i don't even know what on earth is this

Except for the few, adorable moments he dedicated to kids, he walked that red carpet as if there was fire burning under his feet. Of all people, he had Simon Jones attached to his hip the entire time and that was only part of the horrible company he had to endure throughout the evening. And yet no Danielle, who’d be always so very willing, alongside him. Beautiful, but tense, dedicated to nicest fans but mostly detached, he might have nothing to promote but a dubious girl band project coming up and yet he could have made a good use of such a fitting opportunity to bask a bit in the spotlight, get a little more attention, spread his enthusiasm about his personal and professional moves. Instead he ran faster than Forrest Gump, chose not to discuss anything of what is publicly associated with him at the moment. Why? Is he as private and shy as Danielle shielding the wrong side of her face from the mean mean paps? 

One day it’ll end, but today isn’t obviously that day. And calling that a happy, free, willing Louis is like attending a Donald Trump convention and judging him a wise, competent, upright person.

Please consider the fact that-- even while fighting Zarkon and his massive forces, even when they might never see Earth again, even when he suspects he’s Galra and doesn’t know his parents--Keith’s single biggest fear was that Shiro wouldn’t approve of him. That Shiro would leave him.

And yet at the end of s2 that’s exactly what happens.

S3 Keith is going to be a mess, y’all. A. Mess.

and I can’t wait.

you almost smile. can’t.
the sunset, cherry-red, stains your tongue
and the clock keeps ticking like how the
earth spins the same way even after
all it’s been through:
go back in time, pet a brontosaurus and the
days and nights stay the same and
what was it that song said?
please hurry leave me i can’t breathe
please don’t say you love me…
there was something after that.
you can’t remember.
you feel keystone-state lust and
carnival sticky and
there is nothing for you here anymore.

except, that is a lie, because
of course there’s still something there
but you see that’s the problem:
the problem is there’s always a something,
a something to go back to,
a something to miss, and, it’s funny.
funny like how you’d sobbed midnight
after a dance that lasted too short a time,
funny like how you kept reaching for the gear shift.
a new car. not used to it being automatic.
funny like how you’re not used to things being automatic,
like how you’re not used to it,
to this,
happening on its own, you’d wanted to be able
to control it. predict it.
reach for the stick shift and keep your hand there,
it is the hardest way to learn how to drive but
once you’ve learned manual you can drive anything.
you can’t remember who first said that to you.

so. it’s gone.
whatever it is you are missing you have to pretend
it’s not there because maybe that makes the truth
a little easier to swallow,
cricket-sized guilt like you’re the star of survivor,
no matches, backpack, plastic water bottle.
or maybe you are the cameraman,
no free hands traversing across nothingness
in the wake of the beautiful lead.
yes, that was it:
off to the side, camera. both hands full.
but it’s still there, see, and you can’t get rid of it because
why would you want to.
the memories collect, stack like playing cards,
want to see a trick? that was what had happened.
want to see a trick? and a hand, picking up a jack, watch.
a flourish and it
disappears.

and not like that was a symbol, foreshadowing,
but who’s to say it wasn’t.
who’s to say the window wasn’t open for a reason,
cool purple air and stars seeping in through
too-thin curtains, look.
you remember dim lights and bibles in drawers and
no one could understand. that was it, right?
no one could understand. look.
the moon becomes a slice thinner every day
and the bed gets firmer and the door hinges creak
like they have a secret to tell.
tell me, you want to say to the door,
tell me like how the sunlight streams through
cold metal blinds, tell me like
how the linoleum tile sparkles in the twilight, how
everything looks beautiful when you try hard enough.
when you look at it too long.
when there’s nothing beautiful left so you have to compensate.

the world deflates like a soccer ball and
the car keeps driving. you can’t seem to stop it now.
you can smell midnight stars still, radio playing low.
alone. holy alone, like that poem, over and over.
holy alone. holy alone.
leave the keystone behind and don’t look back –
there’s nothing for you there:
that’s the lie. but who’s to say it isn’t true,
bible all the way back there in the drawer.
forget. it’s all you can do.

—  let me walk to the top of the big night sky // m.d.
Everything you are about to say, I already know.
  • Clara, I’m not your boyfriend… I never said it was your mistake.
  • Clara, I need you.
  • I don’t take orders, Clara.
  • To our last hurrah.
  • I don’t know if you’ll ever hear this, Clara. I don’t even know if you’re still alive out there.
  • I can save you.
  • This is my world, too. I walk your earth, I breathe your air.
  • Do you think I care for you so little that betraying me would make a difference?
  • You asked me what we’re going to do. I told you. We’re going to hell.
  • Clara, I’m terribly sorry, but I’m exactly what you deserve.
  • Are you okay?
  • It’s fine. I’ve found Gallifrey.
  • Yes, I’m really here. I’m back.
  • I never found Gallifrey. I lied, so you’d stay with Danny.
  • There was only one way to get to you. I’m dying, too.
  • I will hold Clara’s hand, but that’s it.
  • Clara Oswald, you will never look any different to me.
  • We should do this every Christmas.
  • I’m sorry. I was stupid. I should have come back earlier. I wish that I had.
  • The TARDIS is outside. So, all of time and all of space is sitting out there. A big blue box. Please, don’t even argue.
  • Do you know what’s rarer? Second chances.
  • Pretty Woman.
  • When do I not see you?
  • I want Clara Oswald, safe, alive, and returned to me immediately. You bring her back. You do that. You do that now. Unharmed. Unhurt. Alive.
  • I just felt that I… I had to say something. Because I’ve got a duty of care.
  • I can save you. You trust me, don’t you, Clara?
  • I’ll come back for you. I swear.
  • Don’t kiss me. Morning breath.
  • Everyone after you was random, but you being the next name, that’s what made me confront the Fisher King.
  • This is not a hug.
  • Look at you, with your eyes, and your never giving up, and your anger, and your kindness. One day, the memory of that will hurt so much that I won’t be able to breathe.
  • Every time we do something like this, I keep thinking, what if something happens to you?
  • She might meet someone she can’t bear to lose. That happens, I believe.
  • I’ve missed you, Clara Oswald.
  • I let Clara Oswald get inside my head. Trust me. She doesn’t leave.
  • Longest month of my life.
  • I’ll be the judge of time.
  • Hold my hand.
  • You will save Clara, and you will do it now, or I will rain hell on you for the rest of time.
  • I don’t care!
  • You shouldn’t have to ask.
  • What’s the point of being a Doctor if I can’t cure you?
  • What about me?
  • Clara…
  • Don’t run. Stay with me.


  • You are my storm room.
  • Making you laugh.
  • But I can remember, Clara. You don’t understand, I can remember it all. Every time. And you’ll still be gone. Whatever I do… you still won’t be there.
MJ Song Categories: Solo Artist Edition

Songs containing an inspirational or powerful message (political or otherwise):

  • Wanna Be Startin’ Somethin’
  • Man in the Mirror
  • Jam
  • Heal The World
  • Will You Be There
  • Black or White
  • Keep The Faith
  • They Don’t Care About Us
  • Money
  • Shout
  • Why You Wanna Trip On Me
  • Heal The World
  • Cry
  • What More Can I Give
  • We’ve Had Enough
  • Earth Song
  • On The Line

Songs about children:

  • Heal The World
  • Do You Know Where Your Children Are
  • The Lost Children
  • Little Susie
  • Speechless (according to MJ himself)

Song about his own children:

  • You Are My Life

Songs about women:

  • She’s Out Of My Life
  • Rock With You
  • Girlfriend
  • Human Nature
  • Carousel
  • Nite Line
  • Loving You
  • It’s The Falling In Love
  • Workin’ Day And Night
  • Baby Be Mine
  • The Girl Is Mine
  • Got The Hots
  • Hot Street
  • P.Y.T. (Pretty Young Thing)
  • The Lady In My Life
  • Billie Jean
  • Behind The Mask
  • Liberian Girl
  • The Way You Make Me Feel
  • Dirty Diana
  • Fly Away
  • Streetwalker
  • Chicago
  • Remember The Time
  • She Drives Me Wild
  • Dangerous
  • If You Don’t Love Me
  • Can’t Let Her Get Away
  • Who Is It
  • In The Closet
  • Work That Body
  • She Got It
  • Serious Effect
  • Give In To Me
  • Just Good Friends
  • I’m So Blue
  • Fall Again
  • Beautiful Girl
  • You Are Not Alone
  • Blood On The Dance Floor
  • Invincible
  • Heartbreaker
  • Break Of Dawn
  • Heaven Can Wait
  • One More Chance
  • Blue Gangsta
  • Butterflies
  • (I Like) The Way You Love Me
  • Whatever Happens
  • Don’t Walk Away
  • Slave To The Rhythm
  • You Rock My World
  • Superfly Sister

Songs stemming from his own personal experiences:

  • Billie Jean
  • Leave Me Alone
  • Speed Demon
  • Man In The Mirror
  • Price Of Fame
  • Why You Wanna Trip On Me
  • Will You Be There
  • Scream
  • They Don’t Care About Us
  • Morphine
  • Childhood
  • In The Back
  • D.S.
  • Stranger In Moscow
  • Xscape
  • Tabloid Junkie
  • This Time Around
  • Privacy

Songs about sex (or that could be interpreted as being about sex):

  • The Lady In My Life
  • Don’t Stop Til’ You Get Enough
  • Rock With You
  • Girlfriend
  • In The Closet
  • Superfly Sister
  • Nite Line
  • Got The Hots
  • Monkey Business
  • Break Of Dawn
  • 2000 Watts

Songs he covered that were made by other artists:

  • Come Together
  • Smile

Songs about violence, gang activity, war, etc.:

  • Beat It
  • Bad
  • Smooth Criminal
  • Al Capone
  • Little Susie
  • They Don’t Care About Us
  • We’ve Had Enough
  • Earth Song
  • Why You Wanna Trip On Me
  • Shout

Songs with a supernatural theme:

  • Thriller
  • Threatened
  • Ghosts
  • Is It Scary
  • A Place With No Name

Songs about dancing/having a good time:

  • Rock With You
  • Burn This Disco Out
  • Off The Wall
  • Get On The Floor
  • Hot Street

Songs that incorporate elements of Rock:

  • Beat It
  • Dirty Diana
  • Morphine
  • Give In To Me
  • P.Y.T. (Pretty Young Thing)
  • D.S.
  • (I Can’t Make It) Another Day
  • Black or White

Songs about some form of loss:

  • She’s Out Of My Life
  • Don’t Walk Away
  • Carousel
  • Gone Too Soon
  • Do You Know Where Your Children Are
  • The Lost Children
  • Little Susie
  • Earth Song
  • Carousel
  • Smooth Criminal
  • We’ve Had Enough

Songs about overcoming something:

  • Jam
  • Unbreakable
  • This Time Around
  • Keep The Faith
  • On The Line
  • Hold My Hand

Songs about Love (ALL forms):

  • Rock With You
  • Don’t Stop Til’ You Get Enough
  • I Can’t Help It
  • It’s The Falling In Love
  • Love Never Felt So Good
  • Baby Be Mine
  • The Girl Is Mine
  • The Lady In My Life
  • Human Nature
  • P.Y.T. (Pretty Young Thing)
  • The Way You Make Me Feel
  • Streetwalker
  • Fly Away
  • I’m So Blue
  • Liberian Girl
  • I Just Can’t Stop Loving You
  • Just Good Friends
  • Got The Hots
  • In The Closet
  • Remember The Time
  • If You Don’t Love Me
  • Someone Put Your Hand Out
  • Heal The World
  • Another Part Of Me
  • You Are Not Alone
  • Butterflies
  • Break Of Dawn
  • Loving You
  • You Rock My World
  • Fall Again
  • Beautiful Girl
  • Hold My Hand
  • Don’t Walk Away
  • One More Chance
  • Speechless
  • You Are My Life
  • (I Can’t Make It) Another Day
  • (I Like) The Way You Love Me
  • Best Of Joy

Songs about Injustice:

  • Scream
  • They Don’t Care About Us
  • We’ve Had Enough
  • Tabloid Junkie
  • Shout
  • Why You Wanna Trip On Me

Songs about pain (ALL forms):

  • She’s Out Of My Life
  • It’s The Falling In Love
  • Billie Jean
  • Dirty Diana
  • Leave Me Alone
  • Smooth Criminal
  • Why You Wanna Trip On Me
  • Who Is It
  • Gone Too Soon
  • Give In To Me
  • Price Of Fame
  • I’m So Blue
  • Dangerous
  • Slave To The Rhythm
  • They Don’t Care About Us
  • Childhood
  • Behind The Mask
  • You Are Not Alone
  • Stranger In Moscow
  • Morphine
  • Don’t Walk Away
  • Do You Know Where Your Children Are
  • We’ve Had Enough
  • Scream
  • Carousel

Songs exploring paranoia:

  • Thriller
  • Billie Jean
  • Dirty Diana
  • Speed Demon
  • Price Of Fame
  • Al Capone
  • Do You Know Where Your Children Are
  • Smooth Criminal
  • Dangerous
  • Who Is It
  • Morphine
  • Blood On The Dance Floor
  • Xscape
  • Threatened
  • A Place With No Name
How I feel about Slaine Troyard...

at times I’m like “PROTECT SLAINE 2K15” or “SLAINE DID NOTHING WRONG”     ;_;

but then there are other times when I’m “DAMN IT SLAINE, YOU LITTLE SHIT”

I can’t believe I’m this conflicted over a fictional character

Recently in Magical Boy Anime-

Uhhhhh…..

Uhhhhhhhhhhhhhhhhhhhhhhhhhhhh……

UHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH-

  • what she says: i'm fine
  • what she means: if henry morgan is truly immortal, in that not only does he not age but also comes back to life whenever he is killed, and he cannot find a way to die, as he keeps trying to do, what will happen to him? as a relatively young immortal, will he become jaded and emotionless like adam? and when adam is the only constant in his long life will they eventually become friends? what happens when humans become extinct? what happens when the earth explodes? will henry and adam just be alone floating through oblivion for all time? constantly dying and being reborn in the vacuum of space? can henry even come back to life if the earth is destroyed and there are no bodies of water? will he appear in a body of water on another planet? what about adam, as we never learned what happens when he comes back to life? would other immortals be there? do they exist? why are henry and adam immortal? why did they cancel forever
It’s weird. It’s just different… It’s not men. It’s just him. It’s only him… And I don’t even know what it is really, so I’m not broadcasting it.
—  Ianto Jones [about Captain Jack Harkness] (Torchwood: Children of Earth - Day One)

**Also relevant as my head canon for every one of my ships hence the tags so sorry not sorry read learn enjoy thank you goodbye**
boundarypurificatixn replied to your post: “Right now sounds like about the right time to…

“The what.”

“You know, the Contemplation Hole! Goes straight down, empties out onto solid, high-quality, give-less earth. Perfect for staring emptily into and coming to terms with the fact that you’re a stain that nobody on the planet wants to deal with, and that your sudden permanent absence won’t be mourned - and in fact, probably won’t be noticed at all!”

“Can’t say I’ve ever gotten to give it a real good try, though. Twenty minutes of staring and arm-dangling’s been enough for me, so far. You’d have to be the pioneer on that one.”

How admin must imagine our classes based on the teaching *suggestions* they give us

Meanwhile, down here on earth it’s either

or

So I always aim for mediocre and encourage my students to do the same

please understand me. i move slowly, and there are days (weeks, months) when my smile will not quite reach my eyes. please do not count me out. i am still trying… i am still myself, even if i am not the version you wish to see. some days i will be out in the atmosphere, hardly tethered to the earth, but i promise i will return from outer space.

wait for me.
i will show you what the galaxy looks like from the surface of the moon, and you’ll know why i felt safe there, even without you.

—  we’ll be astronauts, we’ll see the stars up close (and i will be happy again)//e.t.