i hope no one else made this

this got sorta long and its ramble-y and i’m sorry there’s probably some unpopular opinion-y stuff but that’s fine. if you read all of this and still love me <33333 also tldr: still ride or die, babes. just frustrated with the writers and i may have also gone on a mini bandaid rampage??? somehow??? i’m so sorry i’m like this..

I’ve said it before and I’ll say it again, but nothing will ever be as bad as the Lodge stuff for me. That was the bottom of my robron barrel, the was a big low for me, that was my ‘can i still do this’ moment. I stuck through it because I couldn’t give them up then and I won’t let shoddy storylining do it to me now. I knew the baby reveal would be huge and dramatic, it had to be after last night’s episode and their conversation about it. But this episode felt so similar to those Lodge scenes for me in some ways, where my heart broke and my chest ached and I wondered briefly how the hell can they do this to them? how can they come back from this? again.

But the thing is, I do think they can come back from it, baby or no baby (as much as I’d like there to be no baby). They’ve come back from worse. And Aaron was right; he is different. He even said it yesterday, that Robert didn’t have to tell him, he didn’t wait until he was caught out like he had the last time. Love is messy and hard, and yeah there are bumps, some larger than others, but when you really, truly love someone you take the mistakes you’ve made and you work through it. You fight for it (not physically, I think Aaron’s already learned that lesson enough times now thanks ED can we try WORDS NOW?). No matter my views on the lack of consent or how I could do without them bringing an innocent child into the mix or how frustrated I am that Marlon seemed more concerned about the situation than Paddy or this whole ridiculous Victoria and Rebecca thing, i was still struck by how well Aaron and Robert communicated yesterday in comparison to how poorly they seemed to communicate tonight. They’re doing the same “well let’s not properly talk about it, side step it, and let it fester until one of us explodes” stuff they’ve always done in the past. They argue, they don’t listen to each other properly, they run away from each other in the heat of the moment, and nothing gets solved. Robert wants to put a non-waterproof bandaid on it, one of those shitty ones that comes off the second you move wrong, and that does feel like a kind of step backwards yeah. But I’ve never ever looked at character development as just an upwards slope where the character grows and gets better and doesn’t stumble a bit, cos holy shit I know these are fictional characters, but no one is like that. That’s just so fucking unrealistic. If there’s no realism at all to fictional characters we’re gonna be fucking bored in a second. Sure we all grow and change for the better over time, but we’ve all made mistakes. We’ve all said shit we shouldn’t have, we’ve all done things we shouldn’t have, but we’ve apologized and learned and done better the next time. And maybe we stumble again and again with the same things, but you keep trying. That’s true character development imho, there’s no ‘going backwards’ in that for me. 

But I also have hope in Aaron to maybe be the one to lead this towards something good, to maybe use what he learns in counseling for positive steps forward? My lil bub who went to an emergency counseling session, realizing that he needed to do so without being shoved into it by anyone else. He made that decision. But you don’t change overnight. Anger issues, self harm, depression, self loathing, whatever issues Robert’s dealing with etc. isn’t going to just disappear after a few therapy sessions. Nothing’s going to change overnight with someone’s love and one ‘magical’ counseling session. Mental health doesn’t work like that. It takes time and open, honest communication. I’m hoping that’s what the writers are trying to show. It doesn’t seem like it’s coming across that way just yet, but I’m hoping beyond hope that the communication we got yesterday was supposed to be a sign of that ‘it’ll take time and we’ll stumble but eventually we’ll get there’ growth. This being Emmerdale though, I’m keeping my bar very low.

I do think this is Robert finally breaking down though, I think this is him losing his cool and his patience. I think it’s finally, and about damn time, for Robert to have that moment (without violence, Robert, for the love of god without violence *swats Robert’s head with a rolled up newspaper*). So in a sense I do get it. I get the putting the decisions about the baby on Aaron (as much as I hate it, that’s just.. fucking writers…), I get his anger and frustration to a point. He’s more terrified of losing Aaron than anything else because Aaron is his world. He’s said it time and time again that the thought of losing Aaron is so unbearable to him. So I have to believe they’re gonna be okay, eventually. It might take some time and we might have to watch some pretty rough moments, but I have to believe that they’re going to fight tooth and nail for each other, for this rollercoaster of a relationship. Because they promised each other messed up forever. 

