i have no idea who any of these people are so

hey remember that au i have where kakyoin is a dead inside retail worker somehow having ended up at the only haunted 7-11 in japan while jotaro is a slightly haughty witch who comes in at 3am every morning and for some reason has made it his mission to try and scare kakyoin ? well i have a few ideas for it now haha:

- Jotaro’s been trying to scare Kakyoin because it was a dare from his grandfather, who is also a witch. Joseph was like ‘haha if youre really any witch worth your salt you can scare that cashier at the 7-11′. Jotaro is a shitty impulsive young adult and takes the bet but Kakyoin is so fucking indifferent to his attempts that it becomes an actual challenge

- All according to keikkaku- Joseph told Jotaro this because he wants his grandson to just fucking interact with people goddammit. If anyone can manage to befriend his reclusive water witch grandson its this cashier

- Joseph tends to use light and electricity magic to make himself young during the night- kind of like he recharges during the day as an old man and then goes out to play with the moon.

- There are at least three demonic possessions a week. At this point Kakyoin is just like ‘Sir if you don’t let that human go I’ll be forced to evict you from that body and the premises’. demonic screeching. Kak just fucking sighs and raises his broom like ‘alright no other choice’

- The youkai who come in slowly become unnerved by the human so willing to beat them around with a broom, who doesn’t seem to be startled by any chance of possession or attack. He has no power to speak of- no power except a powerful indifference, a healthy will to protect, and a determination for his next paycheck

- Kakyoin goes through several near death experiences. One that Jotaro walks in on ends up being with Kuchisaki-onna, and before he can even dash in and separate them Kakyoin has her weapon and has her on the ground, trying to talk to her politely while also putting the mask back on.

- There’s weird shit like sentient umbrellas and cotton balls that come in. The first time Kakyoin sees a paper umbrella with one eye hopping through the doors of this shitty convenience store he very nearly loses his goddamn mind and almost ends up laughing hysterically

- It’s not all bad- there’s a ghost that hangs around the store from 1800s England named Jonathan. He doesn’t know how he got stuck in modern day Japan, but he’s still very pleasant and all around nice to talk to, especially during quieter nights. He’s endlessly excited by modern technology and by new archaeological discoveries that have been made in the last century.

- He has somewhat of a soft spot for childlike spirits. Sure Kakyoin has no idea how to feel about kids but he sees that most of these kids are fairly well meaning and sneaks them little candies and things. In return, they bring him little trinkets and things of dubious supernatural value

- He gets away with this because he negotiates with his boss to get a raise, since he knows damn well no one else will take the night shift and he also knows damn well that 900 yen an hour is not enough for all the bullshit he puts up with. He Knows His Value

One of the reasons why I pulled away from this messy fandom environment is because of how awful some of you act. People sexualise the boys to a point where they’re a hunk of sexual meat instead of strangers/human beings, some people are so threatened by the idea of these boys dating women that they create conspiracies that turn into an excuse to harass and bully people and CHILDREN. The boys can’t date anybody without someone having a problem with it. They can’t promote their own work in the same week as another without being accused of “stealing thunder”. People call music from the boys who aren’t their faves “shit” or just act childish when the others are successful. People argue over whether or not Zayn is relevant, people still drag Taylor Swift into this mess when she has moved on and deserves none of it. I am just so tired. This fandom has always had problems, but now that it’s split five, six ways. It is near impossible to enjoy any of it.

anonymous asked:

sorry if youve already answered this but who/what do greywaren sound and look like? who inspires their music and what genre is it actually? just came across finding that love song and am very curious!

So this is a very boring answer, but the answer is: no, not really, BUT, I did that on purpose.

There’s a sort of “joke” somewhere in chapter 2 (I believe - whenever they find out Blue is a drummer) where Noah, Ronan, and Gansey all describe their sound with a different type of music. I didn’t want to choose one specific genre because I wanted people to imagine their own sound. (And also a bit because I’m no good at descriptions.) 

However, I do have an idea for what type of music each of the individual band members listens to. It’s kind of narrowed down to:

Noah –> synthpop/80s inspired (Chvrches, Bleachers)
Blue –> a sucker for female musicians and any drum-heavy songs (think Tegan and Sarah, Garbage, Blondie, Keith Moon/The Who) 
Gansey –> loves his classic, old-man rock that everyone is familiar with (Beatles, Rolling Stones, Beach Boys, and for whatever reason, I am absolutely CONVINCED he would love Phil Collins/Genesis) 
Adam –> an indie prince, loves anything indie and moody (Sleeping at Last, Seafret, R I T U A L, Bon Ivar, anything Irish sounding because he’s a sucker)
Ronan –> only god knows/it depends on his mood 

Chat? Chat? Chat?

The Admin Who Dwells in the Shadows of the Net

Hello everybody!

As per the norm, I show up 15 minutes late to the latest trend without even a Starbucks. But my own inept handling of social media aside, any of my friends/followers here interested in joining a Discord chat? I’ve been thinking it might be a good way for people to engage with this blog and each other a bit more. Obviously topics of discussion will focus on John-117, Kelly-087, Blue Team as a whole, and general Halo stuff.

If the interest isn’t really there I’ll just put the idea on ice. Which is fine. But obviously I won’t know that until I get some input from you good people. :)

So feel free to sound-off in a reply/reblog/ask/what-have-you, and I’ll update this post as soon as I get a consensus of opinion.

Thank you very much as always & best wishes!

GreenleafCM, Admin of The Eagle and The Rabbit

3

well, I,

  • Me: *posts anything to do with Cult Ending*
  • Some guy with a megaphone, directly next to my ear: Actually the Cult Ending is CONFIRMED non-canon and scrapped content, despite there being no evidence to prove this!!! The game is 100% wholesome and comedy and nothing dark at all!!! Why even post about something NON-CANON???
  • My gay, horror loving ass: Let me have my own fun, damn it.
Main points from Afterbuzz interview

Spoiler warning for season 4!

So Afterbuzz TV sat down with Lauren Montgomery, Joaquim Dos Santos and Jeremy Shada to review episodes 1 and 2 as well as discuss the season as a whole. Here’s a summary :)

*Note: a lot of this is paraphrased since I was taking notes as I was listening, but it’s as true to what was said as physically possible

