i also need to work on flow

anonymous asked:

How would you go about making a bullet diary/journal??

So you wanna make a bullet journal?

The best part about bullet journals is that they’re completely customizable and thus unique to every individual! Here’s a general guide on how to go about doing just that. If you were looking for a short answer I’m sorry

1. The Bare Minimum

First and foremost, you’re gonna need a pen and a notebook. Some popular notebook choices here in the studyblr community include the Leuchtterm1917, the Moleskine, and the Muji notebook. I personally use the Leuchtterm for my bullet journal but one of my favourite places to get cheap and cute notebooks is the dollar store! When looking for a notebook you may also want to consider the ruling of the notebooks such as plain, dotted, and ruled. For pens, anything that works for you, works. You may want to consider something that flows well but doesn’t bleed through the paper. Honestly, that’s all you really need to start!

2. Decoration

The most fun part imo! Here, you can incorporate all the optional supplies you might want for your bujo such as washi tape, stickers, sticky notes, photographs, printed pictures, magazine cut outs, and more! You can also use a variety of mediums in it as well such as ink, marker, paint, pencil crayon, etc. When I started my bullet journal, I only decorated it by drawing in it and adding watercolour accents. I didn’t start including washi tape and printed photos until recently. But of course, you don’t even have to decorate yours if you don’t want to!

3. Set Up

So you’ve got everything you need to start, what now? Well, it’s up to you! Ask yourself what it is you want to get out of your bullet journal. There are a lot of things you can do with yours but what’s important is find out what works for you. If you feel you might not use an index or reference a key a lot, you don’t need to to have one! Personally, when I got mine, I went right into it and started my first weekly spread. Some common things people include in their’s are:

  • an index
    • keep track of your pages!
  • a key or legend
    • explain what symbols you use!
  • a year overview or future log
    • an effective way to plan out things way in advance!
  • monthly spreads
    • outline the events occuring in that month! often seen in the form of a calendar.
  • weekly spreads
    • keep track of daily tasks and events!
  • habit trackers
    • record various habits such as water intake, hours of sleep, meals, work outs, etc.
  • lists
    • pretty self explanatory. list books to read, songs you like, movies to watch, etc. 
  • anything else that you might want!

What’s important is that your bullet journal works for you. Don’t feel as though you need something in yours just because you see someone else with it. As long as it’s something relevant and helpful to you, great!

Advice, Tips & Tricks

  1. Let go! Make mistakes! Learn! Grow! Don’t let blank pages in pretty notebooks restrict you, let it set your imagination free
  2. Try new things! Experimenting in your bujo can be so much fun and you might be surprised with what you create.
  3. You don’t have to make a spread every week or every day. Sometimes bullet journalling can be exhausting. That’s okay. Take care of yourself, friend.
  4. Plan things out in pencil first if formatting is something important to you.
  5. I know I’ve said this how many times already but because it really is important I’m saying it again! Do what works for you!! And what you actually want to do. 

Want to know more?

Here’s a few resources that might be helpful!

You may also want to check out some of my favourite bujos for inspiration:

7 times they noticed (2/7)

(in honour of my salty child’s birthday. Happy Birthday Pidge! I decided to write this from Pidge’s pov rather than Lance, just for a change.)

Pidge was up late again. Whoops. It was something o’clock in the dead of night - though she could argue in space, time was sort of irrelevant - and she was still perusing through Altean history. Obviously it was all in Altean, and she didn’t know that much, but still there were thorough diagrams of the technologically advanced civilization, so she didn’t mind. So time passed and lo and behold, she was still awake, fervently looking through incomplete blueprints of Voltron, frustrated at her inability to understand the scribbled notes alongside the drawings. It wasn’t as if she was tired. She didn’t really sleep much anymore.

As her rubbed her eyes in annoyance, the screen still bright, she heard a faint muffled noise - though she couldn’t really make out where or who it was coming from, nor the nature of the noise. The door slid open as she crept out into the hallway, seeking the source of the noise. She wondered if it was Shiro, knowing that he too had trouble sleeping, but it didn’t make sense; his room was a way away from hers. As she walked along the corridor, her bare feet cold against the metallic floor, the noise grew slightly louder. Soon she stopped at a door, and it occurred to her that she thought this was Lance’s, but that couldn’t be it. Lance always slept like a log - she fondly remembered in the Garrison days, all the boys trying to wake him up. Then she remembered why she was at the Garrison in the first place, and it seemed less fond.

She hesitated, unsure whether to open the door; but against her better judgement, she did.

The door slid open with a sound, and the owner of the room looked up in surprise. Pidge’s suspicions were correct. It was Lance. But he looked different. In the darkness, she could see watery trails down his cheeks, his eyes puffy, and dark circles apparent. Her eyes widened.

“L-Lance? Uh…” She trailed off, not knowing what to say, not really. He just stared at her, eyes wide and hands shaking, holding his knees under his chin. “Um…should I…go?” Pidge questioned.

“Yeah, sure. Sorry if I woke you up.” Lance found his voice, and it was hollow, as hollow as the smile that appeared on his face. Pidge frowned at his careless air, contrasted to his sweat-laden hair, which was uncharacteristically sticking up in different places.

“You…you didn’t wake me up. I couldn’t sleep.” She was uncomfortable; he looked so very different to the picture of ‘Lance’ in her mind. “Uh…are you alright?” Lance noticed her discomfort, and got up, rubbing his hair with an attempted air of nonchalance.

“Yeah. Totally, dude, don’t worry.”

“Um…really?” Pidge played with her sleeves, twisting them around her fingers.

Lance visibly stiffened, dropping the pretense of confidence, his shoulders tightening.

“…” He didn’t reply, tears brimming. Pidge cautiously approached him, arm outstretched, and patted him on the shoulder nervously. He flinched at her touch and she drew her arm back in shock. “I just…can’t do anything right?” His voice cracked. “I mean, look at you. You’re fourteen, and a genius. How the hell can I compare?” He looked to her, desperation on his face. She paused.

“I mean, you don’t have to, I guess?” She bit the inside of her cheek. “Shit, how do I say this?” She grabbed her hair and sighed, wincing. “Like, we’re all good at different stuff, and…well…” She closed her eyes. “Fuck! I mean, I don’t know how to do half the stuff that you do!” Her voice was louder than she had planned, and Lance’s face froze into an impassive stare.

“Like what, Pidge?” His tone was harsh and she winced in response..

“For one, you’re a really good shot. Like, really good. Do you remember when you came out of unconsciousness? And you hit that bad guy perfectly?” She looked to him for an answer, willing him to just accept it.

“Luck.” He stated simply.

“Well, you’ve done it more than once. Plus, you’re actually funny sometimes, though it pains me to admit it.” She raised her eyebrows and Lance smiled weakly, the corners of his mouth twitching. “You’d help anyone out - you believe the best in people. We’re in, this like, crazy situation and you haven’t stopped being just you. Stupid, amazing, you.” She scratched her ear. “I guess.”

Lance let out a short laugh.

“Sorry, I’m not that good at pep talk - which you are by the way. You can just energise anyone around you. But it’s okay to hurt, Lance.” Pidge looked down.

“I -” Lance begun, but she cut him off.

“But, dude, it’s not okay to hurt alone.” She crossed her arms, biting her lip.

“Thanks for calling me stupid?.” He was smiling as he said this, and Pidge laughed in response.

“Yeah, I’m pretty shit at this, aren’t I? But…if you need to talk, my door - hell, probably everyone’s door is open. I mean, like in the dead of night, probably don’t knock of Hunk’s door, he’s probably asleep. But like, I know Keith trains at this time occasionally, so…” She trailed off when Lance scoffed.

“Keith doesn’t want to talk to me.” He looked down, and Pidge rolled her eyes.

“Sure. Now, can you get back to sleep? I know I really should.” She smiled tersely and Lance nodded, wiping his cheeks. “Um…this is the worst question, but, how do you not look like shit after nights like these? I do.” She winced, but relaxed when he laughed.

“Oh my dear friend, skincare cream and foundation do their wonders.” Lance let out a grin as worry creased Pidge’s face again.

“You shouldn’t have to hide it.” She turned around. “Bye Lance.”

The door closed behind her, and she put her head in her hands. Now she knew. She cursed, wishing she knew earlier. How come she didn’t notice before? She had to tell Shiro, and although she didn’t want to betray his trust, this was far more important than pride. She bit her lip. Maybe it was a once-off thing? In the meanwhile, she should really get some sleep. God knows she needed it.

Read the other parts:

(nb as of 6/4/17: Hunk is up (along with Shiro and Pidge) Others will follow! I’ve done some editing to make the conversation flow better, once again thanks to the anon that pointed it out. I’ve edited Hunk’s and Shiro’s will be done soon. Thanks!)

(7/4/17: Coran is up!)

(17/4/17: Allura is up!)