2

This sweet little baby (she can’t be more than a year old) showed up on our doorstep this afternoon. She quickly made friends with our Pyrenees so now I’m starting to wonder if she’s just being stubborn and has a home somewhere. I really hope she isn’t another drop-off. 😞

Some Highlights from “The Music of Rogue One” Panel at SWCO17 (aka the panel that blew my mind)

So since I can’t find any filmed version of the “Music of Rogue One” panel with David W. Collins I’ll post some of the highlights here. I’m a music theory nerd myself but I was surrounded by people who have never paid attention to music analysis and were still moved to tears so I encourage everyone to check this out (and watch the panel please if it’s ever made available.)

  • the Panel began with Collins discussing the legacy of John Williams and the Star Wars main theme specifically. He discussed how it was originally meant to be Luke Skywalker’s theme, and how that interpretation can still hold true considering Star Wars is the Skywalker Saga
  • The coolest thing pointed out re the main theme is that it’s musical construction mirrors the structure of the Hero’s Journey, the monomyth structure that all of Star Wars revolves around. It rises suddenly with the call to adventure, then builds with the journey, drops during the abyss, is reborn with another musical rise, then returns to the beginning. Collins emphasized that Williams is without a doubt a musical genius and that Michael Giacchino had a big challenge in making a score that lived up to William’s legacy while standing on it’s own. This was a challenge he more than met, as this panel made clear.
  • Now moving on to Rogue One, Collin’s discussed the title theme “Hope.” This theme is clearly heard over the title of the film, during Jyn’s big speech to the Rebellion, and throughout the film.
  • Collins pointed out that, like the main Star Wars theme, “Hope” echos the structure of the film itself. There are heroic major key moments in the theme, but it ends in a melancholy way that almost sounds unfinished. It represents the sacrifice at the center of the film. This is a story of incredible heroism that merely paves the way for others to finish the journey. 
  • Collins moved on to discuss the musical themes for each character in Rogue One, with a lot of focus on Jyn’s theme. Jyn’s theme is the most frequently heard piece along with “Hope” in the film. In fact, we hear it three times in the film’s prologue alone.
  • The fascinating thing Collins pointed out is Giacchino’s use of Dies Irae throughout the score. Dies Irae, or Day of Wrath, is the medieval hym describing the end of the world. It is sung during funeral masses and musically is quoted widely to represent death
  • EVERY CHARACTER THEME IN ROGUE ONE IS STRUCTURED AROUND DIES IRAE. Jyn, Chirrut, Baze, even Krennic, ALL OF THEM
  • Giacchino was signaling from the beginning that this is a story about death. He wrote the sacrifice of these characters right into their themes.
  • A notable use of Dies Irae beyond character themes is it’s repetition as Cassian and Jyn begin to climb the tower in the archive during the climax. The first two notes of Dies Irae are repeated as they do so. When Krennic walks down the hallway with his Death Troopers, all three notes play (death literally chasing them). And when Jyn almost drops, than catches the data tapes, Dies Irae is replaced by “Hope”
