i feel like in a modern setting

I feel like people are trying to project our modern day beliefs onto the Avatar-verse.

Legend of Korra is not set in 2017, where being open and out is more widely accepted.

It’s set in the equivalent of the 1920’s. During the 20’s, in much of the world, being gay was kept deadly silent; and gay men and lesbians were often arrested for breaking sodomy and obscenity laws.

Honestly from the comics; acceptance is far better than its equivalent time period in our history.

The year is 2017 and we still act like Ivy Robinson and Wendla Bergmann would be happier keeping their babies then getting abortions.

Why the Linda Cho Snub Stings

And here we go, folks: as promised, my first in a series of critical posts regarding Broadway, culture, and my opinion on the state of theatre today.

Let me preface this post with a clear disclaimer: I am a major fan of Anastasia and have been since the Don Bluth movie came out in 1997. I also understand why Santo Loquasto was selected by the American Theatre Wing as this year’s Tony winner for costume design; I congratulate him heartily, because he is a master of the craft.

But with that out of the way, I disagree with the American Theatre Wing on this award and truly believe that the award should have gone to Linda Cho for her work on Anastasia. I think this honestly was the most upsetting snub for me last night. In some ways, this gets to the heart of another post I made. From an aesthetic standpoint, Linda Cho’s costumes were more visually impressive, more memorable, and more original than those for Hello, Dolly! I’m not alleging any animus in the ATW’s decision, to be clear; it goes more to the somewhat staid, static vision of theatre possessed by the eligible voters.

Now, part of the reason I find the HD costumes uninspiring is because thanks to HD being a revival, there is a kind of need to look to the past productions for inspiration, since the director and producers were not trying to go for some kind of completely original setting (which is fine, for the record!). 

But to my mind, the Best Costume Design category is designed to reward originality and accomplishment, not just improvements on a theme. The costumes that Linda Cho designed for Anastasia manage to have a kind of timeless elegance that grabs the eye and forces you to notice not only the actors, but the costumes themselves. 

Anya’s (Christy Altomare) red and blue gowns from Act II have stuck in my head since the very first stills were released to Playbill ages and ages ago. For visual pops, you cannot beat these (all photos are either from Playbill or other publicly available sources, and are not my property):

Both of these gowns exude a classic elegance that is unrivaled on Broadway today, paying homage to the source material (the high society of the Roaring 20s in Paris, as well as the Russian designs included on the red gown) while still looking fresh. 

The lines on the blue gown in particular are exquisite, and give Christy Altomare (who is not a tall woman) the appearance of added height without it being obvious that is what it’s designed to do.

The costumes for the Romanovs are also elegant, sophisticated, and memorable (I lack a proper still for this that I can attribute to Playbill or Broadway World or Broadway Box and thus the still is drawn from Pinterest; if you are the original photographer, please message me and I will edit this post to credit you). 

For those familiar with the show, you know the ones I mean: the ghostly pearlescent white of Nicholas, Alexandra, and the others slain at the start of the musical. The costumes are graceful, and a good match to many images of the real Romanovs in the era in which the prologue is set. But as with Anya’s gowns…truly, there is a level beyond the simple. I called them “ghostly” for a reason: you can’t look at them without having a terrible sense that these people (innocent for the purposes of the musical) are about to be slain. Linda Cho made funeral shrouds out of ballgowns–and that is a metaphor that works on a huge number of levels.

But you know where Linda Cho really gets me? The costumes for Lily (Caroline O’Connor), Vlad (John Bolton), and Dimitry (Derek Klena). Let’s take each in turn, with just one example per.

This is a Playbill still from the Broadway performance of (I believe) either “Land of Yesterday” or “The Countess and the Common Man”. One of my fellow fanastasias ( @nikolaevna-romanova​ or @anyasdimitry​ perhaps?) can confirm which scene/number.

I’ll focus on Lily for the moment. That gold dress is clearly designed to pop. Lily is a fun, flirty, outrageous character, like her spiritual predecessor in the 1997 film as voiced by the divine Bernadette Peters. Caroline O’Connor brings a downright saucy quality to the character that this gown is designed to highlight. The character is a fallen aristocrat who acts as press secretary/majordomo to the Dowager Empress. She’s supposed to look wealthy–but a kind of shabby wealthy, like someone down on their luck. 

So let’s take a closer look at this Linda Cho masterpiece (via Broadway Box):

The pattern and the cut of the dress are simple–much simpler than would have been worn by the nouveaux-riches of post-war Paris, but still quite elegant and stylish, especially when accented with the lace gloves. But it’s a far cry from the style that Countess Malevsky-Malevitch would have been used to in her old life in imperial St. Petersburg. She’s had to make reductions–but damn if she’s not going to make them work. Linda Cho really captures that perfectly. This dress looks, in addition to being beautiful, like it might have come from a very high end store, but wasn’t custom-made as would have been expected of someone with massive resources. While presenting a memorable dress, Linda Cho stuck to the history: Lily is down on her old circumstances (as the Romanov family was post-Revolution) but she will still Look The Part.

Next, I look at how Linda Cho costumed Vlad Popov, the would-be Count and titular Common Man of the previous number. This still is courtesy of Getty.fr and numerous other news orgs, and is from the Broadway opening night:

It looks pretty fancy, right? It is! But if you look at it closely and in the context of the play, it’s in the same category as Lily’s gold dress. The fabrics are clearly fine, but it’s not a custom tailoring, even though this comes after he is restored to some measure of glory. Linda Cho replicates a rich French brocade for the vest and matches it to the morning coat perfectly (more technically, I believe it’s a stroller, though the term is anachronistic for the year the musical is set). But there’s a reminder to the common-man status in the design of the trousers: leaving them striped, subtly, the way Linda Cho did is a subtle signal that Vlad is not born to wealth–no aristocrat would have styled themselves that way. But he mixes the two styles in a subtle nod to what he is (a commoner) and what he pretends to be (a Count).

Finally, there’s the costuming for Dimitry. Playbill ran this still before opening night, and it’s a perfect one to showcase why Linda Cho was such a genius with her choices:

We know from the musical that Dima is a poor con artist, really not much more than a gutter rat as it were and his costuming matches. The fabrics he wears are rough-hewn and cheap-looking (by intention) because he would never have been able to afford anything else unless he aggressively bartered. As a good man in early Communist Russia, he wouldn’t have had the resources to style himself any better–we get the sense Vlad can only because he had the clothes beforehand. Dimitry is all commoner, all working class, all rough (the same with Anya’s Act I wardrobe).