(general note: I see Pidge and Lance as platonic, but you can read into it as you like. Also, all these stories work together, but can be read separately)

Overtime ~ Reggie Mantle x Jock!Reader x Archie Andrews

Request:  REGGIE MANTLE X READER X ARCHIE. OH MY GOD. so basically the reader is a jock and both Archie and Reggie like her and they both go crazy competitive to get her and at Cheryl's party she gets Reggie for 7 minutes and then her and Reggie get heated and then if your comfortable add smut because that’d just make this 100% better. - Anon

Word Count: 2.5k (I kinda went overboard, forgive me.) 

Warnings: Not really; there is a bit of making out at the end but???

A/N: I low key suck at smut so what happens at the end is the best I could do, sorry sweets lmao. But this was fun to write, and I hope it’s at least decent! Also; 

Under Read More-

Y/N tapped her pencil against her work as she listened to the music flowing thru her headphones. If anything; she was distracted by the music, but even knowing that didn’t stop her from listening to the tunes her phone played into her ears. In reality, Y/N was in the library attempting to do some much-needed homework that needed to be finished, and a few late works she had yet to hand it, thus why it was considered late. As someone who played in the girl’s basketball team, volleyball team, and the soccer team at Riverdale High, a basketball team, volley ball team and soccer team which you were particularly proud of and known for being a part of, you rarely had time to focus on your homework.

Keep reading

where the sun and stars meet


Pairing: Rafael Casal x Reader (oh my word, she’s done it, she’s written a non-Lin fic, holy moly, we never thought this day would come)

Summary: He knew you well enough to know when you were forgetting to breathe.

Note: i fell straight into rafa hell and apparently this is how i decided to handle it lmao. @fragmentofmymind and @alexanderhamllton had to deal with my yelling about this so go give them extra love THEY DESERVE ALL OF IT I LOVE THEM A LOT. 

okay omg i love you guys and i hope you enjoy the garbage, feel free to come yell at me about it <3

Word Count: approx. 4500? (guys it’s a ONE-SHOT ARE YOU PROUD)

Being a twenty-eight year old woman living in Los Angeles could be tough.

In six years of residence in the city of stars, you had realized that sometimes the lights weren’t so much sparkling as they were blinding. Blinding of the goals you’d set out to achieve, the paths to get there, the hope and promise of a state drowning in sunshine and smog. Although you had never expected it to be, the journey wasn’t easy.

Sure, you’d had plenty of dancing gigs during your time there so far, but your heart was in choreography and you were determined to keep working until you made that goal happen. You knew that you were talented, that when you were in your flow you could tell stories and string together phrases and characters with even the most subtle pieces of movement. Every once in awhile, though, you lost your flow.

Keep reading

less active for the next 3-4 weeks

Today’s meeting resulted in me being temporarily hired by a Health company to do video advertising for them. Meaning I’ll have to work full-time at home churning out storyboards, sketches, illustrations and previews for them, and then editing + translating the video for them into 2 different languages. While this job is a complete 180 of what I actually love to do; it helps put money on the table, and is great experience to learn something new. :D And if it goes well enough that they continue to hire me for future projects, it could cover a lot of what I need for medical help, a better workspace, and family needs.

but god help me bc their Chinese is so advanced I get so confused in our conversations like a loser

I’ll still be putting time aside at night to work on remaining commissions because I don’t want to delay those any longer, and I’ll even keep taking new ones to keep in touch with my inner artist.

But this also means that I will have little to no time to work on the emorock comic like I’d originally wanted to. Chapter 1, titled ‘Starstruck’, was supposed to be of Charlene asking Faith out for the first time, as her Valentine’s. It was also to introduce the new concept behind Emorock (which I can’t spoil yet, but it does involve the masks you saw Amelia and Faith wearing in the Tears video)

That’s why I really wanted to get it out by that day. But I guess plans change in life and we just gotta flow with it sometimes.

There are a lot of asks I need to answer as well, especially a handful that are asking for advice on drawing anatomy and such. (and I will genuinely answer it with whatever I know; no excuses of not being able to teach this time)

…I guess that’s it for updates for now; thank you for taking the time to read this and thank you for sticking around this mess of a person who’s still trying to figure out her life

I’ll see you on the flipside ∠( ᐛ 」∠)_

Alright so I had this pop into my head on the train this morning and I wanted to share. I have no idea if it’s been done before but here goes: What if the Assassin’s and Templars came from the Four Nations? Like Avatar the Last Airbender. Where would they come from? Here’s my little “headcanon” if you may…
(Feel free to add anything else, or add your own ideas to it! It was a coffee fueled, 6am daydream)

Altair - Air. it suits him. His upbringing, where he was born and raised, it just works.

Ezio - Fire. need I say more? I mean, it’s in his name. He’s got a hot blooded demeanor, sort of like a lot of young firebenders exude.

Connor (Ratonhnhaké:ton) - Earth. As a Native American, he’s very in tune with nature and his surroundings. I feel like he could Earthbend like Toph does in a way, though not quite the same. He listens to the earth rather than the earth listening to him.

Edward - Water. This one is also obvious. He belongs on the sea, in the water. There’s no other element that flows with him more perfectly. His attitude also kind of reminds me of Master Pacu in a way!

Shay - Fire. My conclusion. Hear me out. I was thinking water, because like Edward, he loves the seas. However, I see a lot of Zuko in Shay. The fiery spirit of a young boy looking for something. In the end, being a firebender suits his personality.

Arno - Water. I see water when I see Arno. Waterbending is like a dance, and when I see Arno I think ballrooms and romance. He’s graceful like a waterbender.

Jacob and Evie - Metal. What could suit these twins more? It’s the Industrial Revolution after all. They’re tough and it’s a modern twist on earthbending.

And as for the Avatar, I chose Connor. He and Aang share so many things in common in who and what they represent. They’re very loyal to their people (even though the air nomads are gone) and they’re for the freedom of everyone. Connor is more ready to fight than Aang, but they’re both nimble and quick and excellent fighters.

If anyone wants to add anything or input their own ideas, feel free!

I wasn’t paying enough attention at the weekend to notice that Sabine’s had a go at Tristan’s armour! He’s abandoned the stark, heavy white of Saxon’s Imperial Commandos and returned to the Wren clan armour. 

I think that’s a grinning loth-cat on his pauldron - it would appear that loth-cats are now a symbol of brother hood and family for Sabine as it has now been applied to Ezra, Kanan and Tristan in some form or another. I also feel like the detail on his chest plates are more angular and the work of Sabine, as Ersa’s have more elegance and flow to them. But that may be a fundamental design female/male feature for the high clan ranks. (The generic Wren chestplates are flat with no pattern detailing.)

anonymous asked:

How do you even write your dialogues like oh my god they are so witty and in character and fun PLEASE TEACH ME (im kidding ofc well 50% joking but if you have some good advices I would be happy to hear them)

Treat every line as an opportunity for a one-liner or the setup of one. 

Okay I will attempt to offer advice but I make no promises on the usefulness, usability or sense-making of any of this. 

Background: for my first degree I majored in Film, Television and Media Studies and minored in Linguistics. I like words. This actually has nothing to do with anything I’m going to tell you except that I know how to bullshit so keep that in mind when reading this advice. 

  • Play it out in your head (if you can). This may be harder to do depending on how you think. If you can’t do it in your head then do it ‘on paper’ but skip all the framing bits like dialogue tags, character names, any kind of description. The only thing that matters is the dialogue. You’ll get better at making voices more distinct and carrying out banter. I like to do this when I’m stuck in traffic.
  • Practice writing banter or arguments rather than exposition because they’re easier to get into a rhythm with and sometimes carry themselves easily in a direction you’re not expecting but ends up awesome.
  • Write in screenplay or script format for practice. If the entire thing hinges on dialogue you pay a lot more attention to it. If this format is something you hate go back to the first bullet point and do more of that instead.
  • Watch tv shows and movies and pay attention to how people speak instead of what they say. I say shows and movies instead of real life (you can do that too though) because they already have the unnecessary fluff we use in everyday life taken out. You don’t want your characters to talk like ‘real’ people, that would get boring. Cut the fluff. 
  • Study the characters you’re writing and the way they speak. By study I mean read or listen and let your brain do the work while you have fun being entertained. This is the bit that happens to me naturally sorry it’s very ??? in my head. Go back to the first bullet point and do this again for the character.
  • If you have more than two characters in a conversation treat it like they have to take turns. Character A & Character B go back and forth, Character C says something, Character B replies and those two talk and A stays out of it. Juggling lots of characters in a conversation is hard, man. I still have trouble. 
  • Similarly, once you’re at the point that you’re actually writing a scene rather than just witty banter/arguments for the lols, be aware of what your characters are doing and how long the dialogue is dragging out. It can be tempting to keep the dialogue going forever with the witty banter and end up with a ‘talking room’ where characters sit around doing nothing except snipe at each other but it doesn’t really help you move a plot.
  • I have 700 words of batkids sitting around a table sniping at each other about DnD I know this from experience okay. 
  • If you get stuck mid-dialogue but know what comes a few lines later type ‘dkjlfjdlkd’ and move on. You can go back later and figure it out, don’t stop the train. We’re dialogue sharks, we stop swimming we die. 
  • Who cares if it’s in character, write it down, your brain said so. Check it later. That’s what editing is for. You’ll eventually get character voices down and find out your brain is often right about these things. Or justify it for the lols. One of the two. 
  • Dialogue tags and framing dialogue can take a while to get right. Study other people’s writing that you like and see how they do it. No tags just action >= invisible tags like said or asked > he verbed words. Use replacements for said sparingly and try to think about whether they’re physically possible or not. Laughing a word? Not so much. 
  • Show don’t tell works for dialogue too. 
  • ‘Do I really need this comma here?’ Yes. Put it in, move on. You can take it out later if it trips you up on re-reads or when you say it out loud. Also, coming back a few hours/days later for editing helps with flow and ‘can this character actually speak this long without pausing’ type decisions.
  • Disregard everything I just said and do what works for you. 
how to stay motivated

hey guys so recently I have had quite a few messages asking me how to stay motivated so I thought I would put it in one post so that people can see how I like to stay motivated and hopefully these tips help you too!


