i like it when they bicker

lum1natrix  asked:

Alright Miss KillLumiWithBiker!Anti, do you have any HC's for your boo biker!dark?

babe you know i do lmao ❤️

  • messy helmet hair™
  • has a more mordern motorcycle like this one with a matching helmet like this one.
  • even though his biker gang is just him and wilford at the moment, he’s pretty well known.
  • the two of them seem to bicker about who’s the actual leader. dark had the idea but wilford put it to action. (dark typically wins and wilford just follows suit.)
  • he’s a smooth talker, always uses a deep and soft voice to get what he wants. only resorts to violence when he has to. (wilford typically steps in before that is to happen.)
  • when he goes to the bar, he sits in the way back and observes everyone. wilford, on the other hand, loves being in the middle of the action and probably ends up doing karaoke. 
  • disliked anti when he first showed up, but the more that they interacted, the more he debated letting anti join up with him and wilford.
  • host asks for rides down to the store every now and then, and dark always complies. host sits behind dark with his arms wrapped around dark and his cheek against dark’s back.
  • sometimes when he doesn’t wear his helment, he’ll have on his aviator sunglasses.
  • probably wears a lot of chains that click together whenever he walks.
  • probably also has three piercings in a row on the top of one of his ears.
  • hardly ever washes his eyeliner off so it always has that smudged look.
  • got kicked out of his apartment building for slipping into one of his rage fits. he paid for the damages, but now stays at wilford’s house until he can get back on his feet.

anonymous asked:

when steve and danno bicker in the car and 90% of the time the person who ends up in the backseat comments about how they sound like an old married couple.

remember in season one, i think it was episode 7, when Steve was on that ship bc a guy had taken people hostage, and Danny was back with Chin and he phoned Steve and they were being Themselves and the guy Steve was with was like “Who is that, your wife?” and Steve was like “No, my partner” - they were married by episode 7 i…h at e

The Element EVERYTHING in Your Story Needs

To all the writers who have ever felt lost, alone, and completely confused during the labyrinthine journey that is writing anything, and felt like screaming this at your story …

There’s hope.

There’s a light at the end of that darn tunnel. First, let me describe how I used to fight my way out of these periods of confusion and hopelessness. 

Usually, I would try to force myself to get back into the groove of the story. I would reread it, and be yelling at myself in my head, “Remember why you love it! LOVE your book again! Keep reading and FALL IN LOVE, damn it!” I’d go over descriptions, bits of dialogue, banter between the characters. I’d go over settings and imagery, and try to make myself remember how much they’d once excited me. I’d read things that had made me laugh when I typed them, sentences that I was particularly proud of, paragraphs that made me feel particularly clever. But the thing was, it didn’t work. 

I didn’t care.  

What was the problem? The problem was some of those descriptions, settings, images, and witty episodes of bantering had no Story Reason to be there. They were just there because they amused me. Just because I found the imagery beautiful. Just because I found a sentence or joke really clever and wanted to share my wit with the world. But the world didn’t care about my wit. Because the world (the people reading my book) knew subconsciously that there was no story to give that so-called witty sentence substance and meaning. I could create the most breath-taking images, I could make the most well-rounded living and breathing character, I could make a setting that you wanted to run away from home and live inside … and it didn’t matter. If the thing didn’t have a purpose for being there within the narrative, nobody cared. And I didn’t either. 

So what is a Story Reason? 

Everything in a story exists to support one of three things. 

1. The A-story: The surface plot, the quest of the main character to achieve a specific tangible goal. What the story is about on the surface. 

2. The B-Story: The love story, or relationship of the thing. Usually this relationship is instrumental in causing the third element, which is …  

3. The Character Arc. The theme of the story, the purpose, the piece of truth the story seeks to prove to the main character and the audience. 

If something in a story doesn’t contribute to the progress of these three, there’s no reason we should care about it. It has no point. Because in the end, all we care about is the story!

When it comes to scenes, story reason means continuity. It means the way the story unfolds logically. If every scene is there for a darn good reason, the scenes after and before will make total sense, they’ll connect seamlessly, a steady progression of events. Every scene’s turn triggers the next scene. 

And to do this, every scene must be able to be linked with three words: Because of that.

Because of the turn of one scene … 

The next scene happens. 

And because of the turn of that scene the next scene happens.

To illustrate how this works, let’s look at a small movie you might have heard about called Zootopia. (Thanks to @inked-withlove for the movie suggestion!)