Now, it’s easy to make a costume look cheap–but Linda Cho does more than that. She makes it look cared for. After all, Dimitry has no resources to replace a winter coat if it’s torn, and so we see that while worn, it’s clearly cared for. His shoulder bag, if a bit out of place in the era, is the same: the leather is time-worn and it’s clearly a possession he has had most of his life. That’s not an easy look to master, and to execute it so flawlessly requires real skill.

Here’s my bottom line. The costumes that Linda Cho designed were bold and innovative, and perfectly matched to the heart and soul of the characters who wore them. They took some risks in the way in which they used colors and fabrics, and they blended some modern sensibilities with the design elements and fabrics of the era the musical is set in. That is the kind of thinking that I feel the American Theatre Wing had a chance to reward with the Tony in 2017, and it’s why I feel disappointed by the snubbing of Linda Cho. Her costumes weren’t groundbreaking, but they were unique, they were original, and above all, they felt like they improved the overall quality of the show for their presence.

I doubt Linda Cho will ever read this, but if she does: you own the Tony in my mind, and I cannot wait to see what you come up with for the next show lucky enough to hire you to design their costumes.

(this is my first masterpost sorry if it’s bad) A bullet journal has a lot of uses. A planner, homework reminders, to-do lists- but understandably, some pages could use a little of inspiration. And what better inspiration than from artists? Even without a bullet journal, quotes can be a great thing to decorate journals, your room, etcetera. So, I’ve compiled a list of quotes (some aren’t very motivational) by some of your favorite artists!


“I dream of painting and then I paint my dream.”

“What would life be if we had no courage to attempt anything?”

“Great things are done by a series of small things brought together.”

“I wish they would only take me as I am.”

“In spite of everything I shall rise again; I will take up my pencil, which I have forsaken in my great discouragement, and I will go on with my drawing.”

“I see drawings and pictures in the poorest of huts and the dirtiest of corners.”

“One must work and dare if one really wants to live.”

“For my part I know nothing with any certainty, but the sight of the stars makes me dream.“

“I feel that there is nothing more truly artistic than to love people.”

“Be clearly aware of the stars and infinity on high. Then life seems almost enchanted after all.“

“If you truly love nature, you will find beauty everywhere.”

“I am seeking, I am striving, I am in it with all my heart.”


“Every child is an artist. The problem is how to remain an artist once he grows up.“

“Art is a lie that makes us realize truth.”

“Everything you can imagine is real.“

“Art washes away from the soul the dust of everyday life.”

“Action is the foundational key to all success.“

"It takes a long time to become young.”

“Youth has no age.”

“Art is the elimination of the unnecessary.”

“Sculpture is the art of the intelligence.”

“Are we to paint what’s on the face, what’s inside the face, or what’s behind it?”

“Give me a museum and I’ll fill it.”

“To copy others is necessary, but to copy oneself is pathetic.”


“Have no fear of perfection - you’ll never reach it.“

"Drawing is the honesty of the art. There is no possibility of cheating. It is either good or bad.”

“Those who do not want to imitate anything, produce nothing.”

“Intelligence without ambition is a bird without wings.”

“There is only one difference between a madman and me. The madman thinks he is sane. I know I am mad.”

“What is important is to spread confusion, not eliminate it.”

“I am not strange. I am just not normal.”

“It is not necessary for the public to know whether I am joking or whether I am serious, just as it is not necessary for me to know it myself.”

“Everything alters me, but nothing changes me.”

“So little of what could happen does happen.”

“Give me two hours a day of activity, and I’ll take the other twenty-two in dreams.”

“The secret of my influence has always been that it remained secret.”


“The painting has a life of its own. I try to let it come through.”

“Painting is self-discovery. Every good artist paints what he is.”

“My painting does not come from the easel.”

“When I am in my painting, I’m not aware of what I’m doing.”

“Love is friendship set to music.”

“The painter locks himself out of his own studio. And then has to break in like a thief.”

“The modern artist is working with space and time, and expressing his feelings rather than illustrating.”

“Energy and motion made visible- memories arrested in space.”

“Abstract painting is abstract. It confronts you. There was a reviewer a while back who wrote my pictures didn’t have any beginning or any end. He didn’t mean it as a compliment, but it was.”

“I’m very representational some of the time, and a little all of the time. But when you’re painting out of your unconscious, figures are bound to emerge.”

“Abstract art should be enjoyed just as music is enjoyed- ater awhile you may like it or you may not.”

“Each age finds its own technique… I mean, the strangeness will wear off and I think we will discover the deeper meanings in modern art.“


“I must have flowers always and always.”

“Color is my daylong obsession, joy and torment.“

“Everyone discusses my art and pretends to understand, as if it were necessary to understand, when it is simply necessary to love.”

“My garden is my most beautiful masterpiece.“

“I would like to paint the way a bird sings.”

“The more I live, the more I regret how little I know.“

“I perhaps owe having become a painter to flowers.”

“I can only draw what I see.“

“What keeps my heart awake is colorful silence.”

“The richness I achieve comes from nature, the source of my inspiration.“

“I don’t think I’m made for any earthly kind of pleasure.”

“The light constantly changes, and that alters the atmosphere and beauty of things every minute.“


“Nobody sees a flower- really- it is so small it takes time- we haven’t time - and to see takes time, like to have a friend takes time.”

“If you take a flower in your hand and really look at it, it’s your world for a moment.”

“I wish people were all trees and I think I could enjoy them then.”

“To create one’s world in any of the arts takes courage.”

“I decided to accept as true my own thinking.”

“You are one of my nicest thoughts.”

“It’s not enough to be nice in life. You’ve got to have nerve.”

“I found I could say things with color and shapes that I couldn’t say any other way… things I had no words for.”

“I think it’s so foolish for people to want to be happy. Happy is so momentary–you’re happy for an instant and then you start thinking again. Interest is the most important thing in life; happiness is temporary, but interest is continuous.”

“Where I was born and where and how I have lived is unimportant. It is what I have done with where I have been that should be of interest.”