  • About Keith (and Shiro):
    • Last season was a lot about building Keith’s confidence as a leader and then immediately he steps out of the role. Joaquim says Keith has always been reluctant to be in the leader position
    • Lauren says we have a situation where we have one paladin too many, something’s gotta give. Had Shiro stayed gone Keith would’ve absolutely stayed put, but with Shiro back Keith feels like he can’t fill those shoes, so he’s kinda pulling back to sort of force Shiro to step back in
    • Lauren is responsible for the Shiro & Keith cameo in the background of the Holt final photos before the Kerberos launch
    • Lauren calls Shiro Keith’s “guiding light”
    • Lauren says Shiro is going to have a “lot of development” 
    • Jeremy teases more backstory 
  • About Matt:
    • The fakeout at Matt’s grave was Joaquim’s idea
    • Steve Ahn’s birthday made it into the graveyard scene as Matt’s wrong birthday (or perhaps the coordinates? wasn’t clear)
    • Jeremy says he watched the graveyard scene not knowing anything since he wasn’t in that episode, and even he believed it for a second, despite Matt’s VA being around a lot to record lines
    • Lauren says she still gets affected and she’s known since day one that Matt will be back (”and he’s gonna be a rebel and he’s gonna be an action star!”)
    • Matt is a huge dork. He had to grow and evolve to survive but at the heart of it he’s still Pidge’s dork of a brother 
    • Matt was the only person Pidge could relate to growing up because she was way too smart for everyone else in her class, smarter even than her own teacher, so she had no one except her brother. And then he kinda left her behind, not intentionally or in a mean sense but still
    • Matt got into the Garrison on brainpower and he isn’t as powerful as some other characters. He very much fights like someone who isn’t a big guy (speed not strength)
  • About Lance:
    • Lance is all about being in the spotlight. The Voltron shows are everything he’s been waiting for
    • Jeremy says it was fun playing those more lighthearted episodes after the more serious growing and maturing from last season
    • Lance has a lightheartedness to him; Jeremy says that’s his favourite part of playing him
    • Lauren jokes that it’s all Jeremy’s fault cause he’s so good at playing Lance and if you’re mad that Lance is funny all hatemail goes to Jeremy
    • Joaquim says it’s tough with so many characters, but reiterates that every person will have their time in the spotlight
    • Regarding Lance’s pep talk to Allura at the end of the season, Lance knows when someone needs to step up, he’s a really good team player. He loves being the center of attention but he’s also able to pull back. Jeremy says the team is like a family now, and it’s that respect and care and love for everyone on the team that lets Lance be confident in saying stuff like “I know you can do this, it’s all you” as opposed to something like “I think I can do something!”
    • Lauren points out that Lance started in the blue lion which is a support lion, holds Voltron up, and he’s since graduated to the right hand which is like the ultimate support to the head. It’s a good indication of what’s beneath the surface, he’s really good at knowing everyone’s strengths, good team player
    • Joaquim adds that if you look deeper, Lance comes from a big family, and within the family dynamic he was probably very much that guy. But to people outside the family he wants to be seen as front and center
    • Jeremy says Lance is going to continue to grow, building on the more serious moments from this season and the one before. Lance becomes “a voice of reason” soon
  • About Lotor:
    • Lauren is to blame for Lotor dislocating his shoulder. They wrote themselves into a bit of a corner with that; they knew he had to get away but how? It’s not like he could drive with his mouth or pick the lock, the space cuffs don’t have locks. Joaquim says everyone cringed just looking at Lauren’s storyboards for that scene without even sound or anything
    • Lauren says Lotor is genuinely intelligent and we’ll eventually learn things about him “like maybe he’s not SUPER backstabby?”
    • [both Joaquim and Lauren are very tight lipped on Lotor backstory and relationship with Honerva etc]
  • Voice cast trivia: 
    • Josh Keaton voices Regris
    • Whenever there’s an extra lady voice it’s usually Kimberly Brooks or Cree Summer
    • Lauren recalls one amazing blooper when Rhys Darby (Coran) just got so frustrated with a line he cussed them out. Joaquim and Jeremy add that Rhys has this amazing way that he abandons a line, where he’ll just go dadadadada–awwh (“he deflates”). To be fair Rhys gets a lot of the hardest and most technical lines
    • Andrea Romano (the show’s retired voice director) did the robot voice at Matt’s grave–she has a tradition of doing computer voices (she was the batmobile for a long time)–and she also has done the Castleship’s voice as well as some helmet translations
    • Te-Osh was voiced by Lacey Chabert who does Nyma. She has a naturally high voice so they pitched her down for Te-Osh and found it turned out amazing
    • John DiMaggio voiced lieutenant Ozar as well as the bounty hunter and the illegal arms dealer from Reunion (There’s a cute story with Christine Bian–backgrounds and props supervisor–who is a huge Futurama fan so she came in the day John was recording and he was super nice and signed her things and as he left she yelled “Bender we love you!” and you hear down the hall “shut up baby I know it”)
  • The Blade of Marmora feel the most responsibility out of anyone to do whatever they can against the Galra given it’s their culture and they want to prove to everyone that they’re willing to go as far as it takes to right the wrongs, which unfortunately often leads to BoM operatives being not very long-lived
  • Joaquim says the grey alien from the mall goes to Earth every now and then for a round of abductions and then he resells everything, which is how he got all the game systems and Kaltenecker, etc
  • Pidge was determined to play her game and within a few months she had gathered everything to jury rig it so it’d work, and then of course Lance in typical Lance fashion jacked her game system the same way he jacked her headphones
    • The pixel artist they got to do the game is Michael Azzi, based in Brussels, and he came up with most of it on his own (that boss move at the end where the shot rotates was all his idea)
  • Any time the show goes Full Anime (the Kaltenecker scene, Matt and Allura’s meeting) it’s usually Steve Ahn’s doing
    • Joaquim says go watch Matt and Allura’s meeting in Japanese
  • The Voltron Show episode was very much their Ember Island Players episode. Joaquim says there’s a bit of a disconnect, that it was first and foremost an episode for them internally to come to terms with a lot of stuff, whereas a lot of people are saying “oh they’re speaking directly to us [the fans]” but that’s not the case. They’ve been thinking about this since a long time ago. Lauren says it was written and in production long before the fandom
  • Lauren would’ve loved to get to know the rebels a bit better and give Olia a proper introductions but just no time

So… here’s a little idea I’ve been toying with lately. As you guys already know, my computer got infected and hacked due to downloading some CC that was behind Ad.fly links. I lost my Netflix account to hackers and seriously risked losing my PayPal account, too. Needless to say, I won’t be touching an Ad.fly link (or other similar service) with a 10-foot pole from now on.

However, here’s the thing: I don’t know about you, but I have a feeling that finding cc that is not hidden behind a paywall or an Ad.fly link lately is becoming harder and harder.

And this is why I’d like to start an “Ad-free Creators United” project, a database/cc finds blog to make it easier for everyone to find creations that are NOT hidden behind an Ad.fly or Patreon link. To do this, however, I’ll need the help of a few fellow simmers, aka… YOU!

What are you looking for?
TS2, TS3 and TS4 players who are willing to help me hunt down FREE custom content for sims games and help me keep the cc finds blog updated.

What does “free” content mean?
Any cc creation that is NOT hidden behind an Ad.fly, Shorte.st or Patreon link.

Will this be something like Paysites Must Be Destroyed?
Nope. The blog will be solely dedicated to promoting creations that are shared for free (with no Ad.fly or Patreon links) by their original creators. Basically, it’ll be just a cc finds blog for free creations. No re-uploading of pay content.

How do I participate?
Send me an ask or a message if you’re willing to help me with the finds blog. Please, only send me your message if you’re ACTUALLY willing to work on this. If you don’t have enough time and/or are unsure on whether you can work on the blog itself, you are encouraged to reblog this post and spread the word around.

