i do really like this song so yeah

Q&A Transcript with Alex Hirsch at MomoCon 2017

Question: Before you decided to make Bill the main bad guy, did you have another character in mind that would have been the villain? 

Alex: Yeah, um that’s a good question. Uh, so, when we came up with the villain of the show, I knew that… I knew that Bill was involved. And I knew that Ford had disappeared due to some deal gone wrong with some villain next to the mystery of how Gravity Falls was all assembled. 

Um, but, I didn’t yet decide that Bill was that character in the very beginning, y'know? I had always imagined it was some sort of evil character somewhere kinda hidden in the woods. I wasn’t sure I could go with the Bill idea cuz I thought it would be too much like Twin Peaks, but as we got further along the series we discussed it among the repairs and we were like, ‘none of our other villain ideas were as good.’ Bill, Bill was weirder than anything else we thought of. Um, I remember there were other ideas. Strange monsters and government officials; some kind of cthulhu– some weird crazy old man. But nothing was ever better than Bill, so it ended up sticking. Probably somewhere around, y'know, season one– midway through season one, we started thinking we might be– might be on point.

Q: Was Grunkle Stan ever aware of McGucket’s connection to his brother? 

 A: Oh, oh that’s such a good question. Wait, let me think about that for a second… Uh… lemme see… I don’t think so. I don’t think Stan was ever aware of McGucket’s connection to his brother. Because, by the time Stan traded identities with Ford, uh… McGucket had already gone off the deep end– Was already y'know, had already created the Society of the Blind Eye; had already lost his own memory. So Stan would’ve really only known McGucket as a local obnoxious fisherman. 

And McGucket, probably somewhere deep in the back of his mind, was eerily just drawn to Stan in a way he just couldn’t put his finger on, because he thought maybe he knew him, but– I don’t– I think Stan was ignorant of that. Um, I think Stan… I think Stan looking through the journals probably should’ve put two and two together, but Stan’s not the best at book-learnin’. Uh, so… my guess is Stan wouldn’t have known despite that uh, that there’s a lot of tumblr art out there showing them as like the Scooby-Doo gang. I don’t think Stan ever really knew McGucket before.

Q: What episode do you believe came out the strongest and the most well rounded overall? And is it the same as your personal favorite episode?

 A: Oh gosh. Um. That’s a great question. Hmm… I probably feel, personally, that the strongest episode is uh, “Not What He Seems” just because it’s such a dramatic episode. Like, we know– We’ve never had an episode that dramatic. But, when we first pitched it to Disney executives… they thought it was bad. [laughs] Um, Because it didn’t have a lot of jokes in it? Like, I remember normally when we’re pitching our episode, executives can usually gauge how good they are by how much people laugh. People didn’t really laugh for that one, because it’s really tense. So we thought, maybe we’d screwed up. But, when the animation came back we were like, 'Oh! It’s GOOD that it’s tense. Like, it worked!’ Um, So, I dunno if that’s my favorite episode, but I think– that’s the episode we should’ve won an Emmy for, and I’m still pissed we didn’t. [laughs]

In terms of favorite episode, like… I dunno. I think the first episode that I really felt that the show was really starting to feel the way I wanted it to– “Time Traveler’s Pig” in season one. Like, that was an episode where Dipper had an interesting story, and Mabel had an interesting story, and uh, felt nostalgic, and based around the summer, and had a big secret callback to even previous episodes, so– I just remember when we first just got that episode back in color, I was like, 'hey I think maybe I like how I’m making this cartoon show,’ so I think that has a particularly fond place in my heart, y'know.

Q: Is Disney bringing you to SDCC or NYCC later this year to promote the journal and other books coming out? 

 A: Right, um, yeah, Disney– Disney… Disney-general and me, have like– we’re divorced. Like, they kept the house, and the pets. Y'know what I mean? It’s… we don’t like get dinner or anything. But, the Disney Publishing department, separate from Disney Television, they’re really cool, and enthusiastic, and energized. And they wanna make new cool stuff. Um, so I think it’s possible I might be at D23 this year, and it’s possible I might be at Comic Con, but I don’t have anything confirmed yet.

Q: In the scene where Bill is trying to convince Ford to join him in the Fearamid, were there any other jokes or story beats that were considered? 

 A: Which episode specifically are you talking about? [Q: The We’ll Meet Again scene.] Yea yea yea, We had a– Every scene that you’ve ever seen in the show has a ton of ton of stuff we’ve thought of and had to cut for time or other reasons. Um, I remember there was definitely a version of that where Bill was a lot trickier. Like, he sort of more successfully lied to Ford about like: 'We’re actually going to make the world a better place. Though I present myself as this chaos lunatic that’s just my personality.' Like, 'here’s ways in which we’ll IMPROVE the universe.' 

Um, but it felt out of character. We thought it was much more like Bill to just draw smiley faces in oceans and eat the sun and just– hope, that the force of his charisma could convince Ford that that was a good idea. But uh, I feel like– I feel like Bill can be really really tricky when he wants to, but by the time Weirdmageddon showed up he’s so impatient, and he’s so convinced that he won, that he was no longer like, this brilliant chess master he used to be. He’s like, 'alright let’s do it! Do what I want or I’ll eat your face.’ Like, no more– No more, like– He wasn’t as smart a tactician as he used to be, y'know?

Q: Was “We’ll Meet Again” always the song you were going to use? 

A: Oh yeah, it had to be that. It was like… I think I’d just seen Dr. Strangelove recently around that time and it stuck in my head. It seems to me, if Bill has a taste in music, it would be, like, old timey music that ranges from either weird to obnoxious to obscure. 

Uh, Disney wanted me to cut it cuz it cost them a bunch of money to get the rights, even though it’s so old, it still cost them money to get the rights. And I just… said, please. Over and over and over again. I would send an e-mail that just said, 'please.’ And send another e-mail that said, 'please.’ And I would send another e-mail that said– Yeah. [laughs] Eventually I wore them down that they’re like, 'alright we’ll spend thousands of dollars.’ [laughs]

Q: Are real comics coming? 

 A: You want comics? Would you read Gravity Falls comics?
[Audience screams]
[Alex leans his ear forward]
[AUDIENCE SCREAMS]

A: It’s a terrifying noise isn’t it, Michael? I was at a… Gravity Falls gallery, and like, they didn’t tell us how many people would show up, and it was like, THAT noise echoing from every corner. And uh like, I think I lost a year of my life. My hair started going gray, and it was like, 'oh my god, this is too much love! It’s terrifying.' 

