hope it's coordinated

When Erwin is explaining the use of the serum and the outcome of using it to obtain the titan’s power from another shifter, something in particular he says grabbed my attention:

Erwin:  The main goal of this mission is still to eliminate the intelligent Titans and to take back Wall Maria. With this in mind, if certain developments happen, I hope everyone will invest full effort into stealing the “Titan power.” If successful, we not only receive a Titan’s capabilities and much intel, but we can also revive someone who is close to death.

He and the others seem to be under the impression that when the titan’s powers are transferred, the new host also gains helpful information from the previous one. Which I can only assume would be via the memories of that shifter. 

So now I’m confused. Again. That happens a lot when I think too much about this series. 

I’ve been assuming for a while now that this was purely a coordinate perk. It was Rod Reiss who told Historia (and Eren) that whoever held the First King’s/Coordinate’s power inherited the memories of the world. 

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anonymous asked:

how is it misogynistic to kill off a female character to further another female characters storyline? especially when you look at the eventual role laurel was gonna take? sara was (in the writers eyes not mine i wanted sara to stay forever) a stepping stone for laurel's evolution... i mean it sucks but it was always gonna happen

Yeah, we all knew it would happen eventually, but doesn’t mean it wasn’t misogynistic.

Let’s talk about tropes for a bit.
If you don’t know what a trope is, it’s a creative device or convention used by content creators in their works (consciously or not).

One trope that is overused is the ‘Stuffed In The Fridge’ one.
Originally titled ‘Women in Refregirators’, it was codified by the Green Lantern comics in which a villain named Major Force killed and cut into bits the girlfriend of GL before stuffing her in the fridge (but you got that, didn’t you?) for him to find. Her death was used as a creative device by the writers to further the plot.
Here, TVTropes gives an applicable definition of what ‘fridging’ means, and that should help you understand the point I’m making:

The term [‘fridging’] came to be used more broadly, over time, to refer to any character who is targeted by an antagonist who has them killed off, abused, raped, incapacitated, de-powered, or brainwashed for the sole purpose of affecting another character, motivating them to take action.

This is exactly what’s happening here. Sara’s death (if real) is just a plot device used by the writers to speed up Laurel’s Black Canary arc.
Meaning, it would have been a lot slower were Sara still alive, because you apparently cannot have two superheroines in the same show.

Besides, to reduce Sara as a ‘stepping stone’ in Laurel’s arc is in itself, hugely offensing. (I’m not saying that’s what you think, just what you wrote about the writer’s POV of the situation). Reducing Sara to a mere step, negates in a way everything that she has said, done or represented in the previous season. It’s saying that she didn’t matter, because she was always going to die anyway. Which is fundamentaly wrong.
Sara was an insanely important character because of what she brought to others (her impact on Oliver, Laurel, Felicity to name a few), but also as a person. Indeed, Sara was a heroine that was bisexual (do you know how rare that is?!) and who defended women against rapists and the like, and so much more. To undermine all of that just for the sake of having a character stick to comic canon is ludicrous.
Quick note: I was actually really looking forward to seeing Laurel on her path to becoming the Black Canary and I don’t actually hate her (quite the contrary). I’m also not saying either this is what the writers think. I’m just starting off what you wrote.

Besides, it’s not the first time that the writers fridged someone (Shado and Tommy are good examples - because yes, the general term doesn’t solely apply to women, only WiR does). It’s interesting to note that Sara’s death (again, if true) also belongs to the ’Death By Origin Story’ trope, both of which are heavily present in comic books. (A famous example of DBOS is Uncle Ben’s in Spider-man, for instance.) Only, if Shado was a DBOS (for Slade and arguably for Oliver), Tommy was not.Tommy’s death forced Oliver to ‘become a better hero’, and in that sense, it is a prime example of the ‘I Let Gwen Stacy Die’ trope (ILGSD codified, obviously, by the Spider-man comics, represents the inabilty of the hero to save a loved one, resulting in angst and manpain. More or less.).
That’s a lot of deaths to carve a path towards heroism, don’t you think?

