keith left to go to the blade of marmora not because he was selfish or because he wanted to abandon team voltron
he left because he knew being the black paladin was not where he fit. it wasn’t his strongest position and not where he was needed. and he knew they needed lance and allura as paladins, knew that they belonged where they were
he left because he knew he could do more good for the cause in the blade of marmora. he would be stronger there, have a better grasp on what he was doing
he left because he is selfless. he left because he knew voltron didn’t need him anymore
he left because he feels like he no longer belongs there
he left because he pushes people away out of fear of rejection and abandonment
he left for the good of the universe, because he wanted to do more, be more, do something he knew he’d be good at and put those skills to use
he left because he values others’ lives over his own (he almost kills himself willingly because he values others’ lives over his own)
if anyone tries to tell me keith is selfish or mean for leaving team voltron, i’ll probably explode
keith left team voltron for a number of reasons, not one of them selfish
and most of all, keith left because he is in pain, and he doesn’t understand quite how to deal with it
Imagine if you will: it’s six months later in game-time. Keyleth finished her Aramente, Hotis is dead, Taryon has paid the party and wandered on his way, so on and so forth. There’s still a few Lingering Questions™ perhaps about that book and other things, but Vox Machina are prepared to take a well-deserved rest for a while. Their keep is finally empty of refugees, there’s time to take a break from things like governing Whitestone, and everyone heads back to Greyskull for a little while to just enjoy their home and one another’s company for the first time in an age.
They send a message to Scanlan, an olive branch: we’re going back to Emon, back to Greyskull Keep. We’d love to pick out a room for Kaylie, if you feel like coming by.
No reply. Keyleth considers scrying on him in case something’s the matter, but finally decides not to intrude any further on his privacy.
The day arrives. Bags are packed, they step through the Sun Tree and into their garden; the only familiar faces waiting are a few of their servants and Jarrett, but it’s still their good old long-lost home. Emon is finally starting to really bustle again in the Conclave’s aftermath. They consider a quiet dinner at home, but it almost seems like a waste; Vox Machina, as they’re wont to do, leave their things behind and head out to a tavern for a good time.
The one they pick is a big bustling place, and being the local heroes and all, they opt for one of the less conspicuous tables off in a corner. They can’t really see the minstrels performing way over on the stage for all the heads in between. (Well, Grog can, but he’s busy with his ale.) The fiddler is uncommonly good, though, accompanied by an abrasively lively shawm and then an equally nimble lute. It’s good music to get drunk by, so they toast and laugh and nobody thinks anything more of it until there’s a smooth tenor voice that they’d recognize anywhere:
“Let me tell you the tale,” it sings, “of Vox Machina.”
One of the group drops their ale mug, and the crowd whoops and cheers for Scanlan Shorthalt’s latest masterpiece, which of course he’s been performing here for days already to be sure the regulars know the words. There’s a verse describing all the heroes, naturally, and Scanlan meets their eyes one after another with a small smile on his face. Olive branch returned.
He looks different. Less jewelry. Somewhere along the line apparently he cut his hair, and now it’s half grown out again. The only earring he wears is Tiberius’s, and the front of his shirt is closed. He’s dressed like a man who’s decided maybe female attention isn’t that important to him after all.
The song is several verses long, glowingly detailing Vox Machina’s exploits. It must have taken ages to write. There are even some lines about Taryon Darrington, the end of the Aramente, the harrowing journey to the Nine Hells. Things Scanlan wasn’t anywhere near, things which are definitely partially bullshit, but some of which ring startlingly true. Perhaps Keyleth wasn’t the only person doing a little scrying.
The last verse ends with a flourish, proclaiming how Vox Machina triumphed through the power of their bonds, the strength of a family working as one. Then amidst the raucous applause, he squeezes Kaylie’s hand and hops off the stage, leaving her considerable talents to finish the set alone. He makes his way over to the corner with a smile, an awkward and old and honest smile, to buy everyone a drink.
(”So, little elf girl,” he starts, and Vex immediately punts him down the table.)
my dear kaneki. i had no doubt whatsoever that you’d end up here like this. i knew you’d probably contemplate for ages my possible movements, and eventually would “have a feeling” that you needed to return. that too, by yourself. when it matters most, you end up relying on only yourself. a bit of a bad habit, i suppose.
OKAY I AM WATCHING A VIDEO ABOUT FMA AND I AM SCREAMING
So you know how the main villains are all adapted of the 7 deadly sins right
And ironically it happens that all of them will follow the description of the punishments in Dante’s Inferno for each sins. (also friendly reminder Dante was the name of the villain in the first anime, I just can’t)
So, quoting the video (which is in French here) and spoiling to death :
Those who committed the sin of Pride are condemned to be constantly crushed under the weight of a rock. In FMA, Pride will end up crushed under rocks.
Those who committed the sin of Envy are condemned to have their eyes being sewed. In FMA, Envy will have his eyes being burned out multiple times.
Those who committed the sin of Wrath are condemned to have their limbs being pulled away. In FMA, Wrath lost both of his arms against Scar.
Those who committed the sin of Sloth are condemned to walk for ever without being able to stop. In FMA, Sloth spent all his life digging the tunnel.
Those who committed the sin of Greed are condemned to share the same body with people who would give everything away for others, the opposite of Greed. In FMA, Greed will then share his body with Ling, his total opposite.
Those who committed the sin of Gluttony are condemned to be bitten and eaten by Cerberus. In FMA, Gluttony will be eaten up by Pride.
Those who committed the sin of Lust are condemned to be exposed to burning winds and to go through a wall of flame to clean themselves away from their sin. In FMA, Lust is being burnt to death by Roy
As for Father, in Alchemy it was specified that if one managed to create a Homunculus, this one would never be able to leave a little bottle, which is the case of Father. Moreover, the first man to claim having created a Homunculus was named Philippus Theophrastus Aureolus Bombastus Von Hohenheim.
Moreover, the one who ordered to create Father was the king of Xerxes who wanted to access Immortality. But his plan will turn out against him and Father will provoke his death. In our reality, Xerces is dead killed by one of his captain which plan was to take over his empire to divide it between his Seven Sons. The parallelism between Father and the Homunculus is then obvious, but the story doesn’t stop there, as the story tells that the Seven Sons had been killed as well by the Son of the King, who had for Mother the Queen Amestris.
Can you hear me scream on the other side of your screen on how clever this manga is