Comics. I would love to do Gravity Falls comics. Um, I have so many… One of the tough things about a half hour show like Gravity Falls is every now and then we think of an idea that we really liked, but it was too short for a half hour; 'oh that’s only five minutes of story’– Or it’s too specific and weird. And so I have tons and tons of ideas of the show that y'know we’d like to explore this character, we’d like to show this secret, this storyline. So, I’d love to do comics. But, that’s up to Disney Publishing, and I’m trying to convince them. So, hopefully, I’ll have something exciting to announce in not too long.

Q&A with Stan and Soos

Q: Is Dipper adorable or manly?  

Stan: Dipper smells like baby wipes. Even if I cut off all my shoulder hair, and taped it to him, he wouldn’t be 1/10th as manly I am.

Q: What would you do if Mabel told you she had a date to prom? 

Stan: I would… invite the gentleman over, have some coffee, tie him to a chair and interrogate him for 10 hours, and maybe throw him in the pit. [shrug] Hands off my neice, kid!

Q: What would happen if Soos met Giffany again? 

Soos: Oh yea, I recently downloaded this couple’s therapy sim? Uh, I think she and I would have to talk about our issues and pass around a conversation pillow, and really work out these struggles. Cuz she’s got some problems, dude.

Q: Soos, why are you so perfect? 

Soos: Yeah, uh, my grandma said that a whole bunch of doves flew down and formed the shape of a perfect angel over my crib. I dunno, dude I guess I was just born that way.

Grimmy: You’re choosing the songs today, so what should we have next?

Harry: Let’s do the Julia Michaels song.

Grimmy: Oh Yeah, tell me about this.  

Harry: I just like this song.

Grimmy: Yeah?

Harry: Yeah.

Grimmy: Where’d you first hear this?

Harry: I first heard this umm…in…the…studio…one of the guys from the label…I had been talking to…and I hadn’t heard it at the time, so he played it..and I thought it was really good.

“One of the guys…from the label…”

I was like ‘Wow! This [song] is really good’. And Harry was like ‘Yeah, don’t be so surprised!’ He came round and played it to me, and we were sort of avoiding it all day. So we went for breakfast, and then I was like 'I gotta hear this song at some point’. And there was dread in my brain because I thought 'What if it’s bad? What if I don’t like it? Cause I’m really bad at lying.’ And it sort of went on all day. And then eventually at about 4 o'clock I was like 'Alright. Come on. Let’s do it.’ And I heard it and it was great. But there was a moment when I thought 'How am I gonna get out of this car if this is bad?’ But it wasn’t I can’t wait for everyone to hear it.
—  The day when Nick heard ‘Sign of the Times’ for the first time

anonymous asked:

Hi I've been scrolling for 28 years and I still can't find what everyone is talking about. Bangladesh? What happened I was off Tumblr today. Help Obi-Wan your my only hope

your bangladesh thing in there is cracking me up, i’m sorry.  i’m guessing that was autocorreect lolll anyway, i wasn’t really on today either, but i did see louis made some comments on a kappa IG post earlier (i think it was kappa?) and that’s all i knew of other than some social media posts by niall and liam, but then….

and everyone was like what the fuck.  and then…

so then we were like, a: DO YOU SEE THE SCREENNAME HE REPLIED TO??? and b: okay what kind of industry shit, why is this being taken to twitter, what’s gonna go down, lemme get my popcorn popped so i’m ready to watch, yeah?  and then…

OKAY I’VE GOT MY BOXING GLOVES WHO WE GOING AFTER? and then he liked this tweet…

which, yeah, i’m still riled!  tell me where i’ve gotta go!  but then he did a 180 and…

really?  liam gallagher?  what the fuck?  AND THEN

HE PUT THE MOST BEAUTIFUL SNIPPET OF A SONG THAT IS EXACTLY MY STYLE OF MUSIC AND HIS GORGEOUS VOICE WHILE IN THE CAR ON HIS IG STORIES AND NOW I DON’T EVEN KNOW WHAT I’M SUPPOSED TO BE FEELING OR WHAT I’M SUPPOSED TO BE DOING SO I’M JUST KINDA LIKE

Originally posted by gildedpheonix

and SINCE I’VE BEEN TYPING IT WE’VE ALSO GOT THIS NOW FUCKING TROLL

the lyrics are “I WENT TO AMSTERDAM WITHOUT YOU AND ALL I COULD DO IS THINK ABOUT YOU” BTW AND WHO DID HE GO TO AMSTERDAM WITH LAST MONTH?  HOW WEIRD.

anyway.  that’s what you’ve missed on glee.  so far.  fucker.

170609 BTS FC

[BTS_Rap Monster] 4 O’clock

“A short work diary

I think it all started with “There’s no song where Taehyung does the intro..”
“Then I’ll make one!”
at a concert, and we laughed and let it pass by.
We just smiled away like that, but it kept lingering in the corner of my mind.

It so happened that a few months ago, I think it was when Taehyung’s desire for composing fired, he showed me a song, saying,
“Hyung, I want to try making a song like this..” and asked if I could write a track for him.
I said “Okay,” then played the chords and sent him.
But that song was all just snaps on EP chords, it could hardly be called beats,
so I didn’t like it. And then the talk about Festa came.

I asked “Shall we make one together properly this time?”
“Sounds good, hyung!”
And we started like that..
We keep going back and forth overseas.
Choosing the instrument or theme is the most important when composing, but I had a hard time focusing at first. So I asked Taehyung.

“What do you want the song to be about?”
“The dawn.”
“The dawn? What kind of dawn?”
“Just, when sitting at the park at dawn waiting for my friend.. The chirping sound of the birds.. I really like that moment.”
“Oh, that hazy, bluish moment??”
“Yeah! I like that bluish quiet moment.”
“Me too!!”

We formed the emotion bond like this, and started right away.
Later I asked him who that friend was, he said it’s mostly Jimin..*
Anyway, I really like the dawn too.
I’m a fan of the moon and the dawn.
The twilight, the moment when the day moves from afternoon to night,
And the dawn before the morning.. You know what it is.

So I thought “This would go well with guitar, let’s try guitar”.
And played the guitar and piano.
Luckly the track came out well and we decided to write the melodies separately to combine later.
I always like watching the moon,
so I thought I must start by talking about a letter sent to the moon.
Luckily when we combined later, Taehyung liked it too.