If Sara had died, say, in another context entirely, that wouldn’t jumpstart Laurel’s Black Canary arc, it wouldn’t have been an issue (edit: not as problematic, but really depending on the death itself). But to see the life of an heroine (and subsequent death) instrumentalized to serve the purpose of making another woman an heroine as well? That’s terrible, and terribly misogynistic. Just ask yourself: why did Sara have to die? Answer: she didn’t. We could have had two Canaries! We could have Sara training Laurel to look over Starling City while she was in Nanda Parbat! Sara dying wasn’t the only ‘solution’, it was the easiest and most obvious one.

So yeah. I’m really angry they decided to go down that route, even though I somehow knew they would.

Wrong Coordinates

(( Closed starter for @dear-harlow ))

Work hadn’t quite been completed on re-assembling all of Lucidia’s notes on the Void, but Gaster was so eager to get started on his pet project that he could hardly wait. On the side of course, he still worked on deciphering the notes, but work on his machinery was moving at a much more consistent pace. It was one that was very working in tandem with the project that he and Sans were working on together, but a lot of the work on this one was done primarily on his own, with some help from Sans and Alphys here and there. 

Gaster’s goal at present was to, at the very least, build a prototype machine that could break into the Void. Even if the portal couldn’t stay up very long, he would have at least reached a milestone goal for the project. The Void may have been a purgatory-like expanse that had no definite position within the timelines… But it still existed. At least, as far as he was concerned. He communicated with Lucidia, someone who was trapped there, and she seemed to be as real as anyone else the skeleton could have interacted with in his years…

Of course, it took a lot of work, and a lot of failed tests. More than Gaster could keep count of-his hash marks had melded together and had gotten lost on multiple notebook pages. Power had been lost to the house enough times that Sans wound up making an emergency generator as a backup while his father worked to re-route energy back to their home. There had even been a few times where the machine had worked itself so hard that it nearly exploded! Tenacious as ever however, Gaster wasn’t one to give up.

It had been a few months of work, but Gaster had finally made a prototype machine that was powerful enough to not destroy itself in the process of working. At least, that’s what he had hoped. In theory, it should work. But he had been wrong about a lot of things.

Gaster worked in silence and well into the night. He didn’t have his hearing aids in; he always seemed to work best in absolute silence. It was likely that both Sans and Papyrus had gone off to bed by now, but in the off chance that they were still awake, he still wanted to give them a warning that he was going to test the portal machine.

There were a series of switches and little lights along the wall near the stairs, each light and switch labeled with something that would help the family communicate with one another. If Gaster didn’t have his hearing aids in, his sons could tell him that dinner was ready without having to come into the lab to inform him. And if Gaster needed assistance in the lab, he didn’t have to go into the house to do the same. He flicked the switch for “testing,” and quickly retreated back to his work station.

Taking in a deep breath, Gaster took the time to double-check that everything was ready. Once satisfied, he punched in the coordinates that he had calculated, and turned on the machine. It roared into action-and actually started working!

Gaster’s eyes widened as he beamed, his breath caught in his throat. A portal slowly wavered in front of him, opening its maw like the yawn of a giant. If he had his hearing aids in, he would have heard the roar-like sound the followed suit, which made the entire lab tremble… That, he could feel. But if Papyrus and Sans were asleep, they certainly wouldn’t be now! Gaster’s chest shuddered as he managed to take in air.

However, as the portal opened, it didn’t reveal an endless black Void as he had hoped-there was color. Disappointing for sure, but… It was something! It was certainly something! More calculations had to be made-but this was a breakthrough! He didn’t even think to signal Sans to come down to join him, his mind was so abuzz with excitement. Gaster fumbled around with his papers and notebooks for a few moments, scrambling to get something that he could effectively write everything down on. 

He left the portal open, waiting for it to close on its own-seeing that it did. Or until the machine was over-worked enough to justify turning it off. Gaster had to see just how sturdy this portal was-and if he could, he would even try to throw something insubstantial through it. Maybe a note for whomever was on the other side… His pen was flying across paper faster than ever as he greedily wrote his information down, being keen to describe how the portal opened, and what he saw through it.