  • Jyn’s theme in particular is a melancholy theme centered on Dies Irae, but with a lovely, lullaby like feeling. It tells you from the beginning that Jyn’s is a story of hope and inspiration but also death and sacrifice.
  • An interesting use of Jyn’s theme and “Hope” together is during Jyn’s speech to the Rebellion. First we here “Hope” swell as Jyn speaks to the Rebels. Then when her speech is shot down, the theme drops, replaced by Jyn’s theme. This represents that it is Jyn herself who inspires the sacrifice that will eventually bring on the Hope. Jyn is the hope.
  • Another mind blowing moment was a musical parallel that Collins pointed out with the character of Bodhi Rook. In the scene where he recalls his mission, repeating “I’m the pilot, I brought the message,” listen for the flutes. That exact same flute theme plays in A New Hope when Luke discovers Leia’s message hidden in R2. By doing this,  Giacchino is directly mapping the journey of “the message.” Bodhi receives the message of the Death Star and how it can be destroyed from Galen, he brings it to Jyn, who with Rogue One, transmit the message, which ends up in the hands of Leia, then to R2, then to Luke, who must return it to the Rebellion. Those flutes represent the origin of the message with Bodhi through to A New Hope.
  • This panel was full of mind blowing moments, but the most mind blowing moment by far was another musical connection to A New Hope. After we had become very familiar with Jyn’s theme over the course of the panel, Collin’s played a scene from A New Hope for us. It was the moment when Obi-Wan asks Luke to come with him to Alderaan and Luke resists. When Obi-Wan says he’s getting too old for this sort of thing, Jyn’s theme plays clearly under Luke’s hesitation. In the original context, a hint of Dies Irae was WIlliam’s way of foreshadowing Obi-Wan’s death, but after Giacchino used that musical queue to build Jyn’s theme, it suddenly has deeper meaning. It’s Jyn’s sacrifice calling to Luke, compelling him to be the hope she fought for. And it is connecting Obi-Wan’s eventual sacrifice with that of Jyn and her comrades.  
  • Collins also highlighted how Giacchino’s score for the final moments of the film, from Jyn’s confrontation with Krennic through the arrival of Vader and the death of Jyn and Cassian, is unconventional and incredibly effective. Jyn’s confrontation with Krennic is silent, no music, unexpected for such a key moment. Only when Cassian appears does the music return. And throughout the final sequence, as we witness horrifying destruction, death. the arrival of the Death Star and Vader’s Star Destroyer, the score stays distant, gentle, melancholy. It does not highlight the horror. It steps back and mourns over it, like the eyes of history or the Force itself, honoring the sacrifice. 
  • So yeah Giacchino’s score for Rogue One is brilliant, Williams’ music for Star Wars is brilliant, this panel was brilliant, and I can never get enough of analyzing Star Wars scores.
2