So it started with my intro and Taehyung’s B part.
Taehyung’s chorus was better too,
but it felt a little strained so I gave him a hand.

Taehyung entrusted the lyrics to me, so I wrote most of it,
but the chorus’ start was written by Taehyung. (With the deep night~)
The theme started from Taehyung’s story too, so our work portion’s about 5:5.
It’s my first time working together with Taehyungㅡ I wanted to do so since a long time ago, and I’m happy we got the chance this time.
I wanted to take a step back and let Taehyung’s emotions materialization be the center itself.
This song doesn’t show all of Taehyung’s emotions, but I hope it would show as much as it can.
Hope you can get a glimpse at Taehyung’s dawn.!

Thanks to KOXX’s SHAUN-hyungnim for awesome re-arrangement.
Personally, Taehyung’s usually in charge of powerful parts in our group songs,
but I hope he can do this kind of light songs often too.
I think Taehyung’s emotions and mine intersect more than I thought.

Working on this song together makes me think,
isn’t Taehyung the one with the lightest song and emotions in Bangtan?
You did great Taehyung, thank you for singing it so well :)”

(* removed in original post)

[BTS_V] Indeed

“A song that wouldn’t be done without Namjoonie-hyung~
I have always wanted to write about the dawn..
I like songs of this style, so I often listen and sing along to them, and even try writing them. I got so passionate about writing it that I asked Namjoonie-hyung for help, and he gave me exactly the kind of beats I wished for.

The beats Namjoonie-hyung gave me were so good that I wrote 6 melodies for it.
I used the theme of the birds at dawn.
The time before the sun rises when 4AM passes to 5AM, just me and the dawn birds (I just call them as “birds”) at an empty park, that bluish moment seems so short. I like that moment so much that I once went there for 5 days straight.
I wrote the melodies based on Namjoonie-hyung’s beats there alone, I can’t write lyrics as good as Namjoonie-hyung but I worked hard to put in my emotions.

In the midst of the dark (serene) dawn, the hollow (drowsy) sound, the icy winter blow
You close your eyes, spend endless nights with the sound
fly
The dawn birds cry, yearningly, ardently
fly
Listen to your voice, fill your voice, this dawn

It’s like I wrote the letter for the dawn birds (just “birds”).
I couldn’t write the song perfectly by myself so I thought of giving up halfway, but thanks to Namjoonie-hyung, ‘4 O’clock’ was finished~~
Poet Kim Namjoon indeed~

I’ll work hard to present more songs to you in the future as well
And all hail Vocal Monster👊🏻🤘🏻☺️
I’ll work hard to make and bring you more songs in the future☺️”

Things from musicals that are so perfect they are borderline erotic

When Jonathan Groff first comes in in The Bitch of Living.
The third and fourth “burn"s in Burn and Phillipa Soo’s voice all the time. Shoutout to the final “mine” too; that’s gorgeous.
Pia Douwes’s voice, and how it is somehow simultaneously smooth and pure and beautifully rough.
The harmonies at the end of Make Up Your Mind/Catch Me I’m Falling.
The “or"s at the end of lines in Pretty Women.
“Would you think so badly of me” in Sonya and Natasha.
Rudolf’s "dann"s in Wenn Ich Dein Speigel Wär. And the "Nein! Ich möchte leben!” in Elisabeth, Mach Auf Mein Engel.
The dissidence of “trees” in Darkness and Trees.
How Phillipa Soo’s voice blends perfectly with the violins in Natasha Lost.               The harmonies in the chorus of You Love Who You Love.
“I wish I could fly” from Superboy and the Invisible Girl.
That thing in The Bitch of Living when they are all jumping around chaotically and then suddenly are frozen singing “do they think we want this?” (Start at 2:40 for the full effect.)
That thing Karen David does in like every song in Galavant where her voice changes pitch slightly and damn.
The way “sadness” is sung in Don’t Do Sadness. Also the strings.                  How Jeremy Jordan says “history books” in This World Will Remember Us.   waaaaaaaiiiaiiiiiaaaaaaaiiiiiiiiittttttt for meeeeeeeeeee
Damon Daunno’s falsetto. And head voice. So, yeah everything.
The piano in Hurricane.
The thing they do in Stop the World with the turntable and the chairs and everyone singing in a really lovely harmony with just the perfect amount of dissidence and sweet damn I love everything about it.
Absolutely everything about how Philippa Soo sings Times Are Hard for Dreamers. (Her voice is 15% of this list and that’s me holding back help it’s so beautiful.)
Both “nothing, it was nothing, I didn’t lead him on at all” and “back in the theatre full of light” in Natasha Lost.
Jenn Colella singing her phone call in 28 Hours/Wherever We Are.
Jenn Colella everywhere else let’s be real.                                                                The Thing™ Laura Osnes does all the time in Bonnie & Clyde but especially in How ‘Bout A Dance.
When Eva starts singing in High Flying Adored.
How syrupy and rich Jasmine Cephas Jones’ voice is in Say No to This.     Basically every harmony in Hadestown.
That part of Seventeen when JD and Veronica are singing “seventeen” together and he’s singing higher than her. Also when Boote in Der Nacht and Wenn Ich Tanzen Will end the same way.
Everything about Gwyndolyn’s voice, especially when she’s singing her parts of A Happy Ending for Us.
The slight roughness in John Gallagher Jr.’s voice.
How drowsy and sexy Idina Menzel’s voice is in As Long As You’re Mine.
Also when she sings “it well may be” in For Good. (It’s nice for different reasons of course.)
Chris Jackson’s voice in One Last Time. And in every other song.

Gaymila at her finest... 😂 Special shout out to our Captain Chelsea who perfectly knew she was talking about herself 😏🌈

For those who aren’t familiar with this amazing song :

Go!!

So 1, 2, 3, take my hand and come with me
because you look so fine
and i really wanna make you mine.

I say you look so fine
that I really wanna make you mine.

Oh, 4,5,6 c'mon and get your kicks
now you dont need that money
when you look like that, do ya honey.

Big black boots,
long brown hair, (🌚 )

she’s so sweet
with her get back stare.

Well I could see,
you home with me,
but you were with another man, yeah!  (🌚 )

I know we,
ain’t got much to say,
before I let you get away, yeah!
I said, are you gonna be my girl?

Well, so 1,2,3, take my hand and come with me
because you look so fine
and i really wanna make you mine.

I say you look so fine
that I really wanna make you mine.