Fine, I want to take part to this. How many people do you need?
For now, I’ll need:

  • 2 persons to take care of TS2 cc finds;
  • 1 person to take care of TS3 cc finds (I’ll be the other person :D);
  • 2 persons to take care of TS4 cc finds;

Last but not least…

Are you a creator who doesn’t use Ad.fly? Get your name added to the database!
If you’re a creator and you’re sharing your creations for free, please reblog this post and fill in the following form:

  • Creator name: [your name]
  • Blog url: [the blog where you share your sims creations]
  • Games you create for: [a list of the sims game/s you create cc for]
  • What you create: [CAS, furniture, objects, retextures, mods, traits, retextures, recolors, mesh conversions, new meshes? List anything you usually create for here]

I imagine before he got to know them, Kravitz absolutely HATED the IPRE crew. Like, the dude is competent, but the guys have a habit of completely humiliating anybody they end up fighting.

Let’s rewind a few years. Kravitz is doing his thing. Kicking ass, reaping souls and killing liches. Heads back to his office in the Astral Plane (because i refuse to believe that the afterlife is anything but a stupidly complicated bureaucracy) and checks in on his current list of bounties.

There’s the usual list of necromancers, immortals, escapees from the stockade and users of profane rituals, you know the types, the guys who have the twelve syllable names and such. But there are seven new people he needs to hunt down. And all of them have died at least eight times. You hear that? It’s the sound of Kravitz getting paid.

So who does he go after first?

Merle Highchurch, fifty-seven deaths. God. So much reward. Kravitz hunts anybody by the name of Highchurch down, but nobody has any clues as to where the guy is. Kravitz heads back to the office and checks out all the information he has on the guy. And surprise surprise, he’s a follower of the god of bloody travelers. Krav could hunt down this guy for the better part of a decade, and he’d only find the guy by luck. Great. Wonderful. Fine. He has six other bounties to check out.

Magnus Burnsides, nineteen deaths. Okay, so Magnus is MUCH easier to find than Merle, if only because Magnus announces his name to anybody who asks. Lives in somewhere called Raven’s Roost. He’d been there a few times, not a bad place. So Kravitz heads over there. And great, the entire bloody town is on FIRE and the populace is DEAD. As a reaper, he’s legally required to take care of wandering souls he finds wandering around. So he has to take a good month or so wrangling a good 600 people into the afterlife. Much to his surprise, Magnus has a wife who recently died. The woman stares at him for a moment before laughing, because apparently Magnus can get lost in a goddamn hallway and it would take a goddamn miracle for Kravitz to track him down. Goddamn it.

Taako Taaco, eight deaths. Taako is, unlike the others, a complete goddamn ghost. The most he can gather is that the guy is a wizard and an elf and that is generally it. It is by pure luck he’s assigned to the Glamour Springs case, and hears about Taako Sizzles It Up. Okay, THAT is easier to track he thinks. Except Taako apparently did a show in literally EVERY TOWN in the world at some point and is charismatic enough that nobody is willing to tell him much of anything. And then, like both Magnus and Merle, he has apparently vanished into the mist and NOBODY KNOWS WHERE HE IS GODDAMN IT.

Lup Taaco, twelve deaths. Kravitz is not surprised that Lup is related to Taako because she is even harder to find than Taako. There is literally nothing except the fact that she died in some cave near Neverwinter. There are literally no souls in that cave, and he checked. Twice. So where the hell is she? Who the hell knows. Who even cares.

Davenport, nine deaths. Is somehow just as elusive as anyone else. Because these people hate Kravitz. Kravitz checks everywhere. A few merchants in Neverwinter remember having met a guy named Davenport a few years back, and he seemed pretty cool, and he bought a can of soup once. Great. THANK YOU MERCHANT MAN. SO VERY HELPFUL.

Barry J Bluejeans, twelve deaths. Barry fucking Bluejeans. BARRY GODDAMN JAY GODDAMN BLUEJEANS. Kravitz has no end of words for this asshole. Unlike the others, Kravitz has met this guy. He has no idea what goddamn class Barry is other than a magic-user because WHAT SPELLS DOESN’T THIS GUY KNOW GODDAMN IT. Oh oh oh and get this, he’s fueled by the power of love. Love. As if a normal lich isn’t annoying enough to deal with, but this guy apparently refuses to leave without his wife. A wife who, COINCIDENTALLY, has the name of LUP. And Kravitz knows. He goddamn knows, in the depths of his heart, that this Lup is the exact same one as Lup Taaco. BECAUSE THE UNIVERSE HATES HIM.

Lucretia, ten deaths. Somehow even worse than Taako, Davenport and Lup combined. Because he has nothing on her. At all. No class, no god, no spell-list, no ANYTHING. Alright. Fine. Detective Kravitz time. Her name is spoken very very rarely, and she is apparently the leader of some mysterious organization called a Bureau? Fine. Where is this Bureau. What’s that? It’s hidden? You can only summon a way there if you’re a member? Of course. Obviously. Wonderful. Why not. Cool. Great.

So now. Let’s advance to the start of the story. Kravitz is called out to investigate Phandalin. He arrives, and is immediately hit by a wave of pure fire. When he wakes up? He sees four figures in the distance. And three of them are Magnus. And Merle. And Taako. And Kravitz is about to fight them, when a goddamn orb appears from the sky and carries them to a goDDAMN SKY BASE WHAT THE HELL I HATE THESE PEOPLE

And then he finally meets these people by complete chance in the lab of Lucas Miller. And he is so happy. Because for the first time in six years, he has THREE OF THESE JACKASSES in front of him. There is no possible way they can escape this.

Guess what happens next.

So now, finally, let’s advance to post-Story & Song. And he has all seven of these assholes in front of him. Defenseless. He could reap their asses right now. But he can’t. Because the Raven Queen has declared they’ve earned a pardon.

A few hours after the celebration party, Kravitz warps back to his office and screams for a solid hour.

EDIT: Somebody mentioned the whole Barry dies like twenty times over the course of a decade so now I have to establish that at least five of those were Barry staring Kravitz dead in the face, killing himself instantly and rising out of his body as a lich. Just so that Kravitz can know EXACTLY how petty Barry Bluejeans will be.

Promise

He finds Lance waiting on his bed for him when he returns to his room, and can tell from a single glance that Lance knows. That somehow— either because Matt or Coran told him, or because he just understands Keith that well, even after so many months apart— Lance knows exactly what happened while Voltron was fleeing Naxzela. What Keith had been prepared to sacrifice. What he’d nearly done.

Lance looks up at the hiss of the door sliding shut. He hasn’t even changed out of his paladin armor. Not fully. His arm guards and chest plate have been removed and discarded on the floor, but otherwise he looks just as he did when Voltron finally reached the Castle again— singed, disheveled, and staring at Keith with large, mournful eyes.

Keith can’t bring himself to meet those eyes. They’re even more blue than Keith remembers, and so full of hurt it makes Keith’s chest ache. Lance should never have to look that way about anything. Particularly not because of him.