So let’s start at this point, the turn of the scene with Clawhauser and Judy searching the file on Emmitt Otterton. 

Turn: “I have a lead." 

Because of that …

Judy has to get Nick to tell her what he knows about Otterton.

Turn: It all goes poorly, and now Nick and Judy are stuck together by an incriminating adorable carrot recorder. (The B Story, the relationship, has intertwined with the A Story.)


Because of that …

Nick takes Judy to the place he saw Otterton go, a place he thinks will cause her to give up. 

Turn: She doesn’t quit, she marches right in. (B Story: Nick sounds surprised, and a little impressed, that she didn’t back down.)

Because of that … 

She has to question a rude yoga-performing elephant. 

Turn: Though the elephant is absolutely no help, the seemingly addled yak is more than helpful – he even remembers the license plate number of the car Emmitt left in. 

Because of that …

Nick thinks his part in this endeavor is complete. But Judy remembers that she’s not in the system yet, and thus can’t run a plate. Nick, however, can. And he’s going to, or else. 

Turn: It just so happens that he has a pal at the DMV. 

Because of that …

Sloths. He takes her to a DMV run by sloths and wastes as much of her precious dwindling time as he can.

Turn: “It’s night?!”

Because of that …

Legitimate Enterprise Car Service (at least that’s what it’s called in the screenplay) is closed. Judy doesn’t have a warrant and Nick is enjoying her suffering tremendously. After a spat, she tosses the carrot over the fence instead of handing it to him.

Turn: Because she has now seen a shifty low-life climbing the fence, she has probable cause, and doesn’t need a warrant. She can go in. (B Story: Nick is looking at her with more respect.)

Because of that …

They find the car and begin investigating. The car is a crime scene; claw marks everywhere, the missing otter’s wallet … and a cocktail glass etched with a "B”.

Turn: And it all adds up for Nick. This car belongs to Mr Big, a notorious crime boss. And his polar bear henchman are right outside. They grab Judy and Nick and yank them off screen. 

Because of that  …

Judy and Nick are wedged between the bear henchman, on their way to face Mr Big. 

Turn: Nick sold him a very expensive rug that happened to be made from the fur of a skunk’s butt. Or in other words, Mr Big really doesn’t like Nick.

Because of that …

They wait fearfully for Mr Big to appear, and even when he’s revealed to be a tiny shrew, Nick still launches into obsequious and panicked mode. He tries talking his way out of it, but Mr Big really REALLY doesn’t like him. And when Judy shouts at him that she’s a cop and she has evidence on him –

Turn: “Ice ‘em.”

Because of that …

“No icing anyone at my wedding!” Fru Fru Shrew is not a happy camper. Father and daughter bicker about his promise of no murder on her wedding day, and the fact that “I have to, baby. Daddy has to.” Until – 

Turn: “She’s the bunny who saved my life yesterday. From that giant doughnut!” Well, Judy is now in Mr Big’s good books. He’s going to pay her kindness forward. Nick is floored. 

I’m gonna stop there.

SO! After going through that analysis of how the scenes are linked together, let’s abandon the “everything needs a story reason to be in there” rule, and see what happens. 

After the scene where Judy and Nick reluctantly join forces, we could add a scene where Nick is trying to remember the name of the place, and where it is. Then we could have them asking around, searching the city, refusing to ask for directions, lots of banter. THEN we can finally get to The Mystic Springs Oasis.

And after they get the plate number, maybe Nick grabs the carrot pen and makes a run for it. Then we can have a chase scene, but he gets away. Then we can have Judy trying to run the plate on her own, before realizing she isn’t in the system, and failing. Then we can have a scene where she has to track down Nick again. Then a scene where she figures out how to blackmail him into it. THEN they finally get to the DMV. 

And you know what would have happened then?

Zootopia would have made everyone bored. 

All of these inserted scenes are unnecessary. Sure, they might add conflict, add complications to Judy’s quest, but they’re ultimately just filler. They’re just there for the sake of bulking out the story. This is why that tip I hear so often in writing circles always perplexes me: “Figure out the worst possible thing that can happen to your character, then do that.” If people went with this rule, they’d just keep throwing terrible things at the characters for no apparent reason, one after another, and the reader or audience would be expected to be entertained by it (but wouldn’t be). It would be like cartoons before Mickey Mouse came along and applied story to animation: before, cartoons were just gag after gag, slapstick situations mashed together like a funny video compilation. Except with books and movies, it would just be conflict-heavy situations strung together, taking an inordinate amount of time to make any actual progress.  