Oh, 4,5,6 c'mon and get your kicks
now you dont need that money
with a face like that, do ya.

Big black boots,
long brown hair,
she’s so sweet
with her get back stare.

Well I could see,
you home with me,
but you were with another man, yeah!
I know we,
ain’t got much to say,
before I let you get away, yeah!
I said, are you gonna be my girl?

Oh yea. Oh yea. C'mon!
I could see,
you home with me,
but you were with another man, yeah!
I know we,
ain’t got much to say,
before I let you get away, yeah!
Uh, be my girl.
Be my girl.
Are you gonna be my girl?! Yeah

#delulu #gaymilatakeover

'Meet BTS, the K-Pop Group Loved By Wale and Charlie Puth'

Teen Vogue: How did you feel about landing in the U.S. iTunes Top 10 in February?

Rap Monster: Reaching the top of any music chart is a thrill, but this was a shock. We were on [a strict TV appearance] schedule at that time, so it wasn’t like I could scream or anything (laughs).

Jin: It was ‘Wow. Are you serious? Really?’ It was similar to what I thought when I first heard that Wings charted at 26 on the Billboard 200 last year. How cool is that!

Teen Vogue: For those new to BTS, what song and which video should they check out?

RM: Hmmm, it’s like choosing between your mom and your dad, who do you like better! “Fire” was loved by so many, so that’s the song.

Jin: I’d recommend “Blood Sweat & Tears” because I got the lead role and I kind of lead the whole story of video! And, of course, it’s beautifully designed and choreographed.

V: I, too, think it’s “Blood Sweat & Tears.” It had so many metaphors and I had to make a lot of guesses to understand the relationship between characters. And there’s a scene where I make a strange smile to give you a chill, which I love!

Teen Vogue: Rap Monster, K-Pop groups usually have designated roles for the members and yours is BTS’s leader, but what does that mean to you?

RM: It’s my official role to represent BTS to the world and it’s been a chance for me to mature as a person, but, behind the scenes, I’m just one of seven members and I’m inspired by the others all the time. I get free life lessons from J-Hope and Jimin, sometimes it’s like they’re 10 years older than me.

Teen Vogue: OK, let’s play a little game. You’re now at the mercy of another member describing you.

Jungkook: Jin used to be an ordinary guy in the team, but he’s the mood maker now. He’s the most wicked and funniest of all. No one in BTS is normal though, come to think of it.

Jin: Jungkook’s delicate voice always mesmerizes our ears and that’s definitely his role in BTS.

V: Jimin is a real piece of cuteness, like the youngest in the family.

Jimin: V’s specialty is getting all the attention from others onto him!

J-Hope: Suga is a true caretaker. He’s kind of a hidden leader who takes care of everyone.

Suga: J-Hope’s a real hope-maker. He’s such a ‘hope-generator.’

Teen Vogue: BTS have become highly respected for penning their own tracks. When you’re on tour, do you make time to write?

RM: Mostly we’re in the hotel when we’re not on [our promotional] schedule so I bring all my equipment. I wake up, if I have a rehearsal, I go do that and when I come back to the hotel, I sit down and turn on the laptop, cause I’ve got nothing to do without that!

Teen Vogue: When you’ve got a new demo, such as the rough guide to Wings, do you take it to another member and play it and ask for feedback?

Suga: I usually have as many people listen to it as possible because I think it really helps make it a better track. I always get great feedback from the rest of the band.

RM: Firstly, I take it to (BTS’s executive producer) P.Dogg. If he likes it, he sometimes puts it into the album. I really trust him, he’s got the eye for it.

Teen Vogue: If P.Dogg says no, will you fight for it?

RM: Yeah, of course, I really fight for it! I’m like, ‘Hey, this is the thing I gotta do right now. If you won’t do it, I’ll put it into my mixtape!’ The last one I fought for was ‘Reflection’ — there’s an original version, a whole different song. He didn’t not like it, it just didn’t fit the Wings concept, so I’ll release it myself someday.

Suga: I think I kind of did for my mixtape, because I felt I should as AgustD [my solo moniker], and I’m glad I did.

Teen Vogue: Speaking of mixtapes, J-Hope, we’ve been looking forward to hearing yours. What can you tell us about it?

J-Hope: I’m working on it as we speak and my inspiration really depends on my daily mood swing; sometimes I like to go strong and sometimes I make softer sounds. Since it’s a mixtape, I’m trying to experiment with various genres to test myself.

Teen Vogue: Jungkook, you recently covered Charlie Puth’s “We Don’t Talk Anymore” — you teased it in January but didn’t release it until the end of February. Were you making changes? And will we hear your own songwriting any time soon?

Jungkook: I recorded it several times until I was sure that it felt and sounded perfect. I was more than ready to share it because I knew fans had been waiting, but we had You Never Walk Alone being released and I thought I’d better wait until BTS wraps up the official activities for it. I don’t feel confident about writing any of my own [material] yet, but if I ever write a song, I’d like to work on a very soft and sweet vibe.

Teen Vogue: The bigger an artist gets, the more people will try and bring them down. How does BTS deal with that side of fame?

Jimin: I’m a very positive person and I don’t easily get intimidated by people who try to bring me or BTS down. Besides, my family is always there for me.

RM: These days, I try to take everything as my fate and respond with dignity. I accept it, it’s like a shadow, it’s just there.

J-Hope: I had a firm belief that I was going to be a successful artist, and that led me to what I am. I draw all the strength I need from that belief and try to share my energy with other members as much as I can.

Teen Vogue: Rap Monster, you’ve just released a collaboration with rapper Wale, which came about through a BTS fan helping bring you guys together over Twitter. What can you tell us about working together?

RM: When he suggested the collaboration, that was a real shock. I thought about it, [and was] like, should we do a party song? But I wanted to do something different. The title is “Change” — in America. They’ve got their situations and we’ve got ours in Seoul, the problems are everywhere and the song is like a prayer for change. He talks about the police, and problems he’s faced since he was a child. For me, I talked about Korea, my problems, and about those on Twitter who kill people by keyboards.

Teen Vogue: Let’s do a finishing quickfire round! BTS experiments with a lot of genres, which one has been a challenge?

V: I always find rock difficult.

RM: I’m always ready to be challenged, like, “Wings: Outro,” it was hip-house, that was the first time I’d ever listened to that genre… but I liked it.

Teen Vogue: What do you want do while you’re in America?

