i just don't know what to say honestly i just loved it because i thought the characters are great and so is the story

anonymous asked:

I honestly tried so hard not to ship Destiel but it's just one of those ships y'know you just kinda accidentally ship and I really don't wanna cause some of the fandom is kinda toxic but I can't help but to ship it

Dude, SAME.

Originally posted by findyourownhappyending

Honestly, I’ve never shipped anything before (I liked it when Spike x Buffy did eventually go somewhere and was kinda beautiful but I didn’t really ship it), I didn’t even know what shipping was until I found tumblr a few months ago, I’m mostly straight (I’m a bit fluid but meh, mostly straight), and I never really thought about representation that much beyond ‘yeah, thats a great thing, there should be more of it’. 

So I just watched the show (on my own) with no previous knowledge of anything at all and…. well…. it was so obvious?!

I mean, I just binge watched the show last year because I love sci-fi and I was in a bit of a bad place and needed a distraction and had watched all the Buffy/True Blood/GoT I could and was looking for something new.

I loved seasons 1-3, I did, but then, enter Castiel and literally, my life has kind of changed?! I have an obsessive personality anyway but…. jeez. What a character and WHAT A ROMANTIC GLORIOUS LOVE STORY!

And then it just dragged… and dragged…. and yet also GREW so much?! 

So, like, what exactly are they doing? Well, I believe they know exactly what they are doing, especially since Dabb took over, but hey, let’s see…. but my blog description is ‘endgame Destiel positive’ so you know what I mean ;)

It’s all THERE, they all know its there, the writers USE it in their plots, the editors make it visually obvious, it’s even referenced in the show, the actors all KNOW, I mean come on!

Originally posted by literarycasualty

It’s not our fault if they use all the romance tropes with these two.

I think it is very relevant that so many Destiel meta-writers and shippers have a background in understanding stories, being teachers, journalists, book worms, cinematography students etc etc and therefore can make pretty good conclusions from the material that is being shown.

I mean, the overall story of these two characters is that one is a fallen, rebellious Angel who just wants to feel Human and belong somewhere and loves caring for others and one is a faithless man with abandonment issues who just wants someone to stay with and care for him.

Said fallen Angel rebels and does it, all of it for Him, eventually looking to Him instead of God, is in return called ‘family’ and cared for himself. 

Said Human learns to have Faith in and through his Angel and through this in himself, which is a key part of his overall story in the whole show.

They’re WRITTEN as each other’s canonical other half (see this post about how its a romantic and not a buddy story according to literary guidelines).

Their story is like so many rom-com, shakespearean and classical for that matter love/mythical stories where they start out on opposite sides and kind of meet in the middle you know? The idea being that they ‘complete’ each other and lead themselves to be the best that they can be and who they really are and want to be deep down? As these two clearly do?!

I’ve said before and I’ll say again, Dean and Cas are canonically central to each other’s CORE CHARACTER DEVELOPMENT and their endgames are INTERLINKED.

Originally posted by sooper-dee-dooper-natural

I mean, if this was a guy and a girl and it was a movie, so all the story was shown in 1h30 minutes and at the end they were like oh, no, but you see, they’re just FRIENDS. Literally everyone would just be like WHAT?!

The fact that Disney movies and romcoms are so highly parallel-able with Destiel, because it fits that literary box - as a romance, not a buddy story or a drama or even a familial story, it does up to a point, but it definitely transcends this and moves into romance realms pretty early on, like, season 5 FFS.

It’s not our fault, the show made us do it.

If fandom wank is a problem for you, well, I don’t like it either, I guess no one does apart from the ones instigating it who seem to get a high off it, I just blacklist on tumblr and I don’t attend cons, so… meh, I have this gorgeous little space where we all know and all discuss what is happening and it is lovely, feel free to join us :)

anonymous asked:

Hi! I'm writing a story settled in a future where after a war, people built a new society. I've noticed that my setting is extremely vague and confusionary. I don't know when i have to insert details since i'm writing in 1st person. Like, I jave characters, I have a decent plot, I have a nice world building, but when writing I'm leaving the latter out and it's a problem. Do you have any advice? Thanks!

Setting and World Description

I love this question, because I think it’s a really, really common problem, and it’s one I’ve faced on numerous occasions. We’re often told that we should know our setting really, really well, and that we should be able to describe it in great detail. But when it comes time to put that concept into practice in the story, nothing seems to work. It all feels “info-dumpy,” or like we’re trying too hard to paint the picture, and we start to fear that we might be boring our readers, who honestly just want to know what happens in the setting. 

So how do we execute setting description in such a way that it’s informative and engaging? 

First, the real reason we need all this info…

Imagine you’ve got a small town as your setting, with a major street that runs through it. Along the street, there are several small businesses. During story prep, you may have done sketches of this street, or at least made a small diagram to lay out where all the businesses are. You may have even gotten really detailed and dotted bus stops or traffic lights, to the point where you can visualize this street perfectly

So now you go to write your first chapter. Your protagonist leaves home and walks down the street towards the bus stop to go off to work. As they walk the street, you start thinking, “Man, this is the perfect opportunity to describe all the businesses they’re passing by!” So you start to do that, and it all starts to sound like you’re giving directions. “To the left of the flower shop is the post office,” and so on, and so on. 

But here’s the big revelation to this whole conundrum. Just because you know it, doesn’t mean you have to show it. 

The reason it’s encouraged to do so much setting development isn’t so you can pass it on to your reader. At least, not everything. It’s so you know where things are, and you can navigate the world better. 

Let’s say you did zero setting development, and as you were writing chapter one, you decided to have the protagonist mail a package. You throw in a brief detail about the post office being a two-minute walk from the protagonist’s house. Then, much later, your protagonist is buying some flowers, and you throw in a detail about the post office worker loading a truck outside, because the post office is right next door. And then the protagonist takes the bus home….except, didn’t you say in chapter one that they were just a couple minutes walk from the post office? Are there two post offices? Or did they just take a bus unnecessarily? 

See, the real reason it’s so important to know how things are laid out in your setting is so that you don’t make mistakes like this. If you had made a diagram of your town, you would know where all these things were.

Side note: And just to add here, this does not mean that you have to make a diagram of a fictional town before you start writing in it. If you’re not much of a planner, and this sounds awful to you, then just make one as you go. In chapter one, when your protagonist walks to the post office, make a quick little map with a couple squares that shows how close your protagonist is to the post office. And as you mention other buildings, add them to this map. Then you’re not adding extra things you don’t need.

So in conclusion on this point, don’t feel like you have to add in all the details that you’ve worked out ahead of time. There will be some that you need to share with readers, but there will also be many that you only need to help you stay consistent throughout the story.

How do I add the necessary info?

When adding setting details, they need to be relevant. And if they’re not relevant, you need to make them relevant. We’ll continue with our small town/post office/flower shop example.

For the sake of simplicity, we’ll say that the flower shop and the post office are next to each other. If your protagonist is only visiting the post office, then the location of the flower shop is irrelevant. But if the flower shop being there is a detail that you feel the readers should know, or it’s something you want to include as a stylistic choice to add depth to your setting, then we need to make it relevant. So how do we do that?

Give the protagonist a reason to either A) Think about the flower shop or B) Notice something around the flower shop.

  • A) Think about the flower shop.

As she’s waiting in line at the post office, she may have a clear view of the flower shop through the window. But don’t just have her observe it. Have it trigger some kind of thought. Maybe she has a sick friend or relative, and it reminds her that she should buy them some flowers. Or she’s done something wrong, and flowers might be a nice peace offering. Or maybe it reminds her that her garden is overgrown and it needs tending. Any of these thoughts actually trigger deeper plot development, which makes them a double whammy.  Who is sick? What did she do wrong? Why is her garden overgrown? Is it always overgrown or is there something in her life that’s causing her to slack on this?

Whatever route you decide to go with, you’ve now made that flower shop relevant to the protagonist’s inner conflict, even if all it’s doing is triggering something.

  • B) Notice something around the flower shop.

This “something” could be something about the exterior of the building, or an employee they can see through the window or who is out on the street, or it could even be a couple of people standing outside the flower shop talking or doing something. The significance here isn’t so much the flower shop, but rather what’s happening around the flower shop.

In describing whatever is happening, you would say something like, “In front of the flower shop next door…” and then write the situation. In this method, you’re not giving special meaning or significance to the flower shop; you’re simply adding more color to your setting by mentioning that there is one, and a reader can visualize the scene even better if they picture a window of flowers behind whatever is happening. It ends up serving a huge purpose in just a few innocuous words.

The Bigger Picture 

Okay, all flower shops and post offices aside, good setting description is integrated when a character “bumps into it,” either literally or figuratively. Describe settings when a character enters them, or when they’re thinking about them. If you feel like the description is necessary, then you need to find a reason to get the character to either go there, or else think about going there, or remember going there. It needs to have context with other story information.

When it comes to complex world-building details, you follow the same principle. If there are unique circumstances that your character has to face in the world you’ve created, explain them in moments when the character is either facing those circumstances, or when they’re thinking about facing them or remembering facing them. 

I suppose you could argue that I’m making this more complicated than it needs to be, because there are readers that love description for description’s sake, but for many readers, we need context. We need to know that what we’re reading is telling a story and moving events forward, rather than just informing us or educating us on a story world. 

Plan minor story events around exposition. Make things happen in your story that help to reveal the important details of your world and setting. It might seem clunky when you first start doing this, but if you’re patient with yourself, eventually you’ll be integrating description and world backstory like a pro. 

Keep going!


Haise’s Birthday Poem begins with the lines [x]:

“Someone said this:
“Even if you have no memories of being loved, for as long as you have memories of loving someone, you can continue to live.”

…But how is someone who has never been loved be capable of loving someone else?

A child who wasn’t able to receive the minimal love they required at the time they needed it the most will continue to gaze at the illusion of affection and never know how to love until the day they die.

Well, how about me? Can I continue to live?”

Furuta grew up without love, surrounded by the products of Tsuneyoshi’s fucked up harem. The only person who seems to have shown any affection at all for him, as seen in the flashback in this chapter, is Rize. Rize who cared if he died when she ate him. Rize who played with him. Rize, whose fate he was fully aware of. Who he saved, because at some point, or maybe deep down still, he understood that that fate is wrong. She was the only thing he had, and he let her go, for her sake.

In this explanation to Kaneki, he mentions explicitly that as a child, he had these childish ideas of love and marriage in the future for them. Things he gave up for her safety from the men of the main Washuu house.

