i honestly have nothing else to say

Who remembers THIS quote?

“They had you wrapped up like a present yesterday. Like you were his reward.”

Remember Feyre’s response? “So?”

Remember how angry Rhys was at the response? I can agree with him. Because Feyre was so sick that she honestly didn’t care that Tamlin practically owned her. She didn’t care that she was his goddamn REWARD, as if he had done some heroic thing. As if he hadn’t sat and watched while Feyre faced trials and was dying in the dungeons. She hated herself so much and was so reliant on Tamlin and Ianthe that Tamlin could’ve hit her and raped her and done whatever else to her, and she probably would have fought back the first few times, but would stop fighting after a while. So some people say there’s nothing wrong with her response. I say that EVERYTHING was wrong with her response.

And you know what? Here’s another reason I love Rhysand: he brought back that fight in her. Even the first time she came to the Night Court, she fought him because she loathed him. She gained her power back slowly because he helped her realize she never lost it in the first place. And when she grew to like him, that fight didn’t fade. In fact, it thrived. She healed because Rhys helped her understand she was sick. And when she wasn’t sick anymore, and was able to see that she’d been wrong, he stayed with her. Bonded with her. Loved her. Tamlin hated the fight in Feyre and wanted to stop it; Rhys embraced that flame and fanned it to make it grow.

And you know what? If Feyre looked back now and remembered saying “So?” in response to Rhys’ observation, I’m sure she’d be horrified about it. Her strength is the most imspiring thing in the whole ACOTAR series to me. Yes, the whole “Court of Dreams” thing is wonderful, and having friends as amazing as the Inner Circle is cool, too, but nothing is as awesome (and I mean “awesome” in the old way, not the new) as seeing Feyre overcome her demons, love herself, and become such a strong figure. I aspire to be like her one day. So thank you, Sarah J. Maas, because you did more for me through your stories than most ever would’ve bothered to in real life.

“The most common way people give up their power is by thinking they don’t have any.” - Alice Walker

lmao i can’t believe 13 reasons why actually used to mean something to me and now people are kinda just ruining it?? by romanticizing??? everything??? like i hate to break it to you but:

  • Justin’s a rape sympathist not a ‘precious bby child’
  • Jessica SLAPPED hannah and didn’t even bother to hear her side of the story
  • Alex made the Hot or Not list??? like why does everyone keep forgetting that? Jessica wouldn’t have sex with him so HE FUCKING MADE A HOT OR NOT LIST. 
  • Tyler Down was really creepy (actually the fandom hates him enough as it is so nvmnd lol)
  • Courtney’s also hated enough by the fandom… at least that part got to them. 
  • Marcus isn’t talked about a lot tbh but he’s like the most typical asshole ever. Just fuck Marcus.
  • ZACH IS NOT A CINNAMON ROLL. He stole those notes, and while he is one of the better characters, you can’t just steal other people’s notes! I’m not saying he’s a bad person, but he sure as hell isn’t a fucking cinnamon roll.
  • Ryan Shaver you goddamn arrogant prick
  • Sheri should’ve called the cops. 
  • Ok. Even Hannah forgave Clay… but honestly… he’s done some pretty questionable stuff. Fighting everyone.. believing Justin (”sometimes waiting is better”?? really clay?) I mean he’s a good kid… but he could’ve been way better too. 
  • Bryce is completely irredeemable and should fucking rot in hell. And jail. Fucking rot in hell’s jail. 
  • Mr. Porter… what the fuck? is? your? problem? you absolute ignorant FUCK. 
  • and as always: JEFF ATKINS DID NOTHING WRONG (honestly though. I’ve rewatched his segments and literally? nothing? wrong?) 

my point here is STOP ROMANTICIZING THESE CHARACTERS. STOP SAYING WHAT THEY DID IS FINE. STOP. Someday someone’s gonna have a situation with someone similar to one of those characters and they’ll see others romanticizing them and just… fuck. I don’t even know what else to say. Just please. Stop. Romanticizing 13 reasons why. It makes it seem like suicide is okay. It makes it seem like suicide is ‘fashionable’. Please stop. Honestly. 

A worker, who claimed to have worked with Versus XIII before it was changed to FFXV, has leaked some information. Knowing that Versus XIII’s theme was MISERY (Nomura himself said that) and that the game would be very dark with heavy issues, this does sound legit. The original Versus XIII concept contained such things as yakuza boss Regis, him selling Noctis for a demon so that he’s bound to serve the Goddess of Death in this life and in the next, Noctis being addicted to hallucinations causing drug (manufactured by their family) and which gives him ability to see Stella (who is a real person, but no one else sees her).

The full text in the picture says:

“For example, one of the main characters of the game, Stella, inflected bodily harm on herself so that she could commute with what she believed to be deceased relatives (this behavior was actually the result of a certain medication she was prescripted for sleep disorder earlier in life, an ironically is a major plot point – more on that later). This ultimately culminated at her accidental suicide, which the main protagonist, Noctis, being told he was responsible for her death (he wasn’t, at least not directly). Moreover, many of the cinematic sequences in the game contained depictions of violence against women (it was completely in the context of the story=, with one sequence involving the implied rape of Stella in the hands of the white haired character many have seen in the original Versus trailer (Seifaris, in English). A key scene involving a ceremony of sorts demanded to be pulled altogether, effectively ruining a major plot point. Said scene involved demonic “claiming” of Noctis in his mother’s womb, Cycillia Lorette Caelum, the ruling Queen and the wife of King Regis. Due the pact made by his father (originally a “don” sof sort the Lucii yakuza family, not the good, watered down king written much later) Noctis was bound to the servitude of Etro, Goddess of Death (in this life and the next). This covenant gave the line the Lucii the Ring of Binding, power over life and death, through the Crystal of the Void (all this will be explained in the footage, so don’t get too caught up on it). So that the course had to be cut, citing “potentially sensitive religious content” since the character (Noctis) was more or less written as this world’s antichrist, cursed by his father in a deal with the power behind the Void to bring the coming apocalypse.

 A sequence involving a car chase and shootout, giving the player the option to kill Insomnian citizens. This is only due the fact that the target is running and attempting to hide within the crowd. This was probably one of my favorite early game scenarios, involving Noctis, Varis (bald headed bodyguard character that drives Noctis in a particular trailer, the one that keeps telling him to wake up), GLadio and Ignis. If you takes with delivering a large quantity of a street drug (secretly manufactured by a pharmaceutical company ownded by the Lucii family, of course) called Lunatelristium, marketed ad Lunatel, street name “Luna” (seriously though) that causes its user to have a lucid dreaming effect, where the individual is awake, yet sees things in the real would as through it’s a dream (loved ones long expired, ghosts, demons, locations changing back to how they looked in your earlier memories ect. It works on putting the minf in a state on conscious REM) – originally developed as a military grade sleep substitute for the Insomnian military (this concept was later adopted into the Magitek project), and used in a weaponized forms against a particular nation with disastrous effects. 

Noctis being addicted to this substance was absolutely essential to how the was able to interact with the female protagonist (Stella), as no one else would see her for a certain plot reasons, all of which is revealed about two hours into the game. He is only convinces that she is a hallucination after being held and interrogated by the INPD (yes, the original game had a police department in Insomnia, along with all the other normal things you would see in any regular city) – with the division head showing him camera footage of him covering no one as the bullet are being fired at him (Noctis thought he was covering Stella). Stella is in fact real, but it is a bit too convulsed to type without me spending 30 more minutes that I don’t have. Much of this information I did not release in my initial post months ago anonymously, because quite frankly, I was afraid of losing my job and legal ramifications. Now that much  has changed thanks to fan outcry (yes, they DO listen),a lot has changed… which I can’t discuss at this particular moment.

Now, you have my permission to release these plot details, but I am going to be honest in saying that I don’t know if Square will immediately hit your channel with a cease and desists, citing ownership of the content, but the fact is you won’t be posting any content, only information that is valid. This is where it becomes complicated and I cannot give you the best advice.”

Also a following message from the leak:

“ Hi, I am OP. I will clarify this point. Everything to described is unfortunately accurate, (I did not write it, that is the way they are explained). These events are listed as Chapter 1, with the second chapter beginning with Insomnia’s Crown City have its crystal actually extracted, by a small team of special forces units that literally blow the gates to the thrown room to get to the Crystal Vault (from the email). The key person is the white haired individual who is the adopted brother of Stella, who uses the spell ‘holy’ to nullify the unholy magic sealing the crystal, causing a magical explosion that takes out the top of the Lucii Family’s tower. They then storm the building with these forces in what is described as a “ruthless massacre”, shooting simply people who work there and don’t even have knowledge of the Crime Family’s illegal activities OR the Crystal. Holy is cast and the Vault opens revealing the Crystal. it is then “smuggled out”, collapsing the “Embrace of Etro”, something that causes the city to stay in perpetual night and be covered in a huge blueish shield. Then a coordinated attack with Magitek airships and Walkers start invading during Noctis’ Art of Insomnia Ball where he meets Stella. This is when the attack formally commences. I will post unreleased storyboards to display this with text in Japanese and english below it.

Sorry I could not type more. I am being bombarded. “

ALSO; if this is true, we will get this original game in some extent:

“Hi, I am OP. This is the next FF project that will enter full development when Episode 2 of FFVIIRemake has begun. The source says the development team is simply calling it "Final Fantasy Versus”. No number.Likewise, Nomura did not come to Square to request it, but agreed it will be made in an agreement with him supporting FFVIIR project fully. Via e-mail. Thank you.I’m sorry, I know nothing else development specific.“”

2

Remember when I said I had a tattoo appointment for today? Well…Here it is!

I’ve been thinking about getting this for literally months and I finally decided to go through with it. I’m honestly so in love with it.

I’ve been watching Jack for years but in recent months, he’s helped me so damn much, both in terms getting me out of my creative rut and for making me happy when nothing else does. I could go into excessive detail but I’ll spare you the long read. All I’m going to say is that I’ve been so happy watching him and I can never thank him enough for all that he’s done. I met my best friend @megsiplier through the channel and tbh I don’t think I would have had the courage to talk to her if it wasn’t for him.

So…Thank you for everything Jack. :)

((ALSO THANK YOU TO @selhukka FOR DESIGNING IT FOR ME AAHH))

Edit: No, I’m not going to regret this. Yes, I thought about this beforehand.

I wasn’t a strong believer in love. After countless times of falling for people to only have them break my heart. Or to have them not want me at all. I’ve tried my best to stay away from love, but failed miserably when I met you. After months of talking to you, I grew more fascinated with you.

I didn’t understand at first how I felt being around you. Still haven’t comprehended how I’ve managed to feel so safe and comfortable around you. How hesitant I was at first, but decided to shrug it off because I saw how different you are.

You and I just connected so well. And I’m scared as hell to lose you. Because whenever something good happens in my life, there’s always something else that comes in and takes it away from me. Nothing this good has ever stayed long enough. And honestly, without you, I don’t know what I would do.

You’ve become so important to me. I would do absolutely anything for you, and I would do everything to make sure you are happy. Because seeing that smile of yours every day has given me the strength to keep going.

What I’m trying to say is, I’m so lucky to have you. And the love we share, is so beautiful and true. And I don’t ever want to lose that either.
— 

S.V//@Sempiternal.poet on Instagram

One month with my love.

