how i saw this scene

I want to marry Diana

10

Kylo Ren searches The Falcon”      -(Star Wars: The Force Awakens Deleted Scenes)-

candles

(this is for sen she killed me)


It is summer. Outside the inn, the cicadas have quieted and it’s the crickets that take over, white noise, white music, lulling the boys to sleep. The breaths of heavy sleep can be heard alongside the whir of the fan passing over the room. It smells of tatami mats and Kaminari’s feet, one foot poking Bakugou’s upper arm. His snores sound like whines, just irritating enough that Bakugou’s resting face is that of a scowl.

He considers shoving Kaminari, or more likely, kicking him, but that would require moving, and all four limbs are distant from Bakugou, heavy as concrete and unmovable as the komainu guards that stood outside the inn. He should be sleeping. He needs to be sleeping. Tomorrow, the training camp begins.

Still, there’s the expectant air of something about to happen–the moment before a match is lit, a breath held in until lungs burst, a pause of silence between songs. The room is scattered with pillows and blankets from a pillow fight two hours ago, and the room is heavy with a sense of contentment, apparent in the way Tokoyami cocoons himself in his blanket and Midoriya rests a hand on Iida’s chest. Shouji’s arms splayed out wide and Aoyama with his eyemask on.

Bakugou is wired–restless energy from the pillow fight? Fresh, summer air? Or the tension of training camps past, of being stolen away by villains in the dark.

Bakugou sits up, cards his fingers through his hair.

There’s a beat of silence, and then, “You’re awake?”

Todoroki’s voice is barely above a whisper, dream-like and soft, volume concealed by the sound of the fan. A breeze passes over Bakugou, making his hair flutter. Two sleepers over, Todoroki’s hair ruffles, too. He sits up.

“Go to sleep, idiot,” Bakugou hisses. “I’m not staying up.”

“You feel it, too.”

Bakugou holds his breath. He lets out a louder sigh than he intends. Lying back down, he turns his back on Todoroki. “Doesn’t matter. Night.”

The hair on the back of his neck prickles. He hears the telltale sound of a comforter being pushed back and the gentle thumping of movement across the mats.

If I close my eyes and go to sleep, he will go away, Bakugou thinks.

He manages to ignore Todoroki for a grand total of three minutes before he shoves back his own comforter and sits up, teeth pulled away from his gums. “What.”

Todoroki is sitting seiza at the foot of his bed. “You’re awake,” he says.

“‘Cause I can feel you breathing down my neck, shitstick. Take a hike and get out of my bed.

“We should welcome in summer together,” Todoroki says.

“Do you actually ever listen to people?” Bakugou asks.

“I used to do it with my sister,” he says. “I’m too restless to go to sleep. So are you.”

“I’ll have you know I love sleeping,” Bakugou says. “Get tucked in real fucking tight, snug as bug in his own fucking rug, away from creepy sleep-watchers and their weird-ass ideas.”

“You feel it,” Todoroki says. “Katsuki.”

Bakugou’s breath catches. “I told you not to–even if it’s dire–”

Todoroki holds up one finger, and a tiny flame lights from the end of it. Bakugou flinches. The candlelight reflects in Todoroki’s odd-colored eyes, shiny as glass. It lights a dull glow across molten, scarred skin, bumpy and rough-around-the-edges as the scar’s owner. It casts a shadow across the shape of Todoroki’s mouth, just too close to not-not-smiling to make it hard to look at him.

“Fine,” Bakugou says.

“Repeat after me,” Todoroki says. “Welcome, cicadas.”

“Welcome, cicadas,” Bakugou mutters.

“Welcome, crickets.”

“Welcome–this is so fucking stupid.”

“Just do it.”

A grunt. “Welcome, crickets.”

“Welcome, fireflies.”

“Welcome, fireflies.”

“Welcome, watermelons.”

“Welcome, watermelons.”

“Welcome, sunburn.”

“Welcome, sunb–you’re fucking with me. You’re actually just fucking with me. Is this even a family tradition?”

Todoroki really smiles now, one edge of his mouth turning up and his eyes crinkling. Bakugou moves his glare from Todoroki’s face to the fire at the tip of his finger.

Suddenly, the light goes out.

“Wh–” Bakugou starts.

“We have to seal it,” Todoroki says. “Seal the welcome.” His voice is much, much softer. Bakugou leans forward a little to catch his words.

“Seal it? How? Wait, why the fuck do I care? It’s bull–” Todoroki’s fingers feather along Bakugou’s jaw and he jerks away upon contact, heart racing. Todoroki’s hands hover in the no man’s land between their bodies for a moment. When he moves forward again, leaning forward on his knees, Bakugou doesn’t move. His fingers settle along Bakugou’s cheekbones, pinkies curling under his chin. The callouses on his fingers make Bakugou’s skin tingle. They’re not soft hands, but the hands of a hero and a hard-worker–someone who poured blood, sweat, and tears into his craft.