Keith turns away and takes his time removing his black, Marmora armor. He can’t bear to see Lance so upset. Can’t stand the heavy silence between them. The thick tension just waiting to snap. Can’t stand it at all, but also can’t think of anything to say to dispel it. Words were never his forte, after all. He was much better with actions. Except, this time, his actions are what’s causing this situation, and he doesn’t quite know how to handle it.

He hangs his armor in his closet— the one spot of black among all the red and white he’s so used to wearing. A visual reminder of all he’s left behind. All he’s given up so his team can keep moving forward. Across the room, Lance shifts. He shifts, and he clears his throat, and Keith closes his eyes, waiting, as always, for Lance to cut through the tension. For the berate that’s surely on his tongue. For the angry words and endless rants he’s come to expect from Lance.

It doesn’t come, though. When Lance finally speaks, it isn’t loud, or enraged, or anything Keith’s used to. It’s soft, instead. So soft he barely hears it. And so rough and broken it nearly breaks his heart.

“Keith,” Lance murmurs, voice shaking even over that single word. “Why?” Why did you leave? Why did you abandon us? Why did you give up? “You glorious, reckless idiot. Why did you do it?”

Why did you almost let yourself die?

Keith swallows thickly. “Something had to be done,” he answers. “It was the only choice.” He glances over his shoulder at Lance and gives him a sad smile. “After all, the universe needs Voltron. It doesn’t need me.”

“We need you,” Lance protests, standing. He crosses the room in three quick strides and turns Keith to face him, hands gripping Keith’s shoulders like iron vices, and the most serious expression Keith’s ever seen across his face. “I need you.”

And if that isn’t the most ridiculous thing Keith’s ever heard. Because if either of them needs the other, it’s not Lance. It’s not this boy who shines so brilliantly, who is everything Keith has ever wanted to be and more, who could probably charm the whole universe into peace if he really put his mind to it.

Keith’s smile turns wry and he shakes his head. “No you don’t, Lance,” he says, emphatically because he needs Lance to understand. “You don’t need me. Just look at everything you’ve done.” Look at all the people you’ve saved and inspired and encouraged in a way that I never could.

It’s not enough to convey everything Keith thinks about Lance, of course, but he honestly doesn’t think any words in the English language (or any language, even) will ever be enough. There’s no way to describe the way Lance shines in his element. The obvious joy he brings to his flying, and the fierce passion that flares through his fighting. The excitement he exhibits whenever they find a new ally. The way he draws people to him without any actual effort. The way he cares and protects and gives hope wherever he goes.

He’s a much better paladin than he gives himself credit for, and much more valuable to the team than Keith ever could be. Keith’s absence over the past few months has proven that. Has shown Voltron can continue, and even thrive, without him. That they would continue to do so even if Keith had died. They’d still have their heart, after all— it’s right there inside Lance. He’s the drive that pushes them all forward, and the glue that holds them all together, and if Keith can keep that alive by sacrificing himself, he doesn’t consider death too great a loss.

Clearly, however, Lance doesn’t agree. “That’s not what I meant,” he chokes out, voice watery and blue eyes shining with unshed tears. “That’s not what I meant at all, you idiot. This isn’t about the team, or Voltron, or even the whole goddamn universe.” His hands shift, sliding across Keith’s shoulders and up his neck to cup his face. Keith fights not to lean into the warmth of Lance’s hands, but when Lance gently tilts his head back he knows it’s a lost cause. He’s so weak to the man standing in front of him. Weaker still to the way his bright blue eyes bore into Keith, more intense than they’ve ever been before. More urgent. More desperate. More filled with longing.

“I’m your right-hand man, aren’t I?” Lance asks softly, so close now that Keith can feel his warm breath against this skin. “We’re in this together, you and me. I’d follow you to ends of the universe. So just please,” he pleads. “Please. Promise me you won’t go where I can’t follow.”

And how can Keith say no to that?

The tears are falling down Lance’s cheeks now, wet streaks against his dark skin. And, this time, seeing Lance so upset over him, over the near loss of him, Keith’s heart does break. It cracks and shatters under the weight of Lance’s grief, and Keith already knows it will never fully recover. Even if he tries to tape it back together and pretend it’s all alright, there will still be fragments missing— little shards that will belong to Lance, and Lance alone, whether Lance realizes that or not.

Keith closes his eyes and lets out a long breath. He turns his head into Lance’s hand, pressing his lips lightly against Lance’s skin, and if Lance is surprised by the gesture, he doesn’t show it. Doesn’t try to pull away or even protest.

“Ok,” he murmurs against Lance’s hand. “Ok, Lance. I promise.”

He’d do much more for Lance if Lance ever asked it of him, but supposes this promise is a good place to start. And when Lance smiles for the first time all day, and then pulls Keith into a tight embrace, he wonders why he ever thought leaving was a good idea. Lance’s arms are warm around him, more comforting than anything Keith’s ever known, and beneath the palm Keith’s spread flat against Lance’s back, he feels the faint, steady thump of Lance’s heart. Takes comfort in the fact that Lance is alive and well and right there with him. Takes comfort in the fact that Keith himself is still alive to feel it.

And, for now, that is enough.

anonymous asked:

Wait, i just... I need to ask you 'cause i'm really confused. You think sheith will be canon? Please don't take it as an attack, you can of course ship it in fanon but i really don't see how it could ever happen in canon? It's been mentioned multiple times that Shiro is a mentor/brother figure to Keith (and even said by Keith in the show) and hinted that there's this big age gap, and we actually saw Keith in his student uniform while Shiro's wearing his teacher one in the flashback so?? pls tell

Alright, so–the fact of the matter is, I just don’t see how Shiro or Keith could end up with anyone besides each other in canon. All of their major character development coincides with one another, they’re each integral to each other’s story arcs. They care for one another first and foremost, are closer to each other than anyone else. Keith in canon has this desperate desire to see Shiro–in his trial, Kolivan says as much. Keith’s constant fear of losing Shiro and this sense of longing for him–you don’t see that in a platonic, brotherly relationship. Keith’s fear of Shiro walking away and abandoning him is far more characteristic of unrequited love. 

Shiro and Keith’s dynamic is built up like a romantic relationship rather than a brotherly one. It’s written with clear parallels to zaggar

and the dynamic is noticeably different from Matt and Pidge–two actual sibling characters. This isn’t an accident, it’s very much apart of the narrative. Compare the way Matt looks at Pidge to how Shiro looks at Keith. There’s an obvious difference:

Keith’s overarching quest to save Shiro “as many times as it takes,” is also incredibly romantic. The way Keith mourned Shiro like his grief was the only pain that mattered, like no one else could’ve possibly cared about Shiro the way he did, like he’ll keep carrying a torch even when everyone tells him Shiro would want him to move on, that reads far more like someone grieving a lost lover than a brother. And you could see it in how differently Pidge reacts to losing Matt. 