I feel like setting a goal is super important and this is my main source of motivation. I set little mini short-term goals and the odd long-term goal so I am surrounded by aims to get me motivated. 

So what is a short-term goal? A short-term goal is a goal that you want to set for the near future. The near future could be an hour, a day, a week, a month - but something that you can accomplish in a ‘small’ amount of time. Examples could include:

  • Getting up at 7am every morning and starting your work early
  • Reading a chapter of a book a day to improve your reading 
  • No chocolate for a month
  • No studying past 6pm
  • Keep a clean desk

A long-term goal is something that you want to reach but takes a lot longer to achieve. Long-term goals can include:

  • Going to university to study Law
  • Getting straight B’s in next years final exams
  • Landing a career in journalism
  • Gaining/losing X amount of lbs
  • Saving £X so you can go on holiday

I find setting a long-term goal can be helpful, but short-term goals are just as good. I have a long term goal at the moment to work hard and get good grades so I can go to university and study history. Whilst this is a good goal, I also need stepping stones to get me there and to keep that motivation flowing - these are my short-term goals: such as getting more organised for my final year, or getting an A on an essay I’ve written. 

Sometimes people don’t know what to do when they have to set a goal, but think slightly selfish for a bit and think about what you really want and how to get there. This sets up some motivation. I love having a goal because I feel like every small task I complete gets me one step closer to that goal of mine - almost like ticking an assignment off of your to-do list!


Speaking of to-do lists, this brings me on to tip number two. I don’t know where I would be without a to-do list/schedule because without it, I would be an absolute mess. With having so much to do, it is impossible for me to keep a mental list of everything and writing it down helps so much!

Not only does it help me remember what I have to do, it also motivates me in so many ways. First of all, setting one up at the start of the day means that I know exactly what I need to get done and I want to get it done as quickly as I can, but without rushing it and so it makes me start straight away so I can tick things off of my list. 

This brings me on to the second reason why they motivate me so much - because every time you tick it off, you get an amazing feeling of satisfaction and relief that your to-do list is slowly getting smaller. Also, the amount of happiness it brings when you have ticked off everything you have to do is definitely such a good feeling and it is so amazing to know you have finished and you can now relax! Each time you tick something off, it motivates you to get the whole list done.

Schedules work in the same way, as you go through the day, there are less and less things for you to do and it makes you feel gradually more satisfied that you’re coming to the end of your work!

Pro tip: however, it is important to be realistic, if you set a to-do list with 15 things on it, it looks less appealing and you are less likely to do it. go for realistic lists that are long enough to keep you busy but small enough to manage!


This is actually quite simple and original but also helps massively and perhaps one of the most amazing things ever. If I have a massive chunk of homework for a subject, breaking it down into smaller tasks makes my life so much easier and saves me so much agro. 

Of course it isn’t always possible to break it down if your deadline is two days after it is set - but you can always break it down into two halves which makes tackling it seem a lot easier. 

I know some of my friends really don’t like doing this because they would rather just get it done and out the way, but if you are someone like me where motivation needs to hit me like a truck before I get work done, this can be a really good way to tackle projects and homework and isn’t as stressful. Whilst it might take slightly longer due to the breaking up of tasks, I actually find this more productive and makes things so much more manageable so I actually feel like I want to do the small task instead of the one large one. 

I break up the tasks and schedule these broken up tasks on my to-do list. For example, instead of reading a whole chapter and taking notes from my history books, I will just write ‘take notes from page X to page Y’ and it completely changes my frame of mind and makes me more positive.


You probably must be thinking something like, ‘Jess you must be mad! why on earth would you do the hardest task first thats just the worst idea ever?!’ but honestly, this is something that can really change your mood and uplift you for the rest of the day - honestly, this tip works!

I completely understand that in a morning the first thing you are not going to want to do is that physics homework that entails you doing 3 pages of questions on oscillations and harmonic motion. However, doing the hardest task / things you don’t want to do first, not only makes you tackle it with a fresh mind after waking up (or after a break from school or whatever it is you were doing), but also afterwards, you feel more confident and motivated to get the rest of the things done which are more enjoyable and is actually more motivating because you have got the worst thing out of the way.

You also don’t want to not do it and then set it for another day, when you are probably going to procrastinate getting it done. Get it out of the way!

We all know that leaving an assignment you really don’t want to do until last is perhaps the worst thing you can do, as you take one look at it and decide you have had enough and need a break or some sleep. Prioritising this first means that you can get everything done without leaving the thing you didn’t want to do. 


This one is a great one to bare in mind and this really applies to me at the moment and is actually where my main source of motivation has come from since the 18th August (results day!).

For me, getting great results is a massive success, and receiving results such as A’s and B’s makes me very very happy and much more motivated. It gives me a spark of inspiration to keep going to make sure that I keep that up! Whilst I know grades aren’t everything, they are really important to me and so this is why when I get very good results, they motivate me to keep me going to achieve more - and it ends up in a cycle!

However, whilst good grades motivate me to carry on performing at my best and to keep working hard, it is important that I understand my failures too, and so should you. A failure for me isn’t a specific grade as such, but where I am disappointed at myself for getting something or knowing I didn’t perform as well as I should have, or an unexpected failure as I thought I had done better than I did.

From these failures/mistakes, these also motivate me to do better next time, or to focus on improving myself and my technique to be the best I can be. Failures/mistakes can make you more motivated than what your successes can, because it motivates you to find areas of improvement and work hard and improve techniques so that you can get to where you want to be - you can get to that goal! 

Successes and failures are so important in receiving motivation. Not only do they provide you with something to keep you going, but they build you as a character and I think that is a lovely thing!


I find that since joining the studyblr community, I have found really nice ways to be creative and to make my notes look neater and more appealing for me to look at. This might seem to be such a silly little tip, but drawing simple doodles or fancy titles really motivates me. 

Whilst making my notes look more aesthetically pleasing takes slightly longer, I find it calms me with anxiety as I am being creative whilst I am working and it is a really great way for me to stay relaxed. So not only does it bring me motivation, but calms my anxiety too! Killing two birds with one stone!

This point doesn’t really apply when I am revising, a fancy title will probably do; and also when I am taking notes in class, I never bother; but when I am going over things or making flashcards, it helps to make things look more appealing so I am more likely to pick them up and go for them and learn. 

Some might disagree that this would actually make them less inclined to do work, but if you need to alleviate stress, get motivated or just want to make your notes look nice, then this could be for you!


Breaks and rewards give you so much motivation whilst you are doing your work! I study and revise probably more than what is healthy, and so I like to make sure I have a nice break whenever I can because I work myself very hard. Sometimes, something can take me about 2 hours and so a half an hour to an hour’s worth of break can really help me before I start something else. 

You can try having a break every 45 minutes, every hour or two hours; but make sure your break really puts your mind at ease before you start work again. You need to make sure you give your brain a good rest. 

You can have a break or reward yourself by having a nice shower, going for a walk or to the gym, cooking, having a coffee and a biscuit, meeting up with some friends, going on social media, having a nap - whatever it might be, as long as you have that break you will feel so much more refreshed after! It also motivates you to get things done so you know you can have a break after you have finished your task and makes you feel compelled to finish it so you can relax!


This is actually a really important point and can help maintain motivation in the long run. Getting people to help you can be a really good way to stay motivated. Tell people, such as your friends and family, about the goals you have set for yourself or that you are struggling to stay motivated and ask them to help you. 

My friends sometimes study with me and help me with things I don’t understand which can help maintain my motivation. When I finally understand something or I go over things with my friends, it can make me feel more confident and uplifted that I know things and spurs me on. Letting family know about your goals also helps them support you which is a really significant part of motivation, because if no one is there to support you, the will to carry on eventually disintegrates and you don’t want that! 