Once you make sure everything has a purpose within the narrative, things get so much better.  And I find, when I reread my work I don’t have to scream at myself to “love your book or else” if everything has a reason for being there. And instead of feeling like yelling at my story like an angry overworked crab, I feel a lot more like this gif.

I hope it works for you too.

Sheriff Knows Best

Stiles/Derek, G, 2K words, Sheriff POV, Coffeeshop AU, matchmaker!Sheriff

(Credit for the title to @cobrilee!)

This is an expansion of the following idea, written by the lovely @artemis69:

the coffee!AU, where John goes to the same coffee shop every day, and there is this very grumpy, quiet barista that always makes him amazing coffee and keep the best pastries for him. And one day the Sheriff learns that Derek is the one to bake them all, so he decides: this will be my son in law, I need a reason to have this man in my family for at least forty to fifty years. Then he matchmakes with no subtility whatsoever, basically offering his only son on a silver plate, Stiles spluttering all the way (but he takes Derek’s number anyway because the guy is just amazingly cute)

John’s on his regular morning stroll when he stops in his tracks and takes in the brand-new coffee shop, complete with a banner advertising their opening day. The little corner space has been boarded up for over a year, and John had no idea it was opening today.

Any new businesses are a boon for Beacon Hills, especially family-run ones like this one is rumored to be, so John ducks inside. It’s warm and homey, and there’s a pair of young dark-haired people behind the counter, close enough in features that they’re probably siblings. The quiet bickering points that direction, too.

They stop, though, when they see the Sheriff—the uniform tends to have that effect—and he pastes on his public servant smile. “Hi there. I saw this place was open and wanted to come on in and introduce myself. Sheriff John Stilinski.”

“Oh, it’s so nice to meet you,” the woman says, holding out her hand for a shake. A nice strong grip—John likes this girl already. “I’m Laura Hale, and I own this place with my brother Derek, our resident grumpy barista-slash-baker.”

Derek rolls his eyes at Laura, but his smile to John is genuine, if small. “Hi, Sheriff. Nice to meet you.”

“Likewise, son,” he says, perusing the case full of tempting sugary treats. “You made these?”

He nods. “Can I get you anything?”

John hums. “A medium coffee, and…any one of these delicious-looking goodies. You pick. Just don’t tell my son,” he adds, and Derek looks up at him.

“Your son?”

“I have slightly elevated cholesterol,” he says, stressing the word. “Nothing to worry about, honestly. But he polices my diet. I don’t think he knows about this place yet, though, so this is great.”

Derek hums. His tongs hover over a muffin—lemon poppyseed, it looks like—before moving to another one. Raspberry-almond, according to the sign, and well, John isn’t picky. Derek drops it into a little bag and hands it over.

“Happy to help,” he says.

John thanks him and opens the bag. Laura’s still pouring his coffee, but it smells so damn good that he can’t resist.

“Wow,” he says, his mouth full. “This is delicious.”

Derek looks quietly proud, and Laura claps him on the shoulder as she reaches over to hand John his coffee. “On the house, today, Sheriff,” she says. “Thanks for stopping by.”

“I’ll be back tomorrow,” he promises.


“Thanks, Nina,” John says dryly, leaning back so she can put his plate in front of him.

“You’re welcome, Sheriff,” she says with a friendly smile, ignoring his stink eye.

Stiles just grins at both of them and digs into his French toast. He insists on having their weekly father-son breakfast at Paulie’s Diner because no matter what John orders, Nina will only bring him an egg-white omelet with a dry English muffin. Stiles must have some serious blackmail or be paying her off somehow, and John is, he has to admit, grudgingly impressed.

“Don’t look so bummed out, Pops,” Stiles says, around a mouthful of what’s surely syrup-drenched deliciousness. “At least I let you have turkey bacon.”

“It’s not the same,” he says grumpily, poking at it. “But at least I’m getting a steady stream of baked goods now.”

Stiles glares at him. “Are you serious? From where? I thought I had paid everyone off.”

He knew it. “I’m not telling you,” he says, a little displeased with how childish he sounds.

“Fine,” Stiles says, sniffing. “I’ll figure it out, you know I will.”

He will, John knows. Goddamn, he loves his kid, even if his life goal seems to be depriving John from any and all delicious food. “And speaking of, I met someone the other day,” he starts, and Stiles gasps theatrically, his hand coming up to cover his mouth.

“Is this you crapping all over my dream of having Melissa as my stepmom?”