Even when he’s being crude and creepy, talking about Rize having all of those children for him, he references 101 Dalmatians. A Disney movie. And one with some of the healthiest romances, both between the dogs and the humans.

Even now, he’s looking at a Disney movie where two dogs snuggle each other. Where these two dogs have 15 puppies who they risk their lives to save. And who adopt 84 other puppies who would otherwise be dead. When you think about him as someone who grew up surrounded by who knows how many half-siblings, in the Garden like he did - this is basically him saying he wants a Disney Romance.

Which is not to say that the way he’s speaking isn’t terrible. That the tropes he’s using aren’t horrible and misogynistic. They are. Furuta, as he always has, is falling back on farce and drama, on systems of power that he himself as already explicitly told you he condemns. Furuta switches between honest and lying, between truth and exaggeration, between real emotion and fake dramatic flare over and over.

He speaks in this weird mix between a cynical jaded, crude adult, and a desperate, sad, idealistic, stubborn child. Like with his big speech to Eto about V in 66, I think this chapter he is mixing truth and fiction. Sometimes strategically, sometimes just because.

@linkspooky​ pointed out to me that it almost seems that the more honest he’s being, the less of his face is shown. Times when he’s really approaching sincerity and seriousness, he’s shown from the side.

Where as most of the time, he’s hidden under his flare and his masks and his drama.

Furuta, for all his fake emotion, is clearly uncomfortable with the real thing. Uncomfortable when people make him feel things and uncomfortable expressing emotion. Uncomfortable and unskilled and really parsing it.

Instead, he falls back on theatre and performance and lies.

When he says he couldn’t bare the thought of her having a kid after being free for so long… was he talking (just) about jealousy, or was he talking about the fact that the CCG, and thus V, was gaining on her - had almost captured her in the 6th ward and gotten Shachi in the struggle, and was well on their way to tracking her down again? Was he talking about not wanting her to be free, or about after all that time, still not being able to accept the idea of her being recaptured by V and used by the Washuu men like that.

He used her too, of course - and brutally. I think he was mad at her not only for wasting the freedom he helped her win, for almost getting caught again - but also because he still cares. And he doesn’t want to still care about her. So he punished her for his own feelings. Furuta is… not a fan of his own feelings. And he’s childish.

Its not an excuse for what he did to her, but I do think he acted when he did, if not the way he did, because if he hadn’t, there was a very real chance she’d have returned to her old fate. And that, he could not abide. Even now.

What he did, to Rize, in taking her power and undergoing that surgery himself, in killing off all the Washuu, taking leadership of the CCG - he gives multiple reasons for it even in this one conversation with Kaneki. On the one hand, in his proposal to Kaneki, he sets up a clear role for himself - as a villain to unite ghouls and humans against (Kaneki’s team, rather than the CCG and Clowns in this case) and introduces it as a big production, culminating in his own, rather than Kaneki’s death - ever suicidal as he is.

But explicitly, he also claims that people don’t need reasons for what they do. He also claims that he is doing what he wants to do, and that he is doing what he wanted to do as a child.

I think all of these have a grain of truth to them. He talks in such a way that mixes narratives, mixes truth and fiction, and sometimes just because its easier to talk with (half)fake emotion than real ones.

I think that Furuta, the nearly 6 year old child wants to destroy the toxic terrible “family” that used and abused him, and create in its place a 101 Dalmations style family, with him and Rize as Pongo and Perdita. A big loving, new Washuu family. This part of Furuta doesn’t care about ghouls or humans or Kaneki Ken or Eto Yoshimura or any of that at all.

But Furuta is also an adult, and became one probably much too quickly, if he knew what awaited Rize and helped her escape because if it. And the Adult Furuta knows he can’t have any of that. That Rize forgot about him and doesn’t love him back and that he burned that bridge by dropping those beams. His children with her are going to be via Kanou. Anything new will be born from death and fire and war. Adult Furuta has plans. Adult Furuta wants.…something… out of all of this. Some grand finale.

Part of Furuta is still that child - still wants Rize to come back to him and love him and play with him (and maybe kill him). Wants a big happy Disney ending for them. But he also knows he can never really have that. He’s known that he could never have that, because of how he was born. That’s the irony of that line, about the life he has and how he might as well. Because he was born to NEVER get what he wanted, ever. (And yet - and yet he fights back - viciously and endlessly and savagely, despite being born only to serve.) Because he has grown up now, and he’s done terrible things, and he knows that that happiness is impossible. But he’s also 6 years old and desperate and lonely.

I personally have thought for a long time that Rize is being set up as the one who will kill Furuta. I just hope (though I don’t necessarily expect) that they will get a chance to talk before it happens, or when he’s dying, or something. A chance for him to thank her for finally killing him, after all this time. A chance for him to say sorry, or not to - to say he’s glad he did it if it ended there, with him dying in her arms.

I still don’t think Furuta thinks any way about women, in general, though I understand why people see this pattern. It’s certainly a power structure highlighted by his character, either way. I think he probably has a good deal of the background misogyny of the culture and of the Washuu clan in his upbringing, but he also has a deep seeded hatred for everything about that upbringing. His understanding of things is so twisted and bent around this terrible place he was raised in, and the world he was forced to live in, that its honestly a miracle he’s still fighting for something different.

But Furuta sees every structure as a farce, as a mask, as a tool, rather than a truth. And he plays with these tropes of misogyny and discards them just as quickly. He’s making himself out to be a villain, to be crude, to be cruel. And it’s no excuse for his actions - for the very real fate Rize suffered at his hands. But he deals with Matsumae as a failed knight and a hypocrite, not as a woman. He plays with misogyny and its masks and its power system when he’s mock-flirting with Eto, but the next second he throws it away. He has no regard for masculinity or its virtues. Its a game to him. And that is a nasty and dangerous way to look at a very serious thing. Which is a great metaphor for Furuta who sees farce in everything. And is setting up a grand theater with all of Tokyo as its stage, possibly to write his own death into the final act.

“When I unveil this, won’t you come play with me?” He knows what Kaneki wants. He knows who Kaneki will save. He knows who Kaneki will kill. He still wants to die, and he seems to like the idea of dying to make things better, in a sense. And still, he’s speaking like a child. Come play, Kaneki. 

“Doesn’t it make you want to die?
If you die, you can get cured you know. (This is true.)

So if you were planning on giving me something.
In this year, I want four times more of that love or hate.

PS: (Laugh, it’s fun!)” [x]

anonymous asked:

i don't want to be a pessimist here, i really hope destiel is endgame and after s12, and after i read some of your meta, (which is amazing btw), i mostly believe it will be, but i shipped johnlock too, and all the subtext and even text and the foreshadowing and all those hints that johnlock is endgame was all for nothing...or maybe just for queerbaiting, and i was really butthurt about it that i'm afraid to put any hopes up for destiel, how do you think destiel is different than johnlock?

I may be a bit controversial on tumblr about Johnlock because…. well I didn’t really see it like it was blatant and going to be canon, I saw it as subtext that was something they added to give it a bit of pizazz without thinking they were actually in love or that it would be endgame canon. 

I really enjoyed the first seasons of Sherlock (I just cannot get my head around how the last season worked at all, maybe I need to try again, but it just didn’t make any sense to me) and my interpretation was that Sherlock might be a bit romantically interested in John, but push come to shove he was more intellectually interested in him and the friendship they forged and I never really saw John as being romantically interested in Sherlock at all.

I felt like they added the subtext, which for me, was subtext only, to add a bit of spice to their chemistry and their character bond, but without actually meaning to make it romantic.

Now I see this differently to Destiel in that I read Destiel as 1. much more blatant because of the continuous and abundant nature of it, given that it is now nearly 9 years and much more material to work with due to there being…. around 135 hours of SPN since season 4 v 15 hours of Sherlock

2. But also that it is written into the script in terms of the fact that it has a real effect on the PLOT, not just sitting alongside it as subtext to be ‘enjoyed’ (I say ‘enjoyed’ because I know how painful it was to fans who really wanted it and it didn’t happen but for a lot of people I think it did add to the enjoyment of the show by deepening their character bond). Whole seasons don’t make sense without taking into account the deep feelings between Dean and Cas, I mean… seasons 4-6 are all about Cas saving the world because of his love for Dean, season 7 is one big long metaphor for Dean’s innermost thoughts and depression about Cas, season 11′s mytharc plots rests on Dean’s love for Cas and how Amara uses it… 

I totally feel for anyone who felt queerbaited by Johnlock because I genuinely do think that they put subtext in there on purpose thinking it would be a great addition to the chemistry but had no intention of going through with it as it was just that, a fanciful way to deepen their connection without it really being actually scripted love (honestly this is wanky, but I really don’t rate Martin Freeman as an actor, I find him so cold that it wouldn’t surprise me if they upped the written subtext in order to counter his wooden performance),  I just don’t think they realised how much people would feel cheated by it.

With Dean and Cas, their story is much longer as stated above which enables it to go much deeper into so many more romantic tropes, for them to be portrayed as much more of the romance than the buddy trope, I think they fulfil like 67% of romance tropes? where most couples on tv / in movies settle at most around 10-25% ish? This is because they are able to do so due to the pure length of time we have been watching them and because they are actively portraying it in this way. I’m trying to remember how many Dean and Sam fill and Sam and Cas fill? I think Dean/Sam is like 12% and Cas/Sam is probably about 2%! So there is a real reason why it is so strong with just these two…

Season 12 is all about taking it now from the subtext into the text, we have been watching it with a similar “will they won’t they” attitude towards TPTB as with Johnlock up til now, even though it was scripted and much more plot - related I believe, there was still a chance that they would potentially back out, even if it didn’t make sense for the story, it was still a possibility because I think a lot of the GA don’t really see the way that the story doesn’t make sense without it.

For example in season 11, I think many of the GA just look at the top level and don’t read into WHY Amara couldn’t contact Dean without going through Cas, how her forced bond with Dean was not as strong as his chosen bond with Cas even though she was GOD’S SISTER or WHY Amara’s whole interactions with Dean were all about him repressing his emotions, loving, but it being clouded in shame, holding himself back. 

I mean some people were shocked at some of what Dean said in 12x22, they were also shocked at how Dean acted in 12x11 and a lot of this season said he was OOC, which he absolutely WAS NOT, he was entirely HIMSELF and that was the point! That he had DROPPED the facade so his true self was showing through in snippets and I’m sure these people will be absolutely shocked when he acts more and more like this in season 13.