RM: I want to go to Barneys and Supreme! I want to see buildings and people on the street, their faces, what they talk about, how they walk. I do that in Korea. I go to somewhere I haven’t been and just watch people and colors, that’s my inspiration.

Jimin: I really want to go on a day trip with the members. Or a picnic to Central Park on a sunny day would be nice.

DEAR EVAN HANSEN BOOTLEG MOMENTS

FOR THOSE OF YOU WHO HAVEN’T SEEN THE BEAUTY THAT IS THE BOOTLEG, HERE ARE SOME CUTE MOMENTS also I don’t mention every song because some of them are still amazing songs but not any different on stage

Anybody Have a Map?: Evan tells this whole story before the song starts about how he had the perfect chance to talk to Zoe but he was worried his hands were sweaty so he tried to dry them under a bathroom hand dryer and now they were warm AND sweaty and it’s really funny and cute. Also, when you meet Connor and his dad and Zoe go “He’s probably high / he’s definatley high” Connor yells “FUCK YOU” and lays his head on the table and his mom says “Oh he isn’t high” and he just slowly looks up and theres a really awkward silence before she yells “I DON’T WANT YOU GOING TO SCHOOL HIGH, CONNOR”

Waving Through A Window: Before this song Connor shoves Evan down because Jared called Connor a freak and Evan laughed about it. That’s about it for this song, the rest was just as it was on the soundtrack. There is a part, though, when Connor signs his cast, where he asks how Evan broke his arm and when Evan tells him he fell out of a tree Connor laughs and says “Well that’s just about the saddest fucking thing I’ve ever heard.”

For Forever: When he says “There’s nowhere else I’d rather be, and I say, me too!” He points at nobody like he’s talking to Connor

Sincerely Me: When Connor says “I rub my nipples and start moaning in delight” he starts VICIOUSLY rubbing the front of his jacket and he throws his head back and keeps his mouth open the whole time Jared and Evan talk. And then before Evans part he’s freaking out and Jared is trying to calm him down and Evan goes “I’M NOT HYPERVENTALATINGDear Connor Murphy, yes I also miss our talks” and then later when Connor sings “Dear Evan Hansen, thanks for every note you send!” He’s play punching Evan and then Evan sings “Dear Connor Murphy, I’m just glad to be your friend!” But he’s anxiously trying not to touch Connor and is just squatting and looking so anxious

If I Could Tell Her: Evan doesn’t know what to do with his hands and he keeps trying to rub the sweat off on his pants and I relate

Sincerely Me, Reprise: THIS A SONG NOT ON THE SOUNDTRACK SO I’LL EXPLAIN it’s a song where Jared is trying to write more emails and he tries to make it look like he was also friends with Connor but Evan interrupts him like “Um, no no no” and is really rude to him about it but there’s lines like “You know that guy at school, Jared Kleinman? THAT TOTALLY COOL JARED KLEINMAN”

To Break In a Glove: Connors dad says “You’re dad must be proud of you” and Evan says “Yeah, he is” before saying “I don’t know why I said that, my dad left when I was seven, I’m not his priority.” And Connors dad looks so heartbroken for him

The other songs are really good and they do so well on stage (it’s broadway so duh) but they’re more intense than cute and they don’t have moments not in the soundtrack that much. Hey, message me for the link so you can see the moments I didn’t mention

thing-you-do-with-that-thing  asked:

Congrates babe. Can you describe the moment when Dean gave Cas the mixed tape?

“Here.”

Cas narrows his eyes, no doubt suspicious of the way Dean can’t meet his eyes. “What’s this?”

“Nothing.”

“I don’t understand.”

Dean shifts his weight and clears his throat, then grows impatient and shoves the thing in Cas’ hand. “It’s a tape. I put some songs on it I thought you would like.”

“You did?” Cas still isn’t sure he understands.

“Yeah. I just…your taste in music sucks, you know? So I decided to educate you.”

“Oh.” Cas puts the tape in his pocket and nods, a little sad now. “I see. I’ll do my best to learn these songs.”

Dean sighs and runs a hand over his hair. “That’s not what I…it’s a gift, Cas. I heard some songs, and they made me think of you, and I just…I wanted you to have them.”

Nothing, absolutely nothing, is brighter or more radiant than Cas’ face when he really, truly smiles.

Dean can’t help but grin back, even if he is still a little embarrassed about being so lost on someone that he made a damn mix tape.

Okay but can we talk about Requiem from the DEH soundtrack and musical?


In case some people needed the definition here it is:

A Requiem is a repose, in musical form, commemorating the dead and praising their life.

We know that the Murphys are not the greatest, most functional family, but their reasons for not singing a Requiem are each different and very telling about their character.


Zoe Murphy will not sing Requiem because she resents the image she held of her brother. She had no clue what he was going through, and only thought he was a slacker, and a psycho stoner. She hated that she had to function in the wake of her train - wreck brother.

She will sing no Requiem because she doesn’t believe he deserves it.


Larry Murphy is disappointed in this son he feels he never really had. “I gave you the world, and you threw it all away”. He felt distanced from Connor, both because of Connor’s issues and Larry’s inability to understand or connect. He won’t sing a Requiem, not because he doesn’t believe he deserves it, but because he feels he really didn’t know his own son. It’s like singing Requiem for a total stranger that you didn’t know or like.


Cynthia Murphy is the contrast. She views a Requiem as giving up on a memory, as allowing Connor to fade away. Evan’s emails give her this illusion of a troubled son she felt she didn’t know, but it’s likely that she tried (Anybody Have a Map? shows this, and her parallels with Evan’s mom). She wants the memory and ideas to live on, so she will not let him fade away and acknowledge that he is gone forever. She will sing no Requiem because she isn’t ready to do so.

Just. Requiem really gets me you guys

(I might analyze the whole soundtrack just because I’m neurotic and hyper focus on everything, so yeah let me know which song/part you want me to analyze)

4

my chemical romance for @mcryinq and @-givemeareasontobelieve- :))

Do you ever listen to music at night and focus on the music you’re listening to and you just get hit by a whirlwind of emotions because the lyrics to a song are so good and you’ve never realised it before because you’ve never really focused on it that much, you’ve always been like “Yeah that’s songs cool, I like it a lot” but NOW you’re like ‘holyfuckingshit this song is amazing I love it" ??? Cause same

Yuri on Ice BD choreography commentary translation - Volume 2

Awfully behind schedule due to my throat dying because of all the air conditioning at work and other stuff stealing my time, but here it is finally, the last part of the BD/DVD vol.2. Once again it’s a translation of the complete script. The commentary is by Kenji Miyamoto & Mitsurou Kubo. This time it’s Yuri’s SP and Yuuri’s FS.