John sighs at the reminder. Melissa is…well, she seems happy with that Argent guy. Whatever. He’s not bitter.

“Not for me, Jesus,” he says, shaking his head. “For you.”

“Oh my god,” Stiles says, slumping back in the booth. “Eye roll” is too mild, John thinks. It’s more of a whole head roll. “Seriously, Dad, I’m only 25. You don’t have to marry me off quite yet. You’ll get your grandchildren someday, I promise. Stop trying to set me up with people.”

“I’m just trying to be helpful!” John protests. “He seems nice.”

And makes really good treats, he adds in his head. That’ll be a good trait for a son-in-law.

“And who exactly is he?”

John pauses. “I met him at the aforementioned undisclosed location.” 

Stiles snorts. “Find out if he actually likes dudes, then get back to me.”

“Okay,” he says seriously, and Stiles grimaces.

“No, Dad, don’t actually—”

Keep reading

keith and lance ft. arguing+in love:

  • they’ll get bickering and all up in each others’ faces and it hits them at the same time how Gay they are
    • “No way, dude.”
    • “Uh, yeah way.
    • “REALLY?”
    • REALLY REALLY” and then they just. start making out
  • “every time you call me “mullet” you have to kiss me.”
    • “fine. but every time you don’t address me either as “the tailor” or “sharpshooter” you have to kiss me
    • “guess we better have a practice run just to make sure we’re clear on the rules then, huh lance?
    • “looks like it, mullet.”
  • they’re piloting their little fighter drones and lance’ll elbow keith when he one-ups him, and keith’ll shove him back and lance will giggle and be like “stop” and poke keith in the ribs and keith laughs “I’m not doing anything!!” and before long they’re just a tangled puddle
    • allura: “boys! we are under attack!
    • lance: “I knOW keith is attacking me please hELP”
  • the only thing that can keep them from bickering with each other is when they team up on someone else. 
  • one of the blade of mimosa ppl offhandedly mentions that their fighting is sloppy and keith and lance devour him
    • “uh? Excuse You? did you see keith’s moves out there?”
    • “were you even watching the same battle? lance did great.”
    • “he freaking destroyed those guys and if you think he didn’t then you gotta answer to me”
    • “yeah and I’d like to see you pilot a 10,000 yr old warship, buddy”
    • “so just, turn around? and never insult my bf again”
    • “the door’s right over there. away from lance.”
  • the dude just backs away slowly, then turns and runs from the sheer burning force of their gay power
the slytherin

Albus Severus’ sorting as seen by the Marauders


James: *excitedly* Another Potter for the Gryffindors.

Lily: You don’t know that.

James: Of course I do. Look at James, he is a Gryffindor. 

Lily: That’s the stupidest argument I have ever heard.

Sirius: He is a Potter though and a Weasley, there’s no way Albus is not a Gryffindor.

Remus: Lily, you know there’s no use arguing them, why are you still trying?

James: Because the sky is blue?

Remus: Yeah, you have a point.

Lily: I know he will probably be a Gryffindor but I just don’t want to see you disappointed if he ends up in Ravenclaw or something.

James: *offended* A Potter? In Ravenclaw? Please, Evans.

Lily: Albus is nothing like James love, you might be surprised.

James: I feel like you don’t want him to be a Gryffindor.

Lily: Don’t be ridiculous, of course I do.

James: Doesn’t sound like it.

Lily: I swear you are like a child sometimes.

James: What’s childish about knowing my grandson’s house?

Lily: That’s the thing, you don’t

Sirius: *whispering* Do you want to break it up or shall I?

Remus: Be my guest.

Sirius: OI! Enough. You bicker like an old couple.

Lily: Technically we are old Black.

James: Also you are one to talk, like you and Moony are different.

Remus: Hey! This is not about us mate.

Lily: *laughing* Now it is.

Sirius: I hate it when they do that.

James: Okay, he is on the stool. Come on another Gryffindor for the Potters.

Lily: *knowingly* The Hat is taking his time with him.

Sirius: It had taken almost 2 seconds with James.

Slytherin!

Sirius: WHAT? I was rooting for you. We were all rooting for you!

Lily: Told you.

James: Sly– Slyth– Slytherin?

Remus: *shocked* You didn’t say Slytherin Lils.

Lily: Get a grip of yourself.

James: B-but he’s a– a– Slytherin.

Lily: *scolding* He is your grandson.

James: But Slytherin?

Lily: Snap the fuck out of it Potter.

James: I won’t, let me suffer in silence please.

