Shit, your teacher Bakugou idea is something I never considered but now think would be really cool. Cuz he would not stop being a hero but he wouldn’t half-ass being a teacher so it would be like how All Might attempted to hero and teach but could actually work. Plus, I’m all for Bakugou’s role model switching with time to Aizawa. 10/10 idea.
OMG Fran now i want to see Teacher or Older Bakugou or or Bakugou with Aizawa
Bless both of you for giving me a reason to talk about this cause honestly I love this idea way more than striktly necessary - this!!! is how I like to think it would go down:
I’ve been wanting to draw, but haven’t been able to draw any of the other R!kids (or robots lel), so i decided to do this R!human Mondatta??? Insofar as there’d be a reverse!Mondatta at all haha
He and Zenyatta have a weirdly strong family resemblance (despite not being biological brothers). He’s very down to earth while retaining the same natural charisma as Zenyatta, but if Zenyatta’s charm is like refined sugar then Mondatta’s is like just-cut sugar cane.
Then pair are almost never in each other’s vicinity, but when they are, Zenyatta starts to feel distinctly forged beside his brother’s authenticity (though they used to be more complementary when they were younger). Mondatta still cares a lot about his little bro and is a perennial worry wart when it comes to him. Tends to flip between this and incessant teasing whenever they come in contact (or the doubly irritating tease-worry combo).
Help! I have been trying really hard to improve my drawing skills, practicing almost everyday. I have been watching tutorials and studying anatomy but I can't get my characters to look natural.. They look extremely stiff and blocky... Any advice?? Oh! I almost forgot, I LOVE YOUR ART SO MUCH!!!
GESTURES. GESTURES. GESTURES!
Studying anatomy is fantastic. Whatever you do, don’t stop! I’m going to suggest gestures but that is by no means a suggestion to swap. Just start implementing gestures as well.
Okay. So. Look at this.
This is a still from Glean Keane animating Tarzan - and it exactly nails what a gesture is. Just a few simple lines that are full of movement and you can tell exactly what the heck is going on. All with a few simple lines.
Learning anatomy is great - but learning how to implement it is another thing. If I focus too much on nailing anatomy - the drawing starts to feel stiff, exactly as you’ve stated.
Gestures are all about forgetting what you think you know about muscles and structure and instead drawing what movement in a body FEELS like. That might sound cooky but that’s kind of how I approach it in my head. It’s all about those lines of movement and contrast and CURVES.
I think loosening up and forgetting about how technically correct a drawing is and instead embracing something rough and full of movement, and looking at how the lines in the human body contrast themselves will do you wonders. Keep learning anatomy, but look at how we move and look the weird shapes we can make with our bodies. Look at the way we slouch and stand tall. The way we dance, the way we run. Sit in a coffee shop and try to draw the heart of someone’s pose in like 30 seconds.
Observe MOVEMENT AND RHYTHM AND MY GOD THE HUMAN BODY IS POETRY *GESTICULATES WILDLY*
Even just grabbing a photograph from the net and looking at it objectively - how would this pose break down into a few simple lines? It’s so damn simple to look at something this way. You can endlessly improve your knowledge of anatomy and your technical abilities - but I think so many of us (myself included) stumble at the simplest foundations.