holy shit he is so perfect

i gotta organize my thoughts on why evermore has me so shook

1) it’s just so goddamn beautiful. and goddamn dan stevens + beast voice growliness???? good shit ok. good damn good shit. 

2. it comes at the PERFECT thematic moment for beast. certain characters just wouldn’t pour their heart out in song format like that. they just wouldn’t. and beast is one of them, he wouldn’t, not until he’s at his lowest would he sing-monologue like that. the song comes at the exact right point in the story. holy shit good timing 10/10

c - he doesn’t have anything against belle herself for leaving. sad as heck she’s gone? yes. convinced he’s never gonna see her again and SUPER sad about that? yes. but angry at her for leaving??? no??? not at all??? damn dude. that’s some goddamn character development. 

ii. he’s been so affected by her she’ll forever inspire him and that is just. goddamn disney. that’s it y’all are done you can’t top that, that’s the pinnacle representation of romantic love. could anyone else even??

b) he’s so completely convinced she’d never come back to him. im so sad. oh, guy. dude. i feel so bad for you. im so sorry you poor sad bastard. “i’ll fool myself she’ll walk right in” oh my god guy you can’t even imagine she’d want to come back to you. 

somebody help me i’ve been listening to this song on repeat for 13 hours and crying

so i played skyrim tonight, and i thought i’d tell an important story about my journeys:

i was mostly wandering around minding my own business when i came upon whiterun stables and guys - listen. i found the most beautiful perfect horse i’d ever seen. majestic, beautiful, immaculate. i had to have him. so i figured - hey, i took long enough getting here, it’s the middle of the night, no one’s gonna see if i take this horse, right?

this was my first mistake.

so i hop on the horse. i press the big glaring red STEAL button and get my ass on the horse. perfect. 50 bounty from whiterun - well, no plan is ever perfect. and we start walking along - and who runs up to me, but a whiterun guard. “you have committed crimes against skyrim and her people” - he’s very upset. well holy shit! i didn’t think anyone saw me, but you know what, good sir, here, i’ll pay the fine -

“we’ll take your stolen goods, and - “

no. this simply won’t do. i come out of the keep, scheming. i must acquire my horse again.

so i go back to the stables, steal the horse again. it’s the same horse, of course it is, because he’s flawless and gallant and waited for me.

but then - again - the guard, crimes against skyrim and her people - well you know what sir, a cat-man’s pride for his perfect and beautiful horse is not a crime. so i hop off my perfect horse, and get my Destruction ready. i’m going to give this guard what-for. of course, in the process, i accumulate 1000 bounty from whiterun.

well, fuck. this, probably, could be considered mistake number two. i get on the horse again. +50 bounty from whiterun, but in the face of killing that guard, honestly, who’s going to notice one stolen horse? i press the big red STEAL button again.

“alright, RED STEEL,” i tell the horse, “from now on, you and i are fugitives.”

RED STEEL, noble and awe-inspiring steed, and i walk for a very, very, very long time. we can never go back. but - you guys, i found out something else about RED STEEL that made it all worth it:

well, of course. he can fly. my incredible, unkillable, righteous RED STEEL.

look at him, as majestic and all-powerful and graceful as i always knew him to be.

so - did i commit crimes against skyrim and her people? yes. yes, i did. but in doing so, i made an unforgettable friend, and a powerful ally. so was it worth it?

i’ll let you be the judge.

Little reminder that Jaal is canonically in his mid-twenties and holy shit I dunno that knowledge changed him so much for me because he’s such an old soul and I also want to wring his neck and be like “STOP HAVING SUCH A LOW OPINION OF YOURSELF”

Like he’s so young but literally every angara knows him and loves him and he’s a high-ranking lieutenant in the Resistance who works personally with Evfra

Jaal is perfect FIGHT ME


 Summary: Bucky’s greatful to have you

Pairing: Bucky Barnes x Reader

Word count: 540

Warnings: nope

A/N: This was heavily inspired by Ed Sheeran’s Perfect so I suggest you listen to it while reading. Also two drabbles in two days holy shit, I’m so productive. And I suck at summarys.

Originally posted by panickingwiththefalloutboys

Happiness. Pure happiness was what he felt every time he was with you, and he felt it now, ten thousand times stronger than usually. Before he met you, he didn’t believe in love. Bucky didn’t believe that he was actually capable of loving anyone. Not after all the things he had done.

But then, there were you. Beautiful and sweet, that’s how he would describe you every time he was talking about you. Everyone just playfully shook their heads whenever he started to talk about you, but Bucky didn’t mind. He was in love, finally after all those years and everyone should now. 