I feel like to get through to some people Dean literally has to say something blatant like “Sammy I’m done pretending, this is me, deal with it, oh and by the way, I like dudes too” before taking a big bite of a Chicken Parmeggiano and ordering an ice cream sundae and getting back to business, cos man the point is, he’s not that different, there’s just a few things he keeps locked away, but his whole character isn’t going to change.

Anyway, same goes for Destiel, it’s going to have to be eased in slowly but made blatant now and I feel like season 12 was the first part and season 13 should be the second, before it can go canon, so that people aren’t shocked by it, in exactly the same way as they did Performing!Dean this season, ramping up the subtext before taking it into the text and then finally making it canon.

So now after season 12 it feels to me that with all the bad PR around queer baiting with Sherlock, with all the bad PR around Supernatural (if you google queer baiting SPN comes up on the first page), it would be diabolically stupid for the new showrunner to ramp up the subtext like this and bring it into the text as he did from mid season 11 onwards, without taking it towards endgame canon.

It doesn’t mean they will for 100% sure but I would be so confused if they didn’t now, it would literally be the worst kind of ongoing, not just subtextual but textual now queerbaiting and a total shambles of a PR disaster as well as making NO sense to their own story which has been so carefully crafted for over a decade. 

I don’t think they’re THAT stupid to take a beautiful story and rip the soul of it out, destroying their credibility as writers as well as PR Hell…

I have trust in Andrew Dabb until proven otherwise :)

anonymous asked:

I'm way too excited with your fem!ed fanfiction and I was wondering, hope its not an issue, if you have any headcanon about a fem!ed in the series like if it was canon? I don't think it would have changed the story since fem!ed is just as badass in my imagination but I was thinking in the interaction with other characters like Mustang and the crew, Hughes, Armstrong, Hohenheim, Winry and Alphonse himself, maybe Greed/Ling and the chimera? Sorry if I'm asking too much hope you don't hate me!!!

no worries! i’m happy to answer :)

hm so

mustang: does not realize ed is a girl until she come to take the state alchemists exam. honestly not even then, just thinks ed is an especially pretty boy. ed realizes this about two seconds in and tells al not to call her sister around mustang because she wants to see how long it takes him to notice. six months later ed comes back from a mission and she’s thirteen and puberty has started to rear its ugly head and roy’s like HOLD ON A FUCKING MINUTE and for the rest of his life everyone makes fun of him for the fact that roy spent years of his life thinking ed was a boy. roy also gives himself a heart attack because of all the times he sent a GIRL into very dangerous places with bad men. and he tries to give her safe missions for two seconds until she threatens to castrate him if he doesn’t stop being a sexist dick. he stops being a sexist dick but he WORRIES and FRETS.

riza: she and ed are the only girls on the team. they are Best Friends. riza takes ed under her wing, and ed’s seen too much to be a child and riza’s not a mother, but they toe this line of best friend and sisters, and riza teaches her everything she needs to know about being a woman in the military and ed doesn’t want to be same type of military woman riza is, she’s too much of a brat or that, but she listens and pays attention and riza expected this to be a mentorship but by the time ed’s sixteen they are tried and true friends who spar together and get brunch and help each other get ready for dates.

havoc: the entirety of havoc and ed’s relationship is playful flirting mostly because it makes roy’s eye twitch. havoc is a country boy and goes “well hello there ma’am” to ed when she’s a tiny twelve year old and does silly stuff like say, “you’re looking awfully pretty today, miss elric,” in this thick southern twang thats not even close to natural. and it makes ed laugh and so she pretends to be delicate southern belle with him, places her hand over her mouth and going ‘why i never!” and by the time ed has grown into a beautiful young woman havoc is so used to playing this game with her that rumors run rampent that havoc and ed are dating. havoc tries to dispel them because now whenever he hits on girls they think he’s stepping out on ed, but whenever he tried to get ed to help out she just goes “honey, i thought we had something special!” VERY LOUDLY but she sets him up with her pretty friends so it evens out

hughes: ed is elycia’s dear big sister! to be honest he’s really grateful ed is there to be such a good role model for her. oddly goes less pap bear because somehow someway ed being a girl gives roy EVEN LESS chill and when she starts dating the nice wide eyed privates roy looks like he’d like nothing more than to incinerate them all.

armstrong: meets ed and is immediately reminded of olivier. gives ed the same treatment he gives his elder sister, which is hilarious. olivier meets ed and has never approved of someone so strongly in her life. her and olivier bond asap and its one hundred percent terrifying. whenever they’re all in central olivier, ed, and riza will go out together and it’s beauty and grace and terror.

ling/greed: oh poor ling. things go as they go but something in him tugs towards ed, and who can blame him. but he needs her so he still uses her like he does, but towards the end he’s just like - this woman is the type of woman i need one day. and he becomes greed and greed understand - ed is a precious, rare jewel that they must posses. so he offers to sleep with her for ling, and ling is FURIOUS but greed’s like chill, conquest is only fun when they come to your willingly. but ling makes him lay off, and but greed still flirts wit her a ton. which confuses her and makes her angry, because it’s not the dumb prince flirting with her, it’s the homunculi, and she likes both of them and they both like her and it’s just. really confusing. so she doesn’t worry about. then they go on the Great Camping Trip and Ling and Greed are RIGHT THERE and ling loves her, loves this girl of precious metal and fire who’s determined to save the whole damn world, and greed loves her greed “the whole damn world, huh? thats something i can get behind” and they tumble together one night and ed can’t keep track if it’s ling or greed inside her but it feels amazing and important and real when little else does.

and things go a little differently in the end. greed and ling separate but greed doesn’t die, he gets his old body back. and they all three go their separate ways, but -

ling is named emperor. and there are many beautiful woman being send to him as his brides, one form each clan, but they’re not who he wants. if he wants to be the leader no one has ever been, he has to do what they’ve never done. so he sends and envoy to central where ed is still serving in the amestrian military under fuher mustang and with and offer of marriage.

and ed accepts. she thinks she’s losing her mind but she accepts and becomes the official ambassador from amestris to xing and, oh yeah, empress of xing. which has a ton of responsibilities and really, ling, couldn’t you have picked on of your eleven other wives to be empress? no. and ling never touches his other wives, the role evolved from a concubine position to a political one, and each of his wives become spokespersons for their clans. and everyone is very wary of their immortal emperor and foreign empress, be ed dedicates herself to studying the language and the history and the alkahestry and becomes a master in the art herself and combined her and ling just. make so many good changes.

and then greed rolls up a few years in like hey i heard you guys were ruling a country how’s that going. and ed and ling don’t even have to think about it, they pounce greed and bring the homunculi to their bed and greed just. sticks around being the lover to the emperor and empress of xing.

and al and winry move to xing because fuck if they’re going to be left behind. and the entire country of xing is like ???? what is going on.

but eventually it becomes this Thing. like “hey didn’t drachma declare war on us or something?” “ye dont worry about it the emperor took care of it.” “how?? the army hasn’t been deployed.” “ye he sent the empress and her brother to take care of it.” “…our immortal emperor. who has a non-human, immortal lover, sent his mortal wife and brother in law to defeat AN ENTIRE DRACHMAN ARMY?” “yeah. we won. drachma took back their declaration of war and drafted a peace treaty instead.” “what the fuck.” “listen, i don’t pretend to understand. he’s not sleeping with his eleven wives from the clans, the empress spends half her time in the library, and no one has any idea what’s going on with the immortal monster with sharp teeth, but according to the rumors from the palace the emperor and empress are most definitely and loudly sleeping with him. but violence is down, poverty is down, literacy is up, and the chances of there ever being a draft seem pretty low considering our empress casually fights whole armies. whatever. they can do what they want its clearly working.”

(around the time ed turns 25 and ling still looks the same as when he was 15 it occurs to ling and greed that their lover isn’t immortal and they beg and plead and there are many many tears before ed agrees to become immortal too. she only does it because al tells her too.

by the time she’s 45 she figures out away to triple someones lifespan using alkahesrty but it’s dangerous and costly and terrifying. she uses it on al and winry who basically bitch for 300 years that she should have figured it out before they got arthritis, thank much)

About season 3

Alright, I assume not many people, if any, will read it, especially since I wont talk about ships like Klance, Kallura, Sheith, Shatt etc …

But these thoughts have been trotting in my head since season 2 came out, and beyond, and I need to write them down and share them somewhere. But if you don’t mind  reading a french gal rambling on about stuff, then be my guest.

WARNING : kinda long and kinda not organised, at all. I have also never thought up “theories” for a show before.

First : Shiro and the rebels.

So, assuming that Shiro reunites with Matt and helps the rebels, how did he get there ?

I have no logical idea. The best thing I got is that maybe the rebels have a genius in their rank (or a machine) who figured out a way to capture Zarkon by using his bayard. As we can see in the new teaser, some people in the universe still know about Voltron, and I guess the rebels know about it too, and know that Zarkon has a bayard.

Let’s imagine for a moment, that they are waiting for Zarkon to use his bayard, for some reason they can read how much energy it gives out or something like that, and use it to teleport it’s bearer, but it always fails because it doesn’t give out enough power or something. But then Shiro gets a hold of it and uses it to activate the blazing sword. I guess this would release enough energy, and he would be teleported into a cage or whatever the rebellion built to keep Zarkon in.

Just imagine the rebels’ faces when they capture a human instead of the galra emperor. Bonus points if Matt is there and almost faints when he recognizes Shiro.

Then again, they probably just found him unconscious on some random planet or something.

Keep reading

anonymous asked:

This might be kind of weird but, have you ever imagined seeing things from a dragon hunter's perspective?Believing that dragons are to be treated like farm animals (or even below them), getting pissed at the dragon riders for destroying anything you've tried to build, constantly being attacked and your hard works are ruined. It's pretty hard being a dragon hunter too isn't it? Of course I don't think this way personally, but wouldn't it be interesting if the story is told by the opposite side?

I don’t think this is an odd thought at all! I like it! I honestly wish that more of this perspective-switching were done in media. The best antagonists, and most realistic, are those whose perspectives are understandable. Human beings tend to have decent reasons for behaving as they do; the dragon hunters are no exception.

Honestly, I think that the dragon hunters can be presented even more favorably than how you described them. Your description of the dragon hunters might perhaps be interpreted to some readers as the hunters looking at the dragons with little concern or even contempt, and a lot of focus on their own personal problems. But I think that there are a lot of ways we can legitimately humanize and make sympathetic the dragon hunter characters. It doesn’t mean we have to agree with all of their actions, but I think they have a very fair case for being humanizable and understandable.

