how to get over this

like it like it is pt. 2

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A series of drabbles counting down the six weeks from Iwaizumi’s birthday to Oikawa’s.


Tooru is talkative.

Sure, he knows how to be quiet when it counts, but his default mode is chatty.

When they’re tucked away in their shared apartment, limbs sprawled haphazardly over the other, breathing synced and the television on low, Tooru’s voice is what fills Hajime’s silences.

He knows how the silence eats away at him.

How it picks away at him, unraveling him; how hard it is.

How heavy.

Most people are turned off by the fact that Hajime doesn’t talk very much. They take his sharp looks and slow, contemplative silences as a signal that he doesn’t want to hear what he likes to say, that he likes the silence.

Liking the silence. It’s almost an amusing thought.

“Hajime,” Tooru says, his voice quiet and heavy with fatigue. He nudges Hajime with his nose, nuzzling against his chest. Hajime moves his hand up Tooru’s arm, thumbs brushing across his shoulder lazily. He traces patterns, soft swirls moving into circles. He hums to show he’s listening, as always, so Tooru keeps going. “You were right, too, you know? About that guy in my class? I thought he was just an idiot, but turns out he was just nervous about the presentation, too…”

Hajime closes his eyes, focusing in on the sound of Tooru’s voice, on rumble in his chest as he talks. Low, relaxed. Constant. He laughs, shifting his weight, and Hajime takes the opportunity to pull him a little closer.

“I wish you coulda seen him, Hajime. It was like watching a train wreck. I didn’t even know what to say - he just kept talking and talking and oh my god, even the prof was laughing his ass off by the end of it.” He snorts a little, trying to hide it behind his hand, embarrassed, but Hajime always sees it. He just smiles, pressing his nose into Tooru’s hair, leaving a small kiss there.

Tooru’s skin on his is warm and soft. The slide of their limbs together sends little shivers up his spine. He’s not wearing anything other than a pair of boxers, and Hajime appreciates the closeness, loves the skin-on-skin contact. Tooru keeps talking, warm and comforting and safe, each word breaking down Hajime’s walls. slowly. At just a pace Hajime is comfortable with.

He starts leaning closer the more he talks, the later it gets; he sighs into Hajime’s touches, which get a little harder, more insistent. Hajime squeezes Tooru’s shoulder blades, sliding his hands down his back, feeling the strong muscles there from much hard work. Tooru inhales when Hajime massages his fingers in, working out the tension in his back. Hajime knows that he spends way too many hours hunched over his desk, pencil in hand, agonizing over every little piece of the puzzle of his work, delicately creating works of art, sometimes getting so into it he forgets to eat.

Every day ends like this. Sometimes earlier in the evening, other times not until three in the morning when they’re smelling of cheap beer and cigarette smoke, stumbling in and laughing as they catch each other in the doorway, hurried kisses shared as they try to navigate back to the bedroom.

“How was your day?” Tooru asks, not opening his eyes. He shifts a little to give Hajime better access, stretching out his toes when Hajime hits a spot just right. “Good?”

Hajime nods slowly, now comfortable. It’s just him and Tooru, alone and safe in their bedroom; the curtains drawn tight and their phones long forgotten, tucked away into backpacks. Everything else is forgotten and finally, at last, the Hajime that only Tooru knows comes to light.

“Yeah,” he says, digging his fingers into Tooru’s lower back, smiling when he keens a little, “It was good… my train was late in the morning, though, so I was almost late to class. And my pink lighter, you know, the one with the flowers on it?”

“Your favourite one?” Tooru asks lazily, lifting his head to throw Hajime a smirk.

Tooru may be talkative, but he also really knows how to listen.

Hajime smiles. “Yeah,” he responds, leaning down to kiss the smirk right off his face. “That one. Well, I’d left it on our patio table, so I couldn’t even have a smoke while I waited for it…”

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Marichat May Day 2: Purring

headcanon time because im trash

Not everyday is a good day. Adrien knows that. He also knows that his purring is useful to calm people (especially children during an akuma attack. Kids like the sound of it and that way he can do his job quickly).

So when Marinette has a bad day he tries to  do the same she does when he feels down: be there for her. And he use his purr to calm her a little. This purr is lower and longer than the ones he uses for kids, since he is not in a hurry and wants to express better what he feels.

Also forehead touches are a Marichat thingy, fite me.