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Headcanons for the reader dating an older Damian Wayne


~ J.


Headcanons for dating an older Damian Wayne


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so last night i was watching random shit on youtube and it ended up landing me on a video of people accidentally breaking their stuff and holy shit, there was this one clip of a guy who, in a bout of drunken stupidity, managed to completely destroy his phone. after his glorious reaction, he had a look of just utter regret and disbelief on his face. it was so perfect that i had to draw it. so i did. with ford.


anonymous asked:

So what do you think of aku's new voice actor?

….Is this you, Greg Baldwin? Because I saw this interview and uh

Holy fucking shit.

ANYWAY!!! I really like his performance so far.

First episode’s “WHO IS THIS” was so perfect I cried. 

Second episode, I was laughing hysterically and squealing at the cute. Rewatching the opening scene a few times gave me a chance to break it down in my head.
A lot of people say the accent sounds vaguely slavic, but I think the background music is a HUUUUUGE contributing factor there, because it’s this goofy accordion.
In the original series, Aku’s E-note synth would just drone in the background if he wasn’t fighting or chasing something, and when placed under the silly and casual things Aku says, the contrast makes everything funnier in such an awkward Aku-like way. It was also easier to hear Aku’s voice with that simple ambience.
However, I understand WHY the music is there and why it is what it is: to illustrate what this “new Aku” is like.

He is losing his fucking mind–and it’s not like he was ever sane before.

In a way it’s mildly unsettling to see him acting like such a dork baby, and pushing his funnier tendencies to their extreme…because eventually, Aku’s mood will improve, he will suddenly become more terrifying than ever before, and his brutality will be pushed to the same extreme.

Anyway back to the question at hand: Baldwin’s doing a good job. He says he landed the roles in the first place from mimicking Mako in Pacific Overtures, and that’s what he uses to warm up, so to speak, and I can hear the little inflections picked up from that, lol. The differences in Aku’s tone and reverb suit the state the character is currently in, and we’re only up to the second episode. From the anecdote mentioned in the above interview, it sounds like we’re in for some serious business in future episodes. I’m sure I’ll probably expand on my comments the more we see of Aku, especially since Genndy is the voice director. 

Also from the interview:


Cute/Domestic Victuuri headcannons
  • Victor and Yuuri going ice skating in a public park 
    •  Everyone is just so stunned because holy shit they’re good 
    • Also, everyone wants to know why the fuck they can skate and make out at the same time 
    • This is why Yurio doesn’t come with them anymore
  • Working out together
    • They may not look like it but these boys are strong as shit
    • Thighs for days
    • They’re ‘That Couple’ at the gym, the one everyone loves because their so perfect and goals but hates for the same exact reasons
    • They’re great at motivating each other though and they keep one another going when all they want to do is give up
  • Victor taking every chance he gets to tell people how much he loves Yuuri
    • In an interview? He loves Yuuri
    • On the ice? He loves Yuuri
    • Talking with sponsors? He loves Yuuri
    • Ordering food at a restaurant? He loves Yuuri
    • Taking pictures with fans? He loves Yuuri
    • And Yuuri blushes every damn time
  • Makkachin is like a child to them but they know eventually they’re probably going to want human kids too
    • Yuuri tries to have the talk with Victor but Victor turns into a blushing mess which makes Yuuri blush too
    • It gets to the point they can’t even speak anymore they’re just staring at each other while red in the face
    • Yuuri has decided to postpone the talk about having kids until a later time
  • They both crave insane amounts of affection
    • They’re all over each other at first and it’s unbearable for Yurio
    • But soon enough it’s died down to just pecks and winks and hand holding and he decides maybe he can stomach living with them for a little bit longer
    • Phichit takes every chance he gets to document anything he considers even remotely cute
  • Cooking for each other…
    • They love to make food for each other
    • Yuuri makes Victor packed lunches and rice bowls and of course katsudon
    • Victor makes all kids of Russian dishes for Yuuri like Okroshka and Olivie
    • It doesn’t always go well but it’s one of their favorite things to do for each other
    • Teaching one another to cook certain dishes is a common activity as well
  • Kissing the others ring for good luck or when they’ll be separated for an extended period of time
  • Laying on top of each other on the couch to ‘save room for Yurio’ even though there’s plenty of room for him even when they don’t 
  • Arguing over who has to do the dishes for so long Yurio get’s tired and does them himself
  • Just being generally really cute and caring and healthy

Wow its been so long since ive written batman joker stuff holy shit. inspired by @gayforbatjokes colour au. i need to edit it and might continue it idk…

Jack’s life was perfect, or near enough.

Indeed there were some bad aspects; He was woken by a screaming baby 3 times per night, his wife would be irritable and snappy during the day from the lack of sleep, as would he. He wasn’t too fond of his job either, he’d never imagined himself as a pencil pusher but the arrival of their little ‘Angel’ James had forced him to take the first job he came across.

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Shadowhunters Finale Reactions:

- first off can we just talk about how lit is was to see the whole shadow world come together like that… like well done 

- i’m sorta pissed there was no saphael scene or any scene with them together… but I digress.


- okay, i hate climon, but I have to admit, they were pretty cute in this episode..

- i hate aldertree a little less 

- malec was perfect as always



- bitch i’m not waiting till june while a bunch of shit just happened


- really good way to end the first half of the season

- rip to all the downworlders who died

your fave is problematic: nikolai lantsov

- too cool 4 u
- superstar.mp3
- so perfect he literally created another version of him that’s basically his raggedy alter ego
- said alter ego is just nikolai playing with ships instead of subjects
- ALSO somehow has even more sex appeal than the original which is like… holy shit wow a+ 11/10 would bangbarabangbang
- yo ho ho a pirate’s life for me (and a bottle of kvas)
- brilliant, talented, showstopping.gif
- better than your faves 2kforever
- will probably smack his face into the mirror one day bc he’ll be too busy flirting w/ his own reflection
- but according to sturmhond crooked noses are in so it’s fine
- allergic to the word impossible
- meteor shower boy™
- has this really nasty kink called treating your crush/partner with respect and supporting them no matter what. disgusting right
- will (and has) sacrificed himself for his kingdom/people……. seriously someone kinkshame him like wtf how dare he
- …… be so perfect
- did i say perfect? bc p e r f e c t ✨✨✨✨✨✨
- how do you flawless™
- 2 sexy for your crown
- nikolai: i don’t like drama!!!!
also nikolai: 👀👂🔍
- will steal your heart and never give it back like once you meet him that’s it. bye fam it’s been real i’m forever enchanted by this perfect man… this perfect fictional man

Fairly Screechy THOUGHTS about 406


But first: Raven continues to be the best, and I am enjoying her refusal to forgive Murphy.  I didn’t love the insinuation that he hates himself more for what he did to her, simply because we’ve seen no evidence of that and I prefer Murphy to remain my Cockroach Prince with vague wooby tendencies that he tends to dismiss and not my Fully Woobified Prince but everything else about that storyline– Luna being perfect, Raven being a ball of anger and determination, Murphy being a moderately helpful asshole– was amazing so I’ll allow it.

Monty continues to be the MVP of my life while Jaha has been downgraded to a Disappointment on Several Fronts.  Monty bringing up Wells was an excellent OH SNAP moment, and I do like that this show uses Wells as their trump card but only sparingly.  (Also we need a new phrase for trump card; it’s giving me anxiety now thanks to the president.)  Using Wells too often would feel exploitive, and for awhile there it seemed like they’d forgotten him entirely.  But once or twice a season his name should be brought back as the Platonic Ideal of a Human, because he WAS.

Beard Dad was similarly amazeballs this episode as he tried to keep Murder Child #2 in line and considered adopting Murderous Elf Prince as Murder Child number #3, but his storyline was caught up in the complete abject mess that is Octavia’s motivations which was less satisfying.

And like…here’s the thing about Octavia and her anger this episode: I like that the show doesn’t give us easy solutions to things like grief, but her character arc feels out of order, especially because of 405.  In 405 we had Octavia risking her life to protect her people and giving Ilian an impassioned speech about how revenge doesn’t help and then…she’s back to revenge again?  It’s also very unclear why she’s so angry with Murderous Elf Prince.  Sure, he sort of condemned them all to die, but it wasn’t personal and she’s acting like it is, which is weird.  I honestly think it would have been better to have someone else warn Arkadia that Azgeda was coming (maybe Ilian could have done it to get people out of the way before he burned it?) and then have Monty take Octavia’s place with Niylah to try and talk Murderous Elf Prince out of it while Octavia was off healing with Indra.  It would have robbed us of that beautiful Bellamy-Clarke-Octavia triad shot at the end of 405 (and Bellamy holding his baby sister like on the day she was born, *sob*) but it would have made more sense in terms of her character. (It sort of felt like “Marie is contracted to be in this episode and we don’t have time for a separate storyline for Octavia with Indra, so fuck it she’ll be fine for 405 and back to Murder Child for 406.”) But that adjustment would have also taken away Bellamy’s angst which I am more interested in, so it’s sort of a wash.

Clarke’s scene with Niylah was lovely and healing and I’m very happy she has someone like Niylah in her life, but honestly I was so distracted by how fine her compartments were that I couldn’t pay too much attention.  Arkadia EXPLODED in the last episode, and Clarke’s room was…not touched by that at all, apparently.  (Yes I know Monty said they lost half of the sleeping quarters which implies the other half were fine, but like…IT EXPLODED.  EXPLODED.)

But REALLY what I want to talk about is the Fury Roadtrip, because Bellarke+ Roan being action heroes was everything I ever wanted.  I loved that they basically took turns dealing with Roan, because he is King of Annoying Them just as they are King and Queen of Annoying Him In Return.  So much mutual annoyance and respect; it was seriously the greatest thing ever.  

Sidenote: I like that despite the fact that Arkadia was responsible for massacring their army, the Trikru guys were like “hey can we get a ride?”  I’m fine with them moving on, but being carpool buddies level friends feels strange.  Also, Roan: CLOSE THE BACK FLAP IF YOU’RE SUPPOSED TO BE UNDERCOVER.  Your men can peek out the gaps in the side to keep an eye on things.  This is not rocket science, as Raven will gladly tell you.

Particular things I liked: Bellamy’s hesitation to uncover the body, where you could see him bracing himself to find Clarke dead, followed by almost instantaneous relief that it wasn’t her and guilt that it was one of Roan’s men.  Bellamy was having a no good very bad day, but at least Clarke was still alive.  Naturally, I also adored every single fucking thing about the car chase, from Bellamy and Roan bickering to Roan JUMPING FROM ONE MOVING CAR TO ANOTHER to Clarke being our favorite crafty slytherin and slowing down/elbowing the guy with a sword to her throat so Bellamy could snipe him.  Bellamy and Clarke’s relieved smiles at each other after that was like pure sunshine on a dreary day, because even while in separate speeding trucks they’re In The Drift.

Hookay, so: Octavia, Clarke, and Bellamy’s feelings.  I have a lot to say about this, but I do like that this episode established two things: 1) Bellamy is not giving up on Octavia and 2) Clarke is not giving up on Bellamy.  His “you gave us a scare” to O was so heartbreakingly gentle and relieved, so to be faced with her anger after that felt like a slap in the face, as I think it was intended.  It bothered him, but he’s still not going to let it slide.  

What we saw on the beach though, was basically how Bellamy and Clarke are seeing the future– he sees an inescapable end, and she sees hope.  His entire refrain this episode was essentially “we don’t have enough time for Octavia to forgive me,” while Clarke was like “NO WE HAVE ALL THE TIME IN THE WORLD WE WILL SURVIVE THIS.”  He’s got the pressure of a ticking clock behind him, but Clarke isn’t accepting that and so she’s not in “say your last words to the people you love” mode yet.  But very significantly, Bellamy is.  Octavia hates him but he doesn’t want to die with things the way they are, so he’s going back to face her until they make things right.  He tried to tell Clarke that he loved her (and importantly, I don’t think he expected reciprocity there– that was just a I need you to know this moment) but Bellamy knows Clarke, and he knows that if the nightblood solution isn’t working she will stay on Science Island until they find something that does.  With the radiation looming, he’s not sure she will ever make it back to Arkadia, so he’s not saying this with any hope of a future.  He’s saying it because everything is ending and he doesn’t want to die with things left unsaid.

But Clarke is back in fighting mode (partially thanks to Bellamy in 403) and so she’s not ready to hear his goodbyes.  She’s going to tell him to go home and wait for his sister to come around, because that’s what he needs right now– Octavia.  She’s telling him him he’s special (which is kiiiind of a weird thing to say about siblings, but Clarke was also clearly speaking for herself there and also she doesn’t have a sibling so I’ll allow it) and then says she’ll see him later.  Clarke still believes they have a future, and that’s really fucking important in terms of understanding where they are in that moment.

Also…guys, he was gonna say that he loved her.  On a beach.  What a romantic, dramatic prince of everything I love him so much.

Back when I was a kid, I used to watch Jackie Chan movies like “Oh cool this is awesome!”

Rewatching them now Im like “Holy shit this guy literally almost died a billion times just so that the movie would look perfect. Like bless him. He has a heart of a gold and a body of steel.

i just realized that i can never study abroad in france. i was coming into the dorm right, and at the same time, this dude who was on the phone was coming into the dorm too. he also happened to be speaking in perfect fucking french and my gut reaction was “i think i love you”. thus i can deduce that i would DIE if a pretty girl spoke to me in french 

The Simple Brilliance of David Aja

As usual, I am late to the party: Fraction/Aja’s run on Hawkeye is one of the best things Marvel has done in the past few years.  I had already owned a few issues that I quite like, but sometime between the weekend Matty Frac-fracs was matching donations from his Welovefine shop to Futures Without Violence (wherein I purchased a sweet Hawkguy messenger bag) and a sale Comixology had on Hawkeye issues, I finally partook of the series as a whole.

And holy sweet shit Aja is brilliant.  I had read Fraction doting on the guy, and obviously I read #11 and knew that anybody who could throw together that issue was special, but my goodness he’s clever.  There are just too many examples, too many small things to focus on, so let me just take you through a few pages in Hawkeye #6.

Here’s page 9, not counting the cover and the credits:

This is as close to a perfect comic page as you are going to see: writer, artist, and colorist, all firing on all cylinders.  I mean, we’re talking about a page covered in the word “bro,” where Clint gets called “Hulk-Guy” but dismisses it with a sentence containing the term “joyous-ass Kwanzaa.”  Delightful.  Not to mention Hollingsworth, who is always solid, making that panel where the arrow hits the bat just purple enough so that you know what’s up.  Ugh, so good.

But Aja is on another level here.  Literally.  Because what do you think this page is about?  The arrow hitting the bat?  Nah.  The punk girl coming out and letting him know about the bros?  Nope.  This page is about Clint seeing what’s downstairs.  That’s it.  It’s not about him being a hero (at least not directly, not yet), it’s not about nobody knowing how to say “Hawkeye,” and it’s not about him being ready to pew-pew some bros: it’s about seeing the bros, and then acting accordingly by going downstairs.  

It’s a page about… well, about downstairs.  And what does Aja do?  He gives you that fifth and, especially, that sixth panel.  That glorious fucking comics move where an artist uses a gutter to divide time but not space.  Specifically because he does that, we get the exaggerated effect of really feeling like Clint and Co. are running to the side of that building and then looking over: it gives the reader a little bit of extra vertigo, and it completely determines how you ought to read this page.  As the sixth panel descends to ground level, we get the seventh panel of the bro shouting “HEY, BROOOO.”  And then, as the sixth panel cuts off before the ground, the eight panel puts us at ground level, looking at the bros, just before Clint’s arrival and the extra dose of juxtaposed silhouetted genius.

Do you know how boring this page could have been?  That sixth panel giving all that gravity to the page is a very specific and effective artistic choice, one that 9/10 artists don’t make, even if a couple of them make pretty good choices.  Aja does this constantly: he takes something simple and he makes it wonderful in a way that only comics could make something wonderful.  Here’s the page immediately after:

Okay, what is this page about?  A confrontation?  That happened last page.  An ass-beating?  That happens on the next page.

This is a page of a story that is about people getting out of fucking vans.  That’s it!!!  Imagine reading something akin to this page in a textual narrative: “Two vans pulled up.  The doors opened.  A bunch of reinforcement bros got out of the vans and charged at Clint, bats at the ready.”  Who the fuck cares.  Sure, it builds supsense: obviously setting up a bunch of people about to kick the shit out of someone and then ending it before the beatdown will build suspense.  But that doesn’t really make a bunch of dudes getting out of a van interesting.

But Aja does.  Aja actually makes a page about men climbing out of a fucking vehicle interesting.  How?  Symmetry, bro.  Mirroring, bro.  Clint comes out, across from the bros.  Next beat, we see him talking with a bro, juxtaposed next to the bro.  So we get distance, and then closeness.  Then we see the vans pull up across from each other (distance), then we see that mirrored, flipped around (closeness) yet still divided by white space in order to give Clint’s words prominence (which creates distance), and then end the page by seeing the bros close the distance between them and Clint.

The best part of this symmetrical mirroring juxtaposition stuff that Aja’s got going on here?  Clint is in the center of the page the entire time.  The page is about dude’s getting out of vans, but obviously we ought to be considering the fact that the object of their vodka-fueled ass-kickery is one Clint Barton.  The only time he’s not right in the middle of the page is when his words are the only thing in the middle of the page, which allows for an extra beat of suspense.

It would be one thing if Aja only turned in these two pages, but the dude is consistently making simple actions and interactions seem like magic on the page.  I just hope that every writer, like Fraction, recognizes how special this guy is and hands him Marvel-style scripts.  AJA IS BETTER THAN YOU, WRITERS.  HE IS BETTER THAN YOU.