i have no idea who any of these people are so

What’s going on in Brazil? #10

So, this is gonna be me trying to put A LOT of stuff into very few words. Written at 26/05/2017.

Alright. You know how the whole world is kinda feeling like its situation can’t possibly get any more scandalous at this point? it’s what we felt about two weeks ago, too. I mean, between our ex-president being on a crusade against the justice system and the media and all the unpopular measures taken by our politicians lately, including reforming the labor laws and social security to make them shittier, and a new small corruption scandal every week, y’know, you figure it can’t get much worse than that. 

And then it happened. It was a beautiful Wednesday (or was it Thursday?) night. All was its usual mess. And then a businessman came forward like, “ops I recorded the president negotiating to bribe someone who’s in jail to keep quiet and the other presidential candidate negotiating on how to get his usual 2 million in bribes discreetly lol did I mention he might have mentioned the possibility of killing someone?” BAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAM. 

If you screamed right now, imagine how much we did. There were so many memes. So many. The jokes, the glorious jokes. I hadn’t have that much political fun in ages. But you’re probably still confused (we are, too), so imma explain it a little better.

Businessman Joesley, owner of the biggest meat company in the world, was caught in corruption schemes. Who wasn’t, right? so, like it happens in Brazil, he started negotiating his sentence by giving other people away. And he sure as fuck named a lot of people, like anyone else, but this guy did something that other people hadn’t yet: he recorded it. You’d think more people would’ve been this smart just in case, I guess, but so far, nah. And obviously the most polemic recording is of a conversation our now President Michel Temer had with him, negotiating bribes to Eduardo Cunha. If you’ve read my older posts, you’ll know his name. He’s the main dude behind Dilma Rousseff’s impeachment (if you have no idea of absolutely nothing i’ve just said, dude, go back to the other posts, this is quite saga already). Did I mention he’s in jail??? yeah. Arrested for money laundering sometime ago or something (one cannot remember all the scandals in brazil for more than 2 months since there ARE SO MANY NEW ONES ALL THE TIME). Still, he did swear he’d bring two presidents down, and now it seems the time has come, one way or another (we’re so dramatic, omg, this is gonna make for excellent movies someday, we’re already out-houseofcarding house of cards).

BACK TO IT. So. The president is on tape negotiating quite a crime. In most countries that’d lead to the guy resigning. And we thought he would, too, actually. This dude scheduled a press conf. and we were all on the edge of our seats waiting to see the second president down in less than a year. But guess what? dude goes “I’m not resigning”, gives pissed off speech, alleges everything is a fake and says if we want him down we’ll have to bring him down. He also kinda tries to forbid people from using his pictures in memes, which leads to opposition party creating a whole gallery online of pictures they bought of him for people to do their memes safely. I ain’t joking. The most brazilian think to ever happen, probably.  

Meanwhile, remember I said there was a second recording? Yeah, it was from Aecio Neves, and you might remember him too: he ran for president against Rousseff at the last elections, and he was the main activist for her impeachment after he lost the elections, all “against corruption” and shit. Lol. Dude was literally negotiating how to get his money, cursing a lot, and saying they’d need to find good people to do this money transporting thing, it had to be someone, and I quote, “that we can kill before they can make deals with the police”. And then he proceeds on suggesting his cousin’s name. Talk of family issues, right? Anyway. It came as no surprise for us with half a brain that both these man were corrupt because honestly there had been people saying that before, but nobody had them on tape yet. Aecio’s sister has been arrested, he has kinda stepped down from his senate position and his apartments are being raid by the police, let’s see where this leads. 

Back to Temer, remember when he told people we’d need to take him down if we wanted him down? Yeah, people took that quite literally and a couple of days ago in the middle of a protest some SET FIRE to a few ministry buildings. Nothing much happened to anyone there tho. But Temer took that as a good opportunity to give especial authorization to the Army to be on the streets and do whatever was needed which was pretty fucking scary since we haven’t been out of a dictatorship for thaaaat long??? but the order has been revoked by now so we’re ok. For now. I guess. Who knows. 

So the question now is how long can Temer hold himself in power. If he does fall, which is complicated, since he’d likely have to resign (there are already a few impeachment processes opened against him, but since they depend on the ok from chamber president, who still supports him, it’s unlikely to work, and it’d take months anyway), but if he did fall, we’d get either president of the chamber of deputies in power or president of the supreme court in power (cause president of the senate can’t, since he’s a defendant in a corruption investigation) - and I said “OR” there because there’s a chance president of the chamber also becomes a defendant in corruption charges through the next months so we can’t really be sure on how the succession line will be in the future. Yeah, that’s how screwed we are. Anyway, if any of them get to power they are bound to organizing new indirect elections, by the constitution, since it’s past half the term and we’d only need someone to basically finish this year and the next one when there are elections again, hopefully. However, with congress as it is, with most people there charged with something, you’d think brazilians are…. less than happy with the idea of our congressmen choosing their own fucking president. And you’re right. Most of us are. Which is why there is a campaign to make a change and try for direct, real, voting elections (and to get Temer out, obviously). 

It’s worth noticing that a lot of powerful people are still behind Temer, though, especially big businessman and the media, because of his austerity measures and probable cuts on labor laws, and also, because a lot of them are scared shitless of we actually getting a direct election and Lula winning. Yes, our ex-president, yes, the one in trouble with the law that I mentioned early. Aaand I would like to have covered him and our asshole hygienist new são paulo mayor whose biggest ability so far seems to be shitty decisions here, BUT this post is long enough as it is, so if y’all wanna know about them ask away and I’ll cover it in another post. For now, just remember: it can always get worse if you’re brazilian :)

Why is Otayuri getting so much hate: a possible explanation

Don’t get fooled by my title, also reminder that explanation =/= justification.