“rebecca was here. I slept with her” he straight up told him. no fuss. and he told him EVERYTHING!!!! he even went straight in there with the pregnancy, he held nothing back and that is SO important for the conversation they were having and everything they needed to have some way of getting back from this

it’s different with aaron. it’s SO different. anyone else, chrissie, anyone, he would’ve carried on lying. but he couldn’t because it’s aaron. it’s his “beautiful husband that I love”

honestly I’m just SO FUCKING GLAD HE EXPLAINED WHY HE DID IT. EVERY DETAIL. it was an actual decent conversation. where they both got to say what they needed to. and the fact that robert said he knows it’s not excuse. HE 👏🏻 KNOWS 👏🏻

“I love ya. it wasn’t an option”

“I couldn’t take care of ya, you were in there and I couldn’t do anything. I thought I’d lost ya, it hurt”

and then “I only blame myself”

HE FULLY TAKES RESPONSIBILITY. and he’s not just saying that. he really fucking truly does and that’s so important for robert and shows just far he’s actually come with himself and aaron

AND I SWEAR I’M ACTUALLY GONNA SUPER GLUE THOSE RINGS TO THEIR FINGERS

and oh god robert was so panicked looking for aaron? you could actually tell that he’d completely given up on aaron forgiving him but he refused to give up on him

and aaron ringing his counsellor!!!! like holy FUCK that’s so important, he’s getting through this, he’s STRONG and he’s doing it for robert and for liv and for himself

"people don’t stay with me” “people don’t forgive me” MESSED UP TOGETHER & FOREVER. and that snuggle. cos aaron STILL loves him. oh god robert fully nuzzled himself into aaron fucjgkg THEY’RE SUCH ADORABLE FUCKS

and aaron forgave him. aaron is the only person who understands robert. robert is the only person that understands aaron. it’s messy and ridiculous but it just makes their love so powerful and real and ever fucking lasting ❤️

so this needs to be said about choi youngjae

okay so I’m making this post for my only love because I feel like I have to chime into this and make a post and I can’t say all I need to in tags


my baby sun choi youngjae is the strongest person in that goddamn group and I’m gonna tell y’all why

here we go

  • trained for really one month okay he might have been in the company for seven but that boy only got a month before he was put into got7 and those other six months were just for preparing for debut so really he got a month of solid training
  • was immediately the least liked member because of how adorably awkward he was and how he wasn’t sexy/hot or baby cute honestly this argument makes no sense cause he was fucking adorable when he debuted but okay
  • was made fun of and not taken seriously as a main vocal cause he didn’t really have any parts in girls, girls, girls like seriously it wasn’t his decision it was JYP and the only reason he didn’t sing much was cause he just came into the company and they had to see his vocal limits
  • was bullied on national television by jackson ((I know it was just for the audience but it wasn’t funny to me)) and made a laughing stock in igot7 but did not retaliate in the slightest
  • always ignored by fans until he lost a dramatic amount of weight which honestly scares me so much you have no idea how worried I am
  • always picked on for his insecurities and flaws by fans but just smiles and waves for them and is so pure and beautiful
  • was given no close ups during music broadcasts and is always shunned to the back or a corner cause fans don’t like him as much as other members which really shatters my heart
  • is sent hate on a regular basis whenever they do lives and when he posts photos on instagram and twitter but doesn’t say anything about it
  • diets so hard to look “beautiful” for all of us like how sick are we that he thinks that the only way he’ll be loved by the fans is if he is skinny
  • performed while sick for the fans and still got hate cause he wasn’t smiling or anything and whenever he looks tired on stage he is always criticized but whenever others are tired, they’re given love and support like they all deserve
  • legitimately shocked when people call him handsome like can you imagine how many times he’s been told otherwise for him to have that kind of reaction it breaks my heart
  • gets hate when he doesn’t get enough lines, gets hate when he gets too many lines, gets hate cause he isn’t a perfect dancer ((but y’all have nothing to say when anyone else messes up)) gets hate from just doing what he loves

in conclusion choi youngjae is the strongest member of got7 who has never retaliated on anyone and has never complained about the hate he receives and I know already that there are gonna be people who argue with me and say jackson or jaebum are the strongest members but honestly you are missing the whole fucking point yes those boys are strong but no one has to deal with the shit youngjae does and it appalls me that people can say so much negative and awful shit about him like really fuck you

what’s in your bag: pansy parkinson

Pansy: Merlin, this is going to take a while… Alright. The essentials…

Pansy: here we go.

Pansy: Madame Moliere’s Melt-Free Dark Chocolate. Every sensible witch should have chocolate in her bag.

Pansy: Eyeshadow. Only the best, obviously. I don’t mess around.

Pansy: A scented candle. You never know when you’ll step into a room that desperately needs some freshening

Pansy: A hairbrush. Looking this good is nothing to joke about.

Pansy: The Elixir of Life (booze). Honestly, how else do you expect me to make it through Draco’s endless ramblings about Potter?

Pansy: Some potions… one of them may be Amortentia… another may be draught of living death… you never know what you’ll need at a moment’s notice.

Pansy: A Music Box that Draco’s Mum gave me for Christmas last year. I happen to think it means that she’s given us her blessing, but he says she gave one to Blaise, too…

And of course… lipstick. Hold on, let me see how much I have in here…

Pansy: my favorite’s in here somewhere…

Pansy: Ah, found it! Knew it was in there somewhere.


((OOC: I was tagged by the wonderful @kapitan5o and I tag @space-marauder i.e. the Draco to my Pansy (obviously), @askthegirlwholoved‘s amazing Cho Chang,  and @sirussly‘s ever-the-badass Tonks))

That’s it I’m done playing nice. You bitches want war you can have it!

Stop whining about Mon-El and Karamel, because guess what? IT’S PART OF KARA’S STORY ARC IN THE COMICS!!! YOU CAME INTO THIS FANDOM KNOWING THE SHOW WOULD FOLLOW THE COMICS TO AT LEAST MOST EXTENT. So you DON’T get to complain. And like many others have pointed out, if it wasn’t Mon-El it would have been Brainiac she’d be with! That’s CANON! Kara is not going to be with Lena, it’s not gonna happen, Lena is a villain in the comics! Get over it, that’s CANON! Kara is not going to be with James, he is not with him in the comics! Get over it, that’s CANON! (And yes i agree the writers shouldn’t have started something between those two if they weren’t intending to follow up but that’s not an excuse to hate on Mon-El or Karamel, but the writers)

I’m done people being entitled little bitches and having the AUDACITY to DEMAND we change a whole comic universe to cater the show to suit your fanfiction! I’m NOT having that again! YOU ARE NOT ALONE IN THIS FANDOM! I’ve had that happen to so many other shows that I loved, where a part of the fandom destroyed the show for the rest of us because they were entitled!

You bitches moan about Mon-El being a white frat boy but he’s been nothing but sweet and NOT abusive like some of you claim (like where did that even come from? And as someone who’s been through shit like that YOU DON’T TAKE TERMS LIKE THIS LIGHTLY!) You’re just salty he’s in the way of your non-existent, NON-CANON ships! You call us homophobic and racist because we ship a ship that is CANON in the comics and don’t ship your little fanfics! You do realize the show is called Supergirl and it’s about a high middle class white girl that looks like barbie and is by no means a saint right? I could sit here and call Superc*rp racist because you’d rather see Kara with a rich privileged white woman (who by the way believes humans ‘have a right to know if their neighbor is an alien’) instead of a black man. Or i could say that Kar*lsen is homophobic because they don’t want to see Kara with a woman. 

But nooooo it’s just us for shipping the canon ship. Like you do realize a big part of the Karamel fandom also ships Sanvers or Winn x James and is LGBT+ & non-white right? So stop ASSUMING we’re all straight white people not wanting to see progressive material on screen. We ship chemistry nothing else! I’ve honestly never encountered a fandom this disgusting and abusive, you guys make me sick! You are making it so hard for us to enjoy the show and many of us have said it’s too much negativity and that it’s no longer fun to watch or be a part of the fandom or that it’s weighing us down emotionally. You people are bullies and nothing else, because the moment you start abusing someone else because they enjoy something you don’t then you’ve become monsters! You can choke!

Also, stop pretending like Supergirl is some super progressive piece of entertainment or that Kara is somehow a super progressive feminist icon, because at the end of the day she’s still a privileged white girl and by no means representing the diversity of women AND YOU WALKED INTO THE SHOW KNOWING THAT! Shows like Orange is the New Black, Eyewitness, Shadowhunters etc. are way more progressive than your precious Supergirl will ever be. Yes, Supergirl will not follow everything from the comics since they’re like a dozen AU’s but you CANNOT DEMAND they change whole story arcs to suit you, specifically wipe out a PRIMARY character like Mon-El/Superboy out of existence just because! Mon-El wasn’t kidding or exaggerating when he said he’s ‘The Other Superman’, in the comics Superman is his mentor and Clark uses him as a substitute when he’s not around to save the city! Yes i know some of you will say ‘but there are lots of AU’s’ and yes Kara is not with him in all AU’s, but guess what? Your fanfics DON’T EXIST IN ANY AU! Kara is not only with Mon-El because she loves him (yes that’s also canon, you mad?) but because their stories are linked due to the history Daxam and Krypton have. Again you would know that if you were following the story. So Karamel SERVES as a key plot point and not just a ship. 

You say Mon-El destroyed everything but guess what? Some us actually came into this God-forsaken fandom because of Mon-El/Chris Wood. And the ratings have been fairly steady to say the least, so no you cannot say he’s ruining the show.

Also the very fact that you assholes are sending Chris hate is absolutely despicable and disgusting. You can hate on Mon-El all you want (like I said in your own fucking tags!) but YOU DO NOT SEND CHRIS HATE! Chris is nothing but a sweetheart, he’s an activist, and outspoken about issues that matter like women’s rights, and BLM, even having started his own organisation for mental health issues and you would know that if you weren’t so far up your asses! But even if he wasn’t all those things YOU DO NOT SEND THE ACTORS HATE. Like,  am I supposed to send hate to Iwan Rheon or Jack Gleeson from GOT for playing homicidal, psychopaths that rape women? NO! Because unlike you some of us are not bratty little children and can tell the difference between TV and real life.

SO STOP! I’M DONE BEING NICE! RANT OVER! I’M OUT!

Newcomers Pt 21

Oolana ran and embraced her husband who for all his reserved nature could not hide his shock and joy at her appearance in their doorway. Selan being there too was too much and she embraced them all or tried to with her short arms and wept, her family was alive and safe. She would morn the loss of her two older sons but not only had the two younger ones survived but her husband too. She prayed her thanks to Oril the mother god for bringing her family back.

“Well this is a step up for us” she remarked some hours later enjoying a drink the Humans called tea. It was part of the food distribution that was handed out.

“Yes the Humans have been rather generous, they also offered father a new arm” Creten stated.

“Where is it then?” she asked Malthos who did not answer and only grunted.

“Oh I see, there is no shame in accepting”

“It is surrender” he said harshly “I will not submit to these creatures”

“But you do eat the food they give us” Creten said and his father looked at him both angry and surprised he was standing up to him.

“Food is to survive, offering such things as to give father an arm is to try and turn us against our own kind” Selan said coming to her father’s defence.

“I think the High Chiefs are doing a better job of that than the Humans” Creten shot at his sister and the two glared at each other.