Lily: He is an idiot.

Sirius: I’m going to go join Prongs in his silent suffering.

Lily: Seriously?

Sirius: I’m too disappointed to even make a joke about that.

Remus: I think I’m down for the silent suffering, too.

Lily: You are being ridiculous.

James: He is the grandson of a Marauder, you are being ridiculous.

Lily: Merlin, how did I ever become friends with them, let alone marrying one?

Sirius: You love us. Now, we shall suffer in silence.

A Slytherin/Hufflepuff friendship would include...

• Standing up for each other no matter what
• “Mess with them, mess with me.“
• Sitting on each other’s tables in the Great Hall
• At first you received some strange looks, but now everyone is used to it
• Swapping ties sometimes to confuse people
• Hanging out in the dungeons
• Hanging out in the kitchens
• Knowing all the passwords for your common rooms
• Occasionally telling the wrong password for a joke, and watching as they get locked out of your common room
• "Need some help there?”
• SO MUCH SMIRKING
• Being the closest of friends ever
• Having people be so jealous of you both
• Being literal friend goals
• Teaching each other the fundamentals of being in your respective houses
• "You’re like a cinnamon roll, how in Merlin’s name.“
• "And you.. well you’re… I mean, you’re nice too… sometimes… when you want to be…”
• Bickering now and then
• But only because you love each other
• Missing each other so much when you’re in lessons
• Watching the clock and willing time to go faster
• "I thought I’d never see you again!“
• "You saw me like an hour ago.”
• Being like iconic duos on tv shows
• You’re so different but compliment each other so well
• Having other friends in your own houses
• But preferring each other’s company to anyone else’s
• Getting each other’s opinions before doing literally a n y t h i n g
• Just always being there for one another
• No matter what
• Through the good times and bad
• Because you’re the best of friends
• Singing dramatic duets in your common rooms, to the amusement of others
• Always laughing
• Or smiling
• Whenever one of you is feeling down, the other knows exactly how to make things better
• Whether that be a long talk, food or cuddles
• Being the most important person in each other’s lives
• Meeting at King Cross Station every year
• Sitting with each other on the Hogwarts Express, though people sometimes stare
• Teaching first years the importance of inter-house friendships
• And showing that Slytherins and Hufflepuffs can be friends
• Because despite their differences
• Ultimately they’re better together

Since Jason’s truck is still getting fixed up in the shop, they use Trini’s 1998 Land Cruiser as their transportation (She constantly reminds her friends that it’s two years older than them) and that they better respect it. Billy takes her seriously. The others don’t. Zack’s sure that Trini loves the car almost as much as she loves Kim.

  • First of all, it’s Trini’s car. after years of saving money from birthdays and a good paying summer job before she moved to Angel Grove, she bought it with her own money.
  • It’s missing a headlight and has a huge crack down the middle of the windshield. 
  • Trini threatens the boys every time they get in “Zack if you put a dent in the roof I’ll kill you” and “Jason if you make us crash you’re paying for the damages.” 
  • She doesn’t threaten Billy or Kim
  • Kim gets control of the AUX cord and is the only one allowed in the passenger seat (which pisses off Zack and he tries to take it from her. Trini says she’ll throw him out the window) 
  • They start to call her car Hulk because no matter how much shit they put that car through, it’s still in one piece (besides the missing headlight and crack in the windshield) and that it really does feel like it’s indestructible.
  • One day Kim decides to have Billy hotwire Hulk so she can take him to the shop to “Paint over the ugly grey”
  • Trini catches them and just stands there looking all disappointed at her girlfriend with her arms crossed as Billy goes, “KIM MADE ME DO IT, I SWEAR!!” 
  • Trini forgives Billy
  • She doesn’t forgive Kimberly 
  • Later that same week, it’s Trini’s birthday so Kim wakes Billy up at 6 in the morning to steal Hulk. Kim takes it to the shop and replaces the light and windshield. 
  • They drive back to an angry Trini which quickly grows into a happy Trini because, “Holy shit, both of the lights work again!!!” 
  • The next day Trini notices painted pink lips in the corner of her trunk, which she didn’t notice before. Kim just smiles from the passenger seat as she hears Trini, “Kimberly!” 
  • Hulk is the coolest car in the parking lot of Angel Grove. Everyone constantly asks Trini she’ll give them a ride. She tells them to fuck off. (They grumble when Trini lets Kimberly in)  
  • Billy buys Trini a power ranger sticker family (Even though Trini swore that she’d never put a sticker on Hulk, she does it anyways because it’s Billy and she didn’t know that people were making them into car stickers now but she thinks it’s pretty damn cool) 
  • Trini gives her spare key to Kimberly 
  • Zack tries to steal it
  • Sometimes the gang shows up to school late because, “Kimberly, did you take my key?” “What? No, Trini, I haven’t seen your key, I have my own.” Trini and Kim then start bickering about using Kim’s key and Billy just goes, “It’s in your hand, Trini.” 
  • Jason wants to sell his truck for a land cruiser 
  • He doesn’t because, “Jason if you get a wannabe Hulk I’ll cut your balls off.” 
  • It’s almost like Kimberly lives in that car. Her sweatshirts and various articles of clothing are everywhere
  • One day when it’s just Zack and Trini, Zack just holds up a pink bra. (Trini slams on the brakes in the middle of traffic just to punch him all while her face gets red) Zack doesn’t stop laughing. 
  • No matter how many laws they seem to break with Hulk, they never get caught
HEADCANON:How Tfw Acts When Their Gf’s Are On Their Period