I always try to analyze phenomena and their possible causes, that’s the scientist in me I guess. So I started thinking about ant///is and I was like: but why. I just said in a recent post that Otayuri is obviously not the first relationship portrayed in the history of anime with such a (small) age gap, and I found some posts that talk about how some age gaps in older (and even recent) anime are just outrageous (even when one of the parts is a minor), and yet those don’t seem to be getting any hate or discourse.

But why?

• The sheer number of fans.

The first probably obvious reason is that Yuri on Ice has a lot more fans than other similar fandoms, and it gained them within a very short time span. It’s getting more and more fans every day, so it’s a mathematical rule that in a huge fandom there will be all sorts of people (it’s like a huge sample group), and some of these are an///is. The bigger the fandom, the more the a///is. 

• The particular moment in history in which YOI came out.

It’s no secret that there’s discourse everywhere now, especially on certain types of social media. A lot of discourse is good discourse, but we also need to realize that not all discourse is good discourse. I think this discourse wave has played a huge role in the way an///is have suddenly decided to become active in hating on people over idiotic reasons. It’s like a marketing thing: they saw a discourse niche that was unoccupied and decided to take it over. Regardless of whether your discourse is right or wrong, writing about it is one easy way to increase your follower count, and who ain’t a slut for that

• The fact that many YOI fans aren’t used to anime and manga content.

This goes together with my next point, but I thought I’d still make it two separate ones. A lot of people who became hardcore YOI fans don’t usually watch anime or read manga (myself included). This without my next point wouldn’t give much info on its own, but keep this in mind because I really think that the majority of an///is fall under this (and the next) category of people.

• The fact that many YOI fans are from the US and aren’t used to content not made in the US.

Listen, I know I’m making a huge assumption here, but I think it’s one that is generally accepted within the fandom: most (if not all) an///is are from the US. It seems obvious to me because the US is one of the few places where (though not even in every state, I think) the age of consent is 18, and all their interactions with us non-an///is seem very US-centric, especially in the way they generally aren’t willing to acknowledge the fact that different countries have different laws and/or traditions and generally a different mindset. 

My goal is not to attack the US mentality here, but, again, I feel like what I’m saying is pretty much accepted even by many of my US friends. And what I’m describing is certainly what an///is act like, so I’m just going to keep explaining why I think this is the main issue (and why I think my assumption is generally right).

We’ve seen before how the US (generally speaking) are scared of importing recreational content from other countries and they’d much rather buy the rights to said foreign content and remake it with their own rules to make it more appealing to a US audience (sometimes even inexplicably and with ridiculous and disastrous results). Recent cases of this have been the US buying the rights to the Norwegian teen TV-show Skam and the popular anime Death Note getting remade into a Netflix movie. The US are screaming at the rest of the world: we only want the idea of your content, but we’d rather make it our own than show yours for what it is, never mind that your show reflects what your country is about and how your the customs of your country reflect on your personal (pop) culture. We don’t want your content EXACTLY because it reflects something that might differ from our views, and our viewers won’t like it. 

And I guess they never will if you actually don’t show them what the rest of the world looks like.

I went a little bit on a tangent there, but my point is: US audience isn’t used to consuming content that isn’t made in the US. I’m not even talking about language here: TV shows aren’t dubbed or subbed, the US literally remakes them and remakes the content to fit the US views and mentality.

That means that the average US citizen will very likely find anything that is untouched by americanization weird if not completely out of their moral values. Couple this fact with the previous one: many YOI fans aren’t used to any kind of content that isn’t perfected and polished specifically for their tastes. 

It’s amazing and it speaks for the quality of YOI that many of them could still get used to a different form of art (anime) and enjoy it and even become hardcore fans (and are now probably getting interested in other anime and manga etc), but out of these amazing people, a (thankfully smaller) group of them still couldn’t wrap their minds around the fact that fans from all over the world, with their own set of morals, ship something that in their minds is controversial (just because of a man-made law that not even every US state follows). They don’t care about what the law in Japan, Russia or Kazakhstan is and they’ve made this loud and clear. 

Bottom line: 

The key to this (like for many other issues) is just one:

EDUCATION.

There’s little we as a fandom can do in this case, especially we people not living in the US since we always seem to be dismissed. They send us anon hate and if we reply saying that Otayuri is legal in our own country we never hear back from them. There’s not much we can do if they aren’t willing to listen to us. 

But all I tried to do here is offer possible reasons why this phenomenon even exists, and maybe by reading this someone will have a brilliant idea on how to fix this. I don’t offer solutions, but understanding why and how something happens is always the key for the next step, whatever the next step might be. 

Your Eyes Look Like Coming Home - Bughead Fanfic

A little idea that came to me based off of a post by @jandjsalmon so thank you for the burst of creative energy I needed! 

Also I want to start taking prompts so if you have any, please feel free to send them my way! :)

Summary: 

People spend their whole lives waiting until the day they can see the world in color; the day they finally meet their soulmate. Sometimes it takes years, decades, nearly lifetimes until you meet that one special person.

Unless, of course, you’re Betty Cooper and Jughead Jones who have both seen the world in color since they met each other when they were two years old. Everyone always says that they’re so lucky to have met when they were so young, that they have their whole lives to be together and in love. There’s just one teeny tiny problem.

