i did not want to draw you

anonymous asked:

How did you develop your own at style?

Years and years of trying out different things and studying other art, and eventually giving up on ‘finding a style’ entirely and let it come naturally to me instead. Don’t be obsessed with finding your own style. What you need to do first is to experiment, and one day when you realize ‘oh, I really like this thing I’m drawing now’, add that as a mental things of things you like to draw. Eventually you’ll have a whole list of mental notes and that will all become your own style, one day.  One day, when you feel like you’re more confident with your style and strokes, embrace that. I feel like I’m at that stage now. But there will always be a time where you’ll want to change something and improve, and never stop yourself ‘because it isn’t your style’. I mean hell, even Mickey Mouse didn’t stay the same during his years of development.

Did you know I used to be a sonic artist? A really cringy, awkward sonic artist.

2006

I must have been around 12? I wouldn’t say anything of what I did back then translates to what I draw now, except my love for drawing original characters. It’s extremely bad but this was the first time I felt I belonged to a community (ah yes, good ol sonic fandom), and it was about then I joined DeviantArt and I got a real confidence boost, knowing I wasn’t alone in my passion for art. (Thank you, internet!) My influence was the sonic games, obviously, and their comics.

2007

I can literally still hear ‘cRAAAAAWWLING IIIIN MY SKIIIIIIIINNNN—’ I was still drawing sonic-styled art but I was slowly losing my interest in it. Once I attempted to draw humans, I noticed that my skill in them was… lacking. So I eventually gave up on sonic-styled art in favor of drawing people, which used to be my main thing when I was younger and before DeviantArt. You might notice a style difference here, though, and actual attempts at shading. The style was a lot more ‘grittier’ compared to the drawings in 2006. My influence? Good question. Anime, probably, which is probably why my sonic figures started to have more humanoid anatomy.

2008

This is when the idea of a ‘style’ really started to come into mind, however. I struggled. Did I want a more ‘dark’ style or a more cute one? I kept shifting between the two styles in 2008, and my style would sometimes have dark, strong lines with contrasting colours, or soft, near invisible lineart with pastel themes. However, drawing sonic-style was not something I did anymore, only occasionally if I was experiencing some kind of art block. I always enjoyed drawing humans one way though, and it was definitely pretty boys and girls with soft features (even when they weren’t soft characters, ack).

2009

2009 was certainly the year where I decided to just do my own thing entirely. I was sick of trying to suit into one category of art instead of drawing everything I enjoyed in one. The result was this, really odd-looking style, and these examples aren’t even the worst. The bodies became extremely long and slim looking, and the faces small with often giant eyes. It was without doubt a very experimental year and I knew it, but I figured I would have to let out all the monsters or never see my full potential one day. This was also the year I discovered the wonders of character design and colour theory!

2010

2010 was the year of traditional sketches, even though I don’t show them here. I was drawing so much on paper because I’d go to school and just spend the hours there sketching to no end. So, when I came home, I’d try do so more colour theory, and try different colour methods. I started to find more colour palettes that I enjoyed, and I also started to learn anatomy on a near medical level, which is why the bodies ended up looking a lot ‘fleshier’. I also continued with the character design, and I tried to see if I could mix genres and whatnot to make unique looks.

2011

However, the ‘fleshiness’ of 2010 wasn’t something that I was particularly happy drawing. Personally, focusing too much on correctness drained my creativity and put me into a huge art block. 2010 kind of shows that, but it also shows what I was trying to do to break it. I focused on using my anatomy knowledge to be able to bend the rules instead of breaking it, making the stylised look believable and not disastrous. I started focusing on digital sketches and drawing characters more diversely. That year I focused less on design and more on body features, such as hair, face, and body shapes. I also ended up using a different brush to ‘free’ my linework a bit. Not a good look, but it worked at the time.

2012

The year of blending! This is where I started to go outside my comfort zone to see if I could find something between a rough, painted look or a soft, airbrushed look. My style finally started to balance itself out and I finally began to see and feel what I enjoyed drawing and what I did not. But most of all, I put most of my effort into painting and focusing more on my colours and palette and the way I coloured more than how I was drawing my art in the first place. Basically — the sketch became less important, and it was the ‘result’ I was trying to perfect. I would later come to realize that’s not the best mentality to have, but hey, I learned from my experience.