Trading animals is nothing new to human civilization. I’m not going to go into the morals of whether or not this should be the case, but the fact is that countless humans across countless civilizations have hunted, fished, and domesticated animals to be eaten for millennia. How long has humankind raised pigs, chickens, and cows for consumption and survival? How long have people hunted elk and deer or fished salmon and trout out of the waters? The dragon hunters are pretty normal people to capture dragons and then sell the creatures for profit. It’s been in human trade for innumerable species for millennia to do things like this.

Really, the oddballs are the Hairy Hooligans. Everyone else in the Barbaric Archipelago across dozens of islands… are pretty accustomed to dragons being fought in battle or captured for trade. Dragons aren’t pets, dragons aren’t friends.. .they’re enemy creatures. It’s normal to hunt or fight dragons in this society, just as it’s normal to eat chicken or fish. It’s only the Hairy Hooligan Vikings who have befriended the dragons… and very recently, at that.

So I don’t think we need to talk about the dragon hunters looking “down” upon dragons in some sort of contemptuous or unsympathetic way. It’s not like they’re attacking family pets. They’re not being crueler than normal in this society to dragons. From their perspective, they’re just living their day-to-day lives doing typical societal things in how you treat dragons, just as most cultures don’t mind if you eat a chicken for dinner.

From the dragon hunter’s perspective, Hiccup’s gang are complete oddballs. Those kids are doing something monumentally bizarre. The kids are disrupting good, honest, economic trade. The Hairy Hooligans are flying around and being lawless menaces, disrupting legal trade and making it harder for these hunters to earn their honest wages.

The dragon hunters are engaging in a common Viking trade that has demand across lots of islands. The dragon hunters are going to be people with real lives and real cares. There are going to be brother dragon hunters who are doing this together, and find great happiness in engaging in this activity. They are the heroes who sail bravely across the islands and capture the dangerous beasts that burden their island homes. Some Vikings are proud warriors who defend their home from invaders; the dragon hunters are those who fight the most dangerous enemies, the dragons themselves! There are going to be husbands and wives on the dragon hunter crews with families back home. They will have families that they love and care about; this dragon hunting is their income, and the means by which they can feed their spouse and children and maybe their elderly parents they’re taking care of at home. They will be upset when their ship gets sunk and they’re stranded on an island… Hiccup’s destroyed their ship, meaning it’ll be many more months before they can sail home to see their baby child. And there are going to be dragon hunters who have no one to return to, who constantly sail across the archipelago because there’s nothing back “home,” but have found a mission and a goal and a purpose on the open seas conducting this trade. There are going to be dragon hunters who question Viggo’s trade practices and wonder if they are ethical, but know they have no other job to go to if they quit. There are going to be dragon hunters who have a mean streak in them and enjoy harming the dragons. There are going to be other dragon hunters who respect the dragons they capture, and look with awe at the creature on the other side of the cage bars.

The dragon hunters are going to be people with happy tales and sad tales and tales of family and love and honor and moral questions and conflicted feelings and senses of pride and conviction and happiness and more. They don’t have to be any more villainous than Stoick was in HTTYD when he wanted to fight the dragons Hiccup wanted to save.

Sure, yes, there will be devious dragon hunters. We’ve seen some of them on the shows. Some of them enjoy capturing or threatening harm to Hiccup and the gang. Some of them have a bit too much of a violent streak to them. Some are going to be greedy for power and wealth. Totally. There will be bad apples in this bunch. But not all of them have to be, and if we really look at RTTE from their perspective, we’re going to see a lot of motivations that are very understandable and not at all… dark and demonic.

I love what you say about Hiccup and the gang being a nuisance! From the perspective of an everyday dragon hunter, Hiccup and the gang are being horrifically annoying. They’re do-gooder vigilantes harping after a cause that basically nobody cares about. They’re screwing up all the hard work you put into things, they’re being EXTREMELY reckless damaging SO MUCH expensive property (LIKE ENTIRE SHIPS THOSE ARE NOT CHEAP), they’re messing up the trade of multiple islands, they’re being unreasonable about what society and civilization is typically like. These unruly kids might believe in their cause, but from the perspective of the dragon hunter, it’s going to be a pretty ridiculous and pointless cause. All the fires the youths have set, all the buildings they have collapsed, all the ships they have sunk… I’m sure there are more than a few dragon hunters who wish these obnoxious kids would pay for the damage they caused. You are, as you so aptly put, being constantly attacked and your plans put to ruin as a dragon hunter.

I’m not going to say I agree with the dragon hunter perspective, either. I’m not going to say that them attacking Dragon’s Edge and fighting teenagers with weapons is ever okay. It’s not okay. And there are so many other things they do that are not okay. The entire point of the first HTTYD is that the Vikings don’t have to be violent to dragons, after all. Dragon hunters could treat the dragons better. But there’s definitely a way to turn this story around, look at their perspective, and understand why - even if their actions aren’t always right - there’s a reason they’re doing what they’re doing.

After 200+ hours of playing  Breath of the Wild, I have finished my adventure. Here are my thoughts. (Spoilers)

So, almost two months after its release, I have officially completed The Legend of Zelda: Breath of the Wild and oh boy, do I have a lot to say about this game. I’m a little hesitant to call this a review, I guess, because it’s not organized too well or intent on giving a score or anything silly like that. But considering my love for this series and acknowledging this game as a huge departure from what many have grown used to, its got my head spinning with a whole bunch of thoughts that I just feel like dumping somewhere. This is mostly an art blog, it feels a little weird sticking this here but I honestly don’t know where else I’d put it. I’ll try to organize my brain and keep things as short as possible, but for the most part I’m just gonna jump in.

Keep reading

Yeah I hate TV Negan. Get over it.

I’ve been thinking about how a lot of the Negan bloggers on here (esp members of a certain group) have come to the conclusion that I’m just some ‘salty bitch’ that must be avoided at all costs, or laughed at because I’m soooo angry. And honestly, yeah I am angry about what has been done to TV Negan but I think my anger is justified.

The thing is… with TV-only Negan fans… you didn’t have to work to love him. You ‘loved’ Negan at first sight…because Oh, hot JDM! Wow, this guy is so hot! So much information about Negan was available to you at your fingertips: what would happen to him, how his character evolved, what Lucille means to him, everything.

Comic Negan fans had to wait for this information, watch it unfold over the span of years. We slowly grew to know Negan and love him. It wasn’t a lustful instant flame in the heart, but a slow burn.

You didn’t wait for three years with bated breath for when Negan would be on TV, jumping at every little sign he might appear, spending hours speculating who would play him, both dreading and anticipating it because this is your favorite character ever and you were so scared they’d mess him up.

You didn’t cheer when you saw JDM cast because you thought he was perfect, because his enthusiasm for Negan was great, because Kirkman and Gimple assured Negan would be as close to the comics as possible…

And then you didn’t suffer a blow of disappointment when TV Negan finally jumped from the RV and he had a beard…and he was… skinny? And he was so quiet and stifled and just not like Negan at all… But you waffled up and down with emotion and vowed to at least give him a chance.

And then you didn’t feel the anger and hurt and disappointment and helplessness with each passing episode as they wrote Negan further and further away from the character you absolutely adored. And yet seeing everyone praise him and love him right from the get-go because… he’s hot. Praising him for every trait that is not a -true Negan- trait. But you don’t understand the frustration of that, because how could you?

Ie: I once had a GOT fan message me how they could no longer watch the show because it was so far from the books. And I love the GOT show, but never read the books. So while I could understand their anger - I couldn’t really understand it…because all I knew was the show and how much I liked it.

So I see people laughing at me behind my back and calling me names and giggling because I’m so salty, and what’s they’re to be salty about… because TV Negan is just so fine and awesome! But not realizing how hurtful it was to me (and others) to see our favorite turned into a mutated abomination of his original self.

You laugh because no one reads my stories and yet I’ve been working on my fic for more than a year before TV Negan ever showed up, never got many views because back then… there weren’t a lot of Negan fans…and now there are, but they’re fans of TV Negan - who is not the same Negan. Yeah, it does hurt to be overlooked, it hurts so much but you don’t understand how that feels because people loved your stories from the get-go. You take it for granted that your work is accepted and read. But I just get laughed at whenever I express frustration. Because I deserve it because I’m such an arrogant bitch who dares to hate TV Negan.

But honestly, I don’t care. I like the original Negan, you like this other version.l And that’s fine -and I’ve always said it’s fine- and now I realize I don’t care if you don’t like me. I don’t care if you think I’m a bitch full of sodium. I have a reason to be. And I have people who agree with me and follow me and love Comic Negan and so why do I need anyone else’s approval. I don’t. I’ll always be here for comic Negan and trying to give him a space amongst all the TV Negan stuff and I always encourage people to get to know him, and my ask box is always open for questions regarding him.

So, that’s my say. If you want to talk shit about me, that’s cool. Go for it. But as long as I’m a fan of Comic Negan, I’m not going anywhere.

ollyollyoxenfreelitbm  asked:

Hi! I saw some of your recent asks and thought I'd ask why you don't like AU's or swap, etc.? I'm honestly just curious and you always have such well-formed, articulate thoughts and ideas (I enjoy your blog and art very much). Thanks again for everything you do! <3

I should preface this by saying, I can still enjoy some of the AU fanworks if they’re done well enough, or still manage to capture the magic of the original game. UnderFell started out that way, like an extra hard mode pacifist run, and I still have a soft spot for most Fell!Paps artworks that depict him as trying REALLY HARD to be an edgelord, but not being very good at it. Tsundere Paps presses my buttons.

And like, the mere sight of them doesn’t offend me, it’s more of a “meh, this doesn’t excite me” feeling.

But generally, it’s because they feel so far removed from the source, it’s like something else entirely.

The characters almost never feel like their original counterparts? And often they take themselves very seriously, with themes of abuse and death and being tortured. I’m not against those things, I enjoy a good angsty fic now and then. But it’s not typically what’s on my mind when I want to look at Undertale stuff, you know?

I should say– Undertale is delightful and warm and human in a way that most stories aren’t. I want more of that rare feeling it gave me. If I wanted straight up angst or straight up silliness, there are tons of other things around me that I could go for.  

My other, and probably biggest, barrier is that they’re almost ALL ABOUT SANS.

I love Sans. I love Sans Having Problems™. In the past year, this blog has been like, 80% Sans.