Through the moonlight that seeps into the room, Bakugou can make out the smile on Todoroki’s face. “We seal it with a kiss.”

Bakugou’s heart stutters. He scowls. He didn’t remember giving it permission to do that.

He feels Todoroki’s exhale as he breathes out. “Kiss me, Katsuki,” Todoroki says.

Bakugou’s hand has found its way to his shirt, clutching at the material over his chest. He doesn’t remember telling it to do that, either. “This is stupid,” he mutters. “This is stupid, you’re stupid, this whole thing is,” he takes a breath, “fucking stupid.”

Todoroki presses his forehead to Bakugou’s, their noses brushing. “Kiss me, Katsuki,” he says again. And then, “Please.”

Shut up, shut up, shut up, Bakugou thinks, and he pecks Todoroki on the mouth lightning quick.

“There,” he says. “Sealed.”

“Okay,” Todoroki says.

“It’s just for your stupid summer tradition,” Bakugou says. “That’s all.”

“Okay.”

“Which is still bullshit, by the way.”

“Okay.”

“And it doesn’t mean anything, so don’t go telling Deku about…whatever.”

“Okay.”

“And–” Bakugou says, but the words are slipping from his mind because Todoroki’s thumb is on his bottom lip and he can feel the puff of Todoroki’s breath not even an inch from his mouth and Todoroki’s eyes are half-lidded, and it’s all just very warm, and without really giving it much thought, he’s kissing Todoroki.

Todoroki’s fingers are rough but his mouth is soft, none of the sharp words he wields when he picks fights with Bakugou, a choice insult thrown in like a dagger to the side, no, this–this is the smile he wears when he’s helpful to a classmate, the brush of his hair against Bakugou’s palm when he swipes at him while dueling, the press of his cheek on Bakugou’s shoulder when he falls asleep on him on the train.

This is I know you and I have yet to know you and I want to know you, the questioning tilt of Todoroki’s head and the suggestion of tongue. They don’t French but they do kiss, the sound sweet as a cricket’s song when they part. Bakugou thinks he’s in a fever dream, even though the height of summer has yet to arrive and the fan still blows cool air across them every now and then. He feels that if he stops kissing Todoroki he will wake up and it will have never happened.

When Todoroki parts from him, he whispers, “Welcome, summer.”

Bakugou whispers, “Welcome, summer.”

I always believed that Black Sails is about Flint’s tragedy. But the more I think about it and the more I recapitulate the whole series, I come to realization that it’s actually about Silver’s tragedy.

6

IF THIS WASN’T THE FUNNIEST SCENE OF THE SHOW THEN I MUST’VE MISSED AN EPISODE!!!

2

Today on “Would You Rather” with the Borgia siblings

Would you rather: 

a) do a socially acceptable Eskimo-kiss and let the tailor standing awkwardly behind you think you’re not that weird

b) do a passionate, totally non-platonic French kiss and let the tailor continue working on your clothes because #multitasking

BASICALLY I SHOWED THIS SHIP TO MY BEST FRIEND AND SHE WAS LIKE “DRAW THEM KISSING” AND

MY HAND SLIPPE D A ND I REG RET NOT HIN G

Time to get this post out before I die hyperventilating into my “Raven Reyes” paper bag because I honestly don’t know how to deal with her anymore, but here we go. You know that moment when Raven breaks down in front of her friends and how Bellamy then calmly speaks to her to build her up again?

I didn’t know how much I needed that type of scene until I saw it to be honest - I was fully unprepared let me tell yall lmao - but now that I’ve seen it and have witnessed in which context it unfolded itself it’s honestly become one of my favorite moments in the episode, because Raven gains back her strength through the presence of all her friends in that one minute of total weakness.

Like, the writers really do love to rough it up for our characters during very critical situations, but in this particular case it’s very touching because it’s seriously not a moment created for the kicks, but the kind of moment that wants to make room for “optimism” that brings this wild set of characters even closer.

And I love how we dial down through the stress there, especially when focusing on Raven, because her breaking point is the catalyst for the unity. I absolutely could go on and on about how significant that short conversation between Bellamy and Raven is for me alone, as he inspire her the same way he inspires Clarke or the others, but I am even more affected by the fact that Raven truly isn’t able to hide herself anymore, but, as I’ve said above, works herself out of her own insecurities with the help of her friends and gains back her strength.

I mean, just look at this moment when she gradually starts to snap while standing in the middle with everyone surrounding her, watching her: 

Or how she ends up so bound and buried deep inside her own fears that all she feels she can do is sit down and hate the situation she finds herself in:

It hurts and GOD I love it here, because Raven’s feelings carry the kind of realism that many can relate to, she hates failing and she hates not being able to pull things off so she puts distance between her and the issue by practically giving up. But the point of this scene as a whole is not that Raven isn’t smart enough - as she states - because she got rid of ALIE’s code in her brain. We are actually past that already. What this scene communicates on a fundamental level is that Raven comes to realize that she is not alone in this.