Anonymous: Tfw on when their gf (the reader) is on their period

A/n: I hate periods. HATE HATE  HATE THEM!

Originally posted by princesscas

Castiel: (poor Castiel, his like a lost little puppy.)

  • Lots of hugs and kisses.
  • Buying you 10 packets of pads and tampons.
  • Not really understanding periods at first.
  • Buying you pain killers.
  • getting sad whenever you get a cramp.
  • eating a ton of junk food.
  • Movie marathons.
  • He’d buy a shit load of chocolate and eating it with you.
  • Spooning.
  • Lots of “I Love Yous”.
  • Thanking him for being there for you.
  • “I’d do anything for you”.

Originally posted by capturingfandoms


Dean:(honestly and this is just my opinion, but I think dean would avoid you like the plague whenever you get your period.)

  • At first, he doesn’t get the hint. And proceeds to try and get in your pants.Then realise there’s blood and gets freaked out.
  •  At first, he keeps his distance from you.
  • Cringing at the word period.
  • thinking you’re being a bit too dramatic. Which causes a fit.
  • Apologising to you.
  • Trying his best to attend to your needs. Although he does complain.
  • Comforting you when you cry.
  • Rolling his eyes whenever you’s  bicker with him about something petty.
  • Hugging you.
  • Going to the convenience store to pick up pads/tampons.
  • Not really understanding what super and light means, so he calls you.which leaves you annoyed, so you tell him to get both.
  • Dean buying you chocolate and a pie for him.
  • Dean getting agitated at the checkout when the girl babbles on about how she wishes her boyfriend would be like him.
  • Making him watch sappy girl flick movies with you.
  • “You’re lucky I love you and this is only a monthly thing because chick flicks aren’t my thing”.

Originally posted by demondetoxmanual

Sam: ( I think sam would be the only one who’s comfortable around women with their periods)

  • Lots of kisses
  • Heaps of hugs
  • Getting you tampons/pads without complaining.
  • Getting you pain relief medicine.
  • Buying a lot of chocolate.
  • Watching chick flicks with you and really cheesy romance movies. While pigging out on chocolate.
  • Trying those home remedies recipes that help with the cramps.
  • Giving you a massage.
  • Spooning.
  • “I Love You’s”.
4

Honestly, if and when the gang rescues Matt I want him and Pidge to have the kind of sibling relationship where Voltron help you if you hurt one of them because the other can and will hand your ass to you on a silver platter, but get them in the right mood and they can bicker to the point where it makes Lance and Keith’s arguing sound like amicable conversations (Allura gets concerned but Shiro reassures her that this is normal).

Pidge gets far more creative with the nicknames (Matt, you really should know what happens if you attack your sister’s height one too many times), you cannot dissuade me on this.

anonymous asked:

If you're still taking headcanon requests, OTAYURI COFFEESHOP AU? Please murder me with cuteness.

WELL.