There’s also the fact that Shiro always gets these very personal, tender goodbyes with Keith, something you’d expect from a love interest. Not to mention how Shiro is the only one Keith will prioritize over the mission. And even Shiro and Keith’s first scene would’ve established them as clear love interests if Shiro were a girl. The longing gazes Shiro and Keith share certainly aren’t brotherly either. And so many sheith scenes are very purposefully given a mood, framing, and intimacy of romance. Consider how Keith reunites with Shiro in the first episode compared to him seeing the other paladins. The closeups, softness, and tender way Keith reaches out to turn Shiro’s head closer. Or how they both hug after the BOM like they’re the only two people in the world, with Allura staring on and then quickly turning away guiltily–as if she’s intruding on something very private and intimate.

Or how the reunion between Keith and Kuron was exclusively for them and no one else. No team, no loud excitement or group celebration. Just two people longing gazing out at one another as they slowly drifted into each other’s orbit. Or look at any scene where Shiro and Keith are having a tender heart to heart. They’re usually either under a sunset or lowlight. The bedroom scene is especially telling, particularly when you compare it to Keith’s talk with Lance afterwards

One shows Keith and Shiro in the dark and vulnerable, there’s a heavy atmosphere and gravity to the scene that you didn’t get with the lightheartedness from Lance. The way Keith and Shiro are so close yet so far, closer to one another than they’ve ever been with anyone else, but still backing away and holding their distance–that’s not brotherly. It seems more like two people who are trying to suppress their feelings and are afraid to make that breach. And there’s always that sense of gravity that draws them together anyway

There is the “Shiro, you’re like a brother to me,” line. But curiously, I’ve never seen anyone say kl/ance was impossible because Hunk throws his arms around Keith and Lance and says, “We’re brothers.” I’ve never seen people say ka/llura or all/urance or sha/llura is impossible because Allura says “I’ve grown to consider you and the paladins my new family.”

I’ve never seen people say you couldn’t ship Keith with anyone on Team Voltron because, prior to the brother BOM line, holo Shiro says, “We’re all the family you need.” We as in, everyone on team Voltron is seen as Keith’s found family. Keith singling out Shiro with his brother line response is interesting though, because–yes, he does see all of Team Voltron as family. 

But he only focuses on his bond with Shiro, because it runs much deeper than what he feels for everyone else. Focusing on one line out of context as if Keith and Shiro is the only instance of found family is really transparent to me. If you’re going to discount sheith for that, every other ship between Team Voltron is out too. All of them. 

And as a bi guy, I’ll tell you that I’ve pulled the “you’re like a brother/sister to me” card before because I was scared of admitting my feelings for someone and it was a way to backpedal out of the situation without worrying that the other person would leave me for it. And we do know Keith’s worst fear is feelings, know that Josh said “[Keith’s] constantly scared he’s gonna say or do something wrong and he’s gonna lose Shiro.” It makes sense for Keith to hide his feelings. Plenty of people who’ve felt romantic attraction have done something similar. Also–Harry and Ginny, Ed and Winry, Aang and Katara–why is it that thinking of someone as just being like a brother or sister and then having it evolve into something more is seen as a natural progression if you’re straight, but somehow doesn’t apply if you’re gay? 

We already know that age isn’t a problem in canon because Matt flirted with Allura. He did that. That was fine. Allura has been said to be about the same age as Keith (who started at 18 and now is either 19 or turning 19) and we know Matt is the same age as Shiro. They were in the same class, and they graduated together. One wears the cadet uniform though and one wears an officer uniform. This is because, despite age, they have different ranks. Shiro has never been referred to as a teacher and has only been acknowledged as a past student at the garrison by staff. And we also know that Shiro graduated only a few years prior to Kerberos. You also don’t go up to your teacher and say you think of them as a brother. That’s not how it works and they’re not student and teacher. And if Shiro mentored Keith a bit in piloting, I don’t see a problem. Katara mentored Aang in water bending, but they still got married.

Staff have repeatedly supported Shiro and Keith in a romantic context, and have done so since the very beginning. To the point where Shiro’s VA came up with the ship name for it and one of the episode Directors drew fanart of it. Doesn’t sound to me like they were trying to push the whole “brotherly” idea very much. 

And we’ve been told that the show runners are fighting for lgbt representation, and that it’s something they’ve been working towards since the very beginning, that the start of that has been there since the first season:

  • Lauren (after being asked about the lgbt rep in korrasami and whether Voltron would ever “take that step”): “We have those first 13 episodes and if we ever went beyond that, we would like to push the envelope.” (source here)
  • Will we be seeing any lgbt representation?
  • Lauren: “It’s super important to us.”
  • Joaquim: “Just know that from our prospective, we’re fighting to create as open and broad a spectrum of characters as we can.”
  • Lauren: “We can’t give you any definite answers, but just know that–”
  • Joaquim: “We’re fighting for as broad and open representation as we can.” 

The only possible relationship I can think of that could’ve grown between two characters since season 1, that the writers have been steadily growing and still supporting, that has even a fraction of a chance of happening and would be worth fighting for in how prominent and well written it would be–is sheith. I know people like kl/ance too, but the writers have already said point black it isn’t happening and have only used female pronounce to describe Lance’s future love interest:

  • Interviewer: “I feel like there was a little tease? It seems shippers want to ship Lance and Keith together, so are there gonna be any hints of that at all? Or is it just more like–okay, they’re friends, they’re starting to become friends.”
  • Lauren: “I think we had a very natural arc in mind for those two. Which is, they start out at odds, but then they grow to kind of respect each other. And if that leads into people being like–they’re spending time together! Then that’s a ‘thing,’ but…We’re not trying to cater to or bait anyone into anything, we’re just trying to do what’s right for the story.”
  • Joaquim: “We also try not to be overtly affected by what popular opinion might be.”
  • Lauren: “And we’re working in animation. Our schedule is so far in advance for that–even if people shipped Keith and Lance, we couldn’t go back and just change the story–to be like and now they’re in love!
  • Joaquim: “There’s just no way. We’re already years past that storyline, you know?” (source)
  • Interviewer: What would Lance look for in a future Mr. or Mrs. Blue Lion? I’m gonna guess she meant Red Lion now. I think she’s trying to fill out her space Tindr profile. But yea, what is Lance’s–And I like this, because Lance is kind of all over the place. He hits on anything that moves and is pretty, which all the aliens are pretty. But what would he look for, really, in a partner or a soulmate?
  • Lauren: I don’t know if Lance knows what he needs. I know what he might look for, but what he might look for is not necessarily what he needs. I think he needs someone who is self-assured and knows herself, so that he can kind of become that same person and know himself.   (source)

So if there’s going to be any lgbt relationship, I’m certain it’s sheith. Recently, Lauren has also talked about fans pointing out the sheith cameo at the garrison, and excitedly said, “I put that shit in there!” And added that, “Shiro was still his guiding light. It was good.” I honestly think part of why she got so enthusiastic over it was because they’re coming closer and closer to revealing a relationship they’ve worked very long on and fought hard for and have kept under wraps. This was also teased when Jeremy said, “Hey, backstory guys. There’s more of it.” And Joaquim added, “It exists!” So there is a big story there, and we’re definitely getting it. (source)

Unlike Matt and Pidge, any inkling of Shiro and Keith’s backstory prekerberos is something the narrative’s always very secretive about it. Why keep that hidden unless it was going to reveal something monumental about their relationship? Like say, Keith harboring feelings for Shiro? Even just throwing in this little cameo like that, people might say it’s nothing. But we saw a similar background cameo with Zarkon and Honerva in the Black Lion’s flashback–and that leads to a whole love story. It honestly makes sense to me if they were planning something similar with Shiro and Keith. 