Make sure that you do have some support, whether it be from friends, family or the studyblr community, but ensure you are surrounded by people who can motivate you and who can help you along the way so that you can achieve these goals and keep you on target! Sometimes, motivation doesn’t come from the things you do, but from the environment that you’re in - which is why support and help is such a good source of motivation!

That is the end of the tips I have on how to stay motivated. Hopefully they are good starting points for you all! Let me know if you try any of these tips for a while and tell me if they have helped you, it is always nice to see what people think and if these things work - remember if they don’t, that everyone is different and different things work for different people!

4cc 2017 mens fs toughts

Ohh i just got it!  Yuzu is just collecting 4CC silver medals (just like at Skate Canada). Just kidding, you’ll get your revenge at worlds (or i hope so) just don’t kill yourself trying a quad axel please. That safety quad toe tough, i mean, he was just like: mmm i popped that sal … so i’m gonna throw a quad toe as my second to last jumping pass, because i can do a quad toe while picking my nose (Brians words not mine). This was a great performance still, he’s an incredibly well rounded skater, i love that the jumps don’t take you out of the program, they melt into the choreo, i still think this program needs to be completely clean for it’s magic to work tough.

……And apparently Shoma is collecting bronze medals. Why the axel Shoma, you landed all the quads, but of course you fell on both axels, why the combos, whyyyy (at leat you didn’t have a dead chicken on you shoulder while doing it). I have faith you’ll seek redemption at worlds, but please the combos Shoma!!. Still the flow across the ice and the expression is fantastic. He really gets into the program no matter what (also bonus for the fall right on the music)

Nathan was really good, i just can’t get into that free skate, he’s a good skater, but i wish he had a programs that made him emote a little more, he hits the musical accents and has good posture and lines, he’s quite pleasing to watch, but i just don’t feel anything while watching (with this program at least, but that’s just me). However i am amazed at his technical ability at least jump wise, i mean 5 quads is very impressive. 

Patrick. Oh Patrick, it started sooo well, you almost had me fooled for a sec. However, it was a beautiful performance none the less. He really is an amazing skater. The flow, the speed,the posture, the extension, the deep edges and the complete body movement is quite fantastic (and let me tell you, skating skills like that take an incredible amount of effort, strength and freakish control over your body) 

Han Yan bombed and i was so sad, he’s such a great skater tough. Great skating skills. However i must say i kinda hate his fs music, the voiceovers are way too cheesy. Lovely skater still and i hope he can make a come back at worlds. 

Boyangman also kinda bombed, but he never gives up on the performance which is quite nice to see, he seems like a very positive guy, he was still smiling in the k&c. I like that he’s trying to work on his components, which apparently has affected his quad a little, but he’s way more enjoyable to watch this season than last. And extra bonus points for flirting with the judges

Jason was absolutely beautiful as always, but his injury seems to have kept him from a clean free, but this was a great effort. And boy he also has beautiful skating skills, so smooth and those spirals, and transitions in general, are nothing to snooze at.

The star of the night for me at least was Misha, i haven’t seen such a clean program from him, and it was amazing, he moves along with the music beautifully and his expression is just wonderful. Two beautiful programs for this competition, i’m very happy for him. I hope hell stick around for a little longer so we’ll be able too see his full potential when not injured.

I watched others, but what can i say, the whole compretition was a little of a splatfest. Like we expected anyways. The real question is if Pyeongchang is going to be a massive fs meltdown like Sochi. 

sorry for the long rant :D

ps: sorry for the typos and terrible punctuation, i’m sleep depraved and writing in english gets hard at 4 am

killerfig  asked:

Whenever I write dialogue I find that it normally goes something like this. "Xander, I can't even believe you," he said, grinning. "Well, I have my ways," she said, smirking. Do you have any suggestions for dialogue writing and then showing facial emotions? [if that makes since eek]

Dialogue with facial expression, or any sort of movement, can be tricky to capture. One of the reasons I think it’s difficult is because we, as authors, need to capture near simultaneous actions. With that said, it isn’t impossible. It takes a bit of practice, and the willingness to think things through. If you do, you’ll end up with more realistic dialogue and not just a list of tags with -ing verbs. Here are my tips.

  • Think things through. No really. What is your character feeling? What are their motives? Are they interacting with anyone else? Think about the order of their actions, too. Do they move, speak, and then have a secondary action?
  • Moar detail. Capture more detail in their facial expression. Do they wrinkle their nose? Squint? Stare in wide-eyed wonder? For your example, What kind of grin? Smug? Lecherous? Broad? Provide this information to your reader.

“Xander, I can’t even believe you,” he said as a broad grin spread across his face.

  • Moar detail, (part deux) Use more descriptive words to capture the movement or facial expression. A smile can play or dance across a face if someone is happy or flirting. Or if they’re angry or sad, their face can contort, warp, or twist. Getting this level of detail adds another layer of depth. For example:

A smirk danced across Xander’s face as she glanced up at him. “Well, I have my ways.”

  • Body language. People speak with their entire body. So you need to capture not only the words, but what their body is doing, too. The phrase, “That sounds fine,” said with arms crossed and brows furrowed is going to convey a very different message than the same phrase accompanied by an approving nod. 
  • Split the movement and the dialogue into their own sentences, like I did in that above example. Not only will you give yourself a bit of breathing room to capture the expression fully, but you’ll vary your sentence structure– which is a good thing. Monotony sucks. 
  • Vary your ‘saying’ tags. Did your character mumble, groan, yell, stutter, gasp, offer, or rage? Instead of hunting down a word frequency calculator, CTRL-F (or CMD-F if you’re on a Mac) and type in those verbal tags, and your machine will find every instance of that word being used. Be wary of using any one word too many times. Switch things up.
  • Secondary effects. Think about accompanying effects, too. If someone is really yelling, is spit flying from their mouth? Are their cheeks red from a stream of tears? Again, think things through a couple steps.
  • Use markup sparingly. Markup referring to bold, italics, and underlining in dialogue. While some markup does have a place- capturing an inflection or tone change in a character’s voice without a tag, for example- it’s a frequent mistake for new writers to rely on markup instead of using their words. Don’t take the easy way out. 
  • No interruptions. Throw most of this out the window for quick exchanges or arguments between two characters. You don’t want to tags slow things down…
  • Unless another character joins in. Then you’ll want to reintroduce tags to make things clear…
  • Or it goes on for awhile. All conversations, even hours long arguments, have an ebb and flow to them. If you see a long bit of dialogue, it’s time to break it up and get some info about how and why they’re saying things. 

Those are just the ones I can think of off the top of my head. To show you these principles in action, here’s a (draft) snippet from one of my latest chapters in my WIP, Sirens. I’ll put my thoughts in square brackets –> [   ]. 

“Don’t start,” the Catwoman warned. After the past twenty four hours, she was in no mood to rehash another unpleasant memory. [Instead of just ‘said’, I picked ‘warned’ to better capture her tone. I also provided a snippet of why that tone is relevant.]

“Selina took her hood off after a job,” Harley tattled and shoved a tart in her mouth. [Said would’ve worked, but I knew I could do better. I was debating between ‘interrupted’ and ‘tattled’, but went with ‘tattled’ because it captures her intent. Also, Harley shoving food in her mouth as she’s tattling serves two purposes. One, it reinforces that she’s a chow-hound, but that she doesn’t think twice about throwing Selina under the bus. Tattling is a casual action for her.]

“You take that masterpiece off your head?!” Stytch thundered. [Stytch has a bombastic voice, so thundered works. I also use ‘thundered’ for her character foil, so that’s one way I tie them together.]

“Gordon trapped me in a ninety degree air duct for an hour!” [no tag needed. It’s clear Selina is responding to Stytch]

I didn’t tell you to wrap yourself in indigo leather.” [again, no tag, because the exchange is continuing. I chose to use the italics to show Stytch’s inflection without adding a tag because I didn’t want to break the flow. Also, that’s the only italics in the whole 4,000+ word chapter]

“She’s not wrong,” Harley sputtered as bits of crust sprinkled on the table. [Harley butted in so you need a tag here to make it clear. Also, I want to reference she food in her mouth, so sputter instead of said makes sense here. I reinforced it by adding secondary action with the crumbs flying.]

Selina glowered and sank back into the chair. Arguing with Stytch and Harley at the same time was as productive as spitting in the wind. [No need for dialogue because Selina’s body language makes it clear she’s peeved, but doesn’t want to continue the argument.]

“Anyway,“ Stytch pivoted the conversation and swept the crumbs to the floor. "He said (scene continues)…” [There’s a lot going on here. First, I thought about how Stytch would move as she swept the crumbs off the table. She’d have to pivot at the waist to get the right sweeping movement. Since she’s changing the subject, she’s also pivoting the conversation so that verb does double duty. Second, it was time to get some different sentence structure in there, and I wanted Stytch to have a slight pause, so I put the tag where it is to capture it.]