Betty and Jughead hate each other.


Keep reading

Discord Group Chat

Hey remember us? You probably don’t! We are the teenagers from the online summer camp thing. Have no idea what we are talking about have a link : http://anxiousmageofmind.tumblr.com/post/161062059790/calling-all-15-20-year-olds.

So we got a decent number of people who agreed. We can’t start the camp before mid June because of our busy school schedules but what we can do is make a group chat. If you want to join the camp feel free to Join the group. We’ll still try to keep it interesting with story times and puns.

Just wanted to put out there that we don’t allow homophobes, racists and other terrible stuff. Any people of this sort will be banned immediately. Also we don’t discuss politics because nyeh. And please don’t peer pressure others. Swearing is okay but don’t be excessive or use derogatory language. If you do I’ll probably give you a high five with a brick on your face. We chose discord because it’s the best platform for what we do and plan to do.
Want to join or tell us we are losers contact us on any of these links (you can also tell us we are amazing)
1) http://anxiousmageofmind.tumblr.com/

2)https://www.tumblr.com/blog/distinguishedkingdomwolf

3)http://meowlium.tumblr.com/

4)http://smol-angst-child.tumblr.com

florisam  asked:

17, 18, 23, 26, 41

17. Any OC OTPs?

No.


18. Any OC crackships?

Not really… xD (excepttheyouknowwhichmusicplayersI’mtalkingaboutship)


23. Introduce OC that has changed from your first idea concerning what the character would be like?

At first, Machi was going to be a 100% happy girl, totally cheerful 24/7 and would just not stop smiling even after seeing a corpse

Now? She’s someone who’s happy as long as everyone else is happy. If people start to feel sad around her, she won’t be able to avoid blaming herself for letting that happen, so she makes her best to make others happy, so that she can keep being happy. Her happiness is someone else’s happiness.


26. Have you ever had to change your OC’s design or something else about them against your will?

Why won’t you let me ki l l M a ch i  F L O  R ? !

Joking aside, I never change my OCs agaisnt my will, since I always try to improve them, so changing them is always for the better ^^


41. Has anyone drawn fanart of your OCs? If yes, maybe show a picture or two here (remember sources & permissions!)

I wouldn’t like to take away someone’s recognition by showing the picture here, but I have gotten fanart from my OCs and my persona indeed <3 you can check my fanart tag for that!

anonymous asked:

Any advice for people who are new to art/drawing in general? I have a lot of ideas but I'm not actually any good at drawing so I can never get it to come out onto the page the way I want it to.

Hey friend!

Uh, as far as art advice goes I think the two “tips” that I’ve found most helpful in my experience are the following:

1) Draw a lot. One of my college professors once told me that for every one good drawing that you do, you have to do a thousand shit drawings first, and I think there’s so much truth in that. It sounds like the most bland, regurgitated advice to say “just keep plugging away at it” but honestly, when it comes to drawing specifically that’s where the learning comes from. You can read as many books and watch as many tutorials as you want - and the knowledge they provide may indeed cut down the time it would take you to figure out certain tricks and whatnot yourself - but at the end of the day the only way to get better is to do it over and over and over again.

I draw professionally for a living so there are weeks where I spend 8 hours a day drawing at work and then another 4 hours or more drawing when I get home. They’re different kinds of drawing - I do comics in my own time, and more design-oriented stuff for work - but just putting my hand to paper, so to speak, for that amount of time has had unbelievable impact on my skill level. 

2) Draw from real life. Still lifes, life drawing, recreating photos, do it all and learn to master it. I was really heavily anime-influenced when I originally started, and while that wasn’t necessarily a bad thing - everyone starts somewhere, right? - my skill level jumped so much higher when I started doing introductory art classes where I had to draw shit like flowers and tires and pitchers and soup cans without labels and soup cans with labels and so many naked people of varying genders, ethnicities, and body types. 

Another professor explained to me at a point during my degree program that your artistic “style” is all really rooted in drawing realistically - it’s an amalgamation of the shortcuts and tricks that you develop to streamline how you draw certain things, and that was fucking mind-blowing to me because I spent a significant number of years worrying so hard about not having a definitive style despite the fact that my degree program was more concerned with drawing on-model than with having a distinctive hand. It’s absolutely true though. Everything that I do now is a direct result of me drawing hair or hands or noses or whatever so many times, pulling from real life and other artistic influences, and learning how to do it faster and better and more easily. 

I know these probably sound like the most boring pieces of advice, haha, but they’re the ones that I wish I had taken more care to heed when I was younger, because once I finally did start treating them as gospel, so to speak, I started seeing more improvement in months than I did for years when I was eschewing them as lame and boring.

Thanks for the ask!

ETA: You don’t have to be the most technically skilled artist to execute your ideas. There are plenty of folks who started out drawing comics that were so-so who are excellent writers and have really phenomenal vision that built their careers on their own art. The important part is getting it out there - not that you have to like, share it with the world, but draw it out not exactly the way it is in your head anyway. Pretty much everything I ever do looks different than I’m envisioning it in my head, but nobody else would ever know that because the only person in my head is me.

You can do it! I believe in you!

WIP MHA OC:

Okay so I know a lot of people have been doing their own OCs for MHA, so I kinda started thinking of one of my own, and here’s the general idea of what I have in my mind for him, any opinions welcome! (also kind of a self insert soooo….yeah, only slightly though)

Okay so basically, what I have in mind is a pretty young pro hero, like he’s only been a fully licensed pro for only about 3 years or so. Either from Shiketsu or UA, or maybe someone who wanted to go to UA and failed the entrance exam and tried again in a different school.