But I like thinking about him with the other characters. I like thinking about how they all influence each other, how they all populate this world and make it full. How they’d all grow and change after going to the surface. It’s not just about him being the hero or having a sad or overcoming his dark and certainly unpleasant past. How do the other elements of the story shape him? He doesn’t exist in a void. his dad does

Most of the AUs seem to forget that anyone exists besides the skelebros? Even to the point where there are some AUs made up of many different versions of Sans. …Iiiiii’m just not interested. 

The blueberry annoys me the most because I feel like the basis of his popularity is “Sans is my favorite, but the best character in the game is Papyrus. You know what would make Papyrus better? Making him Sans.” That’s just… not compelling to me in the slightest. His design is cute tho’! I’ll concede that.

Swap in particular seems to flatten everyone into caricatures of themselves. A lot of the nuance and complexity is lost.

I like AUs like StoryShift, where it nails the feeling and tone of the game. The characters are still in-character, even if they’re shifted around into different roles. And there’s been a few more minor ones that felt ‘right’.

I’m not against big deviations from the source. It just… has to have something in common with it more than Sans’ face. You know, some of the love that made the original special. 

…It’s comparable to how I feel about the Wizard of Oz. I love the whimsy of the original books, and even the original movie. It’s frustrating to watch all these modern movies and shows come out that completely ignore that whimsy, as if it’s undesirable and the only parts worth saving are the character names and locations.

I want more of the magical, nonsensical “it just is”-ness of the original. Go on an adventure and make lots of wacky friends along the way. I’m not here for the drama. I’m sure there are lots of people out there that prefer that, and that’s fine. But for me… no thanks. 

anonymous asked:

This isn't meant to be mean. I just want an answer and you're pretty good at explaining stuff but why does tumblr hate Anna and Elsa from frozen but love rapunzel from tangled? I don't mean this in an offensive way but why don't they mind rapunzel adding to the long list of white princess

Not mean at all! I invite discussion! and I thank you for your question! I don’t know if I’m the most qualified person on Tumblr to speak on the issue.For two reasons…one is, I’m not all of Tumblr- I am but one individual with one mind and one stream of thoughts. I don’t base my opinions on what the Tumblr collective thinks I like to form my own. and Two- I don’t eat breath and sleep Disney politics, yes I do keep a finger on the pulse of what’s going on because as an aspiring animator I feel obligated to dissect the big names in the biz, but there are tumblr users who DO dedicate a ton of time and effort into putting Disney under a microscope and are probably 100X more informed than me such as - Racebent Disney + Feminist Disney  + Disney For Princesses +This could have been Frozen

If you’d really like to see me break down Tumblr’s beef with Frozen you can read my lengthy reply to another anon HERE.

Now to really answer your question! why do people on Tumblr seem to prefer Rapunzel from Tangled over Anna and Elsa from Frozen. I honestly haven’t noticed a huge discrepancy between peoples preferences because I’ve been clued in on “Tangled” years before the movie actually came out and if I recall correctly people were bitching about it Rapunzel even then. I was really excited about this movie when I first heard about it because Rapunzel was one of my favorite fairy tales as a small child! I had very long hair myself and I didn’t get out much because I was bullied a lot by the children in my neighborhood. Needless to say I found myself in an imprisoned girl with long hair. So when the movie was announced I felt an instant connection to it. However there is a catch to this. The Rapunzel I saw in the sneak peeks was very, very different from the ones I grew up with.

That is Rapunzel from the Fairy Tales for every child series. She was the first beautiful brown Rapunzel in my life but she was not alone. Chalkzone had their own version of Rapunzel starring Queen Rapsheeba who is an actress/singer/rapper. 

These were the Rapunzel’s of the 90’s and I loved them both because I, as a child with very long curly, wild hair, I could relate.

When the pictures for Tangled - AT THE NAME was titled Rapunzel: Unbraided surfaced My heart sank.

Didn’t we already have three blonde princesses who are white in Cinderella, Aurora and Eilonwy? I could stretch it to six if I included Tinker Belle, Alice and Giselle. but Tink and Alice aren’t princesses in title and Giselle can’t legally be used in merch because Disney would have to pay the actress for using her likeness. And I know I’m going to get shit for including Eilonwy but she’s still a Disney princesses even if people don’t know who the fuck she is. The only reason she does not appear on official merchandise is because initially her movie had a poor box office performance BUT I DIGRESS.

So it was a little jarring to say the least to see yet another skinny, pretty, blonde, white princess with light colored eyes. The only thing that makes Rapunzel stand out from her fellow princesses is that she has freckles. Which is great! but it really is a pittance in terms of mold breaking character design. So Rapunzel is not without it’s problems. even before Tumblr was a thing people were complaining about the over abundance of cookie cutter princesses. They just didn’t have as much social media sites to vent too as we do now and by the time those sites came along everyone got their gripes about Rapunzel and her design out of their system or simply didn’t care to discuss it at length anymore. Because truth be told stories about Tangled have been circulating the web since 2004. one & two.  By the time the movie rolled around in 2010 everyone who cared was just so done with it.

Now in terms of how Tangled relates to Frozen I’m going to stress that context is very important. I’m pretty sure Rapunzel was the first white princess we had in a 10 year gap of Disney princesses during the Disney Renaissance. People are more willing to accept her because she was the first in awhile. the passage of time is very important here. Between 2010 and 2013 we’ve had 4 white princess in succession. that adds up to one white princess per year in a very short time period. The little girls who are seeing these movies? Disney’s 5 - 10 year old demographic? that is all they are going to see for a very long time. Rapunzel, Merida, Anna and Elsa have literally flooded the market. Disney seems to be going backwards in terms of female marketability.

People are bitching about Anna and Elsa because not only are they both blonde and white there are two of them! and the reason they keep getting compared to Rapunzel is because they both look so much like her! when confronted with this Disney pulled some frat boy answer out of their ass about how Women’s faces are so much harder to animate or some junk!? are you fucking serious!? I shouldn’t even have to point out why this is a problem- but in case I do here are for links for you to look into. one , two

The very IDEA that a multibillion dollar corporation- that’s right, Billions with a B. is basically going “weh, it’s too hard!” is insulting! it’s even more so insulting when you look at the fact their predecessors. Tex Avery. Who made one of the hottest cartoon females in existence, Red was very expressive! ask anyone whose attracted to her if they are less attracted to her because she emotes and I doubt you’ll get a “No”

Now I know that Red isn’t Disney but I brought her up beside she inspired the undisputed hottest cartoon character to ever grace the silver screen. Jessica Rabbit. Who had not only her own distinctive face shape but also had a wide range of expressions.

Even Disney’s straight to video squeals that hardly anyone ever watches that had a much smaller budget than their theatrical release counterparts have attractive women in them with a wide range of face shapes and expressions!

The above is from Mulan 2 and are Princesses Ting Ting, Su and Mei. Everyone loves to excuse Frozen by going ” WELL Elsa and Anna look so much alike because they are sisters!” Yes, they are sisters but they’re not fucking twins. Mulan 2 featured 3 Chinese sisters who all looked distinctive from each other without anyone confusing them for each other or confusing them for past Disney princesses (such as the constant confusion between Rapunzel and Anna) So the very idea that Disney thinks the public is so stupid as to not point this out is laughable. They had the technology to not fuck this up 10 years ago, they have the technology to do it now.

Now let me break it down even further and limit my griping just to the officially sanctioned Disney princesses. (we’re going to Ignore the fact that Mulan isn’t a princess in title she is the wife of a war general and that characters like Eilonwy and Kida are royalty by title but are often excluded from the lime light)

That’s them. the Holy 11 which will soon be 13 when Anna and Elsa have their coronation

How many white princesses are there? Nine, How many Black princesses? One, how many Arab princesses? One, How many Native American Princesses? One, How many Chinese Princesses? none One. If you don’t see how that doesn’t add up then you are part of the problem.

There are a ton of separate issues going on with Frozen and Tangled only had to deal with a few of them.With Tiana Disney has proven that they are capable of handling a WoC with the respect and dignity she deserves, Elsa and Anna have near identical face molds to Rapunzel- it’s honestly like Disney didn’t even try to make them different. People probably would have bitched less about them being white if they at least didn’t look like the same white person. I’ve seen the movie twice now and I still fuck up their names because they basically look like the same person. I know there’s a lot of people out there who like to sympathetic with Disney and go ” but it’s HARD!” when Disney does shit like create engines for unique hair flow and snow flakes but oh, the characters FACES aren’t that important! just the way their hair flows and fucking snow flakes are.

So…in conclusion…is Frozen WORSE than Tangled in terms of problematic Disney bullshit? No, I don’t think so. I just think it’s a matter of timing and Frozen being the straw that broke the camels back.

It was still a really great movie and had it’s own ground breaking moments but not any that mattered a great deal or hadn’t been done before.

I was thinking...

With the anniversary of Davy Jones’ death next week, sometimes I think I don’t have as much right to grieve for Davy as many others, for the simple reason that when Davy passed away, I didn’t regard myself as a fan of the Monkees. Yeah, I liked the songs that I knew - the songs that everybody knows - but I wasn’t a fan. What little I knew about them was from my mum briefly telling me about their show and showing me the back of her Monkees records.

Davy had a face that I knew and a name that I recognised. My biggest exposure to him (that I can recall) came just a day or two before he died. BBC2 aired a documentary called I’m In A Boyband!. It’s basically my favourite documentary ever and you should check it out because if you love boybands as much as I do then it’ll be right up your street!! But ANYWAY. This documentary featured chats with boybanders of past and present, from One Direction to Boyzone to Five to the Jackson Five etc. etc., and it also featured Davy Jones and Micky Dolenz. I remember thinking Davy was funny and sassy and I really liked him. I remember being confused - and also surprised - that he was British, because “I thought the Monkees were American??”. But I liked him a lot and thought he was a joker. I remember after that show aired, my sister said she wanted to get The Monkees show on DVD.

So Davy passed away just a couple of days after this. I remember reading it online and was like “no way!”. I remember telling my mum (or my sister might’ve actually?) and my mum was actually really upset. Even my dad was like “oh no, really?”. My mum was only 5 (almost 6) when The Monkees first aired here but I believe she watched re-runs when she was a little older. She had often spoken about how much she loved them (Peter had always been her favourite) when she was a child/young teen, so she was naturally crushed when she learnt that one of them had passed away.

I was sad to hear that Davy had died (especially when I heard about him leaving behind four daughters, one of which is only a year older than me), but I didn’t feel a personal sense of loss because at that point he didn’t play a significant role in my life. I had no idea that less than six months later I would be obsessed with the Monkees. I had no clue at all!