One last tip. You’ll need a strong grasp of your character’s motives, personalities, and what is going on in a scene to pull off dialogue like this. If you have weak characters or plot, the dialogue will suffer. 

Hope this helps,


intj-dictator  asked:

Hey Eila! I remember you talking about how you are an UI/UX designer without having learned about anything like that in school. How did you get interested in this? And how did you learn more and get experience? Any good online resources to suggest?

How to Become a UX/UI Designer - A Comprehensive Guide

I’ll just do a comprehensive guide on this :D

Is UX/UI designing right for you?

You’ll love UX designing if

  • You love analyzing & solving problems - UX designing = designing the most efficient and simplistic way to achieve business goals through a product. You must analyze:
    • 1) The client’s business, their goals & vision
    • 2) The target users’ behaviors & preferences
    • 3) All possible flows that users may interact with your product (e.g. website, app) and achieve what you want them to achieve.
    • Then, find the best solution that translates into user flow charts and wireframes.
  • You love psychology (cognition & behaviors) - As a UX designer, you need to understand different groups of users, the differences in their behaviors, and why they do those things.
  • You love researching - It’s a huge advantage to know what competitors (of your clients) are doing and what worked for them, or recent trends among your target users, or what’s new in the design & tech world. These will help make design decisions.
  • You are able to put functionality and efficiency first - Sometimes you must sacrifice beauty, but if it boosts sales by 20%, so be it.
  • You are attentive to details - There are many more components to a website or app than what you’d usually see. You must think of all scenarios that can happen like error messages, forgot password popups, blank states, on-boarding, etc. You don’t want users to get stuck in limbo somewhere, become frustrated, and quit forever. This comes with experience and studying other people’s products.

You’ll love UI designing if

  • You love to communicate (a clear message) visually - As a UI designer, you’re not just creating whatever you want that looks nice. Your job is to design the best way to visually communicate your client’s brand at first glance. Think of how you can translate these points into visuals:
    • What are they trying to tell their customers?
    • What kind of brand are they? Fun & young, sophisticated & classy, or formal & reliable?
    • What is the most important call to action (in line with business goal)? Getting users to sign up, subscribe, buy something, or sign a petition?
    • What distinguish them for their competitors?
  • You love psychology (perception) - As a UI designer, your goal is to influence users to take the actions you want by using colors, typography, and layout. Understand what catches attention, how to direct the eyes to the most important part first, etc.
  • Your workflow is consistent and systematic - A website/app should have a clear colors scheme with 1-3 fonts, not a big mess of 7 different greens in 12 fonts for no purpose. The same colors and styles should link the same things (e.g. everything related to signing up is orange). Planning what elements you will use and why from the beginning will save you a lot of time.
  • You are adaptable - In the end, you are being paid by a client. You can make suggestions that you think is best, but sometimes it is the client’s final say, especially when it comes to visual style which depends on personal preferences.

Always a bonus

  • Communication skills - You must be able to effectively communicate to your clients why you make certain design decisions, and how they would help improve their business.
  • Basic coding skills - Knowing how to code allows to effectively communicate with developers and avoid impossible designs (i.e. designs that are impossible to code, or would take a way to long to do so). You should at least know how responsive design and bootstrap grid work.
  • Networking skills - This is especially important if you’re a freelancer. One easy way to find work is networking at tech and startup events, as well as getting referred through connections.


Design tools

Keep reading

anonymous asked:

If you draw a sigil on your skin, what do you think the best way to activate/charge it would be? :)

“Best” is not really a term I like to use for witchcraft anymore. Because different things work for different people (even the same methods can produce different results), there aren’t any surefire methods that are guaranteed to be awesome for every single magic user - it comes down to what you have access to, and what you want to do. Experimentation is important to find out what works for you. :)

I like to draw sigils on the pulse points - so the ideal one being the wrist - and let the natural flow of blood through the body charge the sigil. It’s sort of like blood magic to me, but without needing to remove it from the body. The energy from the blood is still what charges the sigil, though it’s more about the movement I guess.

You could also kiss sigils drawn on yourself - if you can reach where you drew it, of course. xD Blowing air on a sigil can also prove beneficial.

Another idea is tracing the design with the index finger of your dominant hand, and with this you can channel energy into it from yourself or drawing it in from external sources. 

If it’s warm and sunny where you are, you can expose the sigil to sunlight and have it charge with that potent energy. This technique can be applied with the moon as well.

If you’re okay trying methods involving pain, pinch the sigil, or snap an elastic band on it. My favorite idea for a charging method like this was drawing the sigil on the heel of the foot, then putting a small pebble in your show, and stepping on it. Boom, physical energy and pain. Of course, these methods aren’t necessary, just options. 

Even washing the sigil away can charge it - destruction methods still apply. Use charged water (like moon water) for an added boost.

I hope that gives you some ideas! Good luck!


New Etsy Shop

My Pitch

In kinda short (like my height): I’m finally jumping in headfirst (well…after weeks if not months of planning actually) and opening an Etsy shop. I have big dreams and goals for it to allow me to be the person I want to be. I need your help  Creampuffs (or whoever else might read this) to achieve them.

I will donate 20% of my profits to the choice of charity/charities that people vote for on a poll I will run on Twitter towards the end of the month. Whether that amounts to $2 or $200+ each month. Most likely something like the Trevor Project, Planned Parenthood, Empower Her etc.  (@ Mo_Ca_Ol   with an L both on Twitter and Instagram, @ mocaol on Snapchat)

If you want to see more of my art/personal non ‘business’ stuff or just talk:

@ monalovesya on Twitter. @ LearnToDefyGravity on Instagram.

You choose the background color, ink color, size AND type of wood (hah, gross). Please excuse the messy sample paintings, as much as I planned and researched almost every detail, I left them until the last day and I don’t exactly get an ‘Undo’ button on handmade paintings. I promise I will update the listing images when I get some orders/make others for pay, yours will look better than that (hopefully). The more I make, the more practice I get and the better they will be in time. Who knows, it might even be the one I send YOU! Ahh! :D

Prices might go up $5+ at the start of May but I will only promote the low ‘early birsd’ price to the Creampuff/Tumblr/Twitter fam until then.I only ask that in exchange for the lower price, perhaps leave a positive review maybe? Share this/the link maybe? If you have CONSTRUCTIVE criticism (that means more than YOUR ART SUCKS, because I sorta agree but that doesn’t help me make it better, fam) either submit it here on Tumblr or @ me on Twitter.

I will add/change out at least one design every month. Might even put it up to a vote for a theme of the month or something… Maybe put them on a shirt… or phone case…or something. Hmmmmmm.

(Baby steps. Trust me fam, I’ve made PLANS. I’ve lost even MORE SLEEP than usual doing all the calculations and pre-planning for potential avenues of growth. But first thing’s first, right?)

In hella long (like real talk, grab a snack and/or water): This is one of the reasons why I have been less active than usual on Tumblr as of late. I have been working on improving my mental and physical health. Been reading a ton of books, listening to hours worth of business/productivity + positivity/motivational podcasts and researching as much as possible to finally bring you this shop. 

It started as an idea of a way to avoid having to start a GoFundMe page to get myself to FanExpo/Toronto2k17 to meet Creampuffs who I've only gotten to know through Twitter/Tumblr. I got THIIIIS close   -    to starting one but the more I thought about it, the weirder I felt about it. I wanted to be able to GIVE something BACK to people that wanted to donate, I just don’t feel right receiving gifts without doing anything to ‘deserve’ them.

But then… 

Keep reading

One thing that I 127% believe in, is that getting up and moving your body is the best way to wake up and feel better. Some days I have about five espresso shots only to realize that getting up and doing five burpies does a much better job at waking me up. And is better for my health. Same for mood. Days when it’s hard to get out of bed, oh man those are days when I MUST move.

So what I like to do, or have been doing lately, is what I call boosts. They are quick, 5 minute “workouts” that activate your body, get the blood flowing, and endorphins high giving each other. Think of it as a quintuple espresso shot for your mind, body or mood. 

Keep reading

frommetrunui  asked:

What's your honest opinion on the Japanese Katana? This sword gets over praised a lot (For obvious reasons) but I want to know what YOU think about it.

The thing about the katana is that to truly be able to both criticize it and yet appreciate it, you gotta know about why the katana is the way it is. I won’t take long.

Long story short, Japan’s iron sucked. Their best quality metal classifies as pig iron at best anywhere else. It was really bad because it had excessive amounts of carbon. You know the whole “NIPPON STEEL FOLDED 50000 TIMES” thing? Ok, so, folding metal IS a thing, but, BUT, good metal doesn’t need to be folded. Folding is used to remove excess carbon, and since Japanese iron contains a shitload of carbon, they necessarily HAD to do it. But, even with folding, you still end up with a subpar mineral. So, what did Japanese metalsmiths do to compensate for this shitty iron? Give it an all-or-nothing design. Katana are slashing weapons first and foremost, with a design that allows it to cleave through flesh and light armor (and even beyond, depending on skill) really well, because it’s all that the Japanese had. For everything else, though, it’s not a good weapon.