His quirk would be called something like, “Stalagmite”, in which he stomps the ground with one or both feet to cause stalagmites to burst out of the ground, the harder he stomps the bigger and and thicker the resulting stalagmite would be, with the downside being that doing so will cause a sort of backlash to go through his legs that could break all the bones from his feet all the way up to his waist if he stomps hard enough. His costume focuses on helping him maximize his power while toning down the damage he does to himself. 

Has a special move where he drops his heel on the ground with an ax kick with as much force as he can manage, creating a massive stalagmite that can get as tall as a small building, he calls it, “Stalag-MIGHT.” Only uses it on really big villains that he thinks can take it without dying or serious injury. 

Also he would kinda be like Tokoyami where his quirk is the stalagmite thing, but he has like, a Dino head of some kind on top of that. His hero name would reflect that, being something like, “Stone Age”, or, “Jurassic” and the like. 

He’d be pretty professional, but since he’s still new to this he’d have a bit of a reckless streak going, jumping into all sorts of fights that he may or not win, especially if a lot of civilians are involved, double that if there are any kids around. Also really quick to judge someone based on his first impression of them, it’d be almost impossible to change that opinion unless that person did something really note-worthy.

Also he really likes kids, he wants to adopt one since he doesn’t have a lot of luck when it comes to romance. Also some really young kids get scared when they see his face, he’s really self conscious about it so wears a mask.

Annnnd…that’s all I got, the more intricate details, like his actual name, kinda escape me, so any followers/mutuals have any thoughts?    

3

well, I,

ajcaimi  asked:

Hey Dana. I was wondering if you have any plans to develop and pitch a show of your own. If you do, what advice do you have for people who want to create their own show?

I did have plans to pitch a show. And I pitched it! And Disney bought it! And now I’m developing it!  It’s difficult and exciting ESPECIALLY because I’m doing all this for the first time. I hope I can show some images someday!

If I were to give one piece of advice to past me, it’d be to get comfortable writing entertaining scripts. As a showrunner the most important thing will be The Show, and 90% of The Show comes from The Writing. It’s difficult to find writers who will 100% understand your vision but if that’s an area you’re comfortable in you’ll never be an dire straits. I had never professionally written a script before my pilot. If I did maybe that part wouldn’t have been as stressful at the time haha. 

But let’s say you’re already good there. You’re good everywhere! 

How to pitch a thing! I used to love making “pitch books” as a kid, though I had no idea that’s what I was doing. It was just fun to develop worlds and characters! So even if you’re in HS or younger, making “pitch books” is a great way to spend your time and practice for the future. So get to it! Here’s just one format you can try: 

1. Cover page with short description of show and a fun image of your main character!

2. ½-1 full page describing your main character/s! (Don’t start with exhaustive explanations about the world, or any legends, or w/e, we’re here bc we want to connect with a character).

3. A couple pages with any other important characters you may have!

4. A page describing the most important relationships between your main character/s and others!

5. Simple 1 page description on how your world works! If it’s too complicated to get on one page, SIMPLIFY! Even the most complicated ideas can be pitched in 1-2 sentences. 

6. Important places! The main characters house? The bad guy’s castle? Stuff like that. 

7. Give em a couple episode examples! That’s where your show comes together, after all. 

And you’re done!

Fill your pitch book with fun images that show off your characters and your world! You don’t have to follow this format exactly, it’s your show, your pitch, do whatever you think will show off your ideas best. If you’re making an epic you might want to dedicate a page to where you want the show to go, and how the characters will evolve. Everything depends on what you want to make. But above all: Make it interesting to read!!! Make it fun to look at!!! Boredom is your enemy, fight against it!!!!

Are my exclamation points making this easier to understand? GREAT!!!!!

Now get out there and pitch some things cause I want new shows to watch.

and then there was me, a queer girl in the catholic church with traditional parents. i grew up with a fingernail caught in my throat. i changed the words to songs so i’d be singing about boys. i was scared of “gay”. my mother told me it meant happy but i knew it meant being pushed to the floor of the bus. i remember my bible school teacher telling us that the greatest sin a woman can have is not giving a man her love. i remember realizing i liked girls and putting it in a box i labelled dirty and couldn’t bring myself to touch. when i came out i had to ask if my parents still loved me, like the idea of their acceptance ended where my sexuality began. they pull back when i accidentally slip and admit i like a girl. they promise the church doesn’t hate us, just doesn’t let us get married under god’s roof with god present. oh it’s a fine marriage, we accept it, but technically in the eyes of the church i’m living in sin. it would be better if i liked men. when i was 7 i was sure i was going to unhappily marry a man just to make my parents happy. at 23 i might marry a man just to make my parents happy.

god was this hard thing we couldn’t figure out how to handle. god came beyond the doors of the church. my god answered me at night but reminded me to cower. my god killed my brothers and sisters in the hands of others. how am i to reconcile that god that felt like love and belonging with the god called down in conversion camps. how am i to say i love the light of god when i have seen it burn the flesh of others.

i watch it still. for a while i was spitting and hissing and wouldn’t let god near me. i think it was better then, when i had shut my doors to the idea of it. once i tried to find god again i found myself desperately lost in the forest.

i was always so alone in church. always different. it wasn’t until i mentioned it once in an online chat that i found someone else who had gone through the same thing. how terrible, to form a community of people who have all been cast out. how powerful.