Davy’s death certainly piqued my interest in the band - but only a little. My sister did try to find the show on DVD, but it was always way too expensive on Amazon. I don’t know if the price went up after Davy died or what. But it was July or August when ITV aired a programme called We Love The Monkees that really started my journey into Monkeedom. This documenary was made part in memory of Davy, and I remember watching it with my family. I really liked it and was really intrigued by a band that was also a TV show. After this, my mum had a gander on ebay and found both seasons of The Monkees for a reasonable price. We sat down to watch the first few episodes together and the rest, as they say, WAS HISTORY.

While my mum brought these DVDs as a piece of nostalgia and to show me and my sister what she was into when she was a kidda, she had no idea that we would both fall in love just as hard - maybe even harder! - than she did like 40-odd years before. In the end it was me and my sister who sat up late watching episode after episode *every single night*. And the episodes we loved most we’d watch again before we moved onto the next one because we’re massive nerds, OBVS.

That’s my story of how I got into the Monkees. Everything else sort of followed on from there. But going back to Davy… Everything I learnt about the band, I learnt after Davy had gone. Watching all the documentaries, reading all the books, trawling through hundreds of pages of #the monkees tag picking up any piece of information I could find, listening to all the music I could get my hands on - I didn’t have to deal with the pain of knowing him and loving him and losing him. I have no idea if this is a good thing or not. On the one hand, it would’ve been nice to have been a hardcore fan while all the guys were still with us. It would’ve been nice to dream that some day I’d get to see them all live together (as unlikely as they may have been!). But on the otherhand, I’m glad I didn’t have to hear that he’d gone being the fan that I am today. I’m one of these people that do feel the deaths of ‘celebrities’ quite deeply. Some people find that stupid, but fuck you. I have a heart, SOZ.

So that brings me back to the start of this post; do I have a right to grieve for Davy when I hardly “knew” him when he was alive? I can’t go back and relive my despair and heartache of learning of his loss. I remember it, but it wasn’t that kick in the stomach that it would’ve been had it happened now. I learnt about and grew to love Davy when he was already gone. Does that mean I don’t have as much right to be sad as the people who were fans before he died that he isn’t here anymore?

I’ll always be able to relate to Davy on a different level than I can relate to the other Monkees because A) BRITISH, and B) bitchy (lmao). I always somehow managed to find his bitchiness and bitterness about the other guys more funny than upsetting, but that’s not to say I didn’t find some of the comments he made about the guys to be totally uncalled for and unecessary. Sometimes he crossed the line. There was a definite bitterness within Davy, a cattiness, and sometimes I wonder why that was. I try not to think about it too much because it makes me sad. But you could tell that underneath that was a really nice, good-hearted bloke. And lets be honest, everyone can be - and is - a bitch, it’s just Davy sometimes didn’t filter it. In a way you have to admire his honesty..!

I wish there could’ve been one last hurrah. I wish there could’ve been a final tour with all four of them getting along and having fun. Even if I wasn’t there to see it, or a fan at the time to see it, to know that it had happened would’ve been more than enough for me. Micky spoke about how they were planning to tour - all of them - before Davy died. I’d like to believe this was true, but I’m honestly not so sure. I hope it’s true. The fact that Mike came back so soon after Davy passed suggests maybe it really *was* true. To think that they were at least all talking, communicating, making plans…that’s a really nice thought. It’s heartbreaking that those potential plans didn’t come to light, but to know that they were there in the first place is really comforting. I’ve always been someone who just wants people to get along. When bands I’ve loved have broken up in the past, to me it’s been more of “I hope they’re still best friends/haven’t fallen out.” as opposed to “OH NO I won’t get to see them live again!”. I really hope that when Davy passed away, some of that bitterness from before (especially his bitterness towards Mike) had lifted.

I know things have been said about Davy’s young wife, but I really don’t know a great deal about that - and to be honest, from the little bits and pieces I have heard - I don’t think I want to. What I do know is that he had four daughters who adored him, and he adored them too, and that’s something that can never, ever go away.

Davy was short. Davy didn’t have the best singing voice in the world. Davy didn’t really play any instruments in the Monkees (not consistantly, anyway). Davy was bitchy. But Davy had so much more than all of those things. He had charm. He had charisma. He had the cutest face the world of pop has ever seen. He was the orginal boyband heart-throb. He had a heart of gold. He was generous and kind. He was a great actor. He was funny as hell, both as the character of Davy and the real Davy. He had grade-A dance moves that I’m jealous of. He was a performer. An entertainer. He was the voice of Daydream Believer, one of the most joyful and feel-good pop jams of all time. He was a wonderful father. He loved his horses. You can tell that he was a top bloke. And you can also tell that, despite everything, he loved the Monkees. The Monkees as a whole, and the Monkees as individuals - Micky, Peter and Mike.

I still have no idea if I have much right to grieve for Davy Jones. But what I do know is that I wish he was still here.

anonymous asked:

Hello! I need some help. I have had little to no motivation to write anything lately, and whenever I do, I cut it out after a few hours. So, I finally got one idea but I have no idea how to create this character. I want to write a story about a female homicide detective who solves cases with a fellow detective that she falls in love with who is also female, but I don't want the entire story to be revolved around love. So, I guess I'm asking, how do I keep motivation and write this story? Thanks!

Any time motivation is shot, I like to first do a systems check- are you well? Have you slept and eaten? This is my favorite go-to checklist of self care. (I know sometimes things seem obvious, but honestly, sometimes I feel like I’m losing my tenuous grip on humanity only to realize that I just needed a shower). I, and a lot of people I know think that we are Terminators and can function just fine without taking care of ourselves, but the truth is that doing optimal work (especially creative work) is really hard unless you’re keeping the ol’ engine well looked after. 

Okay- once you know that you’re in the best operating condition that you can be, if you’re still not feeling motivated, it’s time to look at other strategies. 
A lot of people have this idea that motivation and inspiration drift down on downy wings to bestow ideas on creative types. The truth is, most creative people spend a lot of time chasing motivation and inspiration down with a stick. 

My recommendation is to add structure to your writing routine. Your structure can be anything that works for you, but once you get a pattern down that you know works, stick to it! Aggressively defend and uphold what works for you.
Things you might want to add to your routine:

- Deadlines. I know. Deadlines are the worst. But they put a fire under you and help blot out thoughts about perfection and ‘what if this is actually terrible.’ My anatomy professor’s mantra of “It doesn’t have to be perfect, it has to be Wednesday” kept me going through that class, and trying to draw a damn pelvis in perspective every week. 

- Exercise. Move your body! Taking a brisk walk before sitting down to write can get your blood pumping and your brain gears whirring. If the weather is disgusting or your bum knee is acting up or Doc Erica wants you to be consuming more calories before you start an exercise routine, try to at least get some fresh air or sun- open a window, take your writing outdoors, sit in front of your SAD lamp if you need to. 

- Environment. Make yourself a writing happy place. Maybe coffee shops are your jam, or you’d like to write in the park. I find that sitting up in a comfy but upright chair with a table does wonders, but maybe lying on your belly is your true form and most powerful state for writing. 
Things to consider:
+ Temperature- Do you like to be warm and snug? A little chilly?
+ Light- Cover of darkness? Natural light? Twinkle lights? Lamp?
+ Snacks- You wanna snack on something healthy while you work for fuel? Reward yourself when you’re done with something made out of sugar? Coffee can help you focus, and icy cold water with a bit of lemon is bracing. 
+ Music- Music without lyrics, or with very familiar lyrics tends to be ideal. 

- Other People. Other people can be really great for holding you to your deadlines, talking to you about what you’re planning, celebrating when you hit your wordcount, or even just being pumped about a new chapter. Being totally self motivated is hard! 

- Achievable, Consistent Goals. Make yourself a daily writing goal. Make it something that seems really, really easy- 100 words a day, say. Something easily within your power, whatever your power is right now. Focus on hitting your mark, and working consistently. Reward yourself for meeting your goals, and then step up your goals when you’re meeting them all the time. Making a habit of working consistently will serve you better than working hard a couple times a month. 

Separating the Steps. Try doing your planning and researching as separate things from actually writing. Making an outline before your writing session can really help keep you focused and on task. 

- Eliminate Distractions. You know what’s easier than writing? A lot of things. Most things. Not writing, for damn sure. Creation takes far more effort than destruction or consumption. It’s easy and comfortable to take the path of least resistance and turn on Netflix to burn up a couple hours without having to generate your own things. That’s not a bad thing (sometimes in our lives we honestly need 15 hour Netflix breaks from the horrors of existence and that’s okay). If you want to create things, though, take yourself away from easier, amusing activities. Legend has it that Neil Gaiman sometimes borrows friends’ summer homes so that he can hold himself hostage with no distractions until he’s written his draft. If you’re not that hardcore, asking your roommate to change the wifi password can suffice. 

- Tell People To Fuck Off. This is your time! Defend it as viciously as you can. (I mean, don’t tell your ma to fuck off if she’s a nice lady, but she’ll understand if you ask to call her back in an hour, because you’re in the middle of something). 

As for your story, I think you have a really interesting premise! Homicide detectives sounds like a really exciting backdrop for a romance, and there’s a lot of potential for a subplot there (or a main plot, if you want the romance to take a back seat to catching The Blue Mountain Killer). 
While creating your character, consider what you already know (she’s a homicide detective, she has a crush on her coworker), and then start asking questions about what you don’t know (what made her want to become a detective? What does she think of her job? Is she good at her job? What does she like about her coworker? Did they always get along?) 
What does she want? What problems is she going to encounter in the story? What does she think the solutions are to her problems? 
While you’re figuring out your main character, I’d do some research into homicide detectives, homicide cases, and probably tackle some crime dramas while you’re at it. 

I hope this helps! Good luck out there. 