Star Boys ⭐ soooo… i disappeared for a few days (O   v O);; and THIS is why! (=   w =) i had a tiny revolution inside myself and this is what i made out of it. a product of artists block and k-pop music. i’m going to make a longer post about this piece, with some WIP shots and more of my thoughts in the next day or two, so if that’s your jam~ look forward to it! (^    w ^) else~ i really hope you all enjoy this one! i really poured my heart into it! <3

EDIT: process work has now been posted >here< (o    w o) <3

You care so much, they care so little. You make an effort, they refuse to try. You’ve been making them a priority as you’ve become secondary to everything else in their life. You refuse to walk away while they provide no reasons for you to stay. You’re expecting happiness as your own love for them has made you hopeful but sometimes hope kills. I’m not judging you for staying though. I just hate the fact that they’re too stupid to realise that they’re lucky to have you. One day, the strength you use to hold on will be used to let go 

“I need you” Sentence Starters

aka my life and yours are two parts of a whole

  • “I can’t do this without you.”
  • “Don’t let go of my hand through this, please.”
  • “If you walk away everything will fall apart.”
  • “All I want is your lips against mine right now.”
  • “It wasn’t just a one off for me; it was me hoping you’d see the connection.”
  • “We’ve been through everything else together.  This is no different.”
  • “You’re my other half.”
  • “There’s no one else I’d rather have with me than you.”
  • “You need to help me, I can’t do this alone.”
  • “I’ve never felt alone since you came into my life.”
  • “What am I supposed to do if you walk away?”
  • “This distance is killing me.”
  • “Don’t let this distance tear us apart.”
  • “I need you as much as you need me.”
  • “Letting go was never an option.”
  • “All the time did was make me realize that you’re supposed to be with me.”
  • “I’ve made so many mistakes, but you’re not one of them.”
  • “I need you to help me reach the top shelf.”
  • “Two people aren’t this made for each other so easily.”
  • “You’re worth any fight.”
  • “I’m crying on the floor and nothing’s right, but I know you can make this better.”
  • “I’m way too drunk to be driving, so I was gonna walk home– stay on the phone with me, okay?”
  • “There’s this couple’s contest, and I know we’re not dating, but the grand prize is this big ass load of food– help me.”
  • It doesn’t matter if you need me; you broke everything.”
  • “Everything’s really shitty right now.  So how about you get in this car with me and we drive to wherever for however long?”
  • “I’ll go if you go.”
  • “I’ll only do this if you help me.”
  • “I can’t depend on anyone else, just you.”
  • “Thank you for always being here for me.”
  • “You could call be at any time and I’d drop anything if you needed me.”
  • “All you have to do is show me that you feel the same.”
  • “I know that I need you, but sometimes the feeling doesn’t seem reciprocated.”
  • “I’m pathetic, because I go to you for everything, but you’d pick someone over me any day.”
  • “Can you give me a ride?”
  • “I didn’t tell anyone else I was leaving… You deserved to know though.”
  • “I’ll still be here when you get back.”
  • “Isn’t in terrifying that we both couldn’t go without the other?”
  • “This ring proves that I’m always here for you.”
  • “Come here, let me give you a hug.”
  • “My date stood me up, can you come with me to egg his/her car?”
  • “My date stood me up, can you come pick me up?”
  • “The lights don’t shine as bright when you’re not here.”
  • “I can’t deal with us drifting apart anymore.”
  • “I feel like I’m gripping with all my might and you’re not even lifting a finger.”
  • “My friend locked me outside naked.  Help.”
  • “My friend needs to see I’m dating someone so they’ll stop including me in blind dates–yes, I know we’re not dating, but still.”
  • “I don’t call you my partner in crime for no reason.”
  • “Can you come over so I don’t feel so alone anymore?”
  • “You ran to get here this quickly?!”
  • “I need you.”

Send a name and a sentence xx

I hope that one day when I’m lying on my death bed, I’ll look back at the times I spent with you as a teenager and I’ll smile because you made me who I am. You are a part of who I am. The drunk nights in the woods and the reckless days exploring. I will look back and be happy that even when I wanted to die, there were moments I was so high off adrenaline and happiness that nothing else mattered. You have given me so many stories to tell and I will never get tired of writing new ones with you. So when the time comes, when it’s time for me to take my final breath, I will be thankful that I grew up with you.
—  Yes sel, this is for you <3

anonymous asked:

Why do you hate ereri?????

there’s this ship

They met a long time ago. 

Back before the hell began. 

Even when it began, it remained. 

It was hardened by trials of fire and flame and smoke, dry and cracking burnt flesh and bone. 

But it survived. 

It survived because two beautiful souls, troubled and trying to be moral, but living in a harsh reality in which sacrifices must be made for freedom, for hope, and that includes lives and ethics 

they know one another better than anyone else. they know one another so well they cast aside any pretense of social or physical distance.

they have their own language. 

they share the same dream. 

Other people see it. 

One character himself. 

Has even commented. On the fact that they have their “own language.” 

They’ve been through a lot together. 

They love each other. They support one another. 

Their dream means something. It carries the entire manga. The ENTIRE manga is based on THIS moment 


I looked into your eyes and saw I wasn’t free.

I was born into this world. 

The world? 

Which you didn’t see until

Ok. 

Platonic or not. 

There is no denying there is a great love there. 

Something truly beautiful that draws on friendship and intimacy so casual, so normal that neither even thinks about it as strange. It’s as unremarkable as breathing, like sharing lungs, a heart. He inhales, the other exhales. 

A relationship you’ve seen before, but never like this. 

Not like this. 

And yet. 

The attack on titan fandom. 

In its wisdom and literary comprehension. 