  • Stoic barrista Otabek who who can never bring himself to say a word to Yuri, but does the cutest latte art on Yuri’s drinks just to watch him smile at it.
  • The first time Otabek draws a cat for Yuri, Yuri makes the cutest noise, and immediately whips out his phone to snap a photo of his coffee, and Otabek basically falls a little in love right there and then.
  • No, but like seriously, Otabek spends so much time learning how to make cute latte art for Yuri, it’s low-key embarrassing. Leo totally laughs at him when he goes online to order marshmallow cats for Yuri. He pays a shit ton of money for them, but it’s all worth it when Yuri legitimately goes (๑♡⌓♡๑) at him. 
  • Leo tries to talk Otabek into writing his number on Yuri’s takeaway cup one day because it’s getting ridiculous watching Otabek pine, and ofc, Otabek is 300% against it. They bicker a little behind the counter, and Otabek doesn’t even really realise that they’re getting a little loud, until he hisses two octaves too loudly “there’s no rule that says that I have to talk to him just because I like him” at Leo, and all Leo does is to give him a shit-eating grin.
  • Yuri has heard him, because ofc Yuri is behind him. 
  • + God Tier Blushing™ from Otabek + Yuri low-key rambling about coming to get extra marshmallows + Leo still grinning and maybe wiggling his eyebrows a little
  • And then, when Otabek absolutely cannot take it (it being 30% Leo being a shit, and 70% being Yuri’s face) anymore, “So are you going to go on a date with me or not?” 

In no particular order

Things I want from The Raven Cycle on screen include but are not limited to~

  •  Wardrobe Department don’t let me down
    (Blue with approximately 153 clips in her hair and outfits that look like she sewed together a full shopping cart’s worth of craft supplies, Gansey in his chartreuse and his boat shoes, most importantly, in AT LEAST one scene Adam has to wear his Coca-Cola shirt and cargo pants he should actually wear them every scene he’s not at school or at an important event boy don’t got money to waste on his casual clothes)

  • I swear I swear I’m not just being thirsty but I feel like the actor who plays Ronan Lynch has to take off his shirt a lot for Maximum Badass Back Tattoo Exposure

  • Badass soundtrack
    (fun fact I don’t listen to EDM I’m not at all familiar with it when they mention it in the books my brain fills in ‘Another Night Another Dream’ no one and nothing can take this from me)

  • Accents !

  • Please please please let the casting directors take the Lynch family resemblance seriously

  • Let !!! Ronan!!! Lynch!!! Curse !!!

  • EARLY PHASES OF PYNCH !!!!!!!!!
    (ridiculous bickering, Gansey in the background just ‘children please can’t we all get along’)

  • (please please please a minimum of one dream sequence where Dream!Ronan is trying to chat up Dream!Adam pleaseeeeeee)

  • aCTUAL SCeNeS OF RONAN SLeePiNG OvER AT St. AgNeS !!!!!!!

  • The Barnes just being magical as fuck
    (I was kinda bummed in the books that we didn’t get Ronan and Adam exploring the Barnes and having an amazing time. If I ever actually got my lazy ass around to writing a fic I’d want to have Ronan showing Adam around and always being like ‘I haven’t shown you the best part yet’ even though Adam has been there a shitton of times and Ronan has said that every time. Cuz the Barnes should have eVERYTHING right? A bunch of magical rivers that are basically like your own waterpark. A badass rope obstacle course high up in the trees. Wild unicorns.)

  • Treat. Noah. Czerny. Right.

i know that the fandom’s main love is pining Keith with oblivious Lance and i’m for that but I totally see Keith as not knowing what the fuck a crush is so Lance is the one that’s pining first but he has no idea he’s doing it, like he still flirts with all the other aliens but he tends to be the first one to volunteer for a mission that Keith’s going on, and he sulks when Keith goes places without him, and he gets kinda anxious when he goes without Keith because as reckless as the guy is, his presence makes Lance feel like he can be more clear-headed (I think Lance is just as foolhardy as Keith is when he’s by himself or with more cautious people but he’s one of those people who becomes more cool-headed the more reckless the people around him are)

and Allura is the first one who notices the way that Lance keeps putting his little defense drone into more dangerous situations so that he can be fighting next to Keith, and Keith starts complaining to Shiro or Pidge that Lance is being like, super competitive lately and won’t leave him alone?? What is happening all of a sudden he was always like this but now he’s extra like this??

And meanwhile Lance is complaining to Hunk about how annoying everything Keith does is but all he does is reveal just how much he’s been paying attention to Keith

and finally Pidge gets really frustrated listening to Keith whine and they just throw their tools across the room and shout “oh my god, Keith, Lance has a crush on you, like it’s so obvious has no one else noticed??” and as luck would have it, everyone else is around except for Lance, and Keith is like “what the fuck no?? I’ve seen him flirt that’s not how he does it he’s not flirting with me he doesn’t have feelings for me” but everyone else is around and they’re just like son.