“I can’t live where I want to, I can’t go where I want to go, I can’t do what I want to, I can’t even say what I want to. I decided I was a very stupid fool not to at least paint as I wanted to.”

“I’m frightened all the time. But I never let it stop me. Never!”


“Simplicity is the ultimate sophistication.”

“As a well-spent day brings happy sleep, so a life well spent brings happy death.”

“Art is never finished, only abandoned.”

“Why does the eye see a thing more clearly in dreams than the imagination when awake?”

“Tears come from the heart and not from the brain.”

“Nothing strengthens authority so much as silence.”

“The noblest pleasure is the joy of understanding.”

“Learning never exhausts the mind.”

“While I thought I was learning how to live, I have been learning how to die.”

“Study without desire spoils the memory, and it retains nothing that it takes in.”

“I love those who can smile in trouble…”

“It is easier to resist at the beginning than at the end.”


“I don’t paint dreams or nightmares, I paint my own reality.”

“I paint flowers so they will not die.”

“I paint myself because I am so often alone and because the subject I know best.”

“I think that little by little I’ll be able to solve my problems and survive.”

“Nothing is absolute.”

“Everything changes, everything moves, everything revolves, everything flies and goes away.”

“My painting carries with it the message of pain.”

“There is nothing more precious than laughter.”

“Feet, what do I need you for when I have wings to fly?”

“I paint flowers so they will not die.”

“The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.”

“I am my own muse, I am the subject I know best. The subject I want to know better.”


“There are always flowers for those who want to see them.”

“I don’t paint things. I only paint the difference between things.”

“Don’t wait for inspiration. It comes while one is working.”

“Creativity takes courage.”

“An artist must not feel under any constraint.”

“We ought to view ourselves with the same curiosity and openness with which we study a tree, the sky or a thought, because we too are linked to the entire universe.”

“A certain blue enters your soul. A certain red has an effect on your blood-pressure.”

“Art should be something like a good armchair in which to rest from physical fatigue.”

“To look at something as though we had never seen it before requires great courage.”

“Impressionism is the newspaper of the soul.”

“In love, the one who runs away is the winner.”

“Cutting into color reminds me of the sculptor’s direct carving.”


“I saw the angel in the marble and carved until I set him free.”

“If people knew how hard I had to work to gain my mastery, it would not seem so wonderful at all.”

“Lord, grant that I may always desire more than I can accomplish.”

“The greater danger for most of us lies not in setting our aim too high and falling short; but in setting our aim too low, and achieving our mark.”

“Every block of stone has a statue inside it and it is the task of the sculptor to discover it.”

“Genius is eternal patience.”

“The true work of art is but a shadow of the divine perfection.”

“A man paints with his brains and not with his hands.”

“Trifles make perfection, and perfection is no trifle.”

“Every block of stone has a statue inside it and it is the task of the sculptor to discover it.”

“There is no greater harm than that of time wasted.”

“I am still learning.”

Bit more about Japanese culture and anime...

There was some interest after this Inuyasha post. Thought it would be cool to go more in-depth and relate it to anime, so next time you watch something you can go, “Oh yeah. That happens over there.”

Originally posted by sam2119931

No, THAT doesn’t happen in Japan.

As a word of caution: I grew up near Tokyo in the 90′s, when the economic bubble had burst but your average family didn’t feel the effects until later. Culture may have shifted slightly after the economic downturn (I know there’s a more nationalistic undertone now, like most of Asia), and everything I say will not apply to all of Japan. Places like Sapporo and Ōsaka have their own distinct cultures, like how New York and Texas are uniquely different.

But since most anime are set in or are geared towards the Tokyo crowd, I have a good idea of the cultural influences. Especially when relating it to Inuyasha, which was published and set in the 90′s (at least in Kagome’s modern time).

Originally posted by 19-de--fevereiro


Also, what I’m about to say below is about Japan (Tokyo). Please don’t start applying it to other countries in Asia, or you will be laughably misled.

Additionally, I’m not some researcher who did extensive study on my own culture. I’m just relating to y’all my background, experiences, and the little bit of knowledge I’ve gleaned from my memories of living there as a little girl, as well as from stories shared by my parents.

Suffice it to say, you should not cite me for your research paper.

Originally posted by emiria

You’re on your own, suckers!

I didn’t want to bother making multiple posts, so this is gonna be looooong. It’s not all roses either. If you have this fantastic, perfect vision of Japan, turn back now! You hear me?

Now then.

Are you ready, kids?


Keep reading

anonymous asked:

Okay so when your building and your story relies on a religion, how do you go about building the basis for that belief system? How to build a belief system?

Hi there!

Building an interesting religion from the ground up can be difficult. It can really help to look at the whole thing from…exactly that. The ground up.

Consider the religion’s cosmology. How did things start? How important is that story to your world and your characters?

Pick out a top three-five stories that really resonate within the world. Which ones is it just a given that someone on the street would know? Outline them or write them out. So, if you’re doing this exercise for Christianity, you might say, “Noah’s Ark, David and Goliath, Daniel and the Lion’s Den, Jonah and the Big Fish.” Having a few popular stories will add depth, but it doesn’t have to explicitly explain everything about the world, or even the religion.

Think about symbols or objects that hold value to the people. What do they represent? How ubiquitous are they?

Give your world variety when it comes to philosophy, application, and opinion. Not all adherents will agree on everything, and sometimes they will so vastly disagree that their religion will look like two, even if it’s rooted in the same place (Catholicism vs. Protestantism). Having everyone believe the same thing is not only boring, it’s unrealistic. 

The basic rules of this religion should appeal to your characters (and likely your reader’s) sense of rightness and goodness. Even if the modern version of this religion has altered, its roots should be founded in good. That can be twisted through unwritten laws, control, misinterpretation, and all that, but letting us see at least a hint of what was meant to be will give the system more nuance and believably than anything strictly evil or weak.

Consider the god(s), their mortality, how they appeal to the people, how their ruling system works, how involved they are, and how revered they are by the people. 

Sometimes, if you have a religion of your own, it can be difficult to think outside of that box. You alter something you see as normal to make something new, when you’re actually just making it more like something else that already exists. So if you need a little extra inspiration, read up on old religions, modern religions, and think about how you can deviate in a way that feels fresh. 