we, together, discussing at two a.m if god is real and if she is where she begins and ends. my brothers and sisters and family - we are all so strong for having survived this. for having been spat out by what should have accepted us. that first community. that first slap. the book that taught us not all books are homes. the book that i spent hours combing over looking for where my flaws were entombed. that curse that keeps following us, doggedly, just when we thought we shook it off - watching others take god as an excuse to punish us, to put into law our discrimination, to enact and enforce violence against us. “god loves you,” we were told. is this what god looks like? our first relationship with abuse?

i am stuck with an eternity of questions. can we find our own god? can we find her in each other? do we leave god entirely, and just find love in the stories of us lost lambs? is god worth it? was the word of god really to ruin us? is god even to blame for any of this, or is this how humans are when they find something to hit? 

all i know is this: i am not alone. and if you’re like me, come to me. talk. i’ll listen. god only knows nobody else did.

Six Years and Seven Days

This is pretending that Bellamy could hear Clarke talking all those years, she just can’t hear him responding, and that the ship at the end is them coming back to Earth. 

So…pain. 


Day Three

“Bellamy…are you up there? Are you alive? Is anyone alive?”

Static.

“I only woke up yesterday. At least, I think it was yesterday. I barely made it into the bunker in time, but I made it. And the computer says it’s been three days since the radiation hit, and I was so hungry I thought I might die. Please tell me you didn’t die.”

Silence.

“Bellamy, my mom was right. In a way. My face is disgusting, covered in boils. You’d be laughing at me…probably. Because she was right but so were you. I’m not dead Bellamy. I hope you aren’t either.”

His fingers slammed on the respond button, pushing it down to the point of it feeling like it would crack from the pressure.

“I’m not dead, Clarke. I’m not dead.”

Keep reading

episode two :: Yuri realizes, suddenly and terribly, he might be a little bit in love.  


Victor doesn’t even try to go to sleep.  He just lays in bed with his laptop, watching the thirty-seven takes of Yuuri trying to get “hi, I’m Yuuri Katsuki, and I’m the Bachelor” out of his mouth.

Don’t they know who I am?” Yuuri slurs on screen.  

Yuuri, you have to put the champagne bottle down, you have to pretend to be sober,” Phichit says off camera, all authority gone from his voice.  He’s trying not to laugh.

Phichit,” Yuuri says, and he takes a big swig from the bottle, bubbles pouring down both sides of his lips. “You can’t tell me what to do.  I’m Yuuri Katsuki, and I’m the motherfucking Bachelor.

Keep reading

anonymous asked:

Wow. I have a pretty big YOI account on IG and that shit bang honestly makes me feel like shit. I dislike part of the YOI fandom so much right now- can't people just let other people ship/write/draw/etc. whatever they want? I thought the YOI fandom was all about accepting eachother's differences and stuff? It's just becoming toxic right now and that makes me feel so stupid for being part of the fandom..... Maybe I'd expexted too much from a fandom this big :/

anon.. that’s what huge fandom do..
there’s always some people who messed the kinship of the fandom.
you just have to deal with it and move on.
actually there is no such thing as “accepting each other’s differences and stuff” in every fandom. some people will support you, some will not, and some will stab you in your back
go outside of your hiding and you’ll see the real hell of a fandom

that shitlist thing is just some people’s preference of enjoying yoi. but I think they’ve gone too far by dumping literally every artists and authors in yoi fandom into their shitlist. dumping them into the shitlist also lowkey calling those artists and authors’ works “shit”.

it’s RUDE.

the amount of hardwork, backache, eye strain, digging for ideas, etc is tiring! they spent their days, weeks, months to create it so the fandom live. that’s…… if you ever create some artwork or fanfiction tho

they won’t reblog if certain art or fanfiction contains Yuuri wash the dishes, Yuri cuddling with Otabek, Mafia AU, etc.

don’t worry people outside that pure innocent yoi circle will still reblog and kudos your works. the scale is like 1:100000000000000000000000000000000000

I see they also hate seeing yuri have a kind of “feelings” toward ANY characters. they prevent yuri to growing up. in their opinion Yuri has to be a baby agape who can only chewing on pirozhki.

WELL DUH maybe you have to see the leaked comic book Kubo-sensei wrote for Yuri’s Welcome to The Madness.
it’s OFFICIAL that Yuri, who is written 15 y.o BEG TO COME ALONG WITH OTABEK TO THE CLUB.
OTABEK DID NOT ALLOWED HIM
BUT YURI INSIST! AND HE’S ANGRY BECAUSE BEKA LEFT HIM IN A BAD MOOD.
HE LOVE WTTM BECAUSE IT’S EXPRESS HIS FEELINGS PERFECTLY. without those girly ballerina moves like in agape and in allegro appassionato he actually didn’t fond of.

BAM!

in official Yuri is a rebel edgy teenager. he’s more mature than what you think. if Yuri was real, he would hate everyone who call him little kid.

the point is just keep doing what you like most. DRAW MORE, WRITE MORE. let those antis mind their own businesses. there’s still a ton of people in the fandom that will support you

squint at where you’re from

oops sometimes you gotta

spoilers for 413, bellamy/clarke, 1600 words, gen. AO3!


Even though it’s not really the same as coming down in the first time, Bellamy still has this strange sense of deja vu as he looks at the door. The ship is smaller, he has fewer people with him, he feels both more and less sure of what he’ll find. They tried to hit the only spot of green they could see, but the controls are a mess, so he’s not sure they got to it. The whole fucking ship is a mess, built out of whatever scrap they could salvage. Even with six years to perfect it, the thing is still held together with spit and prayer, according to Raven.