Originally posted by sans-trash01

Decides this is the canon ship. 

This is the ship we should praise.

this is the relationship with the most heart, depth, and reality. 

This is our most beautiful, meaningful, and most popular relationship. 

This one. 

And this one?

Well. 

Whatever, I guess. 

anonymous asked:

Hey!! can i request a fake text about a fight with jungkook where the jungkook is being snappy but they're havinf a normal conversation but the reader catches on and like they have af ight and jungkook ends up saying something like "youre clingy" or anything else that really hurts her and then tries to make it up to her?? the ending is up to you happy/sad. i hope i made some sense!!! thank you <3

Hello anon, sorry this took a while! 

following my latest obsession (aka laziness) i’ll divide this into two parts as well. This is part ONE. 

READ PART 2 HERE

Edit: I’ve corrected all the mistakes in the photoset. Let me know if you find something wrong with the order!

EDIT: THERE IS A PART 3 BECAUSE OF POPULAR DEMAND. READ IT HERE.

enJOYY! 



Part 2 is up, check it out!

Much love, 

Inferno-loop

10

i finally did it! i had wanted to make this crossover since i saw the original post. this is my voltron redo of one of my fave comics on tumblr: THIS COMIC by @bananatwinky please check it out! (i only take credit for the voltron changes made, everything else was their idea. this is half my original art, half tracing, but i hope u all love it!) …i think we all just want space dad to be happy :,)

thank u for 1,000 followers!

 -juskla

[DO NOT REMOVE CAPTION]

  • if you did something purely for the fun of it today i am proud of you
  • if you treated yourself to your favourite food today i am proud of you
  • if you bought something pretty for yourself today i am proud of you
  • if you remembered to take your meds and eat today i am proud of you
  • if you did your laundry or made your bed today i am proud of you
  • if you read or painted or wrote something today i am proud of you
  • if you wore your comfiest sweater today i am proud of you
  • if you drank lots of water or took a walk today i am proud of you 
  • if you told yourself you look good today i am proud of you 
  • if you treated yourself with kindness today i am proud of you
  • for all the small achievements that no one else sees i am proud of you, and i hope you are, too.

anonymous asked:

super junior are lame comedians who got hosting jobs because sm. That's what their image's not only in Korea but everywhere else. They've got zero talent for an idol group and they are only overrated just because they are from sm. They should disband!

okay fine, first find me:

  • vocals better than these
  • dancer who can dance like this even with an injured leg
  • vocals of the group who can rap like pro and rappers who can sing like pro
  • a group consist of 15 members, all of whom are good at singing, dancing, rapping, acting, hosting, choreography, song writing, stage designing and everything

and then we’ll talk

and about them getting everything just because of SM, let me tell you my friend, no one hates super junior more than SM do. SM never paid any attention to super junior. Even when they debuted, no one thought that super junior will get even a tiny bit popular .They were supposed to be a rotational group, which wasn’t expected to last more than a few months. The concept of ‘super junior’ was debuting the leftovers trainees(consisting of actors,singers, comedians and all) after dbsk was form. SM never really did anything for super junior except from debuting them (which I‘m grateful for) and even SM was surprised at the talents and popularity of super junior and decided to make them a proper idol group because money and even till today super junior are the money makers of SM. 

Super junior being the pioneers of every kpop trend your faves follow shows that SM or anyone else didn’t make super junior what they are today, but super junior are the ones that made kpop known to the world through their great music and talents in different fields. Please, do some research before sending these stupid asks!

And sorry to disappoint you but super junior don’t do disbandment. All they do is have fun, do concerts, varieties, musicals, dramas, make great music and shut their haters by slaying. Fyi, they are coming back this year to save SM/Kpop with 8jib and SS7. Hope you’ll enjoy ;)

Hatred

Request: You and Jughead don’t like each other and trade insults all the time, until one day you’re thrown together and start making out furiously.