My theory on The Heir's ending...
  • This is the first time in my fiction-reading life that I cannot choose or predict with confidence who I think would ultimately end up with the protagonist.
  • ((Curse you Kiera for creating such adorable guy contestants!!!))
  • But my bet is that Eadlyn would ultimately choose between Kile and Erik, two of the guys I believe she has the most chemistry with, but at the same time both have to overcome respective conflicts to be together.
  • To be honest, when we were first introduced to Kile, a guy Eadlyn wouldn't want to be with who happened to be Marlee's son and was conveniently placed into the Selection, my first reaction was "Oh no, this love story is gonna be sooooo predictable."
  • But as the story went by, I felt myself rooting for Kidlyn. Unlike Aspen in the first trilogy, Kile was interestingly different and quite out of the norm from the regular predictable love interests. His chemistry with Eadlyn during the Selection was surprisingly exciting, although for now it's mostly physical.
  • Kile might fall for Eadlyn for real. But we all know he's not the type who would want to be roped down by the Royal Family, and he's made that very clear. People may think that since Kile's the "childhood friend", he'd automatically belong to the trope where he'd never in a million years be chosen in the end by the protagonist.
  • What they don't understand is that Kile doesn't exactly fit that trope. Sure they grew up together, but up until the Selection, they didn't like being with each other. In fact, both abhorred the thought of them getting paired together (I really think either Josie or Marlee put his name in the Selection).
  • But unlike the "Childhood Friend" trope, Kile isn't a bland character who you would immediately toss away as soon as you find out he's in love with the protagonist.
  • And unlike the "Hate-At-First-Sight-Which-Turns-To-Love" trope AKA the Tsundere type, Kile DOES know the real Eadlyn, mostly her negative side, and honestly it's more or less justified. And he's DEFINITELY not pissing her off because that's how he shows his affection.
  • He said it himself, he let his frustration for being trapped into the castle walls into his actions towards Eadlyn.
  • His actions are quite understandable, and it's great how even though he's known as someone Eadlyn grew up with, we're still getting to know this love interest, and only during the Selection did both Eadlyn and Kile realize that there really is more to a person when you get stuck in some bad situation.
  • Plus, they'd make a really good Designer couple <3 they could collaborate and make beautiful creations together!
  • Erik, while a part of me hoped that he didn't start developing romantic feelings for Eadlyn in this book (I wanted a slow, gradual pace. But I still ship them too), I knew that something was going to happen between the two the moment they first met.
  • As their relationship developed, especially when Erik led Eadlyn to safety during the Kitchen wars, I began thinking "Oh, maybe there really is hope between these two!".
  • Erik has somewhat became Eadlyn's safety blanket during the Selection, a genuine friend who has no ulterior or romantic motives to become close to her, which is what exactly Eadlyn needs at this time. I don't know if Eadlyn realized that her feelings for Erik have turned romantic, but it's obvious that Erik has fallen for her.
  • Except (gasp!) He's not part of the Selection. The only reason he's there was to be Henri's translator (whom I absolutely love in this book! Henri's just an adorable sweetie pie!). It's clear that this guy's struggling between the rules and his feelings, also since he adores Henri as well.
  • Which brings him into the same category as Kile in which either one of the two contenders or Eadlyn would have to sacrifice something huge in order to be with Eadlyn.
  • The easiest route for Eadlyn would definitely be choosing either Hale or Ean. But we know these two would never really have a chance, although I guess we can't say for sure about Ean but we'd definitely know that it wouldn't be because of love.
  • Henri... as much as I love him, he's never gonna be it (although a little part of me wants him to be The One).
  • It all boils down to Kile and Erik, two people whom Eadlyn would have to sacrifice for if she decides to choose either of them.
  • So my theory about the conclusion is... *drumroll please*
  • That Eadlyn would NOT become Illea's future Queen.
  • I believe that the crown would be passed down to Kaden.
  • There MUST be a reason why Eadlyn keeps complaining about having this responsibility, and why Kaden seems to be so wise and knowledgeable about the kingdom's problems WITHOUT being forced to, even moreso than Eadlyn.
  • Simple as that, if Eadlyn abdicates the throne, then there wouldn't be a problem with her choosing either Kile or Erik.
  • Now I know this would not sit well with some readers especially feminists or plain ol' readers who're sick of seeing female protagonists throw their rationality out for love.
  • I mean, why would she give up the throne (not to mention becoming the first female ruler of Illea) for a bunch of losers whom she's fallen in love with???
  • Well, I would've been the first to complain if it weren't for the fact that Eadlyn keeps complaining and complaining about becoming Queen to the point of irritating me.
  • If anything, the fact that she's the future Queen isn't something positive for her even though it's supposed to be. Rather, it destroyed something inside her that could've made her happier as a human being even without romance to think about.
  • Not every person is fit to rule a kingdom or rather feels forced to do the job but is somewhat failing. It just so happens that Eady's one of them, and coincidentally she's female.
  • I'm not trying to put down women since I'm a girl myself. What I'm trying to say is that man or woman, this could happen to anyone. It's just a cause of bad timing.
  • So in conclusion, I think Eady's not going to be The Heir. She may choose a guy during the end of the Selection, but that doesn't guarantee that everything will sail as smoothly as Maxon and America's love story.
  • Now returning back to Kile and Erik, although it's really difficult to decide whom Eadlyn might end up with, I'd have to say that I'm leaning a tad bit more to Kile.
  • It can't be a coincidence that America and Marlee's offsprings are given a chance to develop feelings, or the fact that both are interested in designing (granted, in different courses) and freedom beyond the castle walls.
  • Erik may be a really nice guy whose understanding, comforting personality compliments Eadlyn's rather outwardly harsh but surprisingly fragile personality.
  • But Eadlyn might not really need that anymore when she's free of her reign.
  • Kile already understands Eadlyn, not to mention they have been technically living together since they were babies. They'd definitely relate to each other more than Erik would, and seeing their progress in The Heir, it wouldn't be so far-fetched to see them grow together until they just couldn't bear to leave the other.
  • So there. That's my take on how The Heir series would end, or rather who Eadlyn would end up with. Note that this is only a theory and does not have to be taken seriously.
  • All this aside... HOW CAN I WAIT ANOTHER WHOLE YEAR FOR THE NEXT BOOK?!?!?!?!?!?!?!
My one little problem with Pretty Little Liars.

I understand straight away that not everyone is going to agree with me on this point, but it is something I wanted to talk about and address. Feel free to challenge me on any of my points, I am always open to other’s opinions. 

Yes, my problem is with regards to one, Paige McCullers.

Why? Paige means a lot to me, more than I can describe in a few written words, but that’s another point altogether. My problem relies on the characterisation of Paige, a character who has real-life flaws, a character who had been tormented and also played the role of the tormentor, a character who has made mistake after mistake but yet overcame them, a character who is courageous, brave and valiant and a character who has loved selflessly and has been loved wholly in return. Paige McCullers is a character who is not perfect. I would even go as far to say Paige withholds the most real-to-life values, decisions and actions on the entire show ultimately highlighting her role as the outlier amongst all the other characters in Rosewood, it is this that is most likely a contributing source of her hatred amongst fans. But unfortunately every inch of her being has been ripped down and torn apart ever since she disappeared off our TV screens, and honestly that really bothers me. Paige, ever since season one has championed, been victorious and experienced exponential character growth episode on episode. Once Paige had overcame her own demons she spent her time pouring every inch of her soul into protecting Emily Fields; running into the forest whilst on the verge of a panic attack, facing her worst tormentor eye to eye, always there waiting on the side-lines for the one she loves most, to name but a few of her defining moments. But that doesn’t exist anymore, her character has vanished and taken such wonderful development with her.

What happened, writers?

Keep reading

anonymous asked:

Hello! I was just wondering, why do you ship Wanda/Steve? I don't mean this to be rude, or anything, I'm actually just really curious. Thanks, and have a great day! :)

This is kind of a big question. I’m not gonna lie. I don’t think you sound rude at all and I completely get people asking because it’s a ship that’s only been touched on a couple times in some “recent” runs (Avengers Disassembled, Uncanny, Captain America and the Falcon which is older but nonetheless) and then hinted at in some of the old comics. I’ve touched on this topic here, here, here… I think those are my tiny rants. But I’ll expand here a bit, now including some MCU things we know. Minor Age of Ultron spoilers and speculation below.

So in the comics, I think I covered that fairly well in my links. Wanda, always a bit all over the place, has canonically since early early comics, admired Steve and his abilities as a leader and his ability to be so…pulled together? I also remember reading somewhere a while back, I’ll look for it but honestly I don’t have the source right now, but that during one of the original old Avengers runs, Steve and Wanda were meant to end up together, but the run ended prematurely so it didn’t happen. So this didn’t come from thin air. They’ve always had this mutual respect and admiration for one another and their abilities. And, the biggest thing I addressed above, was that Steve has always been good and kind to this character who has made so many mistakes and honestly fucked up a lot. Even in a story like AvX, where they weren’t a couple, he was ready and willing to bring her back into the team after what she’d done when she came back to the mansion looking for forgiveness. Really, everyone was, but Steve was team leader. The reason she didn’t end up back with them? Because they left the final choice to that fucking asshole the Vision, who told her to go away (this is not a place for my Vision feelings and I sincerely hope to like him in the films because I do want to like him it’s just tough for me with how he’s treated Wanda). Honestly, so many people close to Wanda have screwed her over at one time or another, but not Steve. The only time really was in that book they did of basically AUs, and there was a high school AU and Steve and Wanda had been a couple but broke up. But like, of all the couples, guys. They paired them. Anyway. They’ve always acknowledged what their relationship is and had a great dynamic between them, teasing one another–and at one point, when Steve tries to push Wanda away romantically because of how much older he is, she first starts telling him how she isn’t a child like he might think, and says–and I quote–”Well, Captain, everyone is nearly 50 years younger than you, you will need to come to terms with that. And with this. Love is not convenient. Love is not orderly or logical. Love is where you find it.” Then they kiss. If that’s not reason enough man like that’s BEAUTIFUL. You can find a section of those panels here.

Now, comes the newer question. The MCU. Of course, I was shipping it in the MCU before there was much logic, because I had the comic ship under my belt with a dash of hope. Then they sat Chris and Lizzie next to each other at the San Diego Comic Con poster signings and I was an absolute disaster. My laptop wallpaper is still a photo of the two of them from that. But the more we learned about the twins and their new story, the more I kept thinking, hey. Maybe at least they’ll talk. Have a chat in the film. I thought that would be enough. But as we learn more, the more I think this is entirely possible. Wanda is from a torn up country in middle of nowhere Eastern Europe, called Sokovia (spelling is unsure, but that’s what Maria Hill called it). She was orphaned at ten and only had her best friend, her brother, as they likely lived poor and on the streets. They worked together to survive. They had each other, no matter what else. And they fought. You can see, they fought, they spoke up about the causes that meant something to them. And then, this man, a German scientist, gives them an opportunity they wouldn’t otherwise have. To do more. To help their country and fight the people who wanted, as far as they were aware, to take everything they knew away from them. Does that sound like a familiar story to you? Steve Rogers, sickly, orphaned young, only had Bucky, survived because of each other, met with a German scientist to potentially do something more–Steve Rogers said it himself. And if that’s not “shared life experience”, man, I don’t know what is. Furthermore, because of her upbringing, there’s so much Wanda doesn’t know in MCU, about this world, about pop culture, silly things like that. Steve’s been there. He knows that. He can help her in so many ways. But she’s not useless, either. We’ve seen Wanda has a fight in her, a bit of sass, something that is so Steve, so like him. They’d just understand each other and get each other. And now, the more footage and stuff I see that has them talking (it looks like in terms of leadership and the twins they’re pitting Tony and Pietro and Steve and Wanda) and fighting side by side and talking to each other, the more I think that there’s a chance this could be real. 