(I might maybe do a brainstorming series posts on religions and beliefs..? Any interest??)

Happy writing!

****Edited to add that the Brainstorming Series post is now live. Check it out HERE.

“Hard day hon’?” Kylo slung his arm about Hux’s shoulder, feeling him sag against his chest as he loosened his tie.

“Like you wouldn’t believe.” Hux sighed, sinking into the twin comforts of both Kylo and the couch. He squeezed gently at Kylo’s thigh, eyes fluttering closed as a light kiss was pressed to his forehead. “But I’m feeling better already.”

Commission from the absolutely wonderful @sigalawin <3 Thank you so, so much!

Set in the Life Through Glass ‘verse.

I’m sorry, I just keep on thinking about a Jeeves and Wooster modern AU and I need to share my feelings soooooooo…..

The millennial Drones would all have their livelihood/passions/income revolve around social media, since that’s the modern equivalent of the no-good-lazy-spoiled-kids-who-won’t-get-a-proper-job-like-their-parents trope. Like, Gussie Fink-Nottle has an instagram, tumblr and facebook account for every single one of his newts, Tuppy Glossop’s a food blogger etc. Gentlemens’ clubs aren’t really a thing for the younger set, so their meeting place is a pub NAMED The Drones, where they socialise and loaf about, sharing selfies and memes and other no-good-lazy-millenial stuff.

Bertie would be big on Youtube and Vine, known for quirky music, comedy and anecdotes, sort of a mix of Phil Lester and Jon Cozart. He’d perform the ludicrous pop songs of today as well as musical theatre - not only Lin-Manuel Miranda and Disney tunes but WELL LEGIT Gershwin and Berlin and`Porter. His friends would all ask him to sing Rat Pack standards at their weddings which he gladly does pro bono.

Jeeves would have gotten himself a scholarship to Cambridge (reading law and philosophy) and wound up as a solicitor, since his calling is basically solving other peoples’ problems and disputes. He would earn himself a reputation as the best of the best and be sought after by peers of the realm and CEOs of large companies for Delicate Matters. Unlike Bertie, who takes to this era like a thingummy to water, Jeeves is still something of an anachronism: impeccable old-fashioned manners, formal speech for all occasions (he even calls the cashier at Pret-A-Manger ‘madam’), and never goes out in public without wearing a button-up shirt & necktie. He has typical Generation Xer stand-offish cynicism, deftly packaged in dapper-as-fuck tactfulness.

I can imagine Bertie, having just gotten over his breakup with Ginger (the cad left him for Magnolia), would meet Jeeves whilst house-sitting for one of the Drones in some fashionable Zone 1 / 2 neighborhood (say Chelsea or Fulham). Jeeves has the flat across the hall and Bertie runs into him while trying to take out the rubbish bins (and failing). Jeeves, of course, effortlessly sets everything to rights, and perceiving how clueless Bertie is in day-to-day maintenance of a household, comes over every day to assist him (and not because Bertie is the most adorable wide-eyed cherub of a twink he’s ever seen - perish the thought!)

As Bertie is a magnet for drama, the neighbours in the building and his fellow Drones inevitably fall upon him with all of their problems - some involving romance, but others involving compromising photos going viral, public gaffes where politically incorrect remarks are uttered, etc. Jeeves and Bertie schlep around modern-day London having light-hearted adventures solving all of these problems. Bertie regales his subscribers with the stories of these adventures, going on and on about how wonderful Jeeves is. In the general on-line community, comparisons are drawn between Bertie’s vlog and the blog belong to the boyfriend of that ‘Hat Detective’ on Baker St.

When the time comes for Bertie to leave the flat he was caretaking, he coyly asks Jeeves if he would take Bertie on as a client at his practice. Jeeves refuses, stating that his principles forbid him to date anyone he’s professionally involved with. It takes Bertie half a day to figure out that Jeeves has asked him out.

From there it’s fluff and music and roses and bickering. They get their flat together in Mayfair and Jeeves feels no reserve about scolding Bertie for leaving bath towels on the floor and dirty dishes in the sink. His sweet otherwordly Bertram is a slovenly man-child who he manages to train. Somewhat. Eventually a kitten is adopted because REG HE’S SO CUTE HE FOLLOWED ME HOME LOOK AT HIS LITTLE FACE CAN WE GO DOWN TO BATTERSEA AND GET HIM A PLAYMATE OH PLEEEEASE I’LL PROMISE TO CLEAN THE LITTER TRAY AND GIVE YOU HEAD WHENEVER YOU WANT IT

Also he once tried to convince Jeeves to come with him to the Brinkley Court Halloween Party dressed in drag as Elphaba and Glinda, but Jeeves “mixed up “ the order to the online costume shop, so they went in Ravenclaw and Hufflepuff robes instead.

They spend rainy weekends playing the piano and cooking and exchanging bants and bargaining about fashion choices and having fantastic sex. To their friends they are ‘Bertie and Reg’ and they are like, omigod, the cutest couple eveerrrr, ikr

Aunt Dahlia is the P-Flag auntie, having been the first person that Bertie came out to. She has always hoped that her young blot will find a good man who can keep him in check (Jeeves is heaven sent to her), while Agatha is the homophbic aunt.

AGATHA: Bertie. You must marry and have children.

BERTIE: For the thousandth time, Aunt Agatha, I’m gay. As much as you wish otherwise, that Lord Arran fellow assured the Empire’s assent of my sexual orientation while you were still in knee socks and fawning over Cliff Richard.

AGATHA: It is a childish phase. It will pass once I find a woman of good breeding who can mould you.

BERTIE: Aunt Agatha–

AGATHA: Mould. You.

She lives in Belgravia and despises smartphones.

Thankfully the 21st Century edition of The Code of The Woosters impels Bertie to tell any prospective female that being affianced to him is inadvisable for multiple reasons.

Also Lady Florence is an SJW hipster and political lesbian who lives in Shoreditch with her girlfriend Honoria. She takes every opportunity to criticise Bertie for drinking sugary Starbucks lattes and wearing T shirts with licensed cartoon characters on them. Bertie often wonders why the hell he’s friends with her.