Notes:
-It’s two people talking, not a written interview, so expect them to hop from one subject to another within the same sentence… Even if it sounds a bit unconnected at times, that’s how they said it.
-I still arranged it a little to make it easier to understand as written material, by removing lots of “ehm” “uuhm” “you know” “yes” (I especially removed all instances where someone says “yes” in the middle of the other speaking) and fumbled words.
-Amusingly enough both their initials are KM/MK, but I used the surname initials so M is Miyamoto and K is Kubo.
-I put (LOL) when they’re laughing because otherwise some lines might sound serious while they’re actually joking.

***VERY IMPORTANT***
Do NOT use this translation for subtitles, in ANY way.

I don’t support the upload of bonuses contained in BDs/DVDs, as they are meant to be (as the word says) bonuses for the people who spent money to purchase them. If you like a series so much that you absolutely need to watch the bonus contents, please buy the BDs/DVDs.


Kubo: Hello, I’m the original planner Mitsurou Kubo.
Miyamoto: Hello, I’m the choreographer Kenji Miyamoto.
K: Ah, Kenji-sensei. It’s been a while.
M: It’s been a while.
K: Ok, today we are going to look back on the choreography of Yuri Plisetsky’s short program, “Ai ni Tsuite ~Agape~”. This time, for the first time, Kenji-sensei is not the one performing the choreography. But you created it, didn’t you?
M: Yes, I did.
K: This time, Yuri Plisetsky still has the body of a 15 years old boy, so you know, we thought that if possible we would like to ask someone else to perform it. The reason is that this footage is an important reference when translating the choreographies into animation, and changing Kenji-sensei’s body into that of a young boy would have required quite a lot of work.
M: Ah, so it was for that reason.
K: Yeah.
M: I see.
K: So basically we said that a girl, a girl of small build, would be nice, and we asked Kenji-sensei to look for a person like that.
M: Yes. Honoka Kawanishi-chan.
K: Yes. She’s a 20 years old university student, and she even participated in the university’s Miss Campus contest…
M: Really?
K: Well, isn’t she really pretty?
M: Yeah, she’s a beautiful girl.
K: I was like, nice job Kenji-sensei for bringing such a girl!
M: When she was still a competitive figure skater she impressed me because she could dance really well.
K: You didn’t do choreographies for her at that time?
M: No, I didn’t. This was the first time, but really, she learned the choreography very quickly.
K: That’s right.
M: Yeah.
K: He was creating the choreographies at night, we had very little time, and I guess, there are skaters who learn faster and skaters who are slower, right?
M: Yes, and also, I think she was moving very close to the way I was imagining the choreography, so we could go on very smoothly.
K: We also had that impression watching, like, she was absorbing everything so quickly and she danced very boldly, she was really amazing.
M: And this hairstyle, too.
K: Yes, we wanted to draw Yuri with flowing bobbed hair, so we asked her not to tie her hair, to let it loose when she was skating, and you know, skating with loose hair is something that you don’t see in tournaments, so it was really nice to watch~.
M: It’s nice, it looks very dynamic.
K: Thank you. Hah~. So this was Yuri Plisetsky’s short program, “Ai ni Tsuite ~Agape~”.

K: “Really nice to watch~”, I made a face like an old man (LOL). Ok, next up is Yuuri Katsuki’s free skating. The song is “Yuri on ICE”. Uh.. (LOL)
M: Everyone’s laughing at me (LOL).
K: This part, of course the ones who watched the anime know it already, but we asked Kenji-sensei to start from the point where Victor hugs Yuuri from behind..
M: Yes (LOL).
K: Sorry, it’s just somehow amusing (LOL).
M: When I turned around everyone was laughing.
K: (LOL). But actually, it became a really nice scene. Ok. Regarding this “Yuri on ICE”, when we were creating the story later on I decided the title and made it “Yuri on ICE”, but in fact, when we filmed this footage the title hadn’t been decided yet, we just had the song ready, and the story wasn’t finished either, so we just asked Kenji-sensei to do the choreography in the meantime. This time I couldn’t physically be there, but what instructions did the director give you?
M: I’d say, “director, what do you think about this?”, and she’d be like “yeah, that’s good”.
K: (LOL)
M: I said “And this, what about this?”, and she was like “yes, I think that’s nice”. No matter what I said she always replied “yes”.
K: In other words, you were also kind of anxious too.
M: Yes, I didn’t really understand the story completely, so..
K: Yeah.
M: But I was asked to create a program that could win in a tournament, a well done program, and when I listened to this song, this delicate music, I wanted to create a choreography that would look like an ink painting, like thin streaks that vanish as they stream.
K: Hearing this, you know, I’m not sure whether it’s actually connected, but the opening is really that way, like an ink painting, with colors that spread out as the song plays, and I thought that it looks like it’s connected.
M: I was very surprised when I watched it.
K: Ah!
M: I was like, “ah, so they made it like this”…
K: But seriously, this choreography is really… In the beginning, Yuuri Katsuki has just started figure skating and has many worries, then in the scene where he meets Victor the sounds become richer, and we asked to make the choreography so that it would leave a stronger impression too, but the way you glide in that smo~oth line is really nice. Even in the animation version it’s breathtakingly beautiful. And…
M: Today’s socks are lime green (LOL).
K: (LOL). Yeah, we have explained this in vol.1 too, but basically it’s not like Kenji-sensei fancies this kind of fashion, he wore different gloves and socks to make the left and right legs different. Normally he’s a fashionable person.
M: You don’t have to say that (LOL). But this, you know, I really used up a lot of stamina to skate it.
K: Ooh.
M: That axel after a forward counter is quite difficult.
K: (LOL). Indeed, we asked to create a FS that could win the Grand Prix Final, so the movements leading to jumps, and all the other elements, are all made so that you can get a high level. Kenji-sensei did a lot of things (LOL).
M: Yeah (LOL).
K: Sorry for saying it a bit vaguely.
M: That’s ok. This part too, it has an outside rocker cluster with combined movements of the upper body, though my foot touched the ground a little (LOL). It’s made to get level 4, I mean, I’m not sure one could get it, but it’s made so that it’s possible to get it.
K: I heard that some real figure skaters said they wanted to skate this.
M: Yes, that’s true. I was asked to make a choreography for this song, but I replied that it would be better to wait some more time. It’s quite popular actually.
K: I really want someone to skate it! Seriously, the song is a bit too short for a competitive program, but someone could like, make it a bit longer, edit it, and skate it.
M: (LOL).
K: Ah, yes, in the end, he looks in Victor’s direction, points his fingers at him, and the song is complete.
M: My hair is so flat (LOL).
K: Yeah, kind of…
M: It was night in the end.
K: Yeah, it was night. All the clocks visible in the footage are showing past 12:00, but that’s not 1:00 or 2:00 in the afternoon, you know.
M: It was pitch black (LOL).
K: Yeah, it was. But really, now that I hear from Kenji-sensei that there are real skaters who are watching “Yuri on Ice” and want to skate this song… So is it popular?
M: Yeah, this song is popular, and, it’s a different story, but at the rink I went to the other day there was a boy who started skating after watching “Yuri on Ice”.
K: Great!!!!
M: When I told him that I was the one who made the choreographies, he was like “uwaaah”.
K: I’m so happy.
M: It’s nice to see things like this happen.
K: Yeah, I mean, of course grown-up women like this anime too, but I hope that young male skaters who are thinking of starting now or who are already skating, people from all over the world, can feel figure skating as something closer to themselves and continue it.
M: Yes.
K: You also said that you’d like people to feel figure skating as something closer, right?
M: Yeah, I think so.
K: You know, I’m really happy to hear that in some way, even just a little, this is becoming true.
M: I agree.
K: Ah, sorry, I’m wrapping it up a bit in a hurry. So, we have watched the choreographies of vol.2. Let’s meet again in vol.3! Please say something too (LOL).
M: (LOL).