“So Creten” Oolana said trying to change the topic of discussion “I saw you talking to a crowed of people when I arrived, what were you saying?”

“Are you still preaching that bullshit!” Malthos screamed getting to his feet.

“It is not bullshit, you only call it that because you disagree with me” Creten shouted back getting to his own feet, his father still towered over him but Creten shoot his ground.

“What you are preaching is traitorous!” Selan shouted getting in on the argument “You are a traitor!”

“To whom?!” Creten asked.

“Your own kind!” she stated as if obvious.

“What I purpose is for the betterment of our kind so how is that traitorous?”

“The High Chiefs-” his father started.

“The High Chief’s are not the whole of the Benemar! When was the last time they even left that city of theirs? Do they even truly understand or even know what is going on? Have you ever met one of them? Has anyone?”

Malthos and Selan had no immediate answer to that and Creten pressed his point.

“Exactly they sit there in big home and in eat their large meals, they are the trait-” he never finished his sentence as his father had struck him, being small he was lifted off his feet and thrown into the wall.

“You really are living up to your names meaning” Malthos said advancing on him “Unwanted one”

“A name I now bare with pride, for who said I ever wanted you for a father” he said quickly getting to his feet and running out the door.

Oolana stood, she had been stunned to silence by this argument and it was one they had clearly had had multiple times as if this was rehearsed. She went to her husbands side and he looked at her as if she would approve but she kept her face stern.

“I have lost two children because of the lessons you taught them and forced them to accept. I will not loose a third because of you” she looked at her daughter to signify that meant her as well and then went out the door after her son.

Creten had disappeared into he crowd mumbling and cussing to himself, he cared for his father but he hated him to, he was always so dismissive of anything he had to say and that infuriated him.

“Creten?” he heard his name and looked to see a Human looking down at him.

“It is you, Creten” the human said hugging him but he said nothing as he did not recognise this one.

“Oh right, you wouldn’t recognise me” she laughed “It’s me, Karen”

“Karen” he shouted and leapt into her arms again “I’m sorry I didn’t know it was you”

“You are not alone, I’m sure my own mother wouldn’t recognise me now” Karen pushed him away to look at his face and saw the large bruise appearing on the side of his face.

“Your father?” she asked and he nodded and she embraced him again kissing his head. “Come, let’s find somewhere quieter”

She walked with him to a bar and although he may be an adult by Benemar standards to Humans he was still under age so could only have soft drinks. Not that he mind as the sugar content was like nectar to him.

“Why are you here?” he asked.

“Humans don’t stay at the front forever, we are rotated and it was my turn to have some time off as they say. But I want to talk about you, you have been making waves” she smiled.

“Sorry” he said looking down.

“Don’t be, keep doing what you’re doing, even Jenkins said that he thinks you will do great things”

“Captain Jenkins said that?” his eyes wide.

“Oh yeah, as Humans say, stir the pot once in a while, cause a bit of chaos, challenge everything” she grinned “Why do you think we all liked you so much?”

He lowered his gaze again “Humans are easier to talk to”

“How so?”

“You don’t…judge or jump to conclusions or interrupt anyone when they are talking even if you don’t agree with them”

Karen laughed “Firstly, everyone judges everyone else, it’s natural. When I first saw a Benemar I judged that your kind were idiots, a few I first met did nothing to sway that but over time I have been proven wrong. Secondly, jumping to conclusions is again natural we all do it, I have done so more than once in my life but the best you can do is not make it control your every encounter. As for interrupting…well that’s just rude don’t do it. I have met a lot of Benemar since coming to Bento Prime and I can honestly say although we may look different, especially now, we can be very much alike. You just need to show people that there are better ways to live than always being strong. Live lives that will make the world a better place than when you found it”

Creten looked up at her “See a lot of my kind don’t talk like that”

“Not a lot of Humans talk like that, I do because I read to the point of madness, you ever heard of tumblr?”

“Um..no”

“Good stay away from it it’s the cesspool of humanity but it has a lot of good fiction stories I’ve spent sooooo much time reading it drives my wife mad”

“Your…your wife?” Creten asked confused thinking he had misheard.

“Yes my wife, I know I’m married shocking isn’t it. It had to be quick ceremony though as the invasion was about to start”

“You’re married…to a…female?”

“Yes?” Karen looked down confused then it clicked “Oh right, um…listen first of, when a mummy and a daddy who love each other very much–”

“No no I know about all that”

“Oh thank god” Karen said burying her head in her hands “Well in Human culture it is not unusual for those of the same gender to have relations and get married” Karen froze expecting the worst.

“Oh..okay….do you have any children yet?”

That caught her off guard “Wait” she said scrutinizing him “You accepted that awfully quickly”

“You explained it awfully quickly”

Karen smiled wide and placed her hand on his shoulder “You are a credit to your race you now that? I think Hopkins was right, after this war is over, this world will need you more than you know”

The reason for her surprise was that such actions were forbidden in the Alliance and actively scorned and even prosecuted by some. The Benemar as well had purge all those they thought were afflicted less they in their minds pollute the gene pool.

“Creten” his mother called from the entrance and ran inside to hug him.

She had found him by asking a Human guard and he had used the Link to ask if anyone in the city had seen him and Karen had responded. All this while they had been talking.

“Mother, this is my friend Karen, she looked after me before we came to Geeda”

Oolana knew what that meant, this Karen was part of the attack that saw her home town burned to the ground. “Nice to meet you” she gingerly greeted.

“Pleasure to meet you too” Karen said shaking her hand “You have a fine son here, you must no doubt be very proud”

“I am” she replied without pause.

“Well Creten, I shall no doubt see you again soon but for now I leave you in the care of your mother. If you would excuse me I am meeting someone very special and she is probably wondering where I am” Karen straightened herself and left with Creten and his mother watching her go.

“Wonder who she is going to meet” Oolana speculated.

“Her wife probably”

“Her what?”

Creten let short laugh and began explaining it to her as they made their way back home.

Vows

I can’t write sappy lovey things to save my life. I wish I could…

Sounds like Gondor calls for aid!

“So,” Cadance said, breaking protocol a bit as she smiled at the bride and bride with a smile Twilight had often associated with her sister-in-law and her brother. It wasn’t quite barely constrained glee, it was far more warmer and welcoming. Twilight smiled back nervously. “Which of you wants to go first?”

Twilight gulped and glanced at Luna, who seemed to be just as nervous as she was. Their eyes locked for a moment, and the crowds, the world around them melted away.

“I will,” they both said at once.

A peal of laughter rolled over the crowd, bringing a blush to both of their faces.

“Go on, Twilight,” Luna offered with a bow of her head.

“Right,” Twilight half said, half laughed nervously. “Right. Okay. Um.” Twilight could feel the panic rising up inside her. She took a deep breath and remember she was there with Luna, and everything would be fine. “Luna… I can’t say we met on the best terms, really–”

the was a bit of a laugh from the crowd again, and Luna blushed.

“–But, when I first saw you, with your sister, those years ago, I realized that you were someone who needed a friend…. I think it wasn’t until a year later that I got a chance to put those thoughts into action, but I remember how lonely you looked on that bridge that night. And how beautiful. It wasn’t that you were Luna, Princess of the Night, Mistress of the Moon, you were the moon, in all her glory, and it brought back all the times when I was a filly and I’d look up at the moon with my dad and…”

Twilight cut herself off, blushing.

“Sorry, I guess I’m rambling a bit, aren’t I? I don’t know if I fell for you then, Luna, but I know I cherished the friendship we started that night for a very long time, long before I think either of us realized our feelings ran a bit deeper than ‘just friends’. And I still do. I hope the girls can forgive me, but in a lot of ways, you’re my best friend… and I hope you’ll never be lonely on a bridge again.”

Luna took a deep breath, almost as if she was trying to dispel a bit of her nervousness too, but she smiled and Twilight saw nothing else.

“I’m not sure I can top that,” Luna commented, a bit of a playful smile covering around her lips. “But let it never be said that I was one for giving up.” The mare took another, deep breath, then continued: “Twilight Sparkle. I am a very old mare, I have seen nations rise, and I have seen them fall, I’ve know ponies great and small, and I can honestly say that I have rarely met a pony with such a keen mind, such a thirst for knowledge. And such a willingness to put others before herself. I knew from the day we met, all those years past in that castle, that there were few ponies worthy of the title “Princess”, and that I was in the presence of two of them. My sister, and you, my beloved. Certainly not I.“

Luna held up a hoof to forestall Twilight’s protests. "No, Twilight, I merely want you to know my thoughts. The actions of you and your friends may have freed me from my own hate and jealousy, but I feared at the time that I would be forever fallen. I was a mare out of time, and–as I’m sure your fellow Ponyvillians know, I struggled with that. My reintroduction to the world at large could have gone better. Yet, again, you were there. Offering a hoof to help me up, a kind word, a warm smile. Friendship.

“It was something I had long since forgotten, and long since forgotten I had ever had it.” Luna shook her head, then continued:. “You say you don’t know if that was when you fell for me, but there is no question in my heart that that is when I fell for you, Twilight Sparkle. I may have been free of her, but I wasn’t free of my own darkness, my own dark thoughts. But… bit by bit, piece by piece, you were there, and your friendship, your smile, your love–whether you knew it at the time or not, it chipped away at it.”

Luna paused and smiled–Twilight couldn’t help noticing her eyes were shimmering. “'and the stars will come to her aid.‘” Luna quoted, “You saved my, Twilight, not just from the darkness without, but from within. So long as you’re by my side, I can never be lonely again, and if you’ll have an old mare like me, I’d gladly be your Princess. I love you, Twilight.”

“I love you too, Luna,” Twilight whispered.


Holy carp, thank you! This was beautiful! I’m not leaking out of my eyeballs, I swear… 

If anyone else wants to give it a shot, please, go for it! 

what sucks about hetalia is that if you don’t draw popular stuff you won’t get any recognition. I only have 5k followers bc I draw gerita, fruk, usuk, whatever. I don’t even like some of the things that I draw, but I do it anyway bc I know it’ll get notes. Sometimes younger or newer artists ask me for advice and I honestly have to tell them that if they don’t draw popular ships or characters in this fandom they won’t get anywhere. And that’s absolutely the truth.

And I know everyone likes to say that it’s okay to draw what you want and unpopular ships or unrecognized characters, but what’s the point? The hetalia fandom has caught itself in a never ending cycle of fans who want content for rare ships but can only find it in popular ships bc creators won’t create for rare ships bc no one looks for it. It’s a hard problem to fix, and honestly it probably won’t be fixed. And that’s to say nothing of the fact that people like to stick with the works of one particular creator, and not give anyone else a chance.

Like, I actually really like hetalia, but the fandom situation is so terrible that I would rather leave. I mean I won’t, because it took me a while to get to this level of popularity in the hetalia fandom and tbh I don’t want to have to work this hard in any other fandom. But not everyone else is like me, and that’s why the hetalia fandom is dying. So if you really want to do something about the situation, give creators something to work for. Like @hetaliafandomhub is doing a really great job of getting lesser known people out there, but if the fandom isn’t willing to participate then we’re stuck in the same rut we’ve been in. So please just try to give new people a chance, because if you don’t give them any incentive to grow and develop their skills then they’ll give up on the fandom and move on to somewhere where they’ll get what they deserve

ravenshadows08  asked:

I would like to add that Alistair mentions Morrigan in dragon age inquisition if he is still a warden. A person he makes a point to tell your warden he HATES, and yet he mentions her but not Cullen.