In fact, all of her friends are by her side:

The “We need you” line is so important for Raven (and me obviously), because it creates a very dramatic call-back to that one time when she wanted to leave camp in season one. You know that time when Finn - the boy she loved and pretty much considered her only family - couldn’t even see why she was doing certain things (like working on the bullets) and how useless she felt because of that reaction she got from him - essentially tried to shut herself completely off from everyone around her, because they, as she believed, didn’t *need* her. Bellamy though, our heart’s guy, is the one who reminds her that they do need her with intense honesty, twice - back in season one after her confrontation with Finn and now in 4x13 when she believes she is not enough.

Being faced with the full array of cards against you is one thing, Raven has been through that ever since she landed on the ground, especially thanks to Finn and how their relationship changed on earth, but actually coming to consciously develop a sense of “team culture” through emotional connection with her friends is something else for her since Raven used to have only one person to turn to and that person failed her back then. Bellamy does what Sinclair used to do. He doesn’t simply apply to Raven’s ego, instead the writer’s manage to open up a path to her heart through faith, love and understanding.

And that pushes her forward. That love she receives from Clarke, from Bellamy, hell even Murphy (4x09), that is the game changer for her in this moment. Raven loving herself and the things she’s capable of doing is otherworldly, but expanding that love and stretching it out over this little group of messy people - that’s what she really wants, not just for herself but for everyone in this lab:

So Raven goes for it. Through the presence of her friends she not only learns as much about having people to rely on and consider a family as she can, and resolves to continue operating in a way that not only shakes everyone free - which essentially creates this sense of teamwork because there is unwavering trust radiating from every important team player here and if ALIE, a computer, can do it, so can they - but it also makes her a leader in her own right.

She’s prepared to face these obstacles with them just in time, as she’s confronted with a more mature set of challenges with her friends - the emotional progression - and inspire everyone in the room to get back to work.

And it’s beautiful. In season one she came down for a single person, now in season four she goes up and back to space with and for all of her friends.

She’s more than just an awesome person. She’s a growing, dynamically self-improving one, someone who is able to establish these deep connections with all of these people, who can navigate and bring in optimism as well as pragmatism, who is still in the process of learning, and will only get better at doing what she does - not just by herself, but with her friends, her family.

8

Finally finished! XD A set of Rumples that I started weeks ago to go with my Belles! These were super fun to draw and I love how they came out! 

My personal favorite is little Spinner!Rum but I still can’t decide if I love or hate his crazy disco shirt in the fourth one! (ノ^ヮ^)ノ*:・゚✧ Enjoy!

anonymous asked:

I agree with all that is being said about how monel and kara get to kiss and be more sexual and stuff than sanvers, but also, remember that chyler didnt want to sexualize the relationship? maybe she's not ready. maybe she thinks this is what we want. who knows.

There is a difference between sexualizing a lesbian couple and having them not even show any sexual interest in each other at all. They get a quick kiss every now and then and have never been shown so much as within 10 feet of a bed. You could say that Alex in lingerie in 2x13 implied sex, but we all saw how that scene ended. And by the way, I get that Supergirl’s a “family” show, but that was some of the most modest and unrevealing lingerie I’ve ever seen on TV. Some people would also bring up 2x09. I mean, didn’t we get that “morning after” scene where Maggie was wearing Alex’s shirt and Alex was all giddy and everything? Yeah, sure we got that. But it was still so ambiguous that plenty of fans were left wondering “did they actually have sex or not?”

With Kara and M*n El, the writers left NOTHING up to the imagination. He was naked. In her bed. Clothes strewn everywhere. They got a morning after scene that last twice as long, if not longer, than Sanvers. They kissed 3 fucking times, held each other close, and were pretty darn affectionate/intimate. Yet Sanvers gets…a chaste kiss on the lips? Less than 3 minutes of screen time an episode? While K*ramel sits on no less than a third of an episode EVER.

It’s not about sexualizing Sanvers’ relationship. That’s not what we want. It’s about being treated the same way as any other hetero relationship, which DOES include showing intimate scenes. And not just the intimate scenes like tonight where Alex fell apart while Maggie held her or where they talk out their problems. Don’t get me wrong, I absolutely LOVE those scenes because it shows their relationship is real and strong. But the one thing missing is the sexual intimacy. Something every other hetero couple in the history of TV shows has always received in abundance.

Quite frankly, even a short, but hot make out session would be fine with me by now. Just SOMETHING longer than the 1-2 second kisses we’ve been getting. But we all know that’s wishful thinking.