I’ve seen a few posts around saying that Andy was problematic or that the episode would have worked just fine without him. The thing to remember is that the crewniverse creates this show to be relatable not only in ways that have us singing from the mountain tops, but also in ways that are a little harder for us to face. Maybe in ways that make us uncomfortable, but are very much issues that we need to address as well.
How many people were reminded of their own closed minded family members while watching Andy? My literal thoughts were ‘oh look, it’s my dad in an SU ep!’, before wanting to sink away from second hand embarrassment for the comments he made. Because man, have I been there before.
Because who hasn’t had their sort of uncle freak out over the illegal hippy martian immigrant farmers your dad said could live in his barn?
No but really. Especially that part about hearing about this on AM radio? Yeah, at least one writer has come up close and personal with this type of specimen. It may seem that given the timing of certain current events, the last thing anyone wants to see on SU is one of THOSE types.
But here’s the thing: they exist. You can hide your head under a rock all you want, but they’re still there. So what do we do? We actually get two points of view on this. One: the gems as literal aliens. On a good day they really don’t understand even the most open minded of humans. So here they are running smack into one that’s mad about a world that’s changing even without the interference of the gems. And he’s upset that they’re not acting in the “traditional” roles he’s use to seeing human women in. Never mind that they’re not human, or technically speaking, women. They’re there in his barn, messing with his things, and really there’s no way this can end well.
Until you bring in the nephew he never knew he had. Who just so happens to be very, very interested in learning about his human family.And who just wants everyone to get along. Because let’s face it, that’s Steven’s MO. He’s so focused on finding out that his family name is ‘Demayo’ that Andy’s comment to Greg ‘not even marrying an American’ floats right by him. But it was very much meant for the audience to hear.
Not that any of that matters to Steven, he’s already planning the most awkward family reunion in the galaxy.
And the Gems, bless their hearts, are eager to make Steven happy.
And honestly, for all his misgivings, so is Andy.
To a point anyway. Until he realizes that maybe, just maybe things are changing. That change is coming whether he likes it or not. And that change can never, ever be one sided.
And at the first Thanksgiving, the gems and the humans gave thanks for polyamorous wedding cake, corn, this table, and traumatizing life events.
The thing about change is that it’s never simple. It never happens over night. Both sides are scared or angry, or very probably both. They’re also sure that their side is the right side.
And even when it seems like everything is going right, you’re trying so hard include everyone in your new vision and it seems like you’re really getting through to them, they just… slip away. Because change is scary. Because they’re going through the motions without really understanding why. Because sometimes it’s easier to go along with things even if they don’t agree, even if their heart isn’t in it. So again, what do you do?
You listen. You hear their fears. You let them come to their own conclusions that maybe, just maybe, things HAVE to change.
But that doesn’t mean being left behind.
Now for reality: It’s never as simple as this. Bigotry isn’t faced and solved in 20 minutes. No one is saying it is. Sometimes it’s safer not to face it, and sometimes you just can’t.
But I think overall its meant to be a message of hope- just like the overall message of Steven Universe is a positive one. People have opposing points of view. Talk. Listen. See that in the end you have more in common than you ever thought possible and go from there. Also: family is what you make of it. Even if it’s a dad, an estranged uncle, an alien hybrid child and his hippy illegal martian immigrant aunts. It can work, as long as you work together.
incorrect shadowhunters quotes (16/?): unknown. #such chemistry #amazing romance #he dislikes her so much it’s beautiful #looking straight into her eyes when he tells her how annoying she is #i wish i could find love like this 😍
Hear me out. Okay for Yuuri’s Free skate song, Yuri on Ice. It’s so
layered and interconnected. I’ve listened to this song ever since and
wanted to do a little analysis of exactly which parts specifically are connected
with each episode. (Ever since Victor was like, “Why’s your face so
stiff/tense? You make it seem like you hated me when I first appeared in front
of you) So here it is, I’m not even sure myself at this point but just my thoughts/rambles and I needed to get this
out lol. (Btw, I’ve indicated the times so it may be good to listen to the song
while you read this so you can hear the parts to it yourself too!)
1) The Piano starts out by itself here – (When “Yuuri was fighting all by
himself”) the keys are soft here but still beautiful in its regard. Yuuri is
one of the top skaters so of course he can hold his own (melody in regards to the
song). The only thing that was holding him back was his lack of confidence
(which is indicated by the majority of soft notes).
00:54-1:17 Ep 1-3
- The violin comes in confidently with the drums (in a steady beat). This is
where Victor’s sudden entrance comes in along with Yuuri’s support (all the
love that surrounds him), his family and friends in the background. The drums
remain a constant in this part nonetheless. This is the underlying support for
Yuuri no matter which path he chooses (Ex. Mari’s talk with Yuuri). But so far,
here the violin and piano’s sound is very distinct from each other as if it’s
going at their own melody/pace. This is the part where Yuuri is still at unease in front of Victor. He’s a god/idol to him here still, so their melodies aren’t quite entwined yet.
1:18-1:31 – Ep 4-7
– The violin and piano here finally starts out with the same note and are accompanying each other. But they aren’t quite there. The harmony is not as in depth and intricate yet.The piano is starting to be more confident in its
tone though. This might be where Victor and Yuuri have had their talks (Ep 4 and 7) and this is where
Victor gets to know what Yuuri is really thinking. Their relationship and song really starts shifts at this part.