Requested by: anonymous

Part 2: https://beronica-josie.tumblr.com/post/157709938523/hatred-part-2

Part 3: https://beronica-josie.tumblr.com/post/157992846283/hatred-part-3

Masterlist: https://beronica-josie.tumblr.com/post/157919516668/masterlist

You were sandwiched between Betty and the wall in a booth at Pop’s. You frowned across the table at Jughead, who had a similarly unamused look upon his face. You were trying to be civil with him, but he kept insisting upon glaring at you instead of just leaving you alone.

It was Betty’s birthday and she had invited you, Veronica, Archie, and Jughead to have dinner at Pop’s before her party. Betty was one of your best friends, so of course you said yes, but the meal turned sour when you ended up stuck across from Jughead. Betty and Veronica were chatting away, with Archie chiming in from time to time. You were trying to focus on your food.

Pop walked over to the booth carrying a large strawberry milkshake with extra whipped cream on top. He placed it in front of Betty before stating with a jolly laugh, “On the house, Betty. Happy Birthday!” Everyone at the table, including Pop, burst into the Happy Birthday song. You joined in, glad to be celebrating Betty instead of focusing on Jughead.

“Would any of you kids like a milkshake?” Pop asked after the song was over. Archie and Veronica both ordered before Pop turned to you.

“I’d like a chocolate milkshake.” You said politely.

“I’ll take a chocolate milkshake as well.” Jughead said.

“Coming right up kids.” Pop smiled before walking to the back.

A few minutes later, Pop came back carrying three milkshakes. He was scowling. “I’m sorry kids, we only had enough chocolate ice cream left for one milkshake.” He placed it in the middle of the table between you and Jughead.

“That’s okay, Pop. We’ll figure it out.” You said politely. As soon as he was gone, your eyes shot towards Jughead. He had already grabbed the milkshake.

“That’s my milkshake.” You said, unamused.

“I got to it first.” He shrugged, dipping his straw into the drink.

“And I ordered first, so it’s my milkshake.”

“That’s too bad.” He said mockingly, before taking a sip. You really wished you had laser vision.

“Jughead, don’t be childish. Share it.” Betty told him. That was Betty, always trying to remedy the situation between you and Jughead.

He rolled his eyes, before sliding it across the table. You smirked at him before scooping out some ice cream. “You know what? I don’t want it anymore.” He said dryly.

You looked at him incredulously. Was he really that childish? “Whatever, more for me.”

AT THE PARTY

Thank god you were at a party. They really weren’t Jughead’s scene, so you never had to see him. You were enjoying yourself, talking and laughing with Veronica and Archie.

By 9 pm, a raging game of spin the bottle truth or dare was in full swing. Someone would spin the bottle and whoever it landed on would be asked to pick truth or dare. It was Veronica’s turn to spin.

As the bottle spun around, you couldn’t help but hope it wouldn’t land on you. You didn’t want to do anything wild and become the girl who made out with some loser or something. Unfortunately, the bottle slowed and stopped just as it pointed to you.


You sighed. You had to pick dare. Everyone else had chosen it and you didn’t want to be the only one who chickened out. “What kind of dare you got for me, Ronnie?”

She sat there for a few seconds, thinking. Archie leaned over and whispered something in her ear and her eyes lit up. “That’s good!” She turned to you. “I dare you to experience seven minutes in heaven with…” She looked around the room, before her eyes landed on the last person you ever wanted to be locked in a closet with. “Jughead.”

He was leaning against the wall in the corner of the room, watching the game silently. When you glanced over at him, he was scowling. And so were you. “Really, Ronnie? Of all the people…” you were irritated. Why did they have to do this to you?

“You have to, [Y/N].” She stood up, grabbing your hand and pulling you up with her. She led you to the closet, before opening the door and gesturing for you to enter. You looked over at Betty, hoping she would stop this, but she only mouthed ‘sorry.’ You rolled your eyes, but entered the small room.

“No way.” Jughead didn’t move from his spot in the corner.

“Archie, a little help?” Veronica asked.