Shiro just kinda shakes his head with his head in his hand, and Coran is like “well it’s not like they did it on Altea but it’s very clear that Lance is experiencing a severe case of feelings for you” and Allura’s like “I mean it’s obvious that he wants to be around you like 24/7″ and Hunk affirms that Lance talks a lot about Keith’s eyes and he might think he’s complaining but no one complains that lovingly about the color of someone’s eyes

And Keith just

stands there and stares like

everyone else knew?????  what is crush how do??

but he starts paying more attention to Lance then, and agreeing to let him come on more solo missions and volunteering to go on ones that Lance is going on because he wants to figure it out for himself, and they bicker a lot cause that’s what they do but Keith realizes that hey yeah they actually get along really well? And Lance keeps like, absently touching him, like giving him shoulder bumps or high fives or even like fixing Keith’s hair when it gets into his eyes like a mother hen and Keith’s like holy shit actually yes i think i like him is this what a crush is??

but the fun part is

Lance still doesn’t realize his own feelings

and it doesn’t come out until Keith, red-faced, blurts out in the middle of an argument that “I REALLY LIKE YOU AND YOU KEEP ACTING LIKE YOU LIKE ME SO STOP TEASING ME AND MAKING ME QUESTION WHETHER OR NOT YOU DO” and Lance is like ????????? and Keith storms off to hide in a ball in his room and Lance just looks helplessly at everyone else like “what’s his deal??” and they all just shake their heads at him like “dude….you’ve had a crush on him….for weeks…all the signs are there….”

And very very slowly it all dawns on Lance and he’s like

“how the fuck am I the always last to know everything???”

5

Many of you have pointed out that Dean sounds like a nagging wife and they bicker like a married couple. I completely agree.

But I also noticed something else. The camera work as soon as Cas enters. Notice that before this scene the camera was on both Sam AND Dean. When Sam spoke, the camera zoomed in on him and when Dean spoke the camera zoomed in on Dean. 

But as soon as Cas enters the scene, the camera shifts the whole of its focus to Cas and Dean. Notice in the first GIF, Sam is speaking and yet the camera goes to Dean for a reaction shot. And in the fourth GIF, even though both Sam and Dean are in the frame, the camera focuses on Dean and appears blurry on Sam. As soon as Cas enters, the whole thing turns into an intense focused scene between Dean and Castiel, almost like they want us to think of a long lost couple reuniting when we see it. 

And we are supposed to think that Destiel was not intended by anyone. Seriously?

it seems like people forget that even if they’re in love, lance and keith are Rivals. they’re Arch Enemies and they wouldn’t let a little thing like dating change that:

  • keith convinces lance to go on morning jogs with him, but they always turn into sprints real quick bc one boy starts edging in front of the other and so on
  • “I bet I can kiss you longer without stopping for air.” 
    • “um? no way dude you’re on.”
    • shiro finds keith and lance making out but they’re both turning blue and keith is punching the wall for some reason? keith breaks away and gasps in a huge gulp of air and screams “DAMMIT” at the same time lance just like. dabs or something
  • they get into an honest-to-god hand holding contest. whoever lets go first loses. 
    • “guys, we have to start afternoon training.”
    • “I don’t think you realize the gravity of the situation, shiro. I can’t let keith win. jesus, are you insane?”
    • “keith, then–”
    • “nope. already lost the kissing. I am not about to go o-for-two here.”
  • everything, absolutely everything turns into a competition, and the more in love they fall the worse it gets. 
  • like, before it was just bc they “hated” each other. but now? goddamn if lance is gonna be shown up by his boyfriend. and keith needs to keep lance’s head from getting too big or he’s unbearable.
  • who uses the most pet names in a day? one point lance. who reaches out for little touches always? another point lance. makes the other smile the most? keith’s on the board. the best at complimenting?
    • “your mullet is actually ridiculously attractive and your hair in general is so soft and I would actually commit murder to know your secret.”
    • “yeah? well, your skin is like, spotless, ok? do you even have pores?”
    • “it’s called moisturizing, babe. and when I’m stressed I get backne! I’ve seen you shirtless a bazillion times and your body is perfect!”
    • “no way. don’t even say that. my core needs some serious work. you have abs, lance. I could wash my jacket on those things.”
    • I have a good body? have you looked in a mirror? someone carved a v in your hips with a freaking chisel!”
  • this becomes a regular game over dinner, and team voltron barely even hears them bicker anymore.
  • just. keith and lance being an Old Married Couple. they were made for each other.