Now, with a tl;dr explanation out of the way, the answer to your question: Aesthetically, I like the way katana look, but functionally, I do not like them, and I think they are a subpar choice of a sword. I have practiced Kendo and trained in how to use a katana, and I honestly do not like it. Usage of a katana is very specialized because of its fragile, specialized constitution, and katana breaking in the middle of combat was very, very common. Using a katana is unlike using any other sort of weapon, which is why is requires specialized training. Instead of striking hard and solid with it, you have to be flexible and keep your wrist loose most of the time, almost like using a fishing rod.

This is a surefire way to break your katana:

Notice my firm, solid grip. The moment I whack someone by holding it like that, I will end up with three uneven metal fragments that used to be my katana.

This is how you grip one right before a swing properly.

Notice the loose wrists and softer grip. Katana are flowing weaponry, not power weaponry. That pinky that is out down there? It’s for more flexibility when “aiming” (positioning) the slash. It goes back in to the blade when the swing proper happens.

This is how your wrist, hand, and arm look like after a swing (imagine I just swung)

Remember what I said about a fishing pole? You are doing flowing slash, not a severe slash.

And that’s bad.

Katana are too finesse-based. Too nuanced. You need to grip it firmly and hard when in a neutral or defensive position (so it doesn’t get knocked off your hands), and go from that firm grip to a loose form instantly when shifting to offense. It’s hard as hell to keep all that in mind and also execute it mechanically with your body in the heat of a fight. That’s what I mean by too nuanced. Katana are less a weapon and more a work of art nowadays, because even using them requires proper studying, which is nice and all, except, as a weapon of war, it’s terrible, because you need things that are easy to use and effective to kill with, like spears or crossbows or guns, which is why the katana was historically not used too much in actual combat and was more of a side arm. It’s a great art to learn, like learning to play a violin, but strictly speaking of the katana (and by katana I mean the several kind of katana) as a weapon of war, it was a nuisance.

It’s true that katana, when swung by someone who is truly skilled at using them, can cleave through a ton of stuff you wouldn’t think it could, but then again, do you need that? And most demonstrations are done against materials that don’t hit back or evade, you know, stuff that actual enemies do. Can you get that super specific, proper slash in the middle of combat? Unlikely. And you don’t need to. Humans aren’t that tough to kill, so you can use any easier-to-use weapon and achieve better results with less training.


Pictured above: A weapon I can abuse with the complete and full capacity of my strength during a battle and that won’t shatter, I can stab with it, I can parry with it, I can bludgeon with it, I can mordhau with it, etc.

So, to finalize, yes, the katana is absolutely overrated when it comes to actual practical application and people that say it is the best sword ever to exist don’t know shit about weaponry. That said, katana are gorgeous and learning to use them is an experience and an art, but if we are speaking of it strictly as a weapon of war or a weapon to use in the middle of combat, it leaves much to be desired, from its practical usage to how to even begin using it.

winterpantsu  asked:

What's a good fabric paint to paint stripes on charmeuse fabric. I'm going as Patchouli Knowledge from Touhou for a con, and since her clothes are like pajamas I wanted to make them appear like such but her dress has vertical purple stripes and I haven't seen any white and purple striped silky fabrics..

Hello there!

For a fabric as flowy and buttery as charmeuse, I’d recommend a product like Dye-na-Flow rather than a traditional fabric paint. It can be painted on in thin layers, but it won’t change the texture of the fabric as much as a traditional fabric paint. You’ll need to mask off the stripes very well to prevent seepage – I’d recommend using a resist rather than a simple masking, as the paint seeps into the fibers like a dye rather than like a traditional paint. If you have an airbrush, this would be the best way to apply it, in very thin layers. This will be a lot of work, since you need the resist, but it will create the best texture.

Otherwise, any high-quality fabric paint would work, though keep in mind that the texture will change to a degree and get rid of some of the softness of the hand of the charmeuse. This will allow for crisper lines than the Dye-na-Flow, so it’s a tradeoff. (I’m about to embark on a costume myself where I need to paint stripes onto a silk charmeuse scarf, and I’m planning on using this method, though it’s also a smaller item than a whole dress.) Here’s a guide on choosing paints.

You may be able to find a suitable fabric online with a bit more searching, as well. Try as many keywords as you can think of (purple and white, lavender and white, lilac and white, etc., satin, charmeuse, silky, silk, etc.) in different combinations (lavender and white striped satin, lavender and white striped charmeuse, purple and white striped satin, etc.). It appears that purple and white striped tablecloths made of satin-like materials are common, which you may be able to use if you can work around the size issue and it’s high enough quality, and I found this fabric on Etsy with a quick search.

I hope that helps! Good luck :]

Fabrickind / Q&A Staff

I notice while drilling that people pretty commonly form the hangings incorrectly, or at least, they could form them better.

They are the most important guards in the German tradition, or in the words of the masters in the MS.3227a, “All techniques start and end with the Ort, thus the Hängen and Winden are the begin and the turnings around the centre and many good fencing techniques stem from this.”

The hangings are, of course, the Ochs and Pflug guards. Here are some points about them:

They present a threat and are thus the safest guards.

And however you fence, always turn the point against the face or the chest of the adversary, so he has always to watch out that you do not move prior to him. - MS.3227a

The hangings place the point such that it threatens the opponent. If they wish to “snipe” you or rush in and overwhelm you, they must deal with the point of your sword first. Otherwhise, they will impale themselves.

You can make attacks quickly from them.

Just like as a string would be attached to the point which would pull and turn his point to the nearest opening, as to achieve the thrust. - MS.3227a

The thrust is the fastest way to attack with a sword. When you are in one of the hangings, no time is wasted “setting up” the attack and indeed, if the opponent closes the distance, the guard itself is a threat. If the hanging is properly formed, one need only move their arms forward to drive a thrust.

They are the position from which you make windings.

Who correctly hangs well,
And brings therewith Winding,
-The Zettel

The windings in their most essential form are nothing more than transitions between the hangings while maintaining sword contact. The mechanics of hanging and thrusting remain the same - keep their sword away from you while you “seek” with the point for the opportunity to cause trouble. Forming hangings well while winding gives you more opportunities to exploit openings by ensuring the point passes over the target while transitioning and performing techniques, and reduces the “set-up” time to deliver a thrust when the moment comes.

They are the end-point of attacks.

And from the same strikes come the four displacements from both sides, with these you break and defeat all strikes thrusts or guards and these also lead to the hangings which can be very well be used for artful techniques as you will hear later. - MS.3227a

Ending an attack in a hanging is a fairly fundamental characteristic of Liechtenauer’s longsword. If you read through the plays you will notice that the first and second intent almost always flow together in this way (cut and thrust, cut and wind, cut and mutate, etc) In addition to this, they afford you protection against counter-attack - for more detail on that I have a post about versetzen.

And here are some things I see people not getting down-pat:

The point should be online.

Our sources tell us to aim at the face or breast with the point when we drive a thrust. If we stay online in a hanging, we don’t need to do any extra work to line the point up for thrusts. It also creates an immediate threat to the opponent. As for where exactly to aim the point - I usually find the breast to be a safe bet. The target area is of greater mass than the face and has a lesser range of motion making it harder to void attacks against. The face of course has the advantage of being a higher target and thus easier to reach. It’s fairly contextual and you’ll have to figure that out yourself.

The hilt should be offline.

People often don’t commit to defending an opening and opt to leave their hands (and the hilt) in the centre-line. Since the hangings are shortened, this endangers the torso to “sniping” attacks. It is better to commit to an opening and place the hilt out into that opening. This creates a “wedge” facing the opponent which will deflect incoming blows away from your body.

The crossbar should be in front of your body.

This is espescially important when forming an ochs. The cross is the last line of defense against incoming attack, and in a hanging, it’s usually where the opponent’s attack is going to end. You want their attack to end before it hits you.

Angulation of the crossbar.

This isn’t really detailed in sources, but is a pretty big deal. Your crossbar needs to be positioned such that you can “catch” attacks with it. The best way to hedge your bets seems to be placing the cross on a 45 degree angle with one of the quillons pointing towards your chest. This is again super contextual. If you are planning to scoop an oberhau up and sweep it away you might form a pflug with the crossbar flat. If you are in ochs expecting a zwerchau you might place the cross vertical.

Okay, so I’ve written myself into an issue with The One with the Fanfic Competition- don’t worry, nothing actually plot wise, more chapter wise.

A LOT of stuff basically happens in this part and I don’t want to split it into more than one chapter, BUT I’m already at 7k words for the chapter, which is (not in the fic world) a long chapter already- in context, read aloud, it would be about 40-45 mins long.