And that, dear anon, is why I ship Steve Rogers and Wanda Maximoff. 

anonymous asked:

Hi, I loved your answer on Jon learning his parentage. Honestly, for how high he keeps Ned in his mind I don't think he'll ever think about Rhaegar as a father (a man to mirror himself and all). As someone who was poorly started in ASoIaF universe, would you explain me why people are so sure Jon will ride a dragon? And the difference between the PtWP and AAR?

Thank you! <3

Yeah, probably because of the Rhaegar-romanticization in the fandom and the perspective as a reader rather than someone in universe, a lot of people seem under the misapprehension that Jon is going to delight in the knowledge that he’s not Ned’s bastard but is actually Rhaegar’s son. 

Jon wanted belonging, yes, and he wanted to not be a bastard, but he also wanted to be Ned Stark’s trueborn son- not just anyone’s. Jon looks up to Ned a lot, takes pride in being his son actually even as he despises being a bastard. He beheads Janos Slynt because of Stark ideals of justice, he takes issue with Slynt partially for his involvement in Ned’s death, he counsels Stannis on what Ned’s thoughts were, comforts Sam with Ned’s advice, and just this quote:

Jon was not afraid of death, but he did not want to die like that, trussed and bound and beheaded like a common brigand. If he must perish, let it be with a sword in his hand, fighting his father’s killers. He was no true Stark, had never been one… but he could die like one. Let them say that Eddard Stark had fathered four sons, not threeJon, AGoT

Do people think he’s going to rejoice to hear that he’s the illegitimate child (assumed by him by kidnapping and rape) of a Targaryen? That Ned sacrificed his honor and strained his relationship with Catelyn to raise him? That his siblings aren’t even half-siblings? That the father he looked up to so much wasn’t even his father? That the man he’s heard terrible things about, is long dead, is his father? That his grandfather was the “Mad King”? That he missed his chance to get to know Maester Aemon as family?

That after all his efforts to prove himself, his dreams of home and family and belonging, his desire to live up to Ned’s image and be worthy as a Stark- he never even was Ned’s son?

No, it’s not going to a happy moment for him. In fact, it’ll probably send him into despair. It’s not a positive revelation for Jon. 

His already present identity crisis is going to spiral out of control.

I’m sure he’ll come to peace with it in some way eventually, but people who think that this is something Jon will enjoy learning, will make him happy, really misunderstand just how deep his desire to be a part of the Starks go. And just how great his admiration for Ned extends. 

“My father always said you were a just man.” Just but harsh had been Lord Eddard’s exact words, but Jon did not think it would be wise to share that.

“Lord Eddard was no friend to me, but he was not without some sense. He would have given me these castles.”

Never. Jon with Stannis, ADWD

Anyway, as for your questions, welcome to the fandom! It can be confusing but I’ll try to explain.

Some people have speculated that despite similar descriptions for these fabled heroes that Azor Ahai Reborn is not the same as The Prince That Was Promised (and the Last Hero fits in there somewhere.) AAR comes from Melisandre and Asshai and is supposedly sent by R’hllor mostly while TPTWAP comes from Targaryens and Rhaegar’s whole Three Headed Dragon prophecy.

Basically both heroes are supposed to save the world from the Others/the Long Night, but they differ. AAR is the fabled pervious hero, Azor Ahai, come again with a flaming sword of Lightbringer to save people. TPTWP has more to do with the concept of the song of ice and fire and waking the dragons.

Really, these are lame distinctions to be sure. The fact is though that there seems to be a divide despite these being used interchangeably by say Melisandre. 

But this has led to some people questioning if they are one in the same. If not, many people see Jon as AAR and Dany as TPTWP because both of them have so many indications and Dany is Targaryen/woke the dragons while Jon is more involved in the Wall/Others plot.

There are other prophesied heroes like the Stallion that Mounted the World and the Last Hero. It’s not clear what’s a variation of the same story or what’s a different hero altogether.

As for why Jon’s going to ride a dragon, to put it very simply, people believe that for these reasons:

  • Two other people at least besides Dany will
  • Jon has Targaryen blood and dragon connections
  • Jon’s a super important character most involved in the Others/Wall plot and the dragons are going to be huge in that
  • Dany’s vision of the blue flower in a wall of ice (i.e. Lyanna symbol on the Wall)
  • The Three Headed Dragon implies three riders; Dany + two others to save people from the Long Night —> Jon’s an ideal candidate for saving people from that
  • Fulfillment of his Targaryen blood, finding a sense of belonging in this regard

I could expound on this because this is just a quick summary. If you want, send me a follow up and I’ll answer that there.

I am beyond sick of this BS. Here is my rant for the night. Enjoy.

All of you DELENA SHIPPERS — first of all, back the fuck off of Kat Graham. She is an incredible actor, and her and Ian have some of the most beautiful chemistry I’ve ever seen in two actors. Not to mention, they have an amazing and such caring friendship in their real lives — aside from their acting careers.

As for S7 of TVD demanding to be cancelled by all of these people — all I have to say about that is GROW UP & SUPPORT. My first point is grow up and stop acting like a bunch of kids that didn’t get the candy they wanted. And be a supportive fan — not only supportive to Nina, but also to the entire cast and crew that have spent years giving you the show that you have loved so dearly, but now that you aren’t getting the ending that you wanted you’re wanting them to just give up and cancel their show cause you aren’t getting what you want? Nice fandom. If you are going to fuss and threaten people — then you obviously never gave a shit about the show or the people to begin with. It shows that you simply just wanted it to happen your way, or no way. Which is the most selfish thing I’ve ever seen.

I myself and very sad to be seeing Nina leaving — and the show will be so different without her. But frankly, there are so many other characters that I love and want to see how their story ends. They deserve that. And I honestly am so proud of Nina for making such a decision for herself. She is doing what will make her happy, and further her career the way she wants to. Short and simple, ITS HER CHOICE. so why make her suffer for a choice she made for herself? Please, just drop the issues and let her leave peacefully. She deserves that after all the amazing work she has done for this show.

And I also would love to see Stelena have a goodbye scene that means something. I don’t care who says or swears up and down that it’s DE’s goodbye that’s important, that’s bullshit. The show was built by Stelena’s love. I mean damn, I don’t care how much you love or ship DE — it’s stelena that was real and everyone knows it. I mean fuck — read the damn books. Seriously. It pisses me off beyond words how the writers of the show twist everything around from the original story, the REAL story — just so the fans can get DE. It’s fucking horse shit. Stelena deserves the goodbye scene that means something, way more than DE ever would.

And as for Bonnie and Damon — I love them. As a relationship, as a couple, even their friendship. They have both grown and been through so much the past few years. And they honestly deserve a chance. Because Bonnie was the one person who HATED damon for everything he ever did. But look at her now — no one ever trusts, cares, or even supports him more than her. And that’s the honest truth.

People keep saying that if Bamon happens than it won’t be real or right because Bonnie would just be his second choice to Elena. First of all — not only do you sound like a fucking brainless idiot by even saying something like that — but do you not recall the entire reason that damon even returned to mystic falls? Okay I’ll give you a sec. Think about ittttt. You got it? Yeah, that’s right. It was KATHERINE. she was the one he always wanted – she was the one he did everything for to find – she was the damn reason he wanted to be a vampire (even if stefan was the one that convinced him to go through transition) but if I recall right, the only reason he didn’t want to transition and become immoral was because he touchy Katherine was dead. He wanted to die, just like he thought she did. And then he gets Katherine back — and she doesn’t want him. So what does he do? Goes crazy, goes straight to elena would looks just like Katherine and tries to get with her — and when elena chooses stefan — damon snaps Jeremy’s neck. WOW. yeah, now think about who Damon’s second choice was will you? Enlighten me a little.

Geez people, look at the facts. And not to mention in the books — damon goes and kisses bonnie. Regardless of if he did it after elena chose stefan – it doesn’t matter. Bamon still means something, and I honestly believe that they always will. And she would not be a second choice, elena was the second choice. Which was filled with nothing but sex, killing sprees, more sex, no humanity, a sire bond, and oh yeah - more sex. And yet, yeah that’s epic. Please. Let me go barf right quick.

OHH, and as for steroline. My say is why is the hell would you go and ruin a fucking great friendship by them getting together? I mean really. I wish I could see Caroline have a good friendship with a guy and it stay exactly that — a friendship. I hate that they make Caroline look so slutty and needy. Seriously. Cause every single time she’s had a friendship with a guy — she falls for them. First with Matt, same scenario. Then with Tyler, same thing. Then now with Stefan. The only one that was any different was Klaus. She NEVER had to try to get his attention in any way like she did with the other guys. She even couldn’t stand him for a long period of time, but then she started to let him in and it became real — and the writers probably saw that so they went and made a damn spin off and klaus wasn’t a regular anymore. Hence, no more klaroline. (Even though, I LOVE the originals, no hate to them intended at all) but I am a huge Klaroline shipper, so I am pulling for them in the end. But back to my point. It was interesting and nice to see her not having to fight and work for a guys attention. He went after her because he wanted to, because he saw something special in her.

So, that’s just my take on a few things, thanks for taking the time to read my rant. Maybe you learned a few things. ✌️👌🙌

Thoughts on Chapter 44 (+ A Slight Re-Evaluation of “A Case for Jane/Michael”)

Two months ago, I wrote a post called “A Case for Jane/Michael” about why this ship made the most sense in terms of the specific story that the show was telling and writing in general. There are some adjustments I need to make to that post given everything that’s happened in the finale and I also just wanted to fangirl a bit about the episode. Spoilers under the cut.

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To Bones, With Love

I would like to preface whatever this is by saying we are not at the end. We are not near the end. There is still so much story to tell. But on the heels of this renewal and the announcement marking the imminent ending, I am feeling SO many things. So many conflicting emotions. And I just need to let it out into the universe or I may actually explode. So here it goes…

(Coming back after having wrote this whole thing, I have ABSOLUTELY no idea what I’ve done here…No rhyme or reason. You’ve been warned.)

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