I love this pixel art so much. It reminds me of the old cartoons and games we had like 16 years ago. What a great time was that, I miss this ‘bad’ quality cartoons so so much everytime I see this kind of pixel art.
melodrama through the eyes of a (fellow) synaesthete
hello everyone! just like lorde herself, i have a strong case of synaesthesia (I get colour visions, but also tastes and scents as well), so this is my attempt to review the masterpiece that is melodrama through my synaesthetical experiences
green light: car air freshener, heated highway and the visions you get when you drive in heat (a la mirages), blackberry-scented cheap shower gel, a pistachio green silk scarf, old school adidas kicks, lemon juice drops on fresh summer salad, beige satin, old black cars (a la classic cadillacs and jaguars), maple syrup, the heat of cairo at around 11 am
sober: ripehoneydew, the smell of guitar wood varnish, red satin ribbons, smudged glass coffee tables, spilled lemonade on said tables, peach vodka, the feel of white plaster in old museums where security guards are very strict, cough syrup (both the colour and the flavour), artificial smell of mint, mint gum, velvet red carpeting in old and badly aired town halls, the humidity of rainforest
homemade dynamite: 4 am sunrise straight after a storm with torn dark grey, nearly black clouds being ripped, smell of gasoline, deep puddles in cracked pavement, dimmed street lights about to go out, magenta, white musk perfume from the body shop, deep indigo of the nearly sunrise of mid may, that walk home from a rowdy night out when everyone is more or less sobered up, but not sober enough to feel shy yet, still drunk enough to be honest with affection and cursing and slightly slurred speech
the louvre: bamboo blinds, bamboo shoots, bonsai trees, flowing honey, varnished birchwood, sunlit old halls in ugly grey
soviet buildings, silver hellium-filled balloons, white shiny doors between a party-filled room and a closet where hook-ups and one-night stands take place, old oil paint, the sunny, lemon yellow butterflies, muddly skies of july, edelflower syrup in a glass of white wine, edelflower flower crowns, an expensive pool in a mansion-like house in hollywood hills, the eerie comfort and anxiety of the opening credits of twin peaks
liability: massive bouquets of lily of the valley, white lace curtains knitted by a grandmother, greyness of a sunday in a village on a last warm october day, a single light in an office on a late night in a massive skyscraper, dried flowers, drops of nosebleed on a crystal clean white sink, grey that turns into pastel lilac, the feeling of ripped paper
hard feelings/loveless: faint sunrise shining through the windows of a manhattan apartment in a skyscraper, all shades of orange spilling onto a hi-tec kitchen, cointreau liqueur, sunny warm nights on ocean beach, lukewarm bathtubs when the bath foam has fizzled, bonfires and burned marshmallows, just the beginning of feeling buzzed (like a glass of wine in), tender shades of yellow, rustiness of old heavy doors into a basement, scaffolding sounds, first sunniest days of spring after a heavy winter, sunset in the ocean, heavy fluffy sweaters / neon diner signs, anime eyes, porcelain dolls, peach-flavoured bubblegum, glass bowls
sober ii (melodrama): colour of crimson, heavy red velvet couches, smudged matte red lipstick, glass shards, ripped pearl necklaces and scattered pearls on sticky floor, red limelight, stilettos, tight black bodysuits, smoky-eyed tall models in revealing tight and latex dresses, marble furniture with golden decor, fistfights during a party, ripped suits and thrown ties and unbuttoned white shirts on boys with wealthy fathers
writer in the dark: light parakeet green, whitewashed starched tablecloths that crunch, old wooden tables, rusty cages for canaries, Advocat liqueur, big pearl necklaces on black dresses, big sunglasses (a la Audrey’s in Breakfast at Tiffany’s), sunny Sunday mornings on a patio with a cup of fancy tea, sunday clothes, white churches in greece, silver tears and crying in the backseat after a breakup, wilted flowers in a vase with dirty water
supercut: light green and orange, Love Is bubblegum, peaches, apricots, mint, Mojitos, fairy lights above people at a rooftop party, roadtrip one takes after a breakup with all thier belongings, flavoured water that doesn’t quench thirst, sparkling water with lemon and ice cubes, worn down picnic blankets, fancy dresses girls wear to the entrance into a nightclub, folding chairs, chilled champagne
liability (reprise): cold winter wind of february, the feeling on the tip of the tongue from scolding hot tea, big white rooms in museums, light green, light smoke of e-cigarette that smells like peppermint, the smell of sunscreen, the stillness of a swimming pool at noon in heat
perfect places: red wine, swinging chandeliers, red plastic cups, glass grand pianos, the last summer party in august, that warm feeling at the end of the party where everyone’s buzzed and affectionate and there’s a lot of kissing and hugging and swinging, big fake golden earrings, summer fruits, fancy hotels and luxurious lifts/elevators, skinny dipping, black velvet dresses that touch the floor, uncontrollable laughing in comfy sweaters
Able to perform a
specified action well and powerfully, able to withstand great force or
“Choose Your Blade”,
for Ryan Haywood; a Fake AH Crew playlist.
i. “Choose Your Blade” – House of Heroes
ii. “Human” – Manafest iii. “Dead Bite” – Hollywood Undead iv. “Time of Dying” – Three Days Grace v. “Psycho” – 12 Stones vi. “Save Yourself” – My Darkest Days vii.
“Collapsing” – Demon Hunter viii. “Wolf in Sheep’s Clothing” – Set It
Off ix. “Satellite” – Rise Against
x. “Fall, Goliath, Fall” – Project 86
xi. “Dig Down” – Muse xii. “Last Resort” – Papa Roach xiii. “Breath” – Breaking Benjamin xiv. “Demons” – Imagine Dragons xv. “Wasting Away” – Decyfer Down
Built using interlocking precast concrete blocks in a design based on Ancient Mayan structures. The Building is a National and State Landmark and is open to the public twelve days of the year. Used as a backdrop in such films as House on Haunted Hill, Blade Runner, and The Rocketeer and whose interiors have been recreated on countless film stages. Ennis House is a real Hollywood Icon.
When I was asked to do a song from In the Heights at the White House in 2009, I chose instead to do “Alexander Hamilton” because I felt like I was meeting a moment. This was a president that I had worked hard to help elect, and I wanted to show something about the American experience and do something new there because I felt like I was part of something. And now, with the show opening as Obama’s presidency is winding down, it feels very fitting and full circle. I don’t know what his legacy will be. I do know that the thing that Hamilton and Obama have in common is that they’re totally improbable stories — except they happened.
The Hollywood Reporter