i liked the layers on this one

hey guys i gotta tell you about this pen

its this boy here

it’s a 1$ gel pen and its the best thing to happen to me ever

ive been using white india ink to highlight for the last few months and its expensive and doesnt even stand up to this shitty gel pen i bought at a thrift store

for one the tip is small and fine so it allows you to do very tiny details (nice)

and this guy

he goes over everything in one coat (unlike the india ink i was layering away with still poor results)

heres him compared to faber-castell’s white 101 opaque pen (one layer of both) hes the top one and the expensive india ink is on the bottom

just like the expensive ink you can also draw over this gel pen with more black ink and it vanishes flawlessly too

anyway i love this pen and its extremely cheap and easy to obtain so i thought id throw this information out there

anonymous asked:

I loveeee bananas– do you know any good recipes with them?

Off the top of my head, I have a chia seed pudding recipe (check my master post) that tastes like fucking heaven layered over sliced bananas.

If you want to add some extra pizzazz to oatmeal, mash a banana into it and add sweetener (if you want), it’s really good.

Another thing: blend one banana with one cup milk of choice and WHABAM you have some delicious banana milk (try it, it’s amazing).

And one more: a Bananaberry smoothie (in my smoothie master post) is super good, too. I hope that helped give you some ideas~

Author’s Notes: The Secret Academy, Pt. 1

WARNING: These notes will completely spoil Servants of the Empire: The Secret Academy. Haven’t read it? Stop and go here.

(Go here for notes for Edge of the Galaxy, here for Rebel in the Ranks and here for Imperial Justice. )

Part 1: Zare

Imperial Justice was torture to write, but The Secret Academy was actually fun! Final chapters are like that … if you’ve put in the work. I’d spent three books establishing the characters and their motivations, laid the groundwork for the themes I wanted to explore, and then layered in complications and reversals. The fourth book was the chance to make all that pay off, and I enjoyed doing it.

Rather than alternate chapters as I had in Imperial Justice, I split Zare Leonis’s and Merei Spanjaf’s stories and followed them one at a time, without intercuts. I’d considered doing that in Imperial Justice, rejected the idea, but now thought it made sense.

I had a dopey reason for doing that, and a smart one.

The dopey reason: I was still annoyed at not being able to end Imperial Justice with Zare running into Beck Ollet inside the tower – a cliffhanger that had made me cackle happily. Splitting Zare and Merei’s stories would give me a second chance at that moment.

The smart reason: Imperial Justice had separated Zare and Merei and concluded with Merei’s discovery that Zare’s transfer to Arkanis wasn’t a reward but part of the Inquisitor’s plan. Taking away the intercuts was a way for the reader to feel a little bit of that separation and anxiety.

One challenge in The Secret Academy was unexpected. Story Group sent back my outline for Books 3 and 4 with a note that by the time Zare got to Arkanis, the Inquisitor would be dead, killed off in Rebels’ Season 1 finale. That would certainly change my story! I scrunched the books’ timeline a bit and was able to get the Inquisitor and Zare to briefly overlap on Arkanis, but that was the most I could compress things.

So I leaned into it. I reasoned that the Inquisitor’s offstage demise fit with an idea I’d been playing with – that Zare, for all his bravery and determination, also gets a bit lucky. In Imperial Justice, Zare decides he won’t follow another immoral order even it means he’ll never find Dhara, and is saved from dismissal when Oleg’s warehouse raid goes awry. The Inquisitor’s death would be another bit of luck, as his plan is to return to Arkanis and break Zare. I don’t think that undercuts Zare or his quest – one thing I like about Zare is he isn’t a Jedi, a veteran commando or some kind of superhero. He needs a little luck; most heroes do.

One idea I continued from Imperial Justice was Zare’s “shadow story” – a not too different tale in which Dhara was never kidnapped and Zare remained the loyal young Imperial officer he’d assumed he’d become. Arkanis essentially resets Zare’s cadet career and the shadow story culminates with the training exercise on Sirpar. Those scenes are some of my favorite in the book – they show Zare as a young officer who improvises intelligently, drives himself and his troops to accomplish unlikely goals, and earns those troops’ loyalty and affection. He’s come a long way from the kid impatiently killing time at AppSci.

But as in Imperial Justice, Zare eventually has to ask himself what he isn’t willing to do to find Dhara. In the previous book, being ordered to take children into protective custody is his breaking point; in this one it’s being ordered to murder a fellow cadet.

No aspect of The Secret Academy attracted more interest than the revelation that Brendol Hux’s Commandant’s Cadets are forerunners of the First Order stormtroopers overseen by Brendol’s son Armitage. The funny thing, to me, was that the connection with The Force Awakens came late and was a lucky break.