This is so very true.

He makes the effort to ask after Morrigan, and even talk to her if he went through the ritual with her and it resulted in Kieran. And, despite what some shippers think, he does legitimately hate her. I don’t think he would say he hated someone and not mean it.

Maybe, after ten years, he’s mellowed out and he can kind of stand her (well, he put up with her for at least a year during Origins, so a brief interval in Skyhold is likely a cinch) but he doesn’t ask after Cullen. And if they were best friends during Templar training, surely it would make sense for Alistair to ask after his best friend from his childhood. 

Hell, even in the Broken Circle quest, if he recognised Cullen he probably would have said something. But he says nothing. I honestly find the stretches people go to to make headcanons and ships work ridiculous. It’s why the Cullistair ship and the Cullen/PC/Alistair ship makes no fucking sense to me. At all.

First, I don’t think either of them would be particularly happy or okay effectively “sharing” the person they love with someone else. And I know Alistair can be convinced to have a threesome with Isabela and the Warden in Origins but that has it’s issues too.

He has to be convinced. As if, you have to have high as fuck charisma to get him to agree. And when its done, he says something along the lines of: “well, that was fun, but I don’t think I’ll be doing it again.” 

And Cullen never expresses any interest in having more than one partner, and I honestly don’t think he would be comfortable with it. I know, I know. The fandom likes to write him as a devious sex fiend, who is into bondage (yes, that makes sense. The guy kept in captivity and tortured would definitely be into bondage and pain infliction on the love of his life. makes perfect sense), but I just don’t see him as someone who would be happy in a three-person relationship.

And this isn’t me shitting on people who are polyamorous. I know it works. I know that there are poly relationships, and they’re healthy. But I, personally, just do not see either Cullen or Alistair as those kinds of people.

And another thing, I definitely do not see Cullen as someone who would have sex with his partner in the fucking Chantry. Holy shit, this really grates my cheese (thank you Amy Santiago). At first I thought it was kind of a sexy/freaky idea. But then, the more I thought about it, the more I considered how seriously Cullen takes his faith, and found it didn’t sit right with me. I don’t think he would be okay with effectively defaming a holy place. A place for prayer and contemplation. I think he would actually be offended by the idea of it.

Think about it, that would be like asking a Muslim to have sex in a Mosque. Or a Jew to have sex in a Synagogue, or a Christian to have sex in a church. I think any reasonable person who has even a minor shred of respect for their faith and their beliefs would be appalled, if not offended by the idea. And, in my mind, Cullen is no different.

Sorry, this turned into a bit of another rant. Haha. I have spent a very long time sitting on these feelings about the over all depiction of Cullen and Alistair in fandom. I’ve never really talked about them because I was afraid of stirring shit up and attracting drama. But I honestly do not care about that risk any more. So, sorry your ask response turned into another rant. XD;;;

100 Overlooked/Underappreciated Horror Movie Gems by Max Molinaro

For the past five months I’ve been writing lists of 20 great horror films that I feel may have been overlooked. Here are those five lists assembled in to one place. Enjoy the scares.

Chances are if you are a giant horror fan you may have seen a pretty decent chunk of these, but a vast majority have likely not seen many of them. This is a list of under seen films or movies that aren’t talked about enough when discussing some of the greats…  

  • Possession – I can honestly say there is nothing else like Andrzej Żuławski’s Possession. Starring Sam Neill as Mark and Isabelle Adjani as Anna, Possession is first and foremost about a dissolving marriage. Anna is done with the relationship and Mark tries to salvage it, but revelation after revelation puts more and more strain on their hopes of living happily ever after. As the film progresses it becomes increasingly surreal and disturbing. Mark is livid and lashes out against just about everyone after Anna leaves him, clearly losing his grip. As bad as Mark is becoming, it is nowhere close to the horrors that Anna is facing. Blood drips her mouth and she frequently disappears into a mysterious apartment building. What she is doing in this apartment is something no one can predict and it is deeply troubling. Neill is amazing, but Adjani is the stand out performance in the film. It is an exceptionally physical performance and you can tell that Adjani is giving it her all. One scene where she has some kind of attack that causes her to flail around the ground is extraordinary and the ending of the sequence is truly disgusting. Possession is really an incredible film with many interpretations and some of the most unforgettable images ever put to on screen.

  • The Devils – There is nothing else like Ken Russell’s 1971 highly controversial film, The Devils. Starring Oliver Reed as Father Urbain Grandier, a lecherous, but respected 17th Century priest, who has great power in a small-fortified French town. He marries a young nun after they fall in love, but that drives a hunchback nun (who as loved Grandier and pictured having sex with him as he appears as Jesus Christ coming down from the cross in the film’s most infamous scene) off the deep end and accusing the priest of witchcraft and consorting with the devil. The Devils is insane and feels like a demented acid trip. Filled with amazing performances and unforgettable scenes, The Devils is one of the most interesting (certain people would say offensive) and greatest horror dramas ever made.

  • Martyrs – This is a rough one that’s may even be too much for some horror movie veterans, let alone folks new to the genre. Martyrs is a French directed by Pascal Laugier and stars Morjana Alaoui and Mylène Jampanoï. The film follows the two female leads as one seeks revenge for being kidnapped and tortured in her youth. She’s been psychologically damaged and has become ruthless in her pursuits. She is also racked with guilt about something she witness during her initial escape many years agao, which leads to some of the film’s most frightening sequences. It’s a brutal and in many way nihilistic as it is part of the New French Extremity movement, where you’ll find a smorgasbord of hyper violent cinema. If you can get past the darkness and the violence, you’ll see that there is more to the film than meets the eye and there are many ways to interpret its message.

  • Ginger Snaps - John Fawcett’s Canadian teen horror film follows Brigitte (Emily Perkins) and Ginger Fitzgerald (Katharine Isabelle), two sisters with a morbid fascination with death. One night they are attacked by what was originally thought to be a rabid dog and Ginger is bit. She soon begins acting strange (and I mean strange for the Fitzgerald sisters, because they already had a reputation) and slowly begins to change physically. It is clear that she is becoming a werewolf and she begins to turn on her sister, the only person she has ever cared for. Ginger Snaps is one of my personal favorite werewolf movies, second only to the classic John Landis film An American Werewolf in London. This tragic tale is sometimes darkly funny, but is ultimately a story about girls entering womanhood. It’s an intelligent take on puberty through the guise of a werewolf movie.

  • From Beyond – “Humans are such easy prey”. From the director of Re-Animator, Stuart Gordon, and many other people involved in that film, comes From Beyond, the best film to date to be directly based on a story by H.P. Lovecraft. The film stars Jeffrey Combs (the Re-Animator himself), Barbara Crampton, Ken Foree and Ted Sorel and is a gory body-horror film unlike anything you’ve seen before. When two scientists create a device that let’s them see through reality to a metaphysical world, they mistakenly open a door that risks unleashing horrible beasts on the rest of the world. Their experiment turns into a disgusting nightmare that would make Lovecraft himself proud as the film reminds you “The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far” (Lovecraft, The Call of Cthulhu).

  • Eyes Without a Face – This French pseudo-slasher film, released the same year as Psycho, remains just as shocking today as it did all those decades ago. Directed by Georges Franju and starring Pierre Brasseur and Alida Valli, the film follows a mad doctor as he kidnaps and murders women in order to remove their faces and transplant them on to his disfigured daughter. In many ways the film is as grotesquely beautiful as it is disturbing and continues to be highly influential across the globe.

 

  • Stake Land – Director Jim Mickle’s second feature is an ultra low budget that combines vampire and zombie apocalypse stories in some incredibly unique ways. Starring Nick Damici, Connor Paolo, Danielle Harris and Kelly McGillis, Stake Land follows survivors of a vampire apocalypse as they do everything in their power just to survive. Damici plays a bit of a badass vampire slayer, which Paolo is just learning the ropes. Both scary and sad, Stake Land is a character driven indie that is a must.

  • We Are What We Are – Jim Mickle’s follow-up film to Stake Land was even better and proved that Mickle is a  director to watch. A loose and superior remake of a 2010 Mexican of the same, We Are What We Are is a film about family suffering from the lose of the mother. The father (Bill Sage), an old fashioned man, now must lay the burdens formally helf by his wife on his two daughters (Ambyr Childers and Julia Garner) and those burdens are unlike that of any normal American family. Just like Stake Land is ultra low budget horror drama is depressing, but you can’t look away as this family begins to buckle under the weight of their own traditions. Michael Parks also stars and he is always a welcomed presence.

 

  • Trick ‘r Treat - I love Trick ‘r Treat so much. I now watch it every Halloween alongside John Carpenter’s classic Halloween. It’s that good. This horror anthology directed by Michael Dougherty and starring Dylan Baker, Brian Cox and Anna Paquin is one of the most purely fun horror films to come out in the past decade. Featuring several short stories that are intertwined both in the editing and with characters has just about everything you could ask for and perfectly captures the spirit of the holiday.

 

  • The Devil Rides Out – Though some effects and storytelling elements may be a tad dated for some, this little known Hammer Horror classic directed by Terence Fisher and starring Christopher Lee, Niké Arrighi, Charles Gray, Leon Greene, and Patrick Mower gets that all good horror films need to have a certain kind of atmosphere to be effective. This is classic battle of good versus evil and has Christopher Lee in a rare role of playing a hero instead of one of his many classic villainous roles.

 

  • Splinter – Another dirt cheap monster movie, Splinter is directed by Toby Wilkins and stars Shea Whigham (on of those “you’d know him if you saw him actors”), Jill Wagner, and Paulo Costanzo. Whigham plays an escaped convict who becomes stuck in a secluded gas station with a young couple when a strange virus turns its hosts into a horrid creature. Similar to Carpenter’s The Thing is some respects, Splinter is a tightly paced, claustrophobic, and creepy monster movie and I love it.

  • Kill List – Upcoming British director, Ben Wheatley, delivered a morbid look into the darkness of a man’s soul with his 2011 horror-thriller starring Neil Maskell, Michael Smiley, and MyAnna Buring. It follows two contract killers as one of them, a family man outside of work, becomes increasingly violent and spirals out of control. Like Martyrs, Kill List is a very dark film that can be interpreted in many different ways. The third act of the film is simply terrifying.

  • Pontypool – Possibly the most original take on the zombie film in the past couple of years, this Canadian horror film directed by Bruce McDonald and starring Stephen McHattie, Lisa Houle, and Georgina Reilly is really something special. Set almost entirely in a radio station where radio announcer, Grant Mazzy, tries to understand the chaos going on outside just by listening to the incoherent reports he is receiving from his colleagues and from the horrible sounds he is hearing. Is there a riot? Is it zombies? What is causing all this violence outside and with the crew of this small radio make it through the night alive? You’ll never guess what’s going to happen next in this highly intelligent horror film.

  • Wrong Turn 2: Dead End – The original Wrong Turn was a serivable slasher film about a couple of mutant hillbillies offing beautiful middle in the middle of the woods, both with this first sequel the franchise really stepped it up a notch and then a couple of notches after that. Directed by Joe Lynch, the film follows a group of people on a reality TV game show set in the wilderness, but of course the wood are home to a family of inbred mutant cannibals. This is a movie that’s for the gorehounds out there. Right from form the get-go the film pulls no punches and features grisly deaths throughout.

