i don't except anyone to even like these

Hello yes my heart is ready to be taken

Character: *Kissing the opposite gender*

Y'all: “Well we don’t know if the character’s hetero. He/She could be bi, or pan, or ace, you know. Ship he/she with whoever you want, we don’t know. It only one kiss, it’s not confirmed or anything….

Another Character: *Kissing the same gender*

Y'all: That character is GAY! Can’t be anything else. He/She can’t be bi, pan, or ace, that’s homophobic. You can’t ship she/he with anyone except the same gender. If you do, you guys are taking away OUR representation. It’s basically confirmed by that one kiss!

there are some respects (especially as regards worldbuilding) in which LOTR is a lot more nuanced and detailed than many later users of the genre conventions it helped popularize and so there’s some stuff that Tolkienesque fantasy gets criticised for that Tolkien himself doesn’t actually tend to do

there’s obviously plenty to criticise in LOTR itself, but it’s not always what seems obvious based on later examples of the genre, and it’s fascinating to see how those tropes have mutated

who u should fight rvb freelancer version
  • York: York’s a great guy who could also probably like, rip you in half but tbh I feel like he’s that guy in the group who makes endless puns and dick jokes so, hey, punch him and then run away, lock a door behind you, and you’ll be fine. Fight York.
  • Carolina: I mean. I don’t know what show you’ve been watching, I really don’t. Jesus Horatio Christ on a popsicle don’t fight Carolina.
  • Washington: Wash has had the shittiest life ever. Of all time. Do not fight Wash give Wash chocolate and love.
  • South Dakota: True, South will rip you to tiny bitty little shreds, okay yeah but she got North killed and Theta lost and just... if you can fight South pls go for it
  • North Dakota: Why would you fight him. Why. North wants to give you a blanket and a cup of tea and talk about Grifball with you why would you fight him? Also if you did fight him he'd shoot you from three miles away. You're not nearly good enough to even get near him to actually fight him so don't bother. Don't fight North.
  • Maine: If you want death, then yes, fight Maine. But don't actually. Either he'd punch you once and you'd explode or he'd pick you up by the scruff of your neck and place you on a really high shelf or something. Don't fight Maine.
  • Wyoming: Please rip his mustache off. Fight Wyoming.
  • Florida: That's like the worst idea ever ok look Florida is a chill honestly nice dude who will slather you with compliments and mean them but you will not last 0.0002 seconds in a fight with him. Nah he isn't on the leaderboard but that's probably cos he's like, way too cool for that shit okay don't fight Florida. Let Florida hug you.
  • Iowa: why would you do that that's like fighting Caboose except a Caboose who's never killed anyone okay it's like fighting Caboose's more innocent twin if that's possible DON'T FIGHT IOWA
  • Georgia: Yeah go ahead fight Georgia he seems like a dick. Also he probably sucks I mean we all know what happened to Georgia you might even win. Fight Georgia.
  • Ohio: bruh don't fight Ohio, set Ohio up with Sherry
  • Idaho: ehhhhhhhhhhh I feel like that would be a dick move. Don't fight Idaho.
  • Utah: how can you fight utah you don't even know what utah looks like
  • me: *takes a deep breath*
  • me: i lo-
  • anyone who has spent five seconds around me ever: yes, you love monochrome, we know, you love monochrome so much, they're the light of your life, you love them so much, you just love monochrome-we KNOW, you love monochrome you fucking love monochrome ok we know, we get it, YOU LOVE MONOCHROME. WE GET IT.
Why this episode of Riverdale (and Betty’s blackmail in particular) really pissed me off masterpost

1. Remember that FP isn’t being charged with or sentenced for Jason’s murder. Everything he’s going to jail for is something he actually did. He isn’t owed leniency. The potentially lesser sentencing afforded by the testimony of the bereaved was a privilege not a right. Cheryl (and I hate to say it because I despise her, but Penelope) had every right, moral and legal, to tell Betty and Jughead to fuck right off when they came into her house asking if she wouldn’t please help an accomplice in her brother’s murder get a lighter sentence out of the kindness of her heart. 

2. It would be infinitely more understandable if it were Jughead that did it. He’s terrified. He only has his father, and is afraid to lose him. He’s been through a hell of a lot, too. Okay. If he’d blackmailed Cheryl, it would still have been a reprehensible thing to do, but it would have been understandable if not justifiable. But it’s Betty. Doing it as a nice favor for her boyfriend.

3. Why the hell did she save a video of Jason’s murder in the first place? What kind of weird, fucked up shit is that? Did she have something along these lines as a contingency plan all along or what?

