i just got black ones


Wow I can’t believe someone leaked our engagement pics


podcast aesthetics: the black tapes

“a demon? why does it always have to be a demon?”


signature pose: hiding most parts of my face with my hands

the last time i visited my mom, she asked me to take my sister to her flute lesson because she needed to crash. flute teacher lives in this really nice house with a really adorable big fluffy white dog – teacher warns me that the dog is a rescue and had been abused by a previous owner so he doesn’t like new people and it’s not anything personal. so i’m not trying to pet or get in his space, just doing that silly pet-talk at dog level from across the room: ‘whos a gorgeous dog!! what a sweetie!’ it’s out of habit more than anything, and i don’t want to seem threatening and scare the poor thing. dog immediately bounds right over, tail ablur, licking and sniffing and leaning into my hand for pets. then he’d lap around the house and bolt back over for more pets. for my sisters whole lesson, i had a very insistent new friend who needed 100% of my attention at all times, especially in pet form. and i’ll tell you, no one’s approval has ever meant more to me than the approval of that abused dog. 

This gives me emotions I’m not sure I can articulate, but I made a go at it in the tags. 

“Hey there, doctor. Wonderin’ if you could cure me of this sickness of mine.”

“Oh no, you caught my sickness? I always knew it was contagious. We better cure it immediately…”


Drew Ford with my char in the game cause I can’t play the game right now. My 2DS needs to be repaired, so I decided that I’m going to ship it to Nintendo tomorrow to get it fixed. The nearest third-party 2DS repair shop is like… an hour away and I don’t want to drive that far just to get it fixed. (I mean, it’s probably cheaper and all, but hhhhhhhhh gas).

Anyways, hope you enjoy \O/


Everything is so askew இ﹏இ’’’

Arrow and Legends of Tomorrow stay whitewashing characters while The Flash now has a main cast that is majority POC


The part of you that always existed yet never were you willing to allow into the light of day.

Dear Marvel,

If the reason you haven’t written a Black Widow movie is because you lack ideas, I can totally do it. Probably get some help from the tumblr-verse (there’s some really creative people here, to be honest). So here’s kind of what I was thinking– as a warning, my facts aren’t solid-solid, so the logistics might be a little off, so bear with me:

Some people want a Budapest movie, but instead let’s rewind it a little bit. Natasha is still a part of Red Room, you know a super-spy and what not. She excels at what she does, but at times still works with a team (these would be somewhat colorful characters, someone the audience can appreciate but still feel a little mistrustful about because they’re killers). You see Natasha and the others kill people, steal, spy, etc. and throughout their escapades, we’d see like close ups of Natasha and whatnot, see that she may not be as okay with it all as she pretends.

Her boss kind of notices this and reminds her about why she’s there and how they are her only family, etc, etc. During a ballet performance (I suppose she’s still apart of this), she meets Clint who reveals that he knows who she is and is offering her a deal (expose who she’s working for or get taken into SHIELD). They’d obviously banter, but one of Natasha’s teammates, disguised as a bouncer, would ‘escort’ Clint out of the auditorium. Going backstage, Natasha changes from ballerina to BAMF super spy.

Then she goes after Clint. Surprise, surprise, he’s not easily taken down and, surprised that she got scratched or something, Natasha leaves. Maybe Clint hits her with a poison arrow and she stabs him before disappearing. Whatever way, it’s not the final face off.

Natasha has more missions, feels a little more guilty as time wears on. Probably sees the new young girls being trained for the widow program. She’d ask her boss about why she was chosen, what they’re fighting for, and he’d feed her lies, lies that Clint had exposed during their run in at the ballet.

So Nat’s extra conflicted for a while (you know how heroes have that dark scene where they’re all ‘who am I?’ and other existential thoughts)

 Finally, Natasha and her team are sent on a massacre mission. It’s supposedly to recover this child who’s got something special about him that her boss wants. But she hears her boss orchestrated this to also help ‘get the real Natasha back’ maybe, idk. While she’s there, we see Clint and other SHIELD agents rushing to Stalingrad (I guess that’s where they are) and we’re all watching, conflicted because Natasha is heading the mission to kidnap the kid and kill all the family and agents protecting him, but Clint is there to kill Natasha and her team.

I was thinking Clint would probably eliminate like one or two of Nat’s team, but when Nat almost kills the kid’s father, and she sees the boy crying and remembers some latent memories of her past, she decides to do something good and goes about hunting down her team from where they are in the building and Clint witness this (he sees how truly skilled she is and that there is hope for her because she saved the kid) and he goes to confront her.

Natasha waits for him to kill her, but Clint instead offers a hand. And she’s surprised, but Clint’s like “we’ll find a home for you” or something and that’s the birth of their friendship and tada look at that a black widow movie I came up with in fifteen minutes, look at that, go ahead Marvel, begin drafting, we’re waiting. 



fun fact: y'all don’t have to throw black ppl under the bus or belittle black struggles in order to bring light to issues other poc face. like its 100% possible to speak on issues other poc face without insulting black people and show casing ur anti-blackness