i hope no one else made this

nana-aniki  asked:

[took inspiration from a famous set of fanarts] but consider this dear, Magi being just a tv series with real love stories budding between the actors. So there's the on screen plot, but then there's real life juhaku, alikou and whichever else couple we want :D

I love your idea!!! Seriously this would make a great au :)

I hope you don’t minding me sharing some headcanon about it:

  • Alibaba and Kougyoku’s actors had a crush on each other from the start which made awkward filming their scenes, especially the ones in Balbadd where they are supposed to argue and not blush on each other.
  • They became a couple on the midpoint of the series and once again it was difficult for them to film their scenes bc they kept on laughing and smiling at each other. Judal’s actor calls them “the gross straight pairing”.
  • Judal and Hakuryuu’s actors were in a relationship way before they started acting in Magi series. Actually, Judal’s actor who got a role in the series first was the one who prompted Hakuryuu’s actor to go audience for one of the Ren princes.
  • Judal’s actor is very jealous and he didn’t like it when his boyfriend had to kiss Arba and Morgiana’s actresses because the plot demanded it.
  • Sinbad’s actor has a huge fanclub and it’s difficult to keep his fans away from him when he’s filming on an open area. The actors that share scenes with him often complain that his fans push and kick them just to reach their idol xD
  • Scheherazade’s actress is just a teen girl playing the magi grandma. She’s actually the little sister of Titus’ actor and she has a crush on Muu’s actor.
  • Every new season, Hakuei’s actress asks if her character will be back to the series only to be disappointed once again. Morgiana’s actress always comforts her because she knows about unfair treatment.
  • David’s actor is the real grandpa of Aladdin’s actor and he only took part in magi because his grandchild asked him.
  • Arba’s actress has the opposite character of the role she plays. Everyone within the cast loves her because she’s such a sweetheart.
  • Morgiana and Kougyoku’s actresses are real life friends and they always ask the creators to put some Morgiana-Kougyoku friendship scenes. Also, in every interview they always say positive things about each other.
  • Speaking of interviews, poor Kouen’s actor is always talking about his nerdy historical interests in his interviews but nobody pays attention to him because he’s not really popular (except from us! You and I always check Kouen’s actor interviews out )
  • Finally, Aladdin, Alibaba, Morgiana, Kougyoku, Hakuryuu and Judal’s actors all have a rukh shaped tatoo to remind them the good times they had while filming magi.
Some Highlights from “The Music of Rogue One” Panel at SWCO17 (aka the panel that blew my mind)

So since I can’t find any filmed version of the “Music of Rogue One” panel with David W. Collins I’ll post some of the highlights here. I’m a music theory nerd myself but I was surrounded by people who have never paid attention to music analysis and were still moved to tears so I encourage everyone to check this out (and watch the panel please if it’s ever made available.)

  • the Panel began with Collins discussing the legacy of John Williams and the Star Wars main theme specifically. He discussed how it was originally meant to be Luke Skywalker’s theme, and how that interpretation can still hold true considering Star Wars is the Skywalker Saga
  • The coolest thing pointed out re the main theme is that it’s musical construction mirrors the structure of the Hero’s Journey, the monomyth structure that all of Star Wars revolves around. It rises suddenly with the call to adventure, then builds with the journey, drops during the abyss, is reborn with another musical rise, then returns to the beginning. Collins emphasized that Williams is without a doubt a musical genius and that Michael Giacchino had a big challenge in making a score that lived up to William’s legacy while standing on it’s own. This was a challenge he more than met, as this panel made clear.
  • Now moving on to Rogue One, Collin’s discussed the title theme “Hope.” This theme is clearly heard over the title of the film, during Jyn’s big speech to the Rebellion, and throughout the film.
  • Collins pointed out that, like the main Star Wars theme, “Hope” echos the structure of the film itself. There are heroic major key moments in the theme, but it ends in a melancholy way that almost sounds unfinished. It represents the sacrifice at the center of the film. This is a story of incredible heroism that merely paves the way for others to finish the journey. 
  • Collins moved on to discuss the musical themes for each character in Rogue One, with a lot of focus on Jyn’s theme. Jyn’s theme is the most frequently heard piece along with “Hope” in the film. In fact, we hear it three times in the film’s prologue alone.
  • The fascinating thing Collins pointed out is Giacchino’s use of Dies Irae throughout the score. Dies Irae, or Day of Wrath, is the medieval hym describing the end of the world. It is sung during funeral masses and musically is quoted widely to represent death
  • EVERY CHARACTER THEME IN ROGUE ONE IS STRUCTURED AROUND DIES IRAE. Jyn, Chirrut, Baze, even Krennic, ALL OF THEM
  • Giacchino was signaling from the beginning that this is a story about death. He wrote the sacrifice of these characters right into their themes.
  • A notable use of Dies Irae beyond character themes is it’s repetition as Cassian and Jyn begin to climb the tower in the archive during the climax. The first two notes of Dies Irae are repeated as they do so. When Krennic walks down the hallway with his Death Troopers, all three notes play (death literally chasing them). And when Jyn almost drops, than catches the data tapes, Dies Irae is replaced by “Hope”
  • Jyn’s theme in particular is a melancholy theme centered on Dies Irae, but with a lovely, lullaby like feeling. It tells you from the beginning that Jyn’s is a story of hope and inspiration but also death and sacrifice.
  • An interesting use of Jyn’s theme and “Hope” together is during Jyn’s speech to the Rebellion. First we here “Hope” swell as Jyn speaks to the Rebels. Then when her speech is shot down, the theme drops, replaced by Jyn’s theme. This represents that it is Jyn herself who inspires the sacrifice that will eventually bring on the Hope. Jyn is the hope.
  • Another mind blowing moment was a musical parallel that Collins pointed out with the character of Bodhi Rook. In the scene where he recalls his mission, repeating “I’m the pilot, I brought the message,” listen for the flutes. That exact same flute theme plays in A New Hope when Luke discovers Leia’s message hidden in R2. By doing this,  Giacchino is directly mapping the journey of “the message.” Bodhi receives the message of the Death Star and how it can be destroyed from Galen, he brings it to Jyn, who with Rogue One, transmit the message, which ends up in the hands of Leia, then to R2, then to Luke, who must return it to the Rebellion. Those flutes represent the origin of the message with Bodhi through to A New Hope.
  • This panel was full of mind blowing moments, but the most mind blowing moment by far was another musical connection to A New Hope. After we had become very familiar with Jyn’s theme over the course of the panel, Collin’s played a scene from A New Hope for us. It was the moment when Obi-Wan asks Luke to come with him to Alderaan and Luke resists. When Obi-Wan says he’s getting too old for this sort of thing, Jyn’s theme plays clearly under Luke’s hesitation. In the original context, a hint of Dies Irae was WIlliam’s way of foreshadowing Obi-Wan’s death, but after Giacchino used that musical queue to build Jyn’s theme, it suddenly has deeper meaning. It’s Jyn’s sacrifice calling to Luke, compelling him to be the hope she fought for. And it is connecting Obi-Wan’s eventual sacrifice with that of Jyn and her comrades.  
  • Collins also highlighted how Giacchino’s score for the final moments of the film, from Jyn’s confrontation with Krennic through the arrival of Vader and the death of Jyn and Cassian, is unconventional and incredibly effective. Jyn’s confrontation with Krennic is silent, no music, unexpected for such a key moment. Only when Cassian appears does the music return. And throughout the final sequence, as we witness horrifying destruction, death. the arrival of the Death Star and Vader’s Star Destroyer, the score stays distant, gentle, melancholy. It does not highlight the horror. It steps back and mourns over it, like the eyes of history or the Force itself, honoring the sacrifice. 
  • So yeah Giacchino’s score for Rogue One is brilliant, Williams’ music for Star Wars is brilliant, this panel was brilliant, and I can never get enough of analyzing Star Wars scores.

You care so much, they care so little. You make an effort, they refuse to try. You’ve been making them a priority as you’ve become secondary to everything else in their life. You refuse to walk away while they provide no reasons for you to stay. You’re expecting happiness as your own love for them has made you hopeful but sometimes hope kills. I’m not judging you for staying though. I just hate the fact that they’re too stupid to realise that they’re lucky to have you. One day, the strength you use to hold on will be used to let go 

Nothing More [ I ]

Genre [Rating] : Angst

Length: 6.8k

Pairing: Baekhyun x Reader

Summary: Watching the man you love love someone else was the most painful feeling in the world.

Nothing More Masterlist

Originally posted by progamerbyun

The rain fell just loud enough for you to hear, the skies a beautiful but somber grey and the world feeling otherwise silent. The birds weren’t chirping. The neighborhood seemed empty. It was just you. You and your empty apartment and your thoughts. The all consuming thoughts that made the silence seem so loud. His voice just kept replaying in your head, like the soundtrack to the otherwise quiet moment.

“I think she’s the one.”

Keep reading

2

Star Boys ⭐ soooo… i disappeared for a few days (O   v O);; and THIS is why! (=   w =) i had a tiny revolution inside myself and this is what i made out of it. a product of artists block and k-pop music. i’m going to make a longer post about this piece, with some WIP shots and more of my thoughts in the next day or two, so if that’s your jam~ look forward to it! (^    w ^) else~ i really hope you all enjoy this one! i really poured my heart into it! <3

EDIT: process work has now been posted >here< (o    w o) <3

I hope that one day when I’m lying on my death bed, I’ll look back at the times I spent with you as a teenager and I’ll smile because you made me who I am. You are a part of who I am. The drunk nights in the woods and the reckless days exploring. I will look back and be happy that even when I wanted to die, there were moments I was so high off adrenaline and happiness that nothing else mattered. You have given me so many stories to tell and I will never get tired of writing new ones with you. So when the time comes, when it’s time for me to take my final breath, I will be thankful that I grew up with you.
—  Yes sel, this is for you <3
Beautiful Speak Now Album Things:
  • TAYLOR WROTE IT COMPLETELY BY HERSELF AT AGES 18-20!!!! AND IT WON 2 GRAMMYS!!!
  • Like every fuckin’ bridge on this album makes you want to cry
  • And all the lyrics are fucking awesome. It’s a lyric-driven album
  • “Every time I look at you, it’s like the first time”
  • “You made a rebel of a careless man’s careful daughter”
  • Opening “Mine” with “uh-oh” and closing it with the background vocals echoing “I can see it now” to show the emotional journey of the character as she believes in love again over the course of the song
  • “BRACED MYSELF FOR THE GOODBYE / ‘CAUSE THAT’S ALL I’VE EVER KNOWN / AND YOU TOOK ME BY SURPRISE / YOU SAID, ‘I’LL NEVER LEAVE YOU ALONE’”
  • The entirety of “Mine,” the best love story ever told
  • The fact that Taylor resurrected Sparks Fly from the dead and put it on her 3rd album because we asked her to
  • The fact that Taylor also rewrote Sparks Fly and took out the lyrics that made it more sexual and about performing in a bar
  • The fact that the original lyric (now displayed in The Taylor Swift Experience) was “brown eyes” and she made it “green eyes”
  • How she describes the love interest as “a full-on rainstorm” and later says “meet me in the pouring rain”
  • The juxtapositions of rain and fire and then darkness and light in Sparks Fly
  • BACK TO DECEMBER
  • How the entire song is just an apology without any excuses. It just’s “I messed up and you suffered for it and you didn’t deserve that” 
  • “you gave me all your love and all I gave you was goodbye” 
  • How the orchestra makes everything so fucking beautiful??
  • The use of seasons in the second verse to describe the rise and fall of the relationship
  • How she references the 2009 VMA incident (”how you held me in your arms that September night / the first time you ever saw me cry”)
  • Speak Now being about the Paramore relationship drama and how Taylor was actually at the wedding it’s about lol
  • Taylor singing up an octave in Speak Now to sound like a gentle little girl about to crash the shit out of wedding
  • “a gown shaped like a pastry” “fond gestures are exchanged” “a song that sounds like a death march” “she floats down the isle like a pageant queen” = so descriptive?? conveys the feelings?? Queen of conveying emotions through descriptions
  • “you need to hear me out and they said Speak Now” “Your time is running out and they said Speak Now” “I hear the preacher say, ‘Speak Now or forever hold your peace” “So glad you were around when they said Speak Now” = queen of altering her main chorus line
  • “I’m not the kind of girl who should be rudely barging in on a white veil occasion” –> What’s the kind of girl tho?? I never knew
  • The giggle in the bridge
  • DEAR JOHN. THE ENTIRE SONG. ALL THE LYRICS.
  • How Dear John calls out emotional abuse by a much older man onto a 19 year old without any apologies or sympathizing with the man but also has pieces where the victim blames themselves and calls out a pattern of abuse of other women
  • But it ends with the victim retaining their self worth and escaping and it’s amazing
  • “the girl in the dress cried the whole way home” –> have you ever seen such a beautiful conveying of a young girl’s loss of emotional innocence 
  • YOU SHOULD’VE KNOWN”
  • How the secret message of Dear John is “loved you from the very first day” which is a line on a bonus track “Superman” which is about how the love interest seems like the best guy in the world and a real life Superman 
  • That fuckin’ banjo in Mean
  • How Mean began about a critic who said Taylor ruined her “entire career overnight” at the Grammys and then Taylor performing Mean at the Grammys and wining 2 Grammys for it
  • The use of a big city to display one’s level success (which is what actually happened when Taylor moved to NYC)
  • “A simple complication, miscommunications lead to fallout” 
  • “I’D TELL YOU I MISS YOU BUT I DON’T KNOW HOW / I’VE NEVER HEARD SILENCE QUITE THIS LOUD”
  • Isn’t it weird how she says “and people would say they’re the lucky ones” then on the Speak Now Tour she wrote “The Lucky One” ?? weird
  • “So many things that I wish you knew / so many walls up I can’t break through” –> “So many things that you wish I knew / but the Story of Us might be ending soon”
  • That fuckin’ ramp up back into the chorus after the bridge in The Story of Us
  • How perfectly Never Grow Up conveys how scary can it feel to grow up
  • The bridge of Never Grow Up
  • How every song except Never Grow Up and Last Kiss use heavy production and background vocals and it makes those two songs that much more powerful in their simplicity 
  • “I just realized everything I have is someday gonna be gone” and how this line gets more powerful the more years that go by
  • How Never Grow Up starts as a song to a baby, watches that baby grow up, and ends with Taylor  looking back at her life and the passage of time and swearing to protect that baby from harm….you ever cry
  • Just take 5 minutes and listen to Enchanted again pls
  • “Wonderstruck” “Enchanted” “Passing notes in secrecy” “this is me praying” “the very first page, not where the story line ends” “your eyes whispered” “this night is sparkling” “blushing all the way home” “I’ll spend forever wondering if you knew” “this night is flawless” “dancing ‘round all alone” –> So much mystical and whimsical imagery that you feel like you could call in love with the next person you see
  • The guitars in Enchanted
  • The production of Enchanted
  • “Sophistication isn’t what you wear or who you know / or pushing people down to get you where you wanna go” 
  • “I always get the last word” “There is nothing I do better than revenge” “show me how much better you are” –> Taylor is v self-aware 
  • Also how “show me how much better you are” is a reference to that JoBro song “Much Better” lmao so much 2008/2009 Disney drama
  • How Taylor wrote Innocent about the VMA incident when she could’ve just told you-know-who to fuck off
  • How Innocent looks at the subject from the perspective of their childhood and how they had “monsters” and “demons” that made them do bad things later in life and how this doesn’t make them a bad person
  • Knowing that you-know-who was one of Taylor’s favorite artists growing up so Innocent is also Taylor reconciling with herself how someone she artistically looked up to for years hurt her 
  • The use of light: “time turns flames to embers” “your string of lights is still bright to me” “in your firefly catching days” 
  • How Innocent is Never Grow Up but applied to someone else through the lens of forgiveness
  • “I hope you’ll remember: today is never too late to be brand new”
  • The orchestra in Haunted and how it makes the song sound urgent and the situation dangerous
  • “holding my breath” “your eyes go cold” “something’s gone terribly wrong” “can’t turn back now” “a fragile line” “it’s getting dark and it’s all too quiet and I can’t trust anything now” “come on, come on, don’t leave me like this” “can’t breath whenever you’re gone” “you’re not gone, you can’t be gone” –> everything sounds dangerous and urgent!! Like she’s actually gonna die!! And it’s called Haunted!! You get haunted by dead people!! But she’s saying she’s haunted!! The Haunting is killing her!! Holy shit!!
  • Last Kiss
  • The secret message of Last Kiss: “Forever and Always” 
  • The breath in the bridge of Last Kiss
  • The use of time and the passage of time: “at 1:58″ “that July 9th” “you can plan for a change in weather and time” “your name forever the name on my lips” “I’ll watch your life in pictures” “I’ll feel you forget me” “I’ll keep up with our old friends” “I still remember” “L
  • “I’m not much for dancing, but for you I did” –> “I don’t wanna dance if I’m not dancing with you” (Holy Ground)
  • THE BRIDGE: “So I’ll watch your life in pictures like I used to watch you sleep / and I’ll feel you forget me like I used to feel you breathe / and I’ll keep up with our old friends just to ask them how you are / hope it’s nice where you are / I hope the sun shines and it’s a beautiful day / and something reminds you / you wish you had stayed /  you can plan for a change in the weather and time / but I never planned on you changing your mind”
  • LONG LIVE
  • How the secret message of Long Live is “For you”
  • How Taylor ends Speak Now with a song for her fans and her band that she wrote during the Fearless Tour
  • How Long Live because even more powerful and beautiful and even sadder the more the years go by and the more successful Taylor becomes and as original member of The Agency leave/are left go
  • How Taylor wrote “we will be remembered” when she was like 19 and was still on her second album and before she won AOTY for the first time and wasn’t even close to the prime of her career but she was proud of how far she had come already and how Long Live sounds like a song someone writes at the end of their career to reflect on their accomplishments 
  • How Taylor wrote “promise me this: that you’ll stand by me forever” and every band member she has ever had still speaks highly of her and defends her
  • “When they point to the pictures, please tell them my name” but now no one will have to because everyone knows who she is and will know who she is for a long time because of her accomplishments and effect on popular culture
  • “It was the end of a decade but the start of an age” Taylor literally had no idea how true this line would become 
  • HOW SHE ENDS THE ENTIRE ALBUM WITH “ONE DAY, WE WILL BE REMEMBERED”

bashfyl  asked:

*incoherent screaming* You opened prompts! Sterek: Not yet together sterek. The idea is a bath and Stiles how did you get that there?!? Thank you.

Taking Sterek Prompts | Filling Prompts Live

———

“Are you going to get in?” Stiles asked, peeling out of his last shirt, his words a little slurry around the edges. “In a- a- a-” He paused, trying rather unsuccessfully to shake his hand free of his sleeve. He started laughing uncontrollably and collapsed to the floor to work on his shoes. “The water, are you?”

“No,” Derek groused, pointedly not looking when Stiles flopped onto his back and began to shimmy out of his soaked pants. Black slime coated almost every square inch of the floor. “This is your bath, not mine.”

“Mine,” Stiles echoed, now just lying on the floor in a puddle of black, his pale skin coated head to foot in the gunk. “This is not my house.”

“Yes,” Derek agreed, as patiently as he could, checking the water’s temperature before turning off the tap. It had to be extra hot to affect the stuff. “This is the clinic.”

Deaton had explained that even minimal contact with the ichorous substance gave a contact high. Stiles had been practically drenched in the stuff when they had killed it. Luckily it was not deadly or even toxic- which was the problem. Someone had been keeping the creature as a pet, drawing out the fluid and selling it, and it had escaped three days ago to wreak havoc.

Very, very unfortunately, Derek had drawn the short straw for ensuring Stiles got cleaned up and came down from the high safely. Isaac, Boyd, and Erica were taking care of disposal of the body while Scott and Allison swung by Allison’s house to return weapons and report to her father. Deaton had been kind enough - or perhaps had enough self preservation - to give Derek the key to the clinic so he could get Stiles washed up away from his father’s questions.

“Come on,” Derek said gently, slipping from the edge of the tub to crouch at Stiles’ side. It was, he reflected, a very good thing that werewolves were not susceptible to the substance’s effects. “You gotta get cleaned up.” The effects wouldn’t wear off until every drop of the ichor was gone.

Stiles lifted his head, looking all the way down his lean form. “Oh, no, no that’s too far,” he told Derek, head falling back with an audible clunk he was probably going to feel in a few hours. “Wow, this is the best floor ever. Do you think I could take it home with me?”

“No,” Derek said with a sigh. Looked like this was going to have to be the hard way. He shifted, kneeling beside Stiles, and grabbed at his wrists to haul him up.

Despite that they slipped and slid a bit, Derek managed to get a very naked Stiles upright and across the three feet to the tub. For a second Stiles stood very still, holding tightly onto the edge of it like he was going to resist going in. Then he tipped forward and faceplanted directly into the basin so quickly Derek had to scramble to keep him from drowning.

“Hoooooo!!!!” Stiles shouted the second his mouth was above the surface, water sluicing away the ichor clinging to his skin. “It’s hot, Derek! This is really hot, why is it so hot? Oh my god, I’m melting!” He started grabbing at the black liquid coming off his skin.

Closing his eyes, Derek counted to three. Then five. Then ten, for good measure, and when he opened them again, Stiles had fallen very, very still and was staring wide eyed into the middle distance. It was not exactly an improvement, but at least he’d stopped thrashing, slopping water and ichor all over the floor and flinging it onto the walls and- and was that- on the ceiling?

“Stiles, how did you- you know what, nevermind,” Derek grumbled, reaching for the spray nozzle.

This setup was supposed to be for cleaning dogs, but it would work just as well for ornery, tripping humans. He began to run the spray over Stiles’ hair, watching the black give way to brown. When the tub had filled completely, Derek pulled the plug and let it drain. Diluted like this with water, it wouldn’t hurt the general populace; at worst, they’d all have a really good day soon.

Stiles’ eyes slid closed, and he relaxed into the gentle touches Derek used to turn him this way and that, to get at the last of the ichor still clinging to strange places like inside of his ears and between his fingers and- well, at least Stiles was unlikely to remember any of this very well tomorrow.

By the time he had gotten the last of it, Stiles had turned to putty in his hands, making a soft, pleasant humming noise that might have been purring on a cat. Derek swallowed hard, trying to keep it together. He still needed to get Stiles someplace to wait out the high, and get this place cleaned up so no one else would be affected.

Difficult to think of anything beyond the way Stiles pressed himself into Derek’s touches. “Feels good,” Stiles murmured, unwilling or unable to keep his eyes open. “You should touch me more.”

“Tomorrow,” Derek mumbled back, prodding Stiles to his feet. The floor was still covered in ichor, so Derek just leaned over and scooped a completely unresisting Stiles into his arms. Immediately, Stiles looped his own arms around Derek’s neck and burrowed his nose against Derek’s shoulder. “If you still want me to touch you tomorrow, I will.”

“Okay,” Stiles agreed muzzily.

He wouldn’t remember. No one else had. Still…

He allowed himself a small smile, and a measure of hope. Stiles had never been one for following the rules, after all.

anonymous asked:

Why do you hate ereri?????

there’s this ship

They met a long time ago. 

Back before the hell began. 

Even when it began, it remained. 

It was hardened by trials of fire and flame and smoke, dry and cracking burnt flesh and bone. 

But it survived. 

It survived because two beautiful souls, troubled and trying to be moral, but living in a harsh reality in which sacrifices must be made for freedom, for hope, and that includes lives and ethics 

they know one another better than anyone else. they know one another so well they cast aside any pretense of social or physical distance.

they have their own language. 

they share the same dream. 

Other people see it. 

One character himself. 

Has even commented. On the fact that they have their “own language.” 

They’ve been through a lot together. 

They love each other. They support one another. 

Their dream means something. It carries the entire manga. The ENTIRE manga is based on THIS moment 


I looked into your eyes and saw I wasn’t free.

I was born into this world. 

The world? 

Which you didn’t see until

Ok. 

Platonic or not. 

There is no denying there is a great love there. 

Something truly beautiful that draws on friendship and intimacy so casual, so normal that neither even thinks about it as strange. It’s as unremarkable as breathing, like sharing lungs, a heart. He inhales, the other exhales. 

A relationship you’ve seen before, but never like this. 

Not like this. 

And yet. 

The attack on titan fandom. 

In its wisdom and literary comprehension. 

Originally posted by sans-trash01

Decides this is the canon ship. 

This is the ship we should praise.

this is the relationship with the most heart, depth, and reality. 

This is our most beautiful, meaningful, and most popular relationship. 

This one. 

And this one?

Well. 

Whatever, I guess. 

3

I couldn’t find any guides online that were quite what I wanted, so I made one. I created them to be viewable on my phone, so these should work on any phone bigger than 5″! Together we can end window switching. Hope this helps someone else

hey its sophia aka jimoons and here’s my first mutual appreciation / follow forever!! i’ve only been a bts blog for abt six months but i already have so many amazing mutuals and ur all honestly the sweetest people and i just!! love everyone!! so here we go!!

Keep reading

anonymous asked:

Hey!! can i request a fake text about a fight with jungkook where the jungkook is being snappy but they're havinf a normal conversation but the reader catches on and like they have af ight and jungkook ends up saying something like "youre clingy" or anything else that really hurts her and then tries to make it up to her?? the ending is up to you happy/sad. i hope i made some sense!!! thank you <3

Hello anon, sorry this took a while! 

following my latest obsession (aka laziness) i’ll divide this into two parts as well. This is part ONE. 

READ PART 2 HERE

Edit: I’ve corrected all the mistakes in the photoset. Let me know if you find something wrong with the order!

EDIT: THERE IS A PART 3 BECAUSE OF POPULAR DEMAND. READ IT HERE.

enJOYY! 



Part 2 is up, check it out!

Much love, 

Inferno-loop

Chickens

“It’s nearly three o'clock, do you think Harry forgot about having tea with us?” Narcissa looked out of the small kitchen window. The farm house she lived in now was nothing compared to the manor, but after everything that had taken place there nothing like the manor sounded just right to her.

“He might have, but his secretary most certainly hasn’t.” Her son answered lightly. Now that he was nearing his thirties he’d become a more quiet, less dramatic man. Less like her ex-husband and more like herself. She loved that development.

“Well then I’d better put the kettle on.” Narcissa smiled as she made a move, knowing that she only had to wait a second or two before…

“I’ll do that, if you really want to do something you can check if Teddy’s room is dust free for his arrival from Hogwarts tomorrow.” Her sister pushed her away from the stove, sounding mad but looking blissfully happy. “You know how sensitive his asthma is.”

“I think there won’t be time for that.” Narcissa looked around to see her son had wandered back into the living room, where he was now looking out of the window. “Harry took the back door.”

And indeed an indian-looking man with hair modeled like a bird’s nest was very busy climbing over the garden fence as he balanced a large cake tin in his arms.

“I told him not to bring anything.” She sighed, shaking her head as the chickens in the garden noticed the newcomer and ran towards him.

“But we all know he never listens to anyone.” Draco chuckled as he watched Harry spot the chickens.

“We do. Now get a move on and give that poor man a hand before the chickens eat him.” Narcissa nudged her son towards the garden door and eyed his happy complexion with bliss. She loved seeing her son so happy. It almost made her forget her own terrible experiences with love.

“Stop following me!” Harry yelled at the chickens outside, who were now flocked around his feet. “Go away!”

“Don’t move Harry!” Her son yelled from the garden door, his voice scared and his face a mask of fear. “They might eat you!”

“They might what?!” Harry yelled shocked as he froze in place.

“Eat you, they’re flesh eating chickens.” Draco replied worriedly as he slipped into the rubber boots standing next to the garden door. The he took a deep breath as if he was bracing himself before charging into battle.

“Are you fucking seri-” but Harry was cut off by Draco charging at him, sweeping him off his feet and running back inside with him. At the last moment Narcissa prevented Harry’s baked goods from falling on the floor with a quick floatation charm.

“Draco put me down!” Harry yelled when he’d overcome the shock of seeing Draco in rubber boots.

“Not until I’ve saved you from the blood thirsty chickens!” Her son answered as he started laughing, letting Harry in on the fact that there was nothing to fear.

Narcissa chuckled and decided that, since the wedding day was coming closer, she might as well have some fun with her soon to be son in law. “Well well well, the great Harry Potter scared of a bunch of chickens.” She drawled in the best Draco imitation voice she could manage as her son carried Harry inside bridal style. “Wait till my father hears about this.”

“Lay off him cousin dear.” Sirius chuckled from where he lay in his husband’s lap. “Your poultry is bloody terrifying. They should all be killed if you asked me.”

“Oh just give up already Siri,” Remus rolled his eyes. “You know she’ll never let you chase the chickens.”

Her cousin pouted and buried his face in Remus’ soft stomach. “Ahgh! Pads that tickles!” Remus yelled, pushing Sirius off the couch.

“Whatever happened to the sophisticated pureblood family I’m about to marry into?” Harry shook his head as Draco came to a standstill. Narcissa, feeling uncharacteristically giddy, let Harry’s cake crash into her son so hard he and his fiance toppled onto the floor, joining Sirius on the carpet.

“Oh! I love this idea!” Tonks exclaimed when she entered the room through the front door. “I’ve always thought furniture is just a complot to let people fall on their faces.”

“Because only you are clumsy enough to trip over a ten feet long chaise lounge.” Fleur shook her head as she eyed her wife, who was now lying on the floor next to Sirius.

“It was dark!” The now blue haired woman yelled in defence.

“The couch was neon pink Tonks!” Fleur shouted back. “Fluorescent neon pink!”

“Where did you find a neon pink couch?” Harry asked surprised as he managed to free himself from underneath Draco, who had refused to get up, claiming that Harry was quite comfy to lie on.

“Please don’t tell him.” Narcissa’s son begged. “He’ll want one for our new appartment.”

“Are you two finally moving out of that tiny closet?” Andromeda asked as she entered the living room with a large tea tray.

“Yes Harry, Draco, when are the two of you finally coming out of the closet?” Sirius smirked, before Remus hit him over the head with the book he’d been trying to read.

“You’re terrible Pads.”

“But you still love me, don’t you Moony?” Sirius got up to his knees and looked at his husband with puppy eyes. Remus just sighed, muttered I do but Merlin knows why and pushed Sirius away with his foot so he landed on his back on the floor again.

“Are we going to buy Harry and Draco a neon pink couch?” Andromeda whispered conspiratorially in Narcissa’s ear.

“Where do you think Tonks was when she tripped over it?” Narcissa asked her sister with a smirk.

“You didn’t!” Andromeda whispered back, eyes wide in shock.

“Just ask Ted if you don’t believe me.” Narcissa winked and then moved to sit next to Remus. After all there was only so much silliness she could bear on one day.

And this, she thought contentedly, before starting a conversation about Remus’ DADA classes, really is silly. But it’s silly in the most wonderful way in the world.


So I was chased by my own chickens today, and this one shot was supposed to be about that and nothing else but my brain refused to listen. Anyhow I hope you enjoyed it! 

And I hereby dedicate it to @nachodiablo bc she’s awesome and also she made me ship flonks, @princess-ikol because she’s my wife and I love her and @macremme and @secretlycrazyhummingbird bc they’re super nice people and I love talking to them.