Matthew Mercer’s Raven Queen ™

I’ve been seeing a whole bunch of stuff being thrown around about the Raven Queen after the latest Talks Machina, mostly centering around the speech that could have happened if anyone in VM had tried to argue with the Raven Queen for Vax’s soul. For simplicity’s sake, just in case anyone hasn’t seen or read it, this is the speech Matt gave:

“Do you have idea how insignificant you are? You are the instruments of divinity. Everything you have accomplished is because we gave you the tools to accomplish it, for goals unforeseen to you that fit our needs and interests. You are nothing, and yet you come and beseech me this, after all I have done for you?”

And I get it, it’s incredibly rude! After everything VM has done, after everything they have bled for, struggled for, lived and died for, to call them insignificant at the moment of their greatest triumph? It’s a slap in the face right before she takes away someone who should have gotten the happy ending that everyone else was getting.

But I feel like maybe we’re forgetting a key element of the Raven Queen in the Critical Role setting.

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one thing i think is interesting, as someone who basically grew up playing video games non-stop, is how some types of video game just don’t gel with people 

like, it’s easy to forget that, even though i’m pretty bad at most games, that my skill at handling video games is definitely “above average.” as much as i hate to put it like this, i’d say my experience level is at “expert” solely because I can pick up any game controller and understand how to use it with no additional training. 

a friend of mine on twitter posted a video of him stuck on a part of samus returns. the tutorial area where it teaches you how to ledge-grab. the video is of him jumping against the wall, doing everything but grabbing the ledge, and him getting frustrated 

i’ve been playing games all my life, so i’d naturally intuit that i should jump towards the ledge to see what happens 

but he doesn’t do that.

it’s kinda making me realize that as games are becoming more complex and controllers are getting more buttons, games are being designed more and more for people who already know how to play them and not people with little to no base understanding of the types of games they’re playing 

so that’s got me thinking: should video games assume that you have zero base knowledge of video games and try to teach you from there? should Metroid: Samus Returns assume that you already know how to play a Metroid game and base its tutorial around that, or should it assume that you’ve never even played Mario before? 

it’s got me thinking about that Cuphead video again. you know the one. to anyone with a lot of experience with video games, especially 2D ones, we would naturally intuit that one part of the tutorial to require a jump and a dash at the same time.

but most people lack that experience and that learned intuition and might struggle with that, and that’s something a lot of people forget to consider. 

it reminds me a bit of the “land of Punt” that I read about in this Tumblr post. Egypt had this big trading partner back in the day called Punt and they wrote down everything about it except where it was, because who doesn’t know where Punt is? and now, we have no idea where it was, because everyone in Egypt assumed everyone else knew.

take that same line of thinking with games: “who doesn’t know how to play a 2D platform game?” nobody takes in to consideration the fact that somebody might not know how to play a 2D game on a base level, because that style of gameplay is thoroughly ingrained in to the minds of the majority of gamers. and then the Cuphead situation happens.

the point of this post isn’t to make fun of anybody, but to ask everyone to step back for a second and consider that things that they might not normally consider. as weird as it is to think about for people that grew up playing video games, anyone who can pick up a controller with thirty buttons on it and not get intimidated is actually operating at an expert level. if you pick up a playstation or an Xbox controller and your thumbs naturally land on the face buttons and the analog stick and your index fingers naturally land on the trigger buttons, that is because you are an expert at operating a complex piece of machinery. you have a lifetime of experience using this piece of equipment, and assuming that your skill level is the base line is a problem.

that assumption is rapidly becoming a problem as games become more complex. it’s something that should be considered when talking about games going forward. games should be accessible, but it’s reaching a point where even Nintendo games are assuming certain levels of skill without teaching the player the absolute basics. basics like “what is an analog stick” and “where should my fingers even be on this controller right now.” 

basically what i’m saying is that games are becoming too complex for new players to reasonably get in to and are starting to assume skill levels higher than what should be considered the base line. it’s becoming a legitimate problem that shouldn’t be laughed at and disregarded. it’s very easy to forget that thing things YOU know aren’t known by everyone and that idea should be taken in to consideration when talking about video games. 

anonymous asked:

You're a fucking loser with indy books barely making money. Who gives a shit what you think about making comics.

I received a bunch of messages in this vein, but yours didn’t have any political rants or racial epithets, so you get a response. Congrats.

When it comes to writing blog posts about making comics, I’ve always tried to make it clear that I am not a guru and don’t have anything close to all the answers.

Maybe that’s okay.

Survival bias is a state where people concentrate on only the most exemplary subjects and try to emulate them, not realizing that they’re the exception, not something typical. 

If you try to figure out how to be a “huge successful writer” by only looking at superstars and big moneymakers, you’re almost certainly going to fail. Don’t get me wrong, every creative person has tremendous hardships and rejections in their careers at different points, but the level of success a J.K. Rowling, Stephen King or Robert Kirkman now have is highly unusual and not something you can reproduce.

Maybe it’s a good idea to get a bit of advice from someone currently in the trenches, someone slowly building their name bit by bit who’s honest about what worked and what didn’t as they go along.

I’ll admit, there’s still survival bias involved in my career (many people pitch their ideas to Image, many more want to work at Marvel), but I try to temper my optimistic advice with reality wherever I can. It may not be as impressive, but it’s certainly more realistic.

I’ve known friends and colleagues who wanted their creative careers to appear like Athena, a perfect armored warrior-goddess instantly striking awe and fear into all around her, who sprung fully formed from the forehead of Zeus. (Seriously, that’s the legend. Mythology is fucking weird and awesome).

It doesn’t happen that way. It never will. The people I’ve known who acted that way about creativity quickly burned out on top of a pile of half-baked concepts and unfinished work. They wanted blinding inspiration and success or nothing and nothing was what they got.

If you make things you will struggle, screw up, and hate the choices you’ve made at times, but if you stick with it you will also learn and grow. Sometimes it won’t be about money. Other times that, and keeping a roof over your head, might be your only concern. Everyone’s journey is different. You can learn a bit from other people but in the end you have to go out there and do it yourself.

If you’re spending your time staring at my little bar charts shaking your fist about my success or lack thereof, you’re using way too much energy in an unproductive way. Go make stuff or go looking for Athena and see where it gets you.

My Beloved is Mine and I am His: 13x02 and Song of Solomon

One of the first things I wrote when I was brand new to the fandom was a short fic with Castiel reading and re-enacting sections from the Song of Songs to Dean. At the time, I thought it was too cheesy and trite to fit within the realm of Supernatural, and I deleted it in a bout of frustration. I am regretting that today like you wouldn’t believe.