Bertie’s other queer friends are Bingo (the ultimate panromantic), Catsmeat (just your average theatre geek with a libido the size of Soho) and cousin Eustace (not so much a friend as a tagalong, always getting suspended for hitting on his professors). They sometimes go to G-A-Y, where they are consistently ignored by all the cool clubbers, opting to drink and watch drag shows and throw beer nuts at each other. Marion Wardour is Bertie’s gal pal and sometimes she comes along too, with the aim of hooking up with bi guys (and occasionally bi girls). Otherwise, she’s off singing in fringe musicals.

Spode is a member of UKIP and his wife Madeleine writes awful Winnie the Pooh fanfiction.

anonymous asked:

Hi! This blog looks so great I'm really excited by it. In a story I'm writing (it's fantasy), there are elves, and as well as being off folklore/mythological elves, they're also based off autistic people but I'm struggling to figure out what an only autistic society would be like, do you have any ideas?

First of all, having a whole, non-human race be autistic can be quite problematic in terms of representation. See Mod Aira’s thoughts on non-human autistic characters here.

Since elves look a lot like humans, and are usually positively described as a race equal or superior to humans, that might not be that much of a problem, but you should still give this issue some thought and make sure this is really something you want to do. This is not a decision I can make for you.

As for the specifics of an autistic-only society, this is where things get fun !

Here are some ideas in no particular order. Of course I can’t cover everything and other autistic peeps are encouraged to pitch in as always!

  • Everyone is stimming freely and openly. This is seen as a completely normal thing. I don’t know how modern your universe is, but people are allowed to stim in school or in their workplace. Shops have whole “stim toys” aisles. There are sensory rooms available throughout cities for everyone who might get overwhelmed.
  • Social norms are completely different. Making eye contact is seen as rude, people are expected to explain their jokes and sarcasm. Actually, communities might write down and edit regularly their social rules so they are explicit and available to all.
  • Kids are taught in schools strategies to cope with sensory overload or to get stuff done with executive dysfunction. They are encouraged to work on their special interests and it is used as a medium to teach them other things. There is highly individualized teaching and varied teaching styles since all kids have different needs. They would also be taught (either by caretakers or educators) many life skills, such as self-care, taking care of a home, taxes… more explicitely.
  • In our society, there are things that are seen as “basic needs” that everyone shares such as be well-fed, warm enough, not be in pain, have enough time to sleep… In a workplace or school for example, those needs are supposed to be met. The other needs, the ones not everyone has, are seen as “accomodations” when they are met, and are often more begrudgingly met. In an all-autistic society, meeting needs such as sensory needs or break time when you are overloaded wouldn’t be considered as making accomodations, but as meeting basic needs and as a normal thing.
  • Autistic people are very diverse and sometimes our needs are conflicting. For example, some might be hurt by loud noises, while some may need to stim and regulate themselves by making/ listening to loud noises. So it is probable that people with similar needs would gather in communities.
  • Since a lot of autistics are nonverbal at least some of the time, I think all verbal people would also know a nonverbal language such as a sign language they could use to communicate with nonverbal individuals or when they go nonverbal themselves. Communicating via AAC wouldn’t be seen as unusual or surprising.
  • Art and culture would probably be very different. Autistic people are often creative, but they create different things from what allistics create.
  • I feel like emergencies such as fires would be handled differently. I don’t think loud alarms and blinking lights would be the most efficient. I don’t have ideas for an alternative system though.
  • Lots of autistic people have trouble driving and I feel like it would have an impact on the most commonly used means of transportation. Either, for a more primitive setting, horse riding would be a huge thing - since horses are sentient they can take care of some of the “looking around to make sure we don’t run over someone or collide into something” - or, for a modern setting, automatized transportation means would have been developed sooner than in our world.
  • There would be more focus than in our society on precise planning and available information. Navigating administrations wouldn’t be so chaotic, or else no one could deal with it. There would be early on a need to get stuff organized in a very clear, explicit way.

That’s all I can think of for now. I hope this helps!

-Mod Cat

There are some great ideas here and I can think of a million more, but I will restrain myself! I just want to add a couple of things as food for thought:

  • Sign language isn’t speaking, but it is still verbal (the brain still processes it more or less the same as any other language), so many people (including me) are not able to sign when nonverbal despite being fluent in a sign language. However, many autistic people find signing more comfortable than speaking, so I definitely agree that more people would know how to sign, and it would likely be a second language requirement.
  • I have to be honest here… Although I have many autistic friends online, I don’t have many that I see regularly face to face. I think there is a reason that autistic people make up a minority of the human race, rather than the majority. For all our advantages, we often have conflicting needs, and we are not at all specialized for living in large groups the way allistic people are. Even though I like my autistic friends a lot, I don’t like spending a lot of time with them in person because they… get on my nerves. I mean in specific ways - for example, we have completely unrelated special interests, and they infodump about theirs for ages, and I have no interest whatsoever but don’t want to interrupt and seem rude (since I hate it when people do that to me). Or they stim and it bothers me. I’m extremely hypersensitive, including to movement, so if someone (besides me) is rocking back and forth or doing another repetitive motion near me, I can’t even open my eyes or I get overloaded. I love my autistic friends and I love the fact that I’m autistic, but I would not want to live in a completely autistic society - I’d have to hide away from other people and I’d become socially isolated even more than I am in this world. Note that this is my personal point of view and NOT true for all autistic people. But there WOULD be people like me who couldn’t deal with being around other people’s stimming, and we might not all get along as well as you might think.
  • On the positive side: all the things that are considered “disabilities” in this world with regards to autism would be seen as the norm. Not being able to speak some or all of the time would be considered a normal personality trait, like being good or bad at sports or drawing. Suddenly getting up and leaving a conversation due to overstimulation would be perfectly normal. It would be a given that normal respect for other people includes maintaining a quiet and calm environment as much as possible.
  • Another issue regards public spaces. There is something called “selective attention” which allows people to block out background sensory information and focus only on what is relevant to them at the moment (for example, listening to what one person is saying when there are other conversations happening nearby). In autistic people, this is usually very weak or completely nonexistent. It’s not possible for me to filter out background noise. If I need to meet someone for a conversation or work meeting, it MUST be in a quiet place. I am incapable of following a conversation when more than one person in the room is talking. I literally can’t unscramble their words from the words of other people and it just becomes a jumbled mess of gibberish that rapidly becomes painful. So how would things like restaurants work? Cafes? Parties? Assuming many or most people can’t hear what someone is saying when ANYONE else in the room is talking, how could you have spaces like that? Would they exist at all? Would their be some kind of magic (in a fantasy world) or tech (sci-fi) that can block out all sounds outside of the group you’re in? 