But the scenes in it aren’t finished. And i can’t decide if I need to end the chapter and finish in the next one, or just make this one long chapter. Fanfic writer in me says go for it, but the writer knows that’s actually not allowed in original works? There’s a general accepted length for chapters, and stopping points and flow of the fic are part of that. While cutting it off would build tension, which is great, it also feels as though I would be cutting it awkwardly short in order to achieve this. Chapters, like books, needs a beginning, middle, and the end, but because there is a lot going on, the end is taking longer to get to and my brain is conflicting with itself, and, frankly, giving me a headache.

I mean, I think I know what I need/want/am going to do, but that doesn’t stop my brain from arguing with itself.

!!!!!METH USERS!!!!! The Meth Medicine Cabinet


The  information provided will help you remain healthier and your body will thank you for it.

Originally posted by ogicepun

Some people want meds to take the unpleasantness away after using methamphetamines. Others want to take “something” to keep from getting the same reactions before using meth. The wiser will be the second group. For those of you who know little or nothing about the upkeep of your body and what meth is doing to it: There is NO magic pill.

Obviously, we can’t cover every condition or medical problem associated with using meth, but we can give you an essential guide to using the basics of vitamins, minerals and even herbal supplements that can be used preventatively, during and after use.

We won’t discuss any chemicals that may be found in other sections of Drugs-Forum dealing with bringing down the high, forcing sleep or in any way induces the body to react in a manner you might like it to. We are not polyusers and don’t subscribe to it. Combining uppers with uppers, or uppers with downers can become quite dangerous—and that is not Harm Reduction.

The use of meth causes a rapid chemical change in the mind and body, and the body reacts to it as a toxin, which it is. Our idea is to reduce the damage caused.

Preparation for a meth session is extremely important. If the body is not ready for this onslaught, the damage comes on faster and with more force. Two things we might not find in the medicine cabinet, but more likely the refrigerator, are the essentials you need, in liquid and solid form.

Keeping the body hydrated is the #1 rule. What does this mean? Simply making sure we have consumed enough water and metabolites, and continue to do so, while meth does its thing. Water is the base liquid, but the addition of metabolites such as potassium and sodium, are critical to maintain your body’s fluid, regulate blood pressure and heart function. Sports drinks are recommended by many.

Once meth enters the body, it’s a fight for survival and blood is routed to the organs that cleanse the body. The blood has to be moving fast—free-flowing—and that means it’s not sticky and dehydrated. Those organs need to remain healthy to do the job at hand and survive while doing it.

Eating. A nutritious diet of fresh fruits and vegetables, as well as high protein foods such as red meats will give your body the majority of vitamins and minerals you need to keep you healthy. Fatty foods such as French fries and deep-fried cheese sticks do not contain them.

Hydrating and Eating are your 2 top priorities, bar none.

Now, let’s go see what’s in the medicine cabinet. On the top shelf—the most important one–the first item is Multivitamins (and minerals). Do you really need them? Do you eat 3 nutritiously balanced meals a day along with drinking 3, 8-oz. glasses of homogenized milk, including a good workout regimen in the sun? Most people don’t, and that’s why you need a multivitamin.

Many meth users have asked what kind of a multivitamin they should take. If you research them on the internet, it seems the ratings on each chart are somewhat dependent on who is sponsoring the charts of the best. I’ve looked around, read reviews, and come up with two that actually rate somewhere better than the middle of the charts and aren’t that expensive. Just remember: take one per day, and only one.

For Men: Centrum Silver Men 50+. The experts say you should ignore the “men 50+,” because the combination is correct for any male. These multis don’t contain any iron and you already get enough from your food. Go to the Centrum Silver website and get a $3.00 off coupon for them!

For Women: One-A-Day Women’s contain the amount of iron needed for premenopausal women, in addition to the other essentials you should find in a multi. Go to the One-A-Day Women’s website and get a $1.00 off coupon!

While included in the multis, there is one other vitamin that needs to be increased in the meth users’ diet, as well as those who also smoke cigarettes. It is Vitamin D3. You need vitamin D3 to properly absorb calcium. Meth leaches the body of calcium and it’s vital you maintain blood calcium levels. You also need D3 to help your body continue to build strong and healthy bones all throughout your life. It also can reduce inflammation and hold your immune system in check. The most natural way the body gets Vitamin D3 is from the sun. Milk is also fortified with Vitamin D3. But since you didn’t drink your milk and didn’t go outside to exercise in the sun, you really need these. I take one 5,000I.U. soft gel every day.

The next bottle on the top shelf is Calcium, Magnesium & Zinc. Even though they are already included in your multi (but only at 25%-30% of daily recommended value for Calcium and Magnesium), the way meth uses these minerals up, you really need more. Calcium, of course, builds strong bones, but it also makes muscles move and contract, allows nerves to carry messages, keeps blood vessels throughout the body healthy, and helpsneurotransmitter release! If you know and love dopamine, then you know how really important this is. Unless you are on a heavy fig and rutabaga diet, then you need this supplement.

Magnesium is important for the functioning of your heart, muscles, kidneys, and balancing other nutrients such as calcium and potassium. It also improves blood pressure. Once you know what the deficiencies of magnesium cause, you will ask no more questions. They are: anxiety, weak bones, low energy, weakness, inability to sleep, PMS and hormonal imbalances, irritability, nervousness, headaches, abnormal heart rhythm, muscle tension, spasms, cramps, and fatigue. Now get this—one of the biggest complaints we have—TEETH CLENCHING, or Bruxism, is also a Magnesium deficiency. And it seems the magnesium does a better job resolving it when it has a fresh supply of calcium helping it.

Zinc helps you maintain a healthy immune system and fights infections. (Take note, IV users.) Zinc is necessary for the functioning of more than 300 different enzymes and plays a vital role in an enormous number of biological processes.

What a one-two-three knockout punch these guys have. And only two tablets a day will take care of all these things for just pennies.

Potassium Gluconate. I think I was taking these tablets before meth was invented. Potassium is an electrolyte (along with sodium), which is why I encourage people to use sports drinks, as they are included. The potassium helps regulate (lower) blood pressure and heart function. As you know, when using meth, your blood pressure skyrockets, so why not help curb the possibility of a stroke? As a matter of fact, there was a Harvard study that showed taking potassium supplements along with a diuretic (yeah, give me a couple of those potassiums with a cup of coffee), reduced the incidence of a stroke by 60%. Potassium is what makes our cardiovascular and nervous systems function. I’ve found it also works with magnesium to prevent cramping, and it aids during the recuperation part of your meth escapades.

The tablets contain 595mg of potassium, which is slightly more than the potassium found in a medium-sized banana. Take your pick. Have one of each. But be sure to double that number over the period of a day. Potassium doesn’t stay in the system for a long time. Oh, and one more very important thing: potassium is one of the prime movers, along with zinc, in elimination of wastes. That’s where all of those toxins the body is trying to get rid of are hanging out. And if they hang out inside of you too long, you become a recipient of toxic buildup—not a good thing.

Those, believe it or not, are your “prepping for meth use” essentials. Food, drink, and 4 bottles of vitamins and minerals. And when you look at it, and how complete it really is, it reminds me of prepping for the flu. You know the invader is coming, and you are prepared.

Before we have a look at the 2nd shelf, let me tell you that the supplements industry brings in over $60 billion a year. Once some people start taking them, it becomes almost an…addiction. “Horny Goat Weed sounds good. I think I’ll try that along with the Horsetail Shavegrass.” About $1,000 later and a cabinet full of supplements, these people realize all they are doing is taking supplements. They can’t even remember the last time they cooked a meal. So, let’s not get too carried away and fill the shelf too full.

Another point of view involves human nature. If we make a list of things to take every day that is too long, because of the hassle and time involved, a lot of people will fall out of the program. However, if we have simply the essentials that will do the job, the tablets or capsules can be assembled and swallowed in less than a minute.

My first two personal picks not only are helpful when using meth, but also fulfill a couple of other needs I have. The first is L-arginine. It’s a dietary supplement that produces Nitric Oxide (NO). Nitric Oxide should not be confused with Nitrous Oxide, the laughing gas. But it’s still a gas and what is does is enter the bloodstream and drop off these little bubbles on the insides of the vein walls, stretching them out, making them wider. My primary use is because I have a slight high blood pressure condition, and it allows the blood to flow smoother. But, if you’re a meth user, too, you might have figured out it works against vasoconstriction, or tightening of the veins. Many men cope with vasoconstriction when high. The more meth they use, the tighter the blood vessels, until no more blood can get through to make an erection. Relief is possible with just a couple of capsules a day, two times a day. Also, for IV users who have a difficult time finding veins, I have discovered that as the veins plump a little, they also become more visible in some areas.