I’m a bit of a bible nerd. I took a lot of theology and religion classes in my undergrad. That was nearly a decade ago though, so my current knowledge is a bit shaky. Here’s what I can recall about Song of Solomon that may or may not inform your reading of 13x02 and SPN in general.

A disclaimer: I am sick and drug addled, so please forgive any incoherent rambling. There is a lot of irrelevant gibberish, so I’ve tried to highlight the bits relevant to SPN.

To begin!

Solomon is the heir of King David (whom you may recall had a passionate same-sex relationship with Jonathan.) Solomon’s reign is idealized, much like David’s was, and it was under Solomon that the First Temple was built. Solomon is famous for his wisdom and his large concubine of women. Notably, he settled a dispute between two women who were fighting over a child. He offered to cut it in half, revealing the true mother who could not bring herself to see the child hurt. This bears resemblance to Jack’s situation right now, torn between two fathers.

Song of Solomon (also known as Song of Songs, or the Canticles) is often attributed to Solomon because he is mentioned. However, the text is dated much later, and certain Persian words and influences in the text suggest a post-exilic era as the earliest possible date. Some scholars date it even later.

Song of Solomon is part of the collection in the Hebrew Bible known as The Writings (or the Kethuvim). It’s the third major division in the Hebrew Bible, and one of the last to be adopted into canon. It’s a bit of a catch all category that contains vastly diverse content including poetic works (Psalms, Song of Songs), and wisdom literature (Proverbs, Job, Ecclesiastes), to name a few.

Most of these writings (including Song of Songs) date to the post-exilic era. That is, after the Babylonian conquest, and during Persian rule. The nation of Judah perished in the fires that were set to Solomon’s temple. Post-exile, Judea was experiencing a theological crisis in the face of the apparent absence of Yahweh, or God. David’s dynasty has collapsed, and we see theological despair reflected in writings like Job and Ecclesiastes that ponder the problem of evil, the absence of God, and undeserved suffering. Song of Solomon, and other writings like it, were written at a time when things felt hopeless and there were fears that God has abandoned his people. It is oddly fitting then, that Jack should open to this particular part of the bible. 

The Kethuvim mark a shift in religious thought. Previous writings centred on an independent kingdom involved in international politics. After the fall of the temple, we see an exiled, diasporic religion now led by priests instead of divinely appointed kings. Religious leaders and writers had to adjust and re-envision their scriptural teachings. Gone was the simplistic thesis that equated prosperity with religious obedience and misery with sin. The authors of the books known as The Writings were questioning conventional scripture of the time and creatively refocusing their theology.

Persian rule also introduced new religious ideas, namely Zoroastrianism, which came to influence later Judeo-Christian ideas. Zoroastrianism viewed the world as dualistic, ruled by two opposing powers of good (light) and evil (dark) and had hierarchies of angels and demons. Until this time, most biblical literature did not give name or ranks to angels, nor did they depict satan as an actual autonomous figure. We have Zoroastrianism to thank for that, and its influence on biblical writings can start to be felt around the post-exile period (i.e. the time during which Song of Solomon was written). The book of Daniel, for example, names the angel Gabriel, and the Book of Tobit names the demon Asmodeus. (In Tobit, Asmodeus is a jealous demon who kills each successive husband of Sarah on her wedding night and is later exorcised. He is someone who keeps lovers apart and keeps them from consummating their love.)

Songs of Songs is essentially a collection of erotic love poems. The book defies any easy interpretation or classification, and it stands out in stark contrast to the rest of biblical canon. It’s a completely unabashed, uninhibited celebration of sex, with little evidence to suggest that the lovers are married. They do not live together, and yearn intensely for one another when apart. It’s the subject of numerous feminist readings, as it’s one of few books of the bible to give a voice to women’s thoughts and feelings. Here, those are romantic and erotic feelings.

Don’t believe me? Read this:

My beloved thrust his hand into the opening,
and my inmost being yearned for him.
I arose to open to my beloved,
and my hands dripped with myrrh,
my fingers with liquid myrrh,
upon the handles of the bolt.
(Song of Solomon 5: 4-5)

This is some raunchy stuff for the bible! And all of this is sharply contrasted with the sexual ethos elsewhere in the bible which imposes harsh penalties for sexual misconduct, and places great emphasis on the institution of marriage. Deuteronomy (a book of the bible about sexual and social control) calls for the death penalty in many cases

There was understandably some debate as to whether this particular bit of writing warranted inclusion in the biblical canon of scripture. Rabbi Akiba was a key figure in the development of the Hebrew canon. While he argued strongly against the inclusion of certain books of the Apocrypha, he advocated for the Song of Songs, calling it the Holy of Holies. Its sanctity was preserved by interpreting it as an allegory for the love between Yahweh and Israel, and later by Christians as the love between Christ and the Church. Interestingly, God is not mentioned once in the entire book. (The only other book of the Bible where God is not mentioned even once is Esther.)

And yet, this book was called the Holiest of Holies. Love is championed here above all else.

I really don’t think we’ve seen the last of Chuck. Someone (I’m sorry, I can’t remember who!) pointed out the rainbow glare that happened in 13x01 when Dean was praying as a sign of God’s promise. (Edit: I’m an idiot. I reblogged the damn thing and it was just a couple posts down. It was @gneisscastiel who made the beautiful post about lens flares and pointed out the rainbow as God’s promise.)  The inclusion of Song of Solomon in 13x02, besides being a blatant callout to Dean and Cas, suggests this is also about God and his people. I’d also like to suggest that Song of Solomon is a book that asks us to think broadly about canon. What constitutes canon? How is it formed? And I do mean canon here in the sense not just of biblical canon, but of fandom canon. Who decides what canon is? Is there room in canon for outliers like the Song of Solomon? The answer, as the show has just demonstrated, should be a resounding yes.

Onto the destiel side of things, which I’m sure has been discussed already. Song of Solomon contains some of the most beautiful poetry in the Bible. It is full of similes and references to nature (and arguably Eden/Paradise). It is deeply rural and pastoral, with an appreciation of agriculture, nature, and animal life. The multiple reference to sheep in 13x02 were no coincidence, I’m sure. Castiel has long been associated with natural, rural things: flowers, bees, goats, fish, etc. (If the Void is depicted as a garden and Cas has been spending his time under apple trees, I’m going to lose my freaking mind.) Is he being associated with sheep now? As someone who has been led by God, other angels, duty, Dean, Jack… perhaps this is time for Cas to choose a direction for himself. Sheep and lambs in the bible are also frequently marked for sacrifice. They represent symbolic innocence, and in the New Testament, Christ is called the “Lamb of God.” I definitely think Cas is being set up as a Christ-like figure with his death and anticipated resurrection. If 13x02 made anything clear, it’s that Cas is the answer the whatever problem faces Dean, Sam, and Jack alike.  

Lamentations might have been a more appropriate choice for the episode. It’s also a book of poetry, but one that evokes pain and loss. But they chose instead to give us the book that celebrates love and hope amidst despair. That’s a choice that feel very deliberate, and makes me cautiously optimistic for Dean and Cas.

