(( Because I love Norman’s design in Chapter 3, I started to ponder a similar fate for Wally because I am Terrible.
He’d probably be passive (like a bloated searcher) until you attack him. If you help him however, he’ll give you some aid. He’d probably ask you to pull that mop out of his chest, that can’t be comfortable… And he’d want more tape recorders for his collection. He could probably be found listening to them over and over, just to hear the voices of his old co-workers. ))
Hundreds of full-length films were produced in the 1960s. Historical drama films continued to include epics. Psychological horror films extended beyond the typical monster horror into more twisted films. Comedy films became more elaborate, setting in more comedy-dramas and welcomed a new form of satire because of the success of Kubrick’s 1964 film Dr. Stangelove. Spy films welcomed more tech. And fantasy and sci-fi films were made with a more wider range of special effects. Beginning in the middle of the decade due to the start of the cultural revolution and the abolition of the Hays Code, films became increasingly experimental and daring and were taking shape of what was to define the 1970s.
||Literally one of the best scores for Epic Mickey, this theme pretty much embodies the possibilities of insanity from It’s a Small World. And there’s also this one remix I really like: https://www.youtube.com/watch?v=6s3O07nNypk||
I assume this is about - no wait I can’t even joke. I KNOW WHO.
15) Who is scared of the dark?
They’re camping. It’s something Lena Luthor thought she’d never be caught dead doing and yet here she is, seated around a campfire with Kara Danvers and family like it’s something ordinary. For Kara, Lena supposes, it probably is.