But it got them to the ground. They’re back.

“Just open the fucking door!” says Raven, and Bellamy lets out a long breath and finally hits the release.

He knows what he’s hoping for: clean air, plants, blue sky. And he gets all of those.

He just also gets a girl, maybe ten or eleven, with brown hair in braids, pointing a gun at him. Which is honestly fairly encouraging; someone survived, and they have firearms. So she probably came out of the bunker.

He puts his hands up on reflex.

“Hey, uh–we come in peace,” he tries, and then says it again in Trig, for good measure. He doesn’t recognize her, but that doesn’t mean anything. She could be from another clan; there are plenty of them he doesn’t know. Or–his heart trips on the thought–she could be a nightblood. She could have survived because of that, and if she survived–

The girl pulls her gun back and looks at him critically. “Are you Bellamy Blake?”

He blinks a few times. “Um, yeah. I’m Bellamy Blake.”

“Really?”

She sounds skeptical, which doesn’t make any fucking sense. She’s the one who brought it up. There’s no reason for her not to believe him.

“Yeah, really. Did you come out of the bunker? Is my sister with you? Octavia?”

You’re Bellamy?” she says, like she didn’t hear him. She’s making a face like something smells odd. “I thought you’d be taller.”

Taller?” he asks.

Raven pokes her head out. “It’s been five minutes and you’re already being held at gunpoint? You sure have a way with people, Bellamy.”

“Look, we don’t want to hurt you,” he tells the girl. “Just–”

“I know,” she says. “You just want to see Clarke.”

Keep reading

Levi Ackerman: The Abuse Claim

Alright, so here I am with another long ass meta post. Only this time, this one is directed solely at the legend, Levi Ackerman himself. Yet again, I am seeing the “Levi is Abusive” mumbo jumbo and I have spent my two years in this fandom quiet about my opinions on this for the most part because I do not enjoy drama. However, after this last batch of Discourse™ that I have seen, I have been pushed beyond my ability to bite my tongue. 

This is Part One to a two part meta, and this is me basically trying to shine light on Levi’s actions a bit and why he behaves the way he does. In no way do I try to justify all of the shit he carries out so don’t think this is just a fangirl squeal post. I’m simply trying to better explain his character for the people who seem to think he is some kind of rage beast who beats kids for fun in his spare time. 

I will be putting this under a Read More because it is extremely long and also contains spoilers. I’d also like to state that this would be best read from a computer or the mobile website as it contains a metric fuckton of manga panels used for reference (seriously use any other means outside of the mobile app to read this because the app will butcher this post and cut out a majority of the images). If you are sitting down to read this, please make sure you are comfy, cozy, and drinking a nice warm beverage. Now then, 

DISCLAIMER: This is my personal opinion. In no way am I stating what I say here is completely accurate. if you disagree with my opinion, good for you! That’s your prerogative. However, If you are going to send me messages trying to argue points of view with me or send me hate messages because my opinion differs from your own; do us both a favor and just don’t even bother. WARNING: Major spoilers ahead.

First and foremost, this is the scene I see brought up the absolute most so I’d like to go ahead and address it first:

Keep reading

Columbine Songs
Eminem
Columbine Songs

Eminem and Columbine


I am an Eminem Fan for years now and when I started to get more and more into True Crime I was surprised to find a lot of his Lyrics mentioning Columbine which I never really realised before. Of course he also mentioned other murderers or events, like Ted Bundy and the Aurora theater shooting but I wanted to start with the Columbine lyrics because there’s a lot of material. So let’s start:


The Way I Am, 2000
0:00-0:16
When a dude’s getting bullied and shoots up his school
And they blame it on Marilyn and the heroin
Where were the parents at? And look where it’s at!
Middle America, now it’s a tragedy
Now it’s so sad to see, an upper-class city
Havin’ this happening

Marshall states that he thinks that he thinks that not music is the reason for the shooting but bullying and the parents. But as we all know Marilyn Manson was partly blamed for Columbine by the media.
Em is also making fun of the fact that Columbine was the first shooting that people cared this much about although there have been a lot of shootings but now it happened at a “nice” school.

There is an alternative version of this song featuring Marilyn Manson (x)
He performed it live with Manson (x and x)
Manson also appeared in the official video (x)

Remember me, 2000
0:17-0:30
Came home and somebody musta broke in the back window
And stole two loaded machine guns and both of my trenchcoats
Sick, sick dreams of picnic scenes
Two kids, sixteen, with M-16’s and ten clips each
And them shits reach through six kids each

Em is making fun of the idea that musicians like him are a bad influence because he is not the one who gives these kids their weapons.

And as we all know, Eric Harris and Dylan Klebold both wore a Trenchcoat when the attack started, that’s why „both of my Trenchcoats“ were stolen. And so he thinks that they were stolen to start another Columbine.
And when you have these „two kids“ with guns that, when you shoot them, „reach through six kids each“ you have 12 dead kids. And as we all know, during the Columbine massacre died 12 kids (and one adult).

By the way, Eminem needed two months to write his whole verse on this song while Sticky Fingaz wrote his verse in one day. 