Archie jumped up, and walked over to Jughead. He was much stronger than Jughead, so it was easy for him to push Jughead towards the closet. With a final shove, Jughead fell into the closet. Unfortunately, he fell on top of you just after Veronica slammed the door shut.

He knocked you over, and you knocked over a couple of board games that were on the shelves behind you.

“Keep It down you two!” Someone yelled from outside, causing everyone else to laugh.

You rolled your eyes. This was so mature.

Jughead quickly found his footing and took a step towards the corner of the closet, not bothering to help you up.

“Thanks for the help.” You said sarcastically, getting up and picking up the board games that had fallen.

“Thanks for getting us into this situation.” He said, annoyed.

“Oh, I got us into this situation?” You turned towards him, growing irritated.

“Yeah, if you weren’t so rude to me all the time, they wouldn’t have forced us into this closet.”

“Oh, I’m the rude one? Okay.” Your sarcasm grew stronger with every sentence.

“Or if you just hadn’t picked dare like a dumbass.” He continued grilling you.

“And what else was I supposed to pick? Everyone was picking dare.” You took a step closer to him, so you could get in his face. You weren’t going to take his crap.

“You need to stop worrying so much about what everyone else is doing.” He took a step closer to you, so you were right in each other’s faces.

“Oh yeah, like I should be taking advice from-“ Before you could finish your sentence, he leaned closer to you, pressing his lips into yours.

You were caught by surprise, and tried to lean out of it, but his lips felt so warm on yours that you couldn’t. His kiss was full of anger and he leaned into it, pushing you against the wall. You didn’t understand it or why it was happening, but it felt too good to break. You wrapped your arms around his neck, digging your hands into the hair underneath his beanie and bringing him closer to you.

When the two of you finally pulled apart, he took a step back. His eyes burned into yours, intense and full of desire. You couldn’t help but breath hard after that intense make out session. You still had three minutes left in heaven and you sure as hell weren’t going to let it slip away.

You roughly grabbed him by the collar and pulled him back to you, locking lips again. You could tell he was surprised you wanted more, as his kiss was sloppy. You didn’t care. His lips just felt so good against yours.

He pulled away again, this time backing away from you until his back was against the opposite wall. “You’ve got about 30 seconds before someone’s going to come crashing through that door.” He said quietly, straightening the beanie on top of his hair.

“So are we going to talk about that?” You asked as you flattened your frizzed hair and straightened your shirt.

Jughead watched you intensely with the same hungry look in his eyes. You could tell he was resisting. He shook his head slowly. “It’s probably better if we don’t.”

Before you could utter another word, the door flew open and in marched Veronica. “Nice to see you could get along for a few minutes.” She laughed, grabbing your arm and pulling you out of the closet. You glanced over at Jughead as you were leaving, but he was staring at the wall where you had just stood.

Everything was confusing you. Why did he do that? Why did you like it so much? Did you no longer hate Jughead? Everything he did was so annoying, and yet you loved the way his lips felt against yours. You were hungry for more and you knew he was, too. The only question left was: How could you see him again?

She told me that there was a note for me, that was left behind
She had left it there waiting, for such a long time
I was inclined to ask about it but she brought it up first
I saw a tear swelling up in her eye, and then she cursed
She told me where the letter was and I started thinking the worst
Reversed my position, stepped over and opened the door
And sure enough there was an envelope with my name on the floor
“Nobody loves you more than me carino” is what the letter said

“By the time you get to read this, I’ll probably be dead
But when you left in ‘97 a part of me went to Heaven
I thank God at least I got to know what love really was
But it hurt me, to see what true love really does
‘Cause even though we never made love, you were all that there was
It was because I loved you so much that I had to make you leave
You made me doubt the way I thought, you made me want to believe
And then I slipped up, and I let you get close to me
It was hard to not be openly when people spoke to me
This was not the way I thought my life was supposed to be
Baby don’t you see, I had a blood transfusion that left me with HIV
Hoped the end exists for me since late in 1993
I died a virgin, I wish I could’ve given myself to you
I cried in the hospital because there was no one else but you
Promise that you’ll meet me in paradise inevitably
No matter what, I’ll keep your love forever with me”