I’d known since Edge of the Galaxy that Dhara was being held in a mysterious tower on Arkanis, that Zare would try to get inside, and that Beck’s unexpected reappearance would ruin everything. From a storytelling point of view, the Commandant’s Cadets were merely the mechanism that would get Zare into that tower at the right time for the hammer to come down. 

But why did they exist? I was up against a problem that’s common in richly detailed fictional universes. I wanted the Cadets to have a purpose and be more than a generic bunch of Imperial “mean kids,” but if that purpose never affected any other Star Wars story, readers would know from the beginning that the Cadets had failed to achieve their goals.

In November 2014 I visited Lucasfilm for meetings about DK’s The Force Awakens – Incredible Cross-Sections and got a synopsis of the upcoming movie, accompanied by on-set photos. Finn’s origins reminded me of both clone troopers and the Jedi; a few minutes later, it struck me that General Hux was awfully young.  

Somewhere between those two thoughts I saw an opportunity: what if the plan to raise children as stormtroopers dated back to the Rebels era, and came from Hux’s father?

Story Group’s Pablo Hidalgo liked the idea and ran it up the chain. I braced myself for a reason the answer had to be “no.” When I got a “yes” instead, I wrote as fast as I could and then crossed my fingers.

The connection made sense within the Star Wars galaxy: the elder Hux had served alongside clones and Jedi during the Clone Wars, seen the deficiencies of the stormtroopers, and imagined a better way that drew on his wartime experience. That program began in secret and was taken up by his son to create the First Order’s soldiers.

It also solved my plot problem admirably and turned a weakness in The Secret Academy into a strength. Before the release of The Force Awakens the Hux connection would spur interest in the book; afterwards, new readers would see the Commandant’s Cadets as a real threat, because they’d know that Hux’s program had succeeded beyond his fondest dreams. 

Notes on Part 1:

  • The first scene was the original ending of Imperial Justice, but I decided I didn’t want to introduce a new planet that late, and preferred ending with Merei and Tepha wondering if they’d ever see Zare again. Moving it was an easy change, at least. 
  • I wanted Arkanis to be something new for Star Wars – a waterlogged world that I likened to what you’d find if you turned over a log. I also wanted the Academy and its surroundings to feel plucked out of a gloomy Gothic tale. A lot of things in The Secret Academy are pretty shameless goofs on a well-known Gothic novel and movie, in fact. 
  • it was a pain ensuring Zare’s cadet service fit the chronology of the first two Rebels seasons. The initial idea was that Rebel in the Ranks and Imperial Justice would cover a full academic year, with the top cadet earning a transfer to Arkanis for the next year. Chiron would back Zare, while Roddance supported Oleg. But I couldn’t figure out what to do with Zare and Merei over that second summer, and feared readers would get impatient that Zare wasn’t trying harder to rescue Dhara. Fortunately, Rebel in the Ranks had introduced the possibility of a midyear transfer – an offhand line that became critical once the Inquisitor’s death forced me to speed things up. But how to get Zare to Arkanis? The obvious answer was for Merei to slice a transfer into the system, but that struck me as a lazy, unconvincing solution. I got so lost in blind alleys that I missed the solution Story Group found: the transfer wasn’t a reward but an unexpected order from some Imperial. I realized that Imperial should be the Inquisitor: it was plausible, solved my chronology problem, let me have a confrontation with Zare on Arkanis and added to the story’s tension. Whew! 
  • Contrary to what’s stated here, the journey between Lothal and Arkanis isn’t a short one. That was my fault: I was working off the idea that Lothal was near Kessel, a bit of head-canon I’d gotten used to and so failed to vet. There was no reason to define that here; doing so led to an unforced error.
  • Note that Colonel Julyan challenges Zare with a question about grav-ball and leadership, as Sergeant Currahee did in Rebel in the Ranks. In the earlier book Zare ducked the question; now he gives Julyan a thoughtful answer that reflects his experiences.
  • Julyan’s lessons reference Legends material: Admiral Screed, General Romodi (before his appearance in Rogue One), the Order of the Terrible Glare and the Empire’s campaigns in the Western Reaches. Much of this was taken from The Essential Guide to Warfare and additional material written for it. It seemed ready-made for Julyan’s teaching and unlikely to confine future storytelling, so why not use it?
  • I invented the diplopod as a mount for Sarco Plank in The Weapon of a Jedi, only to see my beastie get subbed out in favor of the happabore, appearing as an Easter egg for The Force Awakens. I liked the critters, so I put them aside for some future project. The Secret Academy gave me an opportunity not just to use the diplopod but also to kill one in a gross way.  
  • I liked the bit where the Inquisitor invites Zare to come out of the weather and into the shelter of a stasis projector. In that context politeness seems decidedly menacing. 
  • Scaparus Port was fun to write – equal parts Treasure Island and some gloomy town out of Cthulhu, what with its salt-encrusted gloom and fisherfolk missing limbs and scarred by sucker marks. Arkanis is just a nasty place.
  • Scaparus was the right place to bring back the jogan fruit, or more specifically its scent, which makes Zare remember Beck Ollet’s orchards on Lothal. Scent unlocking memory is a theme throughout Servants of the Empire, working up to its critical role in the climax. Here, it’s a heartening renewal of the connection between Zare and Merei that suggests their break might not be final after all.
  • I never explicitly stated it, so I’ll leave it to Wookieepedia to work out the canonicity, but Gesaral Beta is supposed to be the planet where it rains razors of glass on Ania Solo in Dark Horse’s Legacy series.
  • I enjoyed writing the demented beach scene with Hux and the cadets debating how to raise nerfs. The sea monster is an homage to the great Jack Vance, who imagined a similar predator in Ports of Call. (If you’ve never read Vance, fix that posthaste!) Note that Zare’s reaction to the nerf’s death is quite different than the casual cruelty shown by the other cadets.
  • Sirpar was another attempt at a new setting. Its heavier-than-standard gravity is noted in Legends depictions of the planet; I added making the light so intense that the cadets had to take precautions against it. Light would vary dramatically from planet to planet, another Jack Vance idea I didn’t recall seeing in Star Wars. I decided to try it and liked the results. 
  • Note that the accident set to befall Penn Zarang will be dismissed as a “slight weapons malfunction.” I’m all for little nods like that as long as they don’t interrupt the story or distract a casual reader. 
  • Perhaps emboldened by my success tying the Commandant’s Cadets to The Force Awakens, I looked for an even stronger connection. Might Anya Razar and Captain Phasma be one and the same? I decided that was a dumb idea and never proposed it, but did suggest a scene with DDM-38 pushing a red-haired baby in some kind of space pram. Lucasfilm shot that down, and rightly so – less was more. There’s awesome fan art out there of a baby Hux in the arms of his creepy nanny droid, though. 
  • My original treatment had Zare, Chiron and Roddance all transferred to Arkanis as part of the “valedictorian” storyline. When that idea got abandoned I decided we’d explored that triangle sufficiently on Lothal, but did need to bring Chiron back for the finale. I liked dropping him into the middle of Zare’s dilemma about the Commandant’s Cadets as a tempting but dangerous lifeline. That was also a bit of misdirection: since Chiron can get into Area Null, he’s a potential route to Dhara that would let Zare escape having to kill Penn.
  • We’ll see Cass again in A New Hope, as an aide aboard the Death Star.

Next time: Speaking Bocce and the Case of the Missing Bounty Hunter.

anonymous asked:


ummm shit im not 100% sure what to say im not SUUUPER experienced but i guess i could give a few tips or i guess things i always do when i draw??

- for starters make sure you have the canvas set to really high quality soo around 3000x3000 pixels and 300 resolution so if you decide to downsize for prints or for whatever reason the quality is still some gooood shiittt 👌👌👌

- i always sketch my drawing out first, i typically do 2 sketches?? in a way like i have a really messy one to just get the general sizing and shapes of the area and then i make a second layer and do a more minimalist sketch with fewer lines and have it be a bit cleaner

- i go section by section throughout the drawing so for example ill do just the nose and work specifically on the nose until i finish it or until its relatively finished, you totally dont have to do this but it makes it easier for me to go throughout a drawing personally

- for the brush settings i typically have the main beginnings of the coloring done with just a regular circular brush, like the ones that come with photoshop and i have them set at 100% opacity and with pressure settings off so i can get solid colors and then when i want to do more shading and highlights/details thats when i turn on pressure settings

- for colors, you dont see them in the wip bc i just dragged the layer into the background folder since it super messy, i like to have just a layer dedicated to different colors on the skin for quick go to for colors rather than picking from the original always since that can be a pain to find the color im looking for or want

- idk if you want ps shortcut tools but i cant really give them to you since ive changed mine a bit so its quicker to change to certain things but you can just google ps shortcuts and theres a list of them

- probs shouldve mentioned this earlier but i always draw on the painting setting of ps rather than just essentials 

- for the blending/smudge tool i typically have it set to 15-30% strength or else i feel it moves the colors to much and makes it look kinda ugly or leaves obvious streaking

ughh idk what else to mention or if my answer even helped but if you have any other questions feel free to send me an ask or pm me and ill try my best to answer it :))

anonymous asked:

Do you trace over porn screenshots to produce your art?