 

  • Santa Sangre – This might be the one that may be just too much for some casual filmgoers. Directed by one of cinema’s all time greats, Alejandro Jodorowsky, Santa Sangre is an abstract work of very surreal art. Though there is more a clear cut narrative that some of Jodorowsky’s other work like Holy Mountain (which I absolutely LOVE, but I can see why it might by an acquired taste), Santa Sangre cans still be described as very avant-garde. Starring Axel Jodorowsky, Adan Jodorowsky, Blanca Guerra, Guy Stockwell, and Thelma Tixou, Santa Sangre is not a film with a plot that I could succinctly describe. It is a film that to have to experience because it really is art and pure as art can come. Jodorowsky is really just a brilliant madman.

 

  • The Bay – This is a found footage horror film directed by Barry Levinson. Yeah, that Barry Levinson who directed Diner, The Natural, Rain Man, and Wag the Dog. The Bay is Levinson trying something outside his comfort zone and that is reason enough for one to give it a try, but it helps that it is a really well done film. Based on the horrifying real life parasite known as Cymothoa exigua, The Bay is a story about a fictional town being almost completely wiped out in the course of a day by the wretched little tongue eaters. Disgusting and genuinely creepy, The Bay is really successful little film from a director doing something outside his wheelhouse.

 

  • The Loved Ones - Directed by Sean Byrne and starring Xavier Samuel and Robin McLeavy, The Loved One is a violent Australian film that’s not for the faint of heart. A teen is kidnapped and tortured by a crazed young woman and her father as they hold a mock prom in their isolated home. Just when you think things can’t get any worse for Brent (Samuel) they of course get far more terrible. The relationship between the murderous duo is a fascinating one as you slowly learn more and more about them as the film goes one. You’ll never want to go to a school dance again after this.

 

  • City of the Living Dead – Directed by the “godfather of gore” Lucio Fulci, this Italian film is fun, gory, atmospheric, and stylish. It kicked off Fulci’s unofficial Gates of Hell trilogy, where the other two films will probably be included in later editions of this series of articles. It’s a bit silly at times, but it’s a fun zombie film that could only be made in the time and country that it was made. Some good Lovecraft references peppered in throughout as well are nice touch.

  • F (aka The Expelled) – I suspect that this is the least know film on this list and it’s a shame because this is a damn good British horror film. Directed by Johannes Roberts and starring David Schofield, the film follows a high school teacher, who is getting dumped on from almost every direction. His day only gets worse when he gets into a conflict with his daughter that might cost him his family and is job. Those problems soon take second fiddle to something even worse as Schofield begins to be tormented by several hooded kids. Eventually the faceless hoodlums become violent and begin murdering the few people who have remained at the school several hours into the night after the school day has ended. This is a dark, tightly paced, well directed and acted, film that I high recommend you seek out. Also features a really haunting and fantastic musical score.

  • Who Can Kill a Child? – This Spanish horror film directed by Narciso Ibáñez Serrador follows and English couple (played by Lewis Fiander and Prunella Ransome) on holiday. They arrive at their destination to find all the adults missing and the islands children stalking them. The kids turn violent and the couple must do whatever they can to survive. Adding to the peril, the wife is pregnant, which just makes their quest to survive all the more desperate. This is a harrowing film and you can imagine by the title and by the end you may have an answer to the question it asks.

 

  • Frozen – Let’s this out of the way first: I’m not talking about that wonderful Disney film, I’m talking about Hatchet director’s Frozen, so we should just let it go (wink). It’s just a coincidence that this is the third single location horror film on this list after Splinter and Pontypool, but is can be a wonderful challenge is low budget horror filmmaking sometimes and it pays off in spades in Frozen. The premise is simple as it is just a film about three characters played by Emma Bell, Shawn Ashmore, and Kevin Zegers as they are stuck on a ski lift after the ski lodge shuts down for the night. They’re only option is to find a way down or freeze to death over the next week while the resort is closed. Their escape is hindered by the cold, height, and a pack of wolves waiting for some tasty human meat to come down and that is where the horror lies. It’s a film that’ll have you asking, “what would I do in this situation?” and “how quick would I start to turn on my friends?”. This is a horror movie that relies on tension and sound design as opposed to gore and jump scares and shows Adam Green’s potential after doing the fun Hatchet films.

 

  • The Burning – This is just pure 80s. Everything about this movie is just so much of the time. This is a quintessential 80s slasher film, which was just a knock-off of Friday the 13th(which in turn was riding the coattails of Halloween). Directed by Tony Maylam and featuring some gory makeup effect by famed special effects makeup artist Tom Savini, The Burning is just a blast of a film, with a memorable villain named Cropsy. Fun fact: a young Jason Alexander’s very first feature film role.

  • The House of the Devil – The film that put Ti West on the map, The House of the devil is a brilliant throwback to low-budget 80s horror. Shot to look like it was done with grainy film stock used in the early 80s, the film gets the tone and look of the time perfectly. A college student takes a baby-sitting job, but finds out the job is more than she bargained for when the house’s owners turn out to be members of a satanic cult. It’s a slow burn that racks up the tension to a big climax. The film features the great character actor Tom Noonan who excels at playing both a kindly and creepy older gentleman. The House of the Devil is the first great film from one of horror’s best young minds.

 

  • Cheap Thrills – What would you do for five bucks? Ten? A hundred? Ten thousands? Would you say something that’ll get you slapped in the face? Would you vandalize a neighbor’s house? Cut of a finger? Those are the questions that the characters played by Pat Healy (The Innkeepers) and Ethan Embry (Can’t Hardly Wait) have to answer when they meet David Koechner (Anchorman) and his wife Sara Paxton (The Innkeepers) at a bar one night. The film is darkly funny and equally twisted. Pat Healy gives a layered performance as man that’s always gotten the short end of the stick and never done anything about it, but may finally step up under some insane circumstances. Cheap Thrills by E.L. Katz is a mean little piece of fascinating thrills that leaving you asking “what would I do?”.

 

  • The Werewolf – A stranger comes into town on a dark night, lost and confused. He runs afoul with an angry drunk and the wino winds up dead. It looks like an animal attack, but no one knows what kind of animal and where the stranger went of too. It sounds fairly generic, especially with such a simple title, but this 1956 B—movie is better than you’d think. Great makeup effects plus a 50s sci-fi twist on the classic werewolf myth and better character work than most genre films of the period, the film is a cheesy fun way to spend 79 minutes.

  • Monkey Shines – From master of horror George A. Romero, Monkey Shines Alan Mann played by Jason Beghe (Chicago Fire), who is rendered quadriplegic after a tragic accident. A friend of his, a scientist, gives Alan an unusually intelligent capuchin monkey to help him out. The monkey isn’t just unusually intelligent, but hyper intelligent due to medical experimentation. The monkey, Ella, quickly becomes attached to Alan and overly protective of him. Due to the experiments, they unknowingly become linked telepathically linked and Ella acts on the angry feelings that Alan never would act on in a million years. Alan eventually becomes a prisoner in his own home and is helpless due to his condition. His inability to move is a simple, yet highly effective way to create a ton of suspense throughout the film.

  • The Dentist – From director Brian Yuzna (Society) and producer Stuart Gordon (director of Re-Animator and From Beyond) The Dentist is about exactly what you think it is. Corbin Bernsen plays a dentist who is pushed too far by his cheating wife and stressed filled job. He takes matters into his own hands and begins torturing and murdering anyone that his the misfortune of finding themselves in his chair. You know how you get especially squeamish with little things like nails being pulled or stepping on tacks? This whole movie is little things like that involving teeth and the mouth. It’s gross and it’s under the skin like any of the best Yuzna/Gordon productions.

 

  • Lake Mungo – A 2008 Australian horror mockumentary tells the story of the drowning of the 16 year old Alice Palmer and how her parents and brother deal with the events after her death. The film is highly atmospheric and a great slow burn. There are elements of a mystery as to why Alice is appearing in home videos after her death and what she was actually like in life as opposed to the face she put on for her family. More creepy and intriguing than outright scary, Lake Mungo should be a film that sticks with you for a while. It is also pretty interesting if you’re a fan of Twin Peaks and you start seeing that the entire film plays out like an homage to the classic series.

 

  • The Tunnel – An Australian found-footage film that follows a small investigative news team looking to learn the truth behind a possible government cover-up regarding a recent water shortage. They enter the sewer system under Sydney, but soon they see an emaciated looking figure lurking in the shadows. They lose their sense of direction in the labyrinth and realize that something is stalking them. The Tunnel is pretty damn terrifying. It’s claustrophobic, tightly scripted, and tense from beginning to end.

 

  • Eden Lake – One of several British horror films on this list today is 2008’s Eden Lake. The film stars Kelly Reilly as Jenny and Michael Fassbender (one of this generation’s greatest actors) and Steve, a young couple on a romantic getaway at a remote lake. Everything seems perfect until they have a run-in with some punk teenagers. Steve confronts them, but then decides that him and Jenny should just move further down the beach. The confrontation eventually escalates and turns dangerous as the teens chase down the couple with deadly intent. More brutal and disturbing than the initial setup might suggest, Eden Lake is a relentless thriller.

 

  • In the Mouth of Madness – The last good film John Carpenter made before he lost his mojo, 1994’s In the Mouth of Madness feels a little bit Stephen King-like in a few parts and a lot like H.P. Lovecraft just about everywhere else. As the title might imply, the film is about the nature of insanity and has a bit of commentary on the nature of horror storytelling. Starring Sam Neill (second time he’s been mentioned on this list) as John Trent, a fraud investigator looking for a horror novelist’s, Sutter Cane, final transcript. Cane’s recent novel has been a massive success, but there have been reports that it has been driving some readers mad. Trent travels to the town that inspired Cane, but soon begins seeing horrible visions and the line between real and nightmares quickly becomes blurred.

 

  • Psycho II – Alfred Hitchcock’s Psycho is a classic, a masterpiece, and one of the most influential horror films ever made, so a sequel may seem like a crime against the art form. Surprisingly though, Richard Franklin’s 1983 Psycho II is not the horrid mess that many sequels to classics like The Exorcist II and Jaws 3 are. After 22 years in an institution, Norman Bates is released and returns to the infamous Bates Motel. He tries to lead a normal life and shed his “Mother” persona, but bodies begin to pile up and Norman starts to feel a little mad. Of course it’s not nearly as good as the original (despite what Quentin Tarantino thinks. He actually prefers the second one), but this sequel is an entertaining twist filled psychological thriller. Anthony Perkins returns to the role of Norman and he’s just always great.

 

  • Inside – From directors Julien Maury and Alexandre Bustillo, this 2007 French film is one of the most relentless and grisly horror films ever made. Weeks after being involved in near fatal car accident and losing her husband, a young pregnant woman, Sarah, answers the door the door to a strange woman late at night. The woman begins harassing Sarah and is quickly escalates. It becomes clear that this woman only wants one thing: Sarah’s baby… Sarah is brutalized and fights to survive as anyone else who enters her home as a potential savior meets a gruesome fate at the hands of the deadly home invader. Dark, bloody, and non-stop, Inside is one of France’s best modern horror films.