2013

You can see I started to find balance between a harsher painted look and something softer and sketched. This is when I started to get very understanding with my choice of colours, and slowly went back to my passion for character design again. But I wouldn’t go back and recycle old ideas, I’d keep pushing. How could I bring these designs to life with what I’ve learned? With colours, brush strokes, and shapes? This is when I really found out the importance of a good silhouette and good contrast in colours.

2014

A very, very quiet year. Little activity happened here and I barely drew anything at all. I’m not sure what it was; lack of inspiration and motivation, distractions with real life… whatever it was, I wasn’t drawing much. But, strangely enough, this is also the time where I discovered key elements with my style, and the few times I did draw, I’d make sure they were noticeable. The things I drew, I really loved drawing, and that’s something I’d bring with me the following years as well.

2015

2015 was a year that went boom. I was so flooded with motivation and inspiration and I felt myself improve in all ways possible. My inspiration was actually my boyfriend who wrote amazing stories, to which I tried to illustrate. He also helped me boost my confidence and see how I could take inspiration from myself as well. It makes me still so happy to think about. I feel like I tried near everything and I never put myself down for trying something out of my comfort zone. I experimented, I drew much, and I learned so much — and most of all, I had so much fun. Every single thing I drew, I’d keep in mind for next artwork.

2016

The following year became more fleshed out, but it felt like just another step forward in my style, rather than trying to ‘improve’ it. I worked with what I had and I embraced it. I wanted to illustrate the feeling of the things my boyfriend wrote, I wanted to capture the atmosphere and scenarios. And finally, after years of struggling with it, I’ve finally found a balance between something soft and harsh looking.

It’s 2017 now and I still feel like I’ve got plenty to learn, but instead of stopping there, I’m making that my goals. And I can already feel myself going there, and I’m happy with what I’ve done in the process and what has helped me to get where I am now.

Notice how, with time, I became less obsessed with trying to ’find’ a style, and instead embrace what I have? Find things that inspires and motivates you, and keep trying. Keep pushing. Keep having fun! A style might be a thing for the observer, but for the artist, it’s just an expression.

anonymous asked:

when did you start feeling confident about your art? like i wanna be able to post drawings online but i just feel like its not good yet and i would be embarrassed :/ did you ever feel like you didn't want other people to see your art because it wasn't good enough?

I started posting my art online since I was 11 years old haha. My art was complete shit, but I was always proud of it for some reason, probably because it was one of the few things that made me happy in life. Which is kind of hypocritical of me to say because I am SUPER critical over my own art. When it comes to artists, you improve along the way. Like I look back at some MM art stuff I posted back then (which was only back in September) and I’m just like “Wow, I drew that??? It looks like crap compared to how I draw now!” But, honestly, if you don’t think you’re good enough now, then when? There’s no set skill level you have to be when you can post your art. You just do it lol.

Here, if it makes you feel better, let me show you one of my FIRST works that I posted online that my very childish self was super proud of lmaooo

You see this shit? It was supposed to say Dark Angel (I was super into DNAngel at the time lmao) but dumb ass me spelled it Dark Angle. This was actually for this online magazine club I was part of in 6th grade that my teacher created. And you know what makes it even worst??? It’s the fact that I misspelled angel, aND MY MOTHERFUCKING ENGLISH TEACHER DIDN’T EVEN POINT ANYTHING OUT… AND HE WAS THE ONE RUNNING THE DAMN CLUB smh. 

anonymous asked:

Soo why do you hate skinny people? :)

i can’t believe you made me read this with my own two eyes

hate skinny people???? are you serious??? because i don’t want people drawing hunk from voltron thin??????

do you. did you think, did you reflect on this before you hit send. did you. honestly.

do you know how many cool fat characters we get in media? NOT A LOT. you know how many thin characters there are in media? A FUCKTRILLION. literally every other main character in voltron is thin, there’s no reason you gotta make hunk thin too

hunk is fat and hot and amazing, get ur hands off of him

and next time THINK BEFORE YOU HIT SEND, jesus FUCK

Drawing answers and an update

Here i is again! I am managing to get back to drawing again so i sneak in a few here and there. I am quite happy with the feedback that i got from my recent drawings and of course, lets face it, It was a fan art of pretty big artists so that pretty much did the whole deal.

But, enough about that. I decided to try my luck on drawing some questions for you guys. It’d be a pretty good way to connect with you guys and i guess it’d be more fun that way. So yeah, here’s a little introductory doodle

If you guys wanna know more about my character then ask away, if you want to know something direct and personal from me then… again…. ask away! Don’t be shy with questions, I am pretty open about things aaaaaand I hope to hear from you soon!

Twitter

I’ll be doing the same on twitter too btw, so ask me there too if you see fit,

anonymous asked:

you need nicer things in your inbox cause these anons... 🙄 can you imagine y's reaction to j's pic in that concert booklet... like i bet the rest of them were all goofing around w/ each other while doing them but j was off to the side, that focused pout on his face, and he knew that it was just a drawing for the fans but he still wanted to try and capture what he felt when he saw y on stage... was y a lil speechless did he kiss him did the others complain abt them being sappy and gross liKE

GODDDDD I can really see the others taking like 15 minutes to draw theirs but jimin taking the longest, making sure he got everything right because every1 should be able to see how he sees yoongi on stage 

fandomtrash1215  asked:

Ello i was just wondering two things what inspired you to do these comics? And where did you learn to draw so well? P.S love your art 💜💜💜

Hello there! Well, one amazing anon recommended me to make the TomTord comic based on a drawing I’ve made (Part 1) and started to develop it. Pupils comic is just a bunch of stuff me and my friends do irl, but I wanted some extra angst and gay stuff on it. As from where did I learn, I taught myself for the past years in my life because I started drawing since I was 3

darkimooplier  asked:

I've been really unwell recently. And especially with all the stuff that's been going on, it's gotten me really down. But I would really love to see one of your drawings. It can be whatever you want. Maybe something Darkiplier would be really cool! Thank you I think this is a really cool thing you're doing:) (of course if you're busy you don't have to)

I would LOVE TO <333 that’s why i asked

here you are, i did one chibi and one regular

YOU DON’T KNOW HOW LONG THIS TOOK! Half of yesterday and all of my morning today! But it came out so good! Planning on working on one with Mark and not Dark, then maybe Wilfred Warfstache next but depends if I’m busy.

Been wanting to draw something for ‘A date with Markiplier’ since I love it, it’s awesome and so well planned out! *w* They all did such an amazing job! And it made my Valentine’s day, besides me and my family doing a small gift giving thing we do, it made up for that school day I had. 

I wanna put this on redbubble, but until then I’ll make a post about it! Hope you guys like it! ^w^

8

…I wonder if that was actually a good decision to make there, Kuroo

First | Prev | Next

4

♬ That moment when Mark is done the series yet your still drawing stuff for episode 3. Anyway Mark RE7 series was a blast to watch either way so much fun to draw ♬

SPEEDPAINT

2

“The Sun and Moon did fall in love but no one said it was a happy story.”

Let’s talk my Sun/Moon Spirit AU ( ͡° ͜ʖ ͡°) 

tumblr fucked up my image quality okay lets get that out of the way if you want better quality, click on the images.

  • Both Mari and Adrien are half-spirits, actually being part human. 
  • On days they feel like it and are physically allowed, they transform into their ‘human’ versions.
  • Granted, their spirit versions look human but on Earth, they can be disguised as normal people. 
  • As spirits, neither age and have seen centuries upon centuries of different decades. Though because of this, they can have fun adjusting to different eras and are fascinated with these ‘modern touchable squares’.
  • Each night before the dawn, Mari has to set out morning stars which Adrien can see when he awakes, a big reason why he fell in love with her. 
  • Mari, however, has seen Adrien, but only in his human version, and not knowing who he is, falls in love with this human. 
  • They only see eachother, of course, via eclipse. 
  • When the eclipses occur, they don’t have a lot of time so every time it does;
  • “Moon Spirit, how lovely you look today! May I take your hand in marriage now?” 
  • Mari always just laughs and politely declines but in the back of his head, he knows he does want her hand in marriage. They part ways, say the usual goodbye and “keep the morning stars coming’.
  • Then Adrien waits for the next eclipse. He always does. 

More on this au and character designs to come and possibly a gifcomic when I get back to Australia but yeah, this one is semi-angsty and i’m r e a d y.

♡ HAPPY VALENTINE’S DAY! ♡ (ㆁᴗㆁ✿)

They’re saps

My tribute for @arcanebarrage. No words can explain the way I love this fic. Thank you so much for all those feelings.

Y’all click here and read it! You won’t regret!