4. Just think about it piece by piece: Here we have Cheryl, who has been routinely abused by her parents, probably for most of her life. She’s lost Jason, who, remember, was the only person who ever really cared about her or loved her. Lost him to their father, no less. This is understandably enough to cause her deep emotional distress and agony, to the point where she attempts suicide. She makes it clear that this is and has been the darkest, most painful period in her life and that she wants nothing more than to move past it. Here comes Betty, fully aware of all of this, and she says: ‘help me or I’ll distribute a video recording of your beloved brother’s brutal murder, precisely to make sure that this dark, painful period of your life never ends’. And for what? For the sake of a man who’s receiving nothing less and nothing more than what he deserves. In short, she’s threatening to ruin Cheryl’s already ruined life and make damn sure she can never escape her trauma. This is the sort of shit villains do.

5. Characters do questionable things, I get it. Perfect characters are boring. But a lot of you guys seem to be treating this not as a despicable thing that Betty did with arguably good intentions but as an actually cool/badass/commendable thing. Why?

I’m probably taking this too seriously. I don’t mean to call anyone out (except Betty Cooper I guess, who is fictional after all) with this post or anything. I know it’s just a TV show. It’s just that it’s a TV show I really like and it really bothered me. Maybe more than it should have. I don’t know. I’ll stop posting about this now. I need to go to sleep anyway.

Dialing Under the Influence
  • Shaw: Rooooot...oh...Roooooot
  • Root: Shaw are you okay?
  • Shaw: Nooooooooooooo....Nope. Not Shaw. It's Sameen. Sameen is never okay when you're gone. Why aren't you here with me? Or maybe I should be with you where you are. But I don't know where that is...because you never let me visit. Why is that Root? Do you have another girlfriend besides me?
  • Root: I didn't know we were girlfriends Sam. But no I don't have any girlfriends at the moment.
  • Shaw: Except me Roooot. Glad we straightened it out. I can't have you thinking you can go around kissing other people because then I'd have to punch them. But what about all the moments before this one? Or all the ones after?
  • Root: I haven't had a girlfriend in all the time you've known me sweetie.
  • Shaw: Except me.
  • Root: Sorry, yes, except you.
  • Root thinks although this is too cute for words, she should probably go find Shaw before she gets arrested and blows her cover. Shaw has drunk-dialed her before but this seems different. Her other calls have always been to discuss the logistics for a booty call. The important factors being whose place and time.
  • Shaw: What about before me?
  • Root: I had one other girlfriend but it wasn't the same. I was very young.
  • Shaw: Did you love her more than me? she whispers so that Root has to strain to hear her.
  • Root: Root's heart breaks a little for the vulnerability she hears in Shaw's voice and a little for the tragedy that befell Hanna. She sighs.
  • It can't be compared sweetie. When I met Hanna we were barely teenagers. She looked out for me and offered me her friendship even though everyone else thought I was weird.
  • Shaw: Root, you are weird, but that's why I love you.
  • Root: That's new. Shaw's never declared her love no matter how drunk she's gotten.
  • Where are you sweetie?
  • Shaw: At our place. Root...please come.
  • Root: Of course Sameen. Is anyone there with you?
  • Shaw: Just Bear, but *shshshhs* cuz he's sleeping.
  • Root: Okay, I'm coming so don't leave. You want to stay on the phone with me until I get there?
  • Shaw: Yes! I don't like talking on the telephone except to you Root. Other people are boring. John hardly talks - its like a perverted breather call. Finch just drones on and on until I'm sleeping. And when Fusco calls I change my number. But I like hearing your voice on the phone. I wish you'd call me more when you're away.
  • Root's breath hitches and she wonders how hard their next conversation will be when Shaw forgets everything she's saying now, but it still lives in Root's heart. She needs to hurry and get Shaw to bed before she proposes.
  • Root's headed to the bar Shaw calls their place, but the Machine sends her the address to Shaw's apartment.
  • Root: This is the address to Shaw's apartment not the bar she calls 'our place.'
  • TM: Asset Shaw has been in her apartment the entire time you've been speaking. Outside your presence she refers to the apartment with the possessive pronoun 'our.'
  • Root: Is that why my things seems to constantly end up there when I'm sure I've left them in the subway?
  • TM: Asset Shaw moves any belongings you leave at the subway, except weapons, to your apartment.
  • Root: Just when I think I have things between us figured out, she throws me for a loop.
  • TM: I can help bring clarity to your relationship with Asset Shaw. Do you want my help?
  • Root: Not right now, but I may take you up on it later.
Did I tell you how I had a dream I met Daveed Diggs on a kinda weird shuttle bus

Ok so basically it was the bus kinda like the London overground (for those of you who’ve been on it) except on the streets and out of the corner of my eye,,,, I saw:

The hair.