 

  • Dog Soldiers – More British horror from The Descent director Neil Marshall in the form of Dog Soldiers. Essentially it is a low-budget Predator with the alien hunter swapped out for a family of werewolves. While on a training exercise, a squad of British Army soldiers is left out in the middle of the woods and is forced to duke it out with the pack of monsters. Gory, fun, and really well directed, Dog Soldiers is a blast. Many of you reading this have also seen the director’s work in the Game of Thrones episodes “Blackwater” and “The Watchers on the Wall”

 

  • Excision – Starring 90210’s AnnaLynne McCord and directed by Richard Bates, Excision is a powerful and disturbing high school horror film. The film follows Pauline (McCord), a mentally disturbed high schooler, with hopes of becoming a surgeon. There are several expertly shot dream sequences, soaked in blood and featuring confrontations with Pauline and her ideal self. Outside the dream, Pauline is extremely creepy as she emotionally scars everyone around. She very flippantly decides that she wants to lose her virginity and propositions a guy that’s tormented her in school. They meet at motel and what happens is sure to gross a majority of viewers out. After that Pauline becomes more aggressive in her acts and eventually does something that no one will forget…

 

  • The Lovely Molly – I watched the film on Netflix on a whim a while back, not knowing anything about it at all. That was a good call on my part because Lovely Molly is a super creepy ultra low-budget horror film. It’s incredibly subtle in the ways it attempts to frighten you and you’ll be uneasy for more of the film than not. Just watch, knowing that if you’re paying attention, it will pay off. Directed by Eduardo Sánchez, the mastermind behind The Blair Witch Project.

 

  • Deadgirl – Do not watch this on a date. I repeat. Do not watch this on a date. It won’t go over well. Or maybe give it shot, you may have an interesting night depending on whom you’re with. This 2008 high school horror film is gross and miserable. One day two boys, high school seniors who can only ever hope of finding a girlfriend, discover a naked woman chained up in a basement. They soon learn that this strange mute girl is not just a tortured woman, but that she is in fact a zombie. This is where the film gets really heavy and after deciding that neither of them can do it, they convince a jock to rape the so-called “Deadgirl” and it’s all down hill from there. The only way I could accurately describe the film is pure melancholy.

 

  • The Tenant – The third film in Roman Polanski’s thematic “Apartment Trilogy” following Repulsion and Rosemary’s Baby, The Tenant is a paranoia fueled psychological horror film. Polanski himself plays a quiet, average man who moves in to an apartment after the previous tenant attempted to kill herself by jumping out the window. The landlord and the other renters begin to complain and chastise our protagonist for being too disruptive, when he is actually being anything but. The horror takes place in his mind as all these different outside forces start to come down on him and he begins to break. This one can only be described as mind-bending and features an unforgettable third act.

 

  • Berberian Sound Studio – British and psychological horror seem to be the unintentional theme of this edition with Peter Strickland’s Berberian Sound Studio starring Toby Jones. Jones plays a British foley artist, Gilderoy, who comes to Italy thinking he’s going to help with sound work on a film about horses. He arrives and soon learns that the film he is to work on is a giallo film. Gilderoy is new to horror films, so he is already out of his element being in this foreign country. Much like The Tenant’s protagonist, Gilderoy is an average and quiet man, who is needlessly thought of as greedy and rude by his Italian collaborators. All he asks is that he be reimbursed for his plane tickets, like he was told he would, but everyone gives him the runaround. From there Berberian Sound Studio becomes crazier and crazier as Gilderoy slowly becomes as insane and dark as the film he is working on.

 

  • Maniac – This 2012 remake of the 1980 film of the same name directed by Franck Khalfoun and stars The Lord of the Ring’s Elijah Wood as the film’s titular psycho. Shot almost entirely from the killer’s point-of-view, Wood’s character, Frank, is a shy and awkward man with a dark secret and even darker desires. His dimly lit home is filled with female mannequins. Frank murders women, scalps them (while most are still alive), then takes the top of their heads to place on his mannequins in order to give them personalities. Maniac’s violence is brutal, uncomfortable to watch more often than not, and horrifying to say the least. Wood is perfect as the awkward, yet menacing murderer, and by the end you may just feel like a maniac yourself.

  • The Children – Similar in premise to Who Can Kill a Child (which I mentioned in last month’s edition), The Children is yet another 2008 British horror gem about two families staying at a secluded home to celebrate the New Year. Everything seems normal at first, with some typical familial drama, but the young children begin to act very strange. They soon become sadistic and violent, which leads their parents to struggle with the fact that they either have to kill their own children or be brutally murdered by them.

  • The Fly II I’ve written extensively about The Fly II for some reason, which you can check out right here. To make it brief I’ll just say that Cronenberg’s 1986 remake of The Fly is just about perfect in my mind and one of my ten favorite horror films and while the sequel isn’t as good, it’s a fun ride and much better than one might expect. 

 

  • Ginger Snaps: Unleashed – Almost as amazing as the previously mentioned original, the sequel follows Emily Perkins as Brigitte Fitzgerald, Ginger’s sister, as she deals with the physical and mental toll that the events of the first film have taken on her. Just as impactful and raw in terms of pure emotions, this is a rare horror sequel that can hold its own with the best of them.

 

  • Braindead – Peter Jackson’s third feature and final outright splatter is arguably the goriest film ever made. On top of the insane over-the-top gore gags and gross out moments, it’s a wacky comedy, a dark familial drama, and a quirky romance. It’s an unforgettable film from on film’s greatest modern filmmakers. The film is more commonly known in America as Dead Alive.

 

  • The Prowler – Similar to The Burning in that is doesn’t really break new ground in the vast landscape of 80s teen slasher movies, but the film features some top notch makeup effects from the master Tom Savini. Not much more to say other than if you’re looking for a good slasher movie, The Prowler will satisfy.

 

  • The Stepfather – It’s soooooo good. Joseph Ruben, the director of Breaking Away and The Good Son, film from1987’s The Stepfather is such a fantastic work. Lost star Terry O'Quinn play’s the new stepfather to a young woman, who unbeknownst to the rest of the world, murdered his previous family and plans to continue his murderous cycle of entering and destroying families. O'Quinn’s performance is impeccable as the titular psychopath. The film was followed by two lackluster sequels and an awful remake in 2009.

 

  • Motel Hell – A pseudo parody of the horror films of the time when it was released in 1980, Motel Hell is a real cult classic. The unusual horror-comedy was ahead of its time in many ways and includes of the most bizarre images put to screen. The film’s killers, Vincent and Ida Smith, are an odd pair of farmers who capture innocent men and women and plant them in their garden, where they are fed until they are ready to be harvested and eaten. The sound of the heads sticking out of the ground will be embedded in your mind for a long time.

 

  • Humanoids From the Deep – Executive produced by the B-movie king himself, Roger Corman, 1980’s Humanoids From the Deep is an exploitive schlockfest about sea faring monsters with an urge to mate with attractive young human females. It sounds like it could be pretty offensive and it probably is, but the film is so much fun for that reason. Directed by Barbara Peeters, one of the few notable female filmmakers in the realm of 70s and 80s exploitation horrors, the film is the best of 50s B-monster movies mixed with the trashiness of the low budget 70s grunge horror.

 

  • A Tale of Two Sisters – A 2003 South Korean horror film from director Kim Jee-woon (director of I Saw the Devil) continues to prove that some of the scariest films come out of Asia. The film centers on a pair of sisters struggling with increasingly terrifying events surrounding them and their maniacal stepmother. The film is very creepy and unpredictable (unless you saw the crappy American remake, The Uninvited, in 2009)

 

  • The Hunger – A beautiful and haunting film from 1983 directed by Tony Scott and starring the great David Bowie and the now legendary Catherine Deneuve as a married couple of vampires living in New York. Susan Sarandon plays a doctor that Bowie needs help from when he begins to rapidly age, which leads to a chain of events that reveal that Deneuve has been hiding something deadly and Sarandon becomes entangled with this secret in some unexpected ways.

 

  • Alligator – This 1980 monster film directed by Cujo director Lewis Teague is fun satire of monster movie clichés that pokes a little fun at them, but at the same time uses them to great effect. With great effects work and an entertaining performance from Robert Forster, Alligator a real treat. The film also has the balls to kill children, something not normally seen in horror films like these.

 

  • Street Trash – Not a film for everyone, Street Trash is just as trashy as the title and poster would imply. Hobos melt in toilets and a severed penis is thrown around like a football in slow motion in James Muro’s 1987 cult classic. Appropriately disgusting while poking fun at homeless behaviors and all sorts of gross oddities on top of the super cheap production, Street Trash is a film that will turn off most, but it’s a corny good time.

 

  • Shutter – This 2004 Thai horror film by Banjong Pisanthanakun and Parkpoom Wongpoomis a twisty ghost mystery and is utterly horrifying. A photographer begins seeing strange shadows in his pictures and can’t escape en entity that is out to get him due to a mistake from his past. The film plays with your emotions as it becomes unclear who is the villain in the story, but it is always scary.

 

  • Trauma – Dario Argento, the Alfred Hitchcock of Italy and the master of giallo, delivered this creepy film in 1993 with his daughter Asia Argento starring. A killer stalks the streets and is decapitating staff members of a local hospital and Asia plays a women suffering from anorexia who is caught in the middle of it all and begins losing loved ones. The decapitations are graphic and the film shows the heads living on for a few seconds after the fact, which is an insanely creepy image. The film was one of the director’s last good films before the quality began to slip in the late 90s.

 

  • The Curse of the Werewolf – Surprisingly one of the only, if not the only, major werewolf works made by Hammer Films in their heyday. Directed by Terence Fisher and starring Oliver Reed as the cursed man, the film is a dark one that throws everything you know about the rules of werewolves out the window. After a lengthy setup where Reed’s character is the product of the rape of his mother by a tortured vagrant and the boy suffers from some unusual habits growing up, he grows into a seemingly normal man. One night he undergoes his full transformation and begins to kill. Bleak and high in emotions, The Curse of the Werewolf is on of Hammer’s best.

 

  • The Ghost of Frankenstein – Universal’s third Frankenstein film from 1942 isn’t nearly as talked about as the original two classics, but Island of Lost Souls director Erle C. Kenton delivered an exceptional film with Lon Chaney Jr. as the monster, Bela Lugosi as Ygor, and Cedric Hardwicke as Dr. Ludwig Frankenstein. Set years after the Bride of Frankenstein, the film see’s Frankenstein’s son return to his father’s home and finds that he blamed for the supposed cure of the Monster. The film was the last truly great serious take on the Frankenstein story for sometime and was also used heavily has a source of parody just as much as the first two in Mel Brooks’ Young Frankenstein (which shares the same general plot).

 

  • Afflicted – A Cronenbergian found footage film about two video bloggers traveling Europe. In France, one of them goes back to their room with a beautiful woman, but he is found alone and bleeding in bed when his friend busts in. In Italy he seems very ill and his symptoms becomes more and more extreme until he shows signs of superhuman abilities. When his hunger and aversion to sunlight become too much, it becomes very apparent what he is becoming. The film is able to pull off things using the found footage motif that do not seem possible to pull off in camera and on such a tight budget. The film is dramatic, exciting, scary, and one of 2014’s best. Read my full review here.

 

  • The Den – A creepy found footage film shot mostly on the desktop of a young grad student performing a social experiment on an Omegle-like website. While chatting with the usual online crowd she comes across what looks like a very real murder. She is slowly tormented with more and more frequency by unknown forces and seems to think that someone is out to get her and her loved ones. Creepy, memorable, and inventive, The Den is worth a look and a standout in an overcrowded subgenre.