I’m Back, 2000
0:30-0:41
I take seven [kids] from [Columbine]
Stand ‘em all in line, add an AK-47, a revolver, a 9
A MAC-11 and it oughta solve the problem of mine
And that’s a whole school of bullies shot up all at one time

This is probably the most well known Columbine reference made by Eminem.
This album came out one year after the massacre so it was still an sensitive subject. Therefore his label censored these two words (Kids and Columbine), even on the explicit version of the album.
I don’t think I have to explain what exactly this lyric means, it’s pretty clear.
In his book he states this:


“ I was getting shit about the Columbine reference on “I’m Back” and the label was telling me that I wasn’t gonna be able to say it. My whole thing was, what is the big fucking deal? That shit happens all the time. Why is that topic so touchy as opposed to, say a four-year-old kid drowning? Why isn’t that considered a huge tragedy? People die in the city all the time. People get shot, people get stabbed, raped, mugged, killed and all kinds of shit. What the fuck is the big deal with Columbine that makes it separate from any other tragedy in America?”

In 2015 a 15 year-old boy was arrested. He posted these lyrics on Instagram and added “Cause I’m just like shady and just as crazy as the world was over that whole Y2K thing”
The origiginal lyrics are “ ‘Cause (I'mmmm) Shady, they call me as crazy
As the world was over this whole Y2K thing”

When authorities searched the boy’s home they found weaponry and eventually arrested him. He denied any knowledge of the weapons and said he didn’t post this text on Instagram.


White America, 2002
0:42-0:48
White America, I could be one of your kids
White America, little Eric looks just like this

In this song it’s not only about the Lyrics but also about the music video.
With “little Eric” he mentioned Eric Harris but it was also meant as an example for a typical white kid. He is from middle america because his name is in the middle of amERICa.
The interesting part is, as I said, the video. Where you can see news of an school shooting during “I could be one of your kids”
And during “little Eric looks just like this” you can see one of those typical yearbook pictures and the house of the school shooter. The house looks a bit like the one the Harrises had.

When these lines get repeated you can see a boy full of (probably) blood stepping out of the map of america. On his shirt is written “I am Eric”.


Rap God, 2013
0:49-0:54
I’ll take seven kids from Columbine
Put ‘em all in a line, add an AK-47, a revolver and a 9

This was the first time we could hear the Columbine Line uncensored. Eminem didn’t rap all of the “I’m back” lines because he just wanted to
“See if I get away with it now that I ain’t as big as I was”
As you can hear, he got away with it.





Eminem is one of the few people who openly give their sympathy for the two shooters.
He admitted to be interested in serial killers in this statement:
“I did find myself watching a lot of documentaries on serial killers, I mean, I always had a thing for them. I’ve always been intrigued by them and I found that watching movies about killers sparked something in me.The way a serial killer’s mind works, just the psychology of them is pretty fucking crazy. I was definitely inspired by that, but most of the album’s imagery came from my own mind.”

But Marshall Mathers seems to have an very personal realationship with the whole Columbine Issue.
He himself was bullied on a daily basis during his childhood, often for his race and for always being the new kid. When he was nine years old he got beaten up so bad he was in an coma for several days. I think he is one of the people who is trying to understand what Harris and Klebold were going through.
But I think it is important to mention, that he is the living proof that even when your life is is shitty right now because of some people who have nothing in their life but to terrorize you, that you can still have a better life. And you beat them best when you keep on living.

“That Columbine shit is so fucking touchy. As much sympathy as we give the Columbine shootings, nobody ever looked at it from the fuckin’ point of view of the kids who were bullied—I mean, they took their own fucking life! And it was because they were pushed so far to the fucking edge that they were fucking so mad. I’ve been that mad.

-Marshall Mathers

A friend of a friend was commenting on her son’s spinner, and how “it seems so stupid, but if it helps, whatever!” and i really, really wanted to explain why it helps. because people thinking it’s “stupid” tends to get in the way of those of us who need these types of things being able to use them.

so i finally sat down and wrote this. and i figured i’d share it here, because some of you might not know why stim toys are great and crucial to a lot of people, or other “weird” things like rocking. and others might need a way to explain it to the people around them!

please let me know if you have any ideas about what else to add! here’s what i said to her:

I wish I could articulate what they do and why they help.

Some brains get very jumpy with certain kinds of sensory input – like fluorescent lights, ambient chatter, physically or psychologically uncomfortable settings, random super-loud noises like bells and alarms…

That can make it impossible to focus, to take in information (like what you’re reading or hearing), or create a ton of anxiety and meltdowns.

Certain people, like those of us with ADHD, or who are autistic, or both, have that type of neurology. And the great thing about it is that we also come with the built-in ability to counteract bad sensory input.

We can feed soothing, calming, positive sensory input to our brains to let us focus in jarring environments, or to prevent meltdowns, or to calm anxiety.

Depending on the person, that can come from rocking, from spinning one of these dealies, from humming, from nice textures, from clicking buttons, from chewing things or other sources of light comfortable pressure….

And the reason it works is that, for example with a spinner, it provides a pleasing, continuous, controllable, satisfying pattern and sensation that the brain can use to override all of the overwhelming external stimuli that we often can’t even articulate.

But for people who don’t like a particular stim, or who have a different neurology, it can seem completely baffling!!!

And so the downside is that a lot of us CAN’T use our self-soothing superpowers, because people think we look weird or are just fooling around or, generally, that it’s stupid.

So the more people who can understand that this is actually amazing, the better :D

like real people do p.3 | jeon jungkook

summary: the feelings for your friends with benefits are changing. months pass, and you feel your gut telling you that you want more. you’re just not sure if he feels the same.

college student!reader, friends with benefits!jungkook

piece 1, piece 2, piece 3

this component is based off 6LACK’s ‘Prblms’

Keep reading

3

No offence, Kara, but there was literally no need to mention Kara Danvers in any of these situations lmao

In the first gif, Lena says, “Supergirl! I can’t believe you’re here!”, and Supergirl’s response is not “I believe in you”, which would have worked just fine; no, it’s Kara Danvers who has faith in Lena, and she wants Lena to know that.