Not trying to poke holes, but trying to point out possible issues that you should think about when creating your society. And as Cat mentioned, be very careful about painting a non-human race as “like humans but autistic”. Being autistic is not an inhuman state, and it can be very damaging to describe it as such, even if your intentions are good. I would be much more comfortable with a human all-autistic society than a non-human one. Maybe consider making the humans all autistic and code the elves as allistic. :P

If you keep all this in mind, I’d be interested to see what kind of society you might come up with. Good luck!

-Mod Aira

‘Falling’ for the ‘fraud’

You know, something I’ve always liked about sherlock was how well it integrated into the modern world. Though sherlock is an insane genius, their story always seemed somewhat feasible. Yes, the moriarty plot was intricate and bold, but it still worked? It still felt real? The whole concept of Sherrinford and eurus is just SO out there and entirely unrealistic- making sherlock feel like a fantasy for the first time.

and then I think that maybe this was intentional? Just as how moriarty set out to expose sherlock as a fraud- to discredit his genius and the magnificent crimes he had solved. Destroying not just sherlock, but his entire image. To me, that’s what TFP seems to be doing to the entire BBC Sherlock franchise…it is so unlike everything we had seen up until this point. The one episode seems to discredit the magnificence and realism of the entire story, that the show wasn’t as wonderful or as clever as we thought, that the writers and producers were not making subtle script/set suggestions. WE are now saying the show isn’t clever, that moftiss wasn’t as smart as we thought, that they drew us in only to lie and cheapen the plot….JUST AS the public did as a build up to and result of TRF. Moriarty convinced the public that sherlock was a fraud, and sherlock did not try to defend himself, he let it happen. TFP convinced us all that BBC Sherlock/moftiss were not as clever as we thought…and they have not responded, staying silent, letting it happen. 

From BBC Sherlock, Post TRF:

Post TFP:

Need I say more…?


Here’s my first set of paperchildren! :3 Since they’re 54 in total, I’ll probably make six posts with nine kids each for now ~ and I’m following a chronological order, so the sooner you asked, the sooner you’ll see yours!

Here, we’ve got: Bard for @evansluke, Stanley for @mademoiselle-lani, Rick for @ladyazazel23, LeFou for @dodgisshipper, LeFou for @tordilurdy, Modern!LeFou for @jclifou, OC for @hardy-for-ben-hardy, Maxie for @a-kthelittlefairy and Prussia for @eridansquared! I do hope you like them >//<

If you want your paperchild with no background/border/signature/whatever or with a bigger size, feel free to contact me :) Thank you!


Connor in a modern au working search and rescue with the Coast Guard. Edward is supportive and proud of him (at least more openly than Haytham) and loves swapping stories with him.

luckyfsh  asked:

Hey I feel like forever ago I found out you were studying theology?? maybe?? If that's true do you have anything to say about the amis and religion? or how they interact with it? In cannon, most of them, and definitely Enjolras ("you have a minute to pray") are religious, but have you ever thought about how that could play in a modern setting? If you're not studying theology Sorry!! I love your mood boards and have a wonderful day/night!!❤

RIGHT. You have waited long enough! (now obviously some of these are more detailed than others. Thats probably bc ive just thought about them more)

Enjolras: Anglican Christian family. Grew up surrounded by heavy Christianity… and not the nice kind. His parents were the ones standing outside abortion clinics and throwing holy water on gays, ya know. Because of this he doesn’t feel religious but his friends are a good reminder for him that it’s not religion that’s bad. It’s the people who abuse it.

Combeferre: Also a Christian family. Ferre and E’s parents met through church (thus how E and Ferre met) but Ferre’s family abandoned the local church when they realised the hate it was preaching. Combeferre still holds onto his faith somewhat but took some extra modules on religion (back when he studied philosophy and not medicine) and is very open to aspects of other religions influencing his life.

Courfeyrac: Grew up in an atheist family. Didn’t really think about religion until he met Ferre and E. Immediately does extensive reading on his friends’ religions so that he can make himself and his flat as accommodating as possible for them.

Grantaire: Grew up in a Roman Catholic Romani family but bc they’re a nerd they read up everything about Romani culture and discovered that the widespread religion is often Islam. After a bunch more reading they found they aligned heavily with that as opposed to their parents’ religion. Although they never fully converted (cynicism may have got in their way at some point), they keep aspects of islam in their life and they always do Ramadan and get all their friends Eid presents.

Joly: Eir grandparents on eir mother’s side are Jewish and, although eir mother didn’t carry it on, Joly is trying to reconnect with it as ey feel a strong pull to it. Eir parents were very supportive and offered to organise a Bah Mitzvah but bc of eir gender stuff ey ultimately declined. Wants to do a pilgrimage to Jerusalem at some point but eir leg is a hinderance at the moment. Boss once offered to piggy back em all the way there but ey declined. Eir religion is something ey need to figure out emselves.

Bossuet: Irish background = extremely Catholic grandparents. Boss didn’t actually meet his grandparents until he was 16 because his parents wanted him to understand how they dealt with catholicism outside of Ireland (Boss’ family are still catholic but…. like cool catholics. nah but theyre really chill about stuff). Has a tricky relationship with religion because of this but ultimately when he most needs it he still prays.

Jehan: Oh Jehan…. So Jehan never really knew their parents long enough to understand if they were religious and to what extent. They were raised by their aunt in the south of France and…. their aunt had a weird mix of Wiccan and Hinduism going on that Jehan absorbed. Jehan is thus extremely polytheistic and has statuettes of different deities all over their flat. 

Bahorel: Bahorel’s family was low key Christian when he grew up in Jamaica but he never really carried it through. When he was doing his family tree he discovered that like… 6 generations back he had Sikh ancestors and he was so surprised and also elated. Did extensive research and now he low key celebrates the Sikh holidays and festivals to honour them. Especially Diwali (which is also a hindu festival so Jehan and Bahorel during Diwali are an amazing team). so many candles.

Feuilly: Very much holds onto his catholic faith as that was what kept him afloat during times when he was on the street and struggling. 