It couldn’t belong to anyone else. I turned around and there he was- Daveed Diggs. I flipped my shit and ran towards him asking for a picture but I fucked up like 5 ways and I was really annoying cause I kept taking really bad pictures lmao I felt bad for him but it was still a life highlight even if it was in a dream.

anonymous asked:

How can you act like its unreasonable to think Keith will remain the prominent cast member, as he becomess a fucking wizard and leader of Voltron with blood links to their most plot important ally, as well as greatest warrior on the team? The seeds are right there. Worry may or may not be right, but worry absolutely is not unwarranted.

I mean, I think a lot of these are pretty shaky premises but I’m personally going to pick specifically at the “greatest warrior” thing mostly because…

Red’s thing is she’s the fastest and has the most firepower in terms of arsenal.

She’s also the weakest Lion in terms of resilience or endurance.

Keith is, like literally any other member of the team, a specialized build with obvious exploitable weaknesses. In Keith’s case he either is able to OHKO an opponent or he is dead. Extended stalemates tend to end very badly for him: see the Gladiator bot in s1e9, which was consistently able to drive him backwards until he hit a corner, see Zarkon in s1e11 who absolutely kicked his ass and hung him out to dry.

See, the entire Trial of Marmora in s2e8 where when challenged in terms of endurance, Keith’s willpower and refusal to quit are not framed as something that can keep him going, it’s framed as something getting him killed. If the Blade hadn’t been going for nonlethal strikes, Keith would have been dead in the first room.

Keith’s only assets are speed and firepower. The whole Trial of Marmora shows us that when Keith is outclassed in terms of those two things- up against faster enemies that he can’t drop in one hit- he’s screwed.

The fandom literally has jokes about how often Keith gets wrecked, and that’s because he’s the quintessential squishy wizard build except in even more peril because he doesn’t have any means to attack from a range longer than “right up here in your face” on foot. Red at least affords long-range attacks.

Like if you’re going to accuse anyone of being Way Better Than The Rest Of The Team why not at least go for like, Shiro, mister hardcore parkour throwdown-with-Zarkon-on-the-astral-plane-with-nothing-but-spite-and-this-laser-arm.

I cannot believe the day finally arrived that I draw two guys kissing /sweats nervously/ Good Lord, I say my humblest apologies but I had to do it for self satisfaction. My first MakoRin art and it had to be this? HAHA HA OTL They’re both so damn attractive don’t look at me GOODBYE

Free! Eternal Makeout: MakoHaru | SouRin

anonymous asked:

After the whole twitter drama! And u said u were a bully on MySpace 😂 Christina got on Snapchat and said that not much upsets u except stuff we don't know about? Is it stuff ur not ready to say or things that need to be kept be private ?

I honestly don’t know what anyone could say that would really hurt my feelings cuz the only people that have actually hurt me in my life are me, my family and guys that I’ve dated haha. Like they could say something that’s not even that mean and I’d be upset (if I was sensitive about it) vs. a bunch of strangers trying to attack me doesn’t even bother me cuz I don’t know them. Make sense? It’s not even what is being said as much as who’s saying it lol

One thing I really appreciated about Jessica Jones is that I felt it never fell into the trap, even accidentally, of Luke as the big scary black man. He was big, he was very dark skinned, and he had super strength and impenetrable skin. But was he scary? Only if you were his opponent. Even when he was possessed and fighting Jessica, you weren’t scared of him, you were scared for them (both Jessica and Luke, that is). There was no ‘he looks a little freaky, but he’s actually a super nice guy!’ with him. No Beauty and the Beast vibes. He just was. A dude. Who there was no reason to be scared of more than any other dude. Just a good dude who was a bartender. He’s never framed as if he’s intimidating, except in fight scenes where he should be. This is all about not just dialogue, but directing, framing, cinematography, and I thought they handled this appropriately with Luke and avoided common (and dangerous) racist tropes. 

On the flip, Simpson. There’s always something off about Simpson. Except for a few of his scenes, there’s always a slight level of discomfort with him. He feels just a little bit… wrong, even before we know about his stimulants. He’s a conventionally attractive white man who has seemingly heroic goals, but you just never fully trust him. He’s scarier than Luke ever is, and I appreciate that. 

Ouma is just one of those characters where i’m just physically incapable of shipping him with anyone except Saihara. I just can’t do it. I’ve looked at the other viable options. and I can’t. It just can’t happen.

anonymous asked:

Random gency shipper here, your art is cool and pharmercy may not be my fav ship but it's still a great ship!

Well Anon, you have my respect :)

If only the rest of the fandom would be like this. It drives me nuts when I see people hating (from both sides) on others because of ships. We should be allowed to enjoy what we want without anyone else telling us that what we like “is shit”. Except for the obviously problematic ones.