Well anon, it depends on which you’re referring to. My older stuff, yes I used to paint over a picture on another layer, delete the screenshot and then blend the paint around to make it try and look like who I wanted it to be. I made a long post about my process at some point earlier this year because I’ve always been clear on what I do, but on phone so cannot link.

But that became too easy and not fun anymore. So now I look at screenshots and try to emulate the pieces I like from each one, could be a whole picture or bits from various sources, or nothing. I want to use references like that now, like a portrait painter would look at their subject, I’m looking at screenshots from xxxporninyourass.com (probably not a real website). Which is why, in my latest piece, Erwin’s hand is a bit fucked up and Levi’s feet are way too small for the rest of him because urgh feet. But I’m learning!

If I was going to go back to painting over, I would do it in that old style. Seemed to be popular. But not fun.

wish I was one of those soft pretty kind of girls that can put on a lil bit of moisturizer & mascara & look like an angel! instead i wear 3 layers makeup & still look like a trash demon


i see the the “draw pearl (with ears??) at 4am when you wanna draw but don’t know what to draw” door is still jammed wide open


“is that your way of comforting me?” “maybe”

this was supposed to be some kind of zombie apocalypse/the walking dead au requested by @sigh–onara but honestly i don’t even know anymore

anonymous asked:

Is Anxiety ok? He looked pretty down.

Yeah, it was a little bit of a realization that perhaps he might be the only facet of my personality that can let me down. As much as Anxiety tries to cover it up, there is the feeling of being the odd one out, and in this video, he also felt like he had made friends with Logan, but their exchange at the end made him feel otherwise. Anxiety does make me feel nervous about certain things I’m doing, if I’m doing them correctly, and if people will enjoy them, but there’s another layer to Anxiety that will definitely need to be explored and that will happen in a future video.

long time no see DR… 

some doodles i made….

i still want to draw more of them …

Mark Me Down as Scared and Horny

Context: My character has a powerful necklace that they keep hidden under their shirt and several scarves. I’d tell you what it does, but my party members might read this. It was warm and muggy one day and everyone began shedding their outer layers (except for the orc brawler, who is only ever wearing pants). I take off two of my three scarves, but leave the last.

Dwarf (NPC): This might seem like a weird question, but… Why are you always wearing those scarves?

Me: I just like scarves.

Me: *total bluff check = 23*

Dwarf: That’s alright. I just don’t want you to overheat.

Orc: Yeah. You’re going to roast.

Me: Perhaps.

Orc: You’re okay with that? Is your scarf obsession really worth it?

Me: I’m sentimental.

Orc: Seriously, what the fuck.

Elf: Just leave him alone! He’s a sensitive young man!

Orc (heavy sarcasm): Well, excuse me if I don’t shed a tear.

Elf: Besides, even if it is something, we’re all allowed to have secrets.

Me (ooc): He gives you a thankful smile.

DM: Which begs the question: What is he hiding from you?

Orc (whispering to the Elf): I just don’t trust him! There’s something sketchy about him.

*everyone succeeds their perception of that exchange but me*

Me (accidentally interrupting): Look. You have every right to travel in the nude, but some of us value our modesty.

Orc (ooc): I want to roll to intimidate.

DM: The massive half orc takes a step towards you and glares down.

Elf (ooc): With his muscular bare chest. Naked by your standards. Nipples fully erect.

*everyone at the table loses it*

Me (ooc): You know what? I’m not even going to roll. I’m intimidated.

DM: He almost makes you question your sexuality.

Sis (ooc): ROLL TO SEDUCE.

Me (ooc): LENA, NO.

Orc: *actually fucking rolls = 15*

DM: You’re not sure if you’re scared or aroused.

Like 3 people in unison: Both.

Today was just amazing at work, like really, because this happened.

So, basically, this middle-aged woman enters the pharmacy with her daughter/granddaughter (I dunno) and there’s a long line. The kid is obviously feeling hot ‘cause she’s wearing layers and layers of clothes, so she takes her coat and cardigan off.


I was rummaging with paracetamol behind the counter atm, and I had to freeze at that ‘cause NO ONE owns that shirt in Italy. I mean, maybe there’s four of us in the whole nation. So, I keep it quiet, reach the little girl unnoticed and just go like:

“filthy Roman”,

And I disappear behind the counter again.

The little kid just stares at me with widened eyes and then SQUINTS HER EYES AT ME, LIKE, FIERCELY STARES AT ME AND GOES LIKE:


And I died. I couldn’t think of a reply to that glorious point she had. A nine/ten yo girl beat me.