Marius: Marius never thought about religions outside christianity before he met les amis. Since then he has been stuck in what seems like a permanent crisis of faith. it’s ongoing.

Cosette: So Zette grew up in a heavily Buddhist household bc JVJ is Buddhist convert (yes catch me in an au where the bishop was actually a buddhist monk. bite me) which she loved bc it reminded her of her mother and her Chinese roots. However, she recently started converting to Judaism. It was just pulling her she can’t fully explain it. JVJ is extremely supportive and learned Hebrew with her.

Eponine: Ep was extremely skeptical of religion bc of her upbringing and her ParentsTM and she was like wow if this is how God is treating me then fuck that lads. But when she started dating Cosette she was hit square in the soul with JVJ’s flavour of Buddhism. She doesn’t really go in for the more religious side but absolutely took in the philosophy. They meditate together sometimes #bonding. She also has a little statuette of the Buddha that she talks to when she’s scared.

Musichetta: Chetts grew up in a heavily Muslim family in Pakistan. When she discovered she might be trans she not only had a crisis of identity and gender but also a huge crisis of faith. She assumed her parents would not be ok with this because of their traditional faith. She took a year out to travel and called them 4 days before coming home to come out. They only answered that they would talk about it when she got home. When she did get home they were waiting for her with brand new traditional clothing that aligned with her true gender and her father had bought her a beautiful headscarf and asked if she wanted to wear the hijab because Allah still loves her. She accepted and cried. They cried. It took her another year to fully reconnect with her faith but she is extremely glad she has found it again.

Oh man this was fun ok!

Medical Astrology: An Introduction

Medical astrology is a branch of astrology focused on how astrology can be used to identify physical weaknesses and strengths, bodily deficiencies, and potential illnesses. While it isn’t used to diagnose illnesses or diseases (only medical doctors can do that), medical astrology can give insight into what we may potentially struggle with physically. Medical astrology should NOT be used in place of seeing a doctor or medical professional, and, as with basically everything in astrology, nothing in medical astrology is set in stone. Just because certain physical weaknesses are shown in your chart, it doesn’t mean you will suffer from them.

Many astrologers don’t believe in medical astrology, believing it’s too ancient and archaic in this era of modern medicine. Personally, I’m not completely sure how I feel about it (something about medical astrology makes me feel a little icky), but I’m learning more about it, and I’d like to discuss it a bit since it’s really fascinating!


The Zodiac Signs

Many people know that the zodiac signs are associated with different parts of the body, and these associations are used heavily in medical astrology. For those who don’t know what parts of the body the signs are associated with, here’s a little run through along with other bodily functions and occurrences associated with the signs.

  • ARIES: The head, the brain, the eyes and other parts of the face
  • TAURUS: The throat, the thyroid, the gums, the tonsils, the middle ear, the vocal cords, the esophagus
  • GEMINI: The lungs, the arms and shoulders, the nervous system, bodily processes that involve connectivity
  • CANCER: The breasts, the sinuses, the stomach, the uterus, the chest cavity, other “containers” or cavities of the body
  • LEO: The heart, the back, the spine (not including the spinal cord)
  • VIRGO: The intestines, the processes of the liver, the pancreas, bodily processes that involve discrimination or cleansing
  • LIBRA: The lower back and butt, the kidneys, the vasomotor system, bodily processes that involve balance or equilibrium
  • SCORPIO: The reproductive organs, the colon, the bladder, the rectum, bodily processes that involve elimination
  • SAGITTARIUS: The thighs, the hips, the liver itself
  • CAPRICORN: The bones (including teeth and nails - wait, are nails bones?), the knees, the hair
  • AQUARIUS: Blood circulation, the lower legs and ankles, the valves of the heart, rare diseases
  • PISCES: Feet, toes, lymphatic system, hard to cure diseases

The Planets

Also, the planets are associated with maladies and reactions of the body. In a way, you can compare the zodiac signs to anatomy and compare the planets to physiology. Again, I want to repeat that just because you have a certain planetary dominance, it doesn’t mean you will have the disorders or diseases associated with that planet. So please don’t worry.

  • SUN: Inflammation, fever, heart problems involving the muscles of the heart, energy problems
  • MOON: allergic reactions, female health problems, mucous formation, acute pain or ailment, altered body rhythm
  • MERCURY: speech disorders, memory problems, nervous system disease, hormonal problems
  • VENUS: benign growths, balance problems, blood sugar issues, poor circulation
  • MARS: infections, fever, burns, sudden illness, muscle problems, acidosis, a need for many surgeries
  • JUPITER: poor metabolism, liver problems
  • SATURN: chronic disease, atrophy, under activity, skin diseases, obstruction
  • URANUS: sudden illness, seizures, spasms, lack of coordination, heart palpitations, accidents caused by electricity
  • NEPTUNE: hidden diseases, addiction, misdiagnosis, drug sensitivity, coma, poisoning
  • PLUTO: massive infection, malformation, amputation

Medical astrologers use these associations with the planets and the signs to read into people’s charts (especially a person’s planetary aspects) and see where underdevelopment, weakness, or conflict lies.

The Elements

Medical astrologers also use the elements present in a person’s chart to make predictions or find patterns. A lack or an excess of a certain element can point towards other bodily issues.

Here are what the different elements are associated with.

  • FIRE: Heat and purification. A person with too much fire can get burned out too quickly. A person with too little may have problems fighting infection
  • EARTH: Support and stability. A person with too much earth can become too obsessed with the body or may suffer from a lack of moderation. A person with too little can make a person ignore the body and symptoms.
  • AIR: Oxidation and connectivity. Too much air can lead to being gassy or overly sensitive. A person with too little air can have problems with feeling faint or with a weak nervous system.
  • WATER: Nurturing and protection. Too much water can make make a person overly sensitive as well and can lead to too much fluid in the body. Too little water can make them weaker with toxins or infection.

I’m experiencing my first snowfall and getting emotional so POTTERY.

something I found mildly terrifying when I first started learning how to fire the kilns is that there aren’t /settings/ in a kiln. I mean there are computerized kilns and electric kilns, but even our most modern kiln here is predominantly controlled by how covered a particular hole is by a big slab of rock. Kiln not hot enough? Try moving the rock a little. Nudge the gas valve. It’s like being taught rocket science by your great aunt’s Lupe’s famous rocket fuel chili recipe. You know it’s right when it /feels/ right. Except there’s no training wheels for what ‘feels’ right when you’re working with flammable gas and molten 2000F hot dirt.