What happened for the rest of the day is still a blur
But I remember wishing that I was dead, instead of her
She was buried on August 3rd
The story ends without a sequel
And now you know why Technique, don’t fucking fall in love with people
Hold the person that you love closely if they’re next to you
The one you love, not the person that’ll simply have sex with you
Appreciate them to the fullest extent, and then beyond
'Cause you never really know what you got, until it’s gone
—  You Never Know by Immortal Technique
The Princess and the Robin: Part 1

AN: Here we go again! This Easter I am bringing some updates to all your favorite stories! And some new starts, starting with part one of Damian’s soul-mark series. I hope you enjoy it!


Prompt that inspired this: Older!Damian imagine!(Like 18-20) Reader is a princess from a made up country and her dad is close w Bruce so WE hosts a huge celebration for her bday.But the party gets attacked or something and she’s forced to go into hiding w the Waynes and her parents are sent somewhere else. During her stay she & Dami really connect.W fluff and a beautiful bday gown the whole 9 yards! Im sorry this is so long but I’ve been thinking about it for a while(Maybe even a series or even the parents as ex-heroes?

    “Enjoying the party, princess?”

    Your eyes slide to the man next to you. He’s taller than you, and a carbon copy of his father. He’s all dark hair, blue eyes, and olive skin. Three women had already swooned in his presence, but not you. You know better, you know exactly how dangerous it is to fall for the man in front of you. To do so would cost you everything; your kingdom, your people, and your family.

    As you stare at him, you can’t help but wonder how different things would have been, had you been normal. If you’d had a say over your own life. You do your best to not entertain the thought.

    “Want to dance?”

    You eyes narrow, “Not with you Damian Wayne. Not now, not ever.”

    The smirk never leaves his face, even as he watches you walk away. You slip away from the party and into the bathroom. You struggle for breath, as you lock the door and pull at the strings on the back of the dress. You want it off!

    When you can’t get it after several minutes, you slide to the floor, and try to catch your breath. Your life had been so different three months ago, you’d been set in your determination. You had known exactly what you were doing with your life, and exactly what was needed.

    You had been in the states for a royal tour, and you’d been in Gotham for a Wayne Enterprises Gala. Things had been going swimmingly, right up until it had been attacked, and you had been kidnapped.

    You were the heir to the Kaznia throne, your mother was Queen Audrey. You were an only child, and if someone were to remove you, then the throne would be open to the next in line, Count Vertigo.

The man was a snake, of that you were sure. He was slimy and manipulative, and he was determined to get his hands on the throne, and your people. Your mother was still young and healthy, but a series of accidents over the last several months had put you on alert.  

There was little you could do to remove him from court, at the moment, but you were working on a more permanent solution. Then you had been kidnapped. It had happened in a storm of men dressed in black, with guns. You’d been whisked out of the theatre, before anyone could do anything.

You’d been held in a dark, dank cell for several days. You’d refused any food offered, and only drank a necessary amount of water. On the fourth day, things had taken a turn, for the better or worse you still weren’t sure, but your life had changed forever that day.

He’d appeared dressed in red and black, like a demon out of hell. He’d taken down the men guarding your cell, and picked the lock before you could understand what was happening. And then he’d said the twelve words you knew by heart, the words tattooed across your right hip, “If you’d follow me your highness, I’ll get you out of here.”

You’d spent hours staring at those words, from the moment they’d first appeared on your skin. You’d fantasized about the man who would say them, and more than once you’d gotten caught up in the daydream.

You’d dreamed about a young handsome man who’d whisk you away from a party. You’d stroll through a garden, he’d smile, and you’d blush. It would be like a story from a fairy tale. Instead, you’d gone four days without a shower, were dressed in a ripped ball gown, and you were being held against your will.

So, you say the only thing you can think of, “Why does it have to be a Robin?”