And a little somethin extra, when I first learned about Overwatch (except for not knowing anything about the lore) I actually liked Gency before I learned about Pharmercy haha :)


I was tagged by @undercutzayn to post 6 pics that represent me that are already on my phone and I’m tagging @jah-city @cher1808 @afirethatcannotdie @thebeatofmyharrt @so-why-let-your-voice-be-tamed @alliwantsomuch. I feel like these are the essence of Me™ so enjoy.

anonymous asked:

Excuse me if I sound ignorant here, but besides the fact that the casting for the heather's is pretty off I really don't get why they would make the all the heather's things that people still get tormented about? Or make them be pretty vicious bullies themselves??? Hate to say it but I don't think they would be that far up on social scale even if they rich.

I mean there’s no reason why someone over weight, gay, black, or non binary can’t become popular, except that Heathers is supposed to take place in a super bigoted closed minded town. And the fact that they excuse it with it being modern times is totally dumb I just spent my last three years of high school in a town like that, where white kids constantly said the n word, trans kids were afraid to come out, anyone overweight was bullied, and I was told I was too pretty or my hair was too long to be gay.

anonymous asked:

yeah i don't give 2 fucks about mitch, i'm here for louis, do you remember a louis? blu eyes, sharp tongue, big herat? he was a member of a band called one diection. don't even start with this shit

I normally just block people that send asks like this because it’s too petty and stupid to acknowledge, but I’m feeling feisty today, so I’ll answer with a FUCK OFF!

Are you only able to like one person at a time? Is your heart so fucking tiny that you can’t let anyone in except Louis?  Because Louis’ heart is bigger than that. He has a lot of people in there. Harry’s is too.

Right this minute we have just been through an amazing few days of Harry’s album release, getting to know his band, experiencing his first concert and it’s been fantastic.

From Louis we got some blurry shots of a photo shoot that we know nothing about and random rumors (that I have talked about btw dipshit). So in your miserable little world, I’m being “unfair” about Louis by paying attention to what is ACTUALLY happening instead of blathering on endlessly about things I know nothing about?

I like what I know about Mitch, and Sarah, and Claire (and hopefully I’ll like the other guys too, but there hasn’t been much about them). It’s not much, but they seem like wonderful people that care a lot about Harry and, just like I did with Steve Aoki since you’ve forgotten, I’m embracing them.

You can go drown in your own bile if you like, but stay out of my inbox with your pathetic bullshit.

hannahlovecandy2005  asked:

Does that means he still feel 100% pain since he cannot transfer it to anyone else like original cross can? And can he and how do he use Chara's X-event power even though Chara still have their half of determination ?and since Cross don't seem to want rebuild his world, i doubt Chara lend that power to him

Yes, he can still feel 100% of his pain.

I didn’t think that Chara could keep Cross from using the abilities, honestly. I thought that as long as they were sharing a body, there were no restrictions, except for when Chara is asleep. And even if Chara could prevent Cross from using the knife, I think that DS!Cross might’ve figured way to bypass it, being the host. Or Chara stopped caring, or something.

Maybe it’s all some plan to get DS!Cross to trust him too much…

honestly my head wants me to write anything except what I need to be writing, so here’s some completely uncalled for rambling that I might turn into something at some point. or if anyone else wants to roll with this, it’s cool. 

daisy goes off to school when she’s twelve. not school school, ballet school. because she’s good. everyone knows she’s good. even melinda may, undisputed favourite of nick fury, knows that daisy johnson is something else. 

four years later she’s paired with robbie reyes, whose shoes are old and scuffed. he’s quiet. he doesn’t get lavish gifts like the rest of the kids there. he’s the scholarship kid, and daisy is the darling of them all.

but robbie dances with this anger, this explosion of power that puts everyone else to shame. his arms are strong, his technique is sound. daisy has to rely on him, to be the best, because this school isn’t only a school - it’s a competition. and only the best survive.

anonymous asked:

any tips for writing?

just do it.

seriously. the self-doubt will never go away. all you can do is practice. and read more. read more, write more. it sounds like work because it is. and don’t compare yourself to other writers. it’s pointless. you’ll end up in a negative spiral and you may never write again. so just write what you want. write the story you want to read. give yourself permission to write badly. it’s fine. write off all the bad until all that’s left is the good enough and then eventually the Good Writing kicks in.

and let people read it. feedback helps you grow as a writer. the negative comments, and the positive comments, and even the silence that follows all mean something. it’s all a matter of deciphering what means what, but that’s for later.

first, you have to write something.

so write something =)

spam me with anonymous asks maybe?