DANCE MAJORS AU. (Part 1, Part 1.5,Part 2, Part 2.5, Part 3 finale) Contemporary Ballet Dancer Shiro is someone everyone admires and basically Everyone’s Crush™ but he already have his eyes set on a certain new hip-hop dancer recruit next door who’s always wearing red. He doesn’t have the guts to ask him out–at all. However, he asks if he could teach him hip-hop dancing.
Dr. Ziegler, I have a dream that I’d like to tell you about.
A dream? Well okay.
Well, it starts out. I am in this dark room all alone. Suddenly I notice a table. I move over to it and take a seat. In front of me is a delicious ambrosia salad. I’m very excited about enjoying the salad. However when I reached for my fork instead in my hand I hold…..a shoe! A SHOE! Not a fork, a wretched shoe! What does it mean doctor, what does it all mean?!
Requested: Anonymous said: Hi there! I’m so infatuated with your writing so I hope you could fill this request for a Taehyung x reader! If the reader and Taehyung are both shopping separately at Gucci but when they are trying stuff on they catch each other’s attention and start shopping together? Haha sorry if this is so specific. Thank you!!
Summary: You meet Taehyung in his natural habitat, Gucci and he helps you complete your outfit.
A/N: I love these detailed requests and all the comments you’ve been leaving and even an ask have made me so happy!! I’m happy you all enjoy my writing and it gets me writing even more!
Gucci was your favourite shop for a few reasons; you loved gold, you liked the way they greeted you like royalty at your service and you enjoyed the looks you received when you left with at least three white bags with a black lining on either arm. So as you walked around the shop, checking out your reflection in gold panels and looking through rails of clothes, there was a massive grin on your face.
A/N: This is the first story I’m posting on Tumblr! I hope you like it! I will always take requests if you wanna send me any. Anyways please enjoy!
PS: This is just part 1 and it maybe kinda slow.
not my gif
~ Admin Brooklyn
“What are we going to do?” Your mother whisper quietly to her husband. Her disappointment in your father was clear, as her face framed her emotions, all of them ranging from anger and frustration to anxiety and worry.
“I don’t know, but I’m so sorry.” Your dad said, remorse filling his voice. “I’m sorry. I’ve should’ve found a better way. I could’ve-”
“Are they coming?” Your mother cut him off, igniting a new problem in their minds.
“I don’t know. They didn’t say they would.” Your father said. As if on cue, the doorbell chimed through the house. Little three-year-old you smiled and ran towards the door.
“Mommy, Mommy someone’s here!” You giggled joyfully. As you stood in front of the door waiting for someone to open it. Your mother picked you up and carried you away from the front door.
“Sweetheart, (Y/N), go play in your room please.” You looked at your mother with wide eyes and nodded your head. She carefully set you down and you headed towards your room. Your mother watched as you climbed the steps and went to your room. The sound of the doorbell broke her trance. She looked at the door with panic and fear as she turned the knob. She plastered a smile on her face as the door swung open.
Shiro is unfazed by crawly things because his younger brother adores them and kept a pet tarantula for years so Shiro has a kind of fondness engendered from that- he’s the nice guy who gets a cup and paper and shoos them outside. Alternatively he might exploit the fact that he has a metal arm now to just scoop stuff up because it can’t bite him like that.
As the Spring Day teaser was released today I thought I’d
create a study for you guys putting forward my observations as a Creative Writing
and literature graduate, please enjoy… *puts smart hat on*
A plotless work by Ursula K. Le Guin based solely on
description and allowing the reader his own interpretation of morality and philosophy.
The only chronological event in the piece is the first day of summer in a
euphoric utopian city named Omelas, an extended metaphor for youth, with a
vibrant festival atmosphere which we see in the teaser within the Omelas motel
in bright rich colours as they all live communally just like the people within
The reader is intended to remain unsure about the reasoning
behind this ambiguous world which is left completely up to interpretation,
confirmed by the writer in their own words: “Omelas sounds in my words like a
city in a fairytale, long ago and far away. Perhaps it would be best if you
imagined as your own fancy bids.”
The central point which makes the story real is its single
atrocity, the suffering of one child in filth, darkness, and perpetual misery.
Once old enough to know the weight of this suffering, a
group of young and old individuals walk away silently seen in one of the scenes
as each member walks together into a new environment, evident due to the
drained hue of the cinematography as it becomes more wintery, seen too in the opening shot in which the members have frosty blue tinged lips juxtaposing the background of bright childhood sights like the merry go round reading “you never walk alone” as well as the beach which show a stylized divide between them and their surroundings.
Jimin’s scenes are most notable with the most enduring being his connection to the sea, a theme which sets forth a contradictory metaphor as old as classical literature itself, of the ocean as a serene, beautiful yet dangerous and hostile environment. This idea is supported by Jimin holding another persons shoes in his hands, typically the first thing to wash up after a death by drowning at sea.
It is arguable that Jimin later walking alone in an apparent wilderness is symbolic of the book endings
ambiguity and potential as a blank canvas on which the personal meaning from
the readers imagination can be applied. Once again the writer confirms this: “The
place they go is even less imaginable to us than the city of happiness. It is
possible it does not exist.”
This could hint that the characters have
no further plot line, they are without a continuing story arc, supported by the
imagery within the teaser of each member repeating his own theme as oppose to
The notion of the scapegoat is central to the understanding
of the text, the writer being heavily influenced by psychomyths alluded to by
Dostoyevsky and William James. In a nutshell that no matter the happiness we
felt in a society that hinged on the suffering of one, our happiness would be
so monstrous to us that we would be forced to leave it by our own conscience.
About 7 friends on a road trip staying at a motel,
encountering a seemingly helpful group and being trapped, waking up to a
gruesome and bloody terror they must work together to escape and survive.
There is a huge possibility that the other group is a mirror
image of the 7 friends whose own actions put them in danger, causing them to
have to work together to overcome the consequences, it can also be used to
explain some of the dark and bloody themes seen in Wings, Epilogue and I Need U
A supernatural fantasy written by Alan Garner set in modern
Wales and based on a mythical Welsh woman named Blodeuwedd who was created by
flowers for a man cursed to take no human wife. She betrays the husband for
another man and is turned into an owl as punishment, a future theme eerily
hinted at in the sign at the bus shelter (which oddly has no exit roads) at the
destination aptly named ‘Affair’.
In Garners tale 3 teenagers find themselves re-enacting this
story, whose bird imagery relates directly to Taehyung’s portrayal in Wings and
the mythology and classical themes set forth in the previous era.
It is imperative we ask ourselves the forbidden question,
what if none of this is real? What if what we are seeing is just a narrative
device created to obscure the real story? What facts would this leave us with?
The central fact is the reflected suffering of a young person –
escaping into his books and movies to distract himself from the truth, a truth so all-encompassing that it bleeds through into every single thing he reads and watches. An
individual who was well versed in classicism and philosophy, of high intelligence
to keep noticing these themes and applying parts of his own life to generate meaning.
The ‘hyung’ Tae calls
for yet never gets through to after the fact, doomed to repeat and suffer that
which he cannot change, the events of his youth refracted in what he reads, so
many variations of books and films all mixed together and all in English, overlapping and still somehow
alien from each other, yet in each he sees his friends as well as himself as
the protagonists, that child would be the central theme, the scapegoat, the
utopia, the one individual which knits it all together.
The view of this one
man would perceive all the events, know the suffering of each character as only
an omniscient narrator would, how else would he know both the suffering and the
joy simultaneously unless the characters were all a part of him, each one a
strength and a weakness.
With this view, only the events during I Need U could have
been real, the rest simply memories, reflections and glimpses into his
imagination as he goes about his life, revisiting a now distant, traumatic yet halcyon
Who do you think he is? I hope you enjoyed my mini case
study of the new teaser! If you would like any more theories I
welcome asks! 💖