So, EU potters that can tell something’s off by the tang of metal in the air, that know something’s wrong by the color of the light, because the flame coming out of a kiln in reduction looks different than a flame in oxidation, because the smell of ozone and burning metal can mean very different things when you’re firing, and they’re things you learn to look for. Artists who know when Elsewhere is close because the air /tastes/ different from the air they’re used to.


CONGRATS ON YOUR FIRST SNOWFALL! And also I’m loving this ceramics mythology that’s being built here! It’s so good for me.

(I’d love to see more about the mythos of various majors, if any of you should feel like writing it out! What about it is strange? What about it is strange at EU? what do you have to trade, what could you not afford to lose, what keeps you safe?)

A Little Web Series Love

Hello there! Here are some cool web series (webseries?? Ugh I can’t decide if it’s one word or two. The struggle continue) that you should watch! Here’s the what & the why: 

Middlemarch: The Series: 

“Middlemarch: The Series” is a modernized vlog-style web series adaptation of George Eliot’s “Middlemarch.” 

This show is a delight. It has an innovative format (vlog + documentary), it is beautifully filmed with a gr8 aesthetic, and it’s a story you can really sink into. Right now I’m hearing Billie’s words about how it’s difficult to define what you like about a piece of art. I’m trying here! There’s also a lot of ANGST and FEELINGS and I’m LIVING for it. 

The Emma Agenda

“The Emma Agenda” is a modern adaptation of “Emma” by Jane Austen, created by Quip Modest Productions.”

This is a real fresh and fun take on Emma! I don’t wanna spoil it but the way *certain things* are being adapted is fantastic and it’s charming and cute and I can’t wait for the Emma/Jordan relationship to really blossom. Eep! Plus, I mean, it’s another series by Queen Jules. So. 

Away From It All

“A modern web series adaptation of Thomas Hardy’s ‘Far from the Madding Crowd’, told in a multimedia format.”

Okay I am definitely biased because I worked on this show but it has a special place in my heart, ok?? The setting of fictional Weatherbury is its own characters in the show; it feels like a real place that you can visit just by watching Liddy’s vlogs or Gabe’s Facebook videos to his friends. The characters are wonderfully flawed and interesting and if you’re looking for a wee bit of drama, you’ll find it in AfitA. 


“Horizons is an original young adult web series created by the collaborating young creators at Betwixt Productions.”

This. Show. The writing is TOP NOTCH, the romance is sweet, the characters are funny and complex. While it feels like a YA dystopian novel, the issues that are discussed are (unfortunately) very relevant to real life right now. Basically, Horizons made me feel all the feels. Plus the costumes and makeup are really cool! 

The Adventures of Serena Berg

“A new LGBTQ+ literary webseries based on Cyrano de Bergerac.”

Roxanne is an adorable nerd and I love her and if you watch the show for anything watch it for Roxanne. Or Serena, who describes herself as “your favorite transgender asshole.” As you can tell, she is sassy AF which I always appreciate. AND it takes place at college which is my fave setting. Bonus: the closed captions are a hoot. 


“ELLIPSES is an original sci-fi webseries about love, friendship, and the scientific method, told through the main character’s in-universe vlogs.”

This is such a fun (and funny!) original series. Science + time travel + feelings = love. (This is not a proven statement. I don’t know how to do the science good. Sorry, Dot.) I’ve learned a lot of science-y things while watching this, and Dot is one of those characters you want to slap/shake and hug at the same time. 

The Better Strangers

“The Better Strangers is a web series adaptation of Shakespeare’s As You Like It and is the sequel to ‘A Document of Madness’.”

So I know this is a sequel to ADOM, but I actually haven’t watched that one yet! Still, this series stands on its own. It’s fun and college-y and also touches on important topics like abusive relationships. Rose and Orlando are unabashedly my faves, and I wish Orlando’s vlog wasn’t fictional. Plus: lightsabers!!

I’m still so behind on my web series watching from being in production on Merry Maidens so I’m sure there are lots of lovely shows I am missing, but I hope this lil’ write up has INTRIGUED you. Now go watch internet shows. 


I /really/ love Evangelion’s user interfaces. The problem I have with most modern science fiction UIs is that they’re way too polished for no reason. Stuff like mining rigs, or military vehicles- they all have this over-nice reactive UI that bounces and squiggles whenever characters touch them. Who would program any of this shit? Not only that, but there’s a lot of bullshit shapes that show no meaningful information to the user. 

This is why I love the computer/set design of Evangelion (and also stuff like Alien). They look and feel beat up. Used. Real. When I look at Evangelion’s UI, I’m reminded of oscilloscopes and other things real engineers use. Sure there’s a lot of noise on the screen, but all of it feels like it could MEAN something to someone in-universe.

Movie Ask Meme! 🎥

1. Favorite Tarantino movie?
2. River or Joaquin Phoenix?
3. What’s your favorite language to watch movies in?
4. Do you prefer watching movies in the theater or in your own home?
5. What’s the worst movie you’ve ever seen?
6. Favorite female director?
7. Is there a movie you think was too long?
8. Is there a movie you think was too short?
9. What’s a movie you’ve always wanted to see a sequel for?
10. Favorite director from the 50s?
11. Which decade has your favorite cinematography style?
12. Are there any pet peeves you have in cinematography, writing, or directing choices?
13. What movie has your favorite soundtrack?
14. Which film have you had the biggest emotional response to?
15. What movies have disappointed you the most or not met your expectations?
16. Do you prefer movies that are upfront with their meaning or movies where you’re left to make your own inferences?
17. How do you feel about movies that don’t follow a chronological timeline?
18. Who’s the most relatable character you’ve ever encountered in a film?
19. What movie character do you most wish you could be like?
20. What’s the most beautiful setting you’ve seen in a movie?
21. What’s the most eye-catching title you’ve come across?
22. What’s your favorite cinema movement (ex: French New Wave, Cinema Novo)?
23. Which place produces the foreign films you like most?
24. What’s your favorite commercial flop?
25. Who are your favorite actors/actresses from both modern times and the past?