 In closing, here are some passages from Song of Solomon, and the ones I feel are most closely tied to a destiel narrative.


“You have ravished my heart with a glance of your eyes.”
(Song of Solomon 4:9)

“Set me a seal upon your heart, as a seal upon your arm…”  
(Song of Solomon 8:6)

“… For love is strong as death, passion fierce as the grave. Its flashes are flashes of fire, a raging flame.”
(Song of Solomon 8:6)


“I will seek him whom my soul loves. I sought him, but found him not.” (Song of Solomon 3:2)

“My beloved is mine and I am his.” 
(Song of Solomon 2:16)

Corner of the Coffee Shop

Prompt: ‘Soulmate’ for @just-some-drabbles ‘s writing challenge! (no summary because the prompt says it all)

Pairing: Bucky x Reader

Word Count: 2073 words

Warnings: fluff, hardly any angst. 

Notes: Thank you so much to my love @untimelyideasforstories for helping me come up with ideas for this story, you saved my ass <3 I also didn’t proofread this, it’s 10:40pm and I have a French test tomorrow argh

Originally posted by marvel-dirtbag

Soulmates, true love, first kisses, those are all things you were told to believe. The first one was real enough, as everyone in the world was born with a permanently inked mark, somewhere on their body. Yours was plainly put into sight, right on the inside of your left wrist. From person to person, their mark differed in handwriting, but it always read the same thing; the date of your soulmate’s birth. Your soulmark was scrawled in a delicate yet slightly messy script, which didn’t really bother you. Your friend could barely read her one, it was that chaotic. But it was the actual words that bothered you, which made you lose faith in having a soulmate that was actually alive.

‘10th of March, 1917.’

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I want all young Autistic people on this site to know that they should never have to change themselves to satisfy neurotypicals.

That’s what society wants you to do. And there will be many, MANY instances where you feel obligated to do so. And maybe you will. You might stop stimming for a while because that girl gave you an irritated look, and even though you know you should stand up for yourself you feel so embarrassed and silly that you put your stim toys away.

Believe me, trying to change yourself to make neurotypicals more comfortable is a mistake. All those weird Autistic things you’re embarrassed of may become useful in the real world where clones don’t get far. Don’t look back in five years without any idea who you are because your one goal is to blend in with society.

Being Autistic is beautiful. There is NOTHING wrong with being Autistic. Please don’t change to make some neurotypical kid you won’t even remember happy.

Allistics/neurotypical allies who want to help, REBLOG THIS LIKE CRAZY so maybe an Autistic kid/youth can feel better about themselves.

Autistic people struggling with self-image or anything, feel free to message me 😘

Angel in the Darkness (M) pt.9

Originally posted by aestheticvbts

Summary: After a patient urgently pleads you to go and help a friend of his, you naively agree to it. Little did you know, that you would get more than what you agreed to, when he leads you to a brothel, to help a dangerous prostitute named Jeon Jungkook.

Pairing: Jungkook x Reader (ft. Jin, but not romantically)

Word count: 4.3k

Genre: Smut (M), angst, mafia!au, prostitution!au

A/N:This is a dark and filthy story! Graphic descriptions of sex (oral, penetration, etc), heavy dom/sub undertones, drug use, vulgar language use… This is a mature read! You have been warned!

part 1 | part 2 | part 3 | part 4 | part 5 | part 6 | part 7 | part 8 | part 9



“You lied to me!” the 15yr old Jungkook screeched in agony. He couldn’t stop the salty tears from streaming down his puffy face, as he looked at his older brother with pure hatred.

Jin, lifelessly looked at his youngest sibling and sighed in an annoyed tone, “What was I supposed to tell you?”

“The truth!” the doe eyed boy spat.

“It doesn’t work like that Jungkook, especially in this family.”

“Family?!” Jungkook laughed, sounding as if he had gone insane. “You think I’d call this a family?!”

At that, Jin closed his eyes in frustration – he knew that it was never easy for any of them to find out the truth, but Jungkook was by far taking it the worse. He recalled the others had shown great anger momentarily, but then they would get over it. Hell, even him himself hadn’t shown any emotions when his father told him the truth about his own mother. But maybe that was because Jungkook was different from the rest of them. He still… felt emotion, he still cared for others, and hadn’t become a cold-hearted machine that followed orders like the rest of them did.

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Advice For The Signs

LIBRA: Occasionally you have to fake it until you make it. I know that this is a cliche you’ve heard many times before, but have you ever actually tried it? Cliches don’t become ‘cliche’ unless a lot of people believe in what they’re implying. Feel free to test this, even if it’s just for a day or two. Pretend that you’re in the right career, pretend that you haven’t been sad at all for the last few weeks, pretend that you’re powerful and comfortable and know exactly who you are. Sometimes a little confidence, even if it begins as a front, is the final piece to the puzzle.

SCORPIO: You’ve had chains wrapped around your ankles for so long now that you hardly ever notice their weight anymore. Don’t get me wrong, it’s wonderful that you’ve found a way to cope with the things that try to drag you down. But it seems like you’ve become so complacent in this state of being that you’ve given up on escape. Like you’re an audience member to your own existence. But you aren’t, even though life comes at you so viciously sometimes. You are in charge of your body, and in charge of what you do with it. Now use it.

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decisions

summary; shawn is forced to choose between you and his girlfriend
a/n; seven pages of angst and drama all in one – my fav ;))

PART ONE

MASTERLIST || REQUEST


“Where’s Shawn?” Matt and your friends asked you for what must’ve been the tenth time tonight. 

You finished setting the last blanket over the couch as you claimed your favorite pillows for the night ahead of you. 

“Not sure,” You answered. “I’ve tried texting him for the past 15 minutes. The boy never checks his texts,” You laugh it off as you head to the kitchen to bring the two bowls of popcorn into the living room.

Shawn, Geoff, Ian, and Matt had been in town from Shawn’s tour for the last few days, and the five of you finally found a time to hang out again. You had all missed each other and since the tour had just wrapped up, everyone found tonight as the perfect opportunity to catch up. You had met the four boys through Shawn and although you had only known them for a few years, they felt like your brothers. They looked out for you and talked to you almost every day.

Shawn on the other hand, had been your best friend since middle school. The two of you met in English class in seventh grade and quickly bonded over each other’s love for Harry Potter and music. Although neither of you were the most popular in school, you and Shawn always had each other’s back through the years. He had brought smiles on your face during your worst moments, stayed up late with you during nights you couldn’t sleep, and given you advice that has stuck with you throughout the years. In turn, you supported Shawn’s music when the other kids at school didn’t, listened to his first song that he wrote, and cheered with him when he found out that he had just gotten his first major award show nomination. Now here you guys were, one year out of high school, and still partners in crime. You couldn’t of asked for anyone better to fill in the position as your best friend.

Everyone had gathered at Ian and Geoff’s place for a traditional movie night, but your best friend had been a no-show for the past half hour. Everyone including yourself was beginning to become impatient as everyone began making a dent into the stash of snacks before the first movie even played. You didn’t want to begin the night without him, but he had showed no signs of arriving any time soon.

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