In the second gif, Lena asks her how she knew that she was in danger. Instead of just saying “I have superhearing and heard that you were in danger”, she uses the “Kara Danvers sent me to save you” excuse again.

In the third gif, there is an alien invasion going on, so of course Supergirl would be there to save as many people as possible; especially Lena, who considers not only Kara but also Supergirl her friend, and vice versa. Obviously Supergirl would try to save her friend. But again, it’s Kara Danvers who sent Supergirl, as if Supergirl would have no reason to do so on her own.
She’s definitely not saying that because of Mon-El. He knows Kara is Supergirl, so it was obviously Lena who she wants to believe that Kara wants her safe.
And she’s even putting her secret identity at risk here, because Lena knows Kara is dating Mike, but Mon-El is there as himself without glasses, and why would Kara Danvers want to save Mon-El?

So why would she willingly make a connection between Supergirl and Kara over and over again?

Honestly, the only logical  explanation why she always tells Lena that Kara Danvers wants to save her is that Kara wants to deepen her relationship with Lena, to impress her and to show her affection and how much she cares about her. And they already are best friends, and Kara is Lena’s only friend, so technically there is no need for Kara to keep doing this… unless she wants something more.

rachelhanke  asked:

Hey Charlie! First off, I adore your art. It gives me all the feels. Secondly, since you're primarily a self taught artist I'm wondering if you have any resources you strongly recommend for someone hoping to someday have a similar job to yours in concept art? If you've already answered this question just let me know and I'll comb through your blog to find it!

ESSAY IMPENDING.

I think, along with resources, I’d always recommend having a good idea of what ‘area’ you want to work in too. My job is kind of a strange one (in that it’s an house job but we’re not producing the games or films or actual products.) We are a step in the production line. I get to be part of sweet projects, but also I get to be part of many… I’m not locked into whatever a studio might be making for 2 or 3 years etc. My fingers are in a lotta pies.

The reason I say that is because a lot of people coming into concept will likely need more skills than I have. I am 95% a 2D artist. I work with 3D but very rarely, and not enough to know the inns and outs. I like 2D… and I consider illustration to be the sweetest spot of all the work I do, so I’m quite happy with that balance (and I’m an old fucking curmudgeon and I don’t wanna learn no 3D.)

If you went for a traditional role in a games studio, it will probably be more expected for you to be fluent in 3D. Not always of course! But it’s likely another good skillset to have. Purely 2D (just art focused) roles are not something that I see as often as mutiltasking roles. Which makes a lot of sense. 2D art is often mostly needed at the beginning of a project, and briefly at the end. In my seven years at Atomhawk I’ve seen a lot of people in other studios laid off, and a lot of studios go under. So, multitasking roles mean people will always have something to do.

APOLOGIES. I’M SOUNDING A LITTLE DOOM AND GLOOM. Great jobs exists! People will always make cool stuff!

I’m very much a jack of all trades and my job demands a lot of different things: characters / turn arounds / outfit designs / expression sheets / illustration / marketing art / pitch art / but it’s all primarly focused around characters. So. If characters are what you want - look into that! I would say that when it comes to apply for / getting work etc, we always love to see range. If someone isn’t showing me all the process behind their work it’s likely the first thing I’m going to ask for when it comes to an interview. I think if you have shiny work (on a freelance basis) a client would have enough confidence in the end result. But for a production role like mine, I wanna see that stuff.

Rough sketches through to shiny polished work. The whole lot. I want it all. I want to see people’s thinking! I’m rambling.

First of all: be able to draw well. Know your characters. Know your figures. Know your anatomy enough to make it convincing and be able to twist it when you need to. We get a lot of people who apply, who, quite simply (don’t hate me) are not good enough yet. We have people who work in tons of different styles and methods but at the heart of it, they can draw well.

DESIGN. Mother of god. Design. Drawing well is the first step, but you also have to have that creative flair to be able to come up with ideas and be able to sell them convincingly. Drawing the thing is only half the battle. No one wants a beautifully rendered character wearing the most impractical / boring outfit you’ve ever seen (just an example). Thinking logically about design is something I’ve seen underestimated many times over the years. In fact, I’d go as far as to say it’s more important than someones drawing abilities. When it comes down to it, drawing is just the tool to represent the design.

Resources wise: the internet is your oyster! Cast a wide net. Create the kind of work you want to do but also push yourself. I think the results are usually better when artists find an area they’re good in and the push the boundaries of that. Better than trying to be a jack of every single trade possible. Don’t have an awesome portfolio full of character work and then think ‘oh, wait, this is just characters, maybe I should stick a fucking car in there too?’ YOU KNOW? Do what you do - and do it well.

Briefly just a few of the things that helped me most: any massive black videos you can find. Mostly for process. Jason Chan’s videos easily had the most impact for me, both in learning how to improve my process and painting the kind of characters I wanted to. Micheal Hampton and Mike Mattesi (force) for anatomy and energy in poses. Your peers! Your favourite artists in the industry at the moment! The places and people you will learn the most from are always so very individual.

Shit that was long. Good luck!

PS. It’s also my humble opinion that you should never take all of your advice from just one person - just take the pieces that click for you :)