THE CATCHER IN THE RYE / J.D. SALINGER
  • Holden Caulfield: I left the fencing equipment on the subway lol oopsies
  • Holden: Oh man I got kicked out of school lol oopsies
  • Holden: WHATEVSIES LET’S GO RUN AWAY TO NEW YORK *slaps on his red hunting cap of swag*
  • [in taxi] Holden: Hey.
  • Hey.
  • Hey.
  • Taxi driver: WHAT.
  • Holden: Where do the ducks go when the pond freezes over?
  • Taxi driver: How the hell should I know whatchu playin’ at
  • Holden: NOTHING LOL JUS’ WONDERING
  • [pause for metaphorical resonance]
  • Holden: *comes across a telephone booth*
  • Holden: OH BOY I WANT TO CALL UP MY OLD CHILDHOOD FRIEND JANE GALLAGHER
  • Holden: Wait never mind. Not gonna do it. You have to be in the right mood.
  • Holden: *comes across another telephone booth* *repeats the entire thought process 95889246502657 times until the reader wants to smack him*
  • Holden: *eventually checks into a hotel* Damn, is it good to be a rich teenage runaway. *goes out into town and orders a million drinks at a million bars*
  • Holden: PHONY PHONY PHONY YOU’RE A PHONY SHE’S A PHONY WE’RE ALLL PHONIES
  • Holden: *breaks down crying*
  • Holden: *eventually checks into his hotel again* *somehow accidentally orders a prostitute for the night*
  • Sunny: Yo.
  • Holden: Hey you wanna talk?
  • Sunny: Not…really? Whatchu playin’ at?
  • Holden: Nothing, nothing, hey, listen I’ll pay ya for the time and everything, I just want to talk-
  • Sunny: Srry pal. I g2g. [her pimp comes to Holden’s room. heartbreaking stuff happens.]
  • Holden: [clutches belly] OH GOD I’M DYING I SEE THE LIGHT
  • oh cool maybe jane gallagher will come save me
  • oh god do i want to jump her bones
  • just kiddinggggg jane is a total metaphor for innocence and i don’t want to jump anyone’s bonesss
  • [five mins later]
  • Man. She isn’t coming. OH WELL TIME TO PHONE UP SALLY BOY DO THE GIRLS LOVE ME.
  • Sally: I fucking hate you but I need a boyfriend.
  • Holden: K cool my heart is for Jane anyways.
  • I mean, she keeps all her kings in the back row, and all.
  • Sally: I feel like that’s another metaph-
  • Holden: TO BROADWAY! *drags her away*
  • [Because they do not see Les Mis or Gentleman’s Guide or any other fantastic Broadway musical, but some dry play with Alfred Lunt, their date falls to pieces.]
  • [later, at an ice rink]
  • Holden: We should totes run away.
  • Sally: What.
  • Holden: We could buy our own little cabin-
  • Sally: No.
  • Holden: I’m not kidding, we should do it right now-
  • Sally: Hold it right there, motherfucker. Stop it.
  • Holden: Well, you don’t have to be a pain in the ass about it-
  • Sally: ZOMG HOW DARE YOU CURSE AT ME
  • HOW DARE YOU CURSE AT ME, YOU LITTLE FUCKER *bursts into tears*
  • Holden: *runs away* Why is life so haaaaard…
  • [oh yeah at some point he buys a Little Shirley Beans record and then he drops it and we all know it’s another metaphor]
  • Holden: I know what will help!
  • A visit to my lil’ sis!
  • ALLONS-Y!
  • Phoebe: HEY WHOA
  • HEY
  • HOLDEN
  • LIKE, WHOA
  • Holden: like don’t tell mom and dad I swung by I just want to say hi to you-
  • Phoebe: You got kicked out of school again didn’t you.
  • Holden: No-
  • Phoebe: LIKE COME ON GET YOUR SORRY ASS TOGETHER HAVE YOU EVER EVEN THOUGHT OF THE FUTURE
  • Holden: Well, you know that song “if a body catch a body coming through the rye”?
  • Phoebe: It’s “if a body meet a body-”
  • Holden: Yeah whatever. That’s all I really want to do. I imagine all these kids playing in this field of rye, and they’re kids, so sometimes they get too close to the edge of this huge cliff, so I’ll be the one catching them. I’ll do it with Allie’s old mitt. I’ll be the catcher in the rye.
  • [FIVE MINUTE INTERMISSION SO READERS CAN SOB THEIR HEARTS OUT]
  • Holden: Oh shit parents are home CATCH YOU LATER PHOEBE [high-tails it to Mr. Antolini’s]
  • Mr. Antolini: Holden!
  • Holden: You know, you’re the only one I can really talk to besides my sister. You’re a really cool English teacher. You should know that.
  • Mr. Antolini: *pets Holden’s head while Holden’s sleeping*
  • Holden: *runs away crying*
  • Mr. Antolini: WAIT, CALM DOWN SON
  • Holden: Okay you know what I’m running away. For reals. I’m running away to the West.
  • DONE WITH THIS SHIT.
  • Phoebe: No you ain’t.
  • Holden: Yes I am.
  • Phoebe: You can’t leave me!
  • Holden: Yes I can.
  • Phoebe: AIN’T NOBODY GOT TIME FO’ DAT.
  • Holden: [changes mind] Okay, fine, how about we go to the zoo? Okay Phoebe? Sorry I hurt your feelings, Phoebe.
  • Phoebe: *gets on the merry-go-round of Symbolic Wonder at the zoo* Hey Holden you wanna come on?
  • Holden: No, I can’t, but I’ll watch you.
  • Yeah.
  • Sometimes the kids will reach for the gold ring, and sometimes they’ll fall off, but you can’t tell them not to.
  • Yeah.
  • [later later]
  • You start missing everybody after a while.
No, Seriously.

