to be given the HERO’S ARC. You know, the hero’s arc. This thing: 

(image source: http://sharonschoolmumbai.org/wp-content/uploads/2015/03/myth.jpg)

And it feels like a LOT of the plot is centered around him rather than the main girls. Look at Yang. Before [SPOILER] she lost her arm, did she get any episode showing personal character growth? Jaune isn’t a main character but has had several eps dedicated to him throughout the series: The Dance, Pyyrah training him, that ep in season 1 where he fights off some monsters but it was actually just Pyrrah. Heck, Pyrrah died to just serve as his man angst. His distress over Pyrrah’s death is given more reflection than RUBY’s (THE MAIN MAIN CHARACTER) reflection on PENNY’S death. 

Sure, I guess if Jaune is a fave for most people, then they should give him his own show rather than have him be in a show that’s supposed to be about strong female characters! The audience should care and connect to the main characters more than a side character– that’s why they’re main characters– and if they don’t, that’s the writer’s fault. I mean, that’s what happened in Orange Is The New Black, but the outshining of the side characters over the main was INTENTIONAL to show just how much of a boring person the main is compared to the sides.

I dunno. I could go on and on. Like how they’re making him the REAL protagonist of RWBY, how he keeps stealing the spotlight, how he feels like a writer’s wish-fulfillment character, etcetera etcetera. I basically have slowed down to a stop on watching RWBY just because I found it unbearable how much they’re prioritising Jaune.

Well, there’s this post too: http://www.npc016.com/post/101672558618/its-not-actually-about-jaunes-screentime explaining more of why I don’t like him.

It’s a shame because I love Jeanne D’Arc, the historical figure he was based off of. Like goddamn. Jeanne d’Arc is the embodiment of a strong female protagonist, but then they made a character based off of her into the archetype awkward nerd hero character seen in a LOT of shows and movies and the archetype that is part of the dominating male tropes. In.. a show… that’s supposed to be the opposite of that… by showing… strong female characters…

tl;dr RWBY was supposed to be about four female protagonists but it became something like JAUNE + some other people in terms of story writing and character development. He’s an okay character but really really shouldn’t be in this show in my opinion

anonymous asked:

I haven't really watched Jane The Virgin, only seen snippets of episodes, but I saw that Michael died? Why did they kill him?

The simple answer to your question can probably be found in the letter Jennie Urman (the showrunner of Jane the Virgin) shared with the fans after Michael’s death (x). However, the reasons Jennie gives and the reasons I believe they killed Michael are very different. If you want to know more I’ll explore this under the cut.

A little pre-warning, this is very long and slightly anti-J*fael in parts. 

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