 

  • Would You Rather – We’ve all played the game would you rather and in 2012’s film inspired by the game, things are taken to the next level and beyond. Starring Pitch Perfect’s Brittany Snow as a player in a sick game and horror movie icon Jeffrey Combs as the game master, Would You Rather sees a group of unsuspecting victims who wind up in a deadly version of the game. Increasingly brutal, set almost entirely in one room, and a film that successfully makes you ask “what would I do?”, Would You Rather is a surprisingly good little film. Combs is also wonderfully hammy.

 

  • Frontier(s) – The 2007 French horror film by Xavier Gens is almost on the level as Inside when it comes to horrific violence. A group of friends feels riots in Paris only to encounter a cannibalistic family, who proceeds to torture and torment the frightened group. Essentially a more violent French take on The Texas Chainsaw Massacre with some extra twists, Frontier(s) is one of the most extreme horror films of the 2000s.

 

  • Them – The 2006 French-Romanian horror film directed by David Moreau and Xavier Palud isn’t the graphically violent French horror film that I’ve mentioned while doing this project, but it might be the most terrifying. The plot it simple as it revolves around a couple be stalked and chased by hooded kids in and around their new home. Suspenseful and unrelenting, Them is truly thrilling.

 

  • The Girl Next Door – This 2007 film was directed by Gregory Wilson and based on a novel by Jack Ketchum. Like the best Ketchum stories, the film is dark and incredible ugly. The plot is simple, but the morality of it all is complex as it tells the story of a teenage girl who is trapped and tortured by her aunt as the neighborhood kids watch and don’t know how to deal with the morbid situation.

 

  • Offspring – Another dark tale from the mind of Jack Ketchum, Offspring is a 2009 film directed by Andrew van den Houten. The film follows a married couple who have to protect themselves and their family from a small savage clan of cannibals. Since the film is Ketchum story, thing are not that simple as some of the protagonists might be just as monstrous as the cannibals.

 

  • May – A modern cult classic, the 2002 film directed by Lucky McKee follows the lonely May as she slowly loses her grip on reality in her attempts to gain more friends. May is one of the most interesting and damaged characters from any horror from the last decade and the morose film ends with one of the creepiest images ever put to screen.

 

  • The Hills Run Red – A little known film, 2009’s The Hills Run Red by Dave Parker follows a group of teens as they search for a long lost horror film, which is supposed to be one of the best and most grisly slasher films ever made. Instead of the film, they find the real life killer that the film was possibly based on. The Babyface killer in the film should be and would’ve been a modern slasher icon had the film gotten a proper release, but it’s available and should be checked out by horror fans. The film also subtly draws connections to real life quest that all die hard horror fans go one to find smaller films and obscure gems that they’re only heard of in magazines, on reddit, or in podcasts. That quest is something that exists almost exclusively for the horror genre (there might be some that search for old sci-fi, foreign films, or pre-code Hollywood movies, but horror is the big genre for searchers).

 

  • The Exorcist III – It would probably be easy to write off The Exorcist III since the original ranks high up on the list of the greatest horror movies ever made and The Exorcist II: The Heretic is one of the worst films ever made, but III ignores the first sequel and is a real horror movie gem and has a pretty sizable cult following. Starring Oscar winning actor George C. Scott as the Lieutenant William F. Kinderman character from the original film (who was played by Lee J. Cobb in the original) as he investigates a string of religious themed murders near a psychiatric hospital where a mysterious patient claims to be a long dead serial killer. The film is directed by the writer of original two novels and screenwriter of the original film, William Peter Blatty, who shows great restraint as the film continually builds and is remarkably tense throughout.

 

  • Thale - Aleksander L. Nordaas’ 2012 Norwegian supernatural horror film is a super creepy tale (pun intended) about two men who find a speechless woman with a tail. There is a mystery here to the big picture going on and to how this woman ended up trapped in this basement, making the film a very compelling one. Outside of the dark basement where most the film is set lays something very creepy out in the woods.

 

  • Severance – A horror comedy that can be described as the British version of The Office meets Friday the 13th. A company team-building retreat, a group of co-workers end up being victims of a small group of psychopathic serial killers. The film’s general plot makes it sound like something we’ve all seen a hundred times before, but Severance stands above many modern slashers due to its dry and dark British wit.

 

  • Idle Hands - A 1999-horror comedy directed by Rodman Flender and starring Devon Sawa (Final Destination), Seth Green, Elden Henson, and a young Jessica Alba. Sawa plays a high schooler finds that his right hand is possessed after it kills his parents and his two best friends and he has to stop it before it can kill anyone else, including the next door neighbor girlfriend. The film is so over-the-top 90s in a way that will make it a very fun, albeit dumb, nostalgic experience for a lot of people of a certain age.

 

  • Maniac Cop 2 – Even better than the original, 1990’s horror sequel by Maniac and original Maniac Cop director William Lustig returns to continue the story of the vengeful undead Maniac Cop Officer Matthew Cordell, who continues to reek havoc on the dirty streets of New York. Die Hard’s Robert Davi as Detective Lieutenant Sean McKinney takes over the lead from Bruce Campbell as the man with the tall order of catching the unstoppable killer, who is even more bloodthirsty than he was in the original.

 

  • Stitches – If Asian horror movies are usually destined to be really friggin’ scary and Australian horror movies turn out to border on nihilism more often than not, then modern British horror movies have two options; being dark and depressing like Eden Lake and Don’t Look Now or darkly humorous like Severance and 2012’s horror comedy Stitches by Conor McMahon. The film follows a group of teens who were a partially at fault for the death of clown at a birthday party in their youth and his return to murder them years later. The film is filled with some really inventive kills and good liners and who doesn’t love a good grouchy killer clown?

 

  • The Relic – Set in Chicago, The Relic from 1997 by Timecop director Peter Hyams is simply a super solid B-monster movie. The film a little bit Alien and Aliens, a little Predator, some Jurassic Park, and pretty much any monster movie you can think of thrown into a pot to make a fun monster bash that is ultimately a super solid guilty pleasure. Penelope Ann Miller and Tom Sizemore star in the two lead roles.

 

  • The Faculty – This underrated 1998 Robert Rodriguez film was penned by Scream and I Know What You Did Last Summer screenwriter Kevin Williamson. With this film Williamson’s self aware hip high school horror film began to ware thin, but the film has just enough charm and wit to be fun time. The film was accused of ripping of many classics like Invasion Of The Body Snatchers but is really more of a loving homage. Beyond the fact that it is a purely entertaining 90s teen horror flick, the film has fantastic cast of young stars who mostly went on to have highly successful careers and are still thriving today (Josh Hartnett is currently killing it in Penny Dreadful).

 

  • Willow Creek – Bobcat Goldthwait doing a found footage horror movie sounds strange, given that his past work includes the phenomenal World’s Greatest Dad and the wonderfully dark God Bless America, but 2014’s Willow Creek is another winner from the comedian/director. It closely follows the Blair Witch formula, but the performances and the writing are very strong in this one and the film’s climax after a very extended take is insanely creepy.

 

  • Hour of the Wolf – Ingmar Bergman. The man is without a doubt one of the most legendary icons of world cinema and in 1968 he teamed with frequent collaborators Max von Sydow and Liv Ullmann to make one of the closest representations of a nightmare that film has ever seen. Like any Bergman classic, the film is ripe with heavy drama and complex emotional tensions throughout and on top of all that, Sydow’s descent into madness is a gorgeous work of surrealist terror.

 

  • The Beyond – Easliy one of Lucio Fulci’s most popular films, The Beyond is an insane cult classic with some spetacually gory kills. The film follows a woman who inherits a hotel in New Orleans, not knowing that it is one of the gates of Hell and that everyone who enters will meet a horrible fate. Zombies, eye gouging, dog attacks, spider attacks, and a 6-shooter with apparent unlimited ammo abound in this Kind of batshit and super nonsensical film, making The Beyond is prime example of low budget Italian horror of the 70s and 80s.

 

  • Snowtown – This one is a bummer. Based on the true of one of Australia’s most infamous serial killers, the film is filled with scenes of implied pedophilia, incestual rape, and eventually (obviously) murder. The tone is bleak, the performances are pretty stellar, and the tone will leave you feeling sick to your stomach, even if much is left to your imagination. The film was released in 2011 and was directed by Justin Kurzel.

  • Frankenstein’s Army – A World War II set found footage film. For Russian soldiers in the midst of war, you might ask yourself how they got a hold of such a nice camera that records sound and shoots colored film, but after a few minutes you’ll forget about it since the creature effects are nuts. A Nazi grandson of Victor Frankenstein is creating an army of reanimated corpses fused with deadly bladed weapons, leading to some of the most memorable movie monsters of the 2010s.

  • The Town the Dreaded Sundown (1976) – Released two years prior to John Carpenter’s Halloween, 1976’s The Town That Dreaded Sundown is a early slasher film that is not talked about nearly as much as it should. Loosely based on the true story of the Phantom Killer in the town of Texarkana, Texas in 1946. The silent masked killer is very much a prototype Jason Voorhees and true crime have of the film makes it really stand out from the huge number of slasher films that would inundate theaters throughout the following decade.

  • Citadel – 2012 Irish psychological horror film written and directed by Ciaran Foy about a widowed father suffering from agoraphobia, who has defend himself and his baby from a faceless gang of hooded people. The film is another bleak one that is a good companion piece to 2010’s The Expelled. Citadel is an incredibly tense and layer thriller, with an impeccable leading performance by Aneurin Barnard. For a director’s feature film debut the film in extraordinarily mature work that deserves more attention.

 

  • The Cottage – A British horror comedy from 2008 by director Paul Andrew Williams and stars Andy Serkis, Reece Shearsmith, Jennifer Ellison, and Steve O'Donnell. Serkis and Shearsmith play a couple of brothers/criminals, whose kidnapping goes south when a crazed killer attacks them and their hostage. The film is darkly funny and makes a good companion piece to Severance.

  • The Kindred – An ultra low budget monster movie from 1987, Stephen Carpenter and Jeffrey Obrow’s The Kindred is a super entertaining effects filled romp. When a medical researcher’s mother dies, he, his girlfriend, and his team go to her home to uncover the secrets of her research, only to find that she created something truly horrific. The characters in the film are all exceptionally likeable, which is odd for a film of this kind and there really is no accounting for why they are so easy to like. You don’t want them get killed off, which goes a long way to make the film an exciting ride. The film also features Oscar winning actor Rod Steiger in a supporting role.

  • The Dark Half – Directed by George A. Romero and based on a story by Stephen King, the film is similar and far better than Secret Window. It sees Timothy Hutton as a King-esque author, who “kills off” the pseudonym he has been using for most of his very successful career. Shortly after that decision, someone that looks just like the author begins killing people involved with the man and his publishing. Hutton is great and the movie is appropriately Stephen Kingy.

  • The Awakening – A 2011 British film directed by Nick Murphy and starring Rebecca Hall and Dominic West. Set in 1921, Hall plays a paranormal investigator who doesn’t believe in the supernatural and wishes to disprove claims of ghost. It is an interesting setup and different than the usual haunted house film and the plot goes on to be a surprisingly layered and complex one.