The next supplement is HGH Dopa 400, also known as mucuna pruriens. I don’t bother with the HGH (human growth hormone) efficacy as it is small, even if true, but the plant material ground up and put in these capsules is full of L-dopa, a precursor to making dopamine. Now why would anyone want their brains to produce more dopamine? Besides the fact I’m getting a bit old and maybe the dopamine production isn’t as good as it used to be (normal), maybe I just don’t want to run out of dopamine when I’m high and want to stay that way.

The next couple of bottles contain supplements that are popular, and effective.

Omega-3 fatty acids. Omega-3s are not produced by the body and naturally are derived from eating fish. Research shows that omega-3 fatty acids reduce inflammation and may help lower risk of chronic diseases such as heart disease, cancer, and arthritis. Omega-3 fatty acids are highly concentrated in the brain and appear to be important for cognitive (brain memory and performance) and behavioral function. It may also assist in controlling high blood pressure and, in people with Bipolar disorder, reduce mood swings. Symptoms of omega-3 fatty acid deficiency include fatigue, poor memory, dry skin, heart problems, mood swings or depression, and poor circulation. Daily dosing should be based on the amount of EPA (180mg) and DHA (120mg) acids, not total amount of fish oil.

Coenzyme Q10, or CoQ10 vitamin supplement, is naturally made in the body, but sometimes (especially with aging) the necessary levels of this enzyme-protein that speeds up the rate at which chemical reactions take place in the body, drop to below what is considered normal. Its main function, however, is as an antioxidant. While many trials have been run, peer reviews have not been overwhelmingly positive, due to the lack of further studies. The antioxidant function of CoQ10 appears strongest in reducing neurological damage or decline, including that of dopamine neurotransmitters. My next door neighbor, who is 80, says this is the closest thing to a miracle drug. Do you want to live that long? My answer is that I take this stuff. Since it is fat-soluble, I take it at the same time as my Omega-3. Daily dosage is 200mg-600mg.

At this point in time, I am satisfied with the above list. The dietary regimen that we started off with, along with these vitamins, minerals and supplements, are really the glue that binds in keeping our bodies whole, especially for the meth user. They are also the most protective and restorative additions we can make without breaking the bank.

There are other supplements that seem to be common with meth users. Perhaps the most often mentioned is melatonin. This is a hormone that is found in all biological organisms, and as such, we know we produce it ourselves, in the pineal gland from the raw material Tryptophan. Melatonin regulates our internal clock and maintains the Circadian Rhythm of our body. But we know what happens when we start using meth. All of a sudden our internal clock is shattered and we are officially on “Meth Time.” Depending on usage patterns and amounts, we find one Meth Day can extend itself past 24, 36, 48 hours and even beyond. At some point, the user may decide to end this prolonged day and get some sleep. But the meth is still active and sleep is hard to arrive.

Melatonin turns off the meth clock and helps reset the body to the biological clock function. It also promotes sleep and affords the body a long restful period, where deep sleep begins and allows the body to start healing itself. Taking the recommended tablets returns the body to normal levels of Melatonin where sleep becomes automatic.

Melatonin is also used by some people along with benzodiazepines; however there is a possibility of creating a benzo dependency with long term use. (As mentioned earlier, I can’t talk about or recommend using uppers with uppers or uppers with downers as there sometimes are consequences that cannot be predicted.) There are also several other chemical interactions with a supplemental dose of melatonin which can reduce the efficacy of other medications you may be taking. It was for that reason, I decided not to use melatonin.

If we were to look at the lower level of the Meth Medicine Cabinet, we also might find other things that might be used. For instance, that bottle ofisopropyl alcohol, which is mostly used to sterilize any areas of the skin that might be met by an IV needle, a broken piece of a glass pipe or other minor cuts and scratches. A tube of Hydrocortisone 1% Cream used to treat itching and small burns, and a tube of Triple Antibiotic Ointment (Neosporin) to be applied on a damaged area to prevent infection are a couple of great first aid musts. Not to mention only accidents that happen when doing your drug, think of all of those times you’ve experienced spun out people pulling things apart, moving things around, falling on their butts and creating minor mayhem.

What’s this bottle? Viagra! For those men who have really serious consequences trying to get their manhood going while under siege from vasoconstriction, a half-tab of this stuff may do the trick. The caution is that it’s trying to relax those veins while the norepinephrine release is doing just the opposite. There’s a tug-o-war going on here that can stress the body, especially the heart.

Yohimbe 2000 is over there in the corner. It’s a natural stimulant, what I call “Poor Man’s Meth.” One of the better features of this herbal product is that it actually acts as a vasodilator, while still stimulating the body. Yohimbe has been known as an aphrodisiac for centuries, which most likely has been based on how it stimulates. Let’s say you are all out of your man-made stimulant but still feel ready to go that extra mile. Using one or two of these capsules may just let you make it to the finish line. But be careful, as there is a very thin line between being good and being bad. Too much of this stuff, and the nausea and other bad vibe reactions kick in, simply spoiling the moment.

Sitting up behind the Yohimbe bottle are a couple of sanitary wrapped prophylactics. They are there as a reminder that meth users, as a group, become a pretty high percentage of people who spread STDs, HIV/AIDS, and other infectious diseases along with assorted cooties, which are not the same as meth bugs.

Below the Meth Medicine Cabinet, there’s a basket full of goodies. Let’s investigate. I see a couple of toothbrushes, some toothpaste and dental floss. I think we’re onto something! Taking care of your teeth and mouth are extremely important, whether a meth user or not. But when meth gets ahold of your mouth, the damage can increase at the speed of light. Next to those items is a big bottle of ACT Restoring Mouthwash, great for restoring enamel and it helps mineral recrystallization on the teeth. Next to the ACT is a bottle of Biotene, a mouthwash specifically made for dry mouth. Meth dries out the mouth and gives you the common “Meth Mouth.” A dry mouth means bacteria can form, causing ulcerations—mouth sores. Biotene also comes in gel form, which is designed to keep your mouth from going dry for 6-8 hours. There’s also a salt shaker and an empty glass. Falling short of the commercial methods, you can always gargle with warm salt water to kill off the bacteria. Just do it more often.

Recommendations—Good and Bad

Here are a couple of items I have seen people recommend, but they come with some advisories. There are many of our multivitamins that are also sold individually as Super Paks or under other marketing names. Let’s take the Vitamin B Complex group as one such item. And I am sure they have some benefits that your multis don’t have. But the fact remains that they are already in your multis at 100% Recommended Values. Before proceeding to take the both, and therefore at least doubling recommended amounts, I would want to research them to see at what level they become toxic.

Here’s another that I see recommended from time-to-time, and for the life of me I can’t understand why, except whoever started this trend did not do their homework. L-tyrosine is abundant in our foods and we get more than enough of it without supplementation. But, it’s also known to convert to L-dopa. And that’s where the research must have ended. They didn’t read how it also produces a lot of norepinephrine, that Dark Knight of Vasoconstriction–that bugaboo of irony created when using meth. But there’s more. It just might be that adding the supplement puts you over the top and actually shuts down your production of dopamine. That’s what L-tyrosine can do in larger amounts.

Some people simply cannot eat when high, due to other conditions they may suffer, or their own body chemistry. There is an alternative in liquid form that you can use to replace the solid food. Many meth users prefer to use protein shakes, such as Ensure.

Before we end this, let’s talk about dosages. More people than I want to imagine must believe that if one tablet is good, two must be better. That is not the case. Even vitamins and minerals have toxic levels. Always read recommended dosages and warning labels on any vitamins, minerals, supplements, and medicines you may also be taking. As I had to remind a friend one time: taking too many vitamins is not going to get you high, but it might get you sick.

There’s still more room in the Meth Medicine Cabinet. Maybe you have something you’d like to recommend. If you have something neat you have discovered and use, then let us know. But just don’t name it. Tell us how it helps your body, if there are any contraindications, and if there are any downsides to using it. You should at least be able to explain this, since you are using them.


Originally posted by life-is-a-very-big-joke

Q:  Could you say anything more about exactly HOW stressful this is on the body? Or just how risky it is? I thought I saw where someone (maybe you?) said they take it a half hour before using. Is that what you would do? Are there different milligrams of Viagra pills?

A: There are a lot of variables involved here: How much meth you have in your system, what your body chemistry is, what age you might be, what physical condition you are in, how badly the vasoconstriction affects you…

I suggested a ½ tab of Viagra to be on the safe side and see if it is enough to make a difference. There have been several remarks on the subject in various threads. Some men use a whole tab of Viagra, some use Cialis, and even without using meth, men who have ED need to do some experimentation to be comfortable with it. I believe there is only one dose amount.

The reason I mentioned taking the Viagra about ½ hour before using meth is to let it do its work, be ready to perform and also reduce the conflict between it reducing blood pressure and the meth increasing blood pressure. It’s easier on the heart. However, some people have reported taking a Viagra after the fact, when the meth has given them dope dick.

Only you can decide what is right for you.

Don’t let Meth destroys ur brain