It irritates me so much that people turn a blind eye to B.A.P. And no, this isn’t just because I find them cute or hot or anything like that.

B.A.P is seriously the most different kpop group​ out there. I can say that with confidence. Absolute confidence.

Other groups out there produce the most trending music. They create hard dances. Show off their bodies and aegyo to get fans. At the end of the day, all of that fades. Bodies fade. Music trends die. Doing cute stuff when your thirty loses it’s appeal. 

It’s all be done before. A cycle of unoriginality mixed in with what’s the most popular thing right now creates​ stardom. It ceates​ main stream groups and the same old songs just with different keys and different vocals.

Here’s where I make my point.

B.A.P, the six men that make up the band. It isn’t all about smiling. It isn’t about putting off the picture perfect boy group, where everything is cookie cutter with them. No, it isn’t.

B.A.P has been through things most people never do in their lives. Contracts that pay them less money than minimum wage. Being forced to work when sick and having other issues. Eating disorders. Suicidal thoughts. Alcoholism. Lawsuits that make them lose a huge amount of their fanbases. They’ve been through struggles I hope no one else has to go through, sincerely.

I was just minding my business today, but a song popped up in my head. Their song ‘Wake Me Up’. I listened to it, and unconciously clicked on ‘1004’. I watched their old episodes of Weekly Idol, and voyaged further back into their history. Watching their performances and their interactions.

In the end it left me thinking: Do people not see what the lawsuit did to them? Do they not see how strong they are? How they decided to put out harder songs about real issues in the world rather than gain back popularity with another generic pop song?

They don’t have to dance hard to get your attention. They don’t have to be the best rappers or vocalists to get noticed. If you’re open to deeper concepts than just a school love or sadness over a girl, B.A.P is perfect.

And that’s what makes them unique to me. They chose being real and sticking to themselves when they came back from their hiatus. They chose to give out real concepts with their songs. Have you seen the ‘Wake Me Up’ music video? The diversity? The emotion? How the members struggled throughout it?

What about the choreography? Where the leader walks through two other members. Where he takes back the leader position and leads the boys. It makes everything so much more intense, and my heart aches for him. For his axiety and panic disorders. I respect him so much for coming back. I respect all the boys.

Sure, you could go against me and say, “What about ‘Feel So Good’? That song was just upbeat and smiley. They’re fake too.”

They have never been fake. They have never acted like a perfect group. They’re so much more than that. Yes, they put out a smiley song about happiness. But really, how often do they do that concept? How many of their comebacks were about dark situations and deeper stuff?

“But my oppas are special too!”. Yeah, they are. But, just hear me out, what’s their latest comeback about? It it about a girl? Is it EDM? Pop? Maybe they lift their shirts. Maybe they do some wild hip thrusts. Hell, they might even lick their lips and tease.

Is that wrong groups are like that? No. Each group has the right to want to be popular, and find the best way to do it. The only reason I stress this is because it shows how different B.A.P is.

I’m happy your oppas are singing about their first loves and heartbreak when they aren’t even legal yet. I’m happy they’re doing that. Genuinely. It’s popular, and spreads K-pop around the world more. 

Most people start off with the most popular groups before moving to others. So yes, let them sing their heart out. Let them dance in tight pants and shirts that are a little too unbuttoned because that’s what’s popular. And that’s what spreads. Has B.A.P partaken in these actions? Hell yeah. But they don’t make their career about it. Look at all their comeback songs. 'Badman’, 'Warrior’, 'No Mercy’, 'One Shot’, etc. Tell me now, are they generic?

Long story short, before I make a book out of this, B.A.P deserves so much more. 

They might never be the trendy group they were before the lawsuit, but they’ll probably always be the realest group out there. Pumping out songs that challenge society. More than many other groups out there can say.

Go stan them and stan them hard. They deserve it so much. You will never regret it.

Sincerely,

A big ol’ BABY (fandom name of course)

jimin : whats wrong jungkookie?

jungkook : *reading comments* nothing

jimin : are you reading those hateful comments jst dont-

jungkook : hyung *serious* i worked all day and night editing that video and choosing that song for you to look so pretty and perfect even with ur stupid dorky side and fans are saying ur future girlfriend is so lucky! im not saying im mad or jealous *scoff* but hyung! u will never find a girlfriend who would film u for 3 days or choosing a special song for u like the way i do! ofcourse she needs to treat u so good and do all these stuff for u but none would see how scarily cute u r like the way i do! im not selfish im jst stating facts!! huff

jimin : jungkookie jst -

jungkook : im fine! really why wouldnt i be? *pouting* *looking at the ground*

jimin : *walks towards jungkook* *sits in his lap*

jungkook : *blushing*

jimin : would you do another video for me jungkookie?

jungkook : hm well.. y-yeah why not..

jimin : then i wouldnt want anyone else to film me except you

jungkook :

jimin : *kisses his cheek* ok?

jungkook : yeah *hypnotized*

jimin : good boy *another cheek kiss*

inuykago  asked:

heyyyy friend!!! ^o^ i was wondering if you could draw some inukag drawings using a couple of lyrics from Logic's "Never Been"? :D hope all is well!!

OH MY GOD I KNOW IT’S BEEN SO LONG BUT HERE YOU GO FRIEND!!! I would’ve added color and stuff, but I figured this would be good enough~ I just had to get this posted cuz yesssss some logic lyrics!!!!