  • Q: The Winged Serpent – Directed by Larry Cohen, the director behind such classics like Black Caesar, The Stuff, and the It’s Alive trilogy, Q from 1982 with stars Michael Moriarty and David Carradine is B-movie gem. The effects may leave much to be desired for some, but the stop motion Quetzalcoatl monster is a fun throw back. On the surface the film is a fun monster movie, but Moriarty shines as a paranoid and smarmy crook.

 

  • The Town That Dreaded Sundown (2014) – Not a remake and not a traditional sequel, this 2014 slasher film is a strange hybrid of the two and that is a major reason why Alfonso Gomez-Rejon’s The Town That Dreaded Sundown is special. Set in modern day Texarkana, where the original film is screened every Halloween, the film finds the town rocked by copycat killer or maybe even the original Phantom. The film is produced and conceived by Ryan Murphy and pretty much everyone behind the camera is a crew member of American Horror Story, so many there are many stylistic similarities there. The film is very respectful to the original and seeing 1976 cult classic will only enhance your appreciation of the new film, though it is not essential. Some might not see passed its slasher movie trappings, but it’s an old school slasher film that they don’t make anymore, so fans longing for the good old days of masked killers hacking teens will have an excellent time with this one.

 

  • Mad Love – Directed by Karl Freund (who was the DP of Dracula) in 1935, Mad Love tells the story of doctor (played by the great Peter Lorre) in love and obsessed with a woman he can’t have and his devilish plans to eliminate the man in her life. The doctor performs surgery on the woman’s lover interest after his hands are mangled. He wakes from surgery and finds that he is an expert knife thrower. There are twists, high drama, and a suspenseful climax, which all add up to Mad Love being an under appreciated classic.

 

  • Curse of Chucky – Everyone has seen all the Child’s Play movies, but 2013 saw the release of the franchise’s first straight-to-DVD feature, so it may have slipped under some people’s radar. The goal of the film was to steer the series back to it’s darker roots after the previous films digressed into board comedy (although that doesn’t mean they were bad. Bride of Chucky is arguably still the best). The film successfully reinvigorates the franchise and makes Chucky threatening again. It is still fairly funny at times, but it the darkest film since the Child’s Play 2.

 

  • The Brood – A classic film from the great David Cronenberg, The Brood is film about marriage and divorce manifesting themselves as horror. The film has big ideas about the power of the human mind and psychological trauma. Samantha Eggar and Art Hindle are the two leads and Oliver Reed co-stars as psychotherapist in one of his many great horror movie roles. Released in 1979, the film is one of Cronenberg’s first major releases after several much smaller films like Shivers and Rabid and it is one of his most outwardly scary films. Many ideas and stylistic choices of The Brood can be found in Scanners and Videodrome.

 

  • FoundScott Schirmer directed this 2012 ultra-low budget film about a young boy who is obsessed with horror films and suspects that his older brother might just be a serial killer. Humorless in its execution and unrelenting in its depiction of violence, the film was banned from a release in Australia.

  • Opera – A relatively later Dario Argento film that certainly has one of the thinnest plots and some of the most nonsensical characterization from the director, but what it lacks in story, it makes up for in uncomfortable imagery and brutal violence. The lead character is forced to watch grizzly murders while needles are taped under her eyelids to keep them open, which a surprisingly nauseating image that could only come from the mind of the Italian master of horror.

 

  • Blood and Black Lace – Directed by the legendary Mario Bava, Blood and Black Lace is the father of all giallo films that came after. Every troupe that would become common in the genre can be found in this film and fans of later Bava works, Argento films, some Lucio Fulci films, and many more will see it’s influence everywhere.

 

  • Grabbers – A 2012 Irish monster comedy from director Jon Wright is a fun film in vein of Attack the Block. The general plot revolves around a small town being attacked by a large tentacled beast and they only way to for the townsfolk to protect themselves is to have as much alcohol in their blood. Needless to say, the whole town getting drunk leads to film to be funnier than the average monster movie and the high production values of such a small film really make it stand out.

  • Wake Wood – A modern Hammer Horror film from 2011 stars Aidan Gillen, Eva Birthistle, and Timothy Spall. The premise is vaguely reminiscent of Pet Semetery as a mourning mother and father use a pagan ritual to bring their daughter back from the dead. The performances are strong and the film is moody as Hell as it harkens back to some old school European horror with modern day horrors visuals.

 

  • The Poughkeepsie Tapes – Never officially released (but it’s coming at some point), this indie mockumentary is deeply unsettling. Directed by Quarantine and As Above, So Below director John Erick Dowdle, the film tells the story of a serial killer that kidnaps and tortures his victims in the small town of Poughkeepsie. The killer often films his deadly deeds and those offer many of the film’s more disconcerting sequences. The acting is a little hammy at times, but the film is very effective and will stay with you for some time.

 

  • Never Sleep Again: The Elm Street Legacy – An epic 4-hour documentary on the entire A Nightmare on Elm Street franchise that features cast and crew interviews from a majority of the key players from the legendary films. The stories found in the doc are incredibly engrossing, highly informative, and very honest. The origins of Freddy, the films’ impact on pop culture and film, and much more is explored at length and even the lesser film’s in the series are given their due. The commentary on Elm Street 2 is particularly hilarious at times.

 

  • The Last Will and Testament of Rosalind Leigh – The 2013 feature film debut of Rodrigo Gudiño follows a young man who returns home after the death of his mother. The film is one of grief, loneliness, and regret and is tightly scripted by Gudiño. The lead of the film begins seeing something in and around the house that frightens him to his core and it is an image that is utterly creepy (albeit a little to CGI-y later, but it still manages to work).

  • Bubba Ho-Tep – An elderly Elvis and an elderly black JFK versus a cowboy hat wearing mummy should be enough to sell anyone, but when Elvis is played by Bruce Campbell and the film is directed by Phantasm creator Don Coscarelli, then it really becomes a must see. Campbell is at career best as a depressed and forgotten Elvis, who needs a walker and has a growth on his “pecker”. He gets one last chance to do something good in his life when he learns that a mummy is loose in the old folks home and is sucking souls. It’s a wacky setup, but the film is surprisingly heartwarming and Campbell really gets to show his real acting chops.

 

  • The Sacrament – A slow burn and atmospheric found footage film that is loosely inspired by the real life Jonestown Massacre. The Sacrament is directed by the wonderful Ti West and stars You’re Next stars AJ Bowen, Joe Swanberg, Amy Seimetz, with Kentucker Audley and Gene Jones as the charismatic leader of the cult who a Vice news crew is documenting. The film builds and builds to a dark and disturbing climax, much like West’s previous outings The House of the Devil and The Innkeepers. Jones is stellar as the manipulative and intelligent as you can understand why many of his followers left their previous lives to join him on this secluded island colony.

 

  • You’re Next I’m well aware that most horror fans have probably seen You’re Next, but I’m going to cheat and point it on anyway since it wasn’t huge at that box office and I love it. It’s soooooo friggin’ good. It’s funny, gory, scary, thrilling, surprisingly, subversive, and everything you want in a horror film. Just watch it if you haven’t seen it.

Jar of Hearts

Title: Jar of Hearts
Pairing:
Josh Dun/Reader
Type:
Angst
Word Count: 827
Warnings:
Cheating ?
A/N: Quick disclaimer! I do not think of Josh in this way at all. I do not believe he would ever do this but for the sake of drama and creativity, I wanted to write this. This was inspired by the Jar of Hearts cover by Twenty One Pilots. I feel like it has a darker vibe to it from the electronic tones and autotune. I hope y’all enjoy it and don’t hate me afterwards.

Originally posted by cottoncandyjoshdun

You and Josh had finally gotten your own place together. You’ve been with him for about 6 months now and he had been begging you to live with him for weeks. You found the perfect apartment and Josh had decided to throw an apartment warming party. You invited a few friends but the party was more of Josh’s friend. Tyler and Jenna were there of course along with Brendon and Sarah. 

You weren’t the most social with Josh’s friends so you decided to sit on the couch with Jenna and Sarah, discussing girl things. The subject of you and Josh came up in and instant. 

“Do you love Josh?” Jenna blurted out. Sarah chuckled as you nearly spit out your drink. You felt your cheek burn at the embarrassment. 

“I-I don’t know.” You mumbled. 

“Does he make your stomach do backflips when he kisses you? Do you anticipate when you can finally be in his arms again?” Sarah asked.

“I mean…yeah. He’s perfect and he makes me feel more special than anyone ever has.” You blushed harder as a small smile grew on your face. 

“You love him.” Jenna said, proudly.

The realization set in but within an instant you began to worry. Yes, you had moved in with him but the main reason was so you could see him more and he wouldn’t have to travel farther to see you when he’s off from tour. 

“What if…he doesn’t love me back?” You mumbles as you twiddle your thumbs. 

“There’s only one way to find out.” Sarah stated as she bent forward to get your attention. 

You took a deep breath before getting up to go into the kitchen where Josh and Tyler were drinking with Brendon. As you stood up, Brendon walked into the living room with Tyler following behind. You furrowed your brows together wondering where Josh was. You shook it off and decided to go into the kitchen to see if he was still there. You quickly smiled at Brendon and Tyler as you walked past them. 

The sight you were met with as you stood in the kitchen door frame was something you never thought you’d witness. A girl had her hands all over Josh. One hand was running through his hair and the other fiddling with the waistband of his jeans. He didn’t even seem to object to the contact. He was smirking and biting his lips as he admired her beauty. You wanted to yell but no words would come out nor did you wanna make a scene in front of everyone. All that left your mouth was a whimper as tears began to swell up, blurring your vision. Josh lifted his head up and saw you standing there. He had guilt all over his face. 

You turned around and ran to the bathroom as fast you could, not wanting to hear whatever excuse Josh was gonna spit out. Tyler noticed your tear stained face as you ran past him and looked at Josh with concern. 

“I fucked up, man…” Josh whispered to Tyler before he went after you. 

You curled up in a ball next to the sink as you let all of your sadness flood out of you. A faint knock was heard on the door before you heard the voice you weren’t in the mood to put up with. 

“Baby pl-” 

“Do not call me that after what I just saw out there!” You cut him off. 

Josh pulled out a credit card to use to unlock the door. A trick you didn’t know he was trained in. He opened the door and joined you inside the bathroom, closing it behind him. 

“I don’t wanna hear your bullshit, Joshua.” You refused to look him in the eyes. You couldn’t without seeing the lust in his eyes when the girl was on him. Josh stayed silent as he kneeled down in front of you, not knowing any way to fix what he did.

“Y/N, she came onto me.” 

“Yeah but you didn’t seem to not want it.” 

“I know…and I don’t know why I didn’t push her off and tell her to leave but…I honestly have nothing else to say. I fucked up and I’m sorry. But I really do care about you Y/N.”

“I was gonna tell you that I love you.” You mumbled.

“W-what?” Josh dropped onto the floor in shock. 

“I love you. I realized it while talking to Jenna and Sarah. I went into the kitchen to tell you in the hopes you did too. But seeing that showed me that you obviously don’t.” 

Silence filled the room for a good 5 minutes before you got up on your feet. You wiped the tears from your cheek as you opened the door and left. 

“Y/N, wai-” 

You were already gone before he could protest. You grabbed you car keys, leaving the apartment full of people who